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href="https://id.wikipedia.org/wiki/Romola_de_Pulszky" title="Romola de Pulszky – Indonesian" lang="id" hreflang="id" data-title="Romola de Pulszky" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Romola_de_Pulszky" title="Romola de Pulszky – Italian" lang="it" hreflang="it" data-title="Romola de Pulszky" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A8%D7%95%D7%9E%D7%95%D7%9C%D7%94_%D7%93%D7%94_%D7%A4%D7%95%D7%9C%D7%A1%D7%A7%D7%99" title="רומולה דה פולסקי – Hebrew" lang="he" hreflang="he" data-title="רומולה דה פולסקי" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Pulszky_Romola" title="Pulszky Romola – Hungarian" lang="hu" hreflang="hu" data-title="Pulszky Romola" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%B1%D9%88%D9%85%D9%88%D9%84%D8%A7_%D8%AF%D9%89_%D8%A8%D9%88%D9%84%D8%B2%D9%83%D9%89" title="رومولا دى بولزكى – Egyptian Arabic" lang="arz" hreflang="arz" data-title="رومولا دى بولزكى" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Romola_de_Pulszky" title="Romola de Pulszky – Polish" lang="pl" hreflang="pl" data-title="Romola 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.mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Romola de Pulszky</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Romola_de_Pulszky.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/6/6b/Romola_de_Pulszky.jpg" decoding="async" width="200" height="267" class="mw-file-element" data-file-width="200" data-file-height="267" /></a></span><div class="infobox-caption">Romola de Pulszky</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><span style="display:none">(<span class="bday">1891-02-20</span>)</span>20 February 1891<br /><div style="display:inline" class="birthplace"><a href="/wiki/Hungary" title="Hungary">Hungary</a></div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">8 June 1978<span style="display:none">(1978-06-08)</span> (aged 87)<br /><div style="display:inline" class="deathplace"><a href="/wiki/London" title="London">London</a>, <a href="/wiki/England" title="England">England</a></div></td></tr><tr><th scope="row" class="infobox-label">Other names</th><td class="infobox-data nickname">Romola Pulszky</td></tr><tr><th scope="row" class="infobox-label">Spouse</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Vaslav_Nijinsky" title="Vaslav Nijinsky">Vaslav Nijinsky</a><br /></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1913; died 1950)<wbr /></div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">2</td></tr></tbody></table> <p><b>Romola de Pulszky</b> (or <b>Romola Pulszky</b>), (married name Nijinsky; 20 February 1891 – 8 June 1978), was a Hungarian aristocrat, the daughter of a politician and an actress. Her father had to go into exile when she was a child, and committed suicide in Australia. As a young woman she became interested in dance and specifically <a href="/wiki/Vaslav_Nijinsky" title="Vaslav Nijinsky">Vaslav Nijinsky</a>, the noted <i><a href="/wiki/Premier_danseur" class="mw-redirect" title="Premier danseur">premier danseur</a></i> of the <a href="/wiki/Ballets_Russes" title="Ballets Russes">Ballets Russes</a>. They married in Buenos Aires on 10 September 1913 while the company was on tour. They had two daughters, Kyra and Tamara, before he was institutionalized for the remaining 30 years of his life for <a href="/wiki/Schizophrenia" title="Schizophrenia">schizophrenia</a>. </p><p>In 1934 Romola de Pulszky published her first biography of Nijinsky, covering his early life and dance career. She discovered his diary, written before he went into an asylum, which she published in a "<a href="/wiki/Expurgation" title="Expurgation">bowdlerized</a>" version in 1936.<sup id="cite_ref-william_1-0" class="reference"><a href="#cite_note-william-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> She published a biography of her husband's later years in 1952, two years after his death in London. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Romola de Pulszky was born in Hungary as the second daughter of <a href="/wiki/Emilia_M%C3%A1rkus" class="mw-redirect" title="Emilia Márkus">Emilia Márkus</a>, the most renowned Hungarian actress of her time, and Károly (Charles) Pulszky (1853-1899), a Hungarian politician, member of Parliament and director of the Hungarian National Gallery of Art. His family came from Poland and were of <a href="/wiki/French_Huguenot" class="mw-redirect" title="French Huguenot">French Huguenot</a> descent, but had converted to Catholicism.