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[o]" accesskey="o" class=""><span>Meld aan</span></a> </li> </ul> </div> </div> </div> <div id="vector-user-links-dropdown" class="vector-dropdown vector-user-menu vector-button-flush-right vector-user-menu-logged-out" title="Meer opsies" > <input type="checkbox" id="vector-user-links-dropdown-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-user-links-dropdown" class="vector-dropdown-checkbox " aria-label="Persoonlike gereedskap" > <label id="vector-user-links-dropdown-label" for="vector-user-links-dropdown-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-ellipsis mw-ui-icon-wikimedia-ellipsis"></span> <span class="vector-dropdown-label-text">Persoonlike gereedskap</span> </label> <div class="vector-dropdown-content"> <div id="p-personal" class="vector-menu mw-portlet mw-portlet-personal user-links-collapsible-item" title="User menu" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="pt-sitesupport" class="user-links-collapsible-item mw-list-item"><a href="//donate.wikimedia.org/wiki/Special:FundraiserRedirector?utm_source=donate&utm_medium=sidebar&utm_campaign=C13_af.wikipedia.org&uselang=af"><span>Skenkings</span></a></li><li id="pt-createaccount" class="user-links-collapsible-item mw-list-item"><a href="/w/index.php?title=Spesiaal:SkepRekening&returnto=Joseph+Joachim" title="U word aangemoedig om 'n gebruiker te skep en aan te meld, hoewel dit nie verpligtend is nie."><span class="vector-icon mw-ui-icon-userAdd mw-ui-icon-wikimedia-userAdd"></span> <span>Skep gebruiker</span></a></li><li id="pt-login" class="user-links-collapsible-item mw-list-item"><a href="/w/index.php?title=Spesiaal:Teken_in&returnto=Joseph+Joachim" title="U word aangemoedig om aan te meld. 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[o]" accesskey="o"><span class="vector-icon mw-ui-icon-logIn mw-ui-icon-wikimedia-logIn"></span> <span>Meld aan</span></a></li> </ul> </div> </div> <div id="p-user-menu-anon-editor" class="vector-menu mw-portlet mw-portlet-user-menu-anon-editor" > <div class="vector-menu-heading"> Bladsye vir uitgemelde redakteurs <a href="/wiki/Hulp:Inleiding" aria-label="Leer meer oor redigering"><span>leer meer</span></a> </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="pt-anoncontribs" class="mw-list-item"><a href="/wiki/Spesiaal:Mybydrae" title="A list of edits made from this IP address [y]" accesskey="y"><span>Bydraes</span></a></li><li id="pt-anontalk" class="mw-list-item"><a href="/wiki/Spesiaal:Mybespreking" title="Bespreking oor bydraes van hierdie IP-adres [n]" accesskey="n"><span>Bespreking</span></a></li> </ul> </div> </div> </div> </div> </nav> </div> </header> </div> <div class="mw-page-container"> <div class="mw-page-container-inner"> <div 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data-event-name="pinnable-header.vector-toc.pin">skuif na kantbalk</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-toc.unpin">versteek</button> </div> <ul class="vector-toc-contents" id="mw-panel-toc-list"> <li id="toc-mw-content-text" class="vector-toc-list-item vector-toc-level-1"> <a href="#" class="vector-toc-link"> <div class="vector-toc-text">Inleiding</div> </a> </li> <li id="toc-Lewe" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Lewe"> <div class="vector-toc-text"> <span class="vector-toc-numb">1</span> <span>Lewe</span> </div> </a> <button aria-controls="toc-Lewe-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Wissel Lewe subafdeling</span> </button> <ul id="toc-Lewe-sublist" class="vector-toc-list"> <li id="toc-Oorsprong" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Oorsprong"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Oorsprong</span> </div> </a> <ul id="toc-Oorsprong-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Vroeë_loopbaan" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Vroeë_loopbaan"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>Vroeë loopbaan</span> </div> </a> <ul id="toc-Vroeë_loopbaan-sublist" class="vector-toc-list"> <li id="toc-Londense_Filharmoniese_debuut,_Beethoven_Vioolconcerto" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Londense_Filharmoniese_debuut,_Beethoven_Vioolconcerto"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2.1</span> <span>Londense Filharmoniese debuut, Beethoven Vioolconcerto</span> </div> </a> <ul id="toc-Londense_Filharmoniese_debuut,_Beethoven_Vioolconcerto-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Beethoven-strykkwartette" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Beethoven-strykkwartette"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2.2</span> <span>Beethoven-strykkwartette</span> </div> </a> <ul id="toc-Beethoven-strykkwartette-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Volwassenheid" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Volwassenheid"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>Volwassenheid</span> </div> </a> <ul id="toc-Volwassenheid-sublist" class="vector-toc-list"> <li id="toc-Weimar,_Liszt;_toe_Hanover" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Weimar,_Liszt;_toe_Hanover"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3.1</span> <span>Weimar, Liszt; toe Hanover</span> </div> </a> <ul id="toc-Weimar,_Liszt;_toe_Hanover-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Die_Schumanns,_Brahms;_Berlyn" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Die_Schumanns,_Brahms;_Berlyn"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Die Schumanns, Brahms; Berlyn</span> </div> </a> <ul id="toc-Die_Schumanns,_Brahms;_Berlyn-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Eerbewyse_en_eeufees" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Eerbewyse_en_eeufees"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>Eerbewyse en eeufees</span> </div> </a> <ul id="toc-Eerbewyse_en_eeufees-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Repertorium" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Repertorium"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Repertorium</span> </div> </a> <ul id="toc-Repertorium-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Komposisies" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Komposisies"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Komposisies</span> </div> </a> <button aria-controls="toc-Komposisies-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Wissel Komposisies subafdeling</span> </button> <ul id="toc-Komposisies-sublist" class="vector-toc-list"> <li id="toc-Lys_van_komposisies" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Lys_van_komposisies"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Lys van komposisies</span> </div> </a> <ul id="toc-Lys_van_komposisies-sublist" class="vector-toc-list"> <li id="toc-Oorspronklike_komposisies" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Oorspronklike_komposisies"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1.1</span> <span>Oorspronklike komposisies</span> </div> </a> <ul id="toc-Oorspronklike_komposisies-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-'n_Orkestrasie" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#'n_Orkestrasie"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1.2</span> <span>'n Orkestrasie</span> </div> </a> <ul id="toc-'n_Orkestrasie-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Kadense" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Kadense"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1.3</span> <span>Kadense</span> </div> </a> <ul id="toc-Kadense-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Opnames_van_Joachim_se_komposisies" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Opnames_van_Joachim_se_komposisies"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Opnames van Joachim se komposisies</span> </div> </a> <ul id="toc-Opnames_van_Joachim_se_komposisies-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Joachim_se_eie_diskografie" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Joachim_se_eie_diskografie"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Joachim se eie diskografie</span> </div> </a> <ul id="toc-Joachim_se_eie_diskografie-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Joachim_se_studente" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Joachim_se_studente"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Joachim se studente</span> </div> </a> <ul id="toc-Joachim_se_studente-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Joachim_se_instrumente" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Joachim_se_instrumente"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Joachim se instrumente</span> </div> </a> <ul id="toc-Joachim_se_instrumente-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Kulturele_verwysings" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Kulturele_verwysings"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Kulturele verwysings</span> </div> </a> <ul id="toc-Kulturele_verwysings-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notas" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Notas"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Notas</span> </div> </a> <ul id="toc-Notas-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bronne" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bronne"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Bronne</span> </div> </a> <ul id="toc-Bronne-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Eksterne_skakels" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Eksterne_skakels"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Eksterne skakels</span> </div> </a> <ul id="toc-Eksterne_skakels-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Inhoud" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Wissel die inhoudsopgawe" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Wissel die inhoudsopgawe</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Joseph Joachim</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Gaan na 'n artikel in 'n ander taal. Beskikbaar in 34 tale" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-34" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">34 tale</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%AC%D9%88%D8%B2%D9%8A%D9%81_%D8%AE%D9%88%D8%A7%D9%83%D9%8A%D9%85" title="جوزيف خواكيم – Arabies" lang="ar" hreflang="ar" data-title="جوزيف خواكيم" data-language-autonym="العربية" data-language-local-name="Arabies" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%DA%86%D9%88%D8%B2%D9%8A%D9%81_%D8%AE%D9%88%D8%A7%D9%83%D9%8A%D9%85" title="چوزيف خواكيم – Egyptian Arabic" lang="arz" hreflang="arz" data-title="چوزيف خواكيم" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%81%D0%B7%D0%B5%D1%84_%D0%81%D0%B0%D1%85%D1%96%D0%BC" title="Ёзеф Ёахім – Belarussies" lang="be" hreflang="be" data-title="Ёзеф Ёахім" data-language-autonym="Беларуская" data-language-local-name="Belarussies" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Katalaans" lang="ca" hreflang="ca" data-title="Joseph Joachim" data-language-autonym="Català" data-language-local-name="Katalaans" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Tsjeggies" lang="cs" hreflang="cs" data-title="Joseph Joachim" data-language-autonym="Čeština" data-language-local-name="Tsjeggies" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Deens" lang="da" hreflang="da" data-title="Joseph Joachim" data-language-autonym="Dansk" data-language-local-name="Deens" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Duits" lang="de" hreflang="de" data-title="Joseph Joachim" data-language-autonym="Deutsch" data-language-local-name="Duits" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%93%CE%B9%CF%8C%CE%B6%CE%B5%CF%86_%CE%93%CE%B9%CF%8C%CE%B1%CE%BA%CE%B9%CE%BC" title="Γιόζεφ Γιόακιμ – Grieks" lang="el" hreflang="el" data-title="Γιόζεφ Γιόακιμ" data-language-autonym="Ελληνικά" data-language-local-name="Grieks" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-en mw-list-item"><a href="https://en.