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Write to <a href="mailto:romapip@quipo.it">romapip@quipo.it</a>.<p class="stacco"> <a href="New.htm"><img class="displayed" src="Newnuovo.jpg" title="See the most recent additions to this website" height=135 width=180></a> <p class="stacco"><a href="superind.html"><img class="displayed" src="Sitemap.jpg" height=135 width=180 title="See a detailed list of this website pages"></a></p> <p class="stacco">Notes:<p class="stacco">Page revised in January 2021. </div> </div> <div id="sidebar"><div class="boxed"> <img src="Miniista.jpg" width=220 height=120 title="inscription on a gate "><em><strong><span>  - Mimar Sinan's last works</span><br>   (inscription on a <a href="Istanb16.html#Icon">gate opposite <a href="Istanb14.html">Topkapi Sarayi</a>)</em> <p><p class="stacco">You may wish to see <a href="Istanb16.html">an introductory page to this section</a> first.<p class="stacco"> In 1566 Sultan Suleyman the Magnificent died in front of the walls of Szigetvar, a fortress in Hungary which blocked the Ottoman army advance towards <a href="Vieimper.html#Liebenberg">Vienna</a>. He was aged 72, he was unable to ride a horse and he had not conducted a campaign for the last eleven years; he was convinced to lead his army by Sokullu Mehmet Pacha, the Grand Vizier he had appointed a year earlier and who was the son-in-law of Prince Selim, the heir to the throne. Sokullu Mehmet Pacha kept Suleyman's death secret and executed all witnesses to it. The announcement was made 48 days later in order to ensure the smooth succession of Selim, who was despised by the army. In this way Sokullu Mehmet Pacha strengthened his own power and managed to remain Grand Vizier until his death in 1579. <p class="stacco"> <a name="wine"></a> <img class="displayed" SRC="Istanb96.jpg" style="border:5px solid DarkGoldenRod" title="Suleymaniye Kulliyesi" height=400 width=730> <em><h2>Sokullu Mehmet Pacha Camii (1572) in Kadirga: (left) porch; (right) dome</em></h2> <p class="stacco"> Sultan Selim II was a weak ruler; historians see his reign as the beginning of the Ottoman decadence; he is portrayed as a drunkard who spent his time hunting or in the <a href="Istanb18.html">Harem</a>. His Grand Vizier amassed a fortune by levying a sort of personal taxation on all appointments. In this way he was able to finance the construction of several <em>kulliye</em> (complex of buildings). The finest one is located in Kadirga and it was designed by Mimar Sinan.<br>The main harbour of Constantinople was on the Golden Horn, the inlet to the north of the city. There was however a harbour also on the Sea of Marmara in the southern part of the city; it was mainly used to land supplies and by fishermen: it was called <em>Kadirga</em> which means galley. Today the neighbourhood of Kadirga is known for its many fish restaurants. <p class="stacco"><a name="Kadirga"></a> <img class="displayed" SRC="Istanb95.jpg" title="Sokullu Mehmet Pacha Camii: (left) entrance from the street; (right) courtyard and sadirvan (fountain for ablutions)" style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>Sokullu Mehmet Pacha Camii: (left) entrance from the street; (right) courtyard and sadirvan (fountain for ablutions)</em></h2> <p class="stacco"> When Mimar Sinan was working at this complex, he was also involved in the design and construction of <a href="Edirne2.html#Mimar">Selimiye at Edirne</a>. Both buildings are regarded as masterpieces. The complex at Kadirga gains from not having been modified; Mimar Sinan designed the access to the complex to occur through covered steps which gradually let the visitors discover the fountain, the courtyard and the dome of the mosque. The image used as background for this page shows the dome seen from the courtyard. <p class="stacco"> <img class="displayed" SRC="Istan173.jpg" title="detail of the portal" style="border:5px solid DarkGoldenRod" height=440 width=730> <em><h2>Sokullu Mehmet Pacha Camii: (left) detail of the portal; (right) <a href="Istanb22.html#Cinili">Cinili Kosk (Tile Museum)</a>: lamp from Sokullu Mehmet Pacha Camii</em></h2><p class="stacco"> Sokullu Mehmet Pacha Camii is situated at short distance from <a href="Istanb19.html#Sergius">Kukuc Aya Sophya Camii aka Church of Sts. Sergius and Bacchus</a>.