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<!DOCTYPE html><html><head><title>Visualising Slavery: Art Across the African Diaspora - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_about_this_book_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/atb_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><link rel="canonical" href="https://books.google.com/books/about/Visualising_Slavery.html?id=mIjADAAAQBAJ"/><meta property="og:url" content="https://books.google.com/books/about/Visualising_Slavery.html?id=mIjADAAAQBAJ"/><meta name="title" content="Visualising Slavery"/><meta name="description" content="The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-脿-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study."/><meta property="og:title" content="Visualising Slavery"/><meta property="og:type" content="book"/><meta property="og:site_name" content="Google Books"/><meta property="og:image" content="https://books.google.com.sg/books/publisher/content?id=mIjADAAAQBAJ&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE72YZ3osvpJV9ZVBUWsxfjpmDYV2z_NoO0OKausxPx5zsF2qB6R-a3lo2l1ga8MTyX1N0X_RXOp2uRmNxHXrOeeWlYVBTcleLthmN5W9MDjBMmD_o35aCcXnzhEL0pXfZK4w80II"/><link rel="image_src" href="https://books.google.com.sg/books/publisher/content?id=mIjADAAAQBAJ&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE72YZ3osvpJV9ZVBUWsxfjpmDYV2z_NoO0OKausxPx5zsF2qB6R-a3lo2l1ga8MTyX1N0X_RXOp2uRmNxHXrOeeWlYVBTcleLthmN5W9MDjBMmD_o35aCcXnzhEL0pXfZK4w80II"/><script></script><style>#gbar,#guser{font-size:13px;padding-top:1px !important;}#gbar{height:22px}#guser{padding-bottom:7px !important;text-align:right}.gbh,.gbd{border-top:1px solid #c9d7f1;font-size:1px}.gbh{height:0;position:absolute;top:24px;width:100%}@media all{.gb1{height:22px;margin-right:.5em;vertical-align:top}#gbar{float:left}}a.gb1,a.gb4{text-decoration:underline !important}a.gb1,a.gb4{color:#00c !important}.gbi .gb4{color:#dd8e27 !important}.gbf .gb4{color:#900 !important} #gbar { padding:.3em .6em !important;}</style></head><body class=""><div id=gbar><nobr><a target=_blank class=gb1 href="https://www.google.com.sg/search?tab=pw">Search</a> <a target=_blank class=gb1 href="https://www.google.com.sg/imghp?hl=en&tab=pi">Images</a> <a target=_blank class=gb1 href="https://maps.google.com.sg/maps?hl=en&tab=pl">Maps</a> <a target=_blank class=gb1 href="https://play.google.com/?hl=en&tab=p8">Play</a> <a target=_blank class=gb1 href="https://www.youtube.com/?tab=p1">YouTube</a> <a target=_blank class=gb1 href="https://news.google.com/?tab=pn">News</a> <a target=_blank class=gb1 href="https://mail.google.com/mail/?tab=pm">Gmail</a> <a target=_blank class=gb1 href="https://drive.google.com/?tab=po">Drive</a> <a target=_blank class=gb1 style="text-decoration:none" href="https://www.google.com.sg/intl/en/about/products?tab=ph"><u>More</u> »</a></nobr></div><div id=guser width=100%><nobr><span id=gbn class=gbi></span><span id=gbf class=gbf></span><span id=gbe></span><a target=_top id=gb_70 href="https://www.google.com/accounts/Login?service=print&continue=https://books.google.com.sg/books%3Fid%3DmIjADAAAQBAJ%26redir_esc%3Dy%26hl%3Den&hl=en&ec=GAZACg" class=gb4>Sign in</a></nobr></div><div class=gbh style=left:0></div><div class=gbh style=right:0></div><div role="alert" style="position: absolute; left: 0; right: 0;"><a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&redir_esc=y&hl=en&output=html_text" title="Screen reader users: click this link for accessible mode. 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Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-脿-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.</div></div></div><div class="search_box_wrapper"><form action=/books id=search_form style="margin:0px;padding:0px;" method=get> <input type=hidden name="redir_esc" value="y"><input type=hidden name="id" value="mIjADAAAQBAJ"><table cellpadding=0 cellspacing=0 class="swv-table"><tr><td class="swv-td-search"><span><input id=search_form_input type=text maxlength=1024 class="text_flat swv-input-search" aria-label="Search in this book" name=q value="" title="Search inside" accesskey=i></span></td><td class="swv-td-space"><div> </div></td><td><input type=submit value="Search inside"></td></tr></table><script type="text/javascript">if (window['_OC_autoDir']) {_OC_autoDir('search_form_input');}</script></form><div id="preview-link"><a 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href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&pg=PR7&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/publisher/content?id=mIjADAAAQBAJ&pg=PR7&img=1&zoom=1&sig=ACfU3U0dwoAf1Fc5FKnumPMuwsrgqy3VGA" alt="Table of Contents" title="Table of Contents" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&pg=PR7&source=gbs_selected_pages&cad=1" >Table of Contents</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&pg=PA285&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/publisher/content?id=mIjADAAAQBAJ&pg=PA285&img=1&zoom=1&sig=ACfU3U0_5LZhFJtL3ma7Pjhb6zdrdaPe8Q" alt="Index" title="Index" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&pg=PA285&source=gbs_selected_pages&cad=1" >Index</a></div><div style="clear:both;"></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="toc_anchor"></a>Contents</h3><div id=toc class=about_content><div id=toc_v><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Inside the Invisible </span></span></div></td><td class="toc_number" align=right>1</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Part I Slavery and Memory in Contemporary African Diasporic Art </span></span></div></td><td class="toc_number" align=right>15</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Lost and Found at the Swap Meet </span></span></div></td><td class="toc_number" align=right>17</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Preserves </span></span></div></td><td class="toc_number" align=right>29</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>What Goes without Saying </span></span></div></td><td class="toc_number" align=right>34</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Spectres in the Postcolonies </span></span></div></td><td class="toc_number" align=right>48</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Strategic Remembering and Tactical Forgetfulness in Depicting the Plantation</span></span></div></td><td class="toc_number" align=right>62</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Part II Historical Iconography and Visualising Transatlantic Slavery</span></span></div></td><td class="toc_number" align=right>79</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Uncle Tom and the Problem of Soft Resistance to Slavery </span></span></div></td><td class="toc_number" align=right>119</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The AfterImage Frederick Douglass in Visual Culture </span></span></div></td><td class="toc_number" align=right>129</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Part III African Diasporic Monuments and Memorialisation </span></span></div></td><td class="toc_number" align=right>153</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Siting the CircumAtlantic Nelson in a Bottle in Trafalgar Square </span></span></div></td><td class="toc_number" align=right>155</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Art and Caribbean Slavery </span></span></div></td><td class="toc_number" align=right>168</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The Greatest Negro Monuments on Earth </span></span></div></td><td class="toc_number" align=right>184</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Part IV Contemporary Legacies in African Diasporic Art </span></span></div></td><td class="toc_number" align=right>201</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>We Might Not