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</h1> </div> <div class='descriptionwrapper'> a perspective from the Holocaust Art Restitution Project </div> </div> </div></div> </div> </div> <div class='header-cap-bottom cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> </header> <div class='tabs-outer'> <div class='tabs-cap-top cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left tabs-fauxborder-left'> <div class='fauxborder-right tabs-fauxborder-right'></div> <div class='region-inner tabs-inner'> <div class='tabs section' id='crosscol' name='Cross-Column'><div class='widget PageList' data-version='1' id='PageList4'> <h2>Pages</h2> <div class='widget-content'> <ul> <li> <a href='https://plundered-art.blogspot.com/'>Home</a> </li> <li> <a href='https://plundered-art.blogspot.com/p/links.html'>Links</a> </li> <li> <a href='https://plundered-art.blogspot.com/p/bibliography.html'>Bibliography</a> </li> <li> <a 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class='cap-left'></div> <div class='cap-right'></div> </div> </div>  <div class='columns-inner'> <div class='column-center-outer'> <div class='column-center-inner'> <div class='main section' id='main' name='Main'><div class='widget Blog' data-version='1' id='Blog1'> <div class='blog-posts hfeed'> <div class='status-msg-wrap'> <div class='status-msg-body'> Showing posts with label S. 2763. <a href="https://plundered-art.blogspot.com/">Show all posts</a> </div> <div class='status-msg-border'> <div class='status-msg-bg'> <div class='status-msg-hidden'>Showing posts with label S. 2763. <a href="https://plundered-art.blogspot.com/">Show all posts</a></div> </div> </div> </div> <div style='clear: both;'></div> <div class="date-outer"> <h2 class='date-header'>01 October 2016</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcRXM6Cydv_I_Z7IvTGK-vvPngDaFFWSMd8kp8rtJCMt0wbpKWsaFxFFZ2rZ' itemprop='image_url'/> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='2635064214625020713' itemprop='postId'/> <a name='2635064214625020713'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2016/10/the-long-summer-of-2016.html'>The long summer of 2016</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2635064214625020713' itemprop='description articleBody'> by Marc Masurovsky I confess. The absence of any postings on the plundered-art blog this past summer was as a direct result of the thrashing that we suffered at the hands of the American museum lobby, its auction house allies and a handful of well-established community groups which found it easier to support museum boards than claimants suing them to foster some form of justice 80 years after the genocide against the Jews of Europe. It’s not as if the roof collapsed over our heads. But it felt like a sucker punch, one that we had not been dealt in quite some time. What am I referring to here? The US Senate Judiciary committee and its processing of two legislative proposals critical to the claims process affecting art objects displaced in Axis-controlled Europe—S. 2763 known as the HEAR Act and S.3155. Round 1-- June 2016 The HEAR Act (S. 2763) was the subject of a hearing on 7 June 2016. Helen Mirren, a highly talented and versatile actress, was the star witness for claimants seeking the restitution of their cultural assets on US territory. Senators, Republican and Democrat, fawned over her when it came time for photo ops and autographs. A Hollywood actress always plays well in Peoria. She could have sold used cars to these elected fools, the result would have been the same. Members of HARP, myself and counsel, Pierre Ciric, suspected that something was up at this Senate hearing. On the Republican side, Senator Cornyn (Texas) uttered menacing words (seize this opportunity because there won’t be another one like it, or something to that effect), Senator Charles Grassley (Iowa) advised Senator Orrin Hatch (Utah) that he could introduce his other bill (in effect, S. 3155). On the Democrat side, Senator Charles Schumer, great friend of museum lobbies, trial lawyers and mainstream Jewish organizations, abandoned the hearing five minutes after it had begun. These minor events contributed to an almost surreal atmosphere in the Senate hearing room. Added to the mix, the absence of a genuine debate on whether or not looted art claims would be extinguished after the proposed “truce” or sunset period lapsed (by this, I mean that the HEAR Act’s lure was to propose that  current possessors could not invoke echnical defenses when defending against cultural claims, only up to 2026. After that date, who knows? It’s been the ambition, no, the goal, of the art market in the US, including museum directors and their boards, to extinguish all cultural claims that could be filed on the US market.) And, last but not least, the unfortunate and misguided collusion of certain American Jewish groups, like the American Jewish Committee in its mistaken belief that the HEAR Act was a great gift to claimants, considering that the AJC never did anything constructive to support cultural claimants. Period. Round 2--July 2016 The onslaught by the museum lobbyists of the AAMD (Association of American Museum Directors) and the leadership of New York museums was finding its mark. Their success among members of the Senate Judiciary Committee relied on the fact that the Republican and Democrat senators and their staff members had no basic understanding of the massive losses suffered by Jewish victims of the Nazis, the complexities of burdensome and costly recovery in postwar America of art objects confiscated and misappropriated between 1933 and 1945. In short order, Republican Senator Orrin Hatch introduced S. 3155 and was able to have it processed speedily through the Senate Judiciary Committee with unanimous consent. Even Democrat Senator Pat Healey who had vehemently opposed its forerunner, S. 2122, felt that he could not pursue his opposition to the museums’ attempt to create a claims-free market inside the United States. Round 3--August 2016 HARP tried to rebuild the successful coalition of 2012-2013 against Senate Bill 2212 in order to neutralize its successor, S. 3155. In vain. The newest and most visible group promoting the protection of cultural heritage and antiquities in the Mideast war zone, the Antiquities Coalition, was nowhere to be found and seemed to ignore the very existence of these two pieces of legislation. <div> It’s hard to tell what exactly happened. But it could be that its full attention was focused on overseas recruitment of and negotiations with source countries as part of their campaign to forge new coalitions among all source countries, in order to safeguard antiquities and archaeological sites under threat of destruction and crack down on the illicit trade. Despite all of this maneuvering on the international arena, no attention was being paid to the domestic US market and its complex, often absurd and confusing legislative environment. Only ARCA, the Association for Research into Crimes against Art, has been a steadfast and reliable ally because its leadership understands the linkages between Nazi confiscated art, looted antiquities, and looted indigenous sacred objects on the international market. One preliminary assessement would hold that the American cultural heritage community had failed to understand that S. 3155 affects them and their clientele, those constituencies and nations that they aim to protect. We don’t blame them, we simply nurtured expectations that ran higher than warranted. As for the lawyers representing plaintiffs in art restitution and repatriation cases, most of them are based in New York, some are in Los Angeles, Boston, and Washington, DC. Some of these attorneys participated in the drafting and amending of both bills that sailed through the Senate Judiciary Committee and therefore aligned themselves with their framers. One can only wonder whether their tacit or explicit support of S. 2763 and S. 3155 was a business decision aimed at adapting to new realities, that, in their view, Holocaust-era claims are fated to be extinguished by the callousness and calculated hostility of the art world’s leadership and their opportunistic political allies whose main objective is to make sure that history, the kind that affects people’s lives and their cultural assets, no longer enters the sanctum of cultural institutions on American territory. We hope that this was all a big miscalculation, but we won’t know unless we ask them and they agree to go on the record. S. 2763 and S. 3155, combined with other recent legislative proposals (the so-called Engel bill) that passed through the House of Representatives to protect antiquities and restrict their importation into the US is what we call a cultural policy, one that the US government pretends that it does not have. And yet, those who are on the front line of enforcement have been waging an incredible and outstanding battle to suppress with the few tools at their disposal the resale networks of looted cultural objects operating on US territory. These government agencies—ICE, the FBI, even the BIA--are simply not helped by the failure of other government agencies and a confused and ignorant Congress, and the obstreperousness of museum leaders and