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Zellij - Wikipedia
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class="mw-empty-elt"> </p> <p><b>Zellij</b> (<a href="/wiki/Arabic_language" class="mw-redirect" title="Arabic language">Arabic</a>: <span lang="ar" dir="rtl">زليج</span>, <small><a href="/wiki/Romanization_of_Arabic" title="Romanization of Arabic">romanized</a>: </small><span title="Arabic-language romanization"><i lang="ar-Latn">zillīj</i></span>), also spelled <b>zillij</b> or <b>zellige</b>, is a style of <a href="/wiki/Mosaic" title="Mosaic">mosaic</a> tilework made from individually hand-chiseled <a href="/wiki/Tile" title="Tile">tile</a> pieces.<sup id="cite_ref-:022_1-0" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 335">: 335 </span></sup><sup id="cite_ref-:122_2-0" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 41">: 41 </span></sup><sup id="cite_ref-:8_3-0" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 166">: 166 </span></sup> The pieces were typically of different colours and fitted together to form various patterns on the basis of <a href="/wiki/Tessellation" title="Tessellation">tessellations</a>, most notably elaborate <a href="/wiki/Islamic_geometric_motifs" class="mw-redirect" title="Islamic geometric motifs">Islamic geometric motifs</a> such as radiating star patterns composed of various <a href="/wiki/Polygon" title="Polygon">polygons</a>.<sup id="cite_ref-:022_1-1" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:1323_4-0" class="reference"><a href="#cite_note-:1323-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-BloomBlair2009_5-0" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:2_6-0" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> This form of <a href="/wiki/Islamic_art" title="Islamic art">Islamic art</a> is one of the main characteristics of <a href="/wiki/Moorish_architecture" title="Moorish architecture">architecture in the western Islamic world</a>. It is found in the <a href="/wiki/Architecture_of_Morocco" class="mw-redirect" title="Architecture of Morocco">architecture of Morocco</a>, the <a href="/wiki/Architecture_of_Algeria" title="Architecture of Algeria">architecture of Algeria</a>, early Islamic <a href="/wiki/Architecture_of_Tunisia" title="Architecture of Tunisia">sites in Tunisia</a>, and in the historic monuments of <a href="/wiki/Al-Andalus" title="Al-Andalus">al-Andalus</a> (in the <a href="/wiki/Iberian_Peninsula" title="Iberian Peninsula">Iberian Peninsula</a>). From the 14th century onwards, <i>zellij</i> became a standard decorative element along lower walls, in fountains and pools, on <a href="/wiki/Minaret" title="Minaret">minarets</a>, and for the paving of floors.<sup id="cite_ref-:022_1-2" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-BloomBlair2009_5-1" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/220px-%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/330px-%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/35/%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/440px-%D9%86%D8%B8%D8%B1%D8%A9_%D9%85%D9%82%D8%B1%D8%A8%D8%A9_%D9%84%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg 2x" data-file-width="2448" data-file-height="3264"></a><figcaption>A wall covered in <i>zellīj</i> at the <a href="/wiki/Ben_Youssef_Madrasa" title="Ben Youssef Madrasa">Ben Youssef Madrasa</a> in Marrakesh</figcaption></figure> <p>After the 15th century the traditional mosaic <i>zellij</i> fell out of fashion in most countries except for Morocco, where it continues to be produced today.<sup id="cite_ref-:022_1-3" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 414–415">: 414–415 </span></sup> <i>Zellij</i> is found in modern buildings making use of traditional designs such as the <a href="/wiki/Hassan_II_Mosque" title="Hassan II Mosque">Hassan II Mosque</a> in <a href="/wiki/Casablanca" title="Casablanca">Casablanca</a> which adds a new color palette with traditional designs.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The influence of <i>zellij</i> patterns was also evident in <a href="/wiki/Spain" title="Spain">Spanish</a> tiles produced during the <a href="/wiki/Renaissance" title="Renaissance">Renaissance</a> period and is seen in some modern imitations painted on square tiles.<sup id="cite_ref-:7_8-0" class="reference"><a href="#cite_note-:7-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 102">: 102 </span></sup><sup id="cite_ref-:122_2-1" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 41">: 41 </span></sup> </p> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Name"><span class="tocnumber">1</span> <span class="toctext">Name</span></a></li> <li class="toclevel-1 tocsection-2"><a href="#History"><span class="tocnumber">2</span> <span class="toctext">History</span></a> <ul> <li class="toclevel-2 tocsection-3"><a href="#Origins_(10th_to_13th_centuries)"><span class="tocnumber">2.1</span> <span class="toctext">Origins (10th to 13th centuries)</span></a></li> <li class="toclevel-2 tocsection-4"><a href="#Generalization_across_the_region_(14th_to_15th_centuries)"><span class="tocnumber">2.2</span> <span class="toctext">Generalization across the region (14th to 15th centuries)</span></a></li> <li class="toclevel-2 tocsection-5"><a href="#Later_history_(16th_century_and_after)"><span class="tocnumber">2.3</span> <span class="toctext">Later history (16th century and after)</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-6"><a href="#Fabrication"><span class="tocnumber">3</span> <span class="toctext">Fabrication</span></a></li> <li class="toclevel-1 tocsection-7"><a href="#Forms_and_patterns"><span class="tocnumber">4</span> <span class="toctext">Forms and patterns</span></a></li> <li class="toclevel-1 tocsection-8"><a href="#Clays"><span class="tocnumber">5</span> <span class="toctext">Clays</span></a></li> <li class="toclevel-1 tocsection-9"><a href="#Zellij_craftsmen"><span class="tocnumber">6</span> <span class="toctext"><i>Zellij</i> craftsmen</span></a></li> <li class="toclevel-1 tocsection-10"><a href="#See_also"><span class="tocnumber">7</span> <span class="toctext">See also</span></a></li> <li class="toclevel-1 tocsection-11"><a href="#Notes"><span class="tocnumber">8</span> <span class="toctext">Notes</span></a></li> <li class="toclevel-1 tocsection-12"><a href="#References"><span class="tocnumber">9</span> <span class="toctext">References</span></a></li> <li class="toclevel-1 tocsection-13"><a href="#Further_reading"><span class="tocnumber">10</span> <span class="toctext">Further reading</span></a></li> <li class="toclevel-1 tocsection-14"><a href="#External_links"><span class="tocnumber">11</span> <span class="toctext">External links</span></a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Name">Name</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=1" title="Edit section: Name" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <p>The word <i>zillīj</i> (<span title="Arabic-language text"><span lang="ar" dir="rtl">زليج</span></span>) is derived from the verb <i>zalaja</i> (<span title="Arabic-language text"><span lang="ar" dir="rtl">زَلَجَ</span></span>) meaning "to slide,"<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> in reference to the smooth, glazed surface of the tiles. The word <i><a href="/wiki/Azulejo" title="Azulejo">azulejo</a></i> in <a href="/wiki/Portuguese_language" title="Portuguese language">Portuguese</a> and <a href="/wiki/Spanish_language" title="Spanish language">Spanish</a>, referring to a style of painted tile in Portugal and Spain, derives from the word <i>zillīj.</i><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> In Spain, the mosaic tile technique used in historical Islamic monuments like the <a href="/wiki/Alhambra" title="Alhambra">Alhambra</a> is also referred to as <i>alicatado</i>, a Spanish word deriving from the Arabic verb <i>qata'a</i> (<span title="Arabic-language text"><span lang="ar" dir="rtl">ﻗَﻄَﻊَ</span></span>) meaning "to cut".<sup id="cite_ref-:15_12-0" class="reference"><a href="#cite_note-:15-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:8_3-1" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 166">: 166 </span></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="History">History</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=2" title="Edit section: History" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-2 collapsible-block" id="mf-section-2"> <div class="mw-heading mw-heading3"><h3 id="Origins_(10th_to_13th_centuries)"><span id="Origins_.2810th_to_13th_centuries.29"></span>Origins (10th to 13th centuries)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=3" title="Edit section: Origins (10th to 13th centuries)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/10/Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg/170px-Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg" decoding="async" width="170" height="238" class="mw-file-element" data-file-width="4000" data-file-height="5600"></noscript><span class="lazy-image-placeholder" style="width: 170px;height: 238px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/10/Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg/170px-Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg" data-width="170" data-height="238" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/10/Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg/255px-Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/10/Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg/340px-Panneau_de_mosa%C3%AFque_en_fa%C3%AFence_Kal%C3%A2a_des_B%C3%A9ni_Hammad.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Mosaic tiling from the <a href="/wiki/Qal%27at_Bani_Hammad" title="Qal'at Bani Hammad">Qal'at Bani Hammad</a> (present-day Algeria), 11th century</figcaption></figure> <p><i>Zellij</i> fragments from <a href="/wiki/Mansouria,_Tunisia" title="Mansouria, Tunisia">al-Mansuriyya</a> (Sabra) in <a href="/wiki/Tunisia" title="Tunisia">Tunisia</a>, possibly dating from either the mid-10th century <a href="/wiki/Fatimid_Caliphate" title="Fatimid Caliphate">Fatimid</a> foundation or from the mid-11th <a href="/wiki/Zirid_dynasty" title="Zirid dynasty">Zirid</a> occupation, suggest that the technique may have developed in the western Islamic world around this period.<sup id="cite_ref-BloomBlair2009_5-2" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Georges_Mar%C3%A7ais" title="Georges Marçais">Georges Marçais</a> argued that these fragments, along with similar decoration found at <a href="/wiki/Mahdia" title="Mahdia">Mahdia</a>, indicate that the technique likely originated in <a href="/wiki/Ifriqiya" title="Ifriqiya">Ifriqiya</a> and was subsequently exported further west.<sup id="cite_ref-:022_1-4" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 99, 335">: 99, 335 </span></sup> It was probably inspired or derived from <a href="/wiki/Byzantine_mosaics" title="Byzantine mosaics">Byzantine mosaics</a> and then adapted by Muslim craftsmen for <a href="/wiki/Faience" title="Faience">faience</a> tiles.<sup id="cite_ref-:1323_4-1" class="reference"><a href="#cite_note-:1323-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:2_6-1" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 28">: 28 </span></sup> </p><p>By the 11th century, the <i>zellij</i> technique had reached a sophisticated level in the western Islamic world, as attested in the elaborate pavements found at the <a href="/wiki/Hammadid_dynasty" title="Hammadid dynasty">Hammadid</a> capital, <a href="/wiki/Qal%27at_Bani_Hammad" title="Qal'at Bani Hammad">Qal'at Bani Hammad</a>, in <a href="/wiki/Algeria" title="Algeria">Algeria</a>.<sup id="cite_ref-BloomBlair2009_5-3" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Modern excavations here have uncovered a series of interlocking tiles including cross-shaped <a href="/wiki/Lustreware" title="Lustreware">lustre-painted</a> tiles and eight-pointed star-shaped tiles of <a href="/wiki/Monochrome" title="Monochrome">monochrome</a> green or turquoise. Found in palaces built between 1068 and 1091, these might be attributable to Ifriqiyan craftsmen who fled the <a href="/wiki/Hilalian_invasion_of_Ifriqiya" title="Hilalian invasion of Ifriqiya">Banu Hilal invasions</a> to the east and sought refuge with the Hammadids around this time,<sup id="cite_ref-:10_13-0" class="reference"><a href="#cite_note-:10-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> though the lustre tiles may have been imported from elsewhere.<sup id="cite_ref-:8_3-2" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 93">: 93 </span></sup> In general, the Hammadid palaces made greater use of <a href="/wiki/Ceramic_glaze" title="Ceramic glaze">glazed</a> ceramic architectural decoration than earlier <a href="/wiki/Islamic_architecture" title="Islamic architecture">Islamic architecture</a> and may have played a role in promoting this architectural fashion to the rest of the western Islamic lands.<sup id="cite_ref-:10_13-1" class="reference"><a href="#cite_note-:10-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Morocco_-_Marrakech_-_mosque_tiles_(49131613737).jpg" class="mw-file-description"><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg/220px-Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg" decoding="async" width="220" height="147" class="mw-file-element" data-file-width="4280" data-file-height="2862"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 147px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg/220px-Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg" data-alt="" data-width="220" data-height="147" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg/330px-Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg/440px-Morocco_-_Marrakech_-_mosque_tiles_%2849131613737%29.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Tile decoration on the upper part of the minaret of the <a href="/wiki/Kasbah_Mosque_(Marrakesh)" class="mw-redirect" title="Kasbah Mosque (Marrakesh)">Kasbah Mosque</a> in <a href="/wiki/Marrakesh" title="Marrakesh">Marrakesh</a> (modern restoration of original 12th-century tiles)</figcaption></figure> <p>During the subsequent <a href="/wiki/Almohad_Caliphate" title="Almohad Caliphate">Almohad</a> period, prominent bands of ceramic decoration in green and white were already features on the minarets of the <a href="/wiki/Kutubiyya_Mosque" title="Kutubiyya Mosque">Kutubiyya Mosque</a> and the <a href="/wiki/Kasbah_Mosque_(Marrakesh)" class="mw-redirect" title="Kasbah Mosque (Marrakesh)">Kasbah Mosque</a> of <a href="/wiki/Marrakesh" title="Marrakesh">Marrakesh</a>. Relatively simple in design, they may have reflected artistic influences from <a href="/wiki/Sanhaja" title="Sanhaja">Sanhaja Berber</a> culture.<sup id="cite_ref-:022_1-5" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 231">: 231 </span></sup> <a href="/wiki/Jonathan_Bloom" class="mw-redirect" title="Jonathan Bloom">Jonathan Bloom</a> cites the glazed tiles on the minaret of the Kutubiyya Mosque, dating from the mid-12th century, as the earliest reliably-dated example of <i>zellij</i> in <a href="/wiki/Morocco" title="Morocco">Morocco</a>.<sup id="cite_ref-:06_14-0" class="reference"><a href="#cite_note-:06-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 26">: 26 </span></sup> The individual tile pieces are large, allowing the pattern to be visible from afar. Each piece was pierced with a small hole prior to being baked so that the tiles could be affixed by nails to a wooden frame set into a mortar surface on this part of the minaret.<sup id="cite_ref-:132_15-0" class="reference"><a href="#cite_note-:132-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 329">: 329 </span></sup> The minaret of the Kasbah Mosque, built slightly later in the 1190s, makes greater use of ceramic decoration generally, including geometric mosaics on the upper parts of the minaret in the same technique as those of the Kutubiyya (though slightly more varied in design).<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup> The tiles on both minarets today are modern reproductions of the originals, of which fragments have been preserved in the reserve collection of the <a href="/wiki/Badi_Palace" class="mw-redirect" title="Badi Palace">Badi Palace</a> museum.