Chamber Music Seminar Instructors

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node__title"><h1>Chamber Music Seminar Instructors</h1> </div> </div> <div class="block-layout-builder"> <div class="hb-raised-cards field-hs-page-components entity-reference-revisions label-hidden"> <div class="paragraph-item ptype-hs-text-area"> <div class="paragraph paragraph--type--hs-text-area paragraph--view-mode--default"> <div class="color- field-hs-text-area text-long label-hidden"><h2>2025 Guest Artists & Faculty</h2><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/thumbnail_image0_0_0.jpg?h=d73728dc&itok=L9F5qYIm" width="200" height="200" alt> </div> </article> <figcaption>William Coleman</figcaption> </figure> <p><a href="https://www.moz.ac.at/en/people/string-studies/william-coleman"><strong>William Coleman</strong></a>, viola</p><p>William Coleman, chamber musician, soloist, and violist of the acclaimed Berlin Kuss Quartet, has performed at the Salzburg, Verbier and Edinburgh Festivals, as well as the Berlin Philharmonie, Vienna Musikverein, Elbphilharmonie Hamburg, and Carnegie Hall, New York, and regularly at the renowned Berlin techno-club, Watergate Club. Chamber music partners have included Pierre-Laurent Aimard, Miklos Perenyi, Clemens Hagen, Mischa Maisky, Kim Kashkashian, Antje Weithaas and Leif Ove Andsnes, the dancers Yui Kawaguchi and Bill T. Jones, the actors Udo Samuel and Nina Hoss, as well as extensive experience working with the composers György Kurtag, Helmut Lachenmann and Harrison Birtwistle. <br><br>A desire to curate relevant programming and broaden the possibilities of concert life has inspired yearly commissions of new works. A recent recording, “Krise” contains three commissions, including a work for string quartet and artificial intelligence computer programming. He has, with the Kuss Quartet, recorded for Sony/BMG, Onyx, and ECM, in 2018 won an Opus Klassik award, and in 2020 a new recording of the Weinberg Piano Quintet was released by SONY. Also in 2020, the complete Beethoven cycle of quartets was released, Live from Suntory Hall, Tokyo, performed on the famous “Paganini Quartet” of Stradivaris, on loan from the Nippon Foundation. <br><br>A formative experience was his first masterclass at the International Musicians Seminar in Prussia Cove, Cornwall. Founded by Sandor Vegh, it marked the beginning of many journeys to Budapest over the following decade to study with the pianist Ferenc Rados. At the same time he studied in Salzburg with Thomas Riebl, and at Boston’s NEC with Kim Kashkashian. For three years he was also fortunate enough to travel regularly to Canada and Philadelphia for masterclasses and private lessons with Karen Tuttle, a formative soul of the viola world. He is professor for viola at the Universität Mozarteum Salzburg, was recently on the jury of the International Tertis Competition, Isle of Man and in 2022, jury-member of the Tokyo International Viola Competition. He has given many masterclasses, including at the Kronberg Academy, Hans Eisler Berlin, Suntory Hall Academy Tokyo and the Juilliard School. William Coleman plays the ex-Tertis Testore of 1735, is a Pirastro artist, playing exclusively on Evah Pirazzi Gold and Oliv strings.</p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/hannahcollins-033_pc_johnpaulhenry_0.jpg?h=0f4230fa&itok=QeOHZyNu" width="200" height="200" alt> </div> </article> <figcaption>Hannah Collins</figcaption> </figure> <p><a href="https://www.hannahcollinscello.com/"><strong>Hannah Collins</strong></a>, cello</p><p>Winner of De Linkprijs for contemporary interpretation, cellist Hannah Collins is a dynamic performer devoted to building community through musical expression. Resonance Lines, her solo debut album on Sono Luminus, is an “adventurous, impressive collection of contemporary solo cello music,” negotiated “with panache” (The Strad), pairing music by Britten and Saariaho with commissioned works by Caroline Shaw and Thomas Kotcheff.