Be Surprised </span></span></div></td><td class="toc_number" align=right>203</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/></div><span onclick="_OC_setListSectionVisible('toc_h', 1)" class=morelesslink id=toc_hc0 style="display:none"><br>More</span><div id=toc_hd1><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The Chattel Record Visualising the Archive in Diasporan Art </span></span></div></td><td class="toc_number" align=right>81</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Henry Box Brown African Atlantic Artists and Radical Interventions </span></span></div></td><td class="toc_number" align=right>104</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&printsec=copyright" ><span title="Copyright" style="white-space:nowrap"><span dir=ltr>Copyright</span></span></a></div></td><td class="toc_number" align=right></td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/><span onclick="_OC_setListSectionVisible('toc_h', 0)" class=morelesslink id=toc_hc1 style="display:none"><br>Less</span></div><script type="text/javascript">if (window['_OC_setListSectionVisible']) {_OC_setListSectionVisible('toc_h', 0);}</script></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="book_other_versions_anchor"></a>Other editions - <a href='https://books.google.com.sg/books?q=editions:ISBN1781382670&id=mIjADAAAQBAJ'>View all</a></h3><div id=book_other_versions class=about_content><div id=book_other_versions_v><div class="one-third-column"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=bnNvEAAAQBAJ&source=gbs_book_other_versions_r&cad=3" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/publisher/content?id=bnNvEAAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=bnNvEAAAQBAJ&printsec=frontcover&source=gbs_book_other_versions_r&cad=3"><span dir=ltr>Visualising Slavery: Art Across the African Diaspora</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="" class="secondary"><span dir=ltr>Celeste-Marie Bernier</span></a>,<a href="" class="secondary"><span dir=ltr>Hannah Durkin</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 2016</span><br/></span></div></td><td align=right></td></tr></table></div></div><div class="one-third-column"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=00LczQEACAAJ&source=gbs_book_other_versions_r&cad=3" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/publisher/content?id=00LczQEACAAJ&printsec=frontcover&img=1&zoom=5" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=00LczQEACAAJ&source=gbs_book_other_versions_r&cad=3"><span dir=ltr>Visualising Slavery: Art Across the African Diaspora</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="" class="secondary"><span dir=ltr>Celeste-Marie Bernier</span></a>,<a href="" class="secondary"><span dir=ltr>Hannah Durkin</span></a></span><br/><span><span style="color:#999">No preview available</span> - 2021</span><br/></span></div></td><td align=right></td></tr></table></div></div><script>(function () {var fn = window['_OC_WSBookList'] || window['_OC_BookList'];fn && fn('book_other_versions', 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...","subject":"Art","info_url":"https://books.google.com.sg/books?id=00LczQEACAAJ\u0026source=gbs_book_other_versions","preview_url":"https://books.google.com.sg/books?id=00LczQEACAAJ\u0026source=gbs_book_other_versions","thumbnail_url":"https://books.google.com.sg/books/publisher/content?id=00LczQEACAAJ\u0026printsec=frontcover\u0026img=1\u0026zoom=1","num_pages":0,"viewability":4,"preview":"noview","embeddable":false,"my_ebooks_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fas_coll%3D7\u0026hl=en","can_download_pdf":false,"can_download_epub":false,"is_pdf_drm_enabled":false,"is_epub_drm_enabled":false,"subtitle":"Art Across the African Diaspora"}]);})();</script></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="word_cloud_anchor"></a>Common terms and phrases</h3><div id=word_cloud class=about_content><div id=word_cloud_v><style type="text/css">.cloud9 {color: #7777cc;font-size: 10px;}.cloud8 {color: #6963CC;font-size: 10.5px;}.cloud7 {color: #6057CC;font-size: 11px;}.cloud6 {color: #574BCC;font-size: 11.5px;}.cloud5 {color: #4E3DCC;font-size: 12px;}.cloud4 {color: #4632CC;font-size: 14px;}.cloud3 {color: #3D26CC;font-size: 16px;}.cloud2 {color: #341ACC;font-size: 18px;}.cloud1 {color: #2B0DCC;font-size: 20px;}.cloud0 {color: #2200CC;font-size: 22px;}.cloud {margin-top: 4px;line-height: 24px;}.cloud a {margin-right: 6px;text-decoration: none;}.cloud a:hover {text-decoration: underline;}</style><div class=cloud><a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=aesthetic&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>aesthetic</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=african+american&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>african american</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=appears&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>appears</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=archive&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>archive</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=artist&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>artist</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=artworks&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>artworks</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=atlantic&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>atlantic</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Barth%C3%A9%E2%80%99s&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Barth茅鈥檚</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=beads&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>beads</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=become&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>become</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Black&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>Black</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=body&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>body</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Britain&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Britain</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=British&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>British</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Brown&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Brown</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=called&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>called</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Caribbean&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Caribbean</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=century&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>century</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=chapter&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>chapter</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=collection&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>collection</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=colonial&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>colonial</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=contemporary&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>contemporary</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=continues&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>continues</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=created&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>created</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=cultural&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>cultural</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=depictions&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>depictions</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=describes&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>describes</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=diasporic&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>diasporic</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=donald&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>donald</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=douglass&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>douglass</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=drawing&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>drawing</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=duke+university&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>duke