<p class="stacco"><a name="Eyup"></a> <img class="displayed" SRC="Istanbq8.jpg" title="Sokullu Mehmet Pacha Turbesi and Medresesi at Eyup (1572)" style="border:5px solid DarkGoldenRod" height=380 width=730> <em><h2>Sokullu Mehmet Pacha Turbesi and Medresesi at <a href="Istanb13.html#Dallaway">Eyup</a> (1572)</em></h2> <p class="stacco">Eyup is an Istanbul neighbourhood at the end of the Golden Horn, a mile or so outside the walls of the city; many westerners heard of it through the works of the French writer <a href="Istanb16.html#Dandolo">Pierre Loti</a> (1850-1923) who loved to spend his evenings in a tea house on a hill above Eyup. <br>The neighbourhood had a quite different relevance for the Muslim inhabitants of Constantinople, because it was there that Eyup Ensari, the standard-bearer of the Prophet, was buried. He was one of the leaders of the first Arab armies and took part in the siege laid to Constantinople in 674-678, during which he was killed. According to tradition his burial place was found in 1453 during a search led by Sultan Mehmet II. The site was named after Eyup Ensari and it became a Muslim holy place. <br>Sokullu Mehmet Pacha had this in mind when he decided he wanted to be buried at Eyup. <p class="stacco"> <img class="displayed" SRC="Istanbq9.jpg" title=" Gallery between Sokullu Mehmet Pacha Turbesi" style="border:5px solid DarkGoldenRod" height=420 width=730> <em><h2>(left) Gallery between Sokullu Mehmet Pacha Turbesi (left) and Dershanesi (right) at Eyup (1572); (right) entrance to the turbe</em></h2> <p class="stacco"> Sinan designed two almost identical buildings: one is the turbe of Sokullu Mehmet, the other the <em>dershane</em> (lecture hall) of an adjoining small medrese; the two are linked by a short gallery: their identical doors face each other and are decorated with ancient marbles: green for the turbe and red for the <em>dershane</em>. <p class="stacco"><a name="Zal"></a> <img class="displayed" SRC="Istanbq0.jpg" title="(left) Zal Mahmut Pacha Camii at Eyup (built ca. 1570); (right) a detail of its entrance" style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>(left) Zal Mahmut Pacha Camii at Eyup (built ca. 1570); (right) a detail of its entrance</em></h2> <p class="stacco"> While Sinan was working at Sokullu Mehmet Pacha Turbesi, he was also involved in the construction of another building at Eyup. It was commissioned by Zal Mahmut Pacha, a man who owed his fortune to a rather gruesome event. He was the officer who in 1553 personally strangled <a href="Istanbu7.html#Kara Ahmet">Prince Mustafa</a>; because the prince was of strong constitution, Mahmut Pacha was given the additional name of Zal, a Persian hero known for his Herculean strength and the father of <a href="Naqsh.html#contus">Rostam</a>, another Persian legendary hero. It was not his only reward because later on he married a daughter of Sultan Suleyman. The size of the mosque named after him is in a way "Herculean" too. <p class="stacco"><a name="Selim II"></a> <img class="displayed" SRC="Istanbe2.jpg" title="Sultan Selim II Turbesi (1577)" style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>Sultan Selim II Turbesi (1577)</em></h2> <p class="stacco"> According to the traditional account in 1570 Sultan Selim II decided to conquer <a href="Cipro1.html#Selim">Cyprus</a> because of a particular wine which was produced there; the expedition reached its objective in a relatively easy way; the allied Christian fleet, which responded to a call by <a href="Storia22.html#Pius V">Pope Pius V</a>, was unable to reach the island before the fall of the last Venetian stronghold, but it defeated the <a href="Storia22.html#Lepanto">Ottomans at Lepanto</a> (October 1571). The sultan died in 1574 as the result of a fall in a hammam. He was buried in a large turbe near <a href="Istanbu1.html">Hagia Sophia</a>. <p class="stacco"> <a name="Gevher"></a> <img class="displayed" SRC="Istanba0.jpg" title="Gevher Sultan Medresesi" style="border:5px solid DarkGoldenRod" height=360 width=730> <em><h2>Gevher Sultan Medresesi </em></h2> <p class="stacco"> After the defeat at Lepanto, the Ottoman fleet was rebuilt in a matter of months and its command was entrusted to Piyale Pacha. The Holy League, as the alliance of Christian nations was called, was unable to turn the victory into a lasting supremacy on the sea. Venice signed a peace treaty in 1573 and accepted the loss of Cyprus. Ottoman fleets raided the coasts of Italy and expelled the