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Louis W. Ballard - Wikipedia

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biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Louis W. Ballard</div></th></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"><a href="/wiki/File:Louis_W._Ballard.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/e/e2/Louis_W._Ballard.jpg" decoding="async" width="200" height="280" class="mw-file-element" data-file-width="164" data-file-height="230" /></a></span></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Honganozhe</div><br /><span style="display:none">(<span class="bday">1931-07-08</span>)</span>July 8, 1931<br /><div style="display:inline" class="birthplace"><a href="/w/index.php?title=Devil%27s_Promenade,_Oklahoma&amp;action=edit&amp;redlink=1" class="new" title="Devil&#39;s Promenade, Oklahoma (page does not exist)">Devil's Promenade, Oklahoma</a>, US</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">February 9, 2007<span style="display:none">(2007-02-09)</span> (aged&#160;75)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Santa_Fe,_New_Mexico" title="Santa Fe, New Mexico">Santa Fe, New Mexico</a>, US</div></td></tr><tr><th scope="row" class="infobox-label">Nationality</th><td class="infobox-data category"><a href="/wiki/Quapaw_Nation" class="mw-redirect" title="Quapaw Nation">Quapaw Nation</a>, <a href="/wiki/Americans" title="Americans">American</a></td></tr><tr><th scope="row" class="infobox-label">Education</th><td class="infobox-data"><a href="/wiki/University_of_Oklahoma" title="University of Oklahoma">University of Oklahoma</a>, <a href="/wiki/University_of_Tulsa" title="University of Tulsa">University of Tulsa</a></td></tr><tr><th scope="row" class="infobox-label">Known&#160;for</th><td class="infobox-data"><a href="/wiki/Musical_composition" title="Musical composition">Musical composition</a>, writing, painting</td></tr></tbody></table> <p><b>Louis W. Ballard</b> (July 8, 1931 – February 9, 2007) was a <a href="/wiki/Native_Americans_in_the_United_States" title="Native Americans in the United States">Native American</a> composer, educator, author, artist, and journalist. He is "known as the father of Native American composition."<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=1" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Louis Wayne Ballard was born on July 8, 1931, in Devil's Promenade near <a href="/wiki/Miami,_Oklahoma" title="Miami, Oklahoma">Miami, Oklahoma</a>. His father was Charles G. Ballard, <a href="/wiki/Cherokee" title="Cherokee">Cherokee</a>, and his mother Leona Quapaw was <a href="/wiki/Quapaw" title="Quapaw">Quapaw</a>.<sup id="cite_ref-:0_2-0" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> On his mother's side, he was related to a prominent medicine chief of the Quapaw Tribe, and on his father's side he was related to <a href="/wiki/Joel_B._Mayes" title="Joel B. Mayes">Joel B. Mayes</a>, a principal chief of the <a href="/wiki/Cherokee_Nation" title="Cherokee Nation">Cherokee Nation</a>.<sup id="cite_ref-:0_2-1" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> His Quapaw name, <b>Honganozhe</b>, translates to "One Who Stands With Eagles". </p><p>Ballard's education began at the Seneca Indian Training School when he was six years old. The Seneca Indian Training School, a boarding school located in <a href="/wiki/Wyandotte,_Oklahoma" title="Wyandotte, Oklahoma">Wyandotte, Oklahoma</a>, was established in the early 1870s and was initially a mission school supported by a local group of <a href="/wiki/Quakers" title="Quakers">Quakers</a> and government subsidies. Over time, the school came under control of the government. The mission of the Seneca Indian Training School and other institutions like it can be best explained by the following message delivered by Thomas J. Morgan, the former <a href="/wiki/Commissioner_of_Indian_Affairs" class="mw-redirect" title="Commissioner of Indian Affairs">Commissioner of Indian Affairs</a>, in 1889: "[American Indian children] should be taught to look upon America as their home and upon the United States Government as their friend and benefactor. They