university</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=early&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>early</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=enslaved&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>enslaved</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=exhibition&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>exhibition</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=experience&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>experience</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Figure&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Figure</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=force&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>force</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Frederick&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Frederick</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=freedom&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>freedom</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Gallery&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Gallery</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Haitian&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Haitian</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Himid&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Himid</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=House&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>House</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=human&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>human</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=illustration&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>illustration</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=imaginative&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>imaginative</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=installation&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>installation</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=John&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>John</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=liberation&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>liberation</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=lives&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>lives</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=London&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>London</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=look&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>look</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Lubaina+Himid&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>Lubaina Himid</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=material&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>material</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=means&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>means</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=memory&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>memory</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=monument&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>monument</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=mural&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>mural</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Museum&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Museum</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=narratives&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>narratives</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=negro&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>negro</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=objects&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>objects</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=original&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>original</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=painting&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>painting</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=particular&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>particular</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=past&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>past</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=performance&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>performance</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=photograph&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>photograph</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=piece&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>piece</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=plantation&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>plantation</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=plate&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>plate</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=political&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>political</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=portrait&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>portrait</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=position&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>position</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=possible&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>possible</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=practice&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>practice</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=present&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>present</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=produced&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>produced</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=provides&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>provides</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=radical&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>radical</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=record&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>record</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=reference&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>reference</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=relation&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>relation</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=relationship&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>relationship</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=remain&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>remain</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=representation&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>representation</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=represented&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