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class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Niccolò Scaffai" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/368264/99807/39150809/s200_niccol_.scaffai.png" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Niccolò Scaffai</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://unisi.academia.edu/">University of Siena / Università di Siena</a>, <a class="u-tcGrayDarker" href="https://unisi.academia.edu/Departments/Dipartimento_di_Filologia_e_Critica_delle_Letterature_Antiche_e_Moderne/Documents">Dipartimento di Filologia e Critica delle Letterature Antiche e Moderne</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button 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data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">741</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">61</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/Niccol%C3%B2Scaffai/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Professore ordinario di Letteratura italiana contemporanea/Full Professor of Contemporary Italian Literature<br /><br />Direttore del Centro Interdipartimentale di Ricerca Franco Fortini in ”Storia della tradizione culturale del Novecento”<br />Membro del direttivo di Compalit-Associazione di teoria e storia comparata della letteratura<br /> <br />Si è formato alla Scuola Normale Superiore e ha svolto attività di ricerca e insegnamento all'Università di Bergamo e alla Facoltà di Lettere di Arezzo. Ha insegnato dal 2010 al 2019 Letteratura contemporanea all’Università di Losanna, dove ha diretto il Centre Interdisciplinaire d’Études des Littératures (CIEL) e fondato il Pôle de recherche sur l’Italianité (RecIt).<br />Si occupa di poesia moderna, letteratura del Novecento, comparatistica e teoria letteraria. Tra gli argomenti delle sue ricerche e pubblicazioni recenti ci sono l’opera di Montale e Sereni, la relazione tra letteratura e ecologia, Primo Levi e il racconto della Shoah.<br />Fa parte dei comitati direttivi di «Between», «Italianistica» e di altre riviste scientifiche. È componente della giuria del Premio svizzero di letteratura, del Premio Nazionale Pagliarani di poesia, del Premio Vittorio Bodini e del Premio Renato Fucini. Collabora con varie testate di divulgazione culturale (tra cui “Alias Domenica”, “Doppiozero”, “Le parole e le cose” di cui è anche redattore).<br /><b>Address: </b>Prof. Niccolò Scaffai<br />Università di Siena<br />Dipartimento di Filologia e Critica delle Letterature antiche e moderne (DFCLAM)<br />Palazzo San Niccolò, via Roma, 56<br />53100 Siena - Italia<br />IV piano - studio 422<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unibe-ch.academia.edu/MarinoFuchs"><img class="profile-avatar u-positionAbsolute" alt="Marino Fuchs" border="0" onerror="if (this.src != 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role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More  <i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Moderna-e-contemporanea-Contemporary-literature" data-toggle="tab" href="#modernaecontemporaneacontemporaryliterature" role="tab" style="border: none;"><span>37</span> Moderna e contemporanea/Contemporary literature</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Letterature-comparate-Comparative-literature" data-toggle="tab" href="#letteraturecomparatecomparativeliterature" role="tab" style="border: none;"><span>24</span> Letterature comparate/Comparative literature</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Letteratura-e-ecologia-Literature-and-ecology" data-toggle="tab" href="#letteraturaeecologialiteratureandecology" role="tab" style="border: none;"><span>30</span> Letteratura e ecologia/Literature and ecology</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Articoli-su-quotidiani-e-riviste-online" data-toggle="tab" href="#articolisuquotidianierivisteonline" role="tab" style="border: none;"><span>53</span> Articoli su quotidiani e riviste online</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Italo-Calvino" data-toggle="tab" href="#italocalvino" role="tab" style="border: none;"><span>6</span> Italo Calvino</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Eugenio-Montale" data-toggle="tab" href="#eugeniomontale" role="tab" style="border: none;"><span>19</span> Eugenio Montale</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Vittorio-Sereni" data-toggle="tab" href="#vittoriosereni" role="tab" style="border: none;"><span>6</span> Vittorio Sereni</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Franco-Fortini" data-toggle="tab" href="#francofortini" role="tab" style="border: none;"><span>5</span> Franco Fortini</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Primo-Levi" data-toggle="tab" href="#primolevi" role="tab" style="border: none;"><span>15</span> Primo Levi</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Recensioni-Book-reviews" data-toggle="tab" href="#recensionibookreviews" role="tab" style="border: none;"><span>9</span> Recensioni/Book reviews</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Interviste" data-toggle="tab" href="#interviste" role="tab" style="border: none;"><span>10</span> Interviste</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Presentazioni" data-toggle="tab" href="#presentazioni" role="tab" style="border: none;"><span>13</span> Presentazioni</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Convegni,-conferenze,-lezioni" data-toggle="tab" href="#convegniconferenzelezioni" role="tab" style="border: none;"><span>135</span> Convegni, conferenze, lezioni</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Recensioni-ricevute" data-toggle="tab" href="#recensioniricevute" role="tab" style="border: none;"><span>35</span> Recensioni ricevute</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" style="border: none;"><span>125</span> Papers</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Books,-editions,-edited-books-and-journals" data-toggle="tab" href="#bookseditionseditedbooksandjournals" role="tab" style="border: none;"><span>1</span> Books, editions, edited books and journals</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" style="border: none;"><span>1</span> Books</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Articles" data-toggle="tab" href="#articles" role="tab" style="border: none;"><span>1</span> Articles</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Most-Recent-Works" data-toggle="tab" href="#mostrecentworks" role="tab" style="border: none;"><span>1</span> Most Recent Works</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Talks" data-toggle="tab" href="#talks" role="tab" style="border: none;"><span>1</span> Talks</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="L'ospite-ingrato-Rivista-online-del-Centro-Fortini" data-toggle="tab" href="#lospiteingratorivistaonlinedelcentrofortini" role="tab" style="border: none;"><span>2</span> L'ospite ingrato-Rivista online del Centro Fortini</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Conference-Organisation" data-toggle="tab" href="#conferenceorganisation" role="tab" style="border: none;"><span>1</span> Conference Organisation</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Drafts" data-toggle="tab" href="#drafts" role="tab" style="border: none;"><span>1</span> Drafts</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Conference-Presentations" data-toggle="tab" href="#conferencepresentations" role="tab" style="border: none;"><span>1</span> Conference Presentations</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Riviste" data-toggle="tab" href="#riviste" role="tab" style="border: none;"><span>3</span> Riviste</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Videos" id="Videos"><h3 class="profile--tab_heading_container">Videos by Niccolò Scaffai</h3></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration 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/><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">33:29</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/Ak7oYk">Lettura e analisi di Montale: "La primavera hitleriana"</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Lezione di orientamento</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="Ak7oYk"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/Ak7oYk" rel="nofollow" tabindex="0"><span><i class="fa 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class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" 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/><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">11:29</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/kxQbvj">"I sommersi e i salvati" di Primo Levi</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">10 minuti. Videolezioni di filologia italiana</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="kxQbvj"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/kxQbvj" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="kxQbvj">35 views</span></span></span></div></div></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration { position: absolute; bottom: 2px; right: 2px; color: #ffffff; background-color: #000000; font-size: 12px; font-weight: 500; line-height: 12px; padding: 2px; }</style><div class="js-work-strip profile--work_container" data-video-id="1854"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" href="https://www.academia.edu/video/Gk5M5k"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/Gk5M5k/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAJC3PALHA%2F20250220%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250220T191341Z&X-Amz-Expires=20267&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEJv%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FwEaCXVzLWVhc3QtMSJHMEUCIQD%2FneFZKDKcdw%2FmoTtWVb4RCkv8ENzdBiWe0gbEwuQjqAIgIqUffHFLhRWVlMQ3QmizGSgqnGMJS2td3NNby%2BGoLesqlgQIxP%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FARAAGgwyNTAzMTg4MTEyMDAiDMtR7PZEs56dWuL33SrqA9Va9rQHX8DgiGrsZzpJQgBq7am%2F9D7GBgIVow%2FyqbP3ar62OVGWY%2F0klZEN5%2Fm1s3nVsSPJkG7kb1LFte1sN4l%2FG5GC2b%2FStTb7l4ujmjudJJV3i2Z6GXi%2BAGuyH9FQvqJ%2BLrYH2byofjhNfRJJ4MmdDm31JM2uC%2Fx0TTiRVoI%2FxSjNJ1yT8uSPCy%2BCBUZlJHTpXI1c4nqlxCOpdQxmtBG2Sf4yH%2FRihIF3BVmYs4OsfCEigCyhO2%2FWxSnr6%2FnTDu9KvY%2FA5KlUtbNIlFstFXXlzbs3%2BDkwMEvHQlmiJU4tl5A5CUwHgMXTqklWbN4%2BjPdghYQ2Fabp3sXGs8LKmfng3wXa%2Fu2cY1YfSX%2Bw3HN%2B2qFmarN0B6W5%2BNntr4aVJTM3wAjR5qKonDDhEhIHbDrlJPupVdu%2F9tXJDyOqAs8eZTBjo2VW4fflco6i1DSw8vFd9T5gw3hSc8tTj4YCnjaPhba3CGj14h5pKVkAVLUO%2Bc%2FjJrT1DqYv1nPLJmL960Tpj6JE0TB7SxrI4gnYra5%2FSCR2l%2BQB3hNUWjqg9hKz5L%2BCo6tI91zw792ySPIICkT7I5apu8bFSI1DstjTM8DJsFSKiNPyFEW7uEy8oQSDJzT%2FACJAmntSFeyLUvyl295Cc0z0oUNbfnAwsPPdvQY6pQHikdKAySwSa6JNSw2kgQpmCWtWqwWx%2FVFucH%2Fjiqq859wUh8f21hOrKCWCn3S0XCO195EphO5rMyQVtjszrlCl9sEtYQRAwS1bCx8NwKCnTCYqsNkQUOyCKU2hqMgUH4Y7ahTjwumEEK0JjY8PzsU%2FwxV1aX0Uz7TwdSbgaRtIobfkfz412ghRDqDWdMuHrYjmF3mhLCIufEQ%2BeZNM1gG3IYwrsMQ%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=ba0f67c7141cef30db595aa21720b26a672d76f3355debf521c1e59f32888d2a" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">02:03</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/Gk5M5k">Letterature comparate. Un'introduzione</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Video di orientamento per i corsi del Dipartimento di Filologia e critica delle letterature antic...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Video di orientamento per i corsi del Dipartimento di Filologia e critica delle letterature antiche e moderne (Università degli studi di Siena)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="Gk5M5k"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/Gk5M5k" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="Gk5M5k">46 views</span></span></span></div></div></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration { position: absolute; bottom: 2px; right: 2px; color: #ffffff; background-color: #000000; font-size: 12px; font-weight: 500; line-height: 12px; padding: 2px; }</style><div class="js-work-strip profile--work_container" data-video-id="24265"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" href="https://www.academia.edu/video/kbLXn1"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/kbLXn1/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAJC3PALHA%2F20250220%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250220T191341Z&X-Amz-Expires=20267&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEJv%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FwEaCXVzLWVhc3QtMSJHMEUCIQD%2FneFZKDKcdw%2FmoTtWVb4RCkv8ENzdBiWe0gbEwuQjqAIgIqUffHFLhRWVlMQ3QmizGSgqnGMJS2td3NNby%2BGoLesqlgQIxP%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FARAAGgwyNTAzMTg4MTEyMDAiDMtR7PZEs56dWuL33SrqA9Va9rQHX8DgiGrsZzpJQgBq7am%2F9D7GBgIVow%2FyqbP3ar62OVGWY%2F0klZEN5%2Fm1s3nVsSPJkG7kb1LFte1sN4l%2FG5GC2b%2FStTb7l4ujmjudJJV3i2Z6GXi%2BAGuyH9FQvqJ%2BLrYH2byofjhNfRJJ4MmdDm31JM2uC%2Fx0TTiRVoI%2FxSjNJ1yT8uSPCy%2BCBUZlJHTpXI1c4nqlxCOpdQxmtBG2Sf4yH%2FRihIF3BVmYs4OsfCEigCyhO2%2FWxSnr6%2FnTDu9KvY%2FA5KlUtbNIlFstFXXlzbs3%2BDkwMEvHQlmiJU4tl5A5CUwHgMXTqklWbN4%2BjPdghYQ2Fabp3sXGs8LKmfng3wXa%2Fu2cY1YfSX%2Bw3HN%2B2qFmarN0B6W5%2BNntr4aVJTM3wAjR5qKonDDhEhIHbDrlJPupVdu%2F9tXJDyOqAs8eZTBjo2VW4fflco6i1DSw8vFd9T5gw3hSc8tTj4YCnjaPhba3CGj14h5pKVkAVLUO%2Bc%2FjJrT1DqYv1nPLJmL960Tpj6JE0TB7SxrI4gnYra5%2FSCR2l%2BQB3hNUWjqg9hKz5L%2BCo6tI91zw792ySPIICkT7I5apu8bFSI1DstjTM8DJsFSKiNPyFEW7uEy8oQSDJzT%2FACJAmntSFeyLUvyl295Cc0z0oUNbfnAwsPPdvQY6pQHikdKAySwSa6JNSw2kgQpmCWtWqwWx%2FVFucH%2Fjiqq859wUh8f21hOrKCWCn3S0XCO195EphO5rMyQVtjszrlCl9sEtYQRAwS1bCx8NwKCnTCYqsNkQUOyCKU2hqMgUH4Y7ahTjwumEEK0JjY8PzsU%2FwxV1aX0Uz7TwdSbgaRtIobfkfz412ghRDqDWdMuHrYjmF3mhLCIufEQ%2BeZNM1gG3IYwrsMQ%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=43c08d528369f79e1d40b508c2128bc7bf5c11104218e092e210e76960d23827" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">02:34</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/kbLXn1">La lettera verde. Letteratura e ecologia : su "La grande cecità" di Amitav Ghosh</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">«La lettera verde» a cura di Niccolò Scaffai «La lettera verde» è un ciclo di brevi presenta...