</p><p>Over the past decade, New Morse Code, her “remarkably inventive and resourceful duo” (Gramophone) with percussionist Michael Compitello, has developed projects responding to our society’s most pressing issues, including The Emigrants, a documentary chamber work by George Lam, dwb (driving while black), a chamber opera by Roberta Gumbel and Susan Kander, and The Language of Landscapes, a multimedia work by Rome Prize winner Christopher Stark. They were named the winners of the 2020 Ariel Avant Impact Performance Prize which supports the development of new works addressing sustainability and scientific innovation. </p><p>Solo and chamber music performances have taken Hannah to festivals such as the Aldeburgh Festival, Musique de Chambre à Giverny, Orford Centre d'arts, and Kneisel Hall. She is a member of A Far Cry and Bach Aria Soloists, and has recently performed with The Knights, Decoda, and Grossman Ensemble. Praised for her “incisive, vibrant continuo” playing (S. Florida Classical Review), Hannah also appears regularly as a Baroque cellist with the Sebastians, TENET, and Trinity Baroque Orchestra.</p><p>Hannah earned a B.S. in biomedical engineering from Yale and holds degrees in music from the Yale School of Music, the Royal Conservatory of The Hague, and City University of New York. She is an alumna of Ensemble Connect, a fellowship program of Carnegie Hall, The Juilliard School, and Weill Music Institute, and is currently Associate Professor of Cello at the University of Kansas School of Music. </p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/jenniferfrautschi-violina_0.jpeg?h=d12066c1&itok=AnG2WzdA" width="200" height="200" alt> </div> </article> <figcaption>Jennifer Frautschi</figcaption> </figure> <p><a href="http://www.jenniferfrautschi.com/"><strong>Jennifer Frautschi</strong></a>, violin</p><p>Two-time GRAMMY nominee and Avery Fisher career grant recipient violinist <strong>Jennifer Frautschi</strong> has appeared as soloist with innumerable orchestras including the Cincinnati Symphony, Chicago Symphony, Los Angeles Philharmonic, Milwaukee Symphony, Minnesota Orchestra, and St Paul Chamber Orchestra.  As chamber musician she has performed with the Boston Chamber Music Society and Chamber Music Society of Lincoln Center and appeared at Chamber Music Northwest, La Jolla Summerfest, Music@Menlo, Tippet Rise Art Center, Toronto Summer Music, and the Bridgehampton, Charlottesville,  Lake Champlain, Moab, Ojai, Santa Fe, Seattle, and Spoleto Music Festivals.  </p><p>Her extensive discography includes several discs for Naxos: the Stravinsky Violin Concerto with the Philharmonia Orchestra of London, conducted by the legendary Robert Craft, and two GRAMMY-nominated recordings with the Fred Sherry Quartet, of Schoenberg’s Concerto for String Quartet and Orchestra , and the Schoenberg Third String Quartet. Her most recent releases are with pianist John Blacklow on Albany Records: the first devoted to the three sonatas of Robert Schumann; the second, American Duos, an exploration of recent additions to the violin and piano repertoire by contemporary American composers Barbara White, Steven Mackey, Elena Ruehr, Dan Coleman, and Stephen Hartke. She also recorded three widely praised CDs for Artek: an orchestral recording of the Prokofiev concerti with Gerard Schwarz and the Seattle Symphony; the violin music of Ravel and Stravinsky; and 20th-century works for solo violin. Other  recordings include a disc of Romantic Horn Trios, with hornist Eric Ruske and pianist Stephen Prutsman, and the Stravinsky Duo Concertant with pianist Jeremy Denk.