Spanish from some of their fortresses in Northern Africa, e.g. <a href="Goulette.html#Istanbul">La Goulette</a>. Piyale Pacha was the husband of Gevher Sultan, daughter of Sultan Selim II, who built a medrese on the Seventh Hill. <p class="stacco"> <a name="Piyale"></a> <img class="displayed" SRC="Istanbq3.jpg" title="Piyale Pacha Camii" style="border:5px solid DarkGoldenRod" height=440 width=730> <em><h2>Piyale Pacha Camii</em></h2> <p class="stacco"><em>On the Galata side of the harbour, an object worthy observation is the mosque of Piali Pasha, visier to Suleyman, which is unique in its plan, being divided in the middle by an arcade with columns, and having three equal domes under each division. As the sultan his master was at the same time engaged in building his <a href="Istanbu8.html">superb temple</a>, the prudent visier displayed his piety without either imitating or attempting to rival it.</em><br>James Dallaway - Constantinople Ancient and Modern with Excursions to the Shores of the Islands of the Archipelago and to the Troas - 1797 <br> Seamen in general regard with some distrust those who work on land; they prefer to keep to themselves. Piyale Pacha was probably one such man because he chose to build his small turbe, and a nearby very large mosque, in a remote location on the northern side of the Golden Horn. These buildings were sited so far inland that Constantinople could not be seen from them (nor could the mosque be seen from the city). <p class="stacco"> <img class="displayed" SRC="Istanbq4.jpg" title="(left) Entrance to Piyale Pacha Camii; (right) Piyale Pacha Turbesi" style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>(left) Entrance to Piyale Pacha Camii; (right) Piyale Pacha Turbesi</em></h2> <p class="stacco">The mosque was not designed by Sinan and it is based on a multi-domed pattern which had been in use in <a href="Bursa2.html#Ulu">Bursa (Ulu Cami)</a>.<br> Two gigantic granite columns helped in supporting the six domes so that the prayer hall is extremely wide and (apart from the columns) unobstructed. Granite columns of a smaller dimension were used throughout the building and in the small turbe. <p class="stacco"> <a name="Azap"></a> <img class="displayed" SRC="Istanb50.jpg" title="Sokullu Mehmet Pacha Camii (1578) at Azap Kapi " style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>Sokullu Mehmet Pacha Camii (1578) at Azap Kapi and in the background the <a href="Galata.html#Mehmet">Tower of Galata</a></em></h2> <p class="stacco"> Sokullu Mehmet Pacha continued to be the Grand Vizier after the death of Sultan Selim II; however his power was challenged by the new sultan, young Murat III and even more by his mother, Nurbanu (Princess of Light) Sultan, who, according to many, was a Venetian woman of noble birth.<br> The power of Sokullu Mehmet was such that Sultan Murat III did not dare to confront him directly; he preferred to deprive the Grand Vizier of his most loyal officers, either by promoting them to distant governorships or by removing them because of false accusations. Eventually in 1579 Sokullu Mehmet Pacha was assassinated by a mentally unstable dervish, to whom he had given an audience; some believe the killer was a janissary serving at the Sultan's court. <br>Mimar Sinan built a second mosque for the Grand Vizier at Galata; it is located outside the walls of the Genoese town near St. Anthony's Gate, which the Ottomans renamed Azap Kapi. <p class="stacco"><a name="Kilic"></a> <img class="displayed" SRC="Istanb45.jpg" title="Kilic Ali Pacha Camii (1581)" style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>Kilic Ali Pacha Camii (1581)</em></h2><p class="stacco"> At the battle of Lepanto only one Ottoman admiral was able to keep his ships together and to return to Constantinople (you may wish to see how the <a href="Vasi63.htm#Istanbul">rout of the Ottoman fleet was depicted at Palazzo Colonna</a> in Rome): this was Uluc Ali Reis, whom the Italians called <em>Occhiali</em> and regarded as a renegade; he was born in Calabria and was taken prisoner by the Ottomans when he was still a young lad; he then converted to Islam and became a corsair. At the battle of Lepanto he managed to seize the flag of the <a href="Malta2.html#Delmonte">Maltese Grand Master</a> which he laid at the Sultan's feet. For this he was given the appellation of <em>Kilic</em> (sword). He played a major role in rebuilding Ottoman sea power after Lepanto.