<sup id="cite_ref-LiM80_2-0" class="reference"><a href="#cite_note-LiM80-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Her older sister Tereza was called Tessa. Their father went into exile because of a political scandal associated with art purchases for the gallery, first to London and then to Australia. Romola was eight years old when he committed <a href="/wiki/Suicide" title="Suicide">suicide</a> at the age of 45 in <a href="/wiki/Brisbane,_Australia" class="mw-redirect" title="Brisbane, Australia">Brisbane, Australia</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> She was deeply disturbed by the loss and resented her mother's remarriage a few years later.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Romola struggled with studies and direction, trying to work at acting but failed. She became engaged to a Hungarian baron at the age of 21, but called it off in 1912 after having seen the <a href="/wiki/Ballets_Russes" title="Ballets Russes">Ballets Russes</a>.<sup id="cite_ref-LiM_5-0" class="reference"><a href="#cite_note-LiM-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> She decided to shift her focus to the theatrical world of ballet. She was particularly astounded by and attracted to the dancing of <a href="/wiki/Vaslav_Nijinsky" title="Vaslav Nijinsky">Vaslav Nijinsky</a>, as were all of his audiences. </p><p>She was fixated on wanting to dance for the <a href="/wiki/Ballets_Russes" title="Ballets Russes">Ballets Russes</a> and become close to Nijinsky.<sup id="cite_ref-LiM_5-1" class="reference"><a href="#cite_note-LiM-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citing_sources" title="Wikipedia:Citing sources"><span title="This citation requires a reference to the specific page or range of pages in which the material appears. (December 2014)">page needed</span></a></i>]</sup> For months she traveled on tour in Europe with the Ballets Russes, and gained approval from the troupe's director, <a href="/wiki/Sergei_Diaghilev" title="Sergei Diaghilev">Sergei Diaghilev</a>, to take ballet lessons from the company's ballet master, <a href="/wiki/Enrico_Cecchetti" title="Enrico Cecchetti">Enrico Cecchetti</a>. Not realizing that he was in an intimate relationship with Diaghilev (who was seventeen years older than Nijinsky), she found it difficult to talk to Nijinsky alone, who was protected by a minder. She eventually got close to him while on a ship headed for South America. Diaghilev had decided against touring with the company and remained in Europe. Days before their arrival to <a href="/wiki/Buenos_Aires" title="Buenos Aires">Buenos Aires</a>, Argentina, Nijinsky proposed to Romola and they married in port on 10 September 1913, shortly after they arrived.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>Their marriage had severe effects on Nijinsky's career. Romola became pregnant right away, and Nijinsky missed performances due to his own symptoms of <a href="/wiki/Couvade_syndrome" title="Couvade syndrome">couvade syndrome</a>. This was cited as Diaghilev's legal grounds for firing him, which he did via a telegram. He generally did not keep any married dancers in the company.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (September 2022)">citation needed</span></a></i>]</sup> </p><p>Romola gave birth to <a href="/wiki/Kyra_Nijinsky" title="Kyra Nijinsky">Kyra Nijinsky</a> in <a href="/wiki/Vienna" title="Vienna">Vienna</a>, Austria on 19 June 1914, ten days before the <a href="/wiki/Assassination_of_Archduke_Franz_Ferdinand_of_Austria" class="mw-redirect" title="Assassination of Archduke Franz Ferdinand of Austria">assassination of Archduke Franz Ferdinand of Austria</a>. With the outbreak of war, the newlywed couple and their infant daughter were classified as enemy aliens because of Nijinsky's Russian nationality; they were put on house arrest at the home of Romola's mother, Emilia Markus Pulszky. After two years as war prisoners in Hungary, they gained permission to leave for New York with the aid of Diaghilev and international political leaders. They embarked on a tour of North America, followed by a tour to South America.