丹麥語的20個關鍵詞（16）：丹麥芭蕾舞學派「Bournonville」，從法國「拿來」後不分國藉世代相傳

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Wegner從明代家具抽取「China Chair」（1944年設計，現有專利保護），再將這些模型簡化和摩登化，以柔和的線條和有機材料跳脫包豪斯傳統，形成戰後丹麥獨立設計風格的基礎。雪梨歌劇院的設計者Jørn Uzton在1958年時走訪中國，從中國的古代建築之「重檐」得到靈感。雪梨歌劇院白色扇貝的造型，亦蘊含中國古代匠人巧思之遺。如果從正面端詳，則可看到兩隻佛眼，就如樂山大佛轉世一般。「拿來」，並不是簡單的拿來，而是借來一個模型，再將它放到丹麥的萬物平等語境淬鍊，注入北歐人的價值觀，直至沒有再可推敲的繁文縟節為止。小到一個喝水杯，大到一棟公共建築，最終目的是要讓人人都可以理解，人人都負擔得起，或者有使用的途徑。丹麥芭蕾也是如此，從起初的義法浪漫主義傳統走出，摒棄許多「仙凡戀」的劇情，讓世俗生活和男性舞者走上舞台；在技藝呈現上，則追求看似毫不費力的輕盈。雖然講的是凡人故事，姿態也要輕靈——輕盈一些，再輕盈一些。丹麥皇家芭蕾舞團初創時期（1748）由法國人Pierre Laurent（1730-1807）指導，繼而由義大利人Vincenzo Galeotti（他也是Bournonville的啟蒙教師）根據伏爾泰和莎劇改編若干芭蕾舞劇，風靡丹麥宮廷。August Bournonville並不是橫空出世的黑馬，醜小鴨的父親原本就是白天鵝。其父Antoine Bournonville在法國受訓後，與瑞典籍妻子在哥本哈根落腳，於丹麥皇芭擔任編舞。他的姨媽Julie Alix de la Fay同樣不俗，是瑞典皇家芭蕾舞團舞者。Bournonville在童年時期於丹麥宮廷劇院表演匈牙利獨舞而出道，自小獲得全面的文化與藝術薰陶：學法語，拉小提琴，學習男高音歌唱，並與名演員Michael Rosing、Lingreen、Frydensdahl等一起學習朗誦。十二歲時又因在音樂劇〈所羅門的審判〉中的表演獲得皇室首肯。迄今，丹麥的外交官仍有機會到皇家劇院受訓，進修演講及修辭。在那個芭蕾無國界的年月，Bournonville在巴黎因《仙女》（La Sylphide）一劇中遭逢貴人，作為女主角的男舞伴而獲得業界垂青：此劇女主角乃是義大利舞者Filippo Taglioni的愛女Marie Taglioni，拿波里的芭蕾大師Salvatore Taglioni之妹。這部世界最古老的芭蕾舞劇目之一，原本是Filippo Taglioni為捧紅愛女量身訂造：女主演長手長腳，十個腳趾頭一樣齊，根本不是跳傳統芭蕾劇目的料。編舞故而限制上臂及大腿的動作，再穿縮胸腰衣令身體前傾，方才造就林妹妹的「窩心病」仙女風格。劇中用來凸顯足部細節的多褶皺輕紗短版白裙子「tutu」及特製芭蕾舞鞋風靡巴黎上流社會，也令年輕的維多利亞女王為之傾倒。既然發心懷私，免不了劇終人散。1863年，此劇在巴黎停止上演。直到1971年，才有法國編舞師Pierre Lacotte四處奔波，尋訪前人記憶，將仙女一劇重新搬上法國芭蕾舞台。仙凡戀Bournonville從法國「拿來」仙女一劇，振興暮氣沈沈的丹麥皇芭時，年僅31歲。其過程並非一帆風順。巴黎歌劇院並未因他曾擔任Marie Taglioni的伴舞，就讓他輕鬆把劇目搬回丹麥，而是為Kean-Madeleine Schneitzhoeffer的原作曲譜開出天價——一種間接的拒絕。Bournonville並未灰心，另從丹麥作曲家Herman Severin Løvenskiold訂製背景音樂，又親手重新編舞，令〈仙女〉改頭換面，於1836年在哥本哈根上演，自此成為丹麥皇芭的保留劇目。他親自出演男主角James，編舞上加重了男角的戲份：大跳，節奏，轉身。於初始編舞最大的區別恐怕在於中央雙人舞（central pas de deux）的編排，為著劇情的需要，更是為了男角不搶女角的風頭，Bournonville安排他們各跳各的。此外，他又從服裝及道具方面強調「仙凡戀」的愛而不得。當James將巫婆贈與的魔法圍巾覆蓋於仙女Sylph的脖頸之上，她便倒地而逝。還是中國古人精明，牛郎織女是「仙凡戀」典範，雖然不能常相廝守，還是要安排每年一次鵲橋會。舊時農家女兒在這天比試針線手藝，也稱為「乞巧節」。其實這是古代農耕季節觀天象的需要，被浪漫化來教化女性，倡導婦德，一舉多得。而《仙女》一劇在塵世的流傳並未就此嘎然而止，自誕生兩百多年之後，又於1987年由冰島舞者Helgi Tomasson在出任舊金山芭蕾劇團藝術總監時帶至美國，並於三年後重新製作。此劇之所以長盛不衰，是呼應了身陷柴米油鹽，而嚮往「生活在別處」的人心。James看似什麼都有，也會有想隨時拋下一切與仙女私奔的時候，就如妳我一樣。La Sylphide丹麥皇芭版本，其中James一角由（本文開頭提到那位剛剛被辭退的）青年時代的Nikolaj Hübbe出演：La Sylphide巴黎歌劇院芭蕾舞團2004年版片段：La Sylphide英國皇芭版本片段，採用Bournonville編舞：《舞蹈與編舞》2019年。在雅加達Pondok Pinang區的一間芭蕾舞教室，38歲的Wenny Halim正以嚴苛的目光打量翩翩起舞的芭蕾學童。合格者可以參加由丹麥芭蕾頂級舞者Frank Andersen和Eva Kloborg執教的暑期大師班，不知疲倦地重複丹麥學派芭蕾的基本身體方向訓練：en face, croisé, effacé。「反應得快……掌握它們即可理解和執行任何芭蕾舞formula（公式）。這是個非常智慧的訓練系統。」Wenny Halim已屆芭蕾舞界的「高齡」，直到30多歲在紐約美國芭蕾舞劇院參加短訓時，才第一次聽說Bournonville這個名詞。當時他們以混合義大利，法國和俄羅斯學派的方法訓練，培訓者說暫且不要碰Bournonville，反而激起她的好奇心。這是因為Bournonville舞者採用「syncopation」步法，也就是說步伐總是多於音樂節拍。直到2012年，Wenny偶然買了一本書《On Dance and Choreography》（論舞蹈與編舞），是Bournonville本人作於1860年代，驚嘆於當時他就藝術機構如何對待喜劇舞蹈藝術及舞者的深刻思考。其對於1860年代芭蕾舞「退化為體操」及舞者報酬不足的批評，強烈而直接激起了Wenny的共鳴。在當代印尼，西方古典藝術時常遭遇懷疑的目光，並不屬於政府公共撥款的寵兒，故而古典音樂及舞蹈藝術的籌資，基本上都來自於各大財團。藝術與金錢的碰撞和矛盾，可想而知。Wenny已不是一位天真的，初出茅廬的舞者，還曾在香港經營鑽石生意。當她回到印尼想要重拾芭蕾時，曾執掌Ballet Sumber Cipta的恩師已經過世。坊間傳說其在世時，曾因獨立教學理念與資方家族的某位夫人有過衝突。綜觀四周，雅加達雖有兩百多所芭蕾舞學校，芭蕾舞藝術卻為「競賽至上」的文化所壟斷。路在何方？Wenny開始在YouTube上查找一切與丹麥學派芭蕾有關的資料，沈迷於中不能自拔，最終於2014和2015年兩次自費前往東京和哥本哈根參加Bournonville大師班。「我希望我教的孩子們夢想成為仙女，吉賽爾，茱麗葉和天鵝，而不僅僅是完成教學大綱，拿幾個獎，然後在真正的表演之前推出芭蕾舞。Bournonville劇目中的所有作品都是故事性芭蕾，你不能簡單地拿出來一兩個場景去參加比賽。我需要把它帶到雅加達。」Bournonville風格同丹麥設計一樣，需要付出很大的努力才能顯得毫不費力，因此它並不是為競爭而生。它避免使用壯觀的虛張聲勢，而是讓腳步不斷地推動故事情節向前發展。許多小的連結步驟邏輯上為高潮——大的跳躍和轉變——做準備。「在我們開始談論雅加達芭蕾舞團之前，還有很多工作要做，」Wenny說。「讓我們先找回芭蕾舞中的藝術和詩意。」Frank Andersen及夫人為Wenny的熱誠所動，數次應邀到雅加達教授丹麥學派芭蕾。忘年之交的高潮，在於他們的兒子Alban Lendorf於當今丹麥皇后，當時還是王妃的大瑪麗到訪印尼時，與Wenny Halim同場獻舞。台下，見到瑪麗的Wenny說，「我是您的粉絲」。瑪麗回報以燦爛的笑容，「現在，我也是您的粉絲」。誰能想到此時的Wenny是忍痛帶傷演出？誰能想到光彩照人的瑪麗背後之庭院深深？舞者之中的大成就者，終能高尚其事，不事王侯。無論演出多麼精彩，帷幕落下，舞者總要繼續自己的人生。自2019年起，Wenny Halim回到Ballet Sumber Cipta擔任藝術總監，作為舞者及編舞活躍於東南亞芭蕾舞台。在她最新的新古典芭蕾作品「Elektra」中，不難看到Bournonville的身影。 