<sup id="cite_ref-:132_15-2" class="reference"><a href="#cite_note-:132-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 326–333">: 326–333 </span></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Generalization_across_the_region_(14th_to_15th_centuries)"><span id="Generalization_across_the_region_.2814th_to_15th_centuries.29"></span>Generalization across the region (14th to 15th centuries)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=4" title="Edit section: Generalization across the region (14th to 15th centuries)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg/220px-Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg" decoding="async" width="220" height="183" class="mw-file-element" data-file-width="2219" data-file-height="1847"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 183px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg/220px-Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg" data-width="220" data-height="183" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg/330px-Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/77/Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg/440px-Alhambra_Mirador_of_Lindaraja_DSCF6953_crop.jpg 2x" data-class="mw-file-element"> </span></a><figcaption><i>Zellij</i> panel with complex geometry and mosaic-formed Arabic letters in the <i><a href="/wiki/Court_of_the_Lions#Mirador_de_Lindaraja" title="Court of the Lions">Mirador de Lindaraja</a></i> in the <a href="/wiki/Alhambra" title="Alhambra">Alhambra</a> (14th century)</figcaption></figure> <p>The more complex <i>zellij</i> style that we know today became widespread during the first half of the 14th century under the <a href="/wiki/Marinid_Sultanate" class="mw-redirect" title="Marinid Sultanate">Marinid</a>, <a href="/wiki/Kingdom_of_Tlemcen" title="Kingdom of Tlemcen">Zayyanid</a>, and <a href="/wiki/Emirate_of_Granada" title="Emirate of Granada">Nasrid</a> dynastic periods in Morocco, Algeria, and <a href="/wiki/Al-Andalus" title="Al-Andalus">al-Andalus</a>.<sup id="cite_ref-:022_1-6" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 335–336">: 335–336 </span></sup><sup id="cite_ref-:13_17-0" class="reference"><a href="#cite_note-:13-17"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Due to the significant cultural unity and relations between al-Andalus and the western <a href="/wiki/Maghreb" title="Maghreb">Maghreb</a>, the forms of <i>zellij</i> under Marinid, Nasrid, and Zayyanid patronage are extremely similar.<sup id="cite_ref-:8_3-3" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 188–189">: 188–189 </span></sup> In Ifriqiya (Tunisia), under the <a href="/wiki/Hafsid_dynasty" title="Hafsid dynasty">Hafsid dynasty</a>, <i>zellij</i> tiling largely fell out of style during this same period and was replaced by a preference for stone and marble paneling.<sup id="cite_ref-:022_1-7" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 486–487">: 486–487 </span></sup> </p> <p><i>Zellij</i> tiling was most typically used to pave floors and to cover the lower walls inside buildings. <i>Zellij</i> was also used on the exterior of minarets and on some entrance portals.<sup id="cite_ref-BloomBlair2009_5-4" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Islamic_geometric_patterns" title="Islamic geometric patterns">Geometric motifs</a> predominated, with patterns of increasing complexity being formed during this period. Less frequently, vegetal or floral <a href="/wiki/Arabesque" title="Arabesque">arabesque</a> motifs were also created. On walls, <i>zellij</i> geometric <a href="/wiki/Dado_(architecture)" title="Dado (architecture)">dadoes</a> were commonly topped by an <a href="/wiki/Islamic_calligraphy" title="Islamic calligraphy">epigraphic</a> frieze.<sup id="cite_ref-BloomBlair2009_5-5" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> By this period, more colours were employed such as yellow (using <a href="/wiki/Iron_oxide" title="Iron oxide">iron oxides</a> or <a href="/wiki/Chrome_yellow" title="Chrome yellow">chrome yellow</a>), blues, and a dark brown <a href="/wiki/Manganese" title="Manganese">manganese</a> colour.<sup id="cite_ref-:022_1-8" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 336">: 336 </span></sup> This style of tile mosaic, formed by assembling a large number of small hand-cut pieces to form a pattern, is evident in famous buildings of the period such as the Alhambra palaces of the Nasrids, the mosques of <a href="/wiki/Tlemcen" title="Tlemcen">Tlemcen</a>, and the Marinid <a href="/wiki/Madrasa" title="Madrasa">madrasas</a> of <a href="/wiki/Fez,_Morocco" title="Fez, Morocco">Fez</a>, <a href="/wiki/Meknes" title="Meknes">Meknes</a>, and <a href="/wiki/Sal%C3%A9" title="Salé">Salé</a>. It is also found in some Christian Spanish palaces of the same period who employed Muslim or <a href="/wiki/Mud%C3%A9jar" title="Mudéjar">Mudéjar</a> craftsmen, most notably the <a href="/wiki/Alc%C3%A1zar_of_Seville" title="Alcázar of Seville">Alcazar of Seville</a>, whose 14th-century sections are contemporary with the Alhambra and contain <i>zellij</i> tilework in the same style, although of slightly lesser sophistication.<sup id="cite_ref-:6_18-0" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 63–64">: 63–64 </span></sup><sup id="cite_ref-:8_3-4" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 172">: 172 </span></sup> </p><figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Chellah_DSCF7049.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Chellah_DSCF7049.jpg/220px-Chellah_DSCF7049.jpg" decoding="async" width="220" height="165" class="mw-file-element" data-file-width="4000" data-file-height="3000"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 165px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Chellah_DSCF7049.jpg/220px-Chellah_DSCF7049.jpg" data-width="220" data-height="165" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Chellah_DSCF7049.jpg/330px-Chellah_DSCF7049.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/17/Chellah_DSCF7049.jpg/440px-Chellah_DSCF7049.jpg 2x" data-class="mw-file-element"> </span></a><figcaption><i>Zellij</i> remains in <a href="/wiki/Chellah" title="Chellah">Chellah</a> (14th century), in bright colours and floral motifs that may have been a hallmark of craftsmen from <a href="/wiki/Tlemcen" title="Tlemcen">Tlemcen</a><sup id="cite_ref-:8_3-5" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 206">: 206 </span></sup></figcaption></figure><p>Among the most exceptional surviving examples of Nasrid <i>zellij</i> art are the dadoes of the <i><a href="/wiki/Court_of_the_Lions#Mirador_de_Lindaraja" title="Court of the Lions">Mirador de Lindaraja</a></i> and the <i><a href="/wiki/Torre_de_la_Cautiva" title="Torre de la Cautiva">Torre de la Cautiva</a></i> in the Alhambra, both from the 14th century. Whereas <a href="/wiki/Arabic_script" title="Arabic script">Arabic epigraphy</a> was usually carved in stucco or painted on larger square tiles, these two examples contain very fine Arabic inscriptions in <a href="/wiki/Naskh_(script)" title="Naskh (script)">Naskhi</a> script that are made from the assembly of coloured tile pieces cut in the form of the letters themselves and set into a white background.<sup id="cite_ref-:44_19-0" class="reference"><a href="#cite_note-:44-19"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> The tiles of the <i>Torre de la Cautiva</i> are further distinguished by the use of a purple colour which is unique in architectural <i>zellij</i> decoration.<sup id="cite_ref-:44_19-1" class="reference"><a href="#cite_note-:44-19"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> The dado of the <i>Mirador of Lindaraja</i> also contains a particularly advanced geometric composition with very fine mosaic pieces below the level of the inscription.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Some of the tile pieces in this composition measure as little as 2 millimeters in width.<sup id="cite_ref-:2_6-2" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 129">: 129 </span></sup> </p><p>In addition to <i>zellij</i> work further west, a somewhat distinctive style of <i>zellij</i> with brightly coloured pieces, often in floral patterns of <a href="/wiki/Palmette" title="Palmette">palmettes</a> and <a href="/wiki/Scroll_(art)" title="Scroll (art)">scrollwork</a>, developed among the craftsmen of Tlemcen. The most important early example of this style was the decoration of the <a href="/wiki/Tashfiniya_Madrasa" title="Tashfiniya Madrasa">Tashfiniya Madrasa</a> (no longer extant), founded by <a href="/wiki/Abu_Tashufin_I" title="Abu Tashufin I">Abu Tashfin I</a> (r. 1318–1337). This type subsequently appeared in later monuments of this era, mainly in Tlemcen (such as the <a href="/wiki/Sidi_Boumediene_Mosque" title="Sidi Boumediene Mosque">Mosque and madrasa of Abu Madyan</a>) but also further afield in the Marinid madrasa of <a href="/wiki/Chellah" title="Chellah">Chellah</a>, suggesting that the same workshop of craftsmen may have been employed by the Marinids around this time.<sup id="cite_ref-:8_3-6" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 187, 195, 206">: 187, 195, 206 </span></sup><sup id="cite_ref-:132_15-3" class="reference"><a href="#cite_note-:132-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 526">: 526 </span></sup><sup id="cite_ref-:9_21-0" class="reference"><a href="#cite_note-:9-21"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> The use of <i>zellij</i> decoration on entrance portals, otherwise not common in the rest of the Maghreb, was also most characteristic of the architecture of Tlemcen.<sup id="cite_ref-:9_21-1" class="reference"><a href="#cite_note-:9-21"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 178">: 178 </span></sup> Today, the archaeological museum of Tlemcen contains many remains of panels and fragments of <i>zellij</i> from various medieval monuments dating back to the Zayyanid dynasty.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Panel_de_cer%C3%A1mica_(52341035906).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/Panel_de_cer%C3%A1mica_%2852341035906%29.jpg/220px-Panel_de_cer%C3%A1mica_%2852341035906%29.jpg" decoding="async" width="220" height="135" class="mw-file-element" data-file-width="3500" data-file-height="2142"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 135px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/Panel_de_cer%C3%A1mica_%2852341035906%29.jpg/220px-Panel_de_cer%C3%A1mica_%2852341035906%29.jpg" data-width="220" data-height="135" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/Panel_de_cer%C3%A1mica_%2852341035906%29.jpg/330px-Panel_de_cer%C3%A1mica_%2852341035906%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/be/Panel_de_cer%C3%A1mica_%2852341035906%29.jpg/440px-Panel_de_cer%C3%A1mica_%2852341035906%29.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Tiles in the <i><a href="/wiki/Sgraffito" title="Sgraffito">sgraffito</a></i>-style technique from an epigraphic frieze of the <a href="/wiki/Bou_Inania_Madrasa" title="Bou Inania Madrasa">Bou Inania Madrasa</a> in <a href="/wiki/Fez,_Morocco" title="Fez, Morocco">Fez</a> (14th century)</figcaption></figure> <p>The epigraphic friezes in Marinid tilework, which typically topped the main mosaic dadoes, were made through a different technique known more widely as <i><a href="/wiki/Sgraffito" title="Sgraffito">sgraffito</a></i> (from the <a href="/wiki/Italian_language" title="Italian language">Italian</a> word for "scratched"<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup>).<sup id="cite_ref-:6_18-1" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 67">: 67 </span></sup><sup id="cite_ref-BloomBlair2009_5-6" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In this technique, square panels were glazed in a black colour and the glaze was then chipped away around the desired motif, leaving the Arabic inscription and other decorative flourishes in black relief against a bare earth ground.<sup id="cite_ref-:4_24-0" class="reference"><a href="#cite_note-:4-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 138">: 138 </span></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 74">: 74 </span></sup><sup id="cite_ref-:022_1-9" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 336">: 336 </span></sup><sup id="cite_ref-:6_18-2" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 67">: 67 </span></sup> Occasionally the earth background is covered with a white coating, and on some occasions a green glaze is used instead of black in order to leave a green motif in relief. An example of the latter is seen on the ceramic decoration of the minaret of the <a href="/wiki/Bou_Inania_Madrasa" title="Bou Inania Madrasa">Bou Inania Madrasa</a> in Fez (1350–1355), within the sunken spaces of the <i><a href="/wiki/Sebka" title="Sebka">sebka</a></i> motif.<sup id="cite_ref-:022_1-10" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 336">: 336 </span></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Later_history_(16th_century_and_after)"><span id="Later_history_.2816th_century_and_after.29"></span>Later history (16th century and after)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=5" title="Edit section: Later history (16th century and after)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>In the 16th century most of North Africa came under <a href="/wiki/Ottoman_Empire" title="Ottoman Empire">Ottoman</a> rule. In Algeria, the indigenous <i>zellij</i> style was mostly supplanted by small square tiles imported from Europe – especially from <a href="/wiki/Italy" title="Italy">Italy</a>, <a href="/wiki/Spain" title="Spain">Spain</a>, and <a href="/wiki/Delftware" title="Delftware">Delft</a> – and sometimes from <a href="/wiki/Tunis" title="Tunis">Tunis</a>. Some examples of more traditional mosaic tiles found in this late period may have continued to be produced in Tlemcen.<sup id="cite_ref-:022_1-11" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 449">: 449 </span></sup> In Tunisia, another style of tile decoration, <a href="/wiki/Qallaline_tiles" class="mw-redirect" title="Qallaline tiles">Qallaline tiles</a>, became common during the 18th century and was produced locally. It consisted of square panels of fixed size, painted with scenes and flowers, in a technique similar to Italian <a href="/wiki/Maiolica" title="Maiolica">maiolica</a> rather than to the earlier mosaic technique.<sup id="cite_ref-:022_1-12" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 487">: 487 </span></sup><sup id="cite_ref-BloomBlair2009_5-7" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:6_18-3" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 84–86">: 84–86 </span></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Panel_of_4_cuenca_tiles_MET_sf33_46.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Panel_of_4_cuenca_tiles_MET_sf33_46.jpg/220px-Panel_of_4_cuenca_tiles_MET_sf33_46.jpg" decoding="async" width="220" height="207" class="mw-file-element" data-file-width="1627" data-file-height="1533"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 207px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Panel_of_4_cuenca_tiles_MET_sf33_46.jpg/220px-Panel_of_4_cuenca_tiles_MET_sf33_46.jpg" data-width="220" data-height="207" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Panel_of_4_cuenca_tiles_MET_sf33_46.jpg/330px-Panel_of_4_cuenca_tiles_MET_sf33_46.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Panel_of_4_cuenca_tiles_MET_sf33_46.jpg/440px-Panel_of_4_cuenca_tiles_MET_sf33_46.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Example of <i>cuenca</i> or <i>arista</i> tiles with Islamic geometric motifs, produced in 16th-century Spain, at the <a href="/wiki/Metropolitan_Museum_of_Art" title="Metropolitan Museum of Art">Metropolitan Museum of Art</a><sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup></figcaption></figure><p> In Spain, where former Muslim-controlled territories had come under Christian rule, new techniques of tilemaking developed. As wealthy Spaniards favoured the Mudéjar style to decorate their residences, the demand for mosaic tilework in this style increased beyond what tilemakers could produce, requiring them to consider new methods.<sup id="cite_ref-:7_8-1" class="reference"><a href="#cite_note-:7-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 102">: 102 </span></sup> Towards the late 15th and early 16th centuries <a href="/wiki/Seville" title="Seville">Seville</a> became an important production center for a type of tile known as <i>cuenca</i> ("hollow") or <i>arista</i> ("ridge"). In this technique, motifs were formed by pressing a metal or wooden mould over the unbaked tile, leaving a motif delineated by thin ridges of clay that prevented the different colours in between from bleeding into each other during baking. This was similar to the older <i><a href="/wiki/Cuerda_seca" title="Cuerda seca">cuerda seca</a></i> technique but more efficient for mass production.<sup id="cite_ref-:6_18-4" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 64–65">: 64–65 </span></sup><sup id="cite_ref-:7_8-2" class="reference"><a href="#cite_note-:7-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 102">: 102 </span></sup><sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> The motifs on these tiles imitated earlier Islamic and Mudéjar designs from the <i>zellij</i> mosaic tradition or blended them with contemporary European influences such as <a href="/wiki/Gothic_art" title="Gothic art">Gothic</a> or Italian <a href="/wiki/Renaissance_art" title="Renaissance art">Renaissance</a>.