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>During Nijinsky's final three-year engagements with the Ballets Russes, he had struggled to help manage the tours, which caused him a great deal of stress. The family settled in <a href="/wiki/St_Moritz" class="mw-redirect" title="St Moritz">St Moritz</a>, Switzerland until the end of the <a href="/wiki/Great_War" class="mw-redirect" title="Great War">Great War</a>. Two months after the <a href="/wiki/Armistice_with_Germany_(Compi%C3%A8gne)" class="mw-redirect" title="Armistice with Germany (Compiègne)">armistice at the end of World War I</a>, Nijinsky began to exhibit signs of a severe <a href="/wiki/Psychosis" title="Psychosis">psychosis</a>. He was committed to a series of Swiss mental institutions, and was confined for most of his remaining 30 years. He was treated at <a href="/wiki/Burgh%C3%B6lzli" title="Burghölzli">Burghölzli</a> and the <a href="/w/index.php?title=Bellevue_Sanatorium&action=edit&redlink=1" class="new" title="Bellevue Sanatorium (page does not exist)">Bellevue Sanatorium</a> in <a href="/wiki/Kreuzlingen" title="Kreuzlingen">Kreuzlingen</a>. He was originally diagnosed as <a href="/wiki/Schizophrenic" class="mw-redirect" title="Schizophrenic">schizophrenic</a> by <a href="/wiki/Eugen_Bleuler" title="Eugen Bleuler">Eugen Bleuler</a> in 1919. He was treated by a number of psychiatrists with minimal results. In 1920, while he was still undergoing treatment, Romola Nijinsky gave birth to their second daughter, Tamara. After Nijinsky became an invalid and institutionalized, Romola shifted from bisexuality and had only lesbian affairs for the rest of her life.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>In 1934 she published what would be her first biography of her husband, <i>Nijinsky by Romola Nijinsky</i>.<sup id="cite_ref-LiM_5-2" class="reference"><a href="#cite_note-LiM-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> She discovered the diary her husband wrote over a period of six weeks in 1919 before being committed to an asylum in Switzerland. "Nijinsky had long been unreachably psychotic when his wife, Romola, discovered the manuscript in an old trunk, then sanitized and published it to feed the legend of which she had become both guardian and beneficiary."<sup id="cite_ref-william_1-1" class="reference"><a href="#cite_note-william-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> She published a "bowdlerized" version in 1936.<sup id="cite_ref-william_1-2" class="reference"><a href="#cite_note-william-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>In 1936, she heard about a new treatment for <a href="/wiki/Schizophrenia" title="Schizophrenia">schizophrenia</a> and contacted the founder, <a href="/wiki/Manfred_Sakel" title="Manfred Sakel">Manfred Sakel</a>, to have her husband treated. In 1938, Nijinsky began to receive regular <a href="/wiki/Insulin_shock_therapy" title="Insulin shock therapy">insulin shock therapy</a> (IST) over the course of a year, until the beginning of <a href="/wiki/World_War_II" title="World War II">World War II</a>.<sup id="cite_ref-LiM_5-3" class="reference"><a href="#cite_note-LiM-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Romola spent most of World War II in <a href="/wiki/Budapest" title="Budapest">Budapest</a> with Nijinsky, whose illness was purported to be in partial remission from the IST.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Out of concern for her husband's safety after the German invasion of Budapest, Romola took her husband to <a href="/wiki/Sopron" title="Sopron">Sopron</a>, where they stayed until the end of the war. </p><p>Kyra Nijinsky became a dancer, specializing in a couple of roles her father had done as well as a new dance by <a href="/wiki/Antony_Tudor" title="Antony Tudor">Antony Tudor</a>. In 1936 she married <a href="/wiki/Igor_Markevitch" title="Igor Markevitch">Igor Markevitch</a>, with whom she had a son named for her father, Vaslav Markevitch (20 January 1937 - 12 January 2024).<sup id="cite_ref-jack_10-0" class="reference"><a href="#cite_note-jack-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> They divorced and Markevitch raised their son. Like her younger sister Tamara, she later emigrated to the United States, settling in the <a href="/wiki/San_Francisco" title="San Francisco">San Francisco</a> area.<sup id="cite_ref-jack_10-1" class="reference"><a href="#cite_note-jack-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Romola sent her younger daughter Tamara Nijinsky to live with her mother in Budapest for some time. She was too young to have seen her father dance, but became executive director of the Vaslav and Romola Nijinsky Foundation (named after her parents), to preserve and promote her father's art, including paintings and drawings he did late in life. She emigrated to the US and settled in <a href="/wiki/Phoenix,_Arizona" title="Phoenix, Arizona">Phoenix, Arizona</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>Nijinsky died on 8 April 1950 in <a href="/wiki/London" title="London">London</a>, <a href="/wiki/England" title="England">England</a>. In 1952 Romola published her second biography of Nijinsky, called <i>The Last Years of Nijinsky</i>. Romola Nijinsky died in <a href="/wiki/Paris" title="Paris">Paris</a> on 9 September 1978.