View this post on Instagram A post shared by Sekolah Ballet Sumber Cipta (@sumberciptaballet) 難道真的是外來的和尚好念經？無獨有偶。2019年時，香港芭蕾舞學會亦曾為慶祝其成立55週年，邀請來自Bournonville流派的丹麥舞者Vivi Flindt（其亡夫Flemming Flindt為芭蕾大師及編舞，曾就其舞蹈生涯出版《Mandarinen》一書）親臨教授來自全港40所芭蕾舞學校中的140名學生舞者丹麥學派芭蕾的精髓，並於次年將Bournonville版本的《仙女》一劇搬上香港舞台。芭蕾舞者雖有老去之日，卻總有能人將終身習得的技藝不分國別，世代相傳，換取芭蕾的不朽，在此中謀得永生。在芭蕾中，我們是自由的，無論是作為舞者，還是觀者。二者合而為一，忘卻塵世煩憂。Bournonville要讓芭蕾講述活著的現世美好，在這點上頗具儒家風範，「未知生，焉知死」。人們欣賞與推崇美好藝術的每一秒鐘，都是對暴政的凌遲。腳尖點地的那一刻，輕如鴻毛也重若千鈞。正如中國詩人馬雁（1979-2010）所寫：詩歌的確還不能阻擋坦克，這是詩歌的侷限。但詩歌試圖阻擋坦克，這是詩歌的寬廣。Bournonville於九泉之下聞聽此語，也會拈花微笑。延伸閱讀「最不印象派」的巴黎貴公子竇加，為何對歌劇院與芭蕾舞者情有獨鍾？丹麥語的20個關鍵詞：丹麥「紫禁城」腓特烈堡Frederiksstaden，就坐落在哥本哈根龍脈上【加入關鍵評論網會員】每天精彩好文直送你的信箱，每週獨享編輯精選、時事精選、藝文週報等特製電子報。還可留言與作者、記者、編輯討論文章內容。立刻點擊免費加入會員！責任編輯：丁肇九核稿編輯：翁世航"}</script> <script type="application/ld+json">{"@type":"ItemList","@context":"https:\/\/schema.org","itemListElement":[{"url":"https:\/\/www.youtube.com\/watch?v=JVo5Srk1jI4&feature=youtu.be","name":"Nikolaj Hubbe explaining Bournonville 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<div class="js-advertise ad-content mobile-hide" style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["735564"],"page_key":["column"],"page_name":["column"],"tag_key":["3424","100335","358385","358386","358387","358388","358389","358390"],"tag_name":["\u4e39\u9ea5","\u82ad\u857e","\u4e39\u9ea5\u7687\u5bb6\u82ad\u857e\u821e\u5718","Bournonville","Nikolaj H\u00fcbbe","\u4ed9\u5973","August Bournonville","Wenny Halim"],"author_key":["hzj"],"author_name":["\u9ec3\u7167\u975c"],"category_key":["humanities"],"category_name":["\u4eba\u6587"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_top","size":[[970,250],[300,250],[1,1]],"mapping":[[[970,0],[[970,250],[1,1]]],[[0,0],[]]],"name":"tnl_a_top"}</script> </div> </div> <main id="article-243294" class="js-legal article-page-wrapper page-wrapper js-article-page-wrapper column-article-page-wrapper" data-article-id="243294" data-sponsor-article="0" data-plus-article="0" data-feature-article="0" data-column-article="1" data-r18-content="0" data-alcohol-content="0" > <article class="section-wrapper js-article-section-wrapper"> <section class="item-wrapper article-header-item-wrapper"> <div class="container" data-bs-theme=dark> <div class="row justify-content-center"> <div class="col-12 col-lg-11"> <div class="item-info-wrapper"> <a class="fw-bold align-self-start btn-mutant" href="https://www.thenewslens.com/column" >特別報導</a> <div class="d-flex flex-column-reverse"> <h1 id="article-title-243294" class="h3 item-title default-color">丹麥語的20個關鍵詞（16）：丹麥芭蕾舞學派「Bournonville」，從法國「拿來」後不分國藉世代相傳</h1> <div class="h6 item-sub-title"> 丹麥語的20個關鍵詞 </div> </div> <div class="item-froms"> <time class="small time" datetime="2024/10/14"> 2024/10/14 </time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/humanities">人文</a> <span class="dot"></span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/hzj">黃照靜</a> </small> </small> </div> </div> </div> </div> </div> <div class="imgs-wrapper pt-4"> <div class="imgs container"> <div class="row justify-content-center"> <figure class="col-12 col-lg-11"> <div class="img-wrapper ratio ratio-320x192"> <img class="" alt="TNL10專欄封面 (5)" src="https://bucket-image.inkmaginecms.com/version/list/1/image/2024/10/f68946fb-0d0b-4776-870b-3c0e90a49a8d.png" sizes="(min-width: 1400px) 1076px, (min-width: 1200px) 1021px, (min-width: 992px) 856px, (min-width: 768px) 696px, (min-width: 576px) 516px, 90vw" srcset=" https://bucket-image.inkmaginecms.com/version/hd/1/image/2024/10/f68946fb-0d0b-4776-870b-3c0e90a49a8d.png 1080w, https://bucket-image.inkmaginecms.com/version/list/1/image/2024/10/f68946fb-0d0b-4776-870b-3c0e90a49a8d.png 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2024/10/f68946fb-0d0b-4776-870b-3c0e90a49a8d.png 