their lobbyists in fostering an environment that encourages a general clean-up of the domestic art and antiquities market. Instead of antiquities and cultural heritage groups, HARP found solace amongst anti-communist and conservative groups which understood that cultural objects plundered in other historical contexts  (like during and after the Bolshevik Revolution of 1917) would end up entering the US market without fear of being confiscated, thus embarrassing the lenders, like Russia, France, the UK, and many other nations with a lot of cultural skeletons to rattle in their display cases and exhibition halls. These groups’ enthusiasm at contributing to the fostering of a more ethical approach to the art market has contrasted sharply with the indifference of antiquities groups and their lawyers in this summer of 2016  Lesson learned. </div> <div> Round 4--September 2016 Cultural claimants lost several major legislative battles between June and September 2016, for the first time since the Washington Conference on Holocaust-era Assets of December 1998. Luckily for them, S. 2763 and S. 3155 do not appear to be hastily headed for a vote of the full Senate in the current session which ends on 7 October 2016. Operators like Senators Charles Schumer and Orrin Hatch may try to manipulate Senate procedures to have these two bills passed on voice vote with a quorum plus one in the Senate chamber. What with all of the nonsense generated by the Congressional resolve to hold the Saudis accountable for the attacks on New York, Pennsylvania and Washington, DC on 11 September 2001, budgetary issues and the presidential election campaign, one can only hope that these votes will be postponed. But anything is possible. There’s a war to fight out there and the stakes are high.</div> <div> </div> <div> For references, please consult past articles on the plundered-art blog:</div> <div> </div> <div> <table class="gsc-table-result" style="border-spacing: 0px; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px;"><tbody> <tr><td class="gsc-table-cell-snippet-close" style="vertical-align: top; width: 506px;"><div class="gs-title gsc-table-cell-thumbnail gsc-thumbnail-left" style="color: #3778cd; height: 1.4em; line-height: 1.5em; overflow: hidden; position: static; text-decoration: underline; vertical-align: top;"> <a class="gs-title" data-ctorig="http://plundered-art.blogspot.com/2016/06/s-2763-restitution-kabuki.html" data-cturl="https://www.google.com/url?q=http://plundered-art.blogspot.com/2016/06/s-2763-restitution-kabuki.html&sa=U&ved=0ahUKEwj9--Tz4brPAhWk3oMKHXAaBDsQFggFMAA&client=internal-uds-cse&usg=AFQjCNFSVtmZ7ymGt67K8tYwji3b4_nO3g" dir="ltr" href="http://plundered-art.blogspot.com/2016/06/s-2763-restitution-kabuki.html" style="color: #4d469c; cursor: pointer; height: 1.4em; line-height: 1.5em; overflow: hidden;" target="_blank">plundered art: S. 2763: Restitution kabuki</a></div> <div class="gs-title gsc-table-cell-thumbnail gsc-thumbnail-left" style="color: #3778cd; height: 1.4em; line-height: 1.5em; overflow: hidden; position: static; text-decoration: underline; vertical-align: top;"> <table class="gsc-table-result" style="border-spacing: 0px; color: #444444; font-size: 13px;"><tbody> <tr><td class="gsc-table-cell-snippet-close" style="vertical-align: top; width: 506px;"><div class="gs-title gsc-table-cell-thumbnail gsc-thumbnail-left" style="color: #3778cd; height: 1.4em; line-height: 1.5em; overflow: hidden; position: static; text-decoration: underline; vertical-align: top;"> <a class="gs-title" data-ctorig="http://plundered-art.blogspot.com/2016/06/highlights-from-senate-judiciary.html" data-cturl="https://www.google.com/url?q=http://plundered-art.blogspot.com/2016/06/highlights-from-senate-judiciary.html&sa=U&ved=0ahUKEwj9--Tz4brPAhWk3oMKHXAaBDsQFggIMAE&client=internal-uds-cse&usg=AFQjCNEo_dINnTaOwzcCBsUoWTKFmX8wig" dir="ltr" href="http://plundered-art.blogspot.com/2016/06/highlights-from-senate-judiciary.html" style="color: #4d469c; cursor: pointer; height: 1.4em; line-height: 1.5em; overflow: hidden;" target="_blank">plundered art: Highlights from Senate Judiciary Committee hearing ...</a></div> </td></tr> </tbody></table> </div> </td></tr> </tbody></table> </div> <div> <table class="gsc-table-result" style="border-spacing: 0px; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px;"><tbody> <tr><td class="gsc-table-cell-snippet-close" style="vertical-align: top; width: 506px;"><div class="gs-title gsc-table-cell-thumbnail gsc-thumbnail-left" style="color: #3778cd; height: 1.4em; line-height: 1.5em; overflow: hidden; position: static; text-decoration: underline; vertical-align: top;"> <a class="gs-title" data-ctorig="http://plundered-art.blogspot.com/2016/06/the-american-museums-us-senate-and-art.html" data-cturl="https://www.google.com/url?q=http://plundered-art.blogspot.com/2016/06/the-american-museums-us-senate-and-art.html&sa=U&ved=0ahUKEwj9--Tz4brPAhWk3oMKHXAaBDsQFggLMAI&client=internal-uds-cse&usg=AFQjCNH-0zNouA6G1TWg1Gc3k4jSWVAklw" dir="ltr" href="http://plundered-art.blogspot.com/2016/06/the-american-museums-us-senate-and-art.html" style="color: #4d469c; cursor: pointer; height: 1.4em; line-height: 1.5em; overflow: hidden;" target="_blank">plundered art: The American museums, the US Senate and the art ...</a></div> <div class="gs-title gsc-table-cell-thumbnail gsc-thumbnail-left" style="color: #3778cd; height: 1.4em; line-height: 1.5em; overflow: hidden; position: static; text-decoration: underline; vertical-align: top;"> <table class="gsc-table-result" style="border-spacing: 0px; color: #444444; font-size: 13px;"><tbody> <tr><td class="gsc-table-cell-thumbnail gsc-thumbnail" style="vertical-align: top;"><div class="gs-image-box gs-web-image-box gs-web-image-box-portrait" style="float: left; margin-left: 0px; margin-right: 0px; padding: 2px 8px 2px 0px; position: static; text-align: center; width: 62px;"> <a class="gs-image" data-ctorig="http://plundered-art.blogspot.com/2012/11/revisiting-senate-bill-2212-part-two.html" data-cturl="https://www.google.com/url?q=http://plundered-art.blogspot.com/2012/11/revisiting-senate-bill-2212-part-two.html&sa=U&ved=0ahUKEwjT85ie4rrPAhXl7oMKHdoVB0AQFggFMAA&client=internal-uds-cse&usg=AFQjCNFUlIqIlj7_u0F6cQ94HaaVNlJL3Q" href="http://plundered-art.blogspot.com/2012/11/revisiting-senate-bill-2212-part-two.html" style="color: #4d469c; cursor: pointer; text-decoration: none;" target="_blank"><img class="gs-image" src="https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcRXM6Cydv_I_Z7IvTGK-vvPngDaFFWSMd8kp8rtJCMt0wbpKWsaFxFFZ2rZ" style="border: 1px solid rgb(226, 226, 226); max-height: 120px; max-width: 60px; position: relative; vertical-align: middle;" /></a></div> </td><td class="gsc-table-cell-snippet-close" style="vertical-align: top; width: 434px;"><div class="gs-title gsc-table-cell-thumbnail gsc-thumbnail-left" style="color: #3778cd; height: 1.4em; line-height: 1.5em; overflow: hidden; position: static; text-decoration: underline; vertical-align: top;"> <a class="gs-title" data-ctorig="http://plundered-art.blogspot.com/2012/11/revisiting-senate-bill-2212-part-two.html" data-cturl="https://www.google.com/url?q=http://plundered-art.blogspot.com/2012/11/revisiting-senate-bill-2212-part-two.html&sa=U&ved=0ahUKEwjT85ie4rrPAhXl7oMKHdoVB0AQFggFMAA&client=internal-uds-cse&usg=AFQjCNFUlIqIlj7_u0F6cQ94HaaVNlJL3Q" dir="ltr" href="http://plundered-art.blogspot.com/2012/11/revisiting-senate-bill-2212-part-two.html" style="color: #4d469c; cursor: pointer; height: 1.4em; line-height: 1.5em; overflow: hidden;" target="_blank">plundered art: Revisiting Senate Bill 2212, Part Two</a></div> </td></tr> </tbody></table> </div> </td></tr> </tbody></table> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/03190272299610799123' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/03190272299610799123' rel='author' title='author profile'> plundered art </a> at <meta content='https://plundered-art.blogspot.com/2016/10/the-long-summer-of-2016.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2016/10/the-long-summer-of-2016.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2016-10-01T19:35:00-04:00'>19:35</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/2635064214625020713' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2635064214625020713&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2635064214625020713&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2635064214625020713&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2635064214625020713&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2635064214625020713&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/BIA' rel='tag'>BIA</a>, <a href='https://plundered-art.blogspot.com/search/label/FBI' rel='tag'>FBI</a>, <a href='https://plundered-art.blogspot.com/search/label/HEAR%20Act' rel='tag'>HEAR Act</a>, <a href='https://plundered-art.blogspot.com/search/label/ICE' rel='tag'>ICE</a>, <a href='https://plundered-art.blogspot.com/search/label/looted%20antiquities' rel='tag'>looted antiquities</a>, <a href='https://plundered-art.blogspot.com/search/label/Pierre%20Ciric' rel='tag'>Pierre Ciric</a>, <a href='https://plundered-art.blogspot.com/search/label/S.%202763' rel='tag'>S. 2763</a>, <a href='https://plundered-art.blogspot.com/search/label/S.