<sup id="cite_ref-LiM_5-4" class="reference"><a href="#cite_note-LiM-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>In 1995, an unexpurgated English edition was published of <i>The Diary of Vaslav Nijinsky</i>, edited by <a href="/wiki/Joan_Acocella" title="Joan Acocella">Joan Acocella</a>, a professional writer about dance, and in a new translation by Kyril FitzLyon. The <i>New York Times</i> review said that this edition showed that his original diary was severely "bowdlerized" by his wife in the versions she published in 1936 and later.<sup id="cite_ref-william_1-3" class="reference"><a href="#cite_note-william-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> His diary reflected the decline of his household into chaos before he was committed to an asylum.<sup id="cite_ref-william_1-4" class="reference"><a href="#cite_note-william-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> He elevated feeling and action in his writing. A <i>New York Times</i> review said, "How ironic that in erasing the real ugliness of his insanity, the old version silenced not only Nijinsky's true voice but the magnificently gifted body from which it came. And how fortunate we are to have them both restored."<sup id="cite_ref-william_1-5" class="reference"><a href="#cite_note-william-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> This version inspired new artistic works - three plays in 1998 alone. (see below) </p> <div class="mw-heading mw-heading2"><h2 id="Works">Works</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=2" title="Edit section: Works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Nijinsky by Romola Nijinsky</i> (1934), introduction by Paul Claudel, ghostwritten by <a href="/wiki/Lincoln_Kirstein" title="Lincoln Kirstein">Lincoln Kirstein</a><sup id="cite_ref-macauley_12-0" class="reference"><a href="#cite_note-macauley-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup></li> <li><i>Nijinsky's Diary</i> (1936), edited Romola Nijinsky</li> <li><i>The Last Years of Nijinsky</i> (1952)</li></ul> <div class="mw-heading mw-heading2"><h2 id="Cultural_depictions">Cultural depictions</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=3" title="Edit section: Cultural depictions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="In_plays">In plays</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=4" title="Edit section: In plays"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Nijinsky: God's Mad Clown</i> (1986) by Glenn J. Blumstein.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup></li> <li>David Pownall's <i>Death of a Faun</i> (1998) used the death of impresario Sergei Diaghilev as a catalyst to rouse Nijinsky out of a Swiss sanatorium "to pay tribute".<sup id="cite_ref-curtain_14-0" class="reference"><a href="#cite_note-curtain-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Nicholas_Johnson_(dancer)" title="Nicholas Johnson (dancer)">Nicholas Johnson</a>, a <a href="/wiki/Royal_Ballet" class="mw-redirect" title="Royal Ballet">Royal Ballet</a> dancer, portrayed the schizophrenic Nijinsky.<sup id="cite_ref-curtain_14-1" class="reference"><a href="#cite_note-curtain-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup></li> <li>Dancer Leonard Crofoot wrote <i>Nijinsky Speaks</i> (1998) as a monologue spanning the dancer's career, with quotes from <i>Diary of Vaslav Nijinsky</i> (1995); he played the role of Nijinsky and did his own brief episodes of dancing.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup></li> <li>Norman Allen's <i>Nijinsky's Last Dance</i> (1998) featured a solo actor, Jeremy Davidson, to portray the dancer, who tells his story by monologue in an asylum.<sup id="cite_ref-gutman_16-0" class="reference"><a href="#cite_note-gutman-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup></li> <li><i>Romola & Nijinsky (Deux Mariages)</i> (2003) by Lynne Alvarez was first produced by Primary Stages (Casey Childs, Executive Producer; Andrew Leynse, Artistic Director; Robert La Fosse, choreographer).