<sup id="cite_ref-:7_8-3" class="reference"><a href="#cite_note-:7-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 102">: 102 </span></sup><sup id="cite_ref-:6_18-5" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 64–65">: 64–65 </span></sup><sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Fine examples of these tiles can be found in the early 16th-century decoration of the <a href="/wiki/Casa_de_Pilatos" title="Casa de Pilatos">Casa de Pilatos</a> in Seville.<sup id="cite_ref-:6_18-6" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 65">: 65 </span></sup> This type of tile was produced well into the 17th century and was widely exported from Spain to other European countries and to the Spanish colonies in the <a href="/wiki/Americas" title="Americas">Americas</a>.<sup id="cite_ref-:7_8-4" class="reference"><a href="#cite_note-:7-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 102">: 102 </span></sup></p><figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_(zellij_crop).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg/220px-%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg" decoding="async" width="220" height="243" class="mw-file-element" data-file-width="1675" data-file-height="1848"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 243px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg/220px-%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg" data-width="220" data-height="243" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg/330px-%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c3/%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg/440px-%CE%9C%CE%B1%CF%85%CF%83%CF%89%CE%BB%CE%B5%CE%AF%CE%BF_%CF%84%CF%89%CE%BD_%CE%A3%CE%B1%CE%B1%CE%BD%CF%84%CE%AF_1048_%28zellij_crop%29.jpg 2x" data-class="mw-file-element"> </span></a><figcaption><i>Zellij</i> in the <a href="/wiki/Saadian_Tombs" title="Saadian Tombs">Saadian Tombs</a> (late 16th century), using a different colouring method and thinner individual pieces for finer patterns</figcaption></figure><p>In Morocco, existing architectural styles were perpetuated with relatively few outside influences.<sup id="cite_ref-:8_3-7" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 243">: 243 </span></sup> Here, traditional <i>zellij</i> continued to be used after the 15th century and continues to be produced up to the present day.<sup id="cite_ref-:022_1-13" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 414–415">: 414–415 </span></sup> Under the <a href="/wiki/Saadi_dynasty" class="mw-redirect" title="Saadi dynasty">Saadi dynasty</a> in the 16th century and in subsequent centuries, the usage of <i>zellij</i> became even more ubiquitous within Morocco and covered more and more surfaces.<sup id="cite_ref-:022_1-14" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 415">: 415 </span></sup> During the reign of the <a href="/wiki/%27Alawi_dynasty" class="mw-redirect" title="'Alawi dynasty">'Alawi</a> sultan <a href="/wiki/Ismail_Ibn_Sharif" title="Ismail Ibn Sharif">Moulay Isma'il</a> (1672–1727), <i>zellij</i> was used extensively on the facades of the monumental gates of the new <a href="/wiki/Kasbah_of_Moulay_Ismail" title="Kasbah of Moulay Ismail">imperial citadel</a> in Meknes.<sup id="cite_ref-:6_18-7" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 78">: 78 </span></sup> </p><p>Under the Saadis, the complexity of geometric patterns was increased for the decoration of the most luxurious buildings, such as the <a href="/wiki/Badi_Palace" class="mw-redirect" title="Badi Palace">Badi Palace</a> (now ruined).<sup id="cite_ref-:3_29-0" class="reference"><a href="#cite_note-:3-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 268">: 268 </span></sup> Some of the <i>zellij</i> compositions in the <a href="/wiki/Saadian_Tombs" title="Saadian Tombs">Saadian Tombs</a> are among the best examples of this type <i>in situ</i>.<sup id="cite_ref-:3_29-1" class="reference"><a href="#cite_note-:3-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 194–200">: 194–200 </span></sup><sup id="cite_ref-:022_1-15" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 415">: 415 </span></sup> In this example, craftsmen employed finer (thinner) mosaic pieces and the thin, linear pieces that form the <a href="/wiki/Strapwork" title="Strapwork">strapwork</a> are coloured whereas the larger pieces that form the "background" are white. This scheme reversed the colouring pattern generally seen in older <i>zellij</i> (where the ground was coloured and the linear strapwork was white).<sup id="cite_ref-:022_1-16" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 415">: 415 </span></sup> </p><p>Over the centuries since the Saadi period, the <i>sgraffito</i> technique previously used for Marinid epigraphic friezes came into more general usage in Morocco as a simpler and more economic alternative to mosaics. This type of tile was often employed on the <a href="/wiki/Spandrel" title="Spandrel">spandrels</a> of large gateways and portals. The motifs are often relatively simpler and less colourful than the traditional mosaic <i>zellij</i> style.<sup id="cite_ref-:022_1-17" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 415">: 415 </span></sup> In addition to black glaze, green or blue glaze was also used in later examples of this type to obtain motifs in these colours. An example of this can be seen on the blue and green tiled façades of the <a href="/wiki/Bab_Bou_Jeloud" title="Bab Bou Jeloud">Bab Bou Jeloud</a> gate in Fez, built in 1913.<sup id="cite_ref-:4_24-1" class="reference"><a href="#cite_note-:4-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 138">: 138 </span></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Mekhnes_Place_El-Hedine_Mosaique.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Mekhnes_Place_El-Hedine_Mosaique.jpg/220px-Mekhnes_Place_El-Hedine_Mosaique.jpg" decoding="async" width="220" height="165" class="mw-file-element" data-file-width="2048" data-file-height="1536"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 165px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Mekhnes_Place_El-Hedine_Mosaique.jpg/220px-Mekhnes_Place_El-Hedine_Mosaique.jpg" data-width="220" data-height="165" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Mekhnes_Place_El-Hedine_Mosaique.jpg/330px-Mekhnes_Place_El-Hedine_Mosaique.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Mekhnes_Place_El-Hedine_Mosaique.jpg/440px-Mekhnes_Place_El-Hedine_Mosaique.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Example of a large-scale geometric rosette composition from later periods in Morocco, covering a fountain built in 1913 at <i>Place el-Hedim</i> in Meknes<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>In later centuries, the interlacing strapwork that once separated the polygons in geometric mosaics was no longer standard and Moroccan craftsmen created rosette-style geometric compositions on an increasingly large scale.<sup id="cite_ref-:4_24-2" class="reference"><a href="#cite_note-:4-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 152">: 152 </span></sup><sup id="cite_ref-:022_1-18" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 415">: 415 </span></sup> The culmination of this latter style is visible in the palaces built during the 19th and 20th centuries. New colours were also introduced into the palette during this period, including red, a bright yellow, and dark blue.<sup id="cite_ref-:4_24-3" class="reference"><a href="#cite_note-:4-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 152">: 152 </span></sup> <i>Zellij</i> was employed on a wider array of architectural elements. The geometric rosette motifs were used to decorate fountains (or the ground around a fountain), the spandrels of arched doorways, or wall surfaces framed by arches of carved stucco. Simpler checkerboard-like motifs were used as backgrounds for the rosette compositions or to cover other large surfaces. In more modern houses and mansions, even cylindrical pillars were covered in tilework up to the level of the <a href="/wiki/Capital_(architecture)" title="Capital (architecture)">capital</a>.<sup id="cite_ref-:022_1-19" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 415">: 415 </span></sup> </p><p>In Morocco today, <i>zellij</i> art form remains one of the hallmarks of Moroccan cultural and artistic identity<sup id="cite_ref-:1_31-0" class="reference"><a href="#cite_note-:1-31"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> and continues to be used in modern Moroccan architecture.<sup id="cite_ref-:122_2-2" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 41">: 41 </span></sup> Fez remains its most important center of production.<sup id="cite_ref-:1_31-1" class="reference"><a href="#cite_note-:1-31"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:5_32-0" class="reference"><a href="#cite_note-:5-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Workshops in other cities like Meknes, Salé and Marrakesh generally emulate the same style as the craftsmanship of Fez.<sup id="cite_ref-:5_32-1" class="reference"><a href="#cite_note-:5-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> The exception to this is the city of <a href="/wiki/T%C3%A9touan" title="Tétouan">Tétouan</a> (in northern Morocco), which since the 19th century has hosted its own mosaic <i>zellij</i> industry employing a technique differing from that of Fez.<sup id="cite_ref-:5_32-2" class="reference"><a href="#cite_note-:5-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> The patterns of traditional <i>zellij</i> are also still used in some Spanish decorative tiles, but in modern Spanish tiles the geometric motifs are simply painted and baked on large tiles rather than formed by mosaic.<sup id="cite_ref-:122_2-3" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 41">: 41 </span></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Fabrication">Fabrication</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=6" title="Edit section: Fabrication" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <p><i>Zellij</i> tiles are first fabricated in <a href="/wiki/Ceramic_glaze" title="Ceramic glaze">glazed</a> squares, typically 10 cm per side, then cut by hand with a small <a href="/wiki/Adze" title="Adze">adze</a>-like hammer into a variety of pre-established shapes (usually memorized by rote learning) necessary to form the overall pattern.<sup id="cite_ref-:122_2-4" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 41">: 41 </span></sup><sup id="cite_ref-:022_1-20" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page / location: 414">: 414 </span></sup> Although the exact patterns vary from case to case, the underlying principles have been constant for centuries and Moroccan craftsmen are still adept at making them today.<sup id="cite_ref-:122_2-5" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 41–43">: 41–43 </span></sup> The small shapes (cut according to a precise <a href="/wiki/Radius_gauge" title="Radius gauge">radius gauge</a>) of different colours are then assembled in a geometrical structure as in a puzzle to form the completed mosaic. Uniquely in the city of Tétouan, <i>zellij</i> tiles are cut into the desired shapes before being baked. This results in a harder enamel that lasts longer, but the colours are not as bright and the tile pieces generally do not fit together as tightly as those produced in other cities like Fez.<sup id="cite_ref-:022_1-21" class="reference"><a href="#cite_note-:022-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 414–415">: 414–415 </span></sup><sup id="cite_ref-:122_2-6" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 41">: 41 </span></sup> </p><p> Once baked and cut, the tiles were laid face down on the ground and assembled together into the intended pattern. The back of the tile pieces were coated together with thin layers of plaster or whitewash. Once dry, this coating bonded the tile pieces together into larger panels.<sup id="cite_ref-:7_8-5" class="reference"><a href="#cite_note-:7-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 55">: 55 </span></sup><sup id="cite_ref-:2_6-3" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 33">: 33 </span></sup><sup id="cite_ref-:8_3-8" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 166">: 166 </span></sup><sup id="cite_ref-:42_33-0" class="reference"><a href="#cite_note-:42-33"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 287–288">: 287–288 </span></sup> In Nasrid tilework the plaster was mixed with threads of <a href="/wiki/Esparto" title="Esparto">esparto</a> grass and <a href="/wiki/Cane_(grass)" title="Cane (grass)">cane</a> to provide them with more tensile strength.<sup id="cite_ref-:8_3-9" class="reference"><a href="#cite_note-:8-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 166">: 166 </span></sup> The panels were then affixed to the walls with a <a href="/wiki/Mortar_(masonry)" title="Mortar (masonry)">mortar</a> or <a href="/wiki/Grout" title="Grout">grout</a>.<sup id="cite_ref-:132_15-4" class="reference"><a href="#cite_note-:132-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 563">: 563 </span></sup><sup id="cite_ref-:2_6-4" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 33">: 33 </span></sup> In the case of the Almohad tilework on the minarets of the Kutubiyya and Kasbah Mosque in Marrakesh, the tiles were nailed to a wooden framework set into the surface of the wall behind them.<sup id="cite_ref-:132_15-5" class="reference"><a href="#cite_note-:132-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 330">: 330 </span></sup> </p><ul class="gallery mw-gallery-traditional"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Zellige_Art2.jpg" class="mw-file-description" title="An eight sided star tile after being cut from a tile, a mainstay of Moorish/Islamic design"><noscript><img alt="An eight sided star tile after being cut from a tile, a mainstay of Moorish/Islamic design" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Zellige_Art2.jpg/120px-Zellige_Art2.jpg" decoding="async" width="120" height="113" class="mw-file-element" data-file-width="889" data-file-height="839"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 113px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Zellige_Art2.jpg/120px-Zellige_Art2.jpg" data-alt="An eight sided star tile after being cut from a tile, a mainstay of Moorish/Islamic design" data-width="120" data-height="113" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Zellige_Art2.jpg/180px-Zellige_Art2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/Zellige_Art2.jpg/240px-Zellige_Art2.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">An eight sided star tile after being cut from a tile, a mainstay of Moorish/Islamic design</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Zellige_factory-24116015119.jpg" class="mw-file-description" title="Artisan workers chipping zellij pieces, Fez, Morocco."><noscript><img alt="Artisan workers chipping zellige pieces, Fez, Morocco." src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Zellige_factory-24116015119.jpg/90px-Zellige_factory-24116015119.jpg" decoding="async" width="90" height="120" class="mw-file-element" data-file-width="2736" data-file-height="3648"></noscript><span class="lazy-image-placeholder" style="width: 90px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Zellige_factory-24116015119.jpg/90px-Zellige_factory-24116015119.jpg" data-alt="Artisan workers chipping zellige pieces, Fez, Morocco." data-width="90" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Zellige_factory-24116015119.jpg/135px-Zellige_factory-24116015119.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Zellige_factory-24116015119.jpg/180px-Zellige_factory-24116015119.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">Artisan workers chipping <i>zellij</i> pieces, <a href="/wiki/Fez,_Morocco" title="Fez, Morocco">Fez, Morocco</a>.</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Zellige_loose_tile_shapes.jpg" class="mw-file-description" title="Loose tiles after chiseling the main glazed tile. Fez, Morocco."><noscript><img alt="Loose tiles after chiseling the main glazed tile. Fez, Morocco." src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Zellige_loose_tile_shapes.jpg/120px-Zellige_loose_tile_shapes.jpg" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3872" data-file-height="2592"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 80px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Zellige_loose_tile_shapes.jpg/120px-Zellige_loose_tile_shapes.jpg" data-alt="Loose tiles after chiseling the main glazed tile. Fez, Morocco." data-width="120" data-height="80" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Zellige_loose_tile_shapes.jpg/180px-Zellige_loose_tile_shapes.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Zellige_loose_tile_shapes.jpg/240px-Zellige_loose_tile_shapes.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">Loose tiles after chiseling the main glazed tile. Fez, Morocco.</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Zellige_upside-down_assembly.jpg" class="mw-file-description" title="Zellij being assembled for an installation in Fez, Morocco."