寶可夢首部真人日劇《口袋裡的冒險》：為了與遊戲連動而讓內容過於兒戲，收視平平也是可想而知

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工作就像玩遊戲，寶可夢遊戲教我的事還記得在那個遊戲主機稱霸市場的年代，打電動的小孩總會聽過大人嘮叨一句「打遊戲沒前途」，結果，如今這世代的變化，喜歡遊戲的人，有些進入遊戲公司，有些是遊戲直播主，甚至成為創作遊戲的人和職業玩家。當年玩遊戲的孩子長大成了家長，玩遊戲不是當初偷偷摸摸怕被罵的活動，而逝漸漸變成一個大家都知道，也能理解的休閒和生活。寶可夢公司和東京電視台合作的真人日劇《口袋裡的冒險》，以1996年於黑白掌機GAME BOY發行的《寶可夢－紅版／綠版》為出發點，敘述遊戲與生活的關係。故事以真白町長大的女孩赤城圓香，懷抱夢想到東京做廣告工作，收到母親寄來的包裹發現是小時候玩的寶可夢遊戲和掌機，開始重玩初版寶可夢，並透過遊戲思考工作中遭遇的大小事。《口袋裡的冒險》是什麼影集生為一個不太稱職的老任粉，從過去紅白機遊戲、掌機GAME BOY、一路玩到N64、GC、Wii到現在的Switch，經典遊戲幾乎每過一個世代又會接觸一次，從點陣圖的瑪利歐一路看到3D出現，薩爾達也從大林克、小林克玩到出現異色的無雙。最近幾年，童年寶可夢遊戲的回合戰和收服機制，也都做出了更新，讓寶可夢的世界觀符合最新即時對戰跟開放式世界的潮流，遊戲家用機也與掌機界線模糊，原先是放在家中某處，現在變成可到處攜帶。以自己的寶可夢遊戲生涯來說，因為喜歡皮卡丘，所以從1998年《寶可夢／皮卡丘》開始接觸，配合當時電視動畫的播出，可以說在學生群體中，不管是小學或大學生都知道寶可夢遊戲的存在。對於那個世代的孩子，其實某方面與現代接觸手遊的孩子無異，電子遊戲可以說是生活重要的一環，只是差別在於當時玩電子遊戲，並沒有太多選擇和轉蛋抽卡機制，而是透過攻略交流和反覆遊玩，發覺一些細節的樂趣。寶可夢公司第一部製作的原創日劇《口袋裡的冒險》，是以真白町的赤城圓香到東京廣告小公司工作，收到老家母親寄來過去的物品中，發現童年玩的掌機遊戲《寶可夢／紅版》而開始重溫享受過去的遊戲時光。在公司業務上赤城也遇到了挑戰，而在一邊工作一邊回味寶可夢初代遊戲的時光，一些想法藉由遊戲的進度與內容，讓她有所啟發，突破困難解決許多工作困難與人際關係。《口袋裡的冒險》的日劇內容，很明顯是以「遊戲和生活」為主軸，也是以小時候的玩家長大後，又重新回歸經典遊戲為主軸，但也同時藉由新生代接觸寶可夢的孩子的交流，讓寶可夢的遊戲不是新舊交替，而是新舊融合的感覺。從女主角所在的城鎮和名字，都有很明顯致敬寶可夢動畫與遊戲的影子，而在每集不到半小時的集數裡，解決問題的方式也很有趣——以寶可夢對戰的風格進行，充滿趣味。《口袋裡的冒險》分析與延伸這部日劇被一些熟悉特攝片的人，戲稱為特效很少的特攝番，主要是裡面很多角色都有出演過《假面騎士》、《戰隊》系列等特攝片的經驗，從配角或單集演出，很多都是東映的常客。飾演女主角赤城的西野七瀨也是從過去《寶可夢／紅版》就開始接觸該系列的玩家，故在一些訪談中，有透露許多跟遊戲相關的情節，比較能進入狀況，也能較能理解由遊戲進入職場生活兩方的結合。這部劇很多部份，是服務遊戲老玩家，在許多角色與人物上，雖然是日本社會職場的背景，但卻結合遊戲裡各種寶可夢的元素，例如寶可夢與公司人員的對應、解決困難與寶可夢對戰兩邊的對比，此外也有像是道館、寶可夢中心、勁敵等等元素，可以說官方在製作該劇，有很認真規劃每一集所呼應遊戲中的哪個重點，就連四天王戰、成為冠軍後的生活等等，都與現實女角的生活有滿多重疊處，可以看見該劇的用心。有意思的是，《口袋裡的冒險》影集的目標族群，應該就是放在初代接觸遊戲，如今將步入中間份子的80、90世代。影集的動畫表現，使用初代點陣繪圖模式，還細心將當時點陣字體還原，也許用當時遊戲的GBM配樂，就連音效也是致敬初代遊戲，老玩家能在這部劇找到很多熟悉之處。且在劇情中，也有一些遊戲物品在現實中還原，也埋了很多彩蛋跟最後一集的結尾特典，都是這部小品日劇有趣之處。但在懷舊的同時，裡面也有表現出現代孩子新一代的寶可夢，讓《寶可夢－朱／紫》版本登場就是其中一點，女主角赤城圓香要遊玩初代《寶可夢／紅版》的同時，小學生正玩著最新的《寶可夢－朱／紫》，雖然畫面展現不同，但卻可以彼此交流寶可夢的心得，寶可夢公司想透過這一點來表示，不管遊戲過了多久，寶可夢就是寶可夢，不會因為時代而有隔閡。《口袋裡的冒險》值得一看嗎？《口袋裡的冒險》是寶可夢另一種新嘗試，其實在這之前，也有諸多不同種類對於寶可夢IP的運用與革新，例如新動畫《寶可夢－地平線》以全新角色擔當寶可夢主角的操作，還有《寶可夢－朱／紫》、《寶可夢／阿爾宙斯》的開放世界觀，與更多顛覆以往單一取向的故事內容。甚至在寶可夢卡牌對戰，也是過去一直到今的革新，而舉辦世界賽等活動，也證實關於在遊戲之外，寶可夢系列產品與內容對世界流行文化的影響。真人日劇《口袋裡的冒險》以遊戲玩家為主題，透過接觸過往的遊戲，呼應真實世界工作的內容，並且讓女主角在寶可夢世界和真實世界有所羈絆，並認識新的夥伴一起努力，加入很多遊戲中會有的彩蛋，是相當輕鬆的小品。但是其缺點也是顯而易見，從視聽率與觀眾評分上平平，可以看出問題所在，大量致敬和與遊戲牽動是好事，但是在故事改編上，往往為了要與遊戲有關連，而讓事件與角色個性扁平化，讓整部日劇內容變得太過於兒戲。《口袋裡的冒險》有點介於有致敬、有彩蛋——故事無聊硬要有的兩者之間，這讓整部劇的評價變得不好，甚至還有拉垮的跡象。