640w, https://bucket-image.inkmaginecms.com/version/desktop/1/image/2024/10/f68946fb-0d0b-4776-870b-3c0e90a49a8d.png 1080w, " /> </div> <figcaption class="pt-1 img-froms"> <small class="photo-credit-wrapper text-gray-400"> </small> </figcaption> </figure> </div> </div> </div> </section> <div class="item-wrapper article-body-item-wrapper"> <div class="container"> <div class="row justify-content-center article-body-item-row"> <div class="col-12 col-lg-11 article-body-item-col"> <div class="article-body-item bg-white py-5"> <div class="item"> <section class="authors-wrapper overflow-hidden mb-5"> <div class="card author-wrapper text-bg-light js-author-wrapper" data-author-id="1900"> <div class="card-body card-padding-sm"> <div class="card-body-item d-flex flex-column flex-md-wrap flex-md-row"> <a class="d-flex item-link align-items-center mw-md-58" href="https://www.thenewslens.com/author/hzj"> <div class="avatar-wrapper bg-white border border-4 border-white rounded-circle ratio ratio-1x1 w-56px h-56px flex-shrink-0"> <img class="author-avatar rounded-circle" alt="黃照靜" src="https://bucket-image.inkmaginecms.com/version/list/1/image/2024/05/9aca411b-600a-40c0-af8f-d93d85dfa2e0.jpg" /> </div> <div class="h5 text-link-dark card-title mb-0 ps-2 text-style-link">黃照靜</div> </a> <p class="card-text multiline-ellipsis-2 mt-3 mb-0 order-md-3 w-100 h6 fw-normal default-color text-muted">生於嘉陵江畔，會稽顧氏後人。曾負笈西洋、兩下南洋。居北歐近十載，方知天下黑麵包一般黑。</p> <div class="social-btns ms-md-auto mt-3 mt-md-0 d-flex align-items-center justify-content-center order-md-2"> <button type="button" class="btn btn-primary btn-follow ms-auto ms-md-4 js-follow-author-btn opacity-0 animate__animated">追蹤<i class="icon far fa-heart"></i></button> </div> </div> </div> </div> </section> <section class="border border-primary-800 notch-card mb-5"> <div class="h5 headine simple section-title bg-white">我們想讓你知道的是</div> <p class="h6 fw-normal default-color text-muted mb-0 card-padding-lg"> 芭蕾舞者雖有老去之日，卻總有能人將終身習得的技藝不分國別，世代相傳，換取芭蕾的不朽，在此中謀得永生。正如中國詩人馬雁所寫：「詩歌的確還不能阻擋坦克，這是詩歌的侷限。但詩歌試圖阻擋坦克，這是詩歌的寬廣。」 </p> </section> </div> <div class="js-advertise ad-content desktop-hide" style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["735564"],"page_key":["column"],"page_name":["column"],"tag_key":["3424","100335","358385","358386","358387","358388","358389","358390"],"tag_name":["\u4e39\u9ea5","\u82ad\u857e","\u4e39\u9ea5\u7687\u5bb6\u82ad\u857e\u821e\u5718","Bournonville","Nikolaj H\u00fcbbe","\u4ed9\u5973","August Bournonville","Wenny Halim"],"author_key":["hzj"],"author_name":["\u9ec3\u7167\u975c"],"category_key":["humanities"],"category_name":["\u4eba\u6587"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p0","size":[[336,280],[300,250],[1,1]],"mapping":[[[0,0],[[336,280],[300,250],[1,1]]],[[970,0],[]]],"name":"tnl_a_p0"}</script> </div> </div> <section id="article-content-243294" class="item article-body default-color mb-6 mt-5"> <p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">說起芭蕾，印象中最深刻的一幕是電影《教父》中的黑社會第三代被送去學芭蕾。影院中看客先是驚愕，然後一片哄笑。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">然而這不是很自然的邏輯麼？愛美之心人皆有之，不管黑道白道，裝b到位才是王道。人生而無往不在枷鎖之中，唯有在創造中打個平手。</p><div class="js-advertise ad-content " style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["735564"],"page_key":["column"],"page_name":["column"],"tag_key":["3424","100335","358385","358386","358387","358388","358389","358390"],"tag_name":["\u4e39\u9ea5","\u82ad\u857e","\u4e39\u9ea5\u7687\u5bb6\u82ad\u857e\u821e\u5718","Bournonville","Nikolaj H\u00fcbbe","\u4ed9\u5973","August Bournonville","Wenny Halim"],"author_key":["hzj"],"author_name":["\u9ec3\u7167\u975c"],"category_key":["humanities"],"category_name":["\u4eba\u6587"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p2","size":[[640,480],[640,360],[300,250],[1,1]],"mapping":[[[970,0],[[640,480],[640,360],[1,1]]],[[336,0],[[300,250],[1,1]]]],"name":"tnl_a_p2"}</script> </div> </div> <p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">2024年5月，曾居丹麥皇家劇院（Get Kongelige Tester）首席芭蕾大師職位的Nikolaj Hübbe黯然離席，給出的公開原因是是「無限期因病休假」。