should be made familiar with the lives of great and good men and women in American history, and be taught to feel a pride in all their great achievements. They should hear little or nothing of the 'wrongs of the Indians,' and of the injustice of the white race. If their unhappy history is alluded to, it should be to contrast it with the better future that is within their grasp." </p><p>Ballard considered these schools to be institutions that would <a href="/wiki/Brainwash" class="mw-redirect" title="Brainwash">brainwash</a> American Indian children. Despite the efforts of the Seneca Indian Training School in discouraging him from practicing his family's customs, Ballard continued to speak in his native language and engage in tribal dances; he was constantly persecuted for doing so. This was not unlike the treatment that his mother received at a school similar to the Seneca Indian Training School, where on occasion she was beaten, handcuffed, and submitted to solitary confinement when she was caught speaking <a href="/wiki/Quapaw_language" title="Quapaw language">Quapaw</a>. These disciplinary tactics were commonplace at such institutions throughout the United States and resulted in a dramatic loss of language and culture. </p><p>After leaving boarding school, Ballard's parents divorced, and he and his brother, Charles Ballard, lived with their mother and step-father for part of the year and with their grandmother for the other part of the year. During this period of his life, Ballard struggled with his identity. With his mother, he lived what could have been described as a typical American life-style with little spiritual or cultural guidance. In school, he was often forced to draw <a href="/wiki/Tom-tom" class="mw-redirect" title="Tom-tom">tom-toms</a> and <a href="/wiki/Tomahawk" title="Tomahawk">tomahawks</a> by the teacher, and the other students would often taunt, harass, and throw stones at him. While living with his grandmother, though, he attended Baptist Mission School and took part in <a href="/wiki/Powwow" title="Powwow">powwows</a> as well as other community festivals. It is not surprising that he felt more comfortable living with his grandmother. There seems to be some speculation as to who first taught the young Louis Ballard to play piano at the Baptist Mission Church. One source states that it was his mother who first taught him, but another source claims that his grandmother paid an unnamed private tutor to instruct him. According to the latter, his grandmother's property contained <a href="/wiki/Zinc" title="Zinc">zinc</a> and <a href="/wiki/Lead" title="Lead">lead</a>, and as a result, had the financial means to purchase a piano as well as pay for piano and voice lessons. By the time he had finished high school, he had a number of achievements to his name. He was the captain of both the football team and the baseball team, he was named <a href="/wiki/Valedictorian" title="Valedictorian">valedictorian</a> and outstanding graduate of the class of 1949, and he performed in a piano recital that took place at the <a href="/wiki/University_of_Oklahoma" title="University of Oklahoma">University of Oklahoma</a>. Although Ballard was trained in the style of <a href="/wiki/Western_culture#Music" title="Western culture">Western music</a>, he was deeply rooted in the music and dance traditions of his culture. As a child, he often participated in powwows, and he would continue to participate in powwows into his years as a young adult. He eventually became a member of the War Dance Society of the Quapaw tribe. </p><p>After high school, Ballard continued to pursue music while at college. He began studying at the University of Oklahoma in 1949, and then transferred to <a href="/wiki/Northeastern_Oklahoma_A%26M" class="mw-redirect" title="Northeastern Oklahoma A&amp;M">Northeastern Oklahoma A&amp;M</a> in 1951. In 1954 he received a bachelor's degree in <a href="/wiki/Music_theory" title="Music theory">music theory</a> and a bachelor's degree in <a href="/wiki/Music_education" title="Music education">music education</a> at the <a href="/wiki/University_of_Tulsa" title="University of Tulsa">University