</p><p>Born in Pasadena, California, Ms. Frautschi attended the Colburn School, Harvard, the New England Conservatory, and the Juilliard School.  She performs on a 1722 Antonio Stradivarius violin known as the “ex-Cadiz,” on generous loan from a private American foundation with support from Rare Violins In Consortium.  She currently teaches in the graduate program at Stony Brook University.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/alexihappy_0.jpeg?h=06ac0d8c&itok=_N2aVzEu" width="200" height="200" alt> </div> </article> <figcaption>Alexi Kenney</figcaption> </figure> <p><a href="https://www.alexikenney.com/"><strong>Alexi Kenney</strong></a>, violin</p><p>Violinist Alexi Kenney has forged a career that defies categorization, following his interests, intuition, and heart. He is equally at home creating experimental programs and commissioning new works, soloing with major orchestras in the USA and abroad, and collaborating with some of the most celebrated musicians of our time. Alexi is the recipient of an Avery Fisher Career Grant and a Borletti-Buitoni Trust Award. Alexi has performed as soloist with the Detroit Symphony, St. Paul Chamber Orchestra, Gulbenkian Orchestra, Virginia Symphony, Orchestre de Chambre de Lausanne, California Symphony, and Sarasota Orchestra, as well as in a play-conduct role as guest leader of the Mahler Chamber Orchestra. He has played recitals at Wigmore Hall, on Carnegie Hall’s ‘Distinctive Debuts’ series, Lincoln Center’s Mostly Mozart Festival, Philadelphia Chamber Music Society, 92nd Street Y, Mecklenberg-Vorpommern Festival, and the Isabella Stewart Gardner Museum. Winner of the 2013 Concert Artists Guild Competition and laureate of the 2012 Menuhin Competition, Alexi has been profiled by Musical America, Strings Magazine, and The New York Times, and has written for The Strad. </p><p>Chamber music continues to be a major part of Alexi’s life, regularly performing at festivals including Caramoor, ChamberFest Cleveland, Chamber Music Northwest, Kronberg, La Jolla, Ojai, Music@Menlo, Ravinia, Seattle, and Spoleto, as well as on tour with Musicians from Marlboro and the Chamber Music Society of Lincoln Center. He is a founding member of <a href="https://www.owlsmusic.com/">Owls</a>, a new quartet collective with violist Ayane Kozasa, cellist Gabe Cabezas, and cellist-composer Paul Wiancko.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/nina_lee_cello_0.jpeg?h=25c3e7c7&itok=yKX6gwpC" width="200" height="200" alt> </div> </article> <figcaption>Nina Lee</figcaption> </figure> <p><a href="https://applehill.org/team/nina-lee-cello/"><strong>Nina Lee</strong></a>, cello</p><p>An active chamber musician, Nina Lee has collaborated with such artists as Felix Galimir, Jaime Laredo, David Soyer, Nobuko Imai, Isidore Cohen, and Mitsuko Uchida. She has toured with Musicians from Marlboro and participated in the El Paso and the Portland Chamber Music Festivals. She has also performed for the Helicon Foundation and Bargemusic in New York City. Her principal teachers have been Joel Krosnick, David Soyer and Anne Fagerburg-Jacob. She has received degrees and certificates from The Curtis Institute of Music and The Juilliard School. As an advocate of music education, Ms. Lee has served as returning guest faculty at the St. Lawrence String Quartet Seminar at Stanford and at the Apple Hill Center for Chamber Music’s Summer Chamber Music Workshop. In 2012,she made a cameo appearance in <em>A Late Quartet,</em> a film which featured the Brentano Quartet on its soundtrack. Before joining the Yale faculty as a member of the Brentano Quartet, Ms. Lee taught at Princeton and Columbia Universities.