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">丹麥皇家劇院創建於1748年，創立伊始便受到皇家奧援及保護。大師席位乃皇冠上的明珠，非一個時代最傑出的舞者莫屬。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">原本他的合同2026年就要到期，董事會一點面子不留，要他就地走人。由他擔任評委的舞蹈選秀節目《<a href="https://tv.tv2.dk/vild-med-dans" target="_blank" rel="noopener noreferrer">Vild med dans</a>》（Wild with dance，為舞瘋狂），也隨後在9月份將他踢下評審台。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">屬於他的芭蕾時代就此不由分說地落幕。似乎就在昨天，風華正茂的他還在意氣風發地向BBC記者解釋丹麥Bournonville芭蕾學派的風格：更加輕盈柔和，更多的足部細節，更加人性化。</p><div class="js-advertise ad-content " style="min-height:326px"> <div class="tmgad tmgad-type-general tmgad-new"> <script type="application/json">{"type":"general","targeting":{"advertising":["0"],"cabinet":["735564"],"page_key":["column"],"page_name":["column"],"tag_key":["3424","100335","358385","358386","358387","358388","358389","358390"],"tag_name":["\u4e39\u9ea5","\u82ad\u857e","\u4e39\u9ea5\u7687\u5bb6\u82ad\u857e\u821e\u5718","Bournonville","Nikolaj H\u00fcbbe","\u4ed9\u5973","August Bournonville","Wenny Halim"],"author_key":["hzj"],"author_name":["\u9ec3\u7167\u975c"],"category_key":["humanities"],"category_name":["\u4eba\u6587"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p6_special","size":[[640,480],[640,360],[320,480],[300,250],[1,1]],"mapping":[[[970,0],[[640,480],[640,360],[1,1]]],[[336,0],[[320,480],[300,250],[1,1]]]],"name":"tnl_a_p6_special"}</script> </div> </div> <p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">一位藝術大師受此嚴厲懲罰及公開羞辱，傳因他對舞團年輕及包含十八歲以下的低齡舞者體重要求嚴苛，如果任何人身材不入他法眼，就得不到舞團合同。<a href="https://politiken.dk/podcast/dulyttertilpolitiken/art9634740/L%C3%A6rere-mobber-ballettens-b%C3%B8rn?srsltid=AfmBOop8dYHSkIx_8lXBJRY_glygBjBqCguXJxUInhPgsLw65o_Y7mcj" target="_blank" rel="noopener noreferrer">這種潛規則</a>導致不少學生在芭蕾舞學校出現飲食失調的狀況，特別是當他們被舞團高層告知自己「太胖」或者「看起來不太對勁」時。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">人紅是非多。這並不是Nikolaj Hübbe第一次麻煩纏身。早在十多年前，丹麥皇家芭蕾舞團就曾爆出團員濫用古柯鹼藥物的醜聞。當時媒體指在《睡美人》（2010）演出之後，有四五位年輕舞者從Hübbe辦公室出來，最年輕的一位年僅十九歲，告訴所有人，他們剛剛才在一起嗑藥。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">高層當然是「<a href="https://scandasia.com/9153-blow-up-allegations-of-cocaine-abuse-at-the-royal-danish-ballet/" target="_blank" rel="noopener noreferrer">包庇再包庇</a>」，紙包不住火也得包，戲還要繼續演下去。</p><figure class="media ck-section"><iframe width="560" height="315" src="https://www.youtube.com/embed/JVo5Srk1jI4" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></figure><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">越是完美無缺的背後，越是千瘡百孔。芭蕾看客們大概都還記得電影《黑天鵝》（2010）中各種捅刀劇情。</p><div class="js-advertise ad-content " style="min-height:326px"> <div class="tmgad tmgad-type-flux tmgad-new"> <script type="application/json">{"type":"flux","targeting":{"advertising":["0"],"cabinet":["735564"],"page_key":["column"],"page_name":["column"],"tag_key":["3424","100335","358385","358386","358387","358388","358389","358390"],"tag_name":["\u4e39\u9ea5","\u82ad\u857e","\u4e39\u9ea5\u7687\u5bb6\u82ad\u857e\u821e\u5718","Bournonville","Nikolaj H\u00fcbbe","\u4ed9\u5973","August Bournonville","Wenny Halim"],"author_key":["hzj"],"author_name":["\u9ec3\u7167\u975c"],"category_key":["humanities"],"category_name":["\u4eba\u6587"],"type_key":["review"],"type_name":["\u8a55\u8ad6"],"channel_key":[],"channel_name":[]},"slot":"\/21870649235\/tnl_a_p10","size":[[640,480],[640,360],[300,250],[1,1]],"mapping":[[[970,0],[[640,480],[640,360],[1,1]]],[[336,0],[[300,250],[1,1]]]],"name":"tnl_a_p10"}</script> </div> </div> <p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">主演Natalie Portman因戲生情，嫁給法國芭蕾舞演員Benjamin Millepied。