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">«La lettera verde» <br /> a cura di Niccolò Scaffai <br /> <br />«La lettera verde» è un ciclo di brevi presentazioni su letteratura e ecologia, a cura di Niccolò Scaffai, docente di critica letteraria e letterature comparate all’Università di Siena. In ogni puntata, nello spazio di pochi minuti, viene illustrato un romanzo, un saggio o una poesia; oppure un tema o una parola-chiave legati all’ambiente, alla natura, alle emergenze ecologiche dei nostri giorni. <br /> <br />La letteratura, infatti, sempre più spesso dà spazio a temi come la crisi climatica o il rapporto tra l’essere umano e altre specie viventi al tempo dell’Antropocene. Attraverso le risorse della scrittura e la forza dell’immaginario, le opere letterarie possono anticipare scenari e far comprendere la complessità e l’importanza delle relazioni da cui dipendono gli ambienti e la nostra stessa vita in comune.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="kbLXn1"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/kbLXn1" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="kbLXn1">43 views</span></span></span></div></div></div><div class="profile--tab_heading_container js-section-heading" data-section="Libri/Books" id="Libri/Books"><h3 class="profile--tab_heading_container">Libri/Books by Niccolò Scaffai</h3></div><div class="js-work-strip profile--work_container" data-work-id="118491434"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118491434/Allegorie_Problemi_e_analisi_di_testi_a_cura_di_Giovanni_Bottiroli_e_Niccol%C3%B2_Scaffai"><img alt="Research paper thumbnail of Allegorie. Problemi e analisi di testi, a cura di Giovanni Bottiroli e Niccolò Scaffai" class="work-thumbnail" src="https://attachments.academia-assets.com/114104750/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118491434/Allegorie_Problemi_e_analisi_di_testi_a_cura_di_Giovanni_Bottiroli_e_Niccol%C3%B2_Scaffai">Allegorie. Problemi e analisi di testi, a cura di Giovanni Bottiroli e Niccolò Scaffai</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"L'immagine riflessa", XXXII (2023), Edizioni dell'Orso, 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2ff155d1747ecae4d65e8eae43028148" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114104750,"asset_id":118491434,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114104750/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118491434"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118491434"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118491434; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118491434]").text(description); $(".js-view-count[data-work-id=118491434]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118491434; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118491434']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2ff155d1747ecae4d65e8eae43028148" } } $('.js-work-strip[data-work-id=118491434]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118491434,"title":"Allegorie. 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Scaffai, Milano, Mondadori 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/IdaCampeggiani">Ida Campeggiani</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Copertina, Frontespizio, Indice</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="69dce0b09f7eedae61dfe3ed32c9b11f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60562082,"asset_id":40320003,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60562082/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40320003"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40320003"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40320003; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40320003]").text(description); $(".js-view-count[data-work-id=40320003]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40320003; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40320003']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "69dce0b09f7eedae61dfe3ed32c9b11f" } } $('.js-work-strip[data-work-id=40320003]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40320003,"title":"Eugenio Montale, \"La bufera e altro\", edizione commentata a cura di I. 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Narrazioni dell'italianità dagli anni Ottanta a oggi, a cura di Niccolò Scaffai e Nelly Valsangiacomo (Roma, Carocci, 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/57677042/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37686693/%C3%80_litalienne_Narrazioni_dellitalianit%C3%A0_dagli_anni_Ottanta_a_oggi_a_cura_di_Niccol%C3%B2_Scaffai_e_Nelly_Valsangiacomo_Roma_Carocci_2018_">À l'italienne. Narrazioni dell'italianità dagli anni Ottanta a oggi, a cura di Niccolò Scaffai e Nelly Valsangiacomo (Roma, Carocci, 2018)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unil.academia.edu/Valsangiacomo">Nelly Valsangiacomo</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f9a8e1664fe8594afdad3276af047794" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57677042,"asset_id":37686693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57677042/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37686693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37686693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37686693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37686693]").text(description); $(".js-view-count[data-work-id=37686693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37686693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37686693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f9a8e1664fe8594afdad3276af047794" } } $('.js-work-strip[data-work-id=37686693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37686693,"title":"À l'italienne. 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Fortini e Sereni, a cura di Francesco Diaco e Niccolò Scaffai (Quaderni della Sezione di italiano dell'Università di Losanna, Pisa, ETS 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/57955400/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37942000/Dallaltra_riva_Fortini_e_Sereni_a_cura_di_Francesco_Diaco_e_Niccol%C3%B2_Scaffai_Quaderni_della_Sezione_di_italiano_dellUniversit%C3%A0_di_Losanna_Pisa_ETS_2018_">Dall'altra riva. 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Montale, Sereni, Caproni, Roma, Carocci 2015" class="work-thumbnail" src="https://attachments.academia-assets.com/42807407/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22144006/Il_lavoro_del_poeta_Montale_Sereni_Caproni_Roma_Carocci_2015">Il lavoro del poeta. Montale, Sereni, Caproni, Roma, Carocci 2015</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Realizzazione editoriale: Omnibook, Bari Finito di stampare nel dicembre 2014 da Grafiche VD srl,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Realizzazione editoriale: Omnibook, Bari Finito di stampare nel dicembre 2014 da Grafiche VD srl, Città di Castello (PG) isbn 978-88-430-7432-7 Riproduzione vietata ai sensi di legge (art. 171 della legge 22 aprile 1941, n. 633) Senza regolare autorizzazione, è vietato riprodurre questo volume anche parzialmente e con qualsiasi mezzo, compresa la fotocopia, anche per uso interno o didattico. 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Videolezioni di filologia italiana</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="kxQbvj"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/kxQbvj" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="kxQbvj">35 views</span></span></span></div></div></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration { position: absolute; bottom: 2px; right: 2px; color: #ffffff; background-color: #000000; font-size: 12px; font-weight: 500; line-height: 12px; padding: 2px; }</style><div class="js-work-strip profile--work_container" data-video-id="1854"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" href="https://www.academia.edu/video/Gk5M5k"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/Gk5M5k/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAJC3PALHA%2F20250220%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250220T191341Z&X-Amz-Expires=20267&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEJv%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FwEaCXVzLWVhc3QtMSJHMEUCIQD%2FneFZKDKcdw%2FmoTtWVb4RCkv8ENzdBiWe0gbEwuQjqAIgIqUffHFLhRWVlMQ3QmizGSgqnGMJS2td3NNby%2BGoLesqlgQIxP%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FARAAGgwyNTAzMTg4MTEyMDAiDMtR7PZEs56dWuL33SrqA9Va9rQHX8DgiGrsZzpJQgBq7am%2F9D7GBgIVow%2FyqbP3ar62OVGWY%2F0klZEN5%2Fm1s3nVsSPJkG7kb1LFte1sN4l%2FG5GC2b%2FStTb7l4ujmjudJJV3i2Z6GXi%2BAGuyH9FQvqJ%2BLrYH2byofjhNfRJJ4MmdDm31JM2uC%2Fx0TTiRVoI%2FxSjNJ1yT8uSPCy%2BCBUZlJHTpXI1c4nqlxCOpdQxmtBG2Sf4yH%2FRihIF3BVmYs4OsfCEigCyhO2%2FWxSnr6%2FnTDu9KvY%2FA5KlUtbNIlFstFXXlzbs3%2BDkwMEvHQlmiJU4tl5A5CUwHgMXTqklWbN4%2BjPdghYQ2Fabp3sXGs8LKmfng3wXa%2Fu2cY1YfSX%2Bw3HN%2B2qFmarN0B6W5%2BNntr4aVJTM3wAjR5qKonDDhEhIHbDrlJPupVdu%2F9tXJDyOqAs8eZTBjo2VW4fflco6i1DSw8vFd9T5gw3hSc8tTj4YCnjaPhba3CGj14h5pKVkAVLUO%2Bc%2FjJrT1DqYv1nPLJmL960Tpj6JE0TB7SxrI4gnYra5%2FSCR2l%2BQB3hNUWjqg9hKz5L%2BCo6tI91zw792ySPIICkT7I5apu8bFSI1DstjTM8DJsFSKiNPyFEW7uEy8oQSDJzT%2FACJAmntSFeyLUvyl295Cc0z0oUNbfnAwsPPdvQY6pQHikdKAySwSa6JNSw2kgQpmCWtWqwWx%2FVFucH%2Fjiqq859wUh8f21hOrKCWCn3S0XCO195EphO5rMyQVtjszrlCl9sEtYQRAwS1bCx8NwKCnTCYqsNkQUOyCKU2hqMgUH4Y7ahTjwumEEK0JjY8PzsU%2FwxV1aX0Uz7TwdSbgaRtIobfkfz412ghRDqDWdMuHrYjmF3mhLCIufEQ%2BeZNM1gG3IYwrsMQ%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=ba0f67c7141cef30db595aa21720b26a672d76f3355debf521c1e59f32888d2a" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">02:03</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/Gk5M5k">Letterature comparate. Un'introduzione</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Video di orientamento per i corsi del Dipartimento di Filologia e critica delle letterature antic...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Video di orientamento per i corsi del Dipartimento di Filologia e critica delle letterature antiche e moderne (Università degli studi di Siena)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="Gk5M5k"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/Gk5M5k" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="Gk5M5k">46 views</span></span></span></div></div></div><style type="text/css">/*thumbnail*/ .video-thumbnail-container { position: relative; height: 88px !important; box-sizing: content-box; } .thumbnail-image { height: 100%; width: 100%; object-fit: cover; } .play-icon { position: absolute; width: 40px; height: 40px; top: calc(50% - 20px); left: calc(50% - 20px); } .video-duration { position: absolute; bottom: 2px; right: 2px; color: #ffffff; background-color: #000000; font-size: 12px; font-weight: 500; line-height: 12px; padding: 2px; }</style><div class="js-work-strip profile--work_container" data-video-id="24265"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" href="https://www.academia.edu/video/kbLXn1"><div class="work-thumbnail video-thumbnail-container"><img class="thumbnail-image" onerror="this.src='//a.academia-assets.com/images/videoicon.svg'" src="https://academia-edu-videos.s3.amazonaws.com/transcoded/kbLXn1/thumbnail.jpg?response-content-disposition=inline%3B%20filename%3D%22thumbnail.jpg%22%3B%20filename%2A%3DUTF-8%27%27thumbnail.jpg&response-content-type=image%2Fjpeg&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ASIATUSBJ6BAJC3PALHA%2F20250220%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250220T191341Z&X-Amz-Expires=20267&X-Amz-Security-Token=IQoJb3JpZ2luX2VjEJv%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FwEaCXVzLWVhc3QtMSJHMEUCIQD%2FneFZKDKcdw%2FmoTtWVb4RCkv8ENzdBiWe0gbEwuQjqAIgIqUffHFLhRWVlMQ3QmizGSgqnGMJS2td3NNby%2BGoLesqlgQIxP%2F%2F%2F%2F%2F%2F%2F%2F%2F%2FARAAGgwyNTAzMTg4MTEyMDAiDMtR7PZEs56dWuL33SrqA9Va9rQHX8DgiGrsZzpJQgBq7am%2F9D7GBgIVow%2FyqbP3ar62OVGWY%2F0klZEN5%2Fm1s3nVsSPJkG7kb1LFte1sN4l%2FG5GC2b%2FStTb7l4ujmjudJJV3i2Z6GXi%2BAGuyH9FQvqJ%2BLrYH2byofjhNfRJJ4MmdDm31JM2uC%2Fx0TTiRVoI%2FxSjNJ1yT8uSPCy%2BCBUZlJHTpXI1c4nqlxCOpdQxmtBG2Sf4yH%2FRihIF3BVmYs4OsfCEigCyhO2%2FWxSnr6%2FnTDu9KvY%2FA5KlUtbNIlFstFXXlzbs3%2BDkwMEvHQlmiJU4tl5A5CUwHgMXTqklWbN4%2BjPdghYQ2Fabp3sXGs8LKmfng3wXa%2Fu2cY1YfSX%2Bw3HN%2B2qFmarN0B6W5%2BNntr4aVJTM3wAjR5qKonDDhEhIHbDrlJPupVdu%2F9tXJDyOqAs8eZTBjo2VW4fflco6i1DSw8vFd9T5gw3hSc8tTj4YCnjaPhba3CGj14h5pKVkAVLUO%2Bc%2FjJrT1DqYv1nPLJmL960Tpj6JE0TB7SxrI4gnYra5%2FSCR2l%2BQB3hNUWjqg9hKz5L%2BCo6tI91zw792ySPIICkT7I5apu8bFSI1DstjTM8DJsFSKiNPyFEW7uEy8oQSDJzT%2FACJAmntSFeyLUvyl295Cc0z0oUNbfnAwsPPdvQY6pQHikdKAySwSa6JNSw2kgQpmCWtWqwWx%2FVFucH%2Fjiqq859wUh8f21hOrKCWCn3S0XCO195EphO5rMyQVtjszrlCl9sEtYQRAwS1bCx8NwKCnTCYqsNkQUOyCKU2hqMgUH4Y7ahTjwumEEK0JjY8PzsU%2FwxV1aX0Uz7TwdSbgaRtIobfkfz412ghRDqDWdMuHrYjmF3mhLCIufEQ%2BeZNM1gG3IYwrsMQ%3D&X-Amz-SignedHeaders=host&X-Amz-Signature=43c08d528369f79e1d40b508c2128bc7bf5c11104218e092e210e76960d23827" /><img alt="Play" class="play-icon" src="//a.academia-assets.com/images/video-play-icon.svg" /><div class="video-duration">02:34</div></div></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" href="https://www.academia.edu/video/kbLXn1">La lettera verde. Letteratura e ecologia : su "La grande cecità" di Amitav Ghosh</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">«La lettera verde» a cura di Niccolò Scaffai «La lettera verde» è un ciclo di brevi presenta...</span><a class="js-work-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">«La lettera verde» <br /> a cura di Niccolò Scaffai <br /> <br />«La lettera verde» è un ciclo di brevi presentazioni su letteratura e ecologia, a cura di Niccolò Scaffai, docente di critica letteraria e letterature comparate all’Università di Siena. In ogni puntata, nello spazio di pochi minuti, viene illustrato un romanzo, un saggio o una poesia; oppure un tema o una parola-chiave legati all’ambiente, alla natura, alle emergenze ecologiche dei nostri giorni. <br /> <br />La letteratura, infatti, sempre più spesso dà spazio a temi come la crisi climatica o il rapporto tra l’essere umano e altre specie viventi al tempo dell’Antropocene. Attraverso le risorse della scrittura e la forza dell’immaginario, le opere letterarie possono anticipare scenari e far comprendere la complessità e l’importanza delle relazioni da cui dipendono gli ambienti e la nostra stessa vita in comune.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-video-id="kbLXn1"><a class="js-profile-work-strip-edit-button" href="https://unisi.academia.edu/video/edit/kbLXn1" rel="nofollow" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-video-id="kbLXn1">43 views</span></span></span></div></div></div></div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2865401" id="libribooks"><div class="js-work-strip profile--work_container" data-work-id="118491434"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/118491434/Allegorie_Problemi_e_analisi_di_testi_a_cura_di_Giovanni_Bottiroli_e_Niccol%C3%B2_Scaffai"><img alt="Research paper thumbnail of Allegorie. 