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/pedja_muzijevic_0.jpeg?h=c5b65098&itok=OAdW9XvR" width="200" height="200" alt> </div> </article> <figcaption>Pedja Muzijevic</figcaption> </figure> <p><a href="https://www.pedjamuzijevic.com/"><strong>Pedja Muzijevic</strong></a>, piano</p><p>Pianist Pedja Muzijevic has toured extensively as soloist with orchestras and as a recitalist throughout eastern and western Europe, Great Britain, Canada, the United States, South America, Australia, and Asia. A native of Sarajevo, his artistic curiosity has led him to explore both the music of the 18th and 19th centuries on period instruments and the music of contemporary composers such as Knussen, Carter, Cage, Henze, Nancarrow, Crumb, Adès, and many others. His many festival engagements include, among others, performances at Tanglewood, Spoleto USA, Mostly Mozart, Newport, OK Mozart, Bridgehampton, Bay Chamber Concerts, San Miguel de Allende, Aldeburgh, Lucerne, Holland, Melbourne, Aix-en-Provence, Dubrovnik, Merano, and Bratislava festivals. Mr. Muzijevic’s recording Sonatas and Other Interludesis available on Albany Records—it juxtaposes music for prepared piano by John Cage with composers ranging from W. F. Bach to Liszt.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/63092_0.jpg?h=749d04c7&itok=hDWbz1Jp" width="200" height="200" alt> </div> </article> <figcaption>John Novacek</figcaption> </figure> <p><a href="http://parkerartists.com/John-Novacek.html"><strong>John Novacek</strong></a>, piano</p><p>Versatile, Grammy-nominated pianist John Novacek regularly tours the Americas, Europe, Asia and Australia as solo recitalist, chamber musician and concerto soloist; in the latter capacity he has presented over thirty concerti with dozens of orchestras. John Novacek is a highly sought-after collaborative artist and has performed with Joshua Bell, Renaud Capuçon, Jeremy Denk, Matt Haimovitz, Leila Josefowicz, Cho-Liang Lin, Yo-Yo Ma, Truls Mørk, Elmar Oliveira and Emmanuel Pahud, and, as well as the Afiara, Colorado, Harrington, Jupiter, New Hollywood, St. Lawrence, SuperNova and Ying string quartets. He also tours widely as a member of the multi-faceted Intersection, a piano trio that includes violinist Kaura Frautschi and cellist Kristina Reiko Cooper. As a tireless advocate for contemporary music, Mr. Novacek has also given numerous world premieres and worked closely with composers John Adams, Kenji Bunch, Gabriela Lena Frank, John Harbison, Jennifer Higdon, George Rochberg, Robert Sierra, John Williams and John Zorn. In 2022, John Novacek was appointment to the Piano and Collaborative Piano faculty of The Mannes School of Music at The New School’s College of Performing Arts in New York City.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/tara-helen-oconnor-a_0.jpeg?h=175e8b43&itok=VFONXh98" width="200" height="200" alt> </div> </article> <figcaption>Tara Helen O’Connor</figcaption> </figure> <p><a href="https://www.tarahelenoconnor.com/index.php"><strong>Tara Helen O’Connor</strong></a>, flute</p><p>Tara Helen O'Connor is a charismatic performer noted for her artistic depth, brilliant technique and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant, a two-time Grammy nominee and the first wind player chosen to participate in The Bowers Program (formerly CMS Two), she is now a Season Artist of the Chamber Music Society of Lincoln Center. A Wm. S. Haynes flute artist, Tara regularly participates in the Santa Fe Chamber Music Festival, Music@Menlo, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Music Festival and the Bravo! Vail Valley Music Festival.  Along with her husband Daniel Phillips, she is the newly appointed Co-Artstic Director of the Music From Angel Fire Festival in New Mexico.