雖然，我覺得遊戲回憶殺這點在劇中使用的滿不錯，但是某些劇情就很莫名其妙，例如勁敵篇的故事，就是非常無趣又拖戲，沒有代入感也沒有啟發性。但並不是說《口袋裡的冒險》劇本都不好，而是在章回故事中，時好、時壞感太重，而且放在深夜檔播送，又是過於兒戲的內容，收視沒起色似乎也是可想而知。本文經《方格子》授權轉載，原文發表於此原標題：《口袋裡的冒險》寶可夢首部原創日劇延伸閱讀《寶可夢之父：田尻智》：怎麼做才能讓「交換」成為遊戲更好玩的關鍵？《Pokémon Sleep》推出「睡眠類型測驗」，你的睡眠習慣與哪隻寶可夢最相近？首部寶可夢逐格動畫《寶可夢禮賓部》：人類與寶可夢共存的世界，快樂生活每一天【加入關鍵評論網會員】每天精彩好文直送你的信箱，每週獨享編輯精選、時事精選、藝文週報等特製電子報。還可留言與作者、記者、編輯討論文章內容。立刻點擊免費加入會員！責任編輯：王祖鵬核稿編輯：翁世航"}</script> <script type="application/ld+json">{"@type":"ItemList","@context":"https:\/\/schema.org","itemListElement":[{"url":"https:\/\/www.youtube.com\/watch?v=pRSEsn7IJX0&feature=youtu.be","name":"《口袋裡的冒險》從寶可夢對戰中獲得職場心法！效果絕佳成功收服客戶！ - EP01 精彩片段｜KKTV 線上看","@type":"VideoObject","author":{"name":"KKTV - 日劇、動漫、台劇、韓劇、陸劇線上看","@type":"Person"},"embedUrl":"https:\/\/www.youtube.com\/embed\/pRSEsn7IJX0","position":1,"uploadDate":"2023-11-14T04:00:45-08:00","description":"《口袋裡的冒險》從寶可夢對戰中獲得職場心法！效果絕佳成功收服客戶！ - EP01 精彩片段｜KKTV 線上看","thumbnailUrl":"https:\/\/i.ytimg.com\/vi\/pRSEsn7IJX0\/hqdefault.jpg"}]}</script> </head> <body class=""> <tnlmedia-header theme="styleLight" lang="zh-tw"></tnlmedia-header> <header id="mainHeader" class="main-header bg-white"> <div class="headers"> <div class="basebar container py-3 pt-lg-5 pb-lg-0"> <div 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data-feature-article="0" data-column-article="0" data-r18-content="0" data-alcohol-content="0" > <article class="section-wrapper js-article-section-wrapper"> <section class="item-wrapper article-header-item-wrapper"> <div class="container" data-bs-theme=light> <div class="row justify-content-center"> <div class="col-12 col-lg-11"> <div class="item-info-wrapper"> <div class="d-flex flex-column-reverse"> <h1 id="article-title-198011" class="h3 item-title default-color">寶可夢首部真人日劇《口袋裡的冒險》：為了與遊戲連動而讓內容過於兒戲，收視平平也是可想而知</h1> </div> <div class="item-froms"> <time class="small time" datetime="2024/02/06"> 2024/02/06 </time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/movie-tv">影劇</a> <span class="dot"></span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/vocus">方格子vocus</a> </small> </small> </div> </div> </div> </div> </div> <div class="imgs-wrapper pt-4"> <div class="imgs container"> <div 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《口袋裡的冒險》 </small> </figcaption> </figure> </div> </div> </div> </section> <div