>represented</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=resistance&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>resistance</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=rodney&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>rodney</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=rodney%E2%80%99s&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>rodney鈥檚</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=sculpture&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>sculpture</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=sense&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>sense</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=ship&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>ship</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=significant&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>significant</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Sketchbook&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Sketchbook</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=slave&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>slave</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=slave+ship&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>slave ship</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=slavery&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>slavery</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=social&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>social</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=space&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>space</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=statue&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>statue</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=story&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>story</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Studies&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Studies</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=suggests&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>suggests</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=symbolic&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>symbolic</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=things&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>things</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=thinking&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>thinking</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=Thomas&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Thomas</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=trade&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>trade</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=uncle&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>uncle</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=understanding&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>understanding</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=university+press&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>university press</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=visual&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>visual</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=writes&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>writes</span></a> <a href="https://books.google.com.sg/books?id=mIjADAAAQBAJ&q=young&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>young</span></a></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="about_author_anchor"></a>About the author <span style="color:#666; font-weight:normal">(2016)</span></h3><div id=about_author class=about_content><div id=about_author_v><div class=textmodulecontent>Celeste-Marie Bernier is Professor of United States and Atlantic Studies, University of Edinburgh. Hannah Durkin is Lecturer in Literature and Film, School of English Literature, Language and Linguistics, Newcastle University. </div></div></div></div><div class=vertical_module_list_row><h3 class="about_title">Bibliographic information</h3><div class="about_content" id="metadata_content" style="padding-bottom:.3em"><div class="metadata_sectionwrap"><table id="metadata_content_table"><tr class="metadata_row"><td class="metadata_label">Title</td><td class="metadata_value"><span dir=ltr>Visualising Slavery: Art Across the African Diaspora</span><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22LIVERPOOL+STUDIES+IN+INTERNATI%22&source=gbs_metadata_r&cad=6"><i><span dir=ltr>LIVERPOOL STUDIES IN INTERNATI</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Liverpool+studies+in+international+slavery%22&source=gbs_metadata_r&cad=6"><i><span dir=ltr>Volume 9 of Liverpool studies in international slavery</span></i></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Editors</span></td><td class="metadata_value"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Celeste-Marie+Bernier%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Celeste-Marie Bernier</span></a>, <a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Hannah+Durkin%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Hannah Durkin</span></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Edition</span></td><td class="metadata_value"><span dir=ltr>illustrated</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Publisher</span></td><td class="metadata_value"><span dir=ltr>Oxford University Press, 2016</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>ISBN</span></td><td class="metadata_value"><span dir=ltr>1781382670, 9781781382677</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Length</span></td><td class="metadata_value"><span dir=ltr>291 pages</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Subjects</span></td><td class="metadata_value"><div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art%22" itemprop="url" dir=ltr><span itemprop="title">Art</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+American%22" itemprop="url" dir=ltr><span itemprop="title">American</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+American+General%22" itemprop="url" dir=ltr><span itemprop="title">General</span></a></div><br><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+African%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / African</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+American+/+African+American+%26+Black%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / American / African American & Black</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+American+/+General%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / American / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+Caribbean+%26+Latin+American%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / Caribbean & Latin American</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Art+/+European%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Art / European</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Social+Science+/+Slavery%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Social Science / Slavery</span></a></td></tr><tr class="metadata_row"><td>&nbsp</td><td>&nbsp</td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Export Citation</span></td><td class="metadata_value"><a class="gb-button " href="https://books.google.com.sg/books/download/Visualising_Slavery.bibtex?id=mIjADAAAQBAJ&output=bibtex"><span dir=ltr>BiBTeX</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/Visualising_Slavery.enw?id=mIjADAAAQBAJ&output=enw"><span dir=ltr>EndNote</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/Visualising_Slavery.ris?id=mIjADAAAQBAJ&output=ris"><span 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