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Engels" lang="en" hreflang="en" data-title="Joseph Joachim" data-language-autonym="English" data-language-local-name="Engels" class="interlanguage-link-target"><span>English</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Esperanto" lang="eo" hreflang="eo" data-title="Joseph Joachim" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Spaans" lang="es" hreflang="es" data-title="Joseph Joachim" data-language-autonym="Español" data-language-local-name="Spaans" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Baskies" lang="eu" hreflang="eu" data-title="Joseph Joachim" data-language-autonym="Euskara" data-language-local-name="Baskies" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%DB%8C%D9%88%D8%B2%D9%81_%DB%8C%D9%88%D8%A7%D8%AE%DB%8C%D9%85" title="یوزف یواخیم – Persies" lang="fa" hreflang="fa" data-title="یوزف یواخیم" data-language-autonym="فارسی" data-language-local-name="Persies" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Fins" lang="fi" hreflang="fi" data-title="Joseph Joachim" data-language-autonym="Suomi" data-language-local-name="Fins" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Frans" lang="fr" hreflang="fr" data-title="Joseph Joachim" data-language-autonym="Français" data-language-local-name="Frans" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%99%D7%95%D7%96%D7%A3_%D7%99%D7%95%D7%90%D7%9B%D7%99%D7%9D" title="יוזף יואכים – Hebreeus" lang="he" hreflang="he" data-title="יוזף יואכים" data-language-autonym="עברית" data-language-local-name="Hebreeus" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Joachim_J%C3%B3zsef_(heged%C5%B1m%C5%B1v%C3%A9sz)" title="Joachim József (hegedűművész) – Hongaars" lang="hu" hreflang="hu" data-title="Joachim József (hegedűművész)" data-language-autonym="Magyar" data-language-local-name="Hongaars" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%85%D5%B8%D5%A6%D5%A5%D6%86_%D5%85%D5%B8%D5%A1%D5%AD%D5%AB%D5%B4" title="Յոզեֆ Յոախիմ – Armeens" lang="hy" hreflang="hy" data-title="Յոզեֆ Յոախիմ" data-language-autonym="Հայերեն" data-language-local-name="Armeens" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Indonesies" lang="id" hreflang="id" data-title="Joseph Joachim" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesies" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Italiaans" lang="it" hreflang="it" data-title="Joseph Joachim" data-language-autonym="Italiano" data-language-local-name="Italiaans" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%A8%E3%83%BC%E3%82%BC%E3%83%95%E3%83%BB%E3%83%A8%E3%82%A2%E3%83%92%E3%83%A0" title="ヨーゼフ・ヨアヒム – Japannees" lang="ja" hreflang="ja" data-title="ヨーゼフ・ヨアヒム" data-language-autonym="日本語" data-language-local-name="Japannees" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%9A%94%EC%A0%9C%ED%94%84_%EC%9A%94%EC%95%84%ED%9E%98" title="요제프 요아힘 – Koreaans" lang="ko" hreflang="ko" data-title="요제프 요아힘" data-language-autonym="한국어" data-language-local-name="Koreaans" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Iosephus_Joachim" title="Iosephus Joachim – Latyn" lang="la" hreflang="la" data-title="Iosephus Joachim" data-language-autonym="Latina" data-language-local-name="Latyn" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Nederlands" lang="nl" hreflang="nl" data-title="Joseph Joachim" data-language-autonym="Nederlands" data-language-local-name="Nederlands" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Boeknoors" lang="nb" hreflang="nb" data-title="Joseph Joachim" data-language-autonym="Norsk bokmål" data-language-local-name="Boeknoors" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Oksitaans" lang="oc" hreflang="oc" data-title="Joseph Joachim" data-language-autonym="Occitan" data-language-local-name="Oksitaans" class="interlanguage-link-target"><span>Occitan</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Pools" lang="pl" hreflang="pl" data-title="Joseph Joachim" data-language-autonym="Polski" data-language-local-name="Pools" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Portugees" lang="pt" hreflang="pt" data-title="Joseph Joachim" data-language-autonym="Português" data-language-local-name="Portugees" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Roemeens" lang="ro" hreflang="ro" data-title="Joseph Joachim" data-language-autonym="Română" data-language-local-name="Roemeens" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%98%D0%BE%D0%B0%D1%85%D0%B8%D0%BC,_%D0%99%D0%BE%D0%B7%D0%B5%D1%84" title="Иоахим, Йозеф – Russies" lang="ru" hreflang="ru" data-title="Иоахим, Йозеф" data-language-autonym="Русский" data-language-local-name="Russies" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Joseph_Joachim" title="Joseph Joachim – Sweeds" lang="sv" hreflang="sv" data-title="Joseph Joachim" data-language-autonym="Svenska" data-language-local-name="Sweeds" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%99%D0%BE%D0%B7%D0%B5%D1%84_%D0%99%D0%BE%D0%B0%D1%85%D1%96%D0%BC" title="Йозеф Йоахім – Oekraïens" lang="uk" hreflang="uk" data-title="Йозеф Йоахім" data-language-autonym="Українська" data-language-local-name="Oekraïens" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Joseph_Joachim" 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class="noprint">in Wikipedia, die vrye ensiklopedie</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="af" dir="ltr"><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim_(photo_by_Reutlinger).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Joseph_Joachim_%28photo_by_Reutlinger%29.jpg/220px-Joseph_Joachim_%28photo_by_Reutlinger%29.jpg" decoding="async" width="220" height="322" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Joseph_Joachim_%28photo_by_Reutlinger%29.jpg/330px-Joseph_Joachim_%28photo_by_Reutlinger%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Joseph_Joachim_%28photo_by_Reutlinger%29.jpg/440px-Joseph_Joachim_%28photo_by_Reutlinger%29.jpg 2x" data-file-width="955" data-file-height="1398" /></a><figcaption>Joseph Joachim</figcaption></figure> <p><b>Joseph Joachim</b> (<a href="/wiki/Hongaars" title="Hongaars">Hongaars</a>:<b>Joachim József</b>, <a href="/wiki/28_Junie" title="28 Junie">28 Junie</a> <a href="/wiki/1831" title="1831">1831</a> - <a href="/wiki/15_Augustus" title="15 Augustus">15 Augustus</a> <a href="/wiki/1907" title="1907">1907</a>) was 'n <a href="/wiki/Hongarye" title="Hongarye">Hongaarse</a> <a href="/wiki/Viool" title="Viool">violis</a>, dirigent, <a href="/wiki/Komponis" title="Komponis">komponis</a> en onderwyser. Hy het nou saamgewerk met <a href="/wiki/Johannes_Brahms" title="Johannes Brahms">Johannes Brahms</a> en word algemeen beskou as een van die belangrikste violiste van die <a href="/wiki/19de_eeu" title="19de eeu">19de eeu</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Lewe">Lewe</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=1" title="Wysig afdeling: Lewe" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=1" title="Edit section's source code: Lewe"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Oorsprong">Oorsprong</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=2" title="Wysig afdeling: Oorsprong" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=2" title="Edit section's source code: Oorsprong"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Birthplace_of_Joseph_Joachim_(Kittsee).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Birthplace_of_Joseph_Joachim_%28Kittsee%29.jpg/220px-Birthplace_of_Joseph_Joachim_%28Kittsee%29.jpg" decoding="async" width="220" height="146" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Birthplace_of_Joseph_Joachim_%28Kittsee%29.jpg/330px-Birthplace_of_Joseph_Joachim_%28Kittsee%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/30/Birthplace_of_Joseph_Joachim_%28Kittsee%29.jpg/440px-Birthplace_of_Joseph_Joachim_%28Kittsee%29.jpg 2x" data-file-width="577" data-file-height="383" /></a><figcaption>Joseph Joachim se geboortehuis in Kittsee </figcaption></figure> <p>Joseph Joachim is gebore in Köpcsény, Moson, Koninkryk Hongarye (hedendaagse Kittsee in <a href="/wiki/Burgenland" title="Burgenland">Burgenland</a>, Oostenryk). Hy was die sewende van agt kinders wat gebore is aan Julius, 'n wolhandelaar, en Fanny Joachim, wat van Hongaars-Joodse oorsprong was. Sy kinderjare het hy deurgebring as lid van die Kittsee Kehilla (Joodse gemeenskap), te wete een van Hongarye se prominente <i>Siebengemeinden</i> (<i>Sewe Gemeenskappe</i>), onder beskerming van die <a href="/wiki/Esterh%C3%A1zy" title="Esterházy">Esterházy-</a> familie. Hy was 'n neef van Fanny Wittgenstein, nee Figdor, die moeder van Karl Wittgenstein en die ouma van die filosoof <a href="/wiki/Ludwig_Wittgenstein" title="Ludwig Wittgenstein">Ludwig Wittgenstein</a> en pianis Paul Wittgenstein. <sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Vroeë_loopbaan"><span id="Vroe.C3.AB_loopbaan"></span>Vroeë loopbaan</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=3" title="Wysig afdeling: Vroeë loopbaan" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=3" title="Edit section's source code: Vroeë loopbaan"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1833 het sy gesin na <a href="/wiki/Pest,_Hongarye" title="Pest, Hongarye">Pest</a> verhuis, wat in 1873 met Buda en Óbuda verenig is om <a href="/wiki/Boedapest" title="Boedapest">Boedapest</a> te vorm. Hy het hier vanaf 1836 (op 5-jarige ouderdom) viool gestudeer onder die Poolse violis Stanisław Serwaczyński, wat die konsertmeester van die opera in Pest was. Dit is van Serwaczynski gesê dat hy die beste violis in Pest was. Alhoewel Joachim se ouers "nie baie vermoënd was nie", is hulle aangeraai om nie net 'n "gewone vioolonderwyser" te kies nie. <sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Joachim se eerste openbare optrede het 17 Maart 1839 plaasgevind, toe hy maar 7 jaar oud was. <sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> (Serwaczyński het later na Lublin, Pole, verhuis waar hy <a href="/wiki/Henryk_Wieniawski" title="Henryk Wieniawski">Wieniawski</a> geleer het). In 1839 het Joachim sy studies aan die Wene Konservatorium voortgesit (vlugtig onder Miska Hauser en Georg Hellmesberger, sr .; <sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> en uiteindelik - en van uiterse belang - onder Joseph Böhm, <sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> wat hom bekendgestel het aan die wêreld van kamermusiek) . <sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> <sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> In 1843 is hy deur sy niggie, Fanny Figdor - wat later met 'n "Leipzigse handelaar" <sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> genaamd Wittgenstein sou trou - geneem om in <a href="/wiki/Leipzig" title="Leipzig">Leipzig</a> te gaan woon en studeer. <sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> In die vaktydskrif <i>"Neue Zeitschrift vir Musik was"</i> <a href="/wiki/Robert_Schumann" title="Robert Schumann">Robert Schumann</a> baie entoesiasties oor <a href="/wiki/Felix_Mendelssohn" title="Felix Mendelssohn">Felix Mendelssohn</a>, waarop Moser geskryf het: "Slegs in die geval van die bewondering wat Haydn vir Mozart gekoester het, ken die musiekgeskiedenis 'n parallelle geval van ongekende eerbied deur een groot kunstenaar aan sy gelyke." <sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> In 1835 het Mendelssohn direkteur van die Leipzig Gewandhaus-orkes geword. In 1843 het Joachim 'n protégé van Mendelssohn geword, wat gereël het dat hy teorie en komposisie onder Moritz Hauptmann en die viool onder Ferdinand David studeer. <sup id="cite_ref-Avins_11-0" class="reference"><a href="#cite_note-Avins-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Tydens sy debuut-uitvoering in die Gewandhaus het Joachim die <i>Otello Fantasie</i> deur Heinrich Wilhelm Ernst gespeel. </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_(former_Hungarian_Kingdom).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg/220px-Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg/330px-Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg/440px-Joseph_Joachim%27s_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg 2x" data-file-width="4160" data-file-height="3120" /></a><figcaption>Joseph Joachim se geboortehuis in Kittsee - Oostenryk soos dit vandag daar uitsien </figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_(former_Hungarian_Kingdom).