><noscript><img alt="Zellige being assembled for an installation in Fez, Morocco." src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Zellige_upside-down_assembly.jpg/120px-Zellige_upside-down_assembly.jpg" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3872" data-file-height="2592"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 80px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Zellige_upside-down_assembly.jpg/120px-Zellige_upside-down_assembly.jpg" data-alt="Zellige being assembled for an installation in Fez, Morocco." data-width="120" data-height="80" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Zellige_upside-down_assembly.jpg/180px-Zellige_upside-down_assembly.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Zellige_upside-down_assembly.jpg/240px-Zellige_upside-down_assembly.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> being assembled for an installation in Fez, Morocco.</div> </li> </ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Forms_and_patterns">Forms and patterns</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=7" title="Edit section: Forms and patterns" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Islamic_geometric_patterns" title="Islamic geometric patterns">Islamic geometric patterns</a></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:A_classic_detail_of_azulejos,_Patio_de_las_Doncellas.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg/260px-A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg" decoding="async" width="260" height="173" class="mw-file-element" data-file-width="5982" data-file-height="3988"></noscript><span class="lazy-image-placeholder" style="width: 260px;height: 173px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg/260px-A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg" data-width="260" data-height="173" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ab/A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg/390px-A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ab/A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg/520px-A_classic_detail_of_azulejos%2C_Patio_de_las_Doncellas.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Example of <i>zellij</i> with <a href="/wiki/Islamic_geometric_patterns" title="Islamic geometric patterns">geometric pattern</a> in the Courtyard of the Maidens in the <a href="/wiki/Alc%C3%A1zar_of_Seville" title="Alcázar of Seville">Alcázar of Seville</a>. This common pattern features 12-pointed, 6-pointed, and 8-pointed stars.</figcaption></figure> <p>In traditional <i>zellij</i> decoration, geometric patterns of varying complexity were the most prominent and widespread motif. Vegetal arabesque motifs were also used, though less frequently.<sup id="cite_ref-BloomBlair2009_5-8" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Geometric patterns were created on the basis of <a href="/wiki/Tessellation" title="Tessellation">tessellation</a>: the method of covering a surface with the use of forms that can be repeated and fitted together without overlapping or leaving empty spaces between them. These patterns can be extended infinitely.<sup id="cite_ref-:02_34-0" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:2_6-5" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 21">: 21 </span></sup> In <a href="/wiki/Islamic_art" title="Islamic art">Islamic art</a>, the most important types of tessellation in geometric motifs are based on regular polygons.<sup id="cite_ref-:02_34-1" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> This form of expression within the conceptual framework of Islamic art valued the creation of spatial decorations that avoided depictions of living things, consistent with taboos of <a href="/wiki/Aniconism_in_Islam" title="Aniconism in Islam">aniconism in Islam</a> on such depictions.<sup id="cite_ref-:1323_4-2" class="reference"><a href="#cite_note-:1323-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Traditions of mosaic tilework were also prevalent across various periods in other parts of the Islamic world, including <a href="/wiki/Greater_Iran" title="Greater Iran">Iran</a>, <a href="/wiki/Anatolia" title="Anatolia">Anatolia</a>, and the <a href="/wiki/Indian_subcontinent" title="Indian subcontinent">Indian subcontinent</a>.<sup id="cite_ref-:16_35-0" class="reference"><a href="#cite_note-:16-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> Whereas in the eastern Islamic world blues and turquoises were the dominant colours, in western <i>zellij</i> yellows, greens, black, and light brown were very common, with blues and turquoise also appearing in the mix, and they were typically set against a white ground.<sup id="cite_ref-BloomBlair2009_5-9" class="reference"><a href="#cite_note-BloomBlair2009-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:16_35-1" class="reference"><a href="#cite_note-:16-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:12_36-0" class="reference"><a href="#cite_note-:12-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:20151118_Morocco_2477_Fez_sRGB_(24188205260).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/68/20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg/290px-20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg" decoding="async" width="290" height="217" class="mw-file-element" data-file-width="3572" data-file-height="2678"></noscript><span class="lazy-image-placeholder" style="width: 290px;height: 217px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/6/68/20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg/290px-20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg" data-width="290" data-height="217" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/68/20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg/435px-20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/68/20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg/580px-20151118_Morocco_2477_Fez_sRGB_%2824188205260%29.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Example of geometric pattern in the <a href="/wiki/Bou_Inania_Madrasa" title="Bou Inania Madrasa">Bou Inania Madrasa</a> of Fez. This example employs a fivefold geometric system with 10-pointed stars, while also adding visual diversity through colour.</figcaption></figure><p>In western Islamic art, under the Nasrid and Marinid dynasties, a great variety of geometric patterns were created for architectural decoration. Among the most common was a pattern employing six-pointed and twelve-pointed star compositions, with eight-pointed stars inserted between them.<sup id="cite_ref-:02_34-2" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 107">: 107 </span></sup> A popular trend was the use of patterns based on systems of fourfold symmetry. This family of patterns was widely used in other Muslim cultures further east, but in the Maghreb and al-Andalus artists excelled at their use and introduced several innovations. One innovation was to make the repeating unit of the patterns larger, with broader compositions involving many different polygonal forms. Other innovations were the incorporation of more complex sixteen-pointed stars into some of these patterns and the insertion of further "arbitrary" design elements within the wider patterns. These innovations not only increased the complexity of the motifs but also increased their visual diversity.<sup id="cite_ref-:02_34-3" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 107–109">: 107–109 </span></sup> The family of patterns involving fivefold symmetry, which was widely used and developed throughout the rest of the Islamic world, was less common in the Maghreb and al-Andalus.<sup id="cite_ref-:02_34-4" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 110">: 110 </span></sup> Some exceptional examples of this pattern from the Marinid period are found in the <i>zellij</i> tilework of the <a href="/wiki/Al-Attarine_Madrasa" title="Al-Attarine Madrasa">al-Attarine</a> and Bou Inania madrasas in Fez, where greater visual diversity was once again achieved by using large repeating units.<sup id="cite_ref-:02_34-5" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 111">: 111 </span></sup> In these examples and in others, additional visual diversity was also achieved through the use of colour. By varying the colours of the pieces, different patterns could be highlighted within the same geometric motif.<sup id="cite_ref-:2_6-6" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 85">: 85 </span></sup><sup id="cite_ref-:02_34-6" class="reference"><a href="#cite_note-:02-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 111">: 111 </span></sup> </p><p>Other types of compositions were also employed, many of them much simpler. Some mosaics were simply composed of coloured squares.<sup id="cite_ref-:2_6-7" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:1323_4-3" class="reference"><a href="#cite_note-:1323-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> One variation of this is a "checkerboard"-like pattern made up of repeating squares/lozenges separated by white strips with eight-pointed stars at their intersections.<sup id="cite_ref-:6_18-8" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 60–72">: 60–72 </span></sup> In the Alhambra of the Nasrids, some <i>zellij</i> motifs were composed of interlacing ribbons or tracery, sometimes as part of a narrow frieze wrapping around doorways or running above larger <i>zellij</i> dadoes.<sup id="cite_ref-:2_6-8" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Another motif distinctive to the Alhambra is the so-called "Nasrid bird" (Spanish: <i lang="es">pajarita nazarí</i>), which is composed of a three-pointed star with curved arms that is repeated in a wheel-like motif.<sup id="cite_ref-:2_6-9" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Yet another motif consists of one repeating curvilinear form resembling a double-headed axe, which is found in the Alhambra and is also common in the <i>zellij</i> of Tétouan in Morocco, where it is known in Arabic as the "four hammers" (<i>arba'a matariq</i>). A straight-lined version of this motif, similar to the 12th-century <i>zellij</i> on the minaret of the Kutubiyya Mosque, is also found in the Alhambra, where it is referred to in Spanish as the "bone" (<i>hueso</i>) motif.<sup id="cite_ref-:2_6-10" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 22–23">: 22–23 </span></sup><sup id="cite_ref-:122_2-7" class="reference"><a href="#cite_note-:122-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 32–36">: 32–36 </span></sup> A <i>darj-wa-ktaf</i> (or <i>sebka</i>) motif is also employed in some Marinid tilework, including examples at the al-Attarine and Bou Inania madrasas.<sup id="cite_ref-:4_24-4" class="reference"><a href="#cite_note-:4-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 138–153">: 138–153 </span></sup><sup id="cite_ref-:6_18-9" class="reference"><a href="#cite_note-:6-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 70–71">: 70–71 </span></sup> Numerous other tessellated motifs are attested. </p><p>An <a href="/wiki/Aramco_World" title="Aramco World">Aramco World</a> article about <i>zellij</i> states: </p> <blockquote><p>An encyclopedia could not contain the full array of complex, often individually varied patterns and the individually shaped, hand-cut <a href="/wiki/Tesserae" class="mw-redirect" title="Tesserae">tesserae</a>, or <i>furmah</i>, found in <i>zillij</i> work. Star-based patterns are identified by their number of points—<i>'itnashari</i> for 12, <i>'ishrini</i> for 20, <i>arba' wa 'ishrini</i> for 24 and so on, but they are not necessarily named with exactitude. The so-called <i>khamsini</i>, for 50 points, and <i>mi'ini</i>, for 100, actually consist of 48 and 96 points respectively, because geometry requires that the number of points of any star in this sequence be divisible by six. (There are also sequences based on five and on eight.) Within a single star pattern, variations abound—by the mix of colors, the size of the <i>furmah</i>, and the complexity and size of interspacing elements such as strapping, braids, or "lanterns." And then there are all the non-star patterns— <a href="/wiki/Honeycomb" title="Honeycomb">honeycombs</a>, webs, steps and shoulders, and <a href="/wiki/Checkerboard" title="Checkerboard">checkerboards</a>.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup></p></blockquote> <ul class="gallery mw-gallery-traditional center"> <li class="gallerycaption">Examples of <i>zellij</i> across periods and styles</li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Zellij_at_the_Marinid_Mosque_of_Chella.jpg" class="mw-file-description" title="Remains of Zellij with eight-pointed star motif, in the Marinid ruins of Chellah in Rabat, Morocco (14th century)"><noscript><img alt="Remains of Zellij with eight-pointed star motif, in the Marinid ruins of Chellah in Rabat, Morocco (14th century)" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Zellij_at_the_Marinid_Mosque_of_Chella.jpg/120px-Zellij_at_the_Marinid_Mosque_of_Chella.jpg" decoding="async" width="120" height="90" class="mw-file-element" data-file-width="3264" data-file-height="2448"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 90px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Zellij_at_the_Marinid_Mosque_of_Chella.jpg/120px-Zellij_at_the_Marinid_Mosque_of_Chella.jpg" data-alt="Remains of Zellij with eight-pointed star motif, in the Marinid ruins of Chellah in Rabat, Morocco (14th century)" data-width="120" data-height="90" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Zellij_at_the_Marinid_Mosque_of_Chella.jpg/180px-Zellij_at_the_Marinid_Mosque_of_Chella.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/94/Zellij_at_the_Marinid_Mosque_of_Chella.jpg/240px-Zellij_at_the_Marinid_Mosque_of_Chella.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">Remains of <i>Zellij</i> with eight-pointed star motif, in the Marinid ruins of <a href="/wiki/Chellah" title="Chellah">Chellah</a> in <a href="/wiki/Rabat" title="Rabat">Rabat</a>, Morocco (14th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Mederssa_Sal%C3%A9.jpg" class="mw-file-description" title="Zellij applied to curved surfaces in the Marinid Madrasa of Salé (14th century)"><noscript><img alt="Zellij applied to curved surfaces in the Marinid Madrasa of Salé (14th century)" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/Mederssa_Sal%C3%A9.jpg/120px-Mederssa_Sal%C3%A9.jpg" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3872" data-file-height="2592"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 80px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/Mederssa_Sal%C3%A9.jpg/120px-Mederssa_Sal%C3%A9.jpg" data-alt="Zellij applied to curved surfaces in the Marinid Madrasa of Salé (14th century)" data-width="120" data-height="80" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/Mederssa_Sal%C3%A9.jpg/180px-Mederssa_Sal%C3%A9.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Mederssa_Sal%C3%A9.jpg/240px-Mederssa_Sal%C3%A9.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> applied to curved surfaces in the <a href="/wiki/Madrasa_of_Abu_al-Hasan" title="Madrasa of Abu al-Hasan">Marinid Madrasa of Salé</a> (14th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Bou_inania_minaret_detail.jpg" class="mw-file-description" title="Zellij on the minaret of the Bou Inania Madrasa in Fez (14th century), with mosaic panels below and green sgraffito tiles above"><noscript><img alt="Zellij on the minaret of the Bou Inania Madrasa in Fez (14th century), with mosaic panels below and green sgraffito tiles above" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Bou_inania_minaret_detail.jpg/86px-Bou_inania_minaret_detail.jpg" decoding="async" width="86" height="120" class="mw-file-element" data-file-width="1440" data-file-height="2000"></noscript><span class="lazy-image-placeholder" style="width: 86px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Bou_inania_minaret_detail.jpg/86px-Bou_inania_minaret_detail.jpg" data-alt="Zellij on the minaret of the Bou Inania Madrasa in Fez (14th century), with mosaic panels below and green sgraffito tiles above" data-width="86" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Bou_inania_minaret_detail.jpg/129px-Bou_inania_minaret_detail.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/73/Bou_inania_minaret_detail.jpg/173px-Bou_inania_minaret_detail.