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href="https://books.google.com.sg/books?id=kLEpf5a49V0C&pg=PA410&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgIEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Origins of Impressionism</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=kLEpf5a49V0C&pg=PA410&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgIEAI"><table class="gNEi4d"><tbody><tr><td style="width:60px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=kLEpf5a49V0C&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=60" style="width:60px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin , the bird seemed to have been lent by Manet to " his friend Courbet . " In adding , as I believe , the perch and the bird at a second stage in the development of the paint- ing , Manet was in fact responding to ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=tXWcDwAAQBAJ&pg=PA332&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgNEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">The Final Spectacle: Military Painting under the Second ...</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=tXWcDwAAQBAJ&pg=PA332&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgNEAI"><table class="gNEi4d"><tbody><tr><td style="width:56px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=tXWcDwAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=56" style="width:56px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin wrote : The Universal Exhibition is far from offering , in regard to the arts , the immense interest that it presented in 1855 [ ... ] this supremacy [ ... ] is no longer as over- whelming as it had seemed to be in 1855 ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=7zEFAAAAQAAJ&pg=PA187&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgGEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">The Fine arts' quarterly review</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=7zEFAAAAQAAJ&pg=PA187&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgGEAI"><table class="gNEi4d"><tbody><tr><td style="width:49px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=7zEFAAAAQAAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=49" style="width:49px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... MARIUS CHAUMELIN . Paris : Ve J. Renouard . Par Trésors d'art de la Russie ancienne et moderne . Par THEOPHILE GAUTIER . Ouvrage publié sous le patronage de S. M. l'empereur Alex- andre II . 200 planches héliographiques par Richebourg ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=zUt7EAAAQBAJ&pg=PA338&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgKEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">French Suite: A Book of Essays</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=zUt7EAAAQBAJ&pg=PA338&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgKEAI"><table class="gNEi4d"><tbody><tr><td style="width:53px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=zUt7EAAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=53" style="width:53px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Manet in this connection. But others do, such as the little-known F. de Gantès in 1874, who sees Manet as having learned not to push non-fini too far,18 and Marius Chaumelin who in 1876 refers to 'the 338 french suite.</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=5oYDAAAAYAAJ&pg=RA1-PA5&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgMEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Sotheran's Price Current of Literature</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=5oYDAAAAYAAJ&pg=RA1-PA5&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgMEAI"><table class="gNEi4d"><tbody><tr><td style="width:54px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=5oYDAAAAYAAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=54" style="width:54px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius CHAUMELIN , Georges LAFENESTRE , Auguste DEMMIN , et autres : HISTOIRE des PEINTRES de toutes les ÉCOLES : Française , Espagnole , Flamande , Allemande , Hollandaise , Vénétienne , Florentine , Milanaise , Bolonaise , Anglaise ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=fYwmDwAAQBAJ&pg=PA34&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgEEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=fYwmDwAAQBAJ&pg=PA34&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgEEAI"><table class="gNEi4d"><tbody><tr><td style="width:59px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=fYwmDwAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=59" style="width:59px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin , “ Actualités : L'exposition des intransigeants , ” La gazette des étrangers , 8 April 1876 , reprinted in Berson 1996 , 1 : 67-68 . “ The most remarkable canvases are , without question , those of M. Gustave ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=mUUZAAAAYAAJ&pg=PA116&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgJEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Bulletin of the Public Library of the City of Boston</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=mUUZAAAAYAAJ&pg=PA116&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgJEAI"><table class="gNEi4d"><tbody><tr><td style="width:50px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=mUUZAAAAYAAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=80&w=50" style="width:50px;height:80px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin et G. Lafenestre . Paris , 1876. Il- lustrations . Portraits . 4 ° BLISS , P. P. , and SANKEY , Ira D. Gospel hymns and sacred songs . As used in Gospel meetings . New York [ cop . 1875 ] . . 1207.15 BOARDMAN , Samuel ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=vQVIAwAAQBAJ&pg=PA116&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgHEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Impressionists and Politics: Art and Democracy in the ...</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=vQVIAwAAQBAJ&pg=PA116&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgHEAI"><table class="gNEi4d"><tbody><tr><td style="width:60px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=vQVIAwAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl&h=68&w=60" style="width:60px;height:68px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin from La Gazette [ des étrangers ] , 8 April 1876 , as cited in Moffett et al . , The New Painting , p . 171 ; Nord , “ Manet and Radical Politics , " Journal of Interdisciplinary History , 19 ( Winter 1989 ) : 475 . 74 ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=BCMzwEsIIVQC&pg=PA234&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgLEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Multiple Wives, Multiple Pleasures: Representing the Harem, ...</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=BCMzwEsIIVQC&pg=PA234&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgLEAI"><table class="gNEi4d"><tbody><tr><td style="width:60px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=BCMzwEsIIVQC&printsec=frontcover&img=1&zoom=5&edge=curl&h=71&w=60" style="width:60px;height:71px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin named Delacroix the master whom Renoir was evoking : it is " in all regards " that Renoir's work " is reminiscent of Delacroix . " 22 And , it is true , similarities exist in in- tricately rendered knee pants and full ...</span> </span> </div> </div></td></tr></table></div></div></div> </div> </div><div> <div> <div class="ezO2md"><div><div><a class="fuLhoc ZWRArf" href="https://books.google.com.sg/books?id=WIDEvxh21jUC&pg=PA243&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6AF6BAgFEAE"><span class="CVA68e qXLe6d fuLhoc ZWRArf">Cézanne's Early Imagery</span> <span class="qXLe6d dXDvrc"> <span class="fYyStc">books.google.com.sg › books</span> </span> </a></div><div class="Dks9wf"><table class="KZhhub"><tr><td><div><a href="https://books.google.com.sg/books?id=WIDEvxh21jUC&pg=PA243&dq=%22Marius+Chaumelin%22+-wikipedia&hl=en&sa=X&ved=2ahUKEwi3wrSUuoyKAxXjwzgGHYIFEoYQ6wF6BAgFEAI"><table class="gNEi4d"><tbody><tr><td style="width:60px"> <div class="CO79Sb"> <img class="iUhyd" alt='"Marius Chaumelin" -wikipedia from books.google.com.sg' src="https://encrypted.google.com/books?id=WIDEvxh21jUC&printsec=frontcover&img=1&zoom=5&edge=curl&h=60&w=60" style="width:60px;height:60px"/> </div> </td></tr></tbody></table></a></div></td><td class="udTCfd"><div> <div> <span class="qXLe6d FrIlee"> <span class="fYyStc">... Marius Chaumelin , Les Tresors d'art de la Pro- vence exposes a Marseille en 1861 ( Paris : Jules Renouard , 1862 ) , pp . 252-53 . 17. 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