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg/220px-JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg/330px-JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg/440px-JJ%27s_memorial_plaque_on_his_birthplace_in_Kittsee_-_Austria_%28former_Hungarian_Kingdom%29.jpg 2x" data-file-width="3120" data-file-height="4160" /></a><figcaption>'n Gedenkplaat aan Joseph Joachim aan sy geboortehuis in Kittsee - Oostenryk </figcaption></figure> <div class="mw-heading mw-heading4"><h4 id="Londense_Filharmoniese_debuut,_Beethoven_Vioolconcerto"><span id="Londense_Filharmoniese_debuut.2C_Beethoven_Vioolconcerto"></span>Londense Filharmoniese debuut, Beethoven Vioolconcerto</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=4" title="Wysig afdeling: Londense Filharmoniese debuut, Beethoven Vioolconcerto" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=4" title="Edit section's source code: Londense Filharmoniese debuut, Beethoven Vioolconcerto"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Op 27 Mei 1844 het Joachim, nog nie heeltemal 13 jaar oud nie, tydens sy Londense debuut met die <i>Philharmonic Society</i> onder leiding van Mendelssohn die solorol in Beethoven se vioolconcerto gespeel. Dit was in verskillende opsigte 'n triomf, soos beskryf deur R.W. Eshbach. <sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Die Philharmonic het 'n beleid teen kunstenaars gehad wat so jonk was, maar 'n uitsondering is gemaak nadat 'n paar oudisiesvan die mees vooraanstaande musikante en musiekliefhebbers oorreed het dat Joachim oor die nodige vaardighede beskik. Ondanks Beethoven se erkenning as een van die grootste komponiste wat ooit geleef het, en die hedendaagse beskouing van sy vioolconcerto as een van die grootstes, was dit ver van die geval gewees voor Joachim se interpretasie. Ludwig Spohr het dit heftig gekritiseer, en ná die Londense première deur die violis Edward Eliason, het 'n kritikus gesê dat dit "dalk deur enige derde of vierde klas komponis geskryf kon gewees het." Maar Joachim was baie goed voorbereid om die concerto van Beethoven te speel, aangesien hy sy eie kadense daarvoor geskryf het en die stuk gememoriseer het. Die gehoor het wonderlike dinge verwag nadat hulle van die repetisie te gehore gekom het, <sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> en Mendelssohn het geskryf: " 'n opgewonde applous het begin" toe Joachim voor die orkes uitgestap het. "Die aanvang is begroet met 'n selfs groter gejuig", en die "die gejuig van die gehoor het elke deel van die concerto vergesel." Die resensente het ook baie lof gehad. Een resensent het vir "<i>The Musical World</i>" geskryf: "Die grootste violiste het ontsag vir hierdie concerto .... Jong Joachim .... het dit aangeval met die ywer en vasberadenheid van die mees bekwaamste kunstenaar ... geen meester kon dit beter geïnterpreteer het nie", en die twee kadense, geskryf deur Joachim, was "geweldige prestasies wat ... vernuftig gekomponeer is". 'n Ander beoordelaar van die "<i>Illustrated London News</i>" het geskryf dat Joachim "die eerste vioolspeler is, nie net vir sy ouderdom nie, maar ook van sy siècle" [eeu]. 'n Derde beoordelaar vir die "<i>Morning Post</i>" het geskryf dat die concerto "in die algemeen deur vioolspelers beskou is as 'n werk wat nie 'n behoorlike en effektiewe tentoonstelling van die kragte van hul instrument bied nie" maar dat die uitvoering van Joachim "bo alle lof is, onbeskryflik is en "geheel en al ongekend is." Joachim het vir die res van sy loopbaan 'n gunsteling onder die Engelse publiek gebly. Hy het Engeland in 1858, 1859 en 1862 besoek, asook vir verskeie dekades daarna. <sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Beethoven-strykkwartette">Beethoven-strykkwartette</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=5" title="Wysig afdeling: Beethoven-strykkwartette" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=5" title="Edit section's source code: Beethoven-strykkwartette"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Moser (p. 28 ff.) skryf as volg: "Na die verskyning van die ses strykkwartette (Op. 18) was Beethoven in volle beheersing van kamermusiek", alhoewel hy in die latere kwartette "baie veeleisende eise" aan strykinstrumentaliste stel. Moser (p. 29) skryf verder dat "ten tyde van die dood van Beethoven", mense soos Spohr en Hauptmann nie noodwendig die laat kwartette bo die vroegste verkies het nie. Moser (p. 30) skryf dat die publiek in Wene 'n klinkklare vyandigheid teenoor die laat kwartette getoon het. Maar Joachim se onderwyser, Bohm, het 'n waardering van die laat kwartette gehad, wat hy gevolglik aan Joachim gekommunikeer het. <sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Op 18-jarige ouderdom het Joachim "in die hele Duitsland", geen gelyke gehad nie, hetsy in die uitvoering van Bach se werke of in die concertos van Beethoven en Mendelssohn; terwyl hy as kwartetspeler "geen rede gehad om kompetisie te vrees nie." <sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Volwassenheid">Volwassenheid</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=6" title="Wysig afdeling: Volwassenheid" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=6" title="Edit section's source code: Volwassenheid"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Na die dood van Mendelssohn in 1847 het Joachim 'n kort tydjie in Leipzig gewoon en onderrig gegee aan die Konservatorium en vir die Gewandhaus-orkes gespeel saam met Ferdinand David, <sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> wie Mendelssohn as konsertmeester aangestel het toe hy 1835 oorgeneem het as dirigent. </p> <div class="mw-heading mw-heading4"><h4 id="Weimar,_Liszt;_toe_Hanover"><span id="Weimar.2C_Liszt.3B_toe_Hanover"></span>Weimar, Liszt; toe Hanover</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=7" title="Wysig afdeling: Weimar, Liszt; toe Hanover" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=7" title="Edit section's source code: Weimar, Liszt; toe Hanover"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1848 het die pianis en komponis <a href="/wiki/Franz_Liszt" title="Franz Liszt">Franz Liszt</a> in <a href="/wiki/Weimar" title="Weimar">Weimar</a> gaan woon waar <a href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe">Goethe</a> en <a href="/wiki/Friedrich_Schiller" title="Friedrich Schiller">Schiller</a> gewoon het. <sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Liszt was vasbeslote om die reputasie van die stad as die <a href="/wiki/Athene" title="Athene">Athene</a> van Duitsland te herstel. Daar het hy 'n kring van jong <a href="/wiki/Avant-garde" title="Avant-garde">avant-garde</a>-dissipels bymekaargemaak wat gekant was teen die konserwatisme van die Leipzig-kring. Joachim was een van die eerste hiervan. Hy het Liszt as konsertmeester gedien, en 'n paar jaar entoesiasties die nuwe "sielkundige musiek", soos hy dit genoem het, omhels. In 1852 het hy na <a href="/wiki/Hannover" title="Hannover">Hannover</a> verhuis en hom terselfdertyd gedistansieer van die musikale ideale van die "Nuwe Duitse Skool" (Liszt, <a href="/wiki/Richard_Wagner" title="Richard Wagner">Richard Wagner</a>, <a href="/wiki/Hector_Berlioz" title="Hector Berlioz">Hector Berlioz</a> en hul volgelinge, soos omskryf deur die joernalis Franz Brendel). "Die lofprysing wat Wagner se musiek ontvang het en wat die musikale smaak in Weimar oorheers het, was vir Joachim oordrewe en onaanvaarbaar." <sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Joachim se breuk met Liszt het in Augustus 1857 finaal geword toe hy aan sy voormalige mentor geskryf het: "Ek is heeltemal uit simpatie uit met u musiek; dit is teenstrydig met alles wat ek van my vroeë jeug af as geestelike voeding geneem het." <sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Hannover "was toe 'n onafhanklike koninkryk wat later opgeneem sou word in die Duitse ryk." <sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Koning Georg van Hannover was heeltemal blind en baie lief vir musiek; en hy het Joachim 'n goeie salaris betaal en hom aansienlike vryhede gebied. <sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Joachim se pligte in Hannover het onder meer die speel van die viool tydens opera-opvoerings en die opvoering van staatskonserte behels. <sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Hy het vyf somermaande se verlof geniet, waartydens hy konserttoere deur Europa onderneem het. <sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> In Maart 1853 het hy aan Liszt 'n eksemplaar van sy onlangs gekomponeerde Ouverture tot Hamlet gestuur. <sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Die_Schumanns,_Brahms;_Berlyn"><span id="Die_Schumanns.2C_Brahms.3B_Berlyn"></span>Die Schumanns, Brahms; Berlyn</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=8" title="Wysig afdeling: Die Schumanns, Brahms; Berlyn" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=8" title="Edit section's source code: Die Schumanns, Brahms; Berlyn"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim,_1904.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Joseph_Joachim%2C_1904.jpg/220px-Joseph_Joachim%2C_1904.jpg" decoding="async" width="220" height="266" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Joseph_Joachim%2C_1904.jpg/330px-Joseph_Joachim%2C_1904.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Joseph_Joachim%2C_1904.jpg/440px-Joseph_Joachim%2C_1904.jpg 2x" data-file-width="848" data-file-height="1024" /></a><figcaption>Joseph Joachim, <a href="/wiki/John_Singer_Sargent" title="John Singer Sargent">John Singer Sargent</a>, 1904</figcaption></figure> <p>In 1853 het 'n komitee onder leiding van Schumann Joachim uitgenooi na die Laer-Ryn Musiekfees. <sup id="cite_ref-Moser,_p._121_26-0" class="reference"><a href="#cite_note-Moser,_p._121-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Tydens die fees het Joachim weer die Beethoven-vioolconcerto gespeel. <sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Daar word gesê dat die sukses wat hy geniet het, hom "die beroemdste kunstenaar uit Duitsland" gemaak het. <a href="/wiki/Robert_Schumann" title="Robert Schumann">Robert Schumann</a> en sy vrou Clara was diep beïndruk, en het 'n "noue verhouding" met Joachim gevorm. <sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> Joachim het die destyds onbekende 20-jarige <a href="/wiki/Johannes_Brahms" title="Johannes Brahms">Brahms</a> ontmoet en van hom geskryf dat sy speelwerk "die intense vuur toon ... wat 'n voorspel van die kunstenaar is" en "sy komposisies toon reeds sulke krag soos ek in geen ander musikant van sy ouderdom gesien het nie”. <sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Joachim het Brahms sterk aanbeveel aan Schumann. <sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Brahms is met groot entoesiasme deur die Schumanns ontvang. Na Schumann se geestelike ineenstorting in 1854 en gevolglike afsterwe in 1856 het Joachim, Clara en Brahms lewenslange vriende gebly en musikale sienings gedeel. Daar word gesê dat Joachim se speelstyl op die viool, net soos Clara s'n voor die klavier, "behoudend en suiwer was, met die klem op die musiek eerder as die kragte van die solis." <sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> </p><p>In Desember 1854 het Joachim Schumann by die Endenich-asiel besoek waar hy sedert Februarie ingewoon het; Joachim was sy eerste besoeker. <sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> Vroeër het Brahms alreeds die klavier bespeel en daarvoor gekomponeer, wat "hy op meesterlike wyse bemeester het", maar hy het egter nie selfvertroue in sy orkestrasie gehad nie. <sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> In 1854 het hy begin komponeer aan sy eerste klavierconcerto, wat sy eerste orkeswerk sou word. Hy het 'n partituur van die eerste beweging na Joachim gestuur en sy advies gevra. <sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> Nadat hy Joachim se antwoord gekry het, het Brahms aan hom geskryf: "Duisend dankies dat jy die eerste beweging op so 'n simpatieke en noukeurige wyse bestudeer het. Ek het baie geleer uit jou opmerkings. As musikant het ek regtig geen groter wens as om meer talent te hê sodat ek nog meer by so 'n vriend kan leer nie." <sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Later, tydens die komposisie van die concerto, wat vier jaar geduur het, het Brahms aan Joachim geskryf: "Ek stuur weer die rondo aan jou. En net soos die vorige keer, smeek ek om hewige kritiek." <sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Die finale manuskrip van die concerto "toon baie wysigings in die handskrif van Joachim". <sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim_e_Amalie_Weiss.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Joseph_Joachim_e_Amalie_Weiss.jpg/220px-Joseph_Joachim_e_Amalie_Weiss.jpg" decoding="async" width="220" height="384" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Joseph_Joachim_e_Amalie_Weiss.jpg/330px-Joseph_Joachim_e_Amalie_Weiss.