%203155' rel='tag'>S. 3155</a>, <a href='https://plundered-art.blogspot.com/search/label/S.2212' rel='tag'>S.2212</a>, <a href='https://plundered-art.blogspot.com/search/label/Senate%20Judiciary%20Committee' rel='tag'>Senate Judiciary Committee</a>, <a href='https://plundered-art.blogspot.com/search/label/Senator%20Charles%20Grassley' rel='tag'>Senator Charles Grassley</a>, <a href='https://plundered-art.blogspot.com/search/label/Senator%20Charles%20Schumer' rel='tag'>Senator Charles Schumer</a>, <a href='https://plundered-art.blogspot.com/search/label/Senator%20Orrin%20Hatch' rel='tag'>Senator Orrin Hatch</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>15 June 2016</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='1137486422417724072' itemprop='postId'/> <a name='1137486422417724072'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2016/06/s-2763-restitution-kabuki.html'>S. 2763: Restitution kabuki</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-1137486422417724072' itemprop='description articleBody'> an opinionated piece by Marc Masurovsky<div> </div> <div> Note: The title was inspired by a close friend who is intimately involved in art restitution matters.</div> <div> The authors of Senate Bill 2763, the “Holocaust Expropriated Art Recovery Act” (HEAR Act), have as a major sponsor Republican Senator and former presidential candidate Ted Cruz. Another Republican co-sponsor is Senator Cornyn. Neither of them has been known to utter a word or express a single public thought about Holocaust claimants and/or about Nazi looted art. Democratic Senator Charles Schumer of New York, who is no friend of art restitution advocates, is a co-sponsor of S.2763 with Senator Blumenthal from Connecticut. On the afternoon of Tuesday, June 7, 2016, the Senate Judiciary Committee held a public hearing regarding Senate Bill 2763. The witnesses included Ron Lauder speaking on behalf of the World Jewish Restitution Organization (WJRO), Monica Dugot of Christie’s, Agnes Peresztegi of the Commission for Art Recovery, Dame Helen Mirren, actress noted for her role as Maria Altmann in “The Woman in Gold”, and Simon Goodman, one of the heirs to the collection and property of the late Friedrich Gutmann. Let’s deconstruct the title of the proposed bill: Expropriated Art: is “expropriated” a legal term or just an evocative word to denote forcible removal without the owner’s consent? It might have been selected so that an acronym could be used to publicize the bill—in this case, HEAR. What if we had used displaced or misappropriated as substitutes for “expropriated”? Then we would get HDAR or HMAR. Not very elegant. <div> Does this proposed legislation cover all acts of illegal misappropriation of Jewish-owned cultural assets between 1933 and 1945? Or does the proposed legislation only cover those instances where a “public agency”, writ large, orders the “taking” of private property from Jews? Depending on how you answer these questions, the field of objects covered by this proposed legislation could change rapidly. Recovery: it’s a word like any other, but does it actually mean “restitution” or simply the act of “recovering”? Merriam-Webster defines “recovery” as “the return of something that has been lost, stolen, etc.” What would have occurred if the Act had been called the “Holocaust Expropriated Art Restitution Act”? It would have been far more specific and more claimant-friendly. Then, the framers of the act could not be accused of playing footsy with the art market by keeping the wording ambiguous, because “recovery” is an ambiguous term, much as recovering from addiction leaves room for a relapse. Why ambiguous? Well, US troops “recovered” looted art throughout "liberated" Germany and Austria. Did it mean that it was “restituted”? No, it simply meant that it had to be shipped to countries where local officials would then “restitute” the objects to their rightful owners, or not. Why the ambiguity? Is S. 2763 really a hat tip to the art market, a flirty wink to indicate that, no worries, your interests will be taken into account when this law finally passes?  In other words, “recovery” might also mean “just and fair” which usually means “financial settlement” where the seller or current possessor of the claimed looted item gets to hang on to the prized ownership title to the looted object. “Recovery” is another way of saying that the art market continues to hold tremendous sway on how restitution works for Holocaust-era claimants. At the end of the day, so the expression goes, it is always a business decision how a looted object gets "returned” and “recovered.” Are claimants’ rights genuinely protected by S. 2763? Or is this bill a subversive sop to the art market and a gift to the Association of Art Museum Directors (AAMD) and to the American Alliance of Museums (AAM)? These two groups have fought for years to put an end to the claims process, callously indifferent and disdainful about how cultural objects are stolen, misappropriated, expropriated, displaced, whatever the word is to connote illegality. As currently drafted, S. 2763 might be nothing more than a final attempt to address art restitution in the United States, offering the art market the equivalent of a social peace during a six-year period of claims hopefully unimpeded by statutes of limitations and laches (assuming that the final version of S 2763 keeps out laches, no guarantees given!). Claimants would presumably get a « fair day in court » where their claims may be assessed solely on their merits, again within a six year framework or less, depending on when the claimed item had been located and identified and the evidence garnered to back the claim. S. 2763 is looking more and more like a thinly disguised message to claimants,.a last opportunity to file for restitution assuming that they know where their object is and they have the proper documentation to support their claim. If not, how will they obtain the evidence in the time allotted to them? How will claimants afford a court action against a current possessor especially if it is a museum or a billionaire collector with access to a well-supplied war chest ? S. 2763 stacks the cards against claimants, however which way you look at it. Even if they do manage to garner the documentation, claimants will not be able to afford the hefty litigation fees associated with a proceeding to obtain restitution. It is not possible to endorse S.2763 if a mechanism is not explicitly created which ensures that claimants will be supported in their attempt to recover their lost property. The Federal government should subsidize this commitment for at least ten years to ensure that claims are properly addressed and have a fair chance of being heard, by minimizing research and legal costs to claimants. S. 2763 favors wealthy claimants with access to significant means to support research into their claims and legal action to recover identified objects which sit either in public or private collections. It is clearly not designed to help the vast majority of claimants, who lost cultural assets that are not museum-worthy. It provides succor to the very few, those who are familiar with the claims process and are able to demand the return of high-end items which their lawyers are willing to recover for them at rates the average claimant cannot possibly afford. The claims process has always been skewed towards those who have lost cultural assets considered of great value in today’s market and towards whom gravitate most lawyers as well as market players. <div class="MsoNormal"> </div>      <div class="MsoNormal"> </div> </div> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/03190272299610799123' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/03190272299610799123' rel='author' title='author profile'> plundered art </a> at <meta content='https://plundered-art.blogspot.com/2016/06/s-2763-restitution-kabuki.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2016/06/s-2763-restitution-kabuki.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2016-06-15T23:16:00-04:00'>23:16</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/1137486422417724072' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=1137486422417724072&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=1137486422417724072&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=1137486422417724072&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=1137486422417724072&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=1137486422417724072&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/AAM' rel='tag'>AAM</a>, <a href='https://plundered-art.blogspot.com/search/label/AAMD' rel='tag'>AAMD</a>, <a href='https://plundered-art.blogspot.com/search/label/CAR' rel='tag'>CAR</a>, <a href='https://plundered-art.blogspot.com/search/label/Charles%20Schumer' rel='tag'>Charles Schumer</a>, <a href='https://plundered-art.blogspot.com/search/label/Christie%27s' rel='tag'>Christie's</a>, <a href='https://plundered-art.blogspot.com/search/label/HEAR%20Act' rel='tag'>HEAR Act</a>, <a href='https://plundered-art.blogspot.com/search/label/Helen%20Mirren' rel='tag'>Helen Mirren</a>, <a href='https://plundered-art.blogspot.com/search/label/Ronald%20Lauder' rel='tag'>Ronald Lauder</a>, <a href='https://plundered-art.blogspot.com/search/label/S.