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Problemi e analisi di testi, a cura di Giovanni Bottiroli e Niccolò Scaffai</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"L'immagine riflessa", XXXII (2023), Edizioni dell'Orso, 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2ff155d1747ecae4d65e8eae43028148" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114104750,"asset_id":118491434,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114104750/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118491434"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118491434"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118491434; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118491434]").text(description); $(".js-view-count[data-work-id=118491434]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118491434; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118491434']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2ff155d1747ecae4d65e8eae43028148" } } $('.js-work-strip[data-work-id=118491434]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118491434,"title":"Allegorie. 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Narrazioni dell'italianità dagli anni Ottanta a oggi, a cura di Niccolò Scaffai e Nelly Valsangiacomo (Roma, Carocci, 2018)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unil.academia.edu/Valsangiacomo">Nelly Valsangiacomo</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f9a8e1664fe8594afdad3276af047794" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57677042,"asset_id":37686693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57677042/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37686693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37686693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37686693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37686693]").text(description); $(".js-view-count[data-work-id=37686693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37686693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37686693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f9a8e1664fe8594afdad3276af047794" } } $('.js-work-strip[data-work-id=37686693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37686693,"title":"À l'italienne. 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Fortini e Sereni, a cura di Francesco Diaco e Niccolò Scaffai (Quaderni della Sezione di italiano dell'Università di Losanna, Pisa, ETS 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/57955400/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37942000/Dallaltra_riva_Fortini_e_Sereni_a_cura_di_Francesco_Diaco_e_Niccol%C3%B2_Scaffai_Quaderni_della_Sezione_di_italiano_dellUniversit%C3%A0_di_Losanna_Pisa_ETS_2018_">Dall'altra riva. 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Montale, Sereni, Caproni, Roma, Carocci 2015</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Realizzazione editoriale: Omnibook, Bari Finito di stampare nel dicembre 2014 da Grafiche VD srl,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Realizzazione editoriale: Omnibook, Bari Finito di stampare nel dicembre 2014 da Grafiche VD srl, Città di Castello (PG) isbn 978-88-430-7432-7 Riproduzione vietata ai sensi di legge (art. 171 della legge 22 aprile 1941, n. 633) Senza regolare autorizzazione, è vietato riprodurre questo volume anche parzialmente e con qualsiasi mezzo, compresa la fotocopia, anche per uso interno o didattico. 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Superati punti di vista troppo specifici, o al contrario troppo generici, si è provato a misurare e illustrare nel suo complesso il rapporto tra l'immagine letteraria nota di un autore e quella ricostruibile dal suo archivio. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22215603"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22215603/Breve_guida_alla_scrittura_della_prova_finale_Roma_Aracne_2008"><img alt="Research paper thumbnail of Breve guida alla scrittura della prova finale, Roma, Aracne 2008" class="work-thumbnail" src="https://attachments.academia-assets.com/42868729/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22215603/Breve_guida_alla_scrittura_della_prova_finale_Roma_Aracne_2008">Breve guida alla scrittura della prova finale, Roma, Aracne 2008</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La Breve guida si rivolge agli studenti, soprattutto a quelli delle Facoltà umanistiche, per aiut...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La Breve guida si rivolge agli studenti, soprattutto a quelli delle Facoltà umanistiche, per aiutarli ad affinare le loro capacità di argomentazione e per fornire norme e suggerimenti utili nella progettazione e nella stesura della tesi triennale (e di altri elaborati accademici). L'auspicio è che possa rappresentare, per chi deve cimentarsi nella scrittura universitaria, uno strumento pratico per fugare i dubbi più urgenti e scongiurare gli errori più imbarazzanti. Dopo aver illustrato le caratteristiche fondamentali del testo argomentativo, il libro suggerisce come organizzare il lavoro, procurarsi il sostegno di fonti attendibili, migliorare la scrittura. Niccolò Scaffai collabora con la Facoltà di Scienze umanistiche dell'Università degli Studi di Bergamo e insegna attualmente Letterature comparate presso l'Università degli Studi di Siena-Arezzo. Ha pubblicato Montale e il libro di poesia (2002), Il poeta e il suo libro. Retorica e storia del libro di poesia nel Novecento (2005), La regola e l'invenzione. Saggi sulla letteratura italiana nel Novecento (2007). Ha curato, con F. Lo Monaco e L.C. Rossi, il volume «Liber», «fragmenta», «libellus» prima e dopo Petrarca (2006). Ha commentato le Prose narrative di Montale negli «Oscar» Mondadori (2008). ARACNE euro 9,00 415 ISBN 978-88-548-xxxx-x STUDIO BG Breve guida alla scrittura della prova finale Un prontuario per le Facoltà umanistiche Niccolò Scaffai Scaffai Breve guida alla scrittura della prova finale A10 415 ARACNE Breve guida alla scrittura della prova finale Un prontuario per le Facoltà umanistiche Niccolò Scaffai</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="74c8b35a4bd422c5c7d0e2eddd660733" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42868729,"asset_id":22215603,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42868729/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22215603"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22215603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22215603; 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La disposition stylistique. Les figures macrotextuelles (dans: "Théories du l...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Troisième chapitre. La disposition stylistique. Les figures macrotextuelles<br />(dans: "Théories du lyrique. Une anthologie en ligne: <a href="http://lyricalvalley.org/sommaire/" rel="nofollow">http://lyricalvalley.org/sommaire/</a>)<br />(da "Il poeta e il suo libro", Firenze, Le Monnier 2015, trad. fr. di F. 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Atti del...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">GIOCO E IMPEGNO DELLO “SCRIBA” L’OPERA DI GIOVANNI ORELLI: NUOVE RICERCHE E PROSPETTIVE. Atti del convegno internazionale di studi<br />Berna 6-7 dicembre 2018, a cura di Giovanna Cordibella e Annetta Ganzoni, con la collaborazione di Alessandro Moro (preview)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7da5c608af8f19545507f58117416bec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65413635,"asset_id":44895194,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65413635/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44895194"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44895194"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44895194; 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POETI DI UN QUINDICENNIO (1920-1935) Numero a cur...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In "Versants", 62, 2, 2015: VICINI D’ANAGRAFE. POETI DI UN QUINDICENNIO (1920-1935) Numero a cura di Pietro DE MARCHI, Christian GENETELLI, Uberto MOTTA e Rodolfo ZUCCO. 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IX, n. 17 (Maggio/ May 2019), pp. 1-9 Sulla forma 'racconto breve' nella letteratu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Between, vol. 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From Cynthia Ozick’s Essay to the Shoah’s Spectacularization</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unistrasi.academia.edu/AnnaBaldini">Anna Baldini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edited by Clotilde Bertoni and Niccolò Scaffai with contributions by Anna Baldini, Clotilde Berto...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edited by Clotilde Bertoni and Niccolò Scaffai with contributions by Anna Baldini, Clotilde Bertoni, Niccolò Scaffai, Domenico Scarpa<br />"Between", vol. 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Jonathan Franzen e Martin Amis: La fine della fine della terra | L’attrito del tempo","internal_url":"https://www.academia.edu/39544998/Il_saggio_come_specchio_di_s%C3%A9_stessi_Jonathan_Franzen_e_Martin_Amis_La_fine_della_fine_della_terra_L_attrito_del_tempo","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[{"id":59696202,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59696202/thumbnails/1.jpg","file_name":"Jonathan_Franzen_e_Martin_Amis___Doppiozero20190613-93160-1u2ab0n.pdf","download_url":"https://www.academia.edu/attachments/59696202/download_file","bulk_download_file_name":"Il_saggio_come_specchio_di_se_stessi_Jon.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59696202/Jonathan_Franzen_e_Martin_Amis___Doppiozero20190613-93160-1u2ab0n-libre.pdf?1560416588=\u0026response-content-disposition=attachment%3B+filename%3DIl_saggio_come_specchio_di_se_stessi_Jon.pdf\u0026Expires=1740076645\u0026Signature=c26yyQ9Flf2FvKlMRb2O9gmLMkb7pCU9IWyjFmjyWQBQnQ~ok~Kmfv0i~HD1NWAgtj875iwZ7TdpMU0B849lXB7wY7EhvauD4XmxKvoWs5le0U4EyIMs2d9iCJ-6erssw2ATJRZHqpdonTnGTccUEq0FlwESbGoYhX7b9oqmINm0mUMjB3g4xZb2HfFOeHN5HqWkw4iMeN0Rtfhbue8usN4JNVIBFb0q~cUJs2C11n3UpCG5ydxuOmTSgA1FwtCbkYOzztYupLcnUqlUkRxL8g8pLgpI723vclZ6KdUMfrZIKIzaZO9Jo1WSMCXCmGyCo0xl-TAog~6~femHa8Aqfw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38795804"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38795804/Lopera_di_Remo_Ceserani_nel_suo_tempo"><img alt="Research paper thumbnail of L'opera di Remo Ceserani nel suo tempo" class="work-thumbnail" src="https://attachments.academia-assets.com/58886449/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38795804/Lopera_di_Remo_Ceserani_nel_suo_tempo">L'opera di Remo Ceserani nel suo tempo</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">in "Le parole e le cose 2", 12 aprile 2019 (http://www.leparoleelecose.it/?p=35337). Versione amp...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">in "Le parole e le cose 2", 12 aprile 2019 (<a href="http://www.leparoleelecose.it/?p=35337" rel="nofollow">http://www.leparoleelecose.it/?p=35337</a>). Versione ampliata dell'articolo su "Alias".</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7cd69df85e71016c960fe94a262b19bc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58886449,"asset_id":38795804,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58886449/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38795804"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38795804"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38795804; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38795804]").text(description); $(".js-view-count[data-work-id=38795804]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38795804; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38795804']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7cd69df85e71016c960fe94a262b19bc" } } $('.js-work-strip[data-work-id=38795804]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38795804,"title":"L'opera di Remo Ceserani nel suo tempo","internal_url":"https://www.academia.edu/38795804/Lopera_di_Remo_Ceserani_nel_suo_tempo","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[{"id":58886449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58886449/thumbnails/1.jpg","file_name":"Lopera_di_Remo_Ceserani_nel_suo_tempo.pdf","download_url":"https://www.academia.edu/attachments/58886449/download_file","bulk_download_file_name":"Lopera_di_Remo_Ceserani_nel_suo_tempo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58886449/Lopera_di_Remo_Ceserani_nel_suo_tempo-libre.pdf?1555167479=\u0026response-content-disposition=attachment%3B+filename%3DLopera_di_Remo_Ceserani_nel_suo_tempo.pdf\u0026Expires=1740076645\u0026Signature=b3-HM4sLlspFS0V0~WvVU5DM7mh0XZURDG0JZ3I~MpTi~0oE2VBeSJWLsHeSoy6Qlmwh9nB5RonIWsZ5~Vmb1AydyrT1FKQrmPU-BCv~Bcf28d-b1jClEgj7TZ40ry3uvbz-NcWA4EUBX0Z1IiAbuIHjW8vXaAlMqJmNXf~Os4k7gplyv0MauaL2AgdCNfk5-hDdaN7xye3kZuLr4ZL47EGe2vs6y3RKOoxBisN0AFPV4GRb64p-fcNXz1cohXgTpUSzxFZaZLxD46V8EDDr9bQw098HTpa7gN6lg6m37~ApXjFjvBFDLXlhMR9i7RgFMvQD4PKb3Ba1t04XuwCU0g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38093821"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38093821/Censura_e_autocensura_su_Sottomissione_di_Houellebecq_premessa_al_dossier_In_discussione_in_Between_vol_V_n_9_Maggio_May_2015_"><img alt="Research paper thumbnail of Censura e autocensura: su "Sottomissione" di Houellebecq (premessa al dossier "In discussione", in Between, vol. 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Su "La scrittura e il mondo", un’introduzione (in Between, vol. VII , n. 13, Maggio/ May 2017 )" class="work-thumbnail" src="https://attachments.academia-assets.com/58121425/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38093630/Il_paesaggio_della_teoria_la_forma_di_una_disciplina_Su_La_scrittura_e_il_mondo_un_introduzione_in_Between_vol_VII_n_13_Maggio_May_2017_">Il paesaggio della teoria, la forma di una disciplina. Su "La scrittura e il mondo", un’introduzione (in Between, vol. VII , n. 13, Maggio/ May 2017 )</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il paesaggio della teoria, la forma di una disciplina. Su La scrittura e il mondo, un'introduzion...