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Joseph_Joachim_e_Amalie_Weiss.jpg/440px-Joseph_Joachim_e_Amalie_Weiss.jpg 2x" data-file-width="466" data-file-height="814" /></a><figcaption>Joseph en Amalie Joachim </figcaption></figure> <p>Joachim se tyd in Hannover was sy mees produktiewe periode van komposisie. Toe, en tydens die res van sy loopbaan, het hy gereeld saam met Clara Schumann opvoerings gemaak. In Oktober – November 1857 het hulle byvoorbeeld 'n toer na Dresden, Leipzig en München onderneem. <sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> <i>St. James's Hall</i>, Londen, wat in 1858 geopen is, het 'n reeks <i>Populêre Konserte</i> bestaande uit kamermusiek aangebied, waarvan programme wat uit 1867 tot 1904 dateer behoue gebly het. <sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Joachim het baie keer verskyn. Vanaf 1866 het hy Londen elke jaar besoek. <sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> In Maart 1898 en in 1901–1904 het Joachim in sy eie kwartet van spelers verskyn, maar andersins het hy veel meer gereeld saam met die inwonende Populêre Konserte-kunstenaars Louis Ries, <sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> tweede viool, JB Zerbini, <sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> eerste altviool, en Alfredo Piatti, die eerste tjello, wat bekend is as "een van die mees gevierde tjelliste" van daardie tydperk, verskyn. <a href="/wiki/George_Bernard_Shaw" title="George Bernard Shaw">George Bernard Shaw</a> het geskryf dat die Populêre Konserte baie gehelp het om goeie musikale smaak in Engeland te versprei. <sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> Joachim was 'n steunpilaar van kamermusiek tydens die Populêre Konserte. </p><p>Clara Schumann het tydens ten minste 18 van die Populêre Konserte saam met Joachim, Zerbini en Piatti opgetree, en vermoedelik klavierkwartette gespeel (sonder tweede viool), of soms klaviertrio's (vir klavier, viool en tjello). (Die programme van daardie konserte het heel waarskynlik ook strykkwartette ingesluit, waarin sy natuurlik nie gespeel het nie, aangesien Ries ook gelys word) 'n Gunsteling stuk van Clara was Brahms se Klavierkwartet in A majeur. Sy skryf op 27 Februarie 1882 uit Londen aan Brahms dat die stuk "baie applous" ontvang het. <sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Oor 'n opvoering daarvan in Liverpool op 11 Februarie het sy in haar dagboek geskryf dat dit "hartlik ontvang is, tot my verbasing, omdat die publiek hier baie minder ontvanklik is as in Londen." <sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> In Januarie 1867 was daar 'n toer na <a href="/wiki/Edinburg" title="Edinburg">Edinburg</a> en <a href="/wiki/Glasgow" title="Glasgow">Glasgow</a>, <a href="/wiki/Skotland" title="Skotland">Skotland</a>, deur Joachim, Clara, haar oudste dogter Marie, Ries, Zerbini, Piatti, twee Engelse susters "Miss Pyne", 'n sangeres, en ene mnr. Saunders wat al die reëlings getref het. Marie Schumann het van Manchester af huiswaarts geskryf dat Clara in Edinburgh "met 'n stormagtige applous ontvang is en 'n encore moes gee, en so ook Joachim. Piatti was ook altyd baie geliefd." <sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p><p>Joachim het uitgebreide korrespondensie met Clara en Brahms gehad, aangesien Brahms die mening van Joachim hoog op prys gestel het. In 1860 het Brahms en Joachim gesamentlik 'n manifes teen die "progressiewe musiek" van die "Nuwe Duitse Skool" geskryf in reaksie op die polemiek in Brendel se <i>"Neue Zeitschrift für Musik"</i>. Hierdie manifes, wat 'n skoot was in die Oorlog van die Romantiek, het oorspronklik min (vier<sup id="cite_ref-Avins_11-1" class="reference"><a href="#cite_note-Avins-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> ) ondertekenaars (meer later) gehad en 'n gemengde ontvangs gehad, en hy is baie bespot deur aanhangers van Wagner. <sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joachim_Quartett.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Joachim_Quartett.jpg/300px-Joachim_Quartett.jpg" decoding="async" width="300" height="204" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Joachim_Quartett.jpg/450px-Joachim_Quartett.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/94/Joachim_Quartett.jpg/600px-Joachim_Quartett.jpg 2x" data-file-width="723" data-file-height="492" /></a><figcaption>Die beroemde Joachim-kwartet. Van links na regs: Robert Hausmann (tjello), Josef Joachim (1ste viool), Emanuel Wirth (altviool) en Karel Halíř (2de viool) </figcaption></figure> <p>Op 10 Mei 1863 het Joachim met die kontralto Amalie Schneeweiss (verhoognaam: Amalie Weiss) (1839–99) getrou. Amalie het haar eie belowende loopbaan as operasanger gestaak en ses kinders gebaar. Sy het voortgegaan om in <a href="/wiki/Oratorium" title="Oratorium">oratorium</a> op te tree en lieder te sing. In 1865 het Joachim uit protes uit die diens van die Koning van Hannover getree, toe die <i>Intendant</i> (artistieke direkteur) van die Opera geweier het om een van die orkesspelers (Jakob Grün) te bevorder weens laasgenoemde se Joodsheid. <sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> In 1866, as gevolg van die Oostenryks-Pruisiese oorlog, waartydens <a href="/wiki/Pruise" title="Pruise">Pruise</a> en die hoofstad daarvan (<a href="/wiki/Berlyn" title="Berlyn">Berlyn</a>) die dominante Duitse staat en stad geword het, het Joachim na Berlyn verhuis waar hy uitgenooi is om te help met die stigting van 'n nuwe afdeling van die Koninklike Akademie van Musiek (genaamd die <i>"Hochschule für ausübende Tonkunst"</i>) asook om die eerste direkteur daarvan te word. </p><p>Op Goeie Vrydag, 10 April 1868, het Joachim en sy vrou aangesluit by hul vriend Johannes Brahms om een van sy grootste triomfe te vier, te wete die eerste volledige opvoering van sy <i>Duitse Requiem</i> in die Bremen-katedraal. Joseph Joachim het Robert Schumann se <i>Abendlied</i> gespeel. Dit was 'n glorieryke geleentheid waartydens ongeveer 100 vriende van die komponis, die Joachims, Clara Schumann, Albert Dietrich en sy vrou, <a href="/wiki/Max_Bruch" title="Max Bruch">Max Bruch</a> en andere bymekaargekom het by die <i>Bremen Rathskeller</i>. </p> <figure typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim_Quartet.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Joseph_Joachim_Quartet.jpg/400px-Joseph_Joachim_Quartet.jpg" decoding="async" width="400" height="310" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Joseph_Joachim_Quartet.jpg/600px-Joseph_Joachim_Quartet.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Joseph_Joachim_Quartet.jpg/800px-Joseph_Joachim_Quartet.jpg 2x" data-file-width="4672" data-file-height="3624" /></a><figcaption>Die Joachim-kwartet wat in die Sing-Akademie zu Berlin optree - 'n gravering gebaseer op 'n skildery (tans verlore) deur Felix Possart, uitgegee as 'n <i>Beilage</i> aan die <a href="https://en.wikisource.org/wiki/de:Zeitschrift_der_Internationalen_Musikgesellschaft" class="extiw" title="wikisource:de:Zeitschrift der Internationalen Musikgesellschaft"><i>Zeitschrift der Internationalen Musikgesellschaft</i></a> 4/5 (1903), tussen pp. 240 en 241. </figcaption></figure> <p>In 1869 is die Joachim- <a href="/wiki/Strykkwartet" title="Strykkwartet">strykkwartet</a> gevorm. Dit het spoedig 'n reputasie as een van Europa se bestes verwerf. Dit het voortgeduur tot Joachim se dood in 1907. Ander lede van die kwartet was Karel Halíř (2de viool) vanaf 1897; Emanuel Wirth (altviool) vanaf 1877; en Robert Hausmann (tjello), vanaf 1879. <sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> In 1878, terwyl hy sy vioolconcerto geskryf het, het Brahms Joachim geraadpleeg, wat hom "aanmoediging en tegniese raad gegee het". <sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Brahms het Joachim gevra, soos hy toe ook gedoen het, om die kadens vir die concerto te skryf. </p><p>In 1884 het Joachim en sy vrou geskei nadat hy oortuig was dat sy 'n verhouding met die uitgewer Fritz Simrock het. Brahms, seker dat Joachim se vermoedens ongegrond was, het 'n simpatieke brief aan Amalie geskryf, wat sy later as getuienis gebruik het in die egskeidingsaak teen haar. <sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> Dit het gelei tot 'n afkoeling tussen Brahms en Joachim. Die vriendskap is eers 'n paar jaar later herstel toe Brahms die Dubbelconcerto in A mineur vir viool en tjello, Op. 102 (1887) as 'n dankoffer aan sy ou vriend gekomponeer het. Dit is ook opgedra aan Joachim en Robert Hausmann. </p><p>Aan die einde van 1895 was beide Brahms en Joachim teenwoordig by die opening van die nuwe Tonhalle in Zürich, Switserland; Brahms het gedirigeer en Joachim het as assistent-dirigent opgetree. Maar in April, twee jaar later, sou Joachim sy eerbiedwaardige vriend vir altyd verloor, aangesien Brahms op 64-jarige ouderdom in Wene gesterf het. In Meiningen, in Desember 1899, het Joachim die toespraak gehou toe 'n standbeeld vir Brahms onthul is. </p> <div class="mw-heading mw-heading3"><h3 id="Eerbewyse_en_eeufees">Eerbewyse en eeufees</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=9" title="Wysig afdeling: Eerbewyse en eeufees" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=9" title="Edit section's source code: Eerbewyse en eeufees"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In Maart 1877 het Joachim 'n eredoktorsgraad in musiek van die <a href="/wiki/Universiteit_van_Cambridge" title="Universiteit van Cambridge">Universiteit van Cambridge</a> ontvang. Tydens die geleentheid het hy sy Ouverture Op. 13 aan Kleist opgedra. <sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Joachim is op 16 April 1889, rondom die 50ste herdenking van sy debuutuitvoering, deur "vriende en bewonderaars in Engeland" <sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> vereer. Tydens die geleentheid is " 'n buitengewone viool" wat in 1715 deur Antonio Stradivari gemaak is, genaamd <i>Il Cremonese</i>, aan hom oorhandig. <sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> Ongeveer tien jaar later, op 22 April 1899, ter geleentheid van die sestigste herdenkingsjaar, is 'n konsert ter ere van Joachim deur sy voormalige viool-, altviool- en tjellostudente wat onder hom kwartet gespeel het aangebied. <sup id="cite_ref-Moser324_55-0" class="reference"><a href="#cite_note-Moser324-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> Die totaal van ongeveer 140 strykinstrument spelers was indrukwekkend, net soos hul instrumente (gemaak deur Stradivari, Guarneri, Bergonzi, Amati, ens.) ). <sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> 'n Soortgelyke eerbewys "is tydens geen ander musikant se leeftyd aan hom toegeken nie". </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim,_by_Philip_Alexius_de_L%C3%A1szl%C3%B3,_1903.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Joseph_Joachim%2C_by_Philip_Alexius_de_L%C3%A1szl%C3%B3%2C_1903.jpg/220px-Joseph_Joachim%2C_by_Philip_Alexius_de_L%C3%A1szl%C3%B3%2C_1903.jpg" decoding="async" width="220" height="268" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Joseph_Joachim%2C_by_Philip_Alexius_de_L%C3%A1szl%C3%B3%2C_1903.jpg/330px-Joseph_Joachim%2C_by_Philip_Alexius_de_L%C3%A1szl%C3%B3%2C_1903.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Joseph_Joachim%2C_by_Philip_Alexius_de_L%C3%A1szl%C3%B3%2C_1903.jpg/440px-Joseph_Joachim%2C_by_Philip_Alexius_de_L%C3%A1szl%C3%B3%2C_1903.jpg 2x" data-file-width="821" data-file-height="1000" /></a><figcaption>Joseph Joachim, deur Philip Alexius de László, 1903 </figcaption></figure> <p>Gedurende 1899 is Joachim uitgenooi om president te word van die nuutgestigte <i>Oxford & Cambridge Musical Club</i> in Londen. Hy het tot sy dood klubpresident gebly. <sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> </p><p>In Berlyn op 17 Augustus 1903 het Joachim vyf kante opgeneem vir <i>The Gramophone & Typewriter Ltd (G&T)</i>, wat 'n boeiende en waardevolle bron van inligting oor vioolspelstyl uit die 19de eeu bly. Hy is die vroegste beroemdste violis wat 'n opname gemaak het, en is kort daarna gevolg deur Sarasate. </p><p>Joachim se portret is twee keer deur Philip de László geskilder. 'n Portret van Joachim is deur <a href="/wiki/John_Singer_Sargent" title="John Singer Sargent">John Singer Sargent</a> <sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> geskilder en aan hom voorgedra tydens die viering van die "<i>Diamond Jubilee</i>" viering in 1904 van die sestigste herdenking van sy eerste verskyning in Londen. Joachim het tot sy dood in 1907 in Berlyn gebly. </p><p> Tydens die viering van sy 75ste verjaardag in Junie 1906, het Joachim gesê </p><blockquote><p> Die Duitsers het vier vioolkonserte. Die grootste, mees kompromislose, is Beethoven s'n. Die een deur Brahms kompeteer daarmee wat die erns daarvan betref. Die rykste, die mees verleidelikste, is geskryf deur Max Bruch. Maar die mees inwaarts-gekeerde, die juweel van die hart, is <a href="/wiki/Felix_Mendelssohn" title="Felix Mendelssohn">Mendelssohn</a> se concerto. <sup id="cite_ref-steinberg265_59-0" class="reference"><a href="#cite_note-steinberg265-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> </p></blockquote> <p><a href="/wiki/Max_Bruch" title="Max Bruch">Bruch</a> het drie vioolkonserte geskryf. Joachim het vermoedelik verwys na sy Concerto nr. 1, wat die bekendste is en gereeld uitgevoer word. Joachim het Bruch gehelp om die concerto te hersien. <sup id="cite_ref-steinberg265_59-1" class="reference"><a href="#cite_note-steinberg265-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> </p><div class="mw-heading mw-heading2"><h2 id="Repertorium">Repertorium</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=10" title="Wysig afdeling: Repertorium" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=10" title="Edit section's source code: Repertorium"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joachim,Joseph_u_Amalie_-_Mutter_Erde_fec.