<sup id="cite_ref-curtain_14-2" class="reference"><a href="#cite_note-curtain-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading3"><h3 id="In_film">In film</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=5" title="Edit section: In film"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>The Dancer</i> (planned film, 1970). The <a href="/wiki/Screenplay" title="Screenplay">screenplay</a> was written by playwright <a href="/wiki/Edward_Albee" title="Edward Albee">Edward Albee</a>. The film was to be directed by <a href="/wiki/Tony_Richardson" title="Tony Richardson">Tony Richardson</a> and star <a href="/wiki/Rudolf_Nureyev" title="Rudolf Nureyev">Rudolf Nureyev</a> as Nijinsky, <a href="/wiki/Claude_Jade" title="Claude Jade">Claude Jade</a> as Romola and <a href="/wiki/Paul_Scofield" title="Paul Scofield">Paul Scofield</a> as Diaghilev, but producer <a href="/wiki/Harry_Saltzman" title="Harry Saltzman">Harry Saltzman</a> canceled the project during pre-production.</li> <li><i><a href="/wiki/Nijinsky_(film)" title="Nijinsky (film)">Nijinsky</a></i> (1980), directed by <a href="/wiki/Herbert_Ross" title="Herbert Ross">Herbert Ross</a>, starring professional dancers <a href="/wiki/George_de_la_Pe%C3%B1a" title="George de la Peña">George de la Peña</a> as Nijinsky and <a href="/wiki/Leslie_Browne" title="Leslie Browne">Leslie Browne</a> as Romola, with <a href="/wiki/Alan_Bates" title="Alan Bates">Alan Bates</a> as Diaghilev and <a href="/wiki/Jeremy_Irons" title="Jeremy Irons">Jeremy Irons</a> as Fokine. Romola Nijinsky had a writing credit for the film.</li> <li><i><a href="/wiki/The_Diaries_of_Vaslav_Nijinsky" title="The Diaries of Vaslav Nijinsky">The Diaries of Vaslav Nijinsky</a></i> (2001), written, directed, shot and edited by <a href="/wiki/Paul_Cox_(director)" title="Paul Cox (director)">Paul Cox</a>. The screenplay was based on Nijinsky's diaries, with the speeches read over related imagery by <a href="/wiki/Derek_Jacobi" title="Derek Jacobi">Derek Jacobi</a>. The subject matter included his work, his illness, and his relationships with Diaghilev and Romola. Several Leigh Warren Dancers portrayed the dancer.<sup id="cite_ref-urban_17-0" class="reference"><a href="#cite_note-urban-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup></li> <li><a href="/w/index.php?title=Riot_at_the_Rite&action=edit&redlink=1" class="new" title="Riot at the Rite (page does not exist)">Riot at the Rite</a> (2005), a BBC TV movie, written by <a href="/wiki/Kevin_Elyot" title="Kevin Elyot">Kevin Elyot</a> and directed by <a href="/wiki/Andy_Wilson_(director)" title="Andy Wilson (director)">Andy Wilson</a>, portraying the rehearsal and premiere of <a href="/wiki/Igor_Stravinsky" title="Igor Stravinsky">Igor Stravinsky</a>'s <a href="/wiki/The_Rite_of_Spring" title="The Rite of Spring">Rite of Spring</a> at the <a href="/wiki/Th%C3%A9%C3%A2tre_des_Champs-%C3%89lys%C3%A9es" title="Théâtre des Champs-Élysées">Théâtre des Champs-Élysées</a> in Paris. The role of Romola is played by <a href="/wiki/Emma_Pierson" title="Emma Pierson">Emma Pierson</a>.</li> <li><i><a href="/w/index.php?title=Vaslav&action=edit&redlink=1" class="new" title="Vaslav (page does not exist)">Vaslav</a></i> (2010) is a film about Nijinsky's life, including his marriage, with screenplay by Dutch novelist <a href="/wiki/Arthur_Japin" title="Arthur Japin">Arthur Japin</a>.</li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=6" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-william-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-william_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-william_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-william_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-william_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-william_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-william_1-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.nytimes.com/books/99/02/28/reviews/990228.28deresit.html">WILLIAM DERESIEWICZ, "Dancing With Madness: Review of 'The Diary of Vaslav Nijinsky'"</a>, <i>New York Times</i>, 28 February 1999, accessed 1 December 2014</span> </li> <li id="cite_note-LiM80-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-LiM80_2-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=1VNuCYaauZUC&dq=Emilia+Markus%2C+Hungarian+actress&pg=PA80">Ostwald, Peter (1991) <i>Nijinsky/ A Leap into Madness</i></a>, p. 80</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.poetrylibrary.edu.au/poets/shapcott-thomas-w/a-canticle-for-k-roly-pulszky-0058075">Thomas W. Shapcott, "A Canticle for Károly Pulszky"</a>, from <i>Selected Poems, 1956-1988</i>, Australian Poetry Library</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">Ostwald (1991), "Nijinsky, A Leap", pp. 81-82</span> </li> <li