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il paesaggio della teoria, la forma di una disciplina. Su La scrittura e il mondo, un'introduzione Niccolò Scaffai 1. Tra le ragioni che danno forza a una disciplina, e ne sostengono il ruolo nel sistema dei saperi, ci sono in primo luogo la garanzia di un protocollo che ne renda i metodi applicabili e adeguabili ai propri oggetti; in secondo luogo, il possesso di un''enciclopedia' che contempli tra le proprie 'voci' quegli oggetti, le questioni e i metodi stessi (anche quelli eventualmente da scartare: ma capire perché un metodo vada rifiutato o corretto è già un'operazione qualificata). Nel campo degli studi di critica e teoria letteraria -diversamente, o meno frequentemente, di quanto non accada ad esempio nel campo affine degli studi linguistico-filologici -la debolezza attuale dei protocolli e l'estensione dell''enciclopedia' (che dovrebbe includere molte più opere e prospettive di quante non fosse necessario considerare anche solo pochi decenni fa) rendono incerto lo statuto stesso della disciplina. Che cos'è critica letteraria e che cos'è teoria? Dove possono essere tracciati i confini tra un discorso critico o teorico-letterario e una riflessione culturale fondamentalmente filosofica, sociologica o storica? Sono questioni tanto decisive quanto, di fatto, irrisolvibili, se si cerca una risposta univoca. Personalmente, credo che un connotato necessario di ogni riflessione letteraria sia la considerazione di forme, strutture, procedimenti, che organizzino e eventualmente reagiscano con gli altri piani che articolano il senso del testo. Questi piani possono, anzi spesso devono, essere diversi e includere, certo, elementi e prospettive di tipo storico, filosofico, sociologico, e altro ancora.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="33274a9947c78ae8329a039f2cdaa3f8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58121425,"asset_id":38093630,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58121425/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38093630"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38093630"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38093630; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38093630]").text(description); $(".js-view-count[data-work-id=38093630]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38093630; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38093630']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "33274a9947c78ae8329a039f2cdaa3f8" } } $('.js-work-strip[data-work-id=38093630]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38093630,"title":"Il paesaggio della teoria, la forma di una disciplina. 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L‘ospite dionisiaco e il problema del personaggio (in "Quaderni di Synapsis" IV, Firenze, Le Monnier, 2005)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Finito di stampare nel mese di dicembre 2005 La Tipografica Varese S.p.A. -Stabilimento di Firenz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Finito di stampare nel mese di dicembre 2005 La Tipografica Varese S.p.A. -Stabilimento di Firenze 1. «Indovina chi viene a cena». L'ospite dionisiaco e il problema del personaggio 73 «INDOVINA CHI VIENE A CENA». L'OSPITE DIONISIACO E IL PROBLEMA DEL PERSONAGGIO 1. Vd. Bachtin 1995. DIONISO: Sono giunto qui a Tebe io, Dioniso, il figlio di Zeus, che un tempo Semele nata da Cadmo partorì tra il fuoco del fulmine. Ho mutato l'aspetto divino in umano, ed ora mi trovo presso la fonte Dirce e la corrente d'Ismeno. Qui vicino alla reggia vedo il sepolcro di mia madre folgorata, e le macerie fumanti della sua casa, dove il fuoco NICCOLÒ SCAFFAI 74 2. Le interpretazioni del testo di James hanno alimentato un ricco dibattito critico; tra le molte voci bibliografiche, si ricordano qui: Wilson 1976, Mochi 1982, Paduano 1992 (quest'ultimo dedicato prevalentemente all'opera di Britten ispirata al racconto). 14. A una ricerca del genere, appunto sul ritorno del dionisiaco nella modernità, sta già attendendo Massimo Fusillo. Si veda, intanto, Fusillo 2003. 15. Vd. 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Benedetti, "La letteratura ci salverà dall'estinzione", Einaudi 2021, in "Il Sole 24 ore": ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">su C. 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Campana e F. Giunta, Roma, Adi editore, 2020<br />Isbn: 9788890790560, <a href="https://www.italianisti.it/pubblicazioni/atti-di-congresso/natura-societa-letteratura/02_Scaffai.pdf" rel="nofollow">https://www.italianisti.it/pubblicazioni/atti-di-congresso/natura-societa-letteratura/02_Scaffai.pdf</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c754092a9628d286d830b56ab0d3cd30" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63747186,"asset_id":43441868,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63747186/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43441868"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43441868"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43441868; 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Ne parlano già la Bibbia e i greci…</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Articolo su "Letteratura e ecologia", «Almanacco della Scienza» Mensile a cura dell’Ufficio stamp...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Articolo su "Letteratura e ecologia", «Almanacco della Scienza» Mensile a cura dell’Ufficio stampa del Consiglio nazionale delle ricerche, n. 8, 07.08.2019 (<a href="http://www.almanacco.cnr.it/reader/cw_usr_view_articolo.html?id_articolo=9387&id_rub=32&giornale=9383&fbclid=IwAR0eWyxCgtvhOgcdMpsqtiighq9EdpoGfx_Mq0qsBrjbt0y4Yj5hHFtcWH0" rel="nofollow">http://www.almanacco.cnr.it/reader/cw_usr_view_articolo.html?id_articolo=9387&id_rub=32&giornale=9383&fbclid=IwAR0eWyxCgtvhOgcdMpsqtiighq9EdpoGfx_Mq0qsBrjbt0y4Yj5hHFtcWH0</a>)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20f92ca1f1a4606f90395805795ff6d1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60424425,"asset_id":40198944,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60424425/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40198944"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40198944"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40198944; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40198944]").text(description); $(".js-view-count[data-work-id=40198944]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40198944; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40198944']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20f92ca1f1a4606f90395805795ff6d1" } } $('.js-work-strip[data-work-id=40198944]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40198944,"title":"Emanuela Gnecco, Riscaldamento globale? 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Adesione morale a Dante" class="work-thumbnail" src="https://attachments.academia-assets.com/77167051/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65672137/Rebora_Adesione_morale_a_Dante">Rebora. Adesione morale a Dante</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Recensione a Roberto Cicala, "Da eterna poesia Un poeta sulle orme di Dante: Clemente Rebora" (il...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recensione a Roberto Cicala, "Da eterna poesia Un poeta sulle orme di Dante: Clemente Rebora" (il Mulino, 2021), in Alias domenica, 19 dicembre 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f02784728245368f41ac5479f50b10eb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77167051,"asset_id":65672137,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77167051/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65672137"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65672137"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65672137; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65672137]").text(description); $(".js-view-count[data-work-id=65672137]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65672137; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65672137']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f02784728245368f41ac5479f50b10eb" } } $('.js-work-strip[data-work-id=65672137]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65672137,"title":"Rebora. 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Lettere e immagini" (Adelphi)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alias domenica, 30 maggio 2021, p. 7</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cef0d35e812839b78cd8f36984ee671d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67472178,"asset_id":49078011,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67472178/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49078011"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49078011"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49078011; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49078011]").text(description); $(".js-view-count[data-work-id=49078011]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49078011; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49078011']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cef0d35e812839b78cd8f36984ee671d" } } $('.js-work-strip[data-work-id=49078011]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49078011,"title":"Su \"La guerra di Gadda. 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Carteggio 1918-1980, a cura di F. D'Alessandro" class="work-thumbnail" src="https://attachments.academia-assets.com/109605868/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112347489/Recensione_a_Eugenio_Montale_Sergio_Solmi_Ci%C3%B2_che_%C3%A8_nostro_non_ci_sar%C3%A0_tolto_mai_Carteggio_1918_1980_a_cura_di_F_DAlessandro">Recensione a Eugenio Montale-Sergio Solmi, Ciò che è nostro non ci sarà tolto mai. Carteggio 1918-1980, a cura di F. D'Alessandro</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">in "Strumenti critici" Nuova serie, anno XXXVIII, fascicolo 1 (n. 161)-gennaio-aprile</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6e1452508abd359d5bcdde4537773b7d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109605868,"asset_id":112347489,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109605868/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112347489"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112347489"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112347489; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112347489]").text(description); $(".js-view-count[data-work-id=112347489]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112347489; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112347489']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6e1452508abd359d5bcdde4537773b7d" } } $('.js-work-strip[data-work-id=112347489]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112347489,"title":"Recensione a Eugenio Montale-Sergio Solmi, Ciò che è nostro non ci sarà tolto mai. 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Generi, forme, contesti", a cura di Leonardo Bellomo e Giacomo M...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In "La prosa di Eugenio Montale. 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Pedroni, Quaderni della Sezione di It...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">in Federico Hindermann, poeta e intellettuale, a cura di M. 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"La primavera hitleriana" e "Il sogno del prigioniero": testi e introduzioni" class="work-thumbnail" src="https://attachments.academia-assets.com/60970116/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40687017/Eugenio_Montale_La_primavera_hitleriana_e_Il_sogno_del_prigioniero_testi_e_introduzioni">Eugenio Montale. "La primavera hitleriana" e "Il sogno del prigioniero": testi e introduzioni</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/IdaCampeggiani">Ida Campeggiani</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Estratto dal commento a "La bufera e altro" a cura di I. Campeggiani e N. Scaffai, Mondadori, 201...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Estratto dal commento a "La bufera e altro" a cura di I. Campeggiani e N. 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Una delle vie indirette è il dialogo con altri contemporanei, sondati a fondo fino a trovare quel "pieno" che resiste agli eccessi avanguardistici e alle falsificazioni. Questo è il metodo che Montale sperimenta nel confronto con i critici e gli scrittori più avvertiti del suo folto entourage: Cecchi, Contini, Praz, Solmi e altri.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a2553a17e0a9485107ab091d4cfbf707" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":25543229,"asset_id":1833053,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/25543229/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1833053"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1833053"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1833053; 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Livelli di lettura e intertestualità nel “Sogno del prigioniero” di Montale, in “Strumenti critici”, a. XXVII, n.1, gennaio 2012, pp. 1-23, ISSN 0039-2618." class="work-thumbnail" src="https://attachments.academia-assets.com/42806387/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22142859/_Il_mio_sogno_di_te_non_%C3%A8_finito_Livelli_di_lettura_e_intertestualit%C3%A0_nel_Sogno_del_prigioniero_di_Montale_in_Strumenti_critici_a_XXVII_n_1_gennaio_2012_pp_1_23_ISSN_0039_2618">“Il mio sogno di te non è finito”. Livelli di lettura e intertestualità nel “Sogno del prigioniero” di Montale, in “Strumenti critici”, a. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42623811"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42623811/Amico_Fortini_funzione_del_Novecento"><img alt="Research paper thumbnail of Amico Fortini, funzione del Novecento" class="work-thumbnail" src="https://attachments.academia-assets.com/62829170/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42623811/Amico_Fortini_funzione_del_Novecento">Amico Fortini, funzione del Novecento</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">su P.V. Mengaldo, "I chiusi inchiostri. Saggi su Franco Fortini" (Quodlibet 2020), in "Alias. Dom...