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> on the minaret of the Bou Inania Madrasa in Fez (14th century), with mosaic panels below and green <i>sgraffito</i> tiles above</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Mosaic_Louvre_74.1962.518-520_n01.jpg" class="mw-file-description" title="Zellij fragment from Tlemcen, Algeria, from the 14th century"><noscript><img alt="Zellij fragment from Tlemcen, Algeria, from the 14th century" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Mosaic_Louvre_74.1962.518-520_n01.jpg/120px-Mosaic_Louvre_74.1962.518-520_n01.jpg" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="4678" data-file-height="3119"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 80px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Mosaic_Louvre_74.1962.518-520_n01.jpg/120px-Mosaic_Louvre_74.1962.518-520_n01.jpg" data-alt="Zellij fragment from Tlemcen, Algeria, from the 14th century" data-width="120" data-height="80" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Mosaic_Louvre_74.1962.518-520_n01.jpg/180px-Mosaic_Louvre_74.1962.518-520_n01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/98/Mosaic_Louvre_74.1962.518-520_n01.jpg/240px-Mosaic_Louvre_74.1962.518-520_n01.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> fragment from <a href="/wiki/Tlemcen" title="Tlemcen">Tlemcen</a>, Algeria, from the 14th century</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Madrasa_Tachfinia_16-572162.jpg" class="mw-file-description" title="Watercolour drawing recording various zellij patterns in the 14th-century Tashfiniya Madrasa of Tlemcen, prior to its demolition in the 19th century"><noscript><img alt="Watercolour drawing recording various zellij patterns in the 14th-century Tashfiniya Madrasa of Tlemcen, prior to its demolition in the 19th century" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/11/Madrasa_Tachfinia_16-572162.jpg/120px-Madrasa_Tachfinia_16-572162.jpg" decoding="async" width="120" height="78" class="mw-file-element" data-file-width="758" data-file-height="495"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 78px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/11/Madrasa_Tachfinia_16-572162.jpg/120px-Madrasa_Tachfinia_16-572162.jpg" data-alt="Watercolour drawing recording various zellij patterns in the 14th-century Tashfiniya Madrasa of Tlemcen, prior to its demolition in the 19th century" data-width="120" data-height="78" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/11/Madrasa_Tachfinia_16-572162.jpg/180px-Madrasa_Tachfinia_16-572162.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/11/Madrasa_Tachfinia_16-572162.jpg/240px-Madrasa_Tachfinia_16-572162.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><a href="/wiki/Watercolor_painting" title="Watercolor painting">Watercolour</a> drawing recording various <i>zellij</i> patterns in the 14th-century <a href="/wiki/Tashfiniya_Madrasa" title="Tashfiniya Madrasa">Tashfiniya Madrasa</a> of Tlemcen, prior to its demolition in the 19th century</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:ReconquistaAlhambra.JPG" class="mw-file-description" title="Zellij with 16-pointed star motifs in the Mexuar of the Alhambra in Granada (14th century; with later Spanish emblem inserted in the center)"><noscript><img alt="Zellij with 16-pointed star motifs in the Mexuar of the Alhambra in Granada (14th century; with later Spanish emblem inserted in the center)" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0a/ReconquistaAlhambra.JPG/120px-ReconquistaAlhambra.JPG" decoding="async" width="120" height="90" class="mw-file-element" data-file-width="3068" data-file-height="2301"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 90px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0a/ReconquistaAlhambra.JPG/120px-ReconquistaAlhambra.JPG" data-alt="Zellij with 16-pointed star motifs in the Mexuar of the Alhambra in Granada (14th century; with later Spanish emblem inserted in the center)" data-width="120" data-height="90" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0a/ReconquistaAlhambra.JPG/180px-ReconquistaAlhambra.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0a/ReconquistaAlhambra.JPG/240px-ReconquistaAlhambra.JPG 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> with 16-pointed star motifs in the <a href="/wiki/Mexuar" title="Mexuar">Mexuar</a> of the <a href="/wiki/Alhambra" title="Alhambra">Alhambra</a> in <a href="/wiki/Granada" title="Granada">Granada</a> (14th century; with later <a href="/wiki/Spain" title="Spain">Spanish</a> emblem inserted in the center)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Alhambra_wall_07_(7005708199).jpg" class="mw-file-description" title="Zellij with checkerboard pattern with eight-pointed stars, in the Court of the Myrtles of the Alhambra"><noscript><img alt="Zellij with checkerboard pattern with eight-pointed stars, in the Court of the Myrtles of the Alhambra" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Alhambra_wall_07_%287005708199%29.jpg/120px-Alhambra_wall_07_%287005708199%29.jpg" decoding="async" width="120" height="90" class="mw-file-element" data-file-width="3648" data-file-height="2736"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 90px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Alhambra_wall_07_%287005708199%29.jpg/120px-Alhambra_wall_07_%287005708199%29.jpg" data-alt="Zellij with checkerboard pattern with eight-pointed stars, in the Court of the Myrtles of the Alhambra" data-width="120" data-height="90" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Alhambra_wall_07_%287005708199%29.jpg/180px-Alhambra_wall_07_%287005708199%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Alhambra_wall_07_%287005708199%29.jpg/240px-Alhambra_wall_07_%287005708199%29.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> with checkerboard pattern with eight-pointed stars, in the <a href="/wiki/Court_of_the_Myrtles" title="Court of the Myrtles">Court of the Myrtles</a> of the Alhambra</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Alhambra_Granada_mjsm_(32).jpg" class="mw-file-description" title="Zellij band with interlacing motif at the entrance of the Comares Palace of the Alhambra (14th century)"><noscript><img alt="Zellij band with interlacing motif at the entrance of the Comares Palace of the Alhambra (14th century)" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/24/Alhambra_Granada_mjsm_%2832%29.jpg/90px-Alhambra_Granada_mjsm_%2832%29.jpg" decoding="async" width="90" height="120" class="mw-file-element" data-file-width="1944" data-file-height="2592"></noscript><span class="lazy-image-placeholder" style="width: 90px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/24/Alhambra_Granada_mjsm_%2832%29.jpg/90px-Alhambra_Granada_mjsm_%2832%29.jpg" data-alt="Zellij band with interlacing motif at the entrance of the Comares Palace of the Alhambra (14th century)" data-width="90" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/24/Alhambra_Granada_mjsm_%2832%29.jpg/135px-Alhambra_Granada_mjsm_%2832%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/24/Alhambra_Granada_mjsm_%2832%29.jpg/180px-Alhambra_Granada_mjsm_%2832%29.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> band with interlacing motif at the entrance of the <a href="/wiki/Comares_Palace" class="mw-redirect" title="Comares Palace">Comares Palace</a> of the Alhambra (14th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:La_Alhambra_(14).jpg" class="mw-file-description" title='Zellij with so-called "Nasrid bird" motif in the Court of the Myrtles in the Alhambra (14th century)'><noscript><img alt='Zellij with so-called "Nasrid bird" motif in the Court of the Myrtles in the Alhambra (14th century)' src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/La_Alhambra_%2814%29.jpg/110px-La_Alhambra_%2814%29.jpg" decoding="async" width="110" height="120" class="mw-file-element" data-file-width="1842" data-file-height="2000"></noscript><span class="lazy-image-placeholder" style="width: 110px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/La_Alhambra_%2814%29.jpg/110px-La_Alhambra_%2814%29.jpg" data-alt='Zellij with so-called "Nasrid bird" motif in the Court of the Myrtles in the Alhambra (14th century)' data-width="110" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/La_Alhambra_%2814%29.jpg/166px-La_Alhambra_%2814%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1d/La_Alhambra_%2814%29.jpg/221px-La_Alhambra_%2814%29.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> with so-called "Nasrid bird" motif in the Court of the Myrtles in the Alhambra (14th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Mosaico_Nazar%C3%AD_Hueso.svg" class="mw-file-description" title='Digital recreation of the "bone" motif, including the straight-lined (left) and curvilinear (right) variants'><noscript><img alt='Digital recreation of the "bone" motif, including the straight-lined (left) and curvilinear (right) variants' src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Mosaico_Nazar%C3%AD_Hueso.svg/120px-Mosaico_Nazar%C3%AD_Hueso.svg.png" decoding="async" width="120" height="57" class="mw-file-element" data-file-width="2485" data-file-height="1172"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 57px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Mosaico_Nazar%C3%AD_Hueso.svg/120px-Mosaico_Nazar%C3%AD_Hueso.svg.png" data-alt='Digital recreation of the "bone" motif, including the straight-lined (left) and curvilinear (right) variants' data-width="120" data-height="57" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Mosaico_Nazar%C3%AD_Hueso.svg/180px-Mosaico_Nazar%C3%AD_Hueso.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/25/Mosaico_Nazar%C3%AD_Hueso.svg/240px-Mosaico_Nazar%C3%AD_Hueso.svg.png 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">Digital recreation of the "bone" motif, including the straight-lined (left) and curvilinear (right) variants</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Al-Attarine_Madrasa_DSC_0465_(39977436372).jpg" class="mw-file-description" title="Zellij with darj-wa-ktaf motif in the al-Attarine Madrasa in Fez (14th century)"><noscript><img alt="Zellij with darj-wa-ktaf motif in the al-Attarine Madrasa in Fez (14th century)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg/80px-Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg" decoding="async" width="80" height="120" class="mw-file-element" data-file-width="4000" data-file-height="6000"></noscript><span class="lazy-image-placeholder" style="width: 80px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg/80px-Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg" data-alt="Zellij with darj-wa-ktaf motif in the al-Attarine Madrasa in Fez (14th century)" data-width="80" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg/120px-Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg/160px-Al-Attarine_Madrasa_DSC_0465_%2839977436372%29.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> with <i><a href="/wiki/Sebka" title="Sebka">darj-wa-ktaf</a></i> motif in the <a href="/wiki/Al-Attarine_Madrasa" title="Al-Attarine Madrasa">al-Attarine Madrasa</a> in Fez (14th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg" class="mw-file-description" title="Zellij paving around the fountain of the Al-Attarine Madrasa in Fez"><noscript><img alt="Zellij paving around the fountain of the Al-Attarine Madrasa in Fez" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg/120px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg" decoding="async" width="120" height="120" class="mw-file-element" data-file-width="2576" data-file-height="2576"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg/120px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg" data-alt="Zellij paving around the fountain of the Al-Attarine Madrasa in Fez" data-width="120" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg/180px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f4/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg/240px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D9%84%D8%B9%D8%B7%D8%A7%D8%B1%D9%8A%D9%86_2.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><i>Zellij</i> paving around the fountain of the Al-Attarine Madrasa in Fez</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg" class="mw-file-description" title="Ben Youssef Madrasa in Marrakesh (16th century)"><noscript><img alt="Ben Youssef Madrasa in Marrakesh (16th century)" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d9/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/120px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg" decoding="async" width="120" height="120" class="mw-file-element" data-file-width="2592" data-file-height="2591"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d9/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/120px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg" data-alt="Ben Youssef Madrasa in Marrakesh (16th century)" data-width="120" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d9/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/180px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d9/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg/240px-%D9%85%D8%AF%D8%B1%D8%B3%D8%A9_%D8%A7%D8%A8%D9%86_%D9%8A%D9%88%D8%B3%D9%81.jpeg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><a href="/wiki/Ben_Youssef_Madrasa" title="Ben Youssef Madrasa">Ben Youssef Madrasa</a> in Marrakesh (16th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Bab_Mansour2.JPG" class="mw-file-description" title="Detail of Bab al-Mansour in Meknes (early 18th century)"><noscript><img alt="Detail of Bab al-Mansour in Meknes (early 18th century)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Bab_Mansour2.JPG/80px-Bab_Mansour2.JPG" decoding="async" width="80" height="120" class="mw-file-element" data-file-width="2035" data-file-height="3058"></noscript><span class="lazy-image-placeholder" style="width: 80px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Bab_Mansour2.JPG/80px-Bab_Mansour2.JPG" data-alt="Detail of Bab al-Mansour in Meknes (early 18th century)" data-width="80" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Bab_Mansour2.JPG/120px-Bab_Mansour2.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Bab_Mansour2.JPG/160px-Bab_Mansour2.JPG 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">Detail of <a href="/wiki/Bab_Mansur_al-%27Alj" title="Bab Mansur al-'Alj">Bab al-Mansour</a> in Meknes (early 18th century)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Mellah_de_Tetouan_10112020_004.jpg" class="mw-file-description" title="Example of zellij in Tétouan (on a fountain in the Mellah)"><noscript><img alt="Example of zellij in Tétouan (on a fountain in the Mellah)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Mellah_de_Tetouan_10112020_004.jpg/85px-Mellah_de_Tetouan_10112020_004.jpg" decoding="async" width="85" height="120" class="mw-file-element" data-file-width="2634" data-file-height="3731"></noscript><span class="lazy-image-placeholder" style="width: 85px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Mellah_de_Tetouan_10112020_004.jpg/85px-Mellah_de_Tetouan_10112020_004.jpg" data-alt="Example of zellij in Tétouan (on a fountain in the Mellah)" data-width="85" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Mellah_de_Tetouan_10112020_004.jpg/127px-Mellah_de_Tetouan_10112020_004.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Mellah_de_Tetouan_10112020_004.jpg/169px-Mellah_de_Tetouan_10112020_004.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">Example of <i>zellij</i> in <a href="/wiki/T%C3%A9touan" title="Tétouan">Tétouan</a> (on a fountain in the <i><a href="/wiki/Mellah" title="Mellah">Mellah</a></i>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg" class="mw-file-description" title="20th-century zellij in the Mahkamat al-Pasha in Casablanca, Morocco"><noscript><img alt="20th-century zellij in the Mahkamat al-Pasha in Casablanca, Morocco" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/db/%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg/120px-%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg" decoding="async" width="120" height="90" class="mw-file-element" data-file-width="4032" data-file-height="3024"></noscript><span class="lazy-image-placeholder" style="width: 120px;height: 90px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/d/db/%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg/120px-%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg" data-alt="20th-century zellij in the Mahkamat al-Pasha in Casablanca, Morocco" data-width="120" data-height="90" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/db/%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg/180px-%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/db/%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg/240px-%D9%85%D8%AD%D9%83%D9%85%D8%A9_%D8%A7%D9%84%D8%A8%D8%A7%D8%B4%D8%A7_20_52_01_947000.jpeg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext">20th-century <i>zellij</i> in the <a href="/wiki/Mahkamat_al-Pasha" title="Mahkamat al-Pasha">Mahkamat al-Pasha</a> in <a href="/wiki/Casablanca" title="Casablanca">Casablanca</a>, Morocco</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg" class="mw-file-description" title="Edmond Brion's reinterpreted zellij at Bank Al-Maghrib in Casablanca"><noscript><img alt="Edmond Brion's reinterpreted zellij at Bank Al-Maghrib in Casablanca" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg/90px-%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg" decoding="async" width="90" height="120" class="mw-file-element" data-file-width="2448" data-file-height="3264"></noscript><span class="lazy-image-placeholder" style="width: 90px;height: 120px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg/90px-%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg" data-alt="Edmond Brion's reinterpreted zellij at Bank Al-Maghrib in Casablanca" data-width="90" data-height="120" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg/135px-%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/61/%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg/180px-%D8%AA%D9%81%D8%A7%D8%B5%D9%8A%D9%84_%D8%A7%D9%84%D8%B2%D9%84%D9%8A%D8%AC_%D9%81%D9%8A_%D9%85%D8%A8%D9%86%D9%8A_%D8%A8%D9%86%D9%83_%D8%A7%D9%84%D9%85%D8%BA%D8%B1%D8%A8_%D9%81%D9%8A_%D8%A7%D9%84%D8%AF%D8%A7%D8%B1_%D8%A7%D9%84%D8%A8%D9%8A%D8%B6%D8%A7%D8%A1.jpg 2x" data-class="mw-file-element"> </span></a></span></div> <div class="gallerytext"><a href="/wiki/Edmond_Brion" title="Edmond Brion">Edmond Brion's</a> reinterpreted <i>zellij</i> at <a href="/wiki/Bank_Al-Maghrib" title="Bank Al-Maghrib">Bank Al-Maghrib</a> in Casablanca</div> </li> </ul> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg/220px-Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg" decoding="async" width="220" height="152" class="mw-file-element" data-file-width="4550" data-file-height="3140"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 152px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg/220px-Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg" data-width="220" data-height="152" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg/330px-Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/13/Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg/440px-Wooden_box_inlaid_with_ivory_in_floral_and_zellige-like_geometrical_motifs_Italy_15th_century.