雖說兒女雙全，也惜於今年2月<a href="https://people.com/all-about-natalie-portman-kids-7501900" target="_blank" rel="noopener noreferrer">分道揚鑣</a>。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">看上去太美的，只可遠觀不可褻玩焉，輕易模仿不得，擁有不得。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">要求芭蕾學童保持體重，是對還是錯？寶劍鋒從磨礪出，梅花香自苦寒來。這是物美的極致。而人美之極致，都要拿命來換。不瘋魔，不成活。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">有人說過芭蕾是腳尖寫出的詩。而史上詩人，無論中西，無不短命或命運多舛。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">那令觀者陶醉的舞台上三秒鐘的芭蕾大跳（grand jete），是否付了票錢就視作理所應當，彷彿按下自動咖啡機的按鈕就有香濃咖啡伺候一般自然而然？</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">可不就是，世人都以為咖啡出自咖啡機或星巴克，和非洲或拉美大地的春秋風雨毫無關係。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">後世又有誰能為Nikolaj Hübbe正名，拍一部丹麥版的《霸王別姬》？</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">「要想人前顯貴，必得人後受罪。」</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">「一笑萬古春，一啼萬古愁。此境非你莫屬，此貌非你莫有。」</p><p class="x-scope qowt-word-para-0 qowt-stl-Body ck-section">「我是假霸王，你是真虞姬！」</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">「人，得自個兒成全自個兒。」</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">張國榮說到做到，人戲合一。「人縱有萬般能耐，終也敵不過天命。」</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">左媒Politiken等唾沫星子飛濺，屢次特別報導加音頻，再附上一個投訴郵箱，<a href="https://politiken.dk/kultur/art9544129/%C2%BBHvis-jeg-ikke-havde-en-krop-som-Nikolaj-H%C3%BCbbe-kunne-lide-ville-jeg-ikke-f%C3%A5-en-kontrakt%C2%AB?srsltid=AfmBOop48sc_NFD-OhOlE2dRql55K3xxL1hbPz7tAqQ3xwXzBLpZEHkc" target="_blank" rel="noopener noreferrer">又挖出</a>早先沒得到合同的少年舞者，痛說革命家史。平日倨傲高雅的芭蕾大師聲名掃地還不算解恨，恨不得再踏上一萬隻腳，叫他永世不得翻身。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">呵呵，真是民粹主義的又一次重大勝利。此情此景，似曾相識。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">曾斬獲蕭邦首獎的鋼琴王子李雲迪，也曾因「嫖娼」被污名化，黯然離開舞台。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">眾說紛紜之時，我想起了三個人。</p><h2 class="paragraph-title qowt-stl-Body x-scope qowt-word-para-0 ck-section">「Bournonville」這個芭蕾學派</h2><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">1813年，丹麥在之前的拿破崙戰爭中站錯隊，入不敷出，政府宣布破產。在這七年之後，一位祖籍法國的丹麥年輕芭蕾舞者來到巴黎。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">他將以丹麥作曲家的音樂和丹麥以及歐洲民間史詩及傳說創作芭蕾舞劇，以五十多部作品形成丹麥古典芭蕾的傳統劇目。他亦重新定義芭蕾的美學標準並發展男子技術，令丹麥芭蕾舞學派雄踞世界四大流派之席。是名Bournonville。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">百年之後的1953年，趣伏裡公園芭蕾舞團的一位女工作人員誕下兒子Frank Andersen。其普通出身並不妨礙他七歲時便加入舞團受訓。他天賦異稟，星途坦蕩，成年後兩任丹麥皇家芭蕾舞團藝術總監。退休後仍未脫下舞鞋，與同為舞者的夫人Eva Kloborg一同將Bournonville芭蕾學派推廣到亞洲。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">在Frank出生四十年後，世界另一端的赤道以南，一位十一歲的福建籍印尼華人女孩正式開始她的芭蕾訓練。她叫Wenny Halim。她的華文名字，似乎不太公開提及。她在三十多歲作為芭蕾舞者「高齡」時與Bournonville芭蕾邂逅，並將之介紹到印尼，以一己之力在各大財團壟斷藝術市場的環境中博出一片天地。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">這三位原本毫無關係，生活在不同時代，語言及文化背景迥異之人，因為芭蕾，命運相連。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">丹麥設計與藝術領域一向奉行「拿來主義」。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Finn Juhl從日本拿來<a href="https://finnjuhl.dk/kollektion/laenestole/japanstol" target="_blank" rel="noopener noreferrer">椅子和沙發</a>，Hans J. Wegner從明代家具抽取「<a href="https://www.fritzhansen.com/en/categories/by-series/china-chair/china-chair-4283?sku=4283-CHRY-NATUR" target="_blank" rel="noopener noreferrer">China Chair</a>」（1944年設計，現有專利保護），再將這些模型簡化和摩登化，以柔和的線條和有機材料跳脫包豪斯傳統，形成戰後丹麥獨立設計風格的基礎。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">雪梨歌劇院的設計者Jørn Uzton在1958年時走訪中國，從中國的古代建築之「重檐」<a href="https://journal.eahn.org/article/id/7521/" target="_blank" rel="noopener noreferrer">得到靈感</a>。雪梨歌劇院白色扇貝的造型，亦蘊含中國古代匠人巧思之遺。如果從正面端詳，則可看到兩隻佛眼，就如樂山大佛轉世一般。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">「拿來」，並不是簡單的拿來，而是借來一個模型，再將它放到丹麥的萬物平等語境淬鍊，注入北歐人的價值觀，直至沒有再可推敲的繁文縟節為止。小到一個喝水杯，大到一棟公共建築，最終目的是要讓人人都可以理解，人人都負擔得起，或者有使用的途徑。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">丹麥芭蕾也是如此，從起初的義法浪漫主義傳統走出，摒棄許多「仙凡戀」的劇情，讓世俗生活和男性舞者走上舞台；在技藝呈現上，則追求看似毫不費力的輕盈。