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">su P.V. Mengaldo, "I chiusi inchiostri. Saggi su Franco Fortini" (Quodlibet 2020), in "Alias. Domenica", 5 aprile 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b0aa0997461417fad8bcd4aef4b1f6bf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62829170,"asset_id":42623811,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62829170/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42623811"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42623811"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42623811; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42623811]").text(description); $(".js-view-count[data-work-id=42623811]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42623811; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42623811']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b0aa0997461417fad8bcd4aef4b1f6bf" } } $('.js-work-strip[data-work-id=42623811]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42623811,"title":"Amico Fortini, funzione del Novecento","internal_url":"https://www.academia.edu/42623811/Amico_Fortini_funzione_del_Novecento","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[{"id":62829170,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62829170/thumbnails/1.jpg","file_name":"Schermata_2020-04-05_alle_10.10.5120200405-83865-1fork9w.pdf","download_url":"https://www.academia.edu/attachments/62829170/download_file","bulk_download_file_name":"Amico_Fortini_funzione_del_Novecento.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62829170/Schermata_2020-04-05_alle_10.10.5120200405-83865-1fork9w-libre.pdf?1586075745=\u0026response-content-disposition=attachment%3B+filename%3DAmico_Fortini_funzione_del_Novecento.pdf\u0026Expires=1740076647\u0026Signature=eKx9vijVvAPrzb-jXHY1lM~xBE2u6zn3LcqNWq11QU50WNuJlz0IwoXdHfJ6Cdm0SUbXfDy3tM4Aac56geSZG2Al1eAbrqxvzUUruZfLD~pn7gbPkX3-Mlgw-WOC~jTbCdE934-s9akksZZhT2dXji0baQGxch0fvJhCJq8eVpYif9Y6i59XkD9cVQno4nQBZHiHS1WHB~jNdE~SQs7UFRYpmpyurCRLpuCob-XmFL8Xr13DwcePEShWIfqJ7fOfLirhxauLquBgjSuWaTHhqcQg4MCtGGyIYwVOQTxPw-fTtLMzh2kfBXoUceHPyKJo0bNYkYRsO11vaaceW9Dzmw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37942012"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37942012/Introduzione_a_Dallaltra_riva_Fortini_e_Sereni_a_cura_di_F_Diaco_e_N_Scaffai"><img alt="Research paper thumbnail of Introduzione a Dall'altra riva. 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Scaffai</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Venivano spifferi in carta dall'altra riva:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="95fc570a1b4019e4279769f4afb03cf1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57955414,"asset_id":37942012,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57955414/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37942012"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37942012"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37942012; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37942012]").text(description); $(".js-view-count[data-work-id=37942012]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37942012; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37942012']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "95fc570a1b4019e4279769f4afb03cf1" } } $('.js-work-strip[data-work-id=37942012]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37942012,"title":"Introduzione a Dall'altra riva. 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Articoli di M...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Allegoria", n. 79: Canone contemporaneo, a cura di Anna Baldini e Martina Mengoni. 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Tensioni stilistiche e strutturali in “Se questo è un uomo” di Primo Levi, in: Marco Praloran (1955-2011). Studi offerti dai colleghi delle Università svizzere, “Quaderni” della Sezione di Italiano dell’Università di Losanna, Pisa, ETS, 2013 pp. 255-274. ISBN 978-884673528-7." class="work-thumbnail" src="https://attachments.academia-assets.com/42779130/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22110822/_Come_si_dice_mai_Tensioni_stilistiche_e_strutturali_in_Se_questo_%C3%A8_un_uomo_di_Primo_Levi_in_Marco_Praloran_1955_2011_Studi_offerti_dai_colleghi_delle_Universit%C3%A0_svizzere_Quaderni_della_Sezione_di_Italiano_dell_Universit%C3%A0_di_Losanna_Pisa_ETS_2013_pp_255_274_ISBN_978_884673528_7">“Come si dice mai?”. Tensioni stilistiche e strutturali in “Se questo è un uomo” di Primo Levi, in: Marco Praloran (1955-2011). Studi offerti dai colleghi delle Università svizzere, “Quaderni” della Sezione di Italiano dell’Università di Losanna, Pisa, ETS, 2013 pp. 255-274. ISBN 978-884673528-7.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ca873af0e96f3c9ca6987804c806c6c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42779130,"asset_id":22110822,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42779130/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22110822"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22110822"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22110822; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22110822]").text(description); $(".js-view-count[data-work-id=22110822]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22110822; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22110822']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ca873af0e96f3c9ca6987804c806c6c4" } } $('.js-work-strip[data-work-id=22110822]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22110822,"title":"“Come si dice mai?”. 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Per non lasc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dal 29 luglio all'inizio di settembre LPLC sospende la sua programmazione ordinaria. Per non lasciare soli i nostri lettori, abbiamo deciso di riproporre alcuni testi e interventi apparsi nel 2012, quando i visitatori del nostro sito erano circa un quinto o un sesto di quelli che abbiamo adesso. È probabile che molti dei nostri lettori attuali non conoscano questi post. Questo intervento è uscito il 6 giugno 2012].</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b4358ffa869a0b6b39977791325bb79b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":45012265,"asset_id":24682991,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/45012265/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24682991"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24682991"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24682991; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24682991]").text(description); $(".js-view-count[data-work-id=24682991]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24682991; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24682991']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b4358ffa869a0b6b39977791325bb79b" } } $('.js-work-strip[data-work-id=24682991]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24682991,"title":"Leggere Primo Levi","internal_url":"https://www.academia.edu/24682991/Leggere_Primo_Levi","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[{"id":45012265,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/45012265/thumbnails/1.jpg","file_name":"Leggere_Primo_Levi.pdf","download_url":"https://www.academia.edu/attachments/45012265/download_file","bulk_download_file_name":"Leggere_Primo_Levi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/45012265/Leggere_Primo_Levi-libre.pdf?1461410079=\u0026response-content-disposition=attachment%3B+filename%3DLeggere_Primo_Levi.pdf\u0026Expires=1740076648\u0026Signature=Onxm1unlf1g9nH70MQIMBW-MRE6vExf6A543K8b4GIKNAZLqMQkkfVz05cKSYaiiIlp-0qSF0nexOK~v9-nqwEwLiLmy2F2XWiUDd0Cx4wvNiPR4VIGpwn-zXYTeWK8HcerjrFwTuNkSnRkzlWTFZK33h3nKs4ojvSIfXbyDZlZES4L7BCAGKEN7DtzhZEii~iebazcViCrVh4awEWbXlCNOM35XgpWhUSbRaOVv77iKSITaCeXdVwjK4tSf095u-kbCFdsf8XXwNjPtfyNra~H1aheWSU8Hlpux-EHlCulO2HWoz8ypeH1v8RC5HR-QCHw6IWuy1HLoG3qMGD9rPw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="25102776"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/25102776/Primo_Levi_naturale_umano_visione_inquietante_Ranocchi_sulla_luna_e_altri_animali_a_c_di_E_Ferrero_Einaudi_2015_"><img alt="Research paper thumbnail of Primo Levi: naturale-umano, visione inquietante ("Ranocchi sulla luna e altri animali", a c. di E. Ferrero, Einaudi 2015)" class="work-thumbnail" src="https://attachments.academia-assets.com/45423601/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/25102776/Primo_Levi_naturale_umano_visione_inquietante_Ranocchi_sulla_luna_e_altri_animali_a_c_di_E_Ferrero_Einaudi_2015_">Primo Levi: naturale-umano, visione inquietante ("Ranocchi sulla luna e altri animali", a c. di E. 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"L’emancipazione della dissonanza" di Thomas Harrison (in "Between", vol. I V, n. 7, Maggio/May 2014)" class="work-thumbnail" src="https://attachments.academia-assets.com/58121669/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38093853/Per_una_retorica_della_giovent%C3%B9_Intorno_a_1910_L_emancipazione_della_dissonanza_di_Thomas_Harrison_in_Between_vol_I_V_n_7_Maggio_May_2014_">Per una retorica della gioventù Intorno a 1910. "L’emancipazione della dissonanza" di Thomas Harrison (in "Between", vol. I V, n. 7, Maggio/May 2014)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6d5f4f3741a09672d2a74ae3eab21289" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58121669,"asset_id":38093853,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58121669/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38093853"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38093853"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38093853; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38093853]").text(description); $(".js-view-count[data-work-id=38093853]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38093853; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38093853']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6d5f4f3741a09672d2a74ae3eab21289" } } $('.js-work-strip[data-work-id=38093853]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38093853,"title":"Per una retorica della gioventù Intorno a 1910. \"L’emancipazione della dissonanza\" di Thomas Harrison (in \"Between\", vol. 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Identità e corpo nella letteratura della Grande Guerra: Carlo Emilio Gadda e Blaise Cendrars", Pisa, ETS 2010 (in "Between", vol. I, n. 2, November/Novembre 2011))" class="work-thumbnail" src="https://attachments.academia-assets.com/58121639/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38093828/Su_Elisabetta_Carta_Cicatrici_della_memoria_Identit%C3%A0_e_corpo_nella_letteratura_della_Grande_Guerra_Carlo_Emilio_Gadda_e_Blaise_Cendrars_Pisa_ETS_2010_in_Between_vol_I_n_2_November_Novembre_2011_">Su Elisabetta Carta, "Cicatrici della memoria. Identità e corpo nella letteratura della Grande Guerra: Carlo Emilio Gadda e Blaise Cendrars", Pisa, ETS 2010 (in "Between", vol. I, n. 2, November/Novembre 2011))</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Pisa, ETS, 2010, 242 pp. Sono almeno dieci anni che scrittori e critici riflettono sulle residue ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Pisa, ETS, 2010, 242 pp. Sono almeno dieci anni che scrittori e critici riflettono sulle residue possibilità di esperienza concesse alla narrazione nel mondo contemporaneo. La letteratura dell'inesperienza, com'è noto, era il titolo di un fortunato pamphlet (2006) di Antonio Scurati, che ha lasciato traccia anche in saggi più recenti come Senza trauma di Daniele Giglioli. Non a caso, Scurati ha studiato le rappresentazioni letterarie della guerra, scrivendo a sua volta fiction su quel tema: la guerra è infatti l'esperienza, in senso antropologico prima ancora che letterario, di cui le narrazioni di ogni tempo hanno dato e continuano a dare conto. Narrazioni scritte e non: pensiamo al cinema, che privilegia su tutte la Seconda guerra (e le sue propaggini nei decenni della Guerra fredda: Vietnam in particolare, et pour cause), tanto per le eccezionali conseguenze politiche e morali di quel conflitto, quanto per le possibilità espressive che quella stessa eccezionalità sollecita. Il discorso, che interessa lo stile e la costruzione della narrazione bellica, riguarda del resto anche la letteratura, come ha mostrato Alberto Casadei nel suo Romanzi di Finisterre (2000).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5155f9e663d01e6b41114f54ab4a061e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58121639,"asset_id":38093828,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58121639/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38093828"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38093828"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38093828; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38093828]").text(description); $(".js-view-count[data-work-id=38093828]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38093828; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38093828']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5155f9e663d01e6b41114f54ab4a061e" } } $('.js-work-strip[data-work-id=38093828]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38093828,"title":"Su Elisabetta Carta, \"Cicatrici della memoria. 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Donnarumma, "Ipermodernità" (in Between, vol. IV, n. 8, Novembre/November 2014)" class="work-thumbnail" src="https://attachments.academia-assets.com/58121412/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38093617/Su_R_Donnarumma_Ipermodernit%C3%A0_in_Between_vol_IV_n_8_Novembre_November_2014_">Su R. Donnarumma, "Ipermodernità" (in Between, vol. 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Collana di poesia diretta da Gabriel Del Sarto e Niccolò Scaffai (ed. industria&letteratura)" class="work-thumbnail" src="https://attachments.academia-assets.com/65209396/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44726500/Poetica_Collana_di_poesia_diretta_da_Gabriel_Del_Sarto_e_Niccol%C3%B2_Scaffai_ed_industria_and_letteratura_">Poetica. Collana di poesia diretta da Gabriel Del Sarto e Niccolò Scaffai (ed. industria&letteratura)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Nella collana ‘Poetica’, coordinata da Gabriel Del Sarto e Niccolò Scaffai (già compagni di viag...