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Wooden box inlaid with ivory with <i>zellīj</i>-like geometrical motifs. Italy (Florence or Venice) 15th century.</figcaption></figure> <p>Islamic decoration and craftsmanship had a <a href="/wiki/Islamic_influences_on_Western_art" title="Islamic influences on Western art">significant influence on Western art</a> when <a href="/wiki/Venice" title="Venice">Venetian</a> merchants brought goods of many types back to Italy from the 14th century onwards.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> The tessellations of <i>zellij</i> tilework in the Alhambra of Granada were also an important source of inspiration for the work of 20th-century <a href="/wiki/Netherlands" title="Netherlands">Dutch</a> artist M. C. Escher.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> The tessellations in the mosaics are currently of interest in academic research in the <a href="/wiki/Mathematics_and_art" title="Mathematics and art">mathematics of art</a>. These studies require expertise not only in the fields of mathematics, art and art history, but also of computer science, computer modelling and software engineering.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup><sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="The cited source appears to be merely one example study that involves zellij, it is not enough to support a wider point about the importance of zellij to these disciplines. (September 2022)">additional citation(s) needed</span></a></i>]</sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Clays">Clays</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=8" title="Edit section: Clays" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-5 collapsible-block" id="mf-section-5"> <p>In Morocco, Fez is still a production center for <i>zellīj</i> tiles due in part to the <a href="/wiki/Miocene" title="Miocene">Miocene</a> grey clay found in the area. The clay from this region is primarily composed of <a href="/wiki/Kaolinite" title="Kaolinite">kaolinite</a>. In Fez and in other sites including Meknes, Safi, and Salé, the composition of clay used for ceramics is 27–56% clay minerals, of which 3–29% is <a href="/wiki/Calcite" title="Calcite">calcite</a> (around 16% for Fez).<sup id="cite_ref-:0_43-0" class="reference"><a href="#cite_note-:0-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Quartz and muscovite are also present, at around 15–29% and 5–18%, respectively.<sup id="cite_ref-:0_43-1" class="reference"><a href="#cite_note-:0-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> A study by Meriam El Ouahabi, L. Daoudi, and Nathalie Fagel states that: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>From the other sites (Meknes, Fes, Salé and Safi), the clay mineral composition shows besides kaolinite the presence of <a href="/wiki/Illite" title="Illite">illite</a>, <a href="/wiki/Chlorite" title="Chlorite">chlorite</a>, <a href="/wiki/Smectite" title="Smectite">smectite</a> and traces of mixed layer illite/chlorite. Meknes clays belong to illitic clays, characterized by illite (54 – 61%), kaolinite (11 – 43%), smectite (8 – 12%) and chlorite (6 – 19%). Fes clays have a homogeneous composition with illite (40 – 48%). and kaolinite (18 – 28%) as the most abundant clay minerals. Chlorite (12 – 15%) and smectite (9 – 12%) are generally present as small quantities. Mixed layer illite/chlorite is present in trace amounts in all the examined Fes clay materials.<sup id="cite_ref-:0_43-2" class="reference"><a href="#cite_note-:0-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Verifiability" title="Wikipedia:Verifiability"><span title="This quote is not found in the article, although the same information is present on p. 42; unclear if this quote comes from another version of the same study or if this is in fact paraphrased. (September 2022)">failed verification</span></a></i>]</sup></p></blockquote> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Zellij_craftsmen"><i>Zellij</i> craftsmen</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=9" title="Edit section: Zellij craftsmen" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <p><i>Zellīj</i> making is considered an art in itself. The art is transmitted from generation to generation by <i>ma'alem</i>s (master craftsmen). A long training is required to implant the required skills and training usually starts at childhood. In Fez, craftsmen begin training between the ages of 6 and 14 and the average apprenticeship lasts approximately ten years, with many more years required to achieve the status of <i>ma'alem</i>.<sup id="cite_ref-:1_31-2" class="reference"><a href="#cite_note-:1-31"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> In 1993, the Moroccan government ratified the <a href="/wiki/Convention_on_the_Rights_of_the_Child" title="Convention on the Rights of the Child">Convention on the Rights of the Child</a> (CRC), abolishing the practice of employing children under 15 in work that is hazardous or impedes their education,<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> but a 2019 study reports that the practice of training children has continued.<sup id="cite_ref-:1_31-3" class="reference"><a href="#cite_note-:1-31"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Now young people learn <i>zellīj</i> making at one of the 58 artisan schools in Morocco. However, the interest in learning the craft is dropping. As of 2018, at an artisan school in Fez with 400 enrolled students only 7 students learn how to make <i>zellīj</i>.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(7)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="See_also">See also</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=10" title="Edit section: See also" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-7 collapsible-block" id="mf-section-7"> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 30em;"> <ul><li><a href="/wiki/Girih_tiles" title="Girih tiles">Girih tiles</a></li> <li><a href="/wiki/Islamic_architecture" title="Islamic architecture">Islamic architecture</a></li> <li><a href="/wiki/Qashani" title="Qashani">Qashani</a></li> <li><a href="/wiki/Tadelakt" title="Tadelakt">Tadelakt</a></li></ul></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(8)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Notes">Notes</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=11" title="Edit section: Notes" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-8 collapsible-block" id="mf-section-8"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Different types of tiles are also used on the Kasbah Mosque's minaret. Green ceramic revetment is used within the <i><a href="/wiki/Sebka" title="Sebka">sebka</a></i>-patterned brickwork on the minaret's flanks, a blue-violet revetment covers the small <a href="/wiki/Engaged_column" title="Engaged column">engaged columns</a> below this, and a band of square tiles in the <i><a href="/wiki/Cuerda_seca" title="Cuerda seca">cuerda seca</a></i> technique formed an epigraphic frieze along the top. The epigraphic frieze is no longer present today; only a few preserved fragments were found in the 1920s, of which one remains in the reserve collection of the <a href="/wiki/Badi_Palace" class="mw-redirect" title="Badi Palace">Badi Palace</a> museum.<sup id="cite_ref-:132_15-1" class="reference"><a href="#cite_note-:132-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 330, 332">: 330, 332 </span></sup></span> </li> </ol></div></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(9)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="References">References</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=12" title="Edit section: References" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-9 collapsible-block" id="mf-section-9"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-:022-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-:022_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:022_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:022_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:022_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:022_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:022_1-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:022_1-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:022_1-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:022_1-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-:022_1-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-:022_1-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-:022_1-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-:022_1-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-:022_1-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-:022_1-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-:022_1-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-:022_1-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-:022_1-17"><sup><i><b>r</b></i></sup></a> <a href="#cite_ref-:022_1-18"><sup><i><b>s</b></i></sup></a> <a href="#cite_ref-:022_1-19"><sup><i><b>t</b></i></sup></a> <a href="#cite_ref-:022_1-20"><sup><i><b>u</b></i></sup></a> <a href="#cite_ref-:022_1-21"><sup><i><b>v</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFMarçais1954" class="citation book cs1">Marçais, Georges (1954). <i>L'architecture musulmane d'Occident</i>. Paris: Arts et métiers graphiques.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=L%27architecture+musulmane+d%27Occident&rft.place=Paris&rft.pub=Arts+et+m%C3%A9tiers+graphiques&rft.date=1954&rft.aulast=Mar%C3%A7ais&rft.aufirst=Georges&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:122-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:122_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:122_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:122_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:122_2-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:122_2-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:122_2-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:122_2-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:122_2-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParker1981" class="citation book cs1">Parker, Richard (1981). <i>A practical guide to Islamic Monuments in Morocco</i>. Charlottesville, VA: The Baraka Press.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+practical+guide+to+Islamic+Monuments+in+Morocco&rft.place=Charlottesville%2C+VA&rft.pub=The+Baraka+Press&rft.date=1981&rft.aulast=Parker&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:8-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-:8_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:8_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:8_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:8_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:8_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:8_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:8_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:8_3-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:8_3-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-:8_3-9"><sup><i><b>j</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBloom2020" class="citation book cs1">Bloom, Jonathan M. (2020). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=IRHbDwAAQBAJ&q=Islamic+Palace+Architecture+in+the+Western+Mediterranean&pg=PP1"><i>Architecture of the Islamic West: North Africa and the Iberian Peninsula, 700–1800</i></a>. Yale University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780300218701" title="Special:BookSources/9780300218701"><bdi>9780300218701</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Architecture+of+the+Islamic+West%3A+North+Africa+and+the+Iberian+Peninsula%2C+700%E2%80%931800&rft.pub=Yale+University+Press&rft.date=2020&rft.isbn=9780300218701&rft.aulast=Bloom&rft.aufirst=Jonathan+M.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DIRHbDwAAQBAJ%26q%3DIslamic%2BPalace%2BArchitecture%2Bin%2Bthe%2BWestern%2BMediterranean%26pg%3DPP1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:1323-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1323_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1323_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:1323_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:1323_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTouriBenaboudBoujibar_El-KhatibLakhdar2010" class="citation book cs1">Touri, Abdelaziz; Benaboud, Mhammad; Boujibar El-Khatib, Naïma; Lakhdar, Kamal; Mezzine, Mohamed (2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=FTbdBAAAQBAJ&pg=PT3"><i>Andalusian Morocco: A Discovery in Living Art</i></a> (2 ed.). Ministère des Affaires Culturelles du Royaume du Maroc & Museum With No Frontiers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3902782311" title="Special:BookSources/978-3902782311"><bdi>978-3902782311</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Andalusian+Morocco%3A+A+Discovery+in+Living+Art&rft.edition=2&rft.pub=Minist%C3%A8re+des+Affaires+Culturelles+du+Royaume+du+Maroc+%26+Museum+With+No+Frontiers&rft.date=2010&rft.isbn=978-3902782311&rft.aulast=Touri&rft.aufirst=Abdelaziz&rft.au=Benaboud%2C+Mhammad&rft.au=Boujibar+El-Khatib%2C+Na%C3%AFma&rft.au=Lakhdar%2C+Kamal&rft.au=Mezzine%2C+Mohamed&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFTbdBAAAQBAJ%26pg%3DPT3&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-BloomBlair2009-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-BloomBlair2009_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-BloomBlair2009_5-9"><sup><i><b>j</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJonathan_BloomSheila_S._BlairSheila_Blair2009" class="citation book cs1">Jonathan Bloom; Sheila S. Blair; Sheila Blair (2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=un4WcfEASZwC&pg=PA201">"Architecture; X. Decoration; B. Tiles"</a>. <i>Grove Encyclopedia of Islamic Art & Architecture</i>. Oxford University Press. p. 201. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-530991-1" title="Special:BookSources/978-0-19-530991-1"><bdi>978-0-19-530991-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Architecture%3B+X.+Decoration%3B+B.+Tiles&rft.btitle=Grove+Encyclopedia+of+Islamic+Art+%26+Architecture&rft.pages=201&rft.pub=Oxford+University+Press&rft.date=2009&rft.isbn=978-0-19-530991-1&rft.au=Jonathan+Bloom&rft.au=Sheila+S.+Blair&rft.au=Sheila+Blair&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dun4WcfEASZwC%26pg%3DPA201&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:2-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:2_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:2_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:2_6-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:2_6-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:2_6-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:2_6-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:2_6-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-:2_6-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-:2_6-10"><sup><i><b>k</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCaruncho2018" class="citation book cs1">Caruncho, Daniel S. (2018). <i>Tilework in the Alhambra of Granada</i>. Translated by Jones, Cerys Giordano. Barcelona: Dosde. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788491031369" title="Special:BookSources/9788491031369"><bdi>9788491031369</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tilework+in+the+Alhambra+of+Granada&rft.place=Barcelona&rft.pub=Dosde&rft.date=2018&rft.isbn=9788491031369&rft.aulast=Caruncho&rft.aufirst=Daniel+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBroug2008" class="citation book cs1">Broug, Eric (2008). <i>Islamic Geometric Patterns</i>. London: Thames & Hudson. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-500-28721-7" title="Special:BookSources/978-0-500-28721-7"><bdi>978-0-500-28721-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Islamic+Geometric+Patterns&rft.place=London&rft.pub=Thames+%26+Hudson&rft.date=2008&rft.isbn=978-0-500-28721-7&rft.aulast=Broug&rft.aufirst=Eric&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:7-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-:7_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:7_8-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:7_8-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:7_8-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:7_8-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:7_8-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRosser-Owen2010" class="citation book cs1">Rosser-Owen, Mariam (2010). <i>Islamic Arts from Spain</i>. V&A Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781851775989" title="Special:BookSources/9781851775989"><bdi>9781851775989</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Islamic+Arts+from+Spain&rft.pub=V%26A+Publishing&rft.date=2010&rft.isbn=9781851775989&rft.aulast=Rosser-Owen&rft.aufirst=Mariam&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTeam" class="citation web cs1">Team, Almaany. <a rel="nofollow" class="external text" href="https://www.almaany.com/ar/dict/ar-ar/%D8%B2%D9%84%D9%8A%D8%AC/">"تعريف و شرح و معنى زليج بالعربي في معاجم اللغة العربية معجم المعاني الجامع، المعجم الوسيط ،اللغة العربية المعاصرة ،الرائد ،لسان العرب ،القاموس المحيط - معجم عربي عربي صفحة 1"</a>. <i>www.almaany.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2020-05-29</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.almaany.com&rft.atitle=%D8%AA%D8%B9%D8%B1%D9%8A%D9%81+%D9%88+%D8%B4%D8%B1%D8%AD+%D9%88+%D9%85%D8%B9%D9%86%D9%89+%D8%B2%D9%84%D9%8A%D8%AC+%D8%A8%D8%A7%D9%84%D8%B9%D8%B1%D8%A8%D9%8A+%D9%81%D9%8A+%D9%85%D8%B9%D8%A7%D8%AC%D9%85+%D8%A7%D9%84%D9%84%D8%BA%D8%A9+%D8%A7%D9%84%D8%B9%D8%B1%D8%A8%D9%8A%D8%A9+%D9%85%D8%B9%D8%AC%D9%85+%D8%A7%D9%84%D9%85%D8%B9%D8%A7%D9%86%D9%8A+%D8%A7%D9%84%D8%AC%D8%A7%D9%85%D8%B9%D8%8C+%D8%A7%D9%84%D9%85%D8%B9%D8%AC%D9%85+%D8%A7%D9%84%D9%88%D8%B3%D9%8A%D8%B7+%D8%8C%D8%A7%D9%84%D9%84%D8%BA%D8%A9+%D8%A7%D9%84%D8%B9%D8%B1%D8%A8%D9%8A%D8%A9+%D8%A7%D9%84%D9%85%D8%B9%D8%A7%D8%B5%D8%B1%D8%A9+%D8%8C%D8%A7%D9%84%D8%B1%D8%A7%D8%A6%D8%AF+%D8%8C%D9%84%D8%B3%D8%A7%D9%86+%D8%A7%D9%84%D8%B9%D8%B1%D8%A8+%D8%8C%D8%A7%D9%84%D9%82%D8%A7%D9%85%D9%88%D8%B3+%D8%A7%D9%84%D9%85%D8%AD%D9%8A%D8%B7+-+%D9%85%D8%B9%D8%AC%D9%85+%D8%B9%D8%B1%D8%A8%D9%8A+%D8%B9%D8%B1%D8%A8%D9%8A+%D8%B5%D9%81%D8%AD%D8%A9+1&rft.aulast=Team&rft.aufirst=Almaany&rft_id=https%3A%2F%2Fwww.almaany.com%2Far%2Fdict%2Far-ar%2F%25D8%25B2%25D9%2584%25D9%258A%25D8%25AC%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation encyclopaedia cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190408214103/https://es.oxforddictionaries.com/definition/azulejo">"azulejo – definition of azulejo in Spanish"</a>. <i><a href="/wiki/Oxford_Living_Dictionaries" class="mw-redirect" title="Oxford Living Dictionaries">Oxford Living Dictionaries</a></i>. <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. Archived from <a rel="nofollow" class="external text" href="https://es.oxforddictionaries.com/definition/azulejo">the original</a> on 8 April 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">8 April</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=azulejo+%E2%80%93+definition+of+azulejo+in+Spanish&rft.btitle=Oxford+Living+Dictionaries&rft.pub=Oxford+University+Press&rft_id=https%3A%2F%2Fes.oxforddictionaries.com%2Fdefinition%2Fazulejo&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.azulejos.fr/index_en.html">"Azulejos: gallery and history of handmade Portuguese and Spanish tiles"</a>. <i>www.azulejos.fr</i><span class="reference-accessdate">. Retrieved <span class="nowrap">8 April</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.azulejos.fr&rft.atitle=Azulejos%3A+gallery+and+history+of+handmade+Portuguese+and+Spanish+tiles&rft_id=http%3A%2F%2Fwww.azulejos.fr%2Findex_en.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:15-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-:15_12-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDegeorgePorter2002" class="citation book cs1">Degeorge, Gérard; Porter, Yves (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=VynrAAAAMAAJ&q=zellij+alicatado"><i>The Art of the Islamic Tile</i></a>. Random House Incorporated. p. 24. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-2-08-010876-0" title="Special:BookSources/978-2-08-010876-0"><bdi>978-2-08-010876-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Art+of+the+Islamic+Tile&rft.pages=24&rft.pub=Random+House+Incorporated&rft.date=2002&rft.isbn=978-2-08-010876-0&rft.aulast=Degeorge&rft.aufirst=G%C3%A9rard&rft.au=Porter%2C+Yves&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DVynrAAAAMAAJ%26q%3Dzellij%2Balicatado&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:10-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-:10_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:10_13-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEttinghausenGrabarJenkins-Madina2001" class="citation book cs1">Ettinghausen, Richard; Grabar, Oleg; Jenkins-Madina, Marilyn (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=l1uWZAzN_VcC&pg=PA275"><i>Islamic Art and Architecture: 650–1250</i></a> (2nd ed.). Yale University Press. pp. 275–277. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780300088670" title="Special:BookSources/9780300088670"><bdi>9780300088670</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Islamic+Art+and+Architecture%3A+650%E2%80%931250&rft.pages=275-277&rft.edition=2nd&rft.pub=Yale+University+Press&rft.date=2001&rft.isbn=9780300088670&rft.aulast=Ettinghausen&rft.aufirst=Richard&rft.au=Grabar%2C+Oleg&rft.au=Jenkins-Madina%2C+Marilyn&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dl1uWZAzN_VcC%26pg%3DPA275&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:06-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-:06_14-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBloomToufiqCarboniSoultanian1998" class="citation book cs1">Bloom, Jonathan; Toufiq, Ahmed; Carboni, Stefano; Soultanian, Jack; Wilmering, Antoine M.; Minor, Mark D.; Zawacki, Andrew; Hbibi, El Mostafa (1998). <a rel="nofollow" class="external text" href="https://www.metmuseum.org/art/metpublications/The_Minbar_from_the_Kutubiyya_Mosque"><i>The Minbar from the Kutubiyya Mosque</i></a>. The Metropolitan Museum of Art, New York; Ediciones El Viso, S.A., Madrid; Ministère des Affaires Culturelles, Royaume du Maroc.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Minbar+from+the+Kutubiyya+Mosque&rft.pub=The+Metropolitan+Museum+of+Art%2C+New+York%3B+Ediciones+El+Viso%2C+S.A.%2C+Madrid%3B+Minist%C3%A8re+des+Affaires+Culturelles%2C+Royaume+du+Maroc&rft.date=1998&rft.aulast=Bloom&rft.aufirst=Jonathan&rft.au=Toufiq%2C+Ahmed&rft.au=Carboni%2C+Stefano&rft.au=Soultanian%2C+Jack&rft.au=Wilmering%2C+Antoine+M.&rft.au=Minor%2C+Mark+D.&rft.au=Zawacki%2C+Andrew&rft.au=Hbibi%2C+El+Mostafa&rft_id=https%3A%2F%2Fwww.metmuseum.org%2Fart%2Fmetpublications%2FThe_Minbar_from_the_Kutubiyya_Mosque&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:132-15"><span class="mw-cite-backlink">^ <a href="#cite_ref-:132_15-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:132_15-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:132_15-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:132_15-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:132_15-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:132_15-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLintzDéléryTuil_Leonetti2014" class="citation book cs1">Lintz, Yannick; Déléry, Claire; Tuil Leonetti, Bulle, eds. (2014). <i>Maroc médiéval: Un empire de l'Afrique à l'Espagne</i>. Paris: Louvre éditions. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9782350314907" title="Special:BookSources/9782350314907"><bdi>9782350314907</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Maroc+m%C3%A9di%C3%A9val%3A+Un+empire+de+l%27Afrique+%C3%A0+l%27Espagne&rft.place=Paris&rft.pub=Louvre+%C3%A9ditions&rft.date=2014&rft.isbn=9782350314907&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:13-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-:13_17-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTouriBenaboudBoujibar_El-KhatibLakhdar2010" class="citation book cs1">Touri, Abdelaziz; Benaboud, Mhammad; Boujibar El-Khatib, Naïma; Lakhdar, Kamal; Mezzine, Mohamed (2010). <i>Le Maroc andalou : à la découverte d'un art de vivre</i> (2 ed.). Ministère des Affaires Culturelles du Royaume du Maroc & Museum With No Frontiers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3902782311" title="Special:BookSources/978-3902782311"><bdi>978-3902782311</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Le+Maroc+andalou+%3A+%C3%A0+la+d%C3%A9couverte+d%27un+art+de+vivre&rft.edition=2&rft.pub=Minist%C3%A8re+des+Affaires+Culturelles+du+Royaume+du+Maroc+%26+Museum+With+No+Frontiers&rft.date=2010&rft.isbn=978-3902782311&rft.aulast=Touri&rft.aufirst=Abdelaziz&rft.au=Benaboud%2C+Mhammad&rft.au=Boujibar+El-Khatib%2C+Na%C3%AFma&rft.au=Lakhdar%2C+Kamal&rft.au=Mezzine%2C+Mohamed&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:6-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-:6_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:6_18-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:6_18-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:6_18-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:6_18-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:6_18-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:6_18-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:6_18-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:6_18-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-:6_18-9"><sup><i><b>j</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDegeorgePorter2001" class="citation book cs1">Degeorge, Gérard; Porter, Yves (2001). <i>The Art of the Islamic Tile</i>. Translated by Radzinowicz, David. Flammarion. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/208010876X" title="Special:BookSources/208010876X"><bdi>208010876X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Art+of+the+Islamic+Tile&rft.pub=Flammarion&rft.date=2001&rft.isbn=208010876X&rft.aulast=Degeorge&rft.aufirst=G%C3%A9rard&rft.au=Porter%2C+Yves&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:44-19"><span class="mw-cite-backlink">^ <a href="#cite_ref-:44_19-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:44_19-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLópez2011" class="citation book cs1">López, Jesús Bermúdez (2011). <i>The Alhambra and the Generalife: Official Guide</i>. TF Editores. pp. 146, 195–196. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788492441129" title="Special:BookSources/9788492441129"><bdi>9788492441129</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Alhambra+and+the+Generalife%3A+Official+Guide&rft.pages=146%2C+195-196&rft.pub=TF+Editores&rft.date=2011&rft.isbn=9788492441129&rft.aulast=L%C3%B3pez&rft.aufirst=Jes%C3%BAs+Berm%C3%BAdez&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMakovicky2016" class="citation book cs1">Makovicky, Emil (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=6uLVDAAAQBAJ&dq=tiles+mirador+lindaraja+alhambra+7.15&pg=SA7-PA14"><i>Symmetry: Through the Eyes of Old Masters</i></a>. Walter de Gruyter GmbH & Co KG. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-11-041719-7" title="Special:BookSources/978-3-11-041719-7"><bdi>978-3-11-041719-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Symmetry%3A+Through+the+Eyes+of+Old+Masters&rft.pub=Walter+de+Gruyter+GmbH+%26+Co+KG&rft.date=2016&rft.isbn=978-3-11-041719-7&rft.aulast=Makovicky&rft.aufirst=Emil&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D6uLVDAAAQBAJ%26dq%3Dtiles%2Bmirador%2Blindaraja%2Balhambra%2B7.15%26pg%3DSA7-PA14&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:9-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-:9_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:9_21-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCharpentier2018" class="citation book cs1 cs1-prop-foreign-lang-source">Charpentier, Agnès (2018). <i>Tlemcen médiévale: urbanisme, architecture et arts</i> (in French). Éditions de Boccard. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9782701805252" title="Special:BookSources/9782701805252"><bdi>9782701805252</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tlemcen+m%C3%A9di%C3%A9vale%3A+urbanisme%2C+architecture+et+arts&rft.pub=%C3%89ditions+de+Boccard&rft.date=2018&rft.isbn=9782701805252&rft.aulast=Charpentier&rft.aufirst=Agn%C3%A8s&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCharpentierTerrasseBachirBen_Amara2019" class="citation journal cs1 cs1-prop-foreign-lang-source">Charpentier, Agnès; Terrasse, Michel; Bachir, Redouane; Ben Amara, Ayed (2019-12-31). <a rel="nofollow" class="external text" href="https://journals.openedition.org/archeosciences/6947">"Palais du Meshouar (Tlemcen, Algérie) : couleurs des zellijs et tracés de décors du xive siècle"</a>. <i>ArcheoSciences. 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"Zillīǧ: Origines et Schémas de Composition au Temps des Mérinides". <i>Zillīǧ: L'Art de la Céramique Marocaine</i> (in French). Garnet Publishing Limited. pp. 135–155. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1873938497" title="Special:BookSources/1873938497"><bdi>1873938497</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Zill%C4%AB%C7%A7%3A+Origines+et+Sch%C3%A9mas+de+Composition+au+Temps+des+M%C3%A9rinides&rft.btitle=Zill%C4%AB%C7%A7%3A+L%27Art+de+la+C%C3%A9ramique+Marocaine&rft.pages=135-155&rft.pub=Garnet+Publishing+Limited&rft.date=1992&rft.isbn=1873938497&rft.aulast=Cambazard-Amahan&rft.aufirst=Catherine&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEkhtiarSoucekCanbyHaidar2011" class="citation book cs1">Ekhtiar, Maryam D.; Soucek, Priscilla P.; Canby, Sheila R.; Haidar, Navina Najat, eds. 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The Metropolitan Museum of Art. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781588394347" title="Special:BookSources/9781588394347"><bdi>9781588394347</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Masterpieces+from+the+Department+of+Islamic+Art+in+The+Metropolitan+Museum+of+Art&rft.pub=The+Metropolitan+Museum+of+Art&rft.date=2011&rft.isbn=9781588394347&rft_id=https%3A%2F%2Fwww.metmuseum.org%2Fart%2Fmetpublications%2FMasterpieces_from_the_Department_of_Islamic_Art_in_The_Metropolitan_Museum_of_Art&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metmuseum.org/art/collection/search/197345">"Panel of 4 cuenca tiles"</a>. <i>MET Museum</i><span class="reference-accessdate">. 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"L'École de Tétouan". <i>Zillīǧ: L'Art de la Céramique Marocaine</i> (in French). Garnet Publishing Limited. p. 174. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1873938497" title="Special:BookSources/1873938497"><bdi>1873938497</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=L%27%C3%89cole+de+T%C3%A9touan&rft.btitle=Zill%C4%AB%C7%A7%3A+L%27Art+de+la+C%C3%A9ramique+Marocaine&rft.pages=174&rft.pub=Garnet+Publishing+Limited&rft.date=1992&rft.isbn=1873938497&rft.aulast=Erzini&rft.aufirst=Nadia&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:42-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-:42_33-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDamluji1992" class="citation book cs1 cs1-prop-foreign-lang-source">Damluji, Salma Samar (1992). "Zillīǧ: Espaces architecturaux". <i>Zillīǧ: L'Art de la Céramique Marocaine</i> (in French). Garnet Publishing Limited. pp. 242–349. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1873938497" title="Special:BookSources/1873938497"><bdi>1873938497</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Zill%C4%AB%C7%A7%3A+Espaces+architecturaux&rft.btitle=Zill%C4%AB%C7%A7%3A+L%27Art+de+la+C%C3%A9ramique+Marocaine&rft.pages=242-349&rft.pub=Garnet+Publishing+Limited&rft.date=1992&rft.isbn=1873938497&rft.aulast=Damluji&rft.aufirst=Salma+Samar&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:02-34"><span class="mw-cite-backlink">^ <a href="#cite_ref-:02_34-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:02_34-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:02_34-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:02_34-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:02_34-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:02_34-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:02_34-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBonner2017" class="citation book cs1">Bonner, Jay (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=o9IxDwAAQBAJ"><i>Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Construction</i></a>. Springer. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4419-0217-7" title="Special:BookSources/978-1-4419-0217-7"><bdi>978-1-4419-0217-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Islamic+Geometric+Patterns%3A+Their+Historical+Development+and+Traditional+Methods+of+Construction&rft.pub=Springer&rft.date=2017&rft.isbn=978-1-4419-0217-7&rft.aulast=Bonner&rft.aufirst=Jay&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Do9IxDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:16-35"><span class="mw-cite-backlink">^ <a href="#cite_ref-:16_35-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:16_35-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPetersen1996" class="citation book cs1">Petersen, Andrew (1996). "tilework". <i>Dictionary of Islamic architecture</i>. Routledge. pp. 279–280. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781134613663" title="Special:BookSources/9781134613663"><bdi>9781134613663</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=tilework&rft.btitle=Dictionary+of+Islamic+architecture&rft.pages=279-280&rft.pub=Routledge&rft.date=1996&rft.isbn=9781134613663&rft.aulast=Petersen&rft.aufirst=Andrew&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-:12-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-:12_36-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlairBloom2011" class="citation book cs1">Blair, Sheila; Bloom, Jonathan (2011). "Tiles as Architectural Decoration". In Hattstein, Markus; Delius, Peter (eds.). <i>Islam: Art and Architecture</i>. h.f.ullmann. pp. 448–451. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9783848003808" title="Special:BookSources/9783848003808"><bdi>9783848003808</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Tiles+as+Architectural+Decoration&rft.btitle=Islam%3A+Art+and+Architecture&rft.pages=448-451&rft.pub=h.f.ullmann&rft.date=2011&rft.isbn=9783848003808&rft.aulast=Blair&rft.aufirst=Sheila&rft.au=Bloom%2C+Jonathan&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWerner2001" class="citation web cs1">Werner, Louis (2001). <a rel="nofollow" class="external text" href="https://archive.aramcoworld.com/issue/200103/zillij.in.fez.htm">"Zillij in Fez"</a>. <i>Saudi Aramco World</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2022-10-02</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Saudi+Aramco+World&rft.atitle=Zillij+in+Fez&rft.date=2001&rft.aulast=Werner&rft.aufirst=Louis&rft_id=https%3A%2F%2Farchive.aramcoworld.com%2Fissue%2F200103%2Fzillij.in.fez.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMack2001" class="citation book cs1">Mack, Rosamond E. (2001). <i>Bazaar to Piazza: Islamic Trade and Italian Art, 1300-1600</i>. University of California Press. pp. Chapter 1. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-520-22131-1" title="Special:BookSources/0-520-22131-1"><bdi>0-520-22131-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bazaar+to+Piazza%3A+Islamic+Trade+and+Italian+Art%2C+1300-1600&rft.pages=Chapter+1&rft.pub=University+of+California+Press&rft.date=2001&rft.isbn=0-520-22131-1&rft.aulast=Mack&rft.aufirst=Rosamond+E.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCalcatinge2014" class="citation book cs1">Calcatinge, Alexandru (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=FPXYAwAAQBAJ&dq=escher+alhambra&pg=PA56"><i>Critical Spaces: Contemporary Perspectives in Urban, Spatial and Landscape Studies</i></a>. LIT Verlag Münster. pp. 55–56. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-643-90495-9" title="Special:BookSources/978-3-643-90495-9"><bdi>978-3-643-90495-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Critical+Spaces%3A+Contemporary+Perspectives+in+Urban%2C+Spatial+and+Landscape+Studies&rft.pages=55-56&rft.pub=LIT+Verlag+M%C3%BCnster&rft.date=2014&rft.isbn=978-3-643-90495-9&rft.aulast=Calcatinge&rft.aufirst=Alexandru&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFPXYAwAAQBAJ%26dq%3Descher%2Balhambra%26pg%3DPA56&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHvidsten2016" class="citation book cs1">Hvidsten, Michael (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Q6iuDQAAQBAJ&dq=escher+alhambra+tiles&pg=PT240"><i>Exploring Geometry</i></a>. CRC Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4987-6098-0" title="Special:BookSources/978-1-4987-6098-0"><bdi>978-1-4987-6098-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Exploring+Geometry&rft.pub=CRC+Press&rft.date=2016&rft.isbn=978-1-4987-6098-0&rft.aulast=Hvidsten&rft.aufirst=Michael&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DQ6iuDQAAQBAJ%26dq%3Descher%2Balhambra%2Btiles%26pg%3DPT240&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoffmann2020" class="citation book cs1">Hoffmann, Frank (2020). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=16H0DwAAQBAJ&dq=escher+alhambra&pg=PA140"><i>Introduction to Crystallography</i></a>. Springer Nature. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-030-35110-6" title="Special:BookSources/978-3-030-35110-6"><bdi>978-3-030-35110-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Introduction+to+Crystallography&rft.pub=Springer+Nature&rft.date=2020&rft.isbn=978-3-030-35110-6&rft.aulast=Hoffmann&rft.aufirst=Frank&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D16H0DwAAQBAJ%26dq%3Descher%2Balhambra%26pg%3DPA140&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><i>From Form to Content: Using Shape Grammars for Image Visualization</i>, Source IV archive Proceedings of the Ninth International Conference on Information Visualisation (IV'05) – Volume 00, IEEE Computer Society Washington, DC, USA</span> </li> <li id="cite_note-:0-43"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_43-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_43-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_43-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEl_OuahabiDaoudiFagel2014" class="citation journal cs1">El Ouahabi, Meriam; Daoudi, L.; Fagel, Nathalie (2014). <a rel="nofollow" class="external text" href="https://www.researchgate.net/publication/261479494">"Mineralogical and geotechnical characterization of clays from northern Morocco for their potential use in the ceramic industry"</a>. <i>Clay Minerals</i>. <b>49</b> (1): 35–51. <a href="/wiki/Bibcode_(identifier)" class="mw-redirect" title="Bibcode (identifier)">Bibcode</a>:<a rel="nofollow" class="external text" href="https://ui.adsabs.harvard.edu/abs/2014ClMin..49...35O">2014ClMin..49...35O</a>. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1180%2Fclaymin.2014.049.1.04">10.1180/claymin.2014.049.1.04</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:131441497">131441497</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Clay+Minerals&rft.atitle=Mineralogical+and+geotechnical+characterization+of+clays+from+northern+Morocco+for+their+potential+use+in+the+ceramic+industry&rft.volume=49&rft.issue=1&rft.pages=35-51&rft.date=2014&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A131441497%23id-name%3DS2CID&rft_id=info%3Adoi%2F10.1180%2Fclaymin.2014.049.1.04&rft_id=info%3Abibcode%2F2014ClMin..49...35O&rft.aulast=El+Ouahabi&rft.aufirst=Meriam&rft.au=Daoudi%2C+L.&rft.au=Fagel%2C+Nathalie&rft_id=https%3A%2F%2Fwww.researchgate.net%2Fpublication%2F261479494&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.hrw.org/report/2012/11/15/lonely-servitude/child-domestic-labor-morocco">"Lonely Servitude | Child Domestic Labor in Morocco"</a>. <i>Human Rights Watch</i>. 2012-11-15<span class="reference-accessdate">. Retrieved <span class="nowrap">2019-05-22</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Human+Rights+Watch&rft.atitle=Lonely+Servitude+%7C+Child+Domestic+Labor+in+Morocco&rft.date=2012-11-15&rft_id=https%3A%2F%2Fwww.hrw.org%2Freport%2F2012%2F11%2F15%2Flonely-servitude%2Fchild-domestic-labor-morocco&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.usatoday.com/story/news/world/2018/06/07/morocco-zellige-mosaic-tile-craftsmanship/660702002/">"Crafting mosaic tile is an endangered tradition. Here are the folks keeping it alive"</a>. <i>USA TODAY</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2019-05-22</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=USA+TODAY&rft.atitle=Crafting+mosaic+tile+is+an+endangered+tradition.+Here+are+the+folks+keeping+it+alive&rft_id=https%3A%2F%2Fwww.usatoday.com%2Fstory%2Fnews%2Fworld%2F2018%2F06%2F07%2Fmorocco-zellige-mosaic-tile-craftsmanship%2F660702002%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> </ol></div></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(10)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Zellij&action=edit&section=13" title="Edit section: Further reading" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-10 collapsible-block" id="mf-section-10"> <ul><li><i><a href="/w/index.php?title=At-Tanw%C4%ABr_wa-Diw%C4%81n_at-Tahb%C4%ABr_fi_Fan_at-Tast%C4%ABr&action=edit&redlink=1" class="new" title="At-Tanwīr wa-Diwān at-Tahbīr fi Fan at-Tastīr (page does not exist)">at-Tanwīr wa-Diwān at-Tahbīr fi Fan at-Tastīr</a></i> (<span title="Arabic-language text"><span lang="ar" dir="rtl">التنوير وديوان التحبير في فن التسطير</span></span>) by Khalid Saib (in Arabic)<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(11)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="External_links">External links</h2><span class="mw-editsection"> <a 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plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Zellij" class="extiw" title="commons:Category:Zellij">Zellij</a></span>.</div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=Og6cTlwBTrk">The Moroccan Court in the Metropolitan Museum in New York</a></li> <li><a rel="nofollow" class="external text" href="http://www.zellige.ma/zellij-moroccan.html">Zellige is kind of art which is typically Moroccan</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161114080435/http://www.zellige.ma/zellij-moroccan.html">Archived</a> 2016-11-14 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://www.zellige.ma/Catalog-Zellij-Moroccan.html">Handmade zellige and Moroccan mosaic images</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220327153303/http://www.zellige.ma/Catalog-Zellij-Moroccan.html">Archived</a> 2022-03-27 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="http://moroccandesign.com/uncategorized/moroccan-mosaics-the-art-of-zillij">Moroccan Mosaics: Art of Zillij (Zellige)</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151128060034/http://moroccandesign.com/uncategorized/moroccan-mosaics-the-art-of-zillij">Archived</a> 2015-11-28 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=vk1ALI6EZy0">Video of how zellige is made</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist 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.navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFخالد،2016" class="citation book cs1 cs1-prop-foreign-lang-source">خالد،, السايب، (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=_MhcuwEACAAJ&q=%D8%A7%D9%84%D8%AA%D9%86%D9%88%D9%8A%D8%B1+%D9%88%D8%AF%D9%8A%D9%88%D8%A7%D9%86+%D8%A7%D9%84%D8%AA%D8%AD%D8%A8%D9%8A%D8%B1+%D9%81%D9%8A+%D9%81%D9%86+%D8%A7%D9%84%D8%AA%D8%B3%D8%B7%D9%8A%D8%B1"><i>كتاب التنوير وديوان التحبير في فن التسطير</i></a> (in Arabic). <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-9954-37-649-2" title="Special:BookSources/978-9954-37-649-2"><bdi>978-9954-37-649-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%D9%83%D8%AA%D8%A7%D8%A8+%D8%A7%D9%84%D8%AA%D9%86%D9%88%D9%8A%D8%B1+%D9%88%D8%AF%D9%8A%D9%88%D8%A7%D9%86+%D8%A7%D9%84%D8%AA%D8%AD%D8%A8%D9%8A%D8%B1+%D9%81%D9%8A+%D9%81%D9%86+%D8%A7%D9%84%D8%AA%D8%B3%D8%B7%D9%8A%D8%B1&rft.date=2016&rft.isbn=978-9954-37-649-2&rft.aulast=%D8%AE%D8%A7%D9%84%D8%AF%D8%8C&rft.aufirst=%D8%A7%D9%84%D8%B3%D8%A7%D9%8A%D8%A8%D8%8C&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D_MhcuwEACAAJ%26q%3D%25D8%25A7%25D9%2584%25D8%25AA%25D9%2586%25D9%2588%25D9%258A%25D8%25B1%2B%25D9%2588%25D8%25AF%25D9%258A%25D9%2588%25D8%25A7%25D9%2586%2B%25D8%25A7%25D9%2584%25D8%25AA%25D8%25AD%25D8%25A8%25D9%258A%25D8%25B1%2B%25D9%2581%25D9%258A%2B%25D9%2581%25D9%2586%2B%25D8%25A7%25D9%2584%25D8%25AA%25D8%25B3%25D8%25B7%25D9%258A%25D8%25B1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZellij" class="Z3988"></span></span> </li> </ol></div> <!-- NewPP limit report Parsed by 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Rendering was triggered because: page-view --> </section></div> <!-- MobileFormatter took 0.030 seconds --><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.m.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&mobile=1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Zellij&oldid=1255595714">https://en.wikipedia.org/w/index.php?title=Zellij&oldid=1255595714</a>"</div></div> </div> <div class="post-content" id="page-secondary-actions"> </div> </main> <footer class="mw-footer minerva-footer" role="contentinfo"> <a class="last-modified-bar" href="/w/index.php?title=Zellij&action=history"> <div class="post-content last-modified-bar__content"> <span class="minerva-icon minerva-icon-size-medium minerva-icon--modified-history"></span> <span class="last-modified-bar__text modified-enhancement" data-user-name="Joyous!" data-user-gender="female" data-timestamp="1730833811"> <span>Last edited on 5 November 2024, at 19:10</span> </span> <span class="minerva-icon minerva-icon-size-small minerva-icon--expand"></span> </div> </a> <div class="post-content footer-content"> <div id='mw-data-after-content'> <div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%B2%D9%84%D9%8A%D8%AC" title="زليج – Arabic" lang="ar" hreflang="ar" data-title="زليج" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Zellige" title="Zellige – Catalan" lang="ca" hreflang="ca" data-title="Zellige" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Zellij" title="Zellij – German" lang="de" hreflang="de" data-title="Zellij" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Zellige" title="Zellige – Spanish" lang="es" hreflang="es" data-title="Zellige" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Zellige" title="Zellige – Basque" lang="eu" hreflang="eu" data-title="Zellige" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%B2%D9%84%DB%8C%D8%AC" title="زلیج – Persian" lang="fa" hreflang="fa" data-title="زلیج" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Zellige" title="Zellige – French" lang="fr" hreflang="fr" data-title="Zellige" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Zellige" title="Zellige – Indonesian" lang="id" hreflang="id" data-title="Zellige" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Zellige" title="Zellige – Italian" lang="it" hreflang="it" data-title="Zellige" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Zeli%C5%BEas" title="Zeližas – Lithuanian" lang="lt" hreflang="lt" data-title="Zeližas" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Zellige" title="Zellige – Dutch" lang="nl" hreflang="nl" data-title="Zellige" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Zellij" title="Zellij – Uzbek" lang="uz" hreflang="uz" data-title="Zellij" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target"><span>Oʻzbekcha / ўзбекча</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Zellige" title="Zellige – Portuguese" lang="pt" hreflang="pt" data-title="Zellige" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%97%D1%83%D0%BB%D0%BB%D1%8F%D0%B9%D0%B4%D0%B6" title="Зулляйдж – Russian" lang="ru" hreflang="ru" data-title="Зулляйдж" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%8B%E0%B8%B1%E0%B8%A5%E0%B8%A5%E0%B8%B5%E0%B8%88%E0%B8%8D%E0%B9%8C" title="ซัลลีจญ์ – Thai" lang="th" hreflang="th" data-title="ซัลลีจญ์" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target"><span>ไทย</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%95%D0%BB%D1%8C_%D0%97%D0%B0%D0%BB%D1%96%D0%B6" title="Ель Заліж – Ukrainian" lang="uk" hreflang="uk" data-title="Ель Заліж" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li></ul> </section> </div> <div class="minerva-footer-logo"><img src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" alt="Wikipedia" width="120" height="18" style="width: 7.5em; height: 1.125em;"/> </div> <ul id="footer-info" class="footer-info hlist hlist-separated"> <li id="footer-info-lastmod"> This page was 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