雖然講的是凡人故事，姿態也要輕靈——輕盈一些，再輕盈一些。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">丹麥皇家芭蕾舞團初創時期（1748）由法國人Pierre Laurent（1730-1807）指導，繼而由義大利人Vincenzo Galeotti（他也是Bournonville的啟蒙教師）根據伏爾泰和莎劇改編若干芭蕾舞劇，風靡丹麥宮廷。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">August Bournonville並不是橫空出世的黑馬，醜小鴨的父親原本就是白天鵝。其父Antoine Bournonville在法國受訓後，與瑞典籍妻子在哥本哈根落腳，於丹麥皇芭擔任編舞。他的姨媽Julie Alix de la Fay同樣不俗，是瑞典皇家芭蕾舞團舞者。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Bournonville在童年時期於丹麥宮廷劇院表演匈牙利獨舞而出道，自小獲得全面的文化與藝術薰陶：學法語，拉小提琴，學習男高音歌唱，並與名演員Michael Rosing、Lingreen、Frydensdahl等一起學習朗誦。十二歲時又因在音樂劇〈所羅門的審判〉中的表演獲得皇室首肯。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">迄今，丹麥的外交官仍有機會到皇家劇院受訓，進修演講及修辭。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">在那個芭蕾無國界的年月，Bournonville在巴黎因《仙女》（La Sylphide）一劇中遭逢貴人，作為女主角的男舞伴而獲得業界垂青：此劇女主角乃是義大利舞者Filippo Taglioni的愛女Marie Taglioni，拿波里的芭蕾大師Salvatore Taglioni之妹。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">這部世界最古老的芭蕾舞劇目之一，原本是Filippo Taglioni為捧紅愛女量身訂造：女主演長手長腳，十個腳趾頭一樣齊，根本不是跳傳統芭蕾劇目的料。編舞故而限制上臂及大腿的動作，再穿縮胸腰衣令身體前傾，方才造就林妹妹的「窩心病」仙女風格。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">劇中用來凸顯足部細節的多褶皺輕紗短版白裙子「tutu」及特製芭蕾舞鞋風靡巴黎上流社會，也令年輕的維多利亞女王為之傾倒。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">既然發心懷私，免不了劇終人散。1863年，此劇在巴黎停止上演。直到1971年，才有法國編舞師Pierre Lacotte四處奔波，尋訪前人記憶，將仙女一劇重新搬上法國芭蕾舞台。</p><h2 class="paragraph-title qowt-stl-Body x-scope qowt-word-para-0 ck-section">仙凡戀</h2><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Bournonville從法國「拿來」仙女一劇，振興暮氣沈沈的丹麥皇芭時，年僅31歲。其過程並非一帆風順。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">巴黎歌劇院並未因他曾擔任Marie Taglioni的伴舞，就讓他輕鬆把劇目搬回丹麥，而是為Kean-Madeleine Schneitzhoeffer的原作曲譜開出天價——一種間接的拒絕。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Bournonville並未灰心，另從丹麥作曲家Herman Severin Løvenskiold訂製背景音樂，又親手重新編舞，令〈仙女〉改頭換面，於1836年在哥本哈根上演，自此成為丹麥皇芭的保留劇目。</p><p class="x-scope qowt-word-para-0 qowt-stl-Body ck-section">他親自出演男主角James，編舞上加重了男角的戲份：大跳，節奏，轉身。於初始編舞最大的區別恐怕在於中央雙人舞（central pas de deux）的編排，為著劇情的需要，更是為了男角不搶女角的風頭，Bournonville安排他們各跳各的。</p><p class="x-scope qowt-word-para-0 qowt-stl-Body ck-section">此外，他又從服裝及道具方面強調「仙凡戀」的愛而不得。當James將巫婆贈與的魔法圍巾覆蓋於仙女Sylph的脖頸之上，她便倒地而逝。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">還是中國古人精明，牛郎織女是「仙凡戀」典範，雖然不能常相廝守，還是要安排每年一次鵲橋會。舊時農家女兒在這天比試針線手藝，也稱為「乞巧節」。其實這是古代農耕季節觀天象的需要，被浪漫化來教化女性，倡導婦德，一舉多得。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">而《仙女》一劇在塵世的流傳並未就此嘎然而止，自誕生兩百多年之後，又於1987年由冰島舞者Helgi Tomasson在出任舊金山芭蕾劇團藝術總監時帶至美國，並於三年後<a href="https://www.sfballet.org/discover/backstage/about-bournonvilles-la-sylphide/" target="_blank" rel="noopener noreferrer">重新製作</a>。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">此劇之所以長盛不衰，是呼應了身陷柴米油鹽，而嚮往「生活在別處」的人心。James看似什麼都有，也會有想隨時拋下一切與仙女私奔的時候，就如妳我一樣。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">La Sylphide丹麥皇芭版本，其中James一角由（本文開頭提到那位剛剛被辭退的）青年時代的Nikolaj Hübbe出演：</p><figure class="media ck-section"><iframe width="560" height="315" src="https://www.youtube.com/embed/R_RFxSLar2A" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></figure><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">La Sylphide巴黎歌劇院芭蕾舞團2004年版片段：</p><figure class="media ck-section"><iframe width="560" height="315" src="https://www.youtube.com/embed/ficnx9rc6Hg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></figure><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">La Sylphide英國皇芭版本片段，採用Bournonville編舞：</p><figure class="media ck-section"><iframe width="560" height="315" src="https://www.youtube.com/embed/_DTXFLrEIK4" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></figure><h2 class="paragraph-title qowt-stl-Body x-scope qowt-word-para-0 ck-section">《舞蹈與編舞》</h2><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">2019年。在雅加達Pondok Pinang區的一間芭蕾舞教室，38歲的Wenny Halim正以嚴苛的目光打量翩翩起舞的芭蕾學童。