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nella collana ‘Poetica’, coordinata da Gabriel Del Sarto e Niccolò Scaffai (già compagni di viaggio in Nuova Poetica edita da Transeuropa), vengono pubblicati libri di poesia, raccolte inedite o antologie di autrici e autori affermati o esordienti, la cui voce sia distinguibile indipendentemente dalle scelte stilistiche e dai temi privilegiati. La ricerca e la sperimentazione vi trovano spazio, insieme alle proposte in dialogo con i modelli della tradizione novecentesca e contemporanea. L’intento della collana non è infatti quello di indicare una linea esclusiva, ma di accogliere opere rappresentative di una poetica, capaci di esprimere cioè un’idea di poesia netta, che impegni l’autore qualunque sia il suo orientamento. Il primo titolo è "Quanti. Truciolature scie onde 1999-2019" di Flavio Santi</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b89fff948975359204725e0bf3e9eb07" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65209396,"asset_id":44726500,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65209396/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44726500"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44726500"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44726500; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44726500]").text(description); $(".js-view-count[data-work-id=44726500]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44726500; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44726500']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b89fff948975359204725e0bf3e9eb07" } } $('.js-work-strip[data-work-id=44726500]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44726500,"title":"Poetica. 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L'incontro si...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Casa della Cultura di Milano. Con Mario Barenghi, Marco Belpoliti, Niccolò Scaffai. L'incontro si svolge in videoconferenza. 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Concorso letterario" class="work-thumbnail" src="https://attachments.academia-assets.com/64649418/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44272290/RaccontarSi_Concorso_letterario">RaccontarSi. Concorso letterario</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/TommasoBraccini">Tommaso Braccini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/BartoliElisabetta">Bartoli Elisabetta</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Prima edizione: "Distopia/Ucronia". 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Conversazione con Jorie Graham</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">20 settembre 2019, ore 17.30, Villa Arrivabene (Firenze)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6fbc75edef1570ebdd6010b08e3d36ec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60508145,"asset_id":40271748,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60508145/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40271748"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40271748"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40271748; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40271748]").text(description); $(".js-view-count[data-work-id=40271748]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40271748; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40271748']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6fbc75edef1570ebdd6010b08e3d36ec" } } $('.js-work-strip[data-work-id=40271748]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40271748,"title":"Poesia dopo l'umano. 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Sala Stemmi Palazzo della Carovana Scuola Normale Superiore Piazza de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">28 Gennaio 2022, ore 10.00.<br />Sala Stemmi<br />Palazzo della Carovana<br />Scuola Normale Superiore<br />Piazza dei Cavalieri, 7<br />Pisa</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="de538387f12dafb05748deb6e565414b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79133486,"asset_id":68778169,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79133486/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68778169"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68778169"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68778169; 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Ricerca ecdotica e indagine manoscritta" class="work-thumbnail" src="https://attachments.academia-assets.com/77151556/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65645901/Con_ingegno_e_dottrina_Ricerca_ecdotica_e_indagine_manoscritta">Con ingegno e dottrina». Ricerca ecdotica e indagine manoscritta</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Convegno di Studi. Università degli Studi della Campania “Luigi Vanvitelli”- Dipartimento di Lett...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Convegno di Studi.<br />Università degli Studi della Campania “Luigi Vanvitelli”- Dipartimento di Lettere e Beni Culturali, Santa Maria Capua Vetere (CE)<br />Università di Parma, Dipartimento di Discipline Umanistiche, Sociali e delle Imprese Culturali, Parma (PR)<br />19-20 gennaio 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a7a667f0999cb6f6696dc422efc1f14a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77151556,"asset_id":65645901,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77151556/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65645901"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65645901"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65645901; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65645901]").text(description); $(".js-view-count[data-work-id=65645901]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65645901; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65645901']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a7a667f0999cb6f6696dc422efc1f14a" } } $('.js-work-strip[data-work-id=65645901]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65645901,"title":"Con ingegno e dottrina». 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Anche le poesie parlano dei poeti (su "Poesia e critica nel Novecento")</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La Lettura del Corriere, 31.03.2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1ed80b455c23d623f80d5c75e3c99bff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112992878,"asset_id":117023418,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112992878/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117023418"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117023418"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117023418; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117023418]").text(description); $(".js-view-count[data-work-id=117023418]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117023418; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117023418']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1ed80b455c23d623f80d5c75e3c99bff" } } $('.js-work-strip[data-work-id=117023418]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117023418,"title":"Daniele Piccini, \"Divini egoisti, gloria molesta\". 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Il prosatore cristallino (e occasionale) che riesce enigmatico" class="work-thumbnail" src="https://attachments.academia-assets.com/79425496/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/69262715/Montale_Il_prosatore_cristallino_e_occasionale_che_riesce_enigmatico">Montale. Il prosatore cristallino (e occasionale) che riesce enigmatico</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> rec. di Raffaele Manica, a Montale, "Farfalla di Dinard" (in "Alias. 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Scaffai</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/IdaCampeggiani">Ida Campeggiani</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> in "Per leggere", 39, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bb21d1e9c41df0871414276083aa0ed1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64702366,"asset_id":44315622,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64702366/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44315622"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44315622"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44315622; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44315622]").text(description); $(".js-view-count[data-work-id=44315622]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44315622; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44315622']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bb21d1e9c41df0871414276083aa0ed1" } } $('.js-work-strip[data-work-id=44315622]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44315622,"title":"Recensione di Simone Giusti a E. 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Scaffai</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">in "Allegoria", n. 81, 2020 https://www.allegoriaonline.it/index.php/162-tremila-battute/81/1239-...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">in "Allegoria", n. 81, 2020<br /><a href="https://www.allegoriaonline.it/index.php/162-tremila-battute/81/1239-eugenio-montale-la-bufera-e-altro" rel="nofollow">https://www.allegoriaonline.it/index.php/162-tremila-battute/81/1239-eugenio-montale-la-bufera-e-altro</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ff4ac0945ccce694a981e954fd5a1836" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64649444,"asset_id":44272305,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64649444/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44272305"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44272305"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44272305; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44272305]").text(description); $(".js-view-count[data-work-id=44272305]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44272305; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44272305']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ff4ac0945ccce694a981e954fd5a1836" } } $('.js-work-strip[data-work-id=44272305]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44272305,"title":"Recensione di Laura Barile a E. 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Scaffai (Carocci 2019)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unitusdistu.academia.edu/PaoloMarini">Paolo Marini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">in "La Modernità Letteraria", 13, 2020, pp. 159-60</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c4dd880a73f79dd3a88dffc2b9c1b7ec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63678719,"asset_id":43384102,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63678719/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43384102"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43384102"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43384102; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43384102]").text(description); $(".js-view-count[data-work-id=43384102]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43384102; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43384102']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c4dd880a73f79dd3a88dffc2b9c1b7ec" } } $('.js-work-strip[data-work-id=43384102]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43384102,"title":"Riccardo Donati, recensione a \"Montale\", a cura di P. 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Montale, "La bufera e altro", ed. commentata a cura di I. Campeggiani e N. Scaffai, Mondadori 2019)" class="work-thumbnail" src="https://attachments.academia-assets.com/61398828/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41156457/Nicola_Gardini_La_Bufera_enigma_necessario_recensione_a_E_Montale_La_bufera_e_altro_ed_commentata_a_cura_di_I_Campeggiani_e_N_Scaffai_Mondadori_2019_">Nicola Gardini, La "Bufera" enigma necessario (recensione a E. Montale, "La bufera e altro", ed. commentata a cura di I. Campeggiani e N. Scaffai, Mondadori 2019)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/IdaCampeggiani">Ida Campeggiani</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> "Il Sole 24 ore", 20 ottobre 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="127b4f204f861befbfa1ff741e4e2588" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61398828,"asset_id":41156457,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61398828/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41156457"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41156457"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41156457; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41156457]").text(description); $(".js-view-count[data-work-id=41156457]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41156457; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41156457']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "127b4f204f861befbfa1ff741e4e2588" } } $('.js-work-strip[data-work-id=41156457]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41156457,"title":"Nicola Gardini, La \"Bufera\" enigma necessario (recensione a E. 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Scaffai, Mondadori 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://bibliotecafratilugano.academia.edu/PietroMontorfani">Pietro Montorfani</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> in "Azione" Settimanale della Cooperativa Migros Ticino • 2 dicembre 2019 • N. 49, p. 33</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f0be3eed3d52a9411133b0388aa5c877" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61397291,"asset_id":41154398,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61397291/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41154398"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41154398"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41154398; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41154398]").text(description); $(".js-view-count[data-work-id=41154398]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41154398; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41154398']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f0be3eed3d52a9411133b0388aa5c877" } } $('.js-work-strip[data-work-id=41154398]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41154398,"title":"Recensione di Pietro Montorfani a E. 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Le ciel entre raison et intuition dans l’œuvre de Primo Levi" class="work-thumbnail" src="https://attachments.academia-assets.com/111548441/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115016750/_Prima_che_il_cielo_si_richiuda_Le_ciel_entre_raison_et_intuition_dans_l_%C5%93uvre_de_Primo_Levi">«Prima che il cielo si richiuda». Le ciel entre raison et intuition dans l’œuvre de Primo Levi</a></div><div class="wp-workCard_item"><span>Etudes de lettres</span><span>, Dec 1, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Cet essai examine la présence et la valeur du mot « ciel » dans certaines des oeuvres majeures de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cet essai examine la présence et la valeur du mot « ciel » dans certaines des oeuvres majeures de Primo Levi. En tournant son regard vers le ciel, Levi s'interroge sur l'origine du mal et réfléchit au sort des déportés, également à travers le souvenir d'un célèbre passage de la Divine Comédie de Dante qui a pour protagoniste Ulysse. 