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width:80px"/></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/m_leng_tan.jpg" style="height:107px; width:104px"/></td> </tr></tbody></table><blockquote><p>"One of the great vocal virtuosas of our time" (San Francisco Examiner), composer/performer/soundartist <em>JOAN LA BARBARA </em>explores the human voice as a multi-faceted instrument, and has premiered landmark compositions written for her by noted American composers.聽 Recipient of many international awards, La Barbara is Director of the Carnegie Hall Series, "When Morty met John."聽</p> <p><em>MARGARET LENG TAN</em>, renowned for performances that transcend the piano's conventional boundaries, has been called "the most convincing interpreter of Cage's keyboard music" (The New York Times).聽 With her individual style integrating sound, choreography and theater, Leng Tan has inspired many composers to create performer-specific works for her including Cage, Tan Dun, and Alvin Lucier.</p> <p>Program: Featuring John Cage's 1948 masterpiece for solo prepared piano "<em>Sonatas and Interludes"</em> and Christian Wolff's <em>"For Prepared Piano,"</em> with selected Cage vocal/piano works including <em>"A Flower,"</em> <em>"The Wonderful Widow of Eighteen Springs," "Nowth upon Nacht," "She is Asleep," </em>and <em>"Sonnekus"</em> (with Satie "<em>Cabaret Songs"</em>).</p> </blockquote> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong><em>RECENT PASTS 20/21 LECTURE</em><br/> CHRISTIAN WOLFF</strong><em><strong>, composer</strong></em><br/><strong>October 4, 2003 at 5:00 p.m. in the West Building Lecture Hall</strong></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/wolff.jpg" style="height:67px; width:80px"/></td> </tr></tbody></table><p><strong>聽</strong><em>"<em>Experiments in Music around 1950 and some consequences and causes (social-political and musical)"</em></em></p> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong>THREE VOICES <em>IN THE BIRCH GARDEN</em><br/> JOAN LA BARBARA, <em>vocalist</em> <em>/ composer</em><br/> October 4, 2003 at 7:00 p.m. in The Birch Garden </strong></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/joan_la_barbara.jpg" style="height:161px; width:80px"/></td> </tr></tbody></table><blockquote><p>Program: Featuring Morton Feldman's sensuous "<em>Three Voices" </em>for solo voice and two pre-recorded voices (composed for La Barbara), John Cage's "<em>Music for One," "Solos 9, 52 and 67"</em> from "<em>Song Books," "Experiences, No. 2", "Eight Whiskus"</em> (composed for La Barbara), <em>"One 7,"</em> and La Barbara's own <em>"ShamanSong."</em></p> </blockquote> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong><em>AN AMERICAN COLLECTION</em><br/> MUSIC FROM COPLAND HOUSE聽<br/> Michael Boriskin and Paul Lustig Dunkel, Co-Directors </strong><br/><strong>November 19 & 21, 2003 at 8:00 p.m. in Wolfensohn Hall<br/> November 23, 2003 at 4:00 p.m. in Wolfensohn Hall</strong><br/><strong>Concert Talk: November 19, 2003 at 4:30 p.m.聽<br/> in Wolfensohn Hall</strong></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/CoplandHouse.jpg" style="height:76px; width:100px"/></td> </tr></tbody></table><blockquote><p>Music from Copland House is the acclaimed resident ensemble at Aaron Copland's longtime New York home, now restored as a unique creative center for American music. Since its triumphant New York debut as the Opening Night of Merkin Concert Hall's 1999-2000 season, it has emerged as one of the most exhilarating and distinctive ensembles on the American music scene.聽 Music from Copland House has performed at important American concert venues including Carnegie Hall and the Library of Congress, and its debut recordings are soon to be released on the Arabesque label.</p> <p>Program: Inspired by Aaron Copland's lifelong advocacy of American composers and their work. Featuring "Petroushskates" by Joan Tower, "Verge" by Sebastian Currier, "Sonata a Quattro" by George Perle, "Two Threnodies" by Aaron Copland, "SchiZm" by Derek Bermel and "Light Refracted" by Jennifer Higdon.