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">合格者可以參加由丹麥芭蕾頂級舞者Frank Andersen和Eva Kloborg執教的<a href="https://www.thejakartapost.com/news/2019/06/19/bournonville-ballet-takes-root-indonesia.html" target="_blank" rel="noopener noreferrer">暑期大師班</a>，不知疲倦地重複丹麥學派芭蕾的基本身體方向訓練：en face, croisé, effacé。「反應得快……掌握它們即可理解和執行任何芭蕾舞formula（公式）。這是個非常智慧的訓練系統。」</p><figure class="media ck-section"><iframe width="560" height="315" src="https://www.youtube.com/embed/-mQ2GqLi07M" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></figure><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Wenny Halim已屆芭蕾舞界的「高齡」，直到30多歲在紐約美國芭蕾舞劇院參加短訓時，才第一次聽說Bournonville這個名詞。當時他們以混合義大利，法國和俄羅斯學派的方法訓練，培訓者說暫且不要碰Bournonville，反而激起她的好奇心。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">這是因為Bournonville舞者採用「syncopation」步法，也就是說步伐總是多於音樂節拍。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">直到2012年，Wenny偶然買了一本書《On Dance and Choreography》（論舞蹈與編舞），是Bournonville本人作於1860年代，驚嘆於當時他就藝術機構如何對待喜劇舞蹈藝術及舞者的深刻思考。其對於1860年代芭蕾舞「退化為體操」及舞者報酬不足的批評，強烈而直接激起了Wenny的共鳴。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">在當代印尼，西方古典藝術時常遭遇懷疑的目光，並不屬於政府公共撥款的寵兒，故而古典音樂及舞蹈藝術的籌資，基本上都來自於各大財團。藝術與金錢的碰撞和矛盾，可想而知。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Wenny已不是一位天真的，初出茅廬的舞者，還曾在香港經營鑽石生意。當她回到印尼想要重拾芭蕾時，曾執掌Ballet Sumber Cipta的恩師已經過世。坊間傳說其在世時，曾因獨立教學理念與資方家族的某位夫人有過衝突。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">綜觀四周，雅加達雖有兩百多所芭蕾舞學校，芭蕾舞藝術卻為「競賽至上」的文化所壟斷。路在何方？</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Wenny開始在YouTube上查找一切與丹麥學派芭蕾有關的資料，沈迷於中不能自拔，最終於2014和2015年兩次自費前往東京和哥本哈根參加Bournonville大師班。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">「我希望我教的孩子們夢想成為仙女，吉賽爾，茱麗葉和天鵝，而不僅僅是完成教學大綱，拿幾個獎，然後在真正的表演之前推出芭蕾舞。Bournonville劇目中的所有作品都是故事性芭蕾，你不能簡單地拿出來一兩個場景去參加比賽。我需要把它帶到雅加達。」</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Bournonville風格同丹麥設計一樣，需要付出很大的努力才能顯得毫不費力，因此它並不是為競爭而生。它避免使用壯觀的虛張聲勢，而是讓腳步不斷地推動故事情節向前發展。許多小的連結步驟邏輯上為高潮——大的跳躍和轉變——做準備。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">「在我們開始談論雅加達芭蕾舞團之前，還有很多工作要做，」Wenny說。「讓我們先找回芭蕾舞中的藝術和詩意。」</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Frank Andersen及夫人為Wenny的熱誠所動，數次應邀到雅加達教授丹麥學派芭蕾。忘年之交的高潮，在於他們的兒子Alban Lendorf於當今丹麥皇后，當時還是王妃的大瑪麗到訪印尼時，與Wenny Halim<a href="https://www.kongehuset.dk/foto-video/besoeg-i-indonesien-dag-2" target="_blank" rel="noopener noreferrer">同場獻舞</a>。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">台下，見到瑪麗的Wenny說，「我是您的粉絲」。瑪麗回報以燦爛的笑容，「現在，我也是您的粉絲」。誰能想到此時的Wenny是忍痛帶傷演出？誰能想到光彩照人的瑪麗背後之庭院深深？</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">舞者之中的大成就者，終能高尚其事，不事王侯。無論演出多麼精彩，帷幕落下，舞者總要繼續自己的人生。自2019年起，Wenny Halim回到Ballet Sumber Cipta擔任藝術總監，作為舞者及編舞活躍於東南亞芭蕾舞台。在她最新的新古典芭蕾作品「Elektra」中，不難看到Bournonville的身影。</p><div class="raw-html-embed ck-section"><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/C_jwynXSY6A/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/reel/C_jwynXSY6A/?utm_source=ig_embed&utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; 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0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/reel/C_jwynXSY6A/?utm_source=ig_embed&utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank">A post shared by Sekolah Ballet Sumber Cipta (@sumberciptaballet)</a></p></div></blockquote> <script async="" src="//www.instagram.com/embed.js"></script></div><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">難道真的是外來的和尚好念經？</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">無獨有偶。2019年時，香港芭蕾舞學會亦曾為慶祝其成立55週年，邀請來自Bournonville流派的丹麥舞者Vivi Flindt（其亡夫Flemming Flindt為芭蕾大師及編舞，曾就其舞蹈生涯出版《<a href="https://www.bog-ide.dk/produkt/1966479/vivi-flindt-mandarinen" target="_blank" rel="noopener noreferrer">Mandarinen</a>》一書）親臨教授來自全港40所芭蕾舞學校中的140名學生舞者丹麥學派芭蕾的精髓，並於次年將Bournonville版本的《仙女》一劇<a href="https://www.facebook.com/photo/?fbid=3389046817786400&set=a.735512013139907" target="_blank" rel="noopener noreferrer">搬上香港舞台</a>。