of Tulsa</a>. There, he studied piano with Stefan Bardos and composition with Bela Rosza. Ballard met his first wife, Delores Lookout, on a blind date at the University of Tulsa in 1953. They were, then, married in January of the following year in <a href="/wiki/Pawhuska,_Oklahoma" title="Pawhuska, Oklahoma">Pawhuska, Oklahoma</a>. Their first son, Louis Anthony Ballard, was born on October 30, 1954. Louis had two additional children with Delores. Their daughter, Anne Marie Quetone, was born on March 7, 1956, and their second son, Charles Christopher Ballard, was born August 10, 1957. During his undergraduate studies, Ballard began exploring ways in which he could combine his passion for his Quapaw music traditions with Western music practices. Taking inspiration from <a href="/wiki/Bela_Bartok" class="mw-redirect" title="Bela Bartok">Bela Bartok</a>'s use of <a href="/wiki/Hungarian_folk_music" title="Hungarian folk music">Hungarian folk themes</a>, one of Ballard's first attempts at unifying these two musical practices was a compositional exercise in which he arranged a <a href="/wiki/Ponca" title="Ponca">Ponca Indian</a> melody in the styles of both <a href="/wiki/Chopin" class="mw-redirect" title="Chopin">Chopin</a> and <a href="/wiki/Rachmaninoff" class="mw-redirect" title="Rachmaninoff">Rachmaninoff</a>. Ultimately, he was dissatisfied with the outcome, because he wanted his American Indian-influenced music to be assessed for its own unique qualities. He felt that for it to be truly original, it needed to feature American Indian music traditions without being in the style of another composer. He would later explain, "<a href="/wiki/Antonin_Dvorak" class="mw-redirect" title="Antonin Dvorak">Dvorak</a>, in 1893, predicted that America should have a form of nationalistic music built upon Indian music and <a href="/wiki/African-American_music#History" title="African-American music">Black slave songs</a>. So I felt that I was in good company when I took up my pen to express the sufferings of my people, their regeneration and hopes for a better future life…" While Ballard was pursuing his undergraduate degrees, he sang with the Tulsa University Radio Choir in order to support himself. </p><p>After graduating, Ballard taught music at various schools throughout Oklahoma, including Marquette High School in <a href="/wiki/Tulsa,_Oklahoma" title="Tulsa, Oklahoma">Tulsa</a> and <a href="/wiki/Nelagoney,_Oklahoma" title="Nelagoney, Oklahoma">Nelagoney</a> Consolidated Schools in <a href="/wiki/Osage_County,_Oklahoma" title="Osage County, Oklahoma">Osage County</a>. He was also the music director for Memorial Baptist Church and Madelene Catholic Church in Tulsa, and First Presbyterian Church in <a href="/wiki/Pawhuska" class="mw-redirect" title="Pawhuska">Pawhuska</a>. Ballard ultimately left his music director positions and supported himself by teaching private piano lessons. He returned to the University of Tulsa to pursue a master's degree in composition in 1960, and continued his studies with Bela Rosza. He graduated in 1962, and was distinguished by being the first American Indian to receive a graduate degree in music composition. </p> <div class="mw-heading mw-heading2"><h2 id="Composer_and_educator">Composer and educator</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=2" title="Edit section: Composer and educator"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>After graduating, Ballard frequently attended the <a href="/wiki/Aspen_Music_Festival" class="mw-redirect" title="Aspen Music Festival">Aspen Music Festival</a> and studied composition privately with notable musical figures such as <a href="/wiki/Darius_Milhaud" title="Darius Milhaud">Darius Milhaud</a>, <a href="/wiki/Mario_Castelnuovo-Tedesco" title="Mario Castelnuovo-Tedesco">Mario Castelnuovo-Tedesco</a>, <a href="/wiki/Carlos_Surinach" title="Carlos Surinach">Carlos Surinach</a>, and <a href="/wiki/Felix_Labunski" title="Felix Labunski">Felix Labunski</a>. He also studied applied percussion with George Gaber. During the summer, as a faculty member at the <a href="/wiki/Aspen_Music_Festival" class="mw-redirect" title="Aspen Music