id="cite_note-LiM-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-LiM_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-LiM_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-LiM_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-LiM_5-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-LiM_5-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Ostwald, Peter (1991) <i>Nijinsky/ A Leap into Madness</i></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><a href="/wiki/Richard_Buckle" title="Richard Buckle">Buckle, Richard</a> (1971), "Nijinsky"</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">Nijinsky, Romola (1934), <i>Nijinsky by Romola Nijinsky</i></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Ostwald (1991), <i>Nijinsky A Leap</i>, p. 87</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Nijinsky, Romola (1952), <i>The Last Years of Nijinsky</i></span> </li> <li id="cite_note-jack-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-jack_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-jack_10-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.nytimes.com/1998/11/15/nyregion/kyra-nijinsky-84-danced-in-father-s-shadow.html">Jack Anderson, "Kyra Nijinsky, 84; Danced in Father's Shadow"</a>, <i>New York Times</i>, 15 November 1998, accessed 1 December 2014</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-1994-11-03-ol-57987-story.html">Zan Dubin, "Memories of a Troubled Father"</a>, <i>Los Angeles Times</i>, 3 November 1994</span> </li> <li id="cite_note-macauley-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-macauley_12-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.nytimes.com/2007/05/04/books/04Book.html">Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"</a>, <i>New York Times</i>, 4 May 2007, Quote: "...his collaboration with Vaslav Nijinsky’s monstrously irritating and dishonest wife, Romola, in ghostwriting her biography of her husband...", accessed 1 December 2014</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFGlenn_Blumstein1988" class="citation book cs1">Glenn Blumstein (1988). <i>Nijinsky, God's mad clown</i>. S. French. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-573-61924-7" title="Special:BookSources/0-573-61924-7"><bdi>0-573-61924-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Nijinsky%2C+God%27s+mad+clown&rft.pub=S.+French&rft.date=1988&rft.isbn=0-573-61924-7&rft.au=Glenn+Blumstein&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARomola+de+Pulszky" class="Z3988"></span></span> </li> <li id="cite_note-curtain-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-curtain_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-curtain_14-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-curtain_14-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.curtainup.com/romola&nijinsky.html"><i>Romola & Nijinsky (Deux Mariages)</i></a>, <i>Curtain Up</i> (The Internet Theater Magazine of Reviews, Features, Annotated Listings), accessed 1 December 2014</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.curtainup.com/nijinsky.html">David Lipfert, Review: 'Nijinsky Speaks'"</a>, <i>Curtain Up</i>, 4 September 1998</span> </li> <li id="cite_note-gutman-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-gutman_16-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.curtainup.com/nijinlst.html">Les Gutman, "'Nijinsky's Last Dance'"</a>, <i>Curtain Up</i>, 17 November 1998, accessed 1 December 2014</span> </li> <li id="cite_note-urban-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-urban_17-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.urbancinefile.com.au/home/view.asp?a=6083&s=interviews">Andrew L. Urban, "COX, PAUL: NIJINSKY", <i>Urban Cinefile</i>, 25 April 2002</a> accessed 1 December 2014</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Romola_de_Pulszky&action=edit&section=7" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.nytimes.com/books/first/n/nijinsky-diary.html">Vaslav Nijinsky, Chapter One, <i>The Diary of Vaslav Nijinsky/ Unexpurgated Edition</i></a>, Edited by Joan Acocella, Farrar, Straus and Giroux, 1995, text online February 1999</li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0631603/">Romola de Pulszky</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0192365/"><i>Nijinsky: Unfinished Project (1970)</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0081235/"><i>Nijinsky (1980)</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0295480/"><i>The Diaries of Vaslav Nijinsky (2001)</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output 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