class="item-wrapper article-body-item-wrapper"> <div class="container"> <div class="row justify-content-center article-body-item-row"> <div class="col-12 col-lg-11 article-body-item-col"> <div class="article-body-item bg-white py-5"> <div class="item"> <section class="authors-wrapper overflow-hidden mb-5"> <div class="card author-wrapper text-bg-light js-author-wrapper" data-author-id="1544"> <div class="card-body card-padding-sm"> <div class="card-body-item d-flex flex-column flex-md-wrap flex-md-row"> <a class="d-flex item-link align-items-center mw-md-58" href="https://www.thenewslens.com/author/vocus"> <div class="avatar-wrapper bg-white border border-4 border-white rounded-circle ratio ratio-1x1 w-56px h-56px flex-shrink-0"> <img class="author-avatar rounded-circle" alt="方格子vocus" src="https://bucket-image.inkmaginecms.com/version/list/1/image/2024/05/4901f78a-d552-4da4-99ca-b3bd27675e4d.jpg" /> </div> <div class="h5 text-link-dark card-title mb-0 ps-2 text-style-link">方格子vocus</div> </a> <p class="card-text multiline-ellipsis-2 mt-3 mb-0 order-md-3 w-100 h6 fw-normal default-color text-muted">方格子vocus致力於成為華文創作者的第一站，以多元模式創造價值，期望讓每位專注的創作者自在分享、交流，放送你的知識與想像。在關鍵評論網的文章，都是由方格子創作者個別創作，透過「方格子直送」計劃授權轉載。 </p> <div class="social-btns ms-md-auto mt-3 mt-md-0 d-flex align-items-center justify-content-center order-md-2"> <a class="btn btn-square-xs btn-link text-link-light social-btn" target="_blank" rel="noopener noreferrer" href="https://www.facebook.com/vocus.cc/"><i class="icon fab fa-facebook-f"></i></a> <a class="btn btn-square-xs btn-link text-link-light social-btn" target="_blank" rel="noopener noreferrer" href="https://vocus.cc/"><i class="icon fas fa-globe"></i></a> <button type="button" class="btn btn-primary btn-follow ms-auto ms-md-4 js-follow-author-btn opacity-0 animate__animated">追蹤<i class="icon far fa-heart"></i></button> </div> </div> </div> </div> </section> <section class="border border-primary-800 notch-card mb-5"> <div class="h5 headine simple section-title bg-white">我們想讓你知道的是</div> <p class="h6 fw-normal default-color text-muted mb-0 card-padding-lg"> 《口袋裡的冒險》有點介於有致敬、有彩蛋——故事無聊硬要有的兩者之間，這讓整部劇的評價變得不好，甚至還有拉垮的跡象。雖然，我覺得遊戲回憶殺這點在劇中使用的滿不錯，但是某些劇情就很莫名其妙，例如勁敵篇的故事，就是非常無趣又拖戲，沒有代入感也沒有啟發性。 </p> </section> </div> <div class="js-advertise ad-content desktop-hide" style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["658903"],"page_key":["article"],"page_name":["article"],"tag_key":["312","41552","114200","197211","326349","326350"],"tag_name":["\u904a\u6232","\u65e5\u5287","\u5bf6\u53ef\u5922","\u897f\u91ce\u4e03\u7028","\u53e3\u888b\u88e1\u7684\u5192\u96aa","\u8d64\u57ce\u5713\u9999"],"author_key":["vocus"],"author_name":["\u65b9\u683c\u5b50vocus"],"category_key":["movie-tv"],"category_name":["\u5f71\u5287"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p0","size":[[336,280],[300,250],[1,1]],"mapping":[[[0,0],[[336,280],[300,250],[1,1]]],[[970,0],[]]],"name":"tnl_a_p0"}</script> </div> </div> <section id="article-content-198011" class="item article-body default-color mb-6 mt-5"> <p>文：陸坡 (LUPO)</p> <h3>工作就像玩遊戲，寶可夢遊戲教我的事</h3> <p>還記得在那個遊戲主機稱霸市場的年代，打電動的小孩總會聽過大人嘮叨一句「打遊戲沒前途」，結果，如今這世代的變化，喜歡遊戲的人，有些進入遊戲公司，有些是遊戲直播主，甚至成為創作遊戲的人和職業玩家。</p><div class="js-advertise ad-content " style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["658903"],"page_key":["article"],"page_name":["article"],"tag_key":["312","41552","114200","197211","326349","326350"],"tag_name":["\u904a\u6232","\u65e5\u5287","\u5bf6\u53ef\u5922","\u897f\u91ce\u4e03\u7028","\u53e3\u888b\u88e1\u7684\u5192\u96aa","\u8d64\u57ce\u5713\u9999"],"author_key":["vocus"],"author_name":["\u65b9\u683c\u5b50vocus"],"category_key":["movie-tv"],"category_name":["\u5f71\u5287"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p2","size":[[640,480],[640,360],[300,250],[1,1]],"mapping":[[[970,0],[[640,480],[640,360],[1,1]]],[[336,0],[[300,250],[1,1]]]],"name":"tnl_a_p2"}</script> </div> </div> <p>當年玩遊戲的孩子長大成了家長，玩遊戲不是當初偷偷摸摸怕被罵的活動，而逝漸漸變成一個大家都知道，也能理解的休閒和生活。</p> <p>寶可夢公司和東京電視台合作的真人日劇《口袋裡的冒險》，以1996年於黑白掌機GAME BOY發行的《寶可夢－紅版／綠版》為出發點，敘述遊戲與生活的關係。</p> <p>故事以真白町長大的女孩赤城圓香，懷抱夢想到東京做廣告工作，收到母親寄來的包裹發現是小時候玩的寶可夢遊戲和掌機，開始重玩初版寶可夢，並透過遊戲思考工作中遭遇的大小事。</p> <h3>《口袋裡的冒險》是什麼影集</h3> <p>生為一個不太稱職的老任粉，從過去紅白機遊戲、掌機GAME BOY、一路玩到N64、GC、Wii到現在的Switch，經典遊戲幾乎每過一個世代又會接觸一次，從點陣圖的瑪利歐一路看到3D出現，薩爾達也從大林克、小林克玩到出現異色的無雙。</p><div class="js-advertise ad-content " style="min-height:326px"> <div class="tmgad tmgad-type-general tmgad-new"> <script