<br>According to a traditional account, when Kilic Ali Pacha asked Sultan Murat III to assign him some land for the mosque he wanted to commission Mimar Sinan, he was told to build this mosque on the sea, because he ruled the sea. As a matter of fact the mosque was built on land reclaimed from the sea at the entrance to the Bosporus. <p class="stacco"><a name="Tophane"></a> <img class="displayed" SRC="Istanb38.jpg" title="Tophane-i Amire now Museum of Mimar Sinan" style="border:5px solid DarkGoldenRod" height=370 width=730> <em><h2>Tophane-i Amire now Museum of Mimar Sinan</em></h2><p class="stacco"><em> Tophana is so called from the foundery of Canon (Tope). It is governed by the Topejee-Bashaw (The captain of the artillery); there are a great number ot very fine brass cannon on the quay and other places about it; for now they make none of iron. <a href="Istanb12.html#Tophane">One of their finest fountains</a> is in this place.</em> <br><a href="Lebanon.html#Pococke">Richard Pococke</a> - A Description of the East and Some Other Countries - 1745 <br> The location chosen by Kilic Ali Pacha for his mosque was next to the main foundry (Tophane = cannon house) of Constantinople. Today the building houses a museum dedicated to the works of Mimar Sinan.<br> Warfare during the XVIth and XVIIth centuries was characterized by siege warfare, rather than by pitched battles. In sieges the availability of artillery and gunpowder was a crucial element for success. <p class="stacco"> <img class="displayed" SRC="Istanb44.jpg" title="Kilic Ali Pacha Hamami and in the background the dome of the mosque" style="border:5px solid DarkGoldenRod" height=420 width=730> <em><h2>Kilic Ali Pacha Hamami and in the background the dome of the mosque</em></h2><p class="stacco"> Kilic Ali Pacha developed a plan to directly attack <a href="Venezia4.html#Andrea">Venice</a> by-passing its fortress at <a href="Corfu.html">Corfu</A>. The Republic controlled the Adriatic Sea and it prevented the Ottomans from launching a full scale landing on the Italian shores; his plan however met with the opposition of the Sultan's mother who convinced her son that the attempt had major drawbacks. <p class="stacco"> <a name="Semsi"></a> <img class="displayed" SRC="Istanbh7.jpg" title="Semsi Pacha Camii at Uskudar " style="border:5px solid DarkGoldenRod" height=380 width=730> <em><h2>Semsi Pacha Camii at Uskudar (1581) and in the background <a href="Istanbu5.html#Rum">Rum Mehmet Pacha Camii</a></em></h2><p class="stacco"> After the assassination of Sokullu Mehmet Pacha, Sultan Murat III chose for the position of Grand Vizier, Semsi Ahmet Pacha, an old man who could not challenge the authority of his master. He held the job for just six months. He commissioned Mimar Sinan the construction of a mosque next to his palace at Uskudar; it is perhaps the smallest mosque built by a Grand Vizier, but it gains from being located on the waterfront. <p class="stacco"><a name="Nisanci"></a> <img class="displayed" SRC="Istanbq7.jpg" title="Nisanci Mehmet Pacha Camii " style="border:5px solid DarkGoldenRod" height=400 width=730> <em><h2>(left) Nisanci Mehmet Pacha Camii (not far from <a href="Murter1.html#Edirne">Edirne Kapi</a> - 1584); (right) detail of a turret </em></h2><p class="stacco">We do not know the name of the architect of this mosque, but we know that he built upon ideas developed by Sinan. The great architect would no doubt have given his approval to the final result. <em>Nisanci</em> (Chief Scribe) was the title given to the officer responsible for many administrative functions at the sultan's court. <p class="stacco"><a name="Atikvalide"></a> <img class="displayed" SRC="Istanbi5.jpg" title="Valide Kulliyesi at Uskudar" style="border:5px solid DarkGoldenRod" height=420 width=730> <em><h2>Atik (old) Valide Kulliyesi at Uskudar (1584): (left) dome and minarets; (right) sadirvan</em></h2><p class="stacco"> Nurbanu Sultan commissioned Mimar Sinan the construction of a large kulliye on the hill above Uskudar: it was the last large building designed by the great architect who was then aged 95. The complex is called Atik Valide Sultan because in the early XVIIIth century another <a href="Istanb11.html#Yenivalide">Valide Sultan built a complex at Uskudar</A> (near the harbour). <p class="stacco"> <img class="displayed" SRC="Istanbi6.jpg" title="projecting small mosque of the medrese " style="border:5px solid DarkGoldenRod" height=380 width=730> <em><h2>Atik Valide Kulliyesi; (left) projecting small mosque of the medrese; (right) tile decoration</em></h2> <p class="stacco"> The Valide Sultan (Mother of the Sovereign) played a major role in Ottoman history. The title was valid only during the reign of a son as sultan. The first woman who carried this title was Hafsa Sultan, the mother of Suleyman the Magnificent. However it was Nurbanu Sultan the first who acted as co-regent with her son.