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8e/Joachim%2CJoseph_u_Amalie_-_Mutter_Erde_fec.jpg/250px-Joachim%2CJoseph_u_Amalie_-_Mutter_Erde_fec.jpg" decoding="async" width="250" height="172" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8e/Joachim%2CJoseph_u_Amalie_-_Mutter_Erde_fec.jpg/375px-Joachim%2CJoseph_u_Amalie_-_Mutter_Erde_fec.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8e/Joachim%2CJoseph_u_Amalie_-_Mutter_Erde_fec.jpg/500px-Joachim%2CJoseph_u_Amalie_-_Mutter_Erde_fec.jpg 2x" data-file-width="1257" data-file-height="866" /></a><figcaption>Amalie en Joseph se graf in Berlyn-Charlottenburg </figcaption></figure> <p>Van die opvallendste van Joachim se prestasies was sy herlewing van die reeds genoemde vioolconcerto van Beethoven, die herlewing van <a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">Bach</a> se Sonates en Partitas vir solo-viool, BWV 1001–1006, veral die Chaconne uit die Partita No. 2, BWV 1004, <sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> en van Beethoven se laat strykkwartette. <sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Joachim was die tweede vioolspeler, ná Ferdinand David, wat <a href="/wiki/Felix_Mendelssohn" title="Felix Mendelssohn">Mendelssohn</a> se Vioolkonsert in E mineur gespeel het, wat hy saam met die komponis bestudeer het. Joachim het 'n belangrike rol in die loopbaan van <a href="/wiki/Johannes_Brahms" title="Johannes Brahms">Brahms gespeel</a>, en was 'n onvermoeide voorstander van Brahms se komposisies deur al die wisselinge van hul vriendskap. Hy het op 8 Maart 1877 die Engelse première van Brahms se Simfonie nr. 1 in C mineur in Cambridge behartig, op dieselfde dag wat hy 'n D. Mus. graad daar ontvang het (Brahms het 'n uitnodiging geweier om self na Engeland te gaan). <sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> </p><p>'n Aantal van Joachim se komponis-kollegas, waaronder <a href="/wiki/Robert_Schumann" title="Robert Schumann">Schumann</a>, Brahms, <a href="/wiki/Max_Bruch" title="Max Bruch">Bruch</a> en <a href="/wiki/Anton%C3%ADn_Dvo%C5%99%C3%A1k" title="Antonín Dvořák">Dvořák</a>, het concertos met Joachim in gedagte gekomponeer, waarvan baie die standaardrepertorium betree het. Nietemin bly die solo-repertorium van Joachim relatief beperk. Hy het nooit Schumann se Vioolkonsert in D mineur wat Schumann spesiaal vir hom geskryf het opgevoer nie, en so ook nie Dvořák se Vioolkonsert in A mineur nie, alhoewel <a href="/wiki/Anton%C3%ADn_Dvo%C5%99%C3%A1k" title="Antonín Dvořák">Dvořák</a> sy raad oor die stuk ernstig ingewin het, dit aan hom opgedra het en sou wou hê dat hy die eerste opvoering daarvan speel. Die mees ongewone werk wat vir Joachim geskryf is, was die <i>FAE Sonate</i>, 'n samewerking tussen Schumann, Brahms en Albert Dietrich, gebaseer op die voorletters van Joachim se leuse, <i>"Frei aber Einsam"</i> (wat vertaal kan word as "vry maar eensaam", "vry maar alleen" ", of "vry maar eensaam"). Alhoewel die sonate selde in sy geheel opgevoer word, word die derde beweging, die <i>Scherzo in C mineur</i>, gekomponeer deur Brahms, vandag nog gereeld gespeel. </p> <div class="mw-heading mw-heading2"><h2 id="Komposisies">Komposisies</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=11" title="Wysig afdeling: Komposisies" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=11" title="Edit section's source code: Komposisies"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Joachim se eie komposisies is minder bekend. Hy het opusnommers aan 14 komposisies gegee en ongeveer 'n gelyke aantal stukke sonder opusgetalle gekomponeer. Tussen sy komposisies is verskeie werke vir die viool (insluitend drie concertos) en ouvertures vir <a href="/wiki/William_Shakespeare" title="William Shakespeare">Shakespeare</a> se <i><a href="/wiki/Hamlet" title="Hamlet">Hamlet</a></i> en <i><a href="/wiki/Henry_IV,_Part_1" title="Henry IV, Part 1">Henry IV</a></i>. Hy het ook kadense geskryf vir 'n aantal ander komponiste se concertos (waaronder die Beethoven- en Brahms-concertos). Sy mees gewaardeerde komposisie is sy <i>Hongaarse Concerto</i> (Vioolconcerto No 2 in D mineur, Op. 11). </p> <div class="mw-heading mw-heading3"><h3 id="Lys_van_komposisies">Lys van komposisies</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=12" title="Wysig afdeling: Lys van komposisies" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=12" title="Edit section's source code: Lys van komposisies"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Fuller-Maitland, bl. 56, lys die 14 stukke met opusnommers, maar nie noodwendig met dieselfde detail as hieronder nie. Op bl. 57 lys hy 6 van die 14 stukke wat hier as WoO gegee word, plus die orkestrasie van Schubert se <i>Groot Duo</i> en die Beethoven en Brahms concerto kadense. </p> <div class="mw-heading mw-heading4"><h4 id="Oorspronklike_komposisies">Oorspronklike komposisies</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=13" title="Wysig afdeling: Oorspronklike komposisies" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=13" title="Edit section's source code: Oorspronklike komposisies"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Op. 1, <i>Andantino and Allegro scherzoso</i>, vir viool en klavier (1848): gewy aan Joseph Böhm</li> <li>Op. 2, Drei Stücke vir viool of altviool en klavier, (circa 1848–1852): Romanze, Fantasiestück, Eine Frühlingsfantasie; gewy aan Moritz Hauptmann</li> <li>Op. 3, Vioolconcerto in Een Beweging, in G mineur (1851); gewy aan <a href="/wiki/Franz_Liszt" title="Franz Liszt">Franz Liszt</a></li> <li>Op. 4, <i>Hamlet</i> Ouverture (1853); gewy aan Kapelle van Weimar</li> <li>Op. 5, Drie Stukke vir Viool en Klavier: Lindenrauschen, Abendglocken, Ballade; gewy aan Gisela von Arnim</li> <li>Op. 6, <i>Demetrius</i> Ouverture (1853, na 'n toneelstuk deur Herman Friedrich Grimm; ouverture gewy aan Franz Liszt)</li> <li>Op. 7, <i>Henry IV</i> Ouverture (1854)</li> <li>Op. 8, <i>Ouverture tot 'n Komedie deur Gozzi</i> (1854); gewy aan Fritz Steinbach.</li> <li>Op. 9, Hebräische Melodien, nach Eindrücken der Byron'schen Gesänge (Hebreeuse Melodieë, na indrukke van <a href="/wiki/Lord_Byron" title="Lord Byron">Byron</a> se Liedere) vir altviool en klavier (1854–1855)</li> <li>Op. 10, Variationen über ein eigenes Thema (Variasies op 'n Oorspronklike Tema) in E majeur vir altviool en klavier (1854); gewy aan Hermann Grimm.</li> <li>Op. 11, Vioolconcerto No. 2 in D mineur "op Hongaarse Wyse" (1857, gepubliseer in 1861); gewy aan Johannes Brahms. Daar word gesê dat die solo viooldeel van die Hongaarse Concerto baie moeilik is om te speel.</li> <li>Op. 12, <i>Notturno</i> vir Viool en Klein Orkes in A majeur (1858)</li> <li>WoO, Vioolconcerto No. 3 in G majeur (1875)</li> <li>Op. 13, Elegiese Ouverture "In Memoriam Heinrich von Kleist" (ca. 1877)</li> <li>Op. 14, <i>Szene der Marfa</i> uit <a href="/wiki/Friedrich_Schiller" title="Friedrich Schiller">Friedrich Schiller</a> se onvoltooide drama <i>Demetrius</i> (ca. 1869)</li> <li>WoO <i>Haidenröslein</i> Lied vir hoë stem en klavier; gepub. Verlag des Ungar, 1846.</li> <li>WoO, <i>Ich hab' im Traum geweinet</i> vir stem en klavier, pub. Wigand, 1854.</li> <li>WoO, Toneel uit Schiller se <i>Demetrius</i> (1878)</li> <li>WoO, <i>Rain, rain and sun</i>, Merlin's Song (Tennyson), gepub. C. Kegan & Co., 1880.</li> <li>WoO, <i>Melodrama zu einer Schillergedenkfeier</i> (ongepubliseer, outograaf in Hamburg Staats- und Universitätsbibliothek)</li> <li>WoO, Ouverture in C majeur (Konzertouvertüre zum Geburtstag des Kaisers) (1896)</li> <li>WoO, Twee Marse vir orkes in C en D</li> <li>WoO, Andantino in A mineur, vir viool en orkes (ook vir viool en klavier)</li> <li>WoO, Romanse in B-mol majeur, vir viool en klavier</li> <li>WoO, Romanse in C majeur, vir viool en klavier; gepub. C. F. Kahnt Nachfolge, Leipzig, 1894.</li> <li>WoO, Strykkwartet beweging in C mineur</li> <li>WoO, <i>Variationen über ein irisches Elfenlied</i> vir klavier (eerste gepubliseer deur J. Schuberth & Co. Hamburg, 1989. geredigeer deur Michael Struck.)</li> <li>WoO, Variasies vir Viool en Orkes in E mineur (ca. 1879); gewy aan Pablo Sarasate</li> <li>WoO, Fantasie über ungarische Motive (ca. 1850); die eerste keer opgevoer in Weimar onder Franz Liszt in Oktober 1850</li> <li>WoO, Fantasie über irische [schottische] Motive (ca. 1852); eerste opgevoer in Londen in Mei 1852</li></ul> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Menzel_1853_Joseph_Joachim.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Menzel_1853_Joseph_Joachim.jpg/220px-Menzel_1853_Joseph_Joachim.jpg" decoding="async" width="220" height="262" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Menzel_1853_Joseph_Joachim.jpg/330px-Menzel_1853_Joseph_Joachim.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/33/Menzel_1853_Joseph_Joachim.jpg/440px-Menzel_1853_Joseph_Joachim.jpg 2x" data-file-width="709" data-file-height="844" /></a><figcaption>Joseph Joachim (1853) deur Adolph Menzel </figcaption></figure> <div class="mw-heading mw-heading4"><h4 id="'n_Orkestrasie"><span id=".27n_Orkestrasie"></span>'n Orkestrasie</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=14" title="Wysig afdeling: 'n Orkestrasie" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=14" title="Edit section's source code: 'n Orkestrasie"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>In 1855 orkestreer Joachim Schubert se <i>Groot Duo</i> klavierduet na 'n "Simfonie in C" <sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading4"><h4 id="Kadense">Kadense</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=15" title="Wysig afdeling: Kadense" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=15" title="Edit section's source code: Kadense"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Beethoven, Concerto in D majeur, Op. 61 <sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup></li> <li>Brahms, Concerto in D majeur, Op. 77 <sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup></li> <li>Kreutzer, concerto nr. 19 in D mineur</li> <li>Mozart, Aria van <i>Il re pastore</i>, K   208, Concerto No. 3 in G majeur, K. 216, Concerto nr. 4 in D majeur, K. 218, en Concerto nr. 5 in A majeur, K. 219</li> <li>Rode, Concerto nr. 10 in B mineur, en Concerto nr. 11 in D majeur</li> <li>Spohr, Concerto in A mineur, Op. 47 (<i>Gesangsszene</i>)</li> <li>Tartini, Sonate in G mineur (<i>Devil's Trill</i>)</li> <li>Viotti, concerto nr. 22 in A mineur</li></ul> <div class="mw-heading mw-heading3"><h3 id="Opnames_van_Joachim_se_komposisies">Opnames van Joachim se komposisies</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=16" title="Wysig afdeling: Opnames van Joachim se komposisies" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=16" title="Edit section's source code: Opnames van Joachim se komposisies"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Vioolconcerto nr. 2 in D mineur, Op. 11 "In die Hongaarse styl": <ul><li>Rachel Barton Pine (Viool), Carlos Kalmar (dirigent), Chicago Simfonieorkes, Cedille Records : CDR 90000 068 ( <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090504111335/http://classical.rachelbartonpine.com/rec_notes.php?id=08">voëlnotas</a> )</li> <li>Elmar Oliveira (Viool), Leon Botstein (dirigent), Londen Filharmoniese Orkes, IMP</li> <li>Aaron Rosand (Viool), Louis de Froment (dirigent), Luxemburgse Radio/Televisie Simfonieorkes, Vox katalogus #: 5102</li></ul></li> <li>Vioolconcerto nr. 3 <ul><li><a href="/wiki/Takako_Nishizaki" title="Takako Nishizaki">Takako Nishizaki</a> (Viool), Meir Minsky (dirigent), Stuttgart Radio-simfonieorkes, Naxos #: 8554733</li></ul></li> <li><i>Hamlet</i> Ouverture, Op. 4 <ul><li>Meir Minsky (dirigent), Stuttgart Radio Simfonieorkes, Naxos #: 8554733</li></ul></li> <li><i>Elegische Ouvertüre</i>, Op. 13 <ul><li>Meir Minsky (dirigent), Stuttgart Radio Simfonieorkes, Naxos #: 8554733</li></ul></li> <li><i>Andantino en Allegro scherzoso</i>, Op. 1: Andantino <ul><li><a href="/wiki/Marat_Bisengaliev" title="Marat Bisengaliev">Marat Bisengaliev</a> (Viool), John Lenehan (klavier), Naxos #: 553026</li></ul></li> <li>Romantiek in B-flat majeur <ul><li><a href="/wiki/Marat_Bisengaliev" title="Marat Bisengaliev">Marat Bisengaliev</a> (Viool), John Lenehan (klavier), Naxos #: 553026</li> <li>Aaron Rosand (Viool), Hugh Sung (Klavier), Biddulph-opnames: LAW 003</li></ul></li> <li><i>Hebreeuse melodieë</i>, Op. 9 <ul><li>Anna Barbara Dütschler (altviool), Marc Pantillon (klavier), Claves #: 9905</li></ul></li> <li><i>Heinrich IV</i> Overture, Op. 7 (2 klaviere, rangskik deur <a href="/wiki/Johannes_Brahms" title="Johannes Brahms">Johannes Brahms</a> ) <ul><li>Duo Egri-Pertis, Hungaroton #: 32003</li></ul></li> <li>Variasies vir altviool en klavier, Op. 10 <ul><li>Talle opnames</li></ul></li> <li>Variasies vir viool en orkes in E mineur <ul><li>Vilmos Szabadi (Viool), László Kovács (dirigent), Noord-Hongaarse simfonieorkes, Hungaroton #: 32185</li></ul></li> <li>Strykkwartetbeweging (Quartettsatz) in C mineur <ul><li>Israel-strykkwartet, klassieke talent # B001HADEWI</li></ul></li></ul> <div class="mw-heading mw-heading2"><h2 id="Joachim_se_eie_diskografie">Joachim se eie diskografie</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=17" title="Wysig afdeling: Joachim se eie diskografie" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=17" title="Edit section's source code: Joachim se eie diskografie"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>JS Bach: Partita vir viool nr. 1 in B mineur, BWV 1002: 7de beweging, Tempo di Bourrée, Pearl Catalog: 9851 (op Testament (749677132323)).