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=115016748]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016748,"title":"What are short stories for","internal_url":"https://www.academia.edu/115016748/What_are_short_stories_for","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="115016747"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/115016747/The_Landscape_of_Theory_the_Form_of_a_Discipline_On_La_scrittura_e_il_mondo_An_introduction"><img alt="Research paper thumbnail of The Landscape of Theory, the Form of a Discipline. On La scrittura e il mondo : An introduction" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/115016747/The_Landscape_of_Theory_the_Form_of_a_Discipline_On_La_scrittura_e_il_mondo_An_introduction">The Landscape of Theory, the Form of a Discipline. On La scrittura e il mondo : An introduction</a></div><div class="wp-workCard_item"><span>Between</span><span>, Jun 2, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Between has always been attentive to the teaching of literature. The tools for teaching and study...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Between has always been attentive to the teaching of literature. The tools for teaching and studying the theory and the comparative history of literature are in fact important objects of our discussion. That is why we chose to dedicate the &quot;In discussione&quot; section to a volume like La scrittura e il mondo. Teorie letterarie del Novecento (2016) by Stefano Brugnolo, Davide Colussi, Sergio Zatti and Emanuele Zinato, which is a remarkable companion for studying the subject at university level. The section includes three contributions: by Giancarlo Alfano, Valentino Baldi (who promoted the discussion) and Luca Marangolo. Alfano in his article highlights the strengths and some lacks of the volume; Baldi emphasizes some of the crucial aspects of the book and recalls the value of the theory on an international scale; Marangolo, finally, comment on the greatest theoretical references of the volume, reflecting in particular on the importance of formal theories. The dossier is completed by a collective response of the four authors.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016747"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016747"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016747; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115016747]").text(description); $(".js-view-count[data-work-id=115016747]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115016747; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115016747']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=115016747]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016747,"title":"The Landscape of Theory, the Form of a Discipline. 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Poesia del degrado ambientale" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/115016746/Ecopoetry_Poesia_del_degrado_ambientale">Ecopoetry. Poesia del degrado ambientale</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il dossier del volume 58-59 di «Semicerchio», curato da Niccolò Scaffai, è dedicato all’Ecopoetry...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il dossier del volume 58-59 di «Semicerchio», curato da Niccolò Scaffai, è dedicato all’Ecopoetry. Poesia del degrado ambientale. La ricerca letteraria sulla tematica ecologica, che negli ultimi anni ha sviluppato una vera e propria ecocritica, tocca aspetti molteplici del rapporto fra società e natura, ma i contributi ospitati nella rivista si concentrano su un aspetto specifico e meno consueto: la natura minacciata, la rappresentazione del rischio ambientale in poesia. Ecopoetry approfondisce la relazione tra poesia ed ecologia privilegiando in particolare il nesso tra tema e strutture nella prospettiva storica e lo sguardo a un paesaggio degradato e perciò distante dalle convenzioni liriche. I saggi qui riuniti disegnano infatti un arco temporale molto ampio, dal medioevo latino fino alla contemporaneità più recente. Altrettanto esteso è il panorama geografico-linguistico: accanto a studi dedicati ad autori italiani novecenteschi e contemporanei come Pasolini, Caproni o Zanzotto, il numero ospita saggi sulla poesia a tema ambientale in Francia, Nord America, Irlanda del Nord, Messico, area del Pacifico</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016746"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016746"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016746; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115016746]").text(description); $(".js-view-count[data-work-id=115016746]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115016746; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115016746']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=115016746]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016746,"title":"Ecopoetry. 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Appunti su Return to Literature" class="work-thumbnail" src="https://attachments.academia-assets.com/111548464/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115016744/_Tutto_comincia_quando_tutto_pare_incarbonirsi_Appunti_su_Return_to_Literature">«Tutto comincia quando tutto pare / incarbonirsi». Appunti su Return to Literature</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">• L'autore propone alcune riflessioni in dialogo con Return to Literature. A Manifesto in Favour ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">• L'autore propone alcune riflessioni in dialogo con Return to Literature. 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Reading Levels and Intertextuality in «Il sogno del prigioniero» by Eugenio Montale" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/115016741/_Il_mio_sogno_di_te_non_%C3%A8_finito_Reading_Levels_and_Intertextuality_in_Il_sogno_del_prigioniero_by_Eugenio_Montale">«Il mio sogno di te non è finito». Reading Levels and Intertextuality in «Il sogno del prigioniero» by Eugenio Montale</a></div><div class="wp-workCard_item"><span>Strumenti critici</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016741"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016741"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016741; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115016741]").text(description); $(".js-view-count[data-work-id=115016741]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115016741; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115016741']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=115016741]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016741,"title":"«Il mio sogno di te non è finito». Reading Levels and Intertextuality in «Il sogno del prigioniero» by Eugenio Montale","internal_url":"https://www.academia.edu/115016741/_Il_mio_sogno_di_te_non_%C3%A8_finito_Reading_Levels_and_Intertextuality_in_Il_sogno_del_prigioniero_by_Eugenio_Montale","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="115016740"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/115016740/Cesare_Segre_i_Opera_critica_i_"><img alt="Research paper thumbnail of Cesare Segre, <i>Opera critica</i>" class="work-thumbnail" src="https://attachments.academia-assets.com/111548461/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115016740/Cesare_Segre_i_Opera_critica_i_">Cesare Segre, <i>Opera critica</i></a></div><div class="wp-workCard_item"><span>DOAJ (DOAJ: Directory of Open Access Journals)</span><span>, May 1, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">«Da una parte c'è l'attitudine oggi necessaria per affrontare la complessità del reale, rifiutand...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">«Da una parte c'è l'attitudine oggi necessaria per affrontare la complessità del reale, rifiutandosi alle visioni semplicistiche. […] Dall'altra parte c'è il fascino del labirinto in quanto tale». Vengono in mente queste frasi di Italo Calvino (La sfida al labirinto, 1962), leggendo l'antologia degli scritti di Cesare Segre, Opera critica, a cura di Alberto Conte e Andrea Mirabile, con un saggio introduttivo di Gian Luigi Beccaria, Milano, Mondadori «I Meridiani», pp. 1696. Infatti, se da un lato i saggi di Segre mostrano sempre una forte tensione razionale, spesso mediata dalla signoria dei toni esplicativi, dall'altro rivelano la reattività conoscitiva dell'autore, la sua «indomabile curiositas» (l'espressione è di Beccaria), l'erranza nella storia e nella geografia letteraria, fra i testi e le tradizioni. Per praticare critica testuale, scrive in queste pagine il filologo, occorre del resto un'«attitudine combinatoria», virtù che non mancava certo a Calvino. Non servirebbe ricordare qui l'estensione e la ricchezza dei terreni intellettuali attraversati da Segre nella sua opera critica; ma è bene farlo, per riportare all'attenzione qualità e valori oggi sempre meno coltivati: la misura sperimentale e teoretica (contro gli entusiasmi confusivi e le depressioni apocalittiche), l'apertura verso letterature in lingue e di epoche diverse, incrociate lungo gli assi della storia e del metodo (contro l'angustia disciplinare e monolinguistica che fuori d'Italia minaccia la filologia romanza, la materia insegnata da Segre a Pavia, e la romanistica in genere; e che in Italia ostacola il</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e0f473f3b4afe806daed05e55c540cc6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111548461,"asset_id":115016740,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111548461/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016740"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016740"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016740; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="115016739"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/115016739/La_memoria_del_disastro_il_racconto_dell_Antropocene"><img alt="Research paper thumbnail of La memoria del disastro: il racconto dell’Antropocene" class="work-thumbnail" src="https://attachments.academia-assets.com/111548458/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115016739/La_memoria_del_disastro_il_racconto_dell_Antropocene">La memoria del disastro: il racconto dell’Antropocene</a></div><div class="wp-workCard_item"><span>Griseldaonline</span><span>, Jul 28, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The coexistence and connection of past, present and future is a core aspect in the books by Filho...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The coexistence and connection of past, present and future is a core aspect in the books by Filhol and Macfarlane, and already announced in Sebald's The Ring of Saturn. These writers elaborate and surpass the classic dystopias; the characteristic of their fiction and non-fiction novels consists in retrospectively projecting the image of disaster, not conceiving it only as an expectation or as the starting point of a new era. This prerogative evidently also requires the adoption of narrative forms that leave the codes of apocalyptic narration and the patterns of fiction inspired by that theme. Gli scenari preposteri illustrati da autrici e autori come Filhol e Macfarlane, e già annunciati da uno scrittore come Sebald, elaborano ma in definitiva già superano le classiche distopie; la loro caratteristica consiste nel proiettare retrospettivamente l'immagine del disastro, non concependola solo come attesa o come punto di inizio di un'era nuova. Questa prerogativa richiede evidentemente anche l'adozione di forme di racconto che escano almeno in parte dai codici della narrazione apocalittica e dagli schemi della fiction che s'ispira a quel tema.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a1e6341fe9ea37709e620898bb3c65d8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111548458,"asset_id":115016739,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111548458/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016739"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016739"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016739; 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di Vittorio ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Lettura e analisi delle varianti della lirica &quot;L&#39;alibi e il beneficio&quot; di Vittorio Seren</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016734"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016734"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016734; 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Le accuse di plagio e altri metodi di controllo della scrittura" class="work-thumbnail" src="https://attachments.academia-assets.com/111548462/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115016733/Marie_Darrieussecq_Rapporto_di_polizia_Le_accuse_di_plagio_e_altri_metodi_di_controllo_della_scrittura">Marie Darrieussecq, Rapporto di polizia. Le accuse di plagio e altri metodi di controllo della scrittura</a></div><div class="wp-workCard_item"><span>Between</span><span>, Apr 19, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Marie Darrieussecq Rapporto di polizia. Le accuse di plagio e altri metodi di controllo della scr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Marie Darrieussecq Rapporto di polizia. Le accuse di plagio e altri metodi di controllo della scrittura (2010) (trad. it. Parma, Guanda, 2011, pp. 352) My son my only son, the one I never had, would be a man today. He moves in the wind, fleshless, nameless. ………………………….. I think of the innocent lives Of people in novels who know they'll die But not that the novel will end. How different they are From us. (Mark Strand, My son e Fiction) A Marie Darrieussecq è successo qualcosa di strano. Non è il fatto di essere nata in Francia, a Bayonne, nel 1969. Né di essere una scrittrice (oltre che una studiosa di letteratura e una psicanalista), che ha pubblicato fiction, racconti autobiografici, saggi letterari. Questo non è così strano. Lo è invece il fatto che metà dei suoi romanzi siano stati considerati, da lettori diversi e soprattutto da altri scrittori, prodotti di «imitazione», «copia», «plagio psichico», o addirittura di «sottrazione di manoscritto». La prima a stupirsi di questa persecuzione è la stessa autrice, che ha scritto un libro a metà strada tra saggio e autobiografia, non tanto per difendersi dalle imputazioni dei presunti 'plagiati', quanto per indagare la fenomenologia della plagiomnie ('plagiunnia', neologismo che, spiega Darrieussecq, definisce il «desiderio di essere</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cfc9b036c68f123937d3e98ad2419e0e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111548462,"asset_id":115016733,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111548462/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016733"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016733"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016733; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115016733]").text(description); $(".js-view-count[data-work-id=115016733]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115016733; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115016733']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cfc9b036c68f123937d3e98ad2419e0e" } } $('.js-work-strip[data-work-id=115016733]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016733,"title":"Marie Darrieussecq, Rapporto di polizia. 