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tabindex="0" for="nav-link-categories-mov" data-testid="category-expando"><span class="navlinkcat__itemIcon"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--movie" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18 4v1h-2V4c0-.55-.45-1-1-1H9c-.55 0-1 .45-1 1v1H6V4c0-.55-.45-1-1-1s-1 .45-1 1v16c0 .55.45 1 1 1s1-.45 1-1v-1h2v1c0 .55.45 1 1 1h6c.55 0 1-.45 1-1v-1h2v1c0 .55.45 1 1 1s1-.45 1-1V4c0-.55-.45-1-1-1s-1 .45-1 1zM8 17H6v-2h2v2zm0-4H6v-2h2v2zm0-4H6V7h2v2zm10 8h-2v-2h2v2zm0-4h-2v-2h2v2zm0-4h-2V7h2v2z"></path></svg></span><span class="navlinkcat__itemTitle">Movies</span><span class="navlinkcat__itemChevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 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href="/chart/moviemeter/?ref_=nv_mv_mpm" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Most Popular Movies</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/feature/genre/?ref_=nv_ch_gr" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Browse Movies by Genre</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/chart/boxoffice/?ref_=nv_ch_cht" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Top Box Office</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/showtimes/?ref_=nv_mv_sh" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Showtimes & Tickets</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/news/movie/?ref_=nv_nw_mv" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Movie News</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/india/toprated/?ref_=nv_mv_in" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">India Movie Spotlight</span></a></ul></div></div></span></div><div data-testid="grouped-link-category" class="sc-oefmM cegzEU"><div class="sc-eJobrH egPbEn navlinkcat sc-eirqia gBzXtg" data-testid="nav-link-category" role="presentation"><input class="navlinkcat__state" type="radio" name="nav-categories-list" id="nav-link-categories-tvshows" tabindex="-1" data-category-id="tvshows" hidden="" aria-hidden="true"/><span class="navlinkcat__targetWrapper"><label role="button" aria-label="Expand TV Shows Nav Links" class="navlinkcat__item" tabindex="0" for="nav-link-categories-tvshows" data-testid="category-expando"><span class="navlinkcat__itemIcon"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--television" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M21 3H3c-1.1 0-2 .9-2 2v12c0 1.1.9 2 2 2h5v1c0 .55.45 1 1 1h6c.55 0 1-.45 1-1v-1h5c1.1 0 1.99-.9 1.99-2L23 5a2 2 0 0 0-2-2zm-1 14H4c-.55 0-1-.45-1-1V6c0-.55.45-1 1-1h16c.55 0 1 .45 1 1v10c0 .55-.45 1-1 1z"></path></svg></span><span class="navlinkcat__itemTitle">TV Shows</span><span class="navlinkcat__itemChevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label><div class="navlinkcat__listContainer" aria-hidden="true" aria-expanded="false" data-testid="list-container"><div class="navlinkcat__listContainerInner" role="presentation"><ul class="ipc-list navlinkcat__list ipc-list--baseAlt" role="menu" aria-orientation="vertical"><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/whats-on-tv/?ref_=nv_tv_ontv" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">What's on TV & Streaming</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/chart/toptv/?ref_=nv_tvv_250" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Top 250 TV Shows</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/chart/tvmeter/?ref_=nv_tvv_mptv" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Most Popular TV Shows</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/feature/genre/" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Browse TV Shows by Genre</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/news/tv/?ref_=nv_nw_tv" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">TV News</span></a></ul></div></div></span></div><div class="sc-eJobrH egPbEn navlinkcat sc-eirqia gBzXtg" data-testid="nav-link-category" role="presentation"><input class="navlinkcat__state" type="radio" name="nav-categories-list" id="nav-link-categories-video" tabindex="-1" data-category-id="video" hidden="" aria-hidden="true"/><span class="navlinkcat__targetWrapper"><label role="button" aria-label="Expand Watch Nav Links" class="navlinkcat__item" tabindex="0" for="nav-link-categories-video" data-testid="category-expando"><span class="navlinkcat__itemIcon"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--video-library" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M3 6c-.55 0-1 .45-1 1v13c0 1.1.9 2 2 2h13c.55 0 1-.45 1-1s-.45-1-1-1H5c-.55 0-1-.45-1-1V7c0-.55-.45-1-1-1zm17-4H8c-1.1 0-2 .9-2 2v12c0 1.1.9 2 2 2h12c1.1 0 2-.9 2-2V4c0-1.1-.9-2-2-2zm-8 12.5v-9l5.47 4.1c.27.2.27.6 0 .8L12 14.5z"></path></svg></span><span class="navlinkcat__itemTitle">Watch</span><span class="navlinkcat__itemChevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label><div class="navlinkcat__listContainer" aria-hidden="true" aria-expanded="false" data-testid="list-container"><div class="navlinkcat__listContainerInner" role="presentation"><ul class="ipc-list navlinkcat__list ipc-list--baseAlt" role="menu" aria-orientation="vertical"><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/what-to-watch/?ref_=nv_watch" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">What to Watch</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/trailers/?ref_=nv_mv_tr" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Latest Trailers</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/originals/?ref_=nv_sf_ori" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">IMDb Originals</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/imdbpicks/?ref_=nv_pi" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">IMDb Picks</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/spotlight/?ref_=nv_vi_csegspot" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">IMDb Spotlight</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/search/title/?title_type=podcastSeries&ref_=nv_pod" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">IMDb Podcasts</span></a></ul></div></div></span></div></div><div class="sc-eJobrH egPbEn navlinkcat" data-testid="nav-link-category" role="presentation"