type="application/json">{"type":"general","targeting":{"advertising":["0"],"cabinet":["658903"],"page_key":["article"],"page_name":["article"],"tag_key":["312","41552","114200","197211","326349","326350"],"tag_name":["\u904a\u6232","\u65e5\u5287","\u5bf6\u53ef\u5922","\u897f\u91ce\u4e03\u7028","\u53e3\u888b\u88e1\u7684\u5192\u96aa","\u8d64\u57ce\u5713\u9999"],"author_key":["vocus"],"author_name":["\u65b9\u683c\u5b50vocus"],"category_key":["movie-tv"],"category_name":["\u5f71\u5287"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p6_special","size":[[640,480],[640,360],[320,480],[300,250],[1,1]],"mapping":[[[970,0],[[640,480],[640,360],[1,1]]],[[336,0],[[320,480],[300,250],[1,1]]]],"name":"tnl_a_p6_special"}</script> </div> </div> <p>最近幾年，童年寶可夢遊戲的回合戰和收服機制，也都做出了更新，讓寶可夢的世界觀符合最新即時對戰跟開放式世界的潮流，遊戲家用機也與掌機界線模糊，原先是放在家中某處，現在變成可到處攜帶。</p> <p>以自己的寶可夢遊戲生涯來說，因為喜歡皮卡丘，所以從1998年《寶可夢／皮卡丘》開始接觸，配合當時電視動畫的播出，可以說在學生群體中，不管是小學或大學生都知道寶可夢遊戲的存在。</p> <p>對於那個世代的孩子，其實某方面與現代接觸手遊的孩子無異，電子遊戲可以說是生活重要的一環，只是差別在於當時玩電子遊戲，並沒有太多選擇和轉蛋抽卡機制，而是透過攻略交流和反覆遊玩，發覺一些細節的樂趣。</p> <p>寶可夢公司第一部製作的原創日劇《口袋裡的冒險》，是以真白町的赤城圓香到東京廣告小公司工作，收到老家母親寄來過去的物品中，發現童年玩的掌機遊戲《寶可夢／紅版》而開始重溫享受過去的遊戲時光。</p><div class="js-advertise ad-content " style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["658903"],"page_key":["article"],"page_name":["article"],"tag_key":["312","41552","114200","197211","326349","326350"],"tag_name":["\u904a\u6232","\u65e5\u5287","\u5bf6\u53ef\u5922","\u897f\u91ce\u4e03\u7028","\u53e3\u888b\u88e1\u7684\u5192\u96aa","\u8d64\u57ce\u5713\u9999"],"author_key":["vocus"],"author_name":["\u65b9\u683c\u5b50vocus"],"category_key":["movie-tv"],"category_name":["\u5f71\u5287"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p10","size":[[640,480],[640,360],[300,250],[1,1]],"mapping":[[[970,0],[[640,480],[640,360],[1,1]]],[[336,0],[[300,250],[1,1]]]],"name":"tnl_a_p10"}</script> </div> </div> <p>在公司業務上赤城也遇到了挑戰，而在一邊工作一邊回味寶可夢初代遊戲的時光，一些想法藉由遊戲的進度與內容，讓她有所啟發，突破困難解決許多工作困難與人際關係。</p> <p>《口袋裡的冒險》的日劇內容，很明顯是以「遊戲和生活」為主軸，也是以小時候的玩家長大後，又重新回歸經典遊戲為主軸，但也同時藉由新生代接觸寶可夢的孩子的交流，讓寶可夢的遊戲不是新舊交替，而是新舊融合的感覺。</p> <p>從女主角所在的城鎮和名字，都有很明顯致敬寶可夢動畫與遊戲的影子，而在每集不到半小時的集數裡，解決問題的方式也很有趣——以寶可夢對戰的風格進行，充滿趣味。</p> <h3>《口袋裡的冒險》分析與延伸</h3> <p>這部日劇被一些熟悉特攝片的人，戲稱為特效很少的特攝番，主要是裡面很多角色都有出演過《假面騎士》、《戰隊》系列等特攝片的經驗，從配角或單集演出，很多都是東映的常客。</p> <p>飾演女主角赤城的西野七瀨也是從過去《寶可夢／紅版》就開始接觸該系列的玩家，故在一些訪談中，有透露許多跟遊戲相關的情節，比較能進入狀況，也能較能理解由遊戲進入職場生活兩方的結合。</p> <p>這部劇很多部份，是服務遊戲老玩家，在許多角色與人物上，雖然是日本社會職場的背景，但卻結合遊戲裡各種寶可夢的元素，例如寶可夢與公司人員的對應、解決困難與寶可夢對戰兩邊的對比，此外也有像是道館、寶可夢中心、勁敵等等元素，可以說官方在製作該劇，有很認真規劃每一集所呼應遊戲中的哪個重點，就連四天王戰、成為冠軍後的生活等等，都與現實女角的生活有滿多重疊處，可以看見該劇的用心。</p> <p>有意思的是，《口袋裡的冒險》影集的目標族群，應該就是放在初代接觸遊戲，如今將步入中間份子的80、90世代。