%202763' rel='tag'>S. 2763</a>, <a href='https://plundered-art.blogspot.com/search/label/Simon%20Goodman' rel='tag'>Simon Goodman</a>, <a href='https://plundered-art.blogspot.com/search/label/Ted%20Cruz' rel='tag'>Ted Cruz</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>14 June 2016</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='1717034144784381625' itemprop='postId'/> <a name='1717034144784381625'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2016/06/the-american-museums-us-senate-and-art.html'>The American museums, the US Senate and the art market vs. Claimants</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-1717034144784381625' itemprop='description articleBody'> by Marc Masurovsky It's hard to believe that we have reached this point again. The US Senate and its friends in the art market and in some well-established organizations which purport to advocate on behalf of victims of cultural plunder want to do away once and for all with the restitution process as we know it today, however imperfect it may be, by replacing it with a brief period during which a claimant can file for restitution with the illusion that there will be no legal obstacles put in her way and, when this "sunset" period is over, the boom comes down and there might never be another opportunity to obtain redress for a wrong tied to genocide. Since 2012, the American museum community and their friends in the art market and in Congress have ceaselessly attempted to do away with all legal protections afforded to victims of cultural plunder by the American legal system, minus that problem involving legal technical defenses. In short, if looted objects are found in the United States, those who argue that they are the rightful owners can present their case before an American court and argue for the restitution of what they view is their property which they lost without their consent. We are now in 2016 and the US Senate is getting ready once again to ramrod claimants from their right to seek restitution, this time by making it look as if the proposed legislation, S.2763, is really for them. But it is not. Rather than go into tedious explanations, it's best to allow Pierre Ciric, a restitution lawyer who is also counsel to the Holocaust Art Restitution Project, to explain the problem and its urgency. The most egregious part of this exercise is that those who uphold the rights of claimants including established American Jewish organizations, members of the New York bar, Senators, auction house executives have jeopardized their very right to obtain restitution by signifying their support to this proposed legislation. Obviously, the world would be a simpler place if there were no claims for looted art. But then no one asked the Nazis to come to power in Germany in 1933 and sow racial and political hatred across Europe, robbing, pillaging, enslaving, and massacring millions, including six million Jews.  No one asked the art market to act like imbeciles and pretend that History did not interfere with the ownership of countless objects which appeared as if by miracle on the American art market and acquired them for themselves or for museums. Quite frankly, it is astonishing that we are here today, educated as we are, and still wondering why genocide is not sufficient grounds for ridding American museums, galleries and auction houses of looted art and returning it to the rightful owners. Do we think that the US Senate, in all its wisdom, wishes to put an end to justice, when there is no end to justice for crimes against humanity? True enough, objects are not people, but objects belonged to people and helped define their lives, their culture, their identity. Enough. June 14, 2016 Members of the Senate Subcommittee on Oversight, Agency Action, Federal Rights and Federal Courts (*) 224 Dirksen Senate Office Building Washington, D.C. 20510-6050 Fax: 202-224-9516/ 202-224-9102 Dear Subcommittee members: The Ciric Law Firm, PLLC represents a number of U.S.-based and European-based clients in connection with the recovery of cultural or religious artifact restitution claims, both in the United States and abroad. Some of these clients have hired us for the purpose of representing them in restitution efforts of artworks looted during the Holocaust and others, including Native American tribes which hired us for the purpose of representing them in restitution efforts of artworks looted in the United States after 1945. We also represented Léone Meyer in several legal actions (Meyer v. Bd. of Regents of the Univ. of Oklahoma, No. 13-CIV-3128 (S.D.N.Y. May 9, 2013); Meyer v. Bd. of Regents of the Univ. of Oklahoma, No. 5:15-cv-00403-HE (W.D. Okla. Apr. 15, 2015)) involving the restitution of a painting by Camille Pissarro titled “La Bergère Rentrant des Moutons” (1886), which has been on permanent display at the Fred Jones Jr. Museum of Art at the University of Oklahoma. As you may know, in February 2016, a settlement was reached between the parties involving the restitution of the painting to my client, as well as rotating public display between the Fred Jones Jr. Museum of Art and an art institution located in France. In the absence of this settlement, the Holocaust Expropriated Art Recovery Act of 2016, S. 2763, 114th Cong. (2016) (the “HEAR Act”) would have had a significant impact on the interpretation of the relevant statute of limitation rule in the 10th Circuit, which controls the Western District of Oklahoma, where Meyer v. Bd. of Regents of the Univ. of Oklahoma was filed. Furthermore, the Ciric Law Firm, PLLC represents the Holocaust Art Restitution Project (“HARP”). HARP is a not-for-profit organization that disseminates information to the public and to claimants about cultural property stolen, confiscated, and misappropriated between 1933 and 1945 during the Nazi-era. HARP’s Chairman is Professor Ori Z. Soltes, who teaches at Georgetown University across a range of disciplines, from theology and art history to philosophy and political history. He is the former Director of the B’nai B’rith Klutznick National Jewish Museum in Washington, DC, where he curated exhibitions on a variety of subjects such as archaeology, ethnography, and contemporary art. Professor Soltes has taught, lectured, and curated exhibitions across the U.S. and internationally. He is the author of over 230 articles, exhibition catalogues, essays, and books on a range of topics. Recent books include: The Ashen Rainbow: The Arts and the Holocaust; Our Sacred Signs: How Jewish, Christian and Muslim Art Draw from the Same Source; Searching for Oneness: Mysticism in Judaism, Christianity and Islam; and Untangling the Web: A Thinking Person’s Guide to Why the Middle East is a Mess and Always Has Been. Professor Soltes was also involved in providing the historical research and background information in regard to Egon Schiele’s “Portrait of Wally” case, as well as the restitution of an Odalisque painting by Henri Matisse to the Rosenberg family. We want to congratulate you for a very successful hearing which took place on June 7, 2016, titled ‘Reuniting Victims with Their Lost Heritage,’ which focused on the HEAR Act, which we attended. This bill is not Congress’ first involvement with the Nazi-looted art issue. During the 1990s, the Executive and Legislative Branches of the U.S. Government were concerned with the issue of Nazi- looted artworks finding their way into American Museums. First, the Holocaust Victims Redress Act expressed the "sense of the Congress" that "all governments should undertake good faith efforts to facilitate the return" of Nazi-confiscated property. Pub.L. No. 105-158, § 202, 112 Stat. 15, 17-18 (1998). In addition, during the Clinton Administration, Ambassador Stuart Eizenstat, who was then Under Secretary of State for Economic, Business, and Agricultural Affairs, led the way in urging governments around the world to seek ways to effectuate the policy of identifying art looted by the Nazis and returning it to their rightful owners. In December 1998, following a series of congressional hearings, the U.S. Government had convened a conference of government officials, art experts, museum officials and many other interested parties from around the world in Washington, D.C. to consider and debate the many issues raised by the continuing discovery of Nazi-looted assets, including artworks. The Conference promulgated eleven non-binding principles concerning Nazi-confiscated art, which were adopted by 44 nations. One principle states that pre-War owners and their heirs should be encouraged to come forward to make known their claims to art that was confiscated by the Nazis and not subsequently restituted. U.S. Dep't of State, the Washington Conference on Holocaust Era Assets, Washington Conference Principles on Nazi-Confiscated Art (December 3, 1998) (available at <a href="http://www.state.gov/www/regions/eur/holocaust/heacappen.pdf">http://www.state.gov/www/regions/eur/holocaust/heacappen.pdf</a>). At the same time, the American Association of Museum Directors (“AAMD”) task force drafted its guidelines in the Report of the AAMD Task