</li> <li>Brahms: Hongaarse danse (21) vir klavier 4 hande, WoO 1: nr. 1 in G mineur (rangskik- Joachim), Opal opnames (ook op Testament (749677132323)).</li> <li>Brahms: Hongaarse dans nr. 2 in D mineur (rangskik- Joachim), Grammophon Catalogue # 047905; HMV, D88.</li> <li>Joachim: Romanse in C majeur, Op. 20, Pearl Katalogus: 9851</li></ul> <div class="mw-heading mw-heading2"><h2 id="Joachim_se_studente">Joachim se studente</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=18" title="Wysig afdeling: Joachim se studente" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=18" title="Edit section's source code: Joachim se studente"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Leopold Auer, violis en onderwyser; studeer by Joachim in Hannover. Onder sy vele uitstaande studente was Mischa Elman, <a href="/wiki/Jascha_Heifetz" title="Jascha Heifetz">Jascha Heifetz</a> en <a href="/wiki/Nathan_Milstein" title="Nathan Milstein">Nathan Milstein</a> .</li> <li>Dora Valesca Becker (1870-1958)</li> <li>Hugo Leichtentritt</li> <li>Aylmer Buesst</li> <li>Willy Burmester</li> <li>Carl Courvoisier (1846–1908), skrywer van <i>"Technics of Violin playing on Joachim's Method"</i>, Londen: The Strad Library, No. I, 1894.</li> <li>Bram Eldering (1865–1943), konsertmeester van die Berlynse Filharmoniese Orkes onder Hans von Bülow; Konsertmeester van die Meininger Hofkapelle</li> <li>Adila Fachiri, Joachim se agterkleinkind</li> <li>F. Fleischhauer (geb. 1834), Hofconcertmeister te Meiningen</li> <li>Sam Franko</li> <li>Richard Gompertz (geb. 1859), professor in viool aan die <i>"Royal College of Music"</i>, Londen</li> <li>Jakob Moritz Grũn, gebore in Pest, 1837; Joachim het bedank om standpunt in te neem teen die feit dat hy oorgesien is vir bevordering omdat hy Joods was. Beskik oor 'n artikel in die Duitse Wikipedia.</li> <li>Karel (Carl) Halíř (1859–1909), Boheemse violis, lid van die Joachim-kwartet</li> <li>Willy Hess</li> <li>Gustav Hille</li> <li>Richard Himmelstoß (gebore 1843), konsertmeester in Breslau</li> <li>Theodore Holland (1878–1947), Britse komponis en onderwyser.</li> <li>Gustav Holländer (geb. 1855), solo-violis</li> <li>Jenő Hubay, Hongaarse violis en komponis</li> <li><a href="/wiki/Bronis%C5%82aw_Huberman" title="Bronisław Huberman">Bronisław Huberman</a> <sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup></li> <li>Karl Klingler, violis van die Klingler-kwartet en Joachim se opvolger aan die Berlynse Hochschule; Klingler was die onderwyser van Shinichi Suzuki .</li> <li>Iosif Kotek (1855–1885), Russiese violis</li> <li>Hans Letz, konsertmeester van die Theodore Thomas-orkes <sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup></li> <li>Bernhard Listemann, konsertmeester van die Boston Simfonieorkes. <sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup></li> <li>Charles Martin Loeffler (1861–1935)</li> <li>Martin Marsick</li> <li>Pietro Melani</li> <li>Waldemar J. Meyer (1853–1940)</li> <li>Bernardo V. Moreira de Sá (1853–1924), Portugese violis en onderwyser; direkteur van die "<i>Conservatório de Música do Porto</i>"; direkteur en stigter van die "<i>Orpheon Portuense</i>"; studeer onder Joachim in Berlyn</li> <li>Andreas Moser (1859–1925), violis en assistent van Joachim; Moser het die eerste biografie van Joachim, Moser (1901), geskryf oor Joachim se lewe tot 1899. Hy het gehelp om die oorspronklike partiture van JS Bach se <i>Sonate e Partite per violino-solo</i> te herwin en het saam met Joachim aan talle uitgawes gewerk.</li> <li>Tivadar Nachéz (1859–1930)</li> <li>Henri Petri, konsertmeester in Leipzig</li> <li>Lili Petschnikoff (1874-1957), Amerikaanse violis</li> <li>Maximilian Pilzer, konsertmeester van die New York Filharmoniese Orkes (1915–1917), <sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> <sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup></li> <li>Enrico Polo (1868–1953), Italiaanse violis, altviolis en pedagoog</li> <li>Maud Powell, Amerikaanse violis <sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup></li> <li>Willibald Richter (1860–1929), Duits-gebore Engelse pianis, orrelis en onderwyser; student, vriend en begeleier van Joachim; student van Haupt, Lebert, Liszt, Mischalek en Oscar; het die <i>"College of Music"</i> te <a href="/wiki/Leicester" title="Leicester">Leicester</a> gestig</li> <li>Camillo Ritter, onderwyser van die voorste violis William Primrose</li> <li>Ossip Schnirlin (? - 1937)</li> <li>Emily Shinner</li> <li>Axel Skovgaard</li> <li>Maria Soldat-Röger</li> <li>Theodore Spiering, Amerikaanse violis; gebore in St. Louis, het in Chicago gewoon; Konsertmeester (1909–1911) van die New York Filharmoniese Orkes</li> <li>Kemp Stillings (1888-1967), Amerikaanse violis, musiekonderwyser</li> <li>Franz von Vecsey, studeer by Hubay, daarna Joachim; die Sibelius-vioolkonsert is aan hom gewy</li> <li>Alfred Wittenberg</li></ul> <p>Ander leerlinge mag moontlik deur Wilhelm Joseph von Wasielewski in sy <i>Die Violine und Ihre Meister</i> genoem word. </p> <div class="mw-heading mw-heading2"><h2 id="Joachim_se_instrumente">Joachim se instrumente</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=19" title="Wysig afdeling: Joachim se instrumente" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=19" title="Edit section's source code: Joachim se instrumente"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Die meeste, maar nie almal nie, van die vele viole (en twee altviole) wat Joachim gedurende sy loopbaan besit het, word op die webwerf van Tarisio Auctions, <i>cozio.com</i>, getoon. Verdere inligting in Duits is in die artikel deur Kamlah (2013) beskikbaar. </p> <ul><li>Sy eerste (volgrootte) viool was 'n Guarneri Filius Andreae 1703 wat hy aan Felix Schumann gegee het nadat hy sy eerste <a href="/wiki/Stradivarius" title="Stradivarius">Stradivarius</a> verwerf het.</li> <li>'n Viool, die <i>ex-Joachim</i> Stradivarius van 1715, word tans deur die <i>Collezione Civica del Comune di Cremona</i> gehou . <sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> Dit is aan Joachim aangebied ter geleentheid van sy Jubileumviering in 1889.</li> <li>Die <i>Ex Joachim</i>, Joseph Vieland Altviool deur Gasparo da Salò, Brescia, voor 1609, word gehou deur die <i>"Shrine to Music No. 3368"</i>. <sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup></li> <li>'n Johannes Theodorus Cuypers anno 1807 is in die middel van die 19de eeu deur Joachim gekoop en op toer deur Europa geneem. Daar is ook bewyse dat die instrument 'n halwe eeu later, in 1895, deur Joachim gespeel is tydens 'n opvoering in Parys. Dieselfde instrument is ook deur Fritz Kreisler gespeel tydens 'n 1955 Carnegie Hall-konsert. <sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Kulturele_verwysings">Kulturele verwysings</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=20" title="Wysig afdeling: Kulturele verwysings" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=20" title="Edit section's source code: Kulturele verwysings"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Die Engelse digter Robert Bridges het 'n <a href="/wiki/Sonnet" title="Sonnet">sonnet</a> oor Joachim geskryf in sy eerste groot poësiewerk getitel <i>The Growth of Love</i> . <sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Notas">Notas</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=21" title="Wysig afdeling: Notas" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=21" title="Edit section's source code: Notas"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="reflist columns references-column-width" style="-moz-column-width: 30em; -webkit-column-width: 30em; column-width: 30em; list-style-type: decimal;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><a href="#cite_ref-1">↑</a></span> <span class="reference-text">Monk, <i>Ludwig Wittgenstein: The Duty of Genius</i>: p. 5</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><a href="#cite_ref-2">↑</a></span> <span class="reference-text">Moser, 1901, p. 3</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><a href="#cite_ref-3">↑</a></span> <span class="reference-text">Moser, p. 6</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><a href="#cite_ref-4">↑</a></span> <span class="reference-text">Fuller-Maitland, p. 2</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><a href="#cite_ref-5">↑</a></span> <span class="reference-text">Moser, p. 17</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><a href="#cite_ref-6">↑</a></span> <span class="reference-text">Fuller-Maitland, p. 3</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><a href="#cite_ref-7">↑</a></span> <span class="reference-text">Campbell, p. 75</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><a href="#cite_ref-8">↑</a></span> <span class="reference-text">Fuller Maitland, p. 4</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><a href="#cite_ref-9">↑</a></span> <span class="reference-text">Moser, 1901, pp. 8–9</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><a href="#cite_ref-10">↑</a></span> <span class="reference-text">Moser, p. 38</span> </li> <li id="cite_note-Avins-11"><span class="mw-cite-backlink">↑ <sup><a href="#cite_ref-Avins_11-0">11,0</a></sup> <sup><a href="#cite_ref-Avins_11-1">11,1</a></sup></span> <span class="reference-text">Avins, 2002</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><a href="#cite_ref-12">↑</a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r2205490">.mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg");background-repeat:no-repeat;background-size:9px;background-position:right .1em center}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg");background-repeat:no-repeat;background-size:9px;background-position:right .1em center}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg");background-repeat:no-repeat;background-size:9px;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg");background-repeat:no-repeat;background-size:12px;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}</style><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://josephjoachim.com/2013/07/03/philharmonic-debut/">"London Philharmonic Debut"</a>. <i>Joseph Joachim</i> (in Engels). 3 Julie 2013. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170720180622/https://josephjoachim.com/2013/07/03/philharmonic-debut/">Geargiveer</a> vanaf die oorspronklike op 20 Julie 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Joseph+Joachim&rft.atitle=London+Philharmonic+Debut&rft.date=2013-07-03&rft_id=http%3A%2F%2Fjosephjoachim.com%2F2013%2F07%2F03%2Fphilharmonic-debut%2F&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><a href="#cite_ref-13">↑</a></span> <span class="reference-text">Moser, 1901, p. 57</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><a href="#cite_ref-14">↑</a></span> <span class="reference-text">Fuller-Maitland, p. 13</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><a href="#cite_ref-15">↑</a></span> <span class="reference-text">Moser, p. 32</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><a href="#cite_ref-16">↑</a></span> <span class="reference-text">Moser, p. 76</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><a href="#cite_ref-17">↑</a></span> <span class="reference-text">Moser, 1901, pp. 39, 43–44</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><a href="#cite_ref-18">↑</a></span> <span class="reference-text">Moser, p. 78</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><a href="#cite_ref-19">↑</a></span> <span class="reference-text">Campbell, 1981, p. 76</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><a href="#cite_ref-20">↑</a></span> <span class="reference-text">Swafford, p. 174, in 'n ander vertaling</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><a href="#cite_ref-21">↑</a></span> <span class="reference-text">Leopold Auer, <i>Violin Playing as I Teach It</i>, Dover, New York, 1980, p. 5</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><a href="#cite_ref-22">↑</a></span> <span class="reference-text">Auer, 1923, pp. 58–59</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><a href="#cite_ref-23">↑</a></span> <span class="reference-text">Moser, pp. 116–117</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><a href="#cite_ref-24">↑</a></span> <span class="reference-text">Moser, p. 117</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><a href="#cite_ref-25">↑</a></span> <span class="reference-text">Moser, p. 120.