影集的動畫表現，使用初代點陣繪圖模式，還細心將當時點陣字體還原，也許用當時遊戲的GBM配樂，就連音效也是致敬初代遊戲，老玩家能在這部劇找到很多熟悉之處。</p> <p>且在劇情中，也有一些遊戲物品在現實中還原，也埋了很多彩蛋跟最後一集的結尾特典，都是這部小品日劇有趣之處。</p> <p>但在懷舊的同時，裡面也有表現出現代孩子新一代的寶可夢，讓《寶可夢－朱／紫》版本登場就是其中一點，女主角赤城圓香要遊玩初代《寶可夢／紅版》的同時，小學生正玩著最新的《寶可夢－朱／紫》，雖然畫面展現不同，但卻可以彼此交流寶可夢的心得，寶可夢公司想透過這一點來表示，不管遊戲過了多久，寶可夢就是寶可夢，不會因為時代而有隔閡。</p> <h3>《口袋裡的冒險》值得一看嗎？</h3> <p>《口袋裡的冒險》是寶可夢另一種新嘗試，其實在這之前，也有諸多不同種類對於寶可夢IP的運用與革新，例如新動畫《寶可夢－地平線》以全新角色擔當寶可夢主角的操作，還有《寶可夢－朱／紫》、《寶可夢／阿爾宙斯》的開放世界觀，與更多顛覆以往單一取向的故事內容。</p> <p>甚至在寶可夢卡牌對戰，也是過去一直到今的革新，而舉辦世界賽等活動，也證實關於在遊戲之外，寶可夢系列產品與內容對世界流行文化的影響。</p> <p>真人日劇《口袋裡的冒險》以遊戲玩家為主題，透過接觸過往的遊戲，呼應真實世界工作的內容，並且讓女主角在寶可夢世界和真實世界有所羈絆，並認識新的夥伴一起努力，加入很多遊戲中會有的彩蛋，是相當輕鬆的小品。</p> <p>但是其缺點也是顯而易見，從視聽率與觀眾評分上平平，可以看出問題所在，大量致敬和與遊戲牽動是好事，但是在故事改編上，往往為了要與遊戲有關連，而讓事件與角色個性扁平化，讓整部日劇內容變得太過於兒戲。</p> <p>《口袋裡的冒險》有點介於有致敬、有彩蛋——故事無聊硬要有的兩者之間，這讓整部劇的評價變得不好，甚至還有拉垮的跡象。</p> <p>雖然，我覺得遊戲回憶殺這點在劇中使用的滿不錯，但是某些劇情就很莫名其妙，例如勁敵篇的故事，就是非常無趣又拖戲，沒有代入感也沒有啟發性。</p> <p>但並不是說《口袋裡的冒險》劇本都不好，而是在章回故事中，時好、時壞感太重，而且放在深夜檔播送，又是過於兒戲的內容，收視沒起色似乎也是可想而知。</p> <figure class="op-social video-responsive"><iframe width="560" height="315" src="https://www.youtube.com/embed/pRSEsn7IJX0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></figure> <p>本文經《<a href="https://vocus.cc/" target="_blank" title="方格子">方格子</a>》授權轉載，原文<a href="https://vocus.cc/article/65b3b512fd89780001d67bd7" target="_blank">發表於此</a><br> 原標題：《口袋裡的冒險》寶可夢首部原創日劇</p> <h3>延伸閱讀</h3> <ul> <li><a href="https://www.thenewslens.com/article/136532" target="_blank">《寶可夢之父：田尻智》：怎麼做才能讓「交換」成為遊戲更好玩的關鍵？</a></li> <li><a href="https://www.thenewslens.com/article/189718" target="_blank">《Pokémon Sleep》推出「睡眠類型測驗」，你的睡眠習慣與哪隻寶可夢最相近？</a></li> <li><a href="https://www.thenewslens.com/article/197015" target="_blank">首部寶可夢逐格動畫《寶可夢禮賓部》：人類與寶可夢共存的世界，快樂生活每一天</a></li> </ul> <p>【加入關鍵評論網會員】每天精彩好文直送你的信箱，每週獨享編輯精選、時事精選、藝文週報等特製電子報。還可留言與作者、記者、編輯討論文章內容。<a href="https://www.thenewslens.com/profile/subscribe?utm_source=article&utm_medium=CTA&utm_campaign=member" target="_blank" title="立刻點擊免費加入會員！">立刻點擊免費加入會員！</a></p> <p>責任編輯：王祖鵬<br> 核稿編輯：翁世航</p> </section> <div class="article-others-wrapper item pt-3"> <section class="mt-6"> </section> <ul class="lists list-unstyled d-flex flex-wrap px-4 py-4 mb-0 mt-6 border-top border-gray-300 column-gap-4 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寶可夢首部真人日劇《口袋裡的冒險》：為了與遊戲連動而讓內容過於兒戲，收視平平也是可想而知 - TNL The News Lens 關鍵評論網