<br> We know a lot of the behind-the-scenes Ottoman history from the reports the <em>bailo</em> (the Venetian ambassador) sent home: Jacopo Soranzo wrote about her (at the time her husband became Sultan Selim II): <em>It is said that the chief wife is loved and respected very much by His Majesty for she is beautiful and extraordinarily clever</em>. <p class="stacco"><a name="Contarini"></a> <img class="displayed" SRC="Istanbi7.jpg" title="Valide Kulliyesi at Uskudar walls of the medrese (left) and of the courtyard (right)" style="border:5px solid DarkGoldenRod" height=390 width=730> <em><h2>Atik Valide Kulliyesi: walls of the medrese (left) and of the courtyard (right)</em></h2><p class="stacco"> Paolo Contarini, <em>bailo</em> after the death of Sultan Selim II stated: <em>All goods and evils are coming from the Queen Mother</em>. When Nurbanu died in December 1583, the successor of Contarini reported: <em>The death of this woman (because of the great authority she enjoyed with her son) upset some while contented others, according to their vested interests. Nevertheless, everybody admits that she was an extremely good, courageous and erudite woman</em>.<br> According to a traditional account she was poisoned by a Genoese agent. <br>Her funeral was attended by Sultan Murat III who broke the tradition which ruled that the sultans should remain in the palace: he followed the procession from <a href="Istanb14.html">Topkapi Sarayi</a> to <a href="Istanbu5.html#Sultan Mehmet">Sultan Fatih Mehmet Camii</a>. <p class="stacco"> <a name="Sinanturbesi"></a> <img class="displayed" SRC="Istanbr4.jpg" title="Valide Kulliyesi at Uskudar" style="border:5px solid DarkGoldenRod" height=440 width=730> <em><h2>Sinan Turbesi</em></h2><p class="stacco"> Mimar Sinan chose to be buried in a simple open turbe in the garden of his home near <a href="Istanbu8.html">Suleymaniye</a>. <p class="stacco"> Plan of this section: <br> <a href="Istanb16.html">Introduction</a><br> <a href="Murter5.html">Roman Monuments</a><br> <a href="Istanbu1.html">Hagia Sophia</a><br> <a href="Istanb19.html">Hagia Irene and Little Hagia Sophia</a><br> <a href="Istanb20.html">Roman/Byzantine exhibits at the Archaeological Museum</a><br> <a href="Istanb21.html">Great Palace Mosaic Museum</a><br> <a href="Istanbu2.html">St. Saviour in Chora</a><br> <a href="Istanbu3.html">Byzantine Heritage - Other Churches (before 1204)</a><br> <a href="Istanbu4.html">Byzantine Heritage (between 1204 and 1453)</a><br> <a href="Istanbu5.html">First Ottoman Buildings</a><br> <a href="Istanbu6.html">The Golden Century: I - from Sultan Selim to Sinan's Early Works</a><br> <a href="Istanbu7.html">The Golden Century: II - The Age of Suleyman</a><br> <a href="Istanbu8.html">The Golden Century: III - Suleymaniye Kulliye</a><br> <a href="Istanb10.html">The Heirs of Sinan</a><br> <a href="Istanb11.html">Towards the Tulip Era</a><br> <a href="Istanb12.html">Baroque Istanbul</a><br> <a href="Istanb13.html">The End of the Ottoman Empire</a><br> <a href="Istanb14.html">Topkapi Sarayi</a><br> <a href="Istanb22.html">Museums near Topkapi Sarayi</a><br> <a href="Istanb17.html">The Princes' Islands</a><br> <a href="Istanmap.html">Map of Istanbul and key dates of its history</a><br> <a href="Istanb23.html">Warwick Goble's 1906 Constantinople</a><br><br></div> </div> <div id="footer"><div class="boxed"><p class="stacco"><h2>Other pages/sections which might be of interest to you:</h2>                                      <a href="Manisa.html"><img src="Minimani.jpg" width=220 height=120 title="Manisa"></a><a href="Umbereco.html"><img src="Minihist.jpg" width=220 height=120 title="Abridged History of Rome"></a><a href="Persia.html"><img src="Miniran.jpg" width=220 height=120 title="Persia"></a><h2>See you at another page of this website!</h2></p></div></div></body> </HTML>