<br> </p> <article class="align-left hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_square_200x200/public/media/image/anthony-manzo-scaled_0.jpg?h=6b4c049e&itok=oulSd8Lf" width="200" height="200" alt> </div> </article> <p><a href="https://www.chambermusicsociety.org/about-us/people/artists/strings/anthony-manzo/"><strong>Anthony Manzo</strong></a>, bass</p><p><strong>Anthony Manzo</strong>’s vibrantly interactive and highly communicative music-making has made him a ubiquitous figure in the upper echelons of classical music, performing at noted venues including Lincoln Center, Boston’s Symphony Hall, and the Spoleto Festival in Charleston. He appears regularly with the Chamber Music Society, both in New York and across the country. He serves as the solo bassist of San Francisco’s New Century Chamber Orchestra and as a guest with the Orpheus Chamber Orchestra and A Far Cry. He is a regular guest with the National Symphony Orchestra, the Smithsonian Chamber Society, and the Baltimore Symphony when he happens to be near his home in Washington, DC. Formerly the solo bassist of the Munich Chamber Orchestra in Germany, he has also been guest principal with Camerata Salzburg in Austria, where collaborations have included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff, performing Mozart’s “Per questa bella mano.” He is an active performer on period instruments, with groups including the Handel & Haydn Society of Boston (where his playing was lauded as “endowed with beautiful and unexpected plaintiveness” by the <em>Boston Musical Intelligencer</em>), Philharmonia Baroque in San Francisco, and Opera Lafayette in Washington, DC. He is on the double bass and chamber music faculty of the University of Maryland. Manzo performs on a double bass made around 1890 by Jérôme Thibouville-Lamy in Paris (which now has a removable neck for travel!).</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_scaled_200px/public/media/image/palmer-219x219_0.gif?itok=vOkoAQx9" width="200" height="200" alt> </div> </article> <figcaption>Todd Palmer</figcaption> </figure> <p><a href="https://www.pcmsconcerts.org/artist/todd-palmer-clarinet/"><strong>Todd Palmer</strong></a>, clarinet</p><p>Clarinetist <strong>Todd Palmer</strong> has appeared as soloist, recitalist, chamber music collaborator, educator, arranger, and presenter in a variety of musical endeavors around the world. A three time Grammy nominated artist, he has appeared as soloist with the Atlanta, Houston, BBC Scotland orchestras; St. Paul, New York, Cincinnati, Montréal, and Metamorphosen chamber orchestras, as well as many others. He’s collaborated with many of the worlds finest string ensembles such as the St. Lawrence, Brentano, Borromeo, Pacifica, Daedalus and Ying quartets; and has also shared the stage with sopranos Kathleen Battle, Renée Fleming, Elizabeth Futral, Heidi Grant Murphy and Dawn Upshaw, and many other notable instrumentalists. He has championed Osvaldo Golijov’s Dreams and Prayers of Isaac the Blind  around the world and commissioned the theatre work  Orpheus and Euridice  by  Ricky Ian Gordon which was presented  by  Great Performers at Lincoln Center in 2005 .  He was a winner of the Young Concert Artist International Auditions, and has  participated in numerous music festivals in the US and abroad including 18 years at Spoleto Festival USA in Charleston, SC, 5 years at the Marlboro Festival and the Tanglewood Institute, where he was awarded the Leonard Bernstein Fellowship.  He has also held principle clarinet positions in the Minnesota Orchestra, Orpheus Chamber Orchestra, Orchestra of St. Lukes, the Gotham Chamber Opera and the Grand Teton Festival.  