Force on the Spoliation of Art during the Nazi/World War II Era (1933-1945). In addition, the American Alliance of Museums (formerly American Association of Museums, or “AAM”) formed a working group to begin drafting their guidelines, AAM Guidelines concerning the Unlawful Appropriation of Objects during the Nazi Era, issued in 1999.These AAM guidelines specifically provide that: “Standard research on objects being considered for acquisition should include a request that the sellers, donors or estate executors offering an object provide as much provenance information as they have available, with particular regard to the Nazi era. […] Where the Nazi-era provenance is incomplete or uncertain for a proposed acquisition, the museum should consider what additional research would be prudent or necessary to resolve the Nazi-era provenance status of the object before acquiring it. If credible evidence of unlawful appropriation without subsequent restitution is discovered, the museum should notify the donor, seller or estate executor of the nature of the evidence and should not proceed with acquisition of the object until taking further action to resolve these issues.” Standards Regarding Collections Stewardship (available at <a href="http://aam-us.org/resources/ethics-standards-and-best-practices/characteristics-of-excellence-for-u-s-museums/collections-stewardship">http://aam-us.org/resources/ethics-standards-and-best-practices/characteristics-of-excellence-for-u-s-museums/collections-stewardship</a>) Unfortunately, the June 7th hearings have shown that actions by American museums have been more often than not detrimental to claimants, which is why your intervention continues to be needed. The implications of the HEAR Act are significant to our clients and that is why we request several important changes to S. 2763 from your Subcommittee. In accordance with the instructions given by the Subcommittee’s Chairman, Senator Cruz, to submit comments before the end of the day, June, 14, 2016, we submit to the Subcommittee the drafting changes to the HEAR Act that our clients have requested. These changes are all included in Exhibit A, which shows the requested changes in redline format. These requests for changes assume that no language related to the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, H.R. 889, 114th Cong. (2015-2016), described in paragraph 6 of this letter, is considered, either within the HEAR Act, or through a separate bill introduced in the senate during the 114th Congress as some form of quid pro quo in exchange for the passage of the HEAR Act. 1. Definition of the term “artwork or other cultural property” The current version of the term “artwork or other cultural property” is too narrow and excludes many categories which have been extensively defined and included in other statutes or treaties endorsed by the United States. Therefore, the requested change is the definition of cultural property as articulated in the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, to which the United States is a signatory. Similarly, the definition of “persecution during the Nazi era” is modified to clarify that the persecution would include activities conducted by Nazi Germany or governments that were allies of Nazi Germany, as well as from countries occupied, annexed or controlled by non-Nazi Axis powers, i.e. Japan and Italy. 2. Sunset provision A number of archives in Europe, which are usually under governmental control and subject to specific declassification statutes, and that contain critical information about assets looted during World War II, will not be available for public access and research beyond the proposed sunset date of December 31, 2026. Such examples include restrictive rules regarding declassification of archives in France. In France, declassification rules range anywhere from 25 years to 100 years for archives that are relevant to acts if cultural plunder during the period of German occupation of France during World War II. Documents relevant to national defense secrets involving the disclosure of identifiable individuals are subject to a 100-year disclosure rule. See Loi 2008-696 du 15 juillet 2008 relative aux archives [<a href="https://www.legifrance.gouv.fr/affichTexte.do?cidTexte=JORFTEXT000019198529&categorieLien=id">Law No. 2008-696 of July 15, 2008 regarding archives</a>]. This rule applies to archives related to Vichy Regime leaders who were connected to art-looting activities in France either with or in competition with the Nazis. For instance, archives related to Vichy Prime Minister Laval, whose cabinet bears much of the responsibility for the plunder of Jewish-owned assets including art works, will not become publicly available until 2045 at the earliest. Furthermore, notarial archives that encompass assets included in estates controlled by notaries (“notaires”) between 1939 and 1945 are to be made public only 75 years after the opening of the estate. See Code du patrimoine [Code of national patrimony], <a href="https://www.legifrance.gouv.fr/affichCodeArticle.do?cidTexte=LEGITEXT000006074236&idArticle=LEGIARTI000020566964),%20Art.%20L213-3%20(available%20at%20https://www.legifrance.gouv.fr/affichCodeArticle.do;jsessionid=FB63B880DB8C43C7C88AF9AAE301C3AC.tpdila11v_3?idArticle=LEGIARTI000019202895&cidTexte=LEGITEXT000006074236&dateTexte=20160613&categorieLien=id&oldAction=&nbResultRech=);">Art. L213-2</a> See also Loi contenant organisation du notariat (loi 25 ventôse an XI, 16 mars 1803) [Law describing organisation of the notaries (<a href="https://www.legifrance.gouv.fr/affichTexte.do?cidTexte=LEGITEXT000006070994&dateTexte=20110616">Law of March 16, 1803</a>)] ; See also Décret 79-1037 du 3 décembre 1979 relatif à la compétence des services d'archives publiques et à la coopération entre les administrations pour la collecte, la conservation et la communication des archives publiques [<a href="https://www.legifrance.gouv.fr/affichTexte.do?cidTexte=LEGITEXT000006062951&dateTexte=20090812">Decree 79-1037 of December 3, 1979</a> regarding the ability of governmental services managing public archives and the collboration between agencies for the collection, preservation and commmunication of public archives]; See also <a href="https://www.legifrance.gouv.fr/affichTexte.do?cidTexte=JORFTEXT000019198529&categorieLien=id">Loi 2008-696 du 15 juillet 2008</a> relative aux archives [Law No. 2008-696 of July 15, 2008 regarding archives] ; See also Instruction n°DAF/DPACI/RES/2009/026, 16 décembre 2009 (Circulaire CSN 2009-4 du Conseil Supérieur du Notariat) relatif aux nouvelles dispositions en matière de versement et communication des archives notariales [Instruction n°DAF/DPACI/RES/2009/026 of December 16, 2009 (<a href="http://www.archivesdefrance.culture.gouv.fr/static/3406.">Circular 2009-4 </a>CSN Superior Council of Notaries) regarding new rules for providing and communicating notarial archives]. Thus, most if not all Jewish estates subject to confiscation and that included looted art will not become available until July 31, 2020 at the earliest. Researchers will need a period of five to ten years to research those archives, which means that a reasonable sunset provision must include the disclosure date of those archives plus a ten-year research period. Therefore, we request that the sunset provision coincide with the longest period of disclosure of these archives, augmented by a ten year research period, to allow for the proper records regarding Nazi looted art activities to become available for research and to provide the basis for validly supported claims. Hence, the new requested sunset date indicated in the redline version is December 31, 2045 plus ten years, i.e., December 31, 2055. 3. Preserving the Demand and Refusal Rule (as described in Solomon R. Guggenheim Museum v. Lubell, 77 N.Y.2d 311 (1991)) New York claimants who bring claims involving looted or stolen artworks are subject to a statute of limitation rule determined by common law. The court in Solomon R. Guggenheim Museum v. Lubell, 77 N.Y.2d 311 (1991), applied this rule and discussed its importance in claims relating to artwork and New York’s strong public policy interest in ensuring that New York does not became a haven for trafficking in stolen cultural property. A similar policy was described in DeWeerth v. Baldinger, 836 F. 2d 103 (2nd Cir. 1987). In New York, the statute of limitations for conversion is three years, and the statute of limitations for a claim seeking replevin (the recovery of the specific property, rather than money damages for conversion) is keyed to the conversion’s time limit. In Guggenheim, the Court of Appeals held that, in a claim seeking to recover misappropriated property, the statute of limitations for conversion and replevin only starts to run when the owner makes a demand which is refused, unless a demand would have been futile. The demand and refusal rule had been set forth in earlier New York cases, but Guggenheim reiterated it along with a discussion of its importance in claims relating to artwork in view of New York’s strong public policy interest in ensuring that New York does not become a haven for trafficking in stolen cultural property. Claimants in “demand and refusal” jurisdictions are going to lose their ability to bring cases based on the statute of limitation grounds if there is a six-years-from-discovery rule, instead of three-years-from-demand-and-refusal rule. This change will have a “real-life” impact on several of our clients. For instance, we currently represent a European client who has claims for objects transported through New York against a Museum institution in the United States, as well as a client who has potential claims for an object located in a major New York art museum. Both of these clients’ claims would be directly threatened under the new statute of limitations rule defined in the HEAR Act. However, both of these clients would be able to bring their claims under the current Guggenheim rule. For this reason, we request that the bill include language excluding any forum where the statute of limitation rule would be controlled by Solomon R. Guggenheim Museum v. Lubell, 77 N.Y.2d 311 (1991) or by DeWeerth v. Baldinger, 836 F. 2d 103 (2nd Cir. 1987). We believe that this drafting is clearer than language mentioning “any applicable State statute of limitations […] more favorable to the claimant,” as such an approach is likely to introduce uncertainty for a judge as to which criteria to adopt to consider a more favorable statute of limitations. 