</span> </li> <li id="cite_note-Moser,_p._121-26"><span class="mw-cite-backlink"><a href="#cite_ref-Moser,_p._121_26-0">↑</a></span> <span class="reference-text">Moser, p. 121</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><a href="#cite_ref-27">↑</a></span> <span class="reference-text">Swafford, p. 62</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><a href="#cite_ref-28">↑</a></span> <span class="reference-text">Swafford, p. 63</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><a href="#cite_ref-29">↑</a></span> <span class="reference-text">Moser, p. 127</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><a href="#cite_ref-30">↑</a></span> <span class="reference-text">Swafford, p. 75</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><a href="#cite_ref-31">↑</a></span> <span class="reference-text">Swafford, p. 130</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><a href="#cite_ref-32">↑</a></span> <span class="reference-text">Swafford, p. 133</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><a href="#cite_ref-33">↑</a></span> <span class="reference-text">Gal, p. 60</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><a href="#cite_ref-34">↑</a></span> <span class="reference-text">Gal, p. 61</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><a href="#cite_ref-35">↑</a></span> <span class="reference-text">Gal, p. 114</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><a href="#cite_ref-36">↑</a></span> <span class="reference-text">Gal, p. 115</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><a href="#cite_ref-37">↑</a></span> <span class="reference-text">Fuller Maitland, p. 55</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><a href="#cite_ref-38">↑</a></span> <span class="reference-text">Litzmann, 1913,  p. 152</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><a href="#cite_ref-39">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.concertprogrammes.org.uk/html/search/verb/GetRecord/8240">Arts & Humanities Research Council <i>Concert Programmes</i>, St. James's Hall Concerts (1867–1904)</a></span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><a href="#cite_ref-40">↑</a></span> <span class="reference-text">Avins, Styra, "Joseph Joachim", in <i>Oxford Companion to Music</i>, red. Alison Latham, Oxford University Press, 2002–2003, bl. 637</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><a href="#cite_ref-41">↑</a></span> <span class="reference-text"><a href="/w/index.php?title=Louis_Ries&action=edit&redlink=1" class="new" title="Louis Ries (bladsy bestaan nie)">Louis Ries</a>, gebore in 1830, was die seun van <a href="/w/index.php?title=Hubert_Ries&action=edit&redlink=1" class="new" title="Hubert Ries (bladsy bestaan nie)">Hubert Ries</a>. Vir 'n notering van Joachim se konsert wat sommige Maandag Populêre Konserte insluit, sien: <a rel="nofollow" class="external free" href="https://josephjoachim.com/2014/11/07/joseph-joachims-concerts/">https://josephjoachim.com/2014/11/07/joseph-joachims-concerts/</a></span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><a href="#cite_ref-42">↑</a></span> <span class="reference-text">Zerbini was van Australiese afkoms. 'n Sterfkennis van hom in die <i>Illustrated Australian News</i> (Melbourne) 1 Januarie 1892 vermeld dat hy "erken is as een van die beste altvioolspelers in die wêreld."</span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><a href="#cite_ref-43">↑</a></span> <span class="reference-text">Shaw, George Bernard (1937), <i>London Music in 1888–89 as heard by Corno di Bassetto</i>, etc. (Constable, London), p. 297</span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><a href="#cite_ref-44">↑</a></span> <span class="reference-text">Litzmann, p. 289</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><a href="#cite_ref-45">↑</a></span> <span class="reference-text">Litzmann, p. 294</span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><a href="#cite_ref-46">↑</a></span> <span class="reference-text">Litzmann, pp. 249–250</span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><a href="#cite_ref-47">↑</a></span> <span class="reference-text">Jan Swafford, <i>Johannes Brahms</i>, Knopf (1997), herdruk in die VK deur Papermac (1999) pp. 207–211</span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><a href="#cite_ref-48">↑</a></span> <span class="reference-text">Moser (1901) 202–206</span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><a href="#cite_ref-49">↑</a></span> <span class="reference-text">Stowell, red., 2003</span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><a href="#cite_ref-50">↑</a></span> <span class="reference-text">Gal, p. 216</span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><a href="#cite_ref-51">↑</a></span> <span class="reference-text">Campbell, p. 81</span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><a href="#cite_ref-52">↑</a></span> <span class="reference-text">Fuller-Maitland p. 56</span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><a href="#cite_ref-53">↑</a></span> <span class="reference-text">Moser 1901, p. 282</span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><a href="#cite_ref-54">↑</a></span> <span class="reference-text">Fuller-Maitland, 1901, p. 18</span> </li> <li id="cite_note-Moser324-55"><span class="mw-cite-backlink"><a href="#cite_ref-Moser324_55-0">↑</a></span> <span class="reference-text">Moser 1901, p. 324</span> </li> <li id="cite_note-56"><span class="mw-cite-backlink"><a href="#cite_ref-56">↑</a></span> <span class="reference-text">Moser 1901, p. 325</span> </li> <li id="cite_note-57"><span class="mw-cite-backlink"><a href="#cite_ref-57">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.ocmc.org.uk/history.html">"OCMC history"</a>. <i>ocmc.org.uk</i> (in Engels). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190305104501/http://www.ocmc.org.uk/history.html">Geargiveer</a> vanaf die oorspronklike op 5 Maart 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=ocmc.org.uk&rft.atitle=OCMC+history&rft_id=http%3A%2F%2Fwww.ocmc.org.uk%2Fhistory.html&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-58"><span class="mw-cite-backlink"><a href="#cite_ref-58">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://jssgallery.org/Paintings/Joseph_Joachim.htm">"Joseph Joachim"</a> (in Engels). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160303183835/http://jssgallery.org/Paintings/Joseph_Joachim.htm">Geargiveer</a> vanaf die oorspronklike op 3 Maart 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Joseph+Joachim&rft_id=http%3A%2F%2Fjssgallery.org%2FPaintings%2FJoseph_Joachim.htm&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-steinberg265-59"><span class="mw-cite-backlink">↑ <sup><a href="#cite_ref-steinberg265_59-0">59,0</a></sup> <sup><a href="#cite_ref-steinberg265_59-1">59,1</a></sup></span> <span class="reference-text">Steinberg, p. 265</span> </li> <li id="cite_note-60"><span class="mw-cite-backlink"><a href="#cite_ref-60">↑</a></span> <span class="reference-text">Fuller Maitland, p. 25</span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><a href="#cite_ref-61">↑</a></span> <span class="reference-text">Fuller Maitland, pp. 39, 49</span> </li> <li id="cite_note-62"><span class="mw-cite-backlink"><a href="#cite_ref-62">↑</a></span> <span class="reference-text">CD-notas, naxos 8.557428, BRAHMS: Sym. No. 1/Tragic Overture/Academic Festival Overture</span> </li> <li id="cite_note-63"><span class="mw-cite-backlink"><a href="#cite_ref-63">↑</a></span> <span class="reference-text">Daar bestaan opnames, deur die <a href="/w/index.php?title=Weense_Staatsopera_Orkes&action=edit&redlink=1" class="new" title="Weense Staatsopera Orkes (bladsy bestaan nie)">Weense Staatsopera Orkes</a> met die dirigent <a href="/w/index.php?title=Felix_Prohaska&action=edit&redlink=1" class="new" title="Felix Prohaska (bladsy bestaan nie)">Felix Prohaska</a>, en die Houston Simfonieorkes gedirigeer deur <a href="/w/index.php?title=Christoph_Eschenbach&action=edit&redlink=1" class="new" title="Christoph Eschenbach (bladsy bestaan nie)">Christoph Eschenbach</a>.</span> </li> <li id="cite_note-64"><span class="mw-cite-backlink"><a href="#cite_ref-64">↑</a></span> <span class="reference-text">Joachim s'n was 'n vroeë kadens; later het baie andere meer geskryf</span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><a href="#cite_ref-65">↑</a></span> <span class="reference-text">Joachim se kadens tot Brahms se concerto sou weldra byna altyd gespeel word, volgens Fuller-Maitland, 1905, p. 55</span> </li> <li id="cite_note-66"><span class="mw-cite-backlink"><a href="#cite_ref-66">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110717110745/http://www.huberman.info/">"Bronislaw Huberman"</a>. <i>huberman.info</i>. Geargiveer vanaf <a rel="nofollow" class="external text" href="http://www.huberman.info/">die oorspronklike</a> op 17 Julie 2011<span class="reference-accessdate">. Besoek op <span class="nowrap">13 Februarie</span> 2006</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=huberman.info&rft.atitle=Bronislaw+Huberman&rft_id=http%3A%2F%2Fwww.huberman.info%2F&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-67"><span class="mw-cite-backlink"><a href="#cite_ref-67">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080921215441/http://www.theviolinsite.com/violin_mastery/hans_letz.html">"Hans Letz"</a>. <i>theviolinsite.com</i>. Geargiveer vanaf <a rel="nofollow" class="external text" href="http://www.theviolinsite.com/violin_mastery/hans_letz.html">die oorspronklike</a> op 21 September 2008<span class="reference-accessdate">. Besoek op <span class="nowrap">11 Mei</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=theviolinsite.com&rft.atitle=Hans+Letz&rft_id=http%3A%2F%2Fwww.theviolinsite.com%2Fviolin_mastery%2Fhans_letz.html&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-68"><span class="mw-cite-backlink"><a href="#cite_ref-68">↑</a></span> <span class="reference-text"><a href="https://de.wikipedia.org/wiki/Bernhard_Listemann" class="extiw" title="de:Bernhard Listemann">de:Bernhard Listemann</a></span> </li> <li id="cite_note-69"><span class="mw-cite-backlink"><a href="#cite_ref-69">↑</a></span> <span class="reference-text">archives.nyphil.orgindex.php</span> </li> <li id="cite_note-70"><span class="mw-cite-backlink"><a href="#cite_ref-70">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.stokowski.org/Principal_Musicians_Russian_Symphony_of_NY.htm">"Russian Symphony Orchestra of New York"</a>. <i>stokowski.org</i> (in Engels). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191227150253/https://www.stokowski.org/Principal_Musicians_Russian_Symphony_of_NY.htm">Geargiveer</a> vanaf die oorspronklike op 27 Desember 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=stokowski.org&rft.atitle=Russian+Symphony+Orchestra+of+New+York&rft_id=http%3A%2F%2Fwww.stokowski.org%2FPrincipal_Musicians_Russian_Symphony_of_NY.htm&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-71"><span class="mw-cite-backlink"><a href="#cite_ref-71">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://music.acu.edu/www/iawm/MPF.html">"Department of Music"</a>. <i>acu.edu</i> (in Engels). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20060907084638/http://music.acu.edu/www/iawm/MPF.html">Geargiveer</a> vanaf die oorspronklike op 7 September 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=acu.edu&rft.atitle=Department+of+Music&rft_id=http%3A%2F%2Fmusic.acu.edu%2Fwww%2Fiawm%2FMPF.html&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-72"><span class="mw-cite-backlink"><a href="#cite_ref-72">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.cozio.com/Instrument.aspx?id=603">"Tarisio"</a>. <i>cozio.com</i> (in Engels). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120717054436/http://www.cozio.com/Instrument.aspx?id=603">Geargiveer</a> vanaf die oorspronklike op 17 Julie 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=cozio.com&rft.atitle=Tarisio&rft_id=http%3A%2F%2Fwww.cozio.com%2FInstrument.aspx%3Fid%3D603&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> <li id="cite_note-73"><span class="mw-cite-backlink"><a href="#cite_ref-73">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.usd.edu/smm/bowstg.html">Bowed Stringed Instruments Made Before 1800 at the National Music Museum</a></span> </li> <li id="cite_note-74"><span class="mw-cite-backlink"><a href="#cite_ref-74">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20090326070125/http://www.caline.com/media/calvin/Further%20Adventures-%20Golden%20Script%20with%20Lighting.doc">"Archived copy"</a> (in Viëtnamees). Geargiveer vanaf <a rel="nofollow" class="external text" href="http://www.caline.com/media/calvin/Further%20Adventures-%20Golden%20Script%20with%20Lighting.doc">die oorspronklike</a> op 26 Maart 2009<span class="reference-accessdate">. Besoek op <span class="nowrap">17 Augustus</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Archived+copy&rft_id=http%3A%2F%2Fwww.caline.com%2Fmedia%2Fcalvin%2FFurther%2520Adventures-%2520Golden%2520Script%2520with%2520Lighting.doc&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Sjabloon:Cite_web" title="Sjabloon:Cite web">cite web</a>}}</code>: CS1 maint: archived copy as title (<a href="/wiki/Kategorie:CS1_maint:_archived_copy_as_title" title="Kategorie:CS1 maint: archived copy as title">link</a>)</span></span> </li> <li id="cite_note-75"><span class="mw-cite-backlink"><a href="#cite_ref-75">↑</a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r2205490"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.sonnets.org/bridges.htm#030">"Robert Bridges"</a>. <i>sonnets.org</i> (in Engels). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20041204121144/http://www.sonnets.org/bridges.htm#030">Geargiveer</a> vanaf die oorspronklike op 4 Desember 2004<span class="reference-accessdate">. Besoek op <span class="nowrap">11 Mei</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=sonnets.org&rft.atitle=Robert+Bridges&rft_id=http%3A%2F%2Fwww.sonnets.org%2Fbridges.htm%23030&rfr_id=info%3Asid%2Faf.wikipedia.org%3AJoseph+Joachim" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Bronne">Bronne</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=22" title="Wysig afdeling: Bronne" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=22" title="Edit section's source code: Bronne"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/L%C3%AAer:Joseph_Joachim.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/15/Joseph_Joachim.jpg/220px-Joseph_Joachim.jpg" decoding="async" width="220" height="360" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/15/Joseph_Joachim.jpg/330px-Joseph_Joachim.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/15/Joseph_Joachim.jpg/440px-Joseph_Joachim.jpg 2x" data-file-width="656" data-file-height="1072" /></a><figcaption> Joseph Joachim </figcaption></figure> <ul><li>Leopold Auer, 1923, <i>My long Life in Music</i>, FA Stokes, New York</li> <li>Styra Avins, "Joachim, Joseph", in <i>The Oxford Companion to Music</i>, ed. Alison Latham, Oxford University Press, 2002, pp.   637-638, <span class="ISBN" style="font-size:85%;"><a href="/wiki/Spesiaal:Boekbronne/978-0-19-866212-9" title="Spesiaal:Boekbronne/978-0-19-866212-9">ISBN 978-0-19-866212-9</a></span></li> <li>Ute Bär, "Sie wissen ja, wie gerne ich, selbst öffentlich, mit Ihnen musicire! Clara Schumann und Joseph Joachim ", <i>Die Tonkunst</i>, vol. 1, nr. 3, Julie 2007, 247–257.</li> <li>Otto Biba, "'Ihr Sie hochachtender, dankbarer Schüler Peppi', Joseph Joachims Jugend im Spiegel bislang unveröffentlicher Briefe", <i>Die Tonkunst</i>, vol. 1, nr. 3, Julie 2007, 200–204.</li> <li>Nora Bickley, keurder en vertaler, <i>Briewe van en na Joseph Joachim</i>, met 'n voorwoord deur JA Fuller-Maitland, New York: Vienna House, 1972.</li> <li>Beatrix Borchard, <i>Stimme und Geige: Amalie und Joseph Joachim, Biografie en interpretasiesgeschichte</i>, Wien, Köln, Weimar, Böhlau Verlag, 2005.</li> <li>Beatrix Borchard, 'Groß-männlich-deutsch? Zur Rolle Joseph Joachims für das deutsche Musikleben in der Wilhelminischen Zeit ", <i>Die Tonkunst</i>, vol. 1, nr. 3, Julie 2007, 218–231.</li> <li>Siegfried Borris, 'Joseph Joachim zum 65. Todestag ", <i>Oesterreichische Musikzeitschrift</i> XXVII (Junie 1972): 352–355.</li> <li>Margaret Campbell, 1981, <i>The Great Violinists</i>, Doubleday, Garden City, New York. (Het 'n hoofstuk oor Joachim)</li> <li>FGE, "Joseph Joachim", <i>The Musical Times</i>, 48/775 (1 September 1907): 577–583.</li> <li>Robert W. Eshbach, "Der Geigerkönig: Joseph Joachim as Performer", <i>Die Tonkunst</i>, vol. 1, nr. 3, Julie 2007, 205–217.</li> <li>Robert W. Eshbach, 'Verehrter Freund! Liebes Vriendelik! Liebster Jo! Mein einzig Licht. Intieme briewe in Brahms se Freundeskreis ", <i>Die Tonkunst</i>, vol. 2, nr. 2, April 2008, 178–193</li> <li>Robert W. Eshbach, "Joachims Jugend", <i>Die Tonkunst</i>, vol. 5, nr. 2, April 2011, 176–190.</li> <li>Robert W. Eshbach, "Joachim's Youth - Joachim's Jewishness", <i>The Musical Quarterly</i>, vol. 94, no. 4, Winter 2011, 548–592</li> <li>JA Fuller-Maitland, <i>Joseph Joachim</i>, London & New York: John Lane, 1905, 'n Google-boek; repr. Bibliobazaar, 2010, openbare domein</li> <li>Johannes Joachim en Andreas Moser (eds. ), <i>Briefe von und an Joseph Joachim</i>, 3 vol., Berlyn: Julius Bard, 1911–1913</li> <li>Hans Gál, <i>Johannes Brahms: Sy werk en persoonlikheid</i>, vertaal. uit Duits deur Joseph Stein, Knopf, New York, 1971.</li> <li>Ruprecht Kamlah, Joseph Joachims Guarneri-Geigen, Eine Untersuchung im Hinblick auf die Familie Wittgenstein, Wiener Geschichtsblätter 2013, Vol. 1, p. , geplaas op "Joseph Joachim: Biografie en navorsing", 2015.</li> <li>Ruprecht Kamlah, "Joseph Joachims Geigen, Ihre Geschichten und Spieler, besonders der Sammler Wilhelm Kux, Palm und Enke, Erlangen 2018, <span class="ISBN" style="font-size:85%;"><a href="/wiki/Spesiaal:Boekbronne/978-3-7896-1023-3" title="Spesiaal:Boekbronne/978-3-7896-1023-3">ISBN 978-3-7896-1023-3</a></span> , 230 bladsye.</li> <li>Adolph Kohut, <i>Josef Joachim.</i> <i>Ein Lebens- und Künstlerbild.</i> <i>Festschrift zu seinem 60.</i> <i>Geburtstage, am 28.</i> <i>Junie 1891</i> , Berlyn: A. Glas, 1891.</li> <li>Berthold Litzmann, 1913, <i>Clara Schumann: An Artist's Life gebaseer op materiaal wat in Diaries and Letters gevind is</i>, vertaal uit die vierde Duitse uitgawe deur Grace E. Hadow, MacMillan, Londen.</li> <li>Brigitte Massin, <i>Les Joachim: Une Famille de Musiciens</i>, Parys: Fayard, 1999. <span class="ISBN" style="font-size:85%;"><a href="/wiki/Spesiaal:Boekbronne/2-213-60418-5" title="Spesiaal:Boekbronne/2-213-60418-5">ISBN 2-213-60418-5</a></span> <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>   <a href="/wiki/Spesiaal:Boekbronne/2-213-60418-5" title="Spesiaal:Boekbronne/2-213-60418-5">2-213-60418-5</a></li> <li>Andreas Moser (red. ), <i>Johannes Brahms im Briefwechsel mit Joseph Joachim</i>, 2de uitg., Berlyn: Deutsche Brahms-Gesellschaft, 1912.</li> <li>Andreas Moser, <i>Joseph Joachim: Ein Lebensbild</i>, 2 vols. Berlyn: Verlag der Deutschen Brahms-Gesellschaft, vol. 1: 1908; vol. 2: 1910. (Gepubliseer na die volgende vertaling, moet dit 'n hersiene uitgawe wees? )</li> <li>Andreas Moser, <i>Joseph Joachim: A Biography (1831–1899)</i>, vertaal deur Lilla Durham, inleiding deur JA Fuller-Maitland, Londen: Philip Wellby, 1901. (Gepubliseer gedurende Joachim se leeftyd)</li> <li>Hans Joachim Moser, <i>Joseph Joachim</i>, Sechsundneunzigstes Neujahrsblatt der Allgemeinen Musikgesellschaft in Zürich, Zürich & Leipzig: Hug & Co., 1908</li> <li>Anne Russell, "Joachim", <i>The Etude</i>, (Desember 1932) 884–885.</li> <li>Dietmar Schenk, "Aus einer Gründerzeit: Joseph Joachim, die Berliner Hochschule für Musik und der deutsch-französische Krieg", <i>Die Tonkunst</i>, vol. 1, nr. 3, Julie 2007, 232–246.</li> <li>Michael Steinberg, <i>The Concerto: A Listener's Guide</i>, Oxford University Press, 1998, <span class="ISBN" style="font-size:85%;"><a href="/wiki/Spesiaal:Boekbronne/0-19-510330-0" title="Spesiaal:Boekbronne/0-19-510330-0">ISBN 0-19-510330-0</a></span></li> <li>Barrett Stoll, <i>Joseph Joachim: violis, pedagoog en komponis</i>, Ph.D. Diss., Univ. van Iowa, 1978.</li> <li>Karl Storck, <i>Joseph Joachim: Eine Studie</i>, Leipzig: Hermann Seemann Nachfolger, nd</li> <li>Robert Stowell, Ed., <i>Cambridge Companion to the String Quartet</i>, Cambridge University Press, 2003.</li> <li>Jan Swafford, <i>Johannes Brahms: A Biography</i>, Knopf and Vintage Books, 1997.</li> <li>Katharina Uhde, <i>The Music of Joseph Joachim</i>, Boydell & Brewer, 2018.</li> <li>Gerhard Winkler (red. ) "Geigen-Spiel-Kunst: Joseph Joachim und der 'Wahre' Fortschritt", <i>Burgenländische Heimatblätter</i>, vol. 69, nr. 2, 2007.</li> <li>Klaus Martin Kopitz (red. ), <i>Briefwechsel Robert und Clara Schumanns mit Joseph Joachim und seiner Familie</i>, 2 vols. (= <i>Schumann-Briefedition</i>, reeks II, deel 2), Köln: Dohr, 2019, <span class="ISBN" style="font-size:85%;"><a href="/wiki/Spesiaal:Boekbronne/978-3-86846-013-1" title="Spesiaal:Boekbronne/978-3-86846-013-1">ISBN 978-3-86846-013-1</a></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="Eksterne_skakels">Eksterne skakels</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Joseph_Joachim&veaction=edit&section=23" title="Wysig afdeling: Eksterne skakels" class="mw-editsection-visualeditor"><span>wysig</span></a><span class="mw-editsection-divider"> | </span><a href="/w/index.php?title=Joseph_Joachim&action=edit&section=23" title="Edit section's source code: Eksterne skakels"><span>wysig bron</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Werke deur of oor Joseph Joachim</li> <li><a rel="nofollow" class="external text" href="https://www.josephjoachim.com">Webwerf gewy aan die lewe en musiek van Joseph Joachim.</a></li> <li><a rel="nofollow" class="external text" href="https://www.flickr.com/photos/mscharwenka/392901517/">Joseph Joachim se handtekening en handgeskrewe nota aan Marianne Scharwenka</a> ( <a rel="nofollow" class="external text" href="https://www.flickr.com/photos/mscharwenka/392901517/">Violis</a> en vrou van Philipp Scharwenka)</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=i3wysuAIDGc?hl=af-za&cc_lang_pref=af&cc_load_policy=1"><span class="plainlinks">Bach Adagio G minor played by Joseph Joachim 1903</span></a> op <a href="/wiki/YouTube" title="YouTube">YouTube</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=EeVFYA0Duss?hl=af-za&cc_lang_pref=af&cc_load_policy=1"><span class="plainlinks">Joachim Romanze in C played by Joseph Joachim 1903</span></a> op <a href="/wiki/YouTube" title="YouTube">YouTube</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=f-p8YeIQkxs?hl=af-za&cc_lang_pref=af&cc_load_policy=1"><span class="plainlinks">Brahms Hungarian Dance No. 1 played by Joseph Joachim 1903</span></a> op <a href="/wiki/YouTube" title="YouTube">YouTube</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=lV_YXtUs_Ow?hl=af-za&cc_lang_pref=af&cc_load_policy=1"><span class="plainlinks">Brahms Hungarian Dance No. 2 played by Joseph Joachim 1903</span></a> op <a href="/wiki/YouTube" title="YouTube">YouTube</a></li> <li><a rel="nofollow" class="external text" href="http://www.xs4all.nl/~androom/biography/p011603.htm">Kort biografie van Joseph en Amalie Joachim</a></li> <li>Free scores by Joseph Joachim</li> <li><a rel="nofollow" class="external text" href="http://findingaids.cjh.org/?pID=478925">Handleiding vir die Joseph Joachim-versameling</a> by die Leo Baeck-instituut, New York.</li></ul> <div role="navigation" class="navbox authority-control" 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<li><span class="error">The SBN id LO1V133162 is not valid.</span></li> <li><span class="nowrap"><a href="/wiki/SNAC" title="SNAC">SNAC</a>: <span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6j38tmv">w6j38tmv</a></span></span></li> <li><span class="nowrap"><a href="/wiki/Syst%C3%A8me_universitaire_de_documentation" title="Système universitaire de documentation">SUDOC</a>: <span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/03511794X">03511794X</a></span></span></li> <li><span class="nowrap"><a href="/wiki/Trove" title="Trove">Trove</a>: <span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1096500">1096500</a></span></span></li> <li><span class="nowrap"><a href="/wiki/Virtual_International_Authority_File" title="Virtual International Authority File">VIAF</a>: <span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/59269863">59269863</a></span></span></li> <li><span class="nowrap"> <a href="/wiki/WorldCat" title="WorldCat">WorldCat Identities</a> (via VIAF): <a rel="nofollow" class="external text" href="https://www.worldcat.org/identities/containsVIAFID/59269863">59269863</a></span></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Ontsluit van "<a dir="ltr" href="https://af.wikipedia.org/w/index.php?title=Joseph_Joachim&oldid=2436887">https://af.wikipedia.org/w/index.php?title=Joseph_Joachim&oldid=2436887</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Spesiaal:Kategorie%C3%AB" title="Spesiaal:Kategorieë">Kategorieë</a>: <ul><li><a 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