Festival">Aspen Music Festival</a> from 1957 through 1972, he taught private lessons in <a href="/wiki/Percussion" class="mw-redirect" title="Percussion">percussion</a> performance and participated in various concerts held during the festival. Louis Ballard met his second wife, Ruth Doré, at the Aspen Music Festival in 1963. She too was a concert pianist, and would later become Ballard's manager and publicist. At this time, both Louis Ballard's marriage to Delores Lookout and Ruth Doré's marriage to her husband, Robert Sands, were rapidly deteriorating. By 1965, Louis Ballard divorced Delores Lookout, and was soon remarried to Ruth Doré. Doré came from a family with wealth, and with her personal and financial support, Ballard was able to pursue composition on a full-time basis. In addition to spending his summers at the Aspen Music Festival, Ballard served as the music director for the <a href="/wiki/Institute_of_American_Indian_Arts" title="Institute of American Indian Arts">Institute of American Indian Arts</a> based in <a href="/wiki/Santa_Fe,_New_Mexico" title="Santa Fe, New Mexico">Santa Fe, New Mexico</a>, from 1962 to 1968. </p><p>In 1966, the Ballard family hired Lydia Talache as a housekeeper and babysitter for their three children. While she worked for them, Lydia became very close to the family. She frequented the Ballard residence twice a week until 1970. According to Lydia Talache, Louis Ballard was well liked in the American Indian community, and his music was very well received by the community at large. She recounted that the vast majority of Pueblo people favored the music that Ballard had composed and were enthusiastic about Ballard's depiction of American Indian culture in his music. Ballard was also respected as a musician and composer among the non-American Indian music community in Santa Fe. Michael Udow, the principal percussionist of the <a href="/wiki/Santa_Fe_Opera" title="Santa Fe Opera">Santa Fe Opera</a> orchestra from 1968 until his retirement in 2009, personally attested to the respect that Ballard garnered among the other musicians and by the local community in general. </p><p>From 1968 until 1979, Ballard was appointed as the National Curriculum Specialist for the <a href="/wiki/Bureau_of_Indian_Affairs" title="Bureau of Indian Affairs">Bureau of Indian Affairs</a>. During this time, he worked with over three hundred and fifty schools nationwide, and was exposed to the cultures and musical traditions of many different tribes. During his time with the Bureau of Indian Affairs, he made one of his most valuable contributions as a music educator and champion of American Indian music and culture. In 1973, Ballard wrote and published American Indian Music for the Classroom, a curriculum complete with recordings for teachers who wanted to incorporate American Indian music in classroom instruction. </p><p>Throughout his career, Louis Ballard composed a large number of musical works for a variety of different instruments and ensembles. Many of Ballard's works have been premiered at major venues and have garnered awards and accolades nationally and internationally. "Scenes from Indian Life" was originally a three movement orchestral work which premiered in Rochester, New York, and was conducted by <a href="/wiki/Howard_Hanson" title="Howard Hanson">Howard Hanson</a> in 1964. The same piece with an added a fourth movement, "Feast Day," was performed by the <a href="/wiki/San_Jose_Symphony" title="San Jose Symphony">San Jose Symphony</a> as a part of its "Voices of America" program in 1994 along with Aaron Copland's "Lincoln Portrait" and Leonard Bernstein's Symphony no. 2, "The Age of Anxiety." In 1969, Ballard's <i>Ritmo Indio</i>, a three movement work for woodwind quintet, won the first <a href="/w/index.php?title=Marion_Nevins_McDowell_Award&amp;action=edit&amp;redlink=1" class="new" title="Marion Nevins McDowell Award (page does not exist)">Marion Nevins McDowell Award</a> for American Chamber Music, and was featured as the opening work at the gala Quintet of the Americas concert, "Discovering the New World: A Quincentennial Event," at Carnegie Hall on January 9, 1992. The first