4. The HEAR Act’s sunset provision may be used by defendants to eliminate any claim in New York after 2026 As written, the HEAR Act expires on December 31, 2026. If a claimant files a claim after this date in New York or in another jurisdiction that relies on the statute of limitation rule defined in New York, it is almost certain that defendants will challenge this claim as negatively affected by the legislative history of the HEAR Act, which already includes the statement made by Senator Cornyn during the hearings that “the ability to find art is better now and claimants should be given a chance, but that chance should not last forever.” Therefore, we request that Section 5 of the bill restate that, upon the expiration of this Act on December 31, 2055, all statute of limitation rules in existence prior to the enactment of this Act shall remain in effect, and that, after December 31, 2055, a claimant not be barred from bringing a claim or cause of action under the statute of limitation rules in existence prior to the enactment of this Act. If this is what the Subcommittee meant, but did not confirm during the hearings, then I am sure that the Subcommittee members will not mind reiterating that position in the proposed bill. 5. Laches defense During the hearings, all committee members confirmed that the goal of the HEAR Act was to ensure that plaintiffs would be able to present their case on the merits rather than having to deflect so-called technical defenses. Defendants in Nazi-looted art cases routinely raise the laches defense, based on the notions that a plaintiff’s claim may be barred when “(1) there has been an unreasonable delay in asserting the claim, and (2) the defendant was materially prejudiced by that delay.” See Hutchinson v. Pfeil, 105 F.3d 562, 564 (10th Cir. 1997). As most witnesses testified during the hearings, it is ludicrous to argue that plaintiffs in Nazi-looted art cases routinely entertain “unreasonable delays” in asserting their claims, since archives are by design frequently unavailable, and have only been recently made available through digitization efforts. Furthermore, any museum can argue that it was prejudiced by the delay in asserting a claim, since it risks losing significant works in its collection, even though a museum defendant may never have complied with the codes of ethics issued by AAM or by AAMD, whereby member museums are required to perform proper due diligence and provenance research. Since the laches defense can be applied on a discretionary basis by a judge regardless of the statute of limitations defense, and in fact defeat the congressional intent to entertain claims on the merits by simply applying the laches defense to any case, it remains critical to achieve the legislative intent of the bill to clearly eliminate the laches defense. Therefore, we request that the HEAR Act specifically bar defendants from invoking the laches defense until the sunset provision kicks in. 6. The negative impact of the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act’s inclusion in the HEAR Act We understand that several senators, including Senator Hatch, may intend to include the language of the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, S. 2212/H.R. 4086, 112th Cong. (2012), H.R. 4292, 113th Cong. (2013), H.R. 889, 114th Cong. (2015-2016) into the HEAR Act or attempt to pass a Senate version of the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, H.R. 889, 114th Cong. (2015-2016) before the end of the 114th Congress. In the event of such a development, this firm and all of our clients shall withdraw any support for the HEAR Act, but will also publicly oppose the resulting bill. Significant and widespread opposition arose after the introduction of each iteration of the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, S. 2212/H.R. 4086, 112th Cong. (2012), H.R. 4292, 113th Cong. (2013), H.R. 889, 114th Cong. (2015-2016). For your information, we are attaching in Exhibit B the main objections to this bill when it was presented before the House of Representatives pertaining to H.R. 4292. Since the repeated defeats of S. 2212/H.R. 4086 and H.R. 4292, two new developments will render the passage of a senate version of H.R. 889 significantly problematic, in fact absurd, especially if its passage in Congress were to be tied directly or indirectly to the passage of the HEAR Act. - First, under Protect and Preserve International Cultural Property Act, Pub. L. No. 114-151 (H.R.1493, 114th Cong. (2015)(enacted)), the executive branch has the power to apply “import restrictions with respect to any archaeological or ethnological material of Syria.” Imagine the following hypothesis: an archeological object illicitly extracted from Syria and sold to an American collector is blocked at the border under Pub. L. No. 114-151. On the same day, an archeological object illicitly extracted from Syria UNDER THE SAME CIRCUMSTANCES, but sold instead to a European collector who then donates it to a European Museum organizing a temporary exhibit in the U.S., would not only be protected from any seizure, but could not be the subject of any claim in the U.S. if H.R. 889 becomes law. - Second, this firm represents the Hopi tribe in its quest to seek the restitution of its religious artifacts currently being sold at auction in France. As you also know, these religious artifacts cannot be extracted from tribal land, exchanged, sold or otherwise transferred without the consent of the tribes. See Antiquities Act of 1906, 16 U.S.C. §§ 431-433 (2014); Archaeological Resources Protection Act of 1979, 16 U.S.C. §§ 470aa-470cc (2014); Native American Graves Protection and Repatriation Act of 1990, 25 U.S.C. §§ 3001-3002 (2014); Arizona Antiquities Act of 1960, Ariz. Rev. Stat. Ann. § 41-841-41-844 (2014). Imagine the following hypothesis: a tribal religious object is illicitly extracted from tribal land, sold in France to a private collector who sought to import it back to the U.S. That individual would be subject to prosecution under the provisions indicated above. See also United States v. Corrow, 119 F.3d 796, 804 (10th Cir. 1997); United States v. Tidwell, 191 F.3d 976, 981 (9th Cir.1999). The same day, a tribal religious object--illicitly extracted from tribal land UNDER THE SAME CIRCUMSTANCES, but sold instead to a French collector who then donated it to a European Museum organizing a temporary exhibit in the U.S.--would be not only protected from any seizure, but could not be the subject of any claim in the U.S. if H.R. 889 were to become law. The Hopi tribe would have to face the humiliation of being barred from making any claim while their religious object was ON AMERICAN SOIL. It goes without saying that, should the HEAR Act, including or incorporating any language related to H.R. 889, make any progress in Congress, or should any bill similar to H.R. 889 be considered during the 114th Congress as a result of any direct or indirect quid pro quo between H.R. 889 and S. 2673, it will constitute a material fact which may impact the support or position of any witness who testified during the June 7th hearings. Furthermore, such a material development will encounter, not only the same opposition from groups that came forward in 2012, but will probably garner significant additional opposition from other groups such as archeologists who supported H.R.1493, as well as from indigenous groups and American tribes, who are significantly frustrated by the lack of response from the U.S. Department of the Interior and the U.S. Department of Justice regarding the French auction sales of their tribal objects. We reiterate our strong objection to H.R. 889-related language, either through the HEAR Act or through a separate bill introduced in the senate during the 114th Congress. If you have any questions please let me know. Thank you in advance for your support. Sincerely yours, ____________________________________________ Pierre Ciric Member of the Firm Cc: Ori Z. Soltes Director, Holocaust Art Restitution Project, Inc. c/o 5114 Westridge Road Bethesda, MD 20816-1623 By e-mail: <a href="mailto:orisoltes@aol.com">orisoltes@aol.com</a> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Ryan Newman</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: Ryan_Newman@judiciary-rep.senate.gov</div> <div class="MsoNormal" style="mso-pagination: widow-orphan lines-together; page-break-after: avoid;"> </div> <div class="MsoNormal" style="margin-left: 35.45pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"> U.S. Senate Subcommittee on Oversight, Agency Action, Federal Rights and Federal Courts (*):</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Chuck Grassley</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> 135 Hart Senate Office Building </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 224-6020</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Jill Kozeny</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: jill_kozeny@grassley.senate.gov</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Orrin G. Hatch</div> <div class="Default" style="text-indent: 35.45pt;"> Washington DC Office </div> <div class="Default" style="text-indent: 35.45pt;"> 104 Hart Office Building </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 224-6331 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Robert Porter</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: rob_porter@hatch.senate.gov</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Jeff Sessions</div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> 326 Russell Senate Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 224-3149 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: .5in;"> Rick Dearborn</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: .5in;"> By e-mail: rick_dearborn@sessions.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Lindsey Graham</div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> 290 Russell Senate Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 224-3808 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Richard Perry </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: richard_perry@lgraham.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Mike Lee</div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> 361A Russell Senate Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-1168</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Allyson Bell </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: allyson_bell@lee.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Ted Cruz</div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> 404 Russell Senate Office Building</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-0755</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Paul Teller </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: paul_teller@cruz.senate.gov</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Jeff Flake </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Senate Russell Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> 413 Washington, D.C. 20510 </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> F: (202) 228-0515 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Chandler Morse</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: chandler_morse@flake.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> David Vitter </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> 516 Hart Senate Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: 35.45pt;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-5061 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Luke Bolar </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: Luke_Bolar@vitter.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Dianne Feinstein </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> 331 Hart Senate Office Bldg. </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-3954 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Jennifer Duck</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: <a href="mailto:jennifer_duck@feinstein.senate.gov">jennifer_duck@feinstein.senate.gov</a>, j_duck@feinstein.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Chuck Schumer </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office</div> <div class="Default" style="text-indent: 35.45pt;"> 322 Hart Senate Office Building </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-3027</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Mike Lynch</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: mike_lynch@schumer.senate.gov</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Dick Durbin</div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> 711 Hart Senate Building </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-0400 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Pat Souders</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: pat_souders@durbin.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Sheldon Whitehouse</div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> Hart Senate Office Bldg. Room 530 </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, DC, 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-6362</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Sam Goodstein</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: sam_goodstein@whitehouse.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Amy Klobuchar </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> 302 Hart Senate Office Building </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-2186 </div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Elizabeth Peluso</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: elizabeth_peluso@klobuchar.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Christopher Coons</div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> 127A Russell Senate Office Building </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax: (202) 228-3075</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: 35.45pt;"> Adam Bramwell</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: 35.45pt;"> By e-mail: adam_bramwell@coons.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Richard Blumenthal</div> <div class="Default" style="text-indent: 35.45pt;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: 35.45pt;"> 706 Hart Senate Office Bldg. </div> <div class="Default" style="text-indent: 35.45pt;"> Washington, DC, 20510 </div> <div class="MsoNormal" style="margin-left: 35.45pt;"> Fax (202) 224-9673</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Laurie Rubiner</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> By e-mail: Iaurie_rubiner@blumenthal.senate.gov</div> <div class="MsoNormal" style="margin-left: .5in; mso-pagination: widow-orphan lines-together; page-break-after: avoid;"> </div> <div class="MsoNormal" style="margin-left: .5in; mso-pagination: widow-orphan lines-together; page-break-after: avoid;"> U.S. Senate Committee on the Judiciary (**):</div> <div class="MsoNormal" style="margin-left: .5in; mso-pagination: widow-orphan lines-together; page-break-after: avoid;"> </div> <div class="MsoNormal" style="text-indent: .5in;"> John Cornyn </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> 517 Hart Senate Office Bldg. </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> Washington, DC 20510 </div> <div class="MsoNormal" style="text-indent: .5in;"> Fax: (202) 228-2856</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: .5in;"> Beth Jafari </div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: .5in;"> By e-mail: Beth_Jafari@Cornyn.senate.gov</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="margin-left: .5in;"> David Perdue </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> 383 Russell Senate Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: .5in;"> Fax: (202) 228-1031</div> <div class="MsoNormal" style="margin-left: .5in;"> </div> <div class="MsoNormal" style="text-indent: .5in;"> Derrick Dickey</div> <div class="MsoNormal" style="text-indent: .5in;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: .5in;"> By e-mail: derrick_dickey@perdue.senate.gov</div> <div class="MsoNormal" style="margin-left: .5in;"> </div> <div class="MsoNormal" style="margin-left: .5in;"> Thom Tillis</div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> Washington, D.C. Office </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> 185 Dirksen Senate Office Building </div> <div class="MsoNormal" style="mso-layout-grid-align: none; text-autospace: none; text-indent: .5in;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: .5in;"> Fax: (202) 228-2563</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: .5in;"> Ray Starling</div> <div class="MsoNormal" style="text-indent: .5in;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: .5in;"> By e-mail: Ray_starling@tillis.senate.gov</div> <div class="MsoNormal" style="margin-left: .5in;"> </div> <div class="MsoNormal" style="margin-left: .5in;"> Patrick Leahy</div> <div class="Default" style="text-indent: .5in;"> Washington, D.C. Office </div> <div class="Default" style="text-indent: .5in;"> 437 Russell Senate