In 2008 he premiered  David Bruce’s Gumboots, a Carnegie Hall commission that was written especially for him and the St. Lawrence Quartet, and for two years appeared in Lincoln Center’s revival of <em>South Pacific</em>.Recently he appeared as soloist in Robert Lepage’s staging of Stravinsky’s <em>The Nightingale and Other  Fables</em> at BAM — dressed as a Cossack and performed the Mozart clarinet concerto as a part of Great Performers at Lincoln Center’s <em>What Makes It Great</em> series.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <picture> <source srcset="/sites/music/files/styles/responsive_large/public/media/image/daniel-phillips-2021_0.jpeg?itok=lwuSIuMV 1x" media="screen and (min-width: 1200px)" type="image/jpeg" width="200" height="200"> <source srcset="/sites/music/files/styles/responsive_large/public/media/image/daniel-phillips-2021_0.jpeg?itok=lwuSIuMV 1x" media="screen and (min-width: 992px)" type="image/jpeg" width="200" height="200"> <source srcset="/sites/music/files/styles/responsive_medium/public/media/image/daniel-phillips-2021_0.jpeg?itok=PhXYbSVQ 1x" media="screen and (min-width: 768px)" type="image/jpeg" width="200" height="200"> <source srcset="/sites/music/files/styles/responsive_small/public/media/image/daniel-phillips-2021_0.jpeg?itok=hTTIqX85 1x" media="screen and (min-width: 576px)" type="image/jpeg" width="200" height="200"> <source srcset="/sites/music/files/styles/responsive_default_576_/public/media/image/daniel-phillips-2021_0.jpeg?itok=F-veF3g7 1x" media="(min-width: 0em)" type="image/jpeg" width="200" height="200"> <img loading="eager" src="/sites/music/files/styles/responsive_large/public/media/image/daniel-phillips-2021_0.jpeg?itok=lwuSIuMV" width="200" height="200" alt> </picture> </div> </article> <figcaption>Daniel Phillips</figcaption> </figure> <p><a href="https://santafechambermusic.com/bio/daniel-phillips/"><strong>Daniel Phillips</strong></a>, violin</p><p>Violinist Daniel Phillips enjoys a versatile career as an established chamber musician, solo artist, and teacher. In 2020, he was named co-artistic director of Music from Angel Fire with his wife, flutist Tara Helen O’Connor.</p><p>A graduate of The Juilliard School, Mr. Phillips’s major teachers were his father, Eugene Phillips; Ivan Galamian; Sally Thomas; Nathan Milstein; Sandor Vegh; and George Neikrug. He’s a founding member of the Orion String Quartet, which was established in 1987. The quartet was in residence at the Mannes School of Music for 27 years, and it performs regularly with The Chamber Music Society of Lincoln Center. The quartet’s discography includes the complete quartets of Beethoven and Kirchner.</p><p> </p><figure role="group" class="align-left caption"> <article class="hb-media-image"> <div class="field-media-image image label-hidden"> <img loading="lazy" src="/sites/music/files/styles/hs_small_scaled_200px/public/media/image/prutsman_0.jpeg?itok=cUHA1nFA" width="200" height="200" alt> </div> </article> <figcaption>Stephen Prutsman</figcaption> </figure> <p><a href="https://stephenprutsman.com/about"><strong>Stephen Prutsman</strong></a>, piano</p><p>Stephen Prutsman has been described as one of the most innovative musicians of his time. Moving easily from classical to jazz to world music styles as a pianist, composer and conductor, Prutsman continues to explore and seek common ground and relationships in the music of all cultures and languages. From 2004-2007 Stephen was Artistic Partner with the St. Paul Chamber Orchestra, where he conducted concertos from the keyboard, performed in chamber ensembles, conducted works of living composers, developed and arranged collaborations for their Engine 408 series of contemporary and world music, and wrote several new works for the orchestra. From 2009 – 2012 he was the Artistic Director of the Cartagena International Festival of Music, South America’s largest festival of its kind, programming and curating concerts with themes ranging from Mozart celebrations, to eclectic evenings of folk and popular music of the Americas, to hybrid programs fusing art and dance music of multiple musical dimensions.