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">芭蕾舞者雖有老去之日，卻總有能人將終身習得的技藝不分國別，世代相傳，換取芭蕾的不朽，在此中謀得永生。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">在芭蕾中，我們是自由的，無論是作為舞者，還是觀者。二者合而為一，忘卻塵世煩憂。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">Bournonville要讓芭蕾講述活著的現世美好，在這點上頗具儒家風範，「未知生，焉知死」。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">人們欣賞與推崇美好藝術的每一秒鐘，都是對暴政的凌遲。腳尖點地的那一刻，輕如鴻毛也重若千鈞。</p><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">正如中國詩人馬雁（1979-2010）所寫：</p><blockquote class="ck-section"><p class="qowt-stl-Body x-scope qowt-word-para-0 ck-section">詩歌的確還不能阻擋坦克，這是詩歌的侷限。但詩歌試圖阻擋坦克，這是詩歌的寬廣。</p></blockquote><p class="qowt-stl-Body x-scope qowt-word-para-1 ck-section">Bournonville於九泉之下聞聽此語，也會拈花微笑。</p><h2 class="paragraph-title ck-section">延伸閱讀</h2><ul class="ck-section"><li><a href="https://www.thenewslens.com/article/172425" target="_blank" rel="noopener noreferrer">「最不印象派」的巴黎貴公子竇加，為何對歌劇院與芭蕾舞者情有獨鍾？</a></li><li><a href="https://www.thenewslens.com/column/20words-dansk/202517" target="_blank" rel="noopener noreferrer">丹麥語的20個關鍵詞：丹麥「紫禁城」腓特烈堡Frederiksstaden，就坐落在哥本哈根龍脈上</a></li></ul><p class="ck-section">【加入關鍵評論網會員】每天精彩好文直送你的信箱，每週獨享編輯精選、時事精選、藝文週報等特製電子報。還可留言與作者、記者、編輯討論文章內容。<a href="https://www.thenewslens.com/profile/subscribe?utm_source=article&utm_medium=CTA&utm_campaign=member">立刻點擊免費加入會員！</a></p><p class="ck-section">責任編輯：丁肇九<br>核稿編輯：翁世航</p> </section> <div class="article-others-wrapper item pt-3"> <section class="mt-6"> </section> <section class="card text-bg-light mt-6"> <a class="card-body card-padding-md inset-shadow-link gap-2 d-flex flex-column" href="https://www.thenewslens.com/column/20words-dansk/241642"> <div class="h5 card-title headine section-title text-start-customer mb-0">專題下則文章 <i class="icon text-gray-400 fas fa-chevron-right"></i></div> <div class="card-body-item h6 default-color card-text">丹麥語的20個關鍵詞（15）：丹麥版披頭四「Gasolin'」，沒有什麼歌是Kim Larsen不能唱的</div> </a> </section> <ul class="lists list-unstyled d-flex flex-wrap px-4 py-4 mb-0 mt-6 border-top border-gray-300 column-gap-4 row-gap-2"> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/3424">丹麥</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/100335">芭蕾</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/358385">丹麥皇家芭蕾舞團</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/358386">Bournonville</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/358387">Nikolaj Hübbe</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/358388">仙女</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/358389">August Bournonville</a></li> <li><a class="h6 default-color fw-normal hashtag d-inline-block" href="https://www.thenewslens.com/tag/358390">Wenny Halim</a></li> </ul> <div class="social-btns border-top px-4 gap-6 border-gray-300 text-center d-md-flex justify-content-md-center"> <div class="my-4 d-flex justify-content-center align-items-center"> <span class="me-4">Share :</span> <button class="btn btn-square-xs btn-link text-link-light social-btn" data-sharer="twitter" data-title="丹麥語的20個關鍵詞（16）：丹麥芭蕾舞學派「Bournonville」，從法國「拿來」後不分國藉世代相傳" data-url="https://www.thenewslens.com/column/20words-dansk/243294 via @thenewslens" > <i class="icon fa-brands fa-x-twitter"></i> </button> <button class="btn btn-square-xs btn-link text-link-light social-btn" data-sharer="facebook" data-url="https://www.thenewslens.com/column/20words-dansk/243294" > <i class="icon fab fa-facebook-f"></i> </button> <button class="btn btn-square-xs btn-link text-link-light social-btn" data-sharer="line" 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丹麥語的20個關鍵詞（16）：丹麥芭蕾舞學派「Bournonville」，從法國「拿來」後不分國藉世代相傳 - TNL The News Lens 關鍵評論網