Office Building </div> <div class="Default" style="text-indent: .5in;"> Washington, D.C. 20510 </div> <div class="MsoNormal" style="margin-left: .5in;"> Fax: (202) 224-3479</div> <div class="MsoNormal" style="margin-left: .5in;"> </div> <div class="Default" style="text-indent: .5in;"> John Dowd</div> <div class="Default" style="text-indent: .5in;"> Chief of Staff</div> <div class="Default" style="text-indent: .5in;"> By e-mail: John_Dowd@leahy.senate.go</div> <div class="Default"> </div> <div class="MsoNormal" style="margin-left: .5in;"> Al Franken</div> <div class="Default" style="text-indent: .5in;"> Washington, D.C. District Office </div> <div class="Default" style="text-indent: .5in;"> 309 Hart Senate Office Building </div> <div class="Default" style="text-indent: .5in;"> Washington, DC 20510 </div> <div class="MsoNormal" style="margin-left: .5in; mso-pagination: widow-orphan lines-together; page-break-after: avoid;"> Fax: (202) 224-0044</div> <div class="MsoNormal"> </div> <div class="MsoNormal" style="text-indent: .5in;"> Casey Aden Wansbury</div> <div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 35.45pt;"> Chief of Staff</div> <div class="MsoNormal" style="text-indent: .5in;"> By e-mail: casey_aden-wansbury@franken.senate.gov</div> <div class="MsoNormal" style="margin-left: 35.45pt;"> </div> <div class="MsoNormal" style="margin-left: .5in; mso-pagination: widow-orphan lines-together; page-break-after: avoid;"> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line 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<div class='sidebar section' id='sidebar-right-1'><div class='widget BlogSearch' data-version='1' id='BlogSearch1'> <h2 class='title'>Search</h2> <div class='widget-content'> <div id='BlogSearch1_form'> <form action='https://plundered-art.blogspot.com/search' class='gsc-search-box' target='_top'> <table cellpadding='0' cellspacing='0' class='gsc-search-box'> <tbody> <tr> <td class='gsc-input'> <input autocomplete='off' class='gsc-input' name='q' size='10' title='search' type='text' value=''/> </td> <td class='gsc-search-button'> <input class='gsc-search-button' title='search' type='submit' value='Search'/> </td> </tr> </tbody> </table> </form> </div> </div> <div class='clear'></div> </div><div class='widget Profile' data-version='1' id='Profile1'> <h2>About Me</h2> <div class='widget-content'> <dl class='profile-datablock'> <dt class='profile-data'> <a class='profile-name-link g-profile' href='https://www.blogger.com/profile/03190272299610799123' rel='author' style='background-image: url(//www.blogger.com/img/logo-16.png);'> plundered art </a> </dt> </dl> <a class='profile-link' href='https://www.blogger.com/profile/03190272299610799123' rel='author'>View my complete profile</a> <div class='clear'></div> </div> </div><div class='widget PopularPosts' data-version='1' id='PopularPosts1'> <h2>Popular Posts</h2> <div class='widget-content popular-posts'> <ul> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2011/08/jacopo-zucchi-bath-of-bathsheba-or-how.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU0xZFsgqZInIGKdP9R3oVbqJQF2HU7uzBbUmkOXY7JVvKn1B_rY3XLIqEPoU4pXWK5zHyWBMEpYTMO_NGew8L6bXT9kO1CjkHI9y81yBDb_nU-Z6FjtCXrJZyDS1gzgn6X_XeZjvZeIGT/w72-h72-p-k-no-nu/Zucchi_Bathsheba.jpg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2011/08/jacopo-zucchi-bath-of-bathsheba-or-how.html'>Jacopo Zucchi, “The Bath of Bathsheba”: or how pieces of a story build a new story about the same story ex post facto</a></div> <div class='item-snippet'> "The Bath of Bethsheba", Jacopo Zuchhi Source: Lib-Art In late July 1998, a painting by Jacopo Zucchi, “The Bath of Bathsheb...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2013/02/angelus-novus-angel-of-history-by-paul.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHFby21uWyMFJ_QUwu8V2t6yvufmLhodSpnyn05qN2JZvIki-sT-vObbOXvwB8IQDBRi6ToUH5_UGgi2NcvkRxrWcicB9PK5cW8xJzAsYMyEWtA5UAoIU3hn8AV7cVCiwvtZkt_n0xq9DO/w72-h72-p-k-no-nu/klee.jpg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2013/02/angelus-novus-angel-of-history-by-paul.html'>Angelus Novus, Angel of History, by Paul Klee</a></div> <div class='item-snippet'> by Marc Masurovsky Paul Klee Source: Wikipedia Interesting destiny for the watercolor, “Angelus Novus”, a critical early work by Swis...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2012/01/red-horses-by-franz-marc.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBdV2ghWPgzPliBwLWIPYmiIleA4pRxiGsTVn5f2xkwM8lEQ7C7lcFI3TSNmGjB3-nf1hRKzXI82HrdA9fCtlIjmCjfXZHTDR1zjYEPsiKXdMLApQExL6ECgTFXOL5qYOdz0X3-yQLaIvL/w72-h72-p-k-no-nu/redhorses.jpg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2012/01/red-horses-by-franz-marc.html'>"The Red Horses" by Franz Marc</a></div> <div class='item-snippet'> The saga continues pertaining to the so-called “degenerate” works of art de-accessioned from German State collections. Unless otherwise st...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2015/03/rwanda-art-in-post-genocide-society.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2_rntcxaGGJYCf0mRaE-ZrS7K0Vz1GmuUCDKfSV-OT5CgqnRGHdRDGDzppHTLOMTCTJkC39QETxQYDtOtsKgEBdudmCyMHVkhicnejZ7wX9rIHDb95xzSAP8qpwJUndJcZjpREkDj9gE/w72-h72-p-k-no-nu/DSC00239.JPG'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2015/03/rwanda-art-in-post-genocide-society.html'>Rwanda: Art in a post-genocide society</a></div> <div class='item-snippet'>by Marc Masurovsky By all accounts, there is no reason why artistic activity should have even found a haven in a society where half of the m...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2015/04/the-art-dealer-lantiquaire-by-francois.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtR3rdYNADfCe3pevE7WALhCS58eKULzxS2hH9H9icLCpYIqeQGshhikeAkEA1jFHgUdqhFcV09XQ9yIKVVqNnUHPCv0XT1aCpnjH0fxAZRPahLuYAIFVAkEiy9HP2nx_EshJHVCLOFBc/w72-h72-p-k-no-nu/anna-sigalevitch-996369l-80x0-wtm-4ff028ed.jpg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2015/04/the-art-dealer-lantiquaire-by-francois.html'>The Art Dealer (L'Antiquaire), by François Margolin</a></div> <div class='item-snippet'>by Marc Masurovsky Why is it that history cannot be told factually on film? Is there something about the creative process that impels so-cal...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-title'><a href='https://plundered-art.blogspot.com/2016/12/the-us-department-of-state-is.html'>The U.S. Department of State Is Structurally Unable To Perform Appropriate Provenance Research On Immunity From Seizure Applications Submitted By Foreign Museums </a></div> <div class='item-snippet'>by Marc Masurovsky and Pierre Ciric [1] The Holocaust Art Restitution project (“HARP”) initiated research into the State Department’s abili...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2011/07/nazi-plunderer-bruno-lohse-gets.html' target='_blank'> <img alt='' border='0' src='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_snQrkjSYH94Lq18cdkh-Y18PG-F_Awi0_td1uj5deHzkYYa5ETQTlWvwin6GMHZVR0c_9trb0MY6K_wAH4zULwLGKjein8qxqnX4kDoOOgrNHbbwTa2I0H6fAwIZMldmWCZ2ZcgW6z=w72-h72-p-k-no-nu'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2011/07/nazi-plunderer-bruno-lohse-gets.html'>Nazi plunderer Bruno Lohse gets a posthumous rewrite</a></div> <div class='item-snippet'> Bruno Lohse Source: Jewish Museum Berlin When SS Captain Bruno Lohse died on March 21, 2007, he left behind him a small treasure of F...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2011/06/van-goghs-1889-depiction-of-his.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPcjf-aP5qF7jm-cL8noRkLi7YoWsy4VbLKBRiOEEmDhaT0hWDDRpMzO_dJubX490Epw3kf_ARSAEO_Dc4cbh_rSyZ12A_kwuU6Ziu5rqsnNsNF7sGkRyu7ozdsUwitfGP7ABChB4w2Phq/w72-h72-p-k-no-nu/Vangogh.jpg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2011/06/van-goghs-1889-depiction-of-his.html'>Van Gogh's 1889 depiction of his mutilated self smoking a pipe--PR 144</a></div> <div class='item-snippet'> In a catalogue of works from the private collection of Mary and Leigh Block of Chicago, IL, the first painting that one sees is an iconi...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-title'><a href='https://plundered-art.blogspot.com/2016/06/the-american-museums-us-senate-and-art.html'>The American museums, the US Senate and the art market vs. Claimants</a></div> <div class='item-snippet'>by Marc Masurovsky It's hard to believe that we have reached this point again. The US Senate and its friends in the art market and i...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2016/10/silences-that-are-hardly-golden.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwknt7oPr8MIvQH1HukxT5AeA81V3JiwLLU7ZOrqG8tFaEvHlJkO6ZJb7u1vIi7WEKMVcstdEWNPo2osAK_S4Cu9WILnT4cBWf3kFYWoMhkKPf9trNxlNOlh9mTUQYQcRj6gDYAGtgDGM/w72-h72-p-k-no-nu/Unknown.jpeg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2016/10/silences-that-are-hardly-golden.html'>Silences that are Hardly Golden</a></div> <div class='item-snippet'> by Ori Z Soltes edited by Marc Masurovsky With the untimely passing of Elie Wiesel, my mind wanders back to issues that, over the years,...</div> </div> <div style='clear: both;'></div> </li> </ul> <div class='clear'></div> </div> </div><div class='widget BlogList' 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