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Analisi delle principali occorrenze di lemmi \uabvisuali\ubb, o di attinenza storico artistica, nell&#39;intera produzione poetica. Ricostruzione dell&#39;attivit\ue0 di Montale come critico d&#39;arte e analisi della sua attivit\ue0 come pittore</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016732"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016732"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016732; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115016732]").text(description); $(".js-view-count[data-work-id=115016732]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115016732; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115016732']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=115016732]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016732,"title":"Montale e le arti figurative","internal_url":"https://www.academia.edu/115016732/Montale_e_le_arti_figurative","owner_id":368264,"coauthors_can_edit":true,"owner":{"id":368264,"first_name":"Niccolò","middle_initials":null,"last_name":"Scaffai","page_name":"NiccolòScaffai","domain_name":"unisi","created_at":"2011-03-18T20:36:49.338-07:00","display_name":"Niccolò Scaffai","url":"https://unisi.academia.edu/Niccol%C3%B2Scaffai"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="115016690"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/115016690/Letteratura_e_ecologia_Forme_e_temi_di_una_relazione_narrativa"><img alt="Research paper thumbnail of Letteratura e ecologia. Forme e temi di una relazione narrativa" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/115016690/Letteratura_e_ecologia_Forme_e_temi_di_una_relazione_narrativa">Letteratura e ecologia. Forme e temi di una relazione narrativa</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Le questioni ecologiche occupano uno spazio centrale nell’esperienza e nell’immaginario della con...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Le questioni ecologiche occupano uno spazio centrale nell’esperienza e nell’immaginario della contemporaneità. L’ecologia è divenuta una struttura di senso, rispetto alla quale individui e società orientano i propri valori e costruiscono le proprie rappresentazioni. In tale contesto, la letteratura ha un ruolo essenziale: l’idea di ambiente e le forme di relazione tra uomo e natura, infatti, sono state fissate specialmente attraverso i testi letterari. In un duplice senso: da un lato, il discorso ecologico ha adottato costruzioni tipicamente narrative; dall’altro, la letteratura ha trovato nell’ecologia argomenti attuali (per esempio il dilagare dei rifiuti o la contaminazione tra paesaggi urbani e naturali nelle aree periferiche delle grandi città) ed elementi per rinnovare temi classici (la ricerca di un’armonia con la natura o, all’opposto, il timore di una prossima apocalisse). Il volume interpreta la relazione tra la tematica ambientale e i dispositivi formali che la modellano, mettendo a confronto le prospettive ecologiche presenti in opere rappresentative della letteratura mondiale e l’idea di natura ereditata dalla tradizione</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115016690"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115016690"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115016690; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115016690]").text(description); $(".js-view-count[data-work-id=115016690]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115016690; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115016690']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=115016690]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115016690,"title":"Letteratura e ecologia. 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L’esperienza di un autore che ha attraversato il Novecento letterario diventandone spartiacque e insieme punto di riferimento ineludibile è indagata in questo volume da 14 studiosi che si misurano in una ricognizione globale di testi e questioni aggiornata alle più recenti acquisizioni: da Ossi di seppia agli ultimi libri di poesie degli anni ’70, alle prose narrative; e quindi, trasversalmente, dai nodi filologici alle specifiche linguistiche e metriche, dal rapporto con gli antichi (Dante in testa) e coi contemporanei (in Italia e fuori d’Italia) all’immensa produzione critica, sino al confronto fecondo con le arti figurative e con la musica.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e3e447ee12801d8ce6fba56bf0cbd56e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60654731,"asset_id":40402235,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60654731/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40402235"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40402235"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40402235; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9802261" id="articles"><div class="js-work-strip profile--work_container" data-work-id="40641837"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40641837/Montale_e_le_arti_figurative"><img alt="Research paper thumbnail of Montale e le arti figurative" class="work-thumbnail" src="https://attachments.academia-assets.com/60923065/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40641837/Montale_e_le_arti_figurative">Montale e le arti figurative</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uniud.academia.edu/AlessandroDelPuppo">Alessandro Del Puppo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unitusdistu.academia.edu/PaoloMarini">Paolo Marini</a></span></div><div class="wp-workCard_item"><span>[preview] in: Montale. A cura di Paolo Marini e Niccolò Scaffai. Carocci Editore, Roma </span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Realizzazione editoriale: Omnibook, Bari Finito di stampare nel settembre 2019 da Grafiche VD srl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Realizzazione editoriale: Omnibook, Bari Finito di stampare nel settembre 2019 da Grafiche VD srl, Città di Castello (PG) isbn 978-88-430-9669-5 Riproduzione vietata ai sensi di legge (art. 171 della legge 22 aprile 1941, n. 633)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ee3f564f33c24b2d1503b4921cc907f1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60923065,"asset_id":40641837,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60923065/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40641837"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40641837"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40641837; 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Storia di un libro" (26-4-2021)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unistrasi.academia.edu/AnnaBaldini">Anna Baldini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unicas.academia.edu/IreneFantappi%C3%A8">Irene Fantappiè</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ferrara.academia.edu/MartinaMengoni">Martina Mengoni</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Anna Baldini e Niccolò Scaffai presentano i libri di Irene Fantappiè e Martina Mengoni usciti nel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Anna Baldini e Niccolò Scaffai presentano i libri di Irene Fantappiè e Martina Mengoni usciti nella collana Quodlibet Studio. 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Rivista online del Centro Interdipartimentale di Ricerca Franco Fortini, n. 9 g...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'ospite ingrato. Rivista online del Centro Interdipartimentale di Ricerca Franco Fortini, n. 9 gennaio-giugno-2021, a cura di Valeria Cavalloro, Gabriele Fichera, Damiano Frasca, Francesca Ippoliti, Alessandra Reccia, Maria Vittoria Tirinato; coordinamento di Alessandra Reccia, Maria Vittoria Tirinato <br /><a href="https://www.ospiteingrato.unisi.it/9gennaio-giugno-2021scuola-la-posta-in-gioco/" rel="nofollow">https://www.ospiteingrato.unisi.it/9gennaio-giugno-2021scuola-la-posta-in-gioco/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ac79c9c27fa33e79dae0ce19d66b603f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67648453,"asset_id":49264955,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67648453/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49264955"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49264955"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49264955; 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L’opera di Lucio Mastronardi (1930-1979)" class="work-thumbnail" src="https://attachments.academia-assets.com/65104754/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44634714/Quarantanni_dopo_L_opera_di_Lucio_Mastronardi_1930_1979_">Quarant'anni dopo. L’opera di Lucio Mastronardi (1930-1979)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniud.academia.edu/TizianoToracca">Tiziano Toracca</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unito.academia.edu/claudiopanella">claudio panella</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'ospite ingrato. Rivista online del Centro Franco Fortini: 8, 2020, II, settembre-dicembre http:...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'ospite ingrato. 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Each one offers a re-reading of Calvino’s oeuvre through a discipline-specific approach, so as to highlight to what extent Calvino’s work has been influenced by other disciplines. This interdisciplinary conference looks at a wide range of Calvino’s artistic, scientific, and political interests, as well as his literary re-elaborations. There are presentations on anthropology, science and social/political commitment, art, eco-criticism, and foreign literatures.To have access to the conference link please contact us at <a href="mailto:calvinoconference@gmail.com" rel="nofollow">calvinoconference@gmail.com</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="549d149313a15a329821bd97a4674d0a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66708326,"asset_id":47765336,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66708326/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="47765336"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="47765336"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 47765336; 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Il convegno si terr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Convegno sull'"Opera in versi" di Eugenio Montale a quarant'anni dalla morte. Il convegno si terrà sia in presenza (Aula Baratto, Ca' Foscari) sia online (<a href="https://unive.zoom.us/j/9700229386" rel="nofollow">https://unive.zoom.us/j/9700229386</a>).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6149819bb5987b2f6de44daf30df6e87" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":75336207,"asset_id":62641334,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/75336207/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="62641334"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="62641334"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 62641334; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="13321231" id="conferencepresentations"><div class="js-work-strip profile--work_container" data-work-id="65104494"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/65104494/Convegno_di_studi_Con_ingegno_e_dottrina_Ricerca_ecdotica_e_indagine_manoscritta_"><img alt="Research paper thumbnail of Convegno di studi "«Con ingegno e dottrina». Ricerca ecdotica e indagine manoscritta"" class="work-thumbnail" src="https://attachments.academia-assets.com/76839625/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/65104494/Convegno_di_studi_Con_ingegno_e_dottrina_Ricerca_ecdotica_e_indagine_manoscritta_">Convegno di studi "«Con ingegno e dottrina». Ricerca ecdotica e indagine manoscritta"</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipr.academia.edu/sartor">Marco Sartor</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/Niccol%C3%B2Gensini">Niccolò Gensini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniud.academia.edu/AndreaBocchi">Andrea Bocchi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MartinelliDonatella">Donatella Martinelli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniba-it.academia.edu/ElenaSantagata">Elena Santagata</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il convegno "«Con ingegno e dottrina». Ricerca ecdotica e indagine manoscritta" si propone di ana...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il convegno "«Con ingegno e dottrina». Ricerca ecdotica e indagine manoscritta" si propone di analizzare alcune esperienze selezionate nell’ambito della filologia e letteratura italiana e romanza riguardanti a vario titolo edizioni critiche e/o commentate di testi letterari. Come afferma Giorgio Pasquali in "Filologia e storia" (1920), «caratteristica del lavoro scientifico è lo scegliere» e proprio questo è il "fil rouge" che si intende seguire e dipanare attraverso il presente convegno. L’atto di scegliere nell’approntare un’edizione critica o un commento permette l’espressione non solo del testo e dell’autore presi in considerazione, ma anche del punto di vista unico e particolare dello studioso. Attraverso la definizione di alcuni lavori specifici su testi letterari dal Medioevo all’età contemporanea e tramite la narrazione dei processi di studio e scelta, l’intento è di presentare un ampio ventaglio di esperienze individuali nell’approntare un’edizione critica o commentata di un’opera letteraria. 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