movement of <i>Ritmo Indio</i>, "The Soul," was also recorded on two of the Quintet of the Americas' albums: <i>Souvenirs</i>, and <i>Discovering the New World</i>. Ballard began experimenting with other mediums and ventured outside the chamber ensemble format when he composed two works for ballet. <i>The Four Moons</i>, written in honor and celebration of Oklahoma's sixtieth year of statehood in 1967, was performed both in Tulsa and in Oklahoma City. It was also featured at the <a href="/wiki/Tulsa_Ballet" title="Tulsa Ballet">Tulsa Ballet</a>'s New York debut performance in 1983. His second ballet, <i>Desert Trilogy</i>, was nominated for a Pulitzer Prize in 1971. In 1976 Ballard's choral cantata <i>Portrait of <a href="/wiki/Will_Rogers" title="Will Rogers">Will Rogers</a></i> was premiered by the <a href="/wiki/Kansas_City_Symphony" title="Kansas City Symphony">Kansas City Symphony</a> with Will Rogers, Jr. as the narrator. </p><p>Another popular and critically acclaimed composition is his chamber orchestral work, <i>Incident at Wounded Knee</i>, inspired by a stream of daily newspaper reports that were covering the court proceedings related to the <a href="/wiki/Wounded_Knee_Occupation" title="Wounded Knee Occupation">1973 conflict that occurred</a> between the FBI and members of the American Indian Movement on the Sioux reservation in Pine Ridge, South Dakota, near the site of the <a href="/wiki/Wounded_Knee_Massacre" title="Wounded Knee Massacre">Wounded Knee Massacre</a> of three hundred Oglala Sioux by the United States military in 1890. Commissioned and conducted by <a href="/wiki/Dennis_Russell_Davies" title="Dennis Russell Davies">Dennis Russell Davies</a>, the director of the <a href="/wiki/Saint_Paul_Chamber_Orchestra" title="Saint Paul Chamber Orchestra">Saint Paul Chamber Orchestra</a> in 1974, it was performed in New York at Carnegie Hall in 1999 at the <a href="/wiki/American_Composer%27s_Orchestra" class="mw-redirect" title="American Composer&#39;s Orchestra">American Composer's Orchestra</a>'s opening concert of the season, "Protest." While <i>Incident at Wounded Knee</i> is not a programmatic work, it represents the customs and emotions of the American Indian peoples. </p><p>Ballard's works have also been premiered at prestigious venues such as the Lincoln Center, the Kennedy Center, and the Smithsonian Institution. In 1999, he was the first American composer to have a complete concert dedicated to his music at <a href="/wiki/Beethovenhalle" title="Beethovenhalle">Beethovenhalle</a> in Bonn, Germany, and he was featured as a guest artist, in 2000, at the Salzburg <a href="/wiki/Mozarteum" class="mw-redirect" title="Mozarteum">Mozarteum</a>. In 2004, Louis Ballard was inducted into the <a href="/wiki/Oklahoma_Music_Hall_of_Fame" title="Oklahoma Music Hall of Fame">Oklahoma Music Hall of Fame</a> making it the first time that a symphonic composer was inducted in tandem with pop music artists. His music has been featured on radio networks around the world including National Public Radio, Canadian Broadcasting Corporation, British Broadcasting Corporation, Radio France, Deutsche Welle, and Saarländischer Rundfunk. Ballard, himself, has been awarded with two honorary doctoral degrees, one from the College of Santa Fe, and the other from William Jewel College, and he has received the National Indian Achievement Award four times. In addition, he was awarded with several more awards in honor of his contributions which include: the Distinguished Service Award from the U.S. Central Office of Education, a citation in the U.S. Congressional Record, a Lifetime Musical Achievement Award by the <a href="/wiki/First_Americans_in_the_Arts" title="First Americans in the Arts">First Americans in the Arts</a>, and the <a href="/w/index.php?title=Cherokee_Medal_of_Honor&amp;action=edit&amp;redlink=1" class="new" title="Cherokee Medal of Honor (page does not exist)">Cherokee Medal of Honor</a>. He was also awarded several grants that allowed him to continue his work. In addition to a Rockefeller Foundation Grant in 1969, and a Ford Foundation Grant a year later, he has received a total of five grants from the