<br> </p><h3>Previous Faculty and Guest Speakers</h3><h4>The Chamber Music Seminar's previous faculty has included:</h4><p><a href="http://www.earbox.com/">John Adams</a>, composer</p><p><a href="https://www.colburnschool.edu/faculty-listing/martin-beaver/">Martin Beaver</a>, violin<br><br><a href="https://www.moz.ac.at/en/people/string-studies/william-coleman">William Coleman</a>, viola<br><br><a href="https://www.hannahcollinscello.com/">Hannah Collins</a>, cello<br><br><a href="http://www.tylerduncan.ca/">Tyler Duncan</a>, baritone</p><p><a href="https://music.usc.edu/pamela-frank/">Pamela Frank</a>, violin<br><br><a href="http://www.jenniferfrautschi.com/">Jennifer Frautschi</a>, violin</p><p><a href="http://www.orderofbc.gov.bc.ca/members/obc-2005/2005-june-goldsmith/">June Goldsmith</a>, music educator, concert presenter, and broadcaster</p><p><a href="http://www.osvaldogolijov.com/">Osvaldo Golijov</a>, composer</p><p><a href="https://www.l2artists.com/paul-groves/">Paul Groves</a>, tenor</p><p><a href="http://www.gryphontrio.com/">Gryphon Trio</a>: Annalee Patipatanakoon, violin; Roman Borys, cello; James Parker, piano</p><p><a href="http://www.henkguittart.com/">Henk Guittart</a>, conductor and coach</p><p><a href="http://www.matthaimovitz.com/">Matt Haimovitz</a>, cello</p><p><a href="https://www.afarcry.org/bios/jesse">Jesse Irons</a>, violinist and founding member of A Far Cry</p><p><a href="http://www.michaelkannen.com/index.html">Michael Kannen</a>, cello</p><p><a href="http://www.robkapilow.com/">Rob Kapilow</a>, composer and commentator<br><br><a href="https://www.alexikenney.com/">Alexi Kenney</a>, violin<br><br>Ayane Kozasa, viola</p><p><a href="https://live.stanford.edu/blog/october-2014/st-lawrence-string-quartet-awards-trio-cleonice-john-lad-prize">John Lad</a><br><br>Maria Lambros, viola</p><p><a href="http://brentanoquartet.com/about/nina-lee/">Nina Lee</a>, cello</p><p><a href="http://www.malobows.com/Malo_Bows/Welcome_-_Bienvenue.html">François Malo</a>, bowmaker</p><p><a href="http://billmcglaughlin.com/">Bill McGlaughlin</a>, composer and pianist</p><p>Douglas McNabney, viola</p><p><a href="https://www.pedjamuzijevic.com/">Pedja Muzijevic</a>, piano</p><p>Howard Nelson, physical therapist</p><p><a href="http://www.kirshbaumassociates.com/artist.php?id=danishstringquartet&aview=bio&bid=3881">Asbjørn Nørgaard</a>, viola</p><p><a href="https://www.tarahelenoconnor.com/index.php">Tara Helen O'Connor</a>, flute</p><p><a href="http://www.kirshbaumassociates.com/artist.php?id=danishstringquartet&aview=bio&bid=3881">Frederik Øland</a>, violin<br><br>Todd Palmer, clarinet</p><p><a href="https://santafechambermusic.com/bio/daniel-phillips/">Daniel Phillips</a>, violin</p><p><a href="https://stephenprutsman.com/about">Stephen Prutsman</a>, piano</p><p>Masumi Per Rostad, violin</p><p><a href="http://www.berklee.edu/people/mikael-ringquist">Mikael Ringquist,</a> percussionist</p><p>Sebastian Ruth, violin/viola</p><p><a href="http://web.stanford.edu/~sano/conducting/">Stephen Sano</a>, conductor and choral studies faculty, Stanford University</p><p><a href="https://www.scottstjohn.com/wp/?page_id=6">Scott St. John</a>, violin (former member of SLSQ)</p><p><a href="http://www.erikaswitzer.com/">Erika Switzer</a>, piano</p><p><a href="https://www.ycat.co.uk/alasdair-tait-chief-executive-artistic-director">Alasdair Tait</a>, cello<br><br>Gilles Vonsattel, piano</p><p><a href="/people/gregory-wait">Gregory Wait</a>, music director, Schola Cantorum, and voice faculty, Stanford University<br><br>Paul Wiancko, 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