</p> </blockquote> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong><em>RECENT PASTS 20/21 INTERVIEW</em><br/> GEORGE PERLE, MICHAEL BORISKIN and JON MAGNUSSEN<br/> November 21, 2003 at 4:00 p.m. in the West Building Lecture Hall</strong></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/perle002cropped2-copy.jpg" style="height:134px; width:100px"/></td> </tr></tbody></table><p><em>"The Right Notes: George Perle speaks with Michael Boriskin and Jon Magnussen"</em></p> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong>SPECIAL EVENT:<em> PHOTO ALBUM WITH MUSIC</em><br/> NURIA SCHOENBERG NONO, <em>speaker</em> 聽<br/> STEFAN LITWIN, <em>piano</em> and <em>moderator-pedal-equipped piano</em><br/> February 20, 2004 at 8:00 p.m. in Wolfensohn Hall</strong></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/nuria_JPEG.jpg" style="height:138px; width:100px"/></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/Stefan_Litwin_Portrait!.jpg" style="height:160px; width:109px"/></td> </tr></tbody></table><blockquote><p>Nuria Schoenberg Nono, daughter of Arnold Schoenberg, joins pianist and composer Stefan Litwin for a conversation about her father and his work.聽 Emphasizing Schoenberg the person, this unique event portrays his relationships with pupils and family, and the cultural and political situations he experienced are revealed and enhanced by projected images, unpublished anecdotes and original recordings of Schoenberg speaking; piano works by Schoenberg, Berg, Webern and Eisler will be performed by Litwin.</p> </blockquote> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong><em>ARNOLD SCHOENBERG: BROADENING THE CIRCLE</em><br/> STEFAN LITWIN, <em>piano</em> and <em>moderator-pedal-equipped piano</em> 聽 </strong><br/><strong>February 21, 2004 at 8:00 p.m. in Wolfensohn Hall<br/> February 22, 2004 at 4:00 p.m. in Wolfensohn Hall</strong><br/><strong>Concert Talk: February 22, 2004 at 2:30 p.m. in Wolfensohn Hall</strong></td> <td><img alt="Stefan Litwin Photo" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/Stefan_Litwin_Portrait!.jpg" style="height:123px; width:84px"/></td> </tr></tbody></table><blockquote><p>Pianist and composer Stefan Litwin offers a program exploring connections to and from Arnold Schoenberg, the ground-breaking and controversial musical figure.聽 The program includes J.S. Bach's Fugue in B minor; Schoenberg's <em>Three Piano Pieces,</em> Op.11(performed on the moderator-pedal-equipped piano); Franz Liszt's <em>Nuages Gris</em>; Alban Berg's Sonata, Op. 1; the Wagner/Liszt <em>Isoldes Liebestod</em>; Erich Itor Kahn's <em>Ciaccona dei tempi di guerra</em>; Litwin's <em>Thoreau's Nightmare</em> (U.S. premiere); and the Eduard Steuermann piano arrangement of Schoenberg's Chamber Symphony, Op. 9.</p> </blockquote> <hr/><table border="0" style="width:100%"><tbody><tr><td><strong><em>RECENT PASTS 20/21 LECTURE</em><br/> LYDIA GOEHR: "Adorno in Darmstadt"<br/> February 20, 2004 at 4:00 p.m. in the West Building Lecture Hall</strong></td> <td><img alt="" class="zeromargin" src="/web/20151121162401im_/https://www.ias.edu/files/images/air/Lydia(gray)-WIKO.jpg" style="height:150px; width:122px"/></td> </tr></tbody></table><blockquote><p>Theodor Adorno actively participated in the last century's polemical debate on, as he saw it, progression in music (i.e., Schoenberg and the Second Viennese School) versus regression (i.e. Stravinsky).聽 "Adorno in Darmstadt" focuses on his 1960s criticism of the new avant garde Darmstadt composers -- Stockhausen, Boulez, Cage et al -- and their conception of time.聽</p> </blockquote> <hr/><p><strong><em>WET INK</em><br/> JON MAGNUSSEN and FRIENDS<br/> April 29, 2004 at 5:30 p.m. in the Institute Dining Hall</strong></p> <blockquote><p>Jon Magnussen and friends present excerpts from <em>The Folding Cliffs</em>, an opera-in-development (music by Magnussen and libretto by Gavan Daws.)聽 Based on Pulitzer prize-winning poet W.S. Merwin's epic poetic narrative, <em>The Folding Cliffs</em> is inspired by the true Kaua'i story of Ko'olau and Pi'ilani, lovers unto death and beyond.</p> </blockquote> </div></div></div> </article> </div> <aside class="sidebars"> <section class="region region-sidebar-second column sidebar"> <div id="block-ias-blocks-google-cse" class="block block-ias-blocks first odd"> <script>(function(){var cx='000570510802003860211:k2pu2msopc0';var gcse=document.createElement('script');gcse.type='text/javascript';gcse.async=true;gcse.src=(document.location.protocol=='https:'?'https:':'http:')+'//web.archive.org/web/20151121162401/https://www.google.com/cse/cse.js?cx='+cx;var s=document.getElementsByTagName('script')[0];s.parentNode.insertBefore(gcse,s)})();</script><gcse:search></gcse:search> </div> <div id="block-menu-block-3" class="block block-menu-block even" role="navigation"> <h2 class="block__title block-title">Special Programs</h2> <div class="menu-block-wrapper menu-block-3 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