National Endowment for the Arts. </p><p>While working on a newly commissioned piano concerto, Louis W. Ballard died at the age of seventy-five on February 9, 2007, in Santa Fe, New Mexico, after a five-year-struggle against cancer. His body was cremated, and his ashes were placed on his mother's grave in Miami, Oklahoma. In the years following 1990, Ruth Ballard had been diagnosed with Alzheimer's disease, and her mental health was declining. As a result, she had to relinquish her responsibilities as Louis Ballard's manager and publicist. In 2001, Ruth was institutionalized due to her progressing condition remaining under the guardianship of Louis W. Ballard.After Louis W. Ballard's death, guardianship of Ruth Ballard went to his son, Louis A. Ballard. She would later pass away on January 30, 2015 in Santa Fe, New Mexico and is buried in the Jewish section of <a href="/w/index.php?title=Rivera_Cemetery&amp;action=edit&amp;redlink=1" class="new" title="Rivera Cemetery (page does not exist)">Rivera Cemetery</a>. Though she was neither observant, nor affiliated with a synagogue, Louis A. Ballard felt that, because of her Jewish ancestry, she deserved a burial ceremony that was as close to a traditional Jewish burial ceremony as possible. </p><p>Ballard left behind the following credo: "It is not enough to acknowledge that Native American Indian music is merely different from other music. What is needed in America is an awakening and reorienting of our total spiritual and cultural perspectives to embrace, understand, and learn from the Aboriginal American and what motivates his musical and artistic impulses."<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>His music has been celebrated with three concerts at the <a href="/wiki/National_Museum_of_the_American_Indian" title="National Museum of the American Indian">National Museum of the American Indian</a> in Washington, D.C. in 2006 as well as a memorial concert held at the same venue on November 10, 2007.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Awards_and_recognition">Awards and recognition</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=3" title="Edit section: Awards and recognition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Ballard graduated in 1962 from the University of Tulsa, and was distinguished by being the first American Indian to receive a graduate degree in music composition. In 1969, Ballard's Ritmo Indio, a three movement work for woodwind quintet, won the Marion Nevins McDowell Award for American Chamber Music. Ballard's Desert Trilogy, his second work for ballet, was nominated for a Pulitzer Prize in 1971. In 1999, he was the first American composer to have a complete concert dedicated to his music at Beethovenhalle in Bonn, Germany. He has also received the National Indian Achievement Award four times. In addition, he was awarded with several more awards in honor of his contributions which include: the Distinguished Service Award from the U.S. Central Office of Education, a citation in the U.S. Congressional Record, and the Cherokee Medal of Honor.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p><p>Ballard was also the recipient of grants from the <a href="/wiki/Rockefeller_Foundation" title="Rockefeller Foundation">Rockefeller Foundation</a>, <a href="/wiki/Ford_Foundation" title="Ford Foundation">Ford Foundation</a>, and <a href="/wiki/National_Endowment_for_the_Arts" title="National Endowment for the Arts">National Endowment for the Arts</a>. In February 1997 he received a Lifetime Musical Achievement Award from the <a href="/wiki/First_Americans_in_the_Arts" title="First Americans in the Arts">First Americans in the Arts</a> in <a href="/wiki/Beverly_Hills" class="mw-redirect" title="Beverly Hills">Beverly Hills</a>, California. The <a href="/wiki/College_of_Santa_Fe" class="mw-redirect" title="College of Santa Fe">College of Santa Fe</a> and <a href="/wiki/William_Jewell_College" title="William Jewell College">William Jewell College</a> awarded him honorary Doctor of Music degrees. In 2004 he was inducted into the <a href="/wiki/Oklahoma_Music_Hall_of_Fame" title="Oklahoma Music Hall of Fame">Oklahoma Music Hall of Fame</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=4" title="Edit section: Filmography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>1971: <i>Discovering American Indian Music</i>. Directed by Bernard Wilets. Barr Films.</li></ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=5" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_Native_American_artists" title="List of Native American artists">List of Native American artists</a></li> <li><a href="/wiki/Visual_arts_by_indigenous_peoples_of_the_Americas" class="mw-redirect" title="Visual arts by indigenous peoples of the Americas">Visual arts by indigenous peoples of the Americas</a></li> <li><a href="/wiki/Quapaw" title="Quapaw">Quapaw Tribe</a></li> <li><a href="/wiki/Quapaw,_Oklahoma" title="Quapaw, Oklahoma">Quapaw, Oklahoma</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=6" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Hirschfelder, Arlene B. and Molin, Paulette Fairbanks (2012). <i><a rel="nofollow" class="external text" href="https://books.google.com/books?id=-Un1QWo2Nx8C&amp;dq=Dawn+Avery+cello&amp;pg=PA376">The Extraordinary Book of Native American Lists</a></i>, p.376-7. Scarecrow Press. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/9780810877092" title="Special:BookSources/9780810877092">9780810877092</a>.</span> </li> <li id="cite_note-:0-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKing1968" class="citation book cs1">King, Jeanne Snodgrass (1968). <a rel="nofollow" class="external text" href="http://archive.org/details/americanindianpa00king"><i>American Indian painters; a biographical directory</i></a>. Smithsonian Libraries. New York&#160;: Museum of the American Indian, Heye Foundation.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=American+Indian+painters%3B+a+biographical+directory&amp;rft.pub=New+York+%3A+Museum+of+the+American+Indian%2C+Heye+Foundation&amp;rft.date=1968&amp;rft.aulast=King&amp;rft.aufirst=Jeanne+Snodgrass&amp;rft_id=http%3A%2F%2Farchive.org%2Fdetails%2Famericanindianpa00king&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+W.+Ballard" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBerkowitz2015" class="citation book cs1">Berkowitz, Adam Eric (2015). <a rel="nofollow" class="external text" href="http://fau.digital.flvc.org/islandora/object/fau%3A31263"><i>Finding a Place for Cacega Ayuwipi within the Structure of American Music and Dance Traditions</i></a>. Boca Raton, FL: Florida Atlantic University. pp.&#160;4–15<span class="reference-accessdate">. Retrieved <span class="nowrap">4 November</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Finding+a+Place+for+Cacega+Ayuwipi+within+the+Structure+of+American+Music+and+Dance+Traditions&amp;rft.place=Boca+Raton%2C+FL&amp;rft.pages=4-15&amp;rft.pub=Florida+Atlantic+University&amp;rft.date=2015&amp;rft.aulast=Berkowitz&amp;rft.aufirst=Adam+Eric&amp;rft_id=http%3A%2F%2Ffau.digital.flvc.org%2Fislandora%2Fobject%2Ffau%253A31263&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+W.+Ballard" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160304031437/http://www.nmai.si.edu/cn07/schedule.html">"National Museum of the American Indian"</a>. 4 March 2016. Archived from <a rel="nofollow" class="external text" href="http://www.nmai.si.edu/cn07/schedule.html">the original</a> on 4 March 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">18 June</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=National+Museum+of+the+American+Indian&amp;rft.date=2016-03-04&amp;rft_id=http%3A%2F%2Fwww.nmai.si.edu%2Fcn07%2Fschedule.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+W.+Ballard" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBerkowitz2015" class="citation book cs1">Berkowitz, Adam Eric (2015). <a rel="nofollow" class="external text" href="http://purl.flvc.org/fau/fd/FA00004346"><i>Finding a Place for Cacega Ayuwipi within the Structure of American Music and Dance Traditions</i></a>. Boca Raton, FL: Florida Atlantic University. pp.&#160;9–14<span class="reference-accessdate">. Retrieved <span class="nowrap">4 November</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Finding+a+Place+for+Cacega+Ayuwipi+within+the+Structure+of+American+Music+and+Dance+Traditions&amp;rft.place=Boca+Raton%2C+FL&amp;rft.pages=9-14&amp;rft.pub=Florida+Atlantic+University&amp;rft.date=2015&amp;rft.aulast=Berkowitz&amp;rft.aufirst=Adam+Eric&amp;rft_id=http%3A%2F%2Fpurl.flvc.org%2Ffau%2Ffd%2FFA00004346&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+W.+Ballard" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOklahoma_Music_Hall_of_Fame_&amp;_Museum" class="citation web cs1">Oklahoma Music Hall of Fame &amp; Museum. <a rel="nofollow" class="external text" href="http://purl.flvc.org/fau/fd/FA00004346">"2004 Inductees: Dr. Louis Ballard"</a>. <i>Oklahoma Music Hall of Fame</i>. Oklahoma Music Hall of Fame &amp; Museum<span class="reference-accessdate">. Retrieved <span class="nowrap">4 November</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Oklahoma+Music+Hall+of+Fame&amp;rft.atitle=2004+Inductees%3A+Dr.+Louis+Ballard&amp;rft.au=Oklahoma+Music+Hall+of+Fame+%26+Museum&amp;rft_id=http%3A%2F%2Fpurl.flvc.org%2Ffau%2Ffd%2FFA00004346&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ALouis+W.+Ballard" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Louis_W._Ballard&amp;action=edit&amp;section=7" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.lwballard.com">Louis W. Ballard</a> Louis W. Ballard official site from family 2022-onwards</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20091121155843/http://www.omhof.com/Inductees/tabid/56/ItemID/25/Default.aspx">Louis W. Ballard inductee info</a> from Oklahoma Music Hall of Fame</li> <li><a rel="nofollow" class="external text" href="http://www.americancomposers.org/rel991031.htm#BALLARD">Program note for <i>Incident at Wounded Knee</i></a>, from American Composers Orchestra site</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20090105075641/http://digital.library.okstate.edu/encyclopedia/entries/B/BA009.html">Encyclopedia of Oklahoma History and Culture – Ballard, Louis</a></li> <li><a rel="nofollow" class="external text" href="http://www.freenewmexican.com/news/56856.html">Louis W. Ballard obituary</a>, by David Collins and Craig Smith, from <i>The New Mexican</i></li> <li><a rel="nofollow" class="external text" href="https://www.npr.org/templates/story/story.php?storyId=98884176">"American Indian Composers Go Classical"</a>, by Felix Contreras, from <i>All Things Considered</i>, January 1, 2009</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output 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noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q1872032#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000058873315">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/34877704">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/173291/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJfWXBWCRRvcdhvxGXMByd">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/103866795">Germany</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Ballard, Louis W."><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n85277083">United States</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&amp;local_base=NLX10&amp;find_code=UID&amp;request=987011218691005171">Israel</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/951e3519-f1ac-4922-87ad-ee80b5d56835">MusicBrainz</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6571bsm">SNAC</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐5dc468848‐qxxlk Cached time: 20241122181313 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.350 seconds Real time usage: 0.514 seconds Preprocessor visited node count: 2484/1000000 Post‐expand include size: 23070/2097152 bytes Template argument size: 1765/2097152 bytes Highest expansion depth: 16/100 Expensive parser function count: 1/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 27290/5000000 bytes Lua time usage: 0.249/10.000 seconds Lua memory usage: 5997504/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 440.304 1 -total 30.65% 134.941 1 Template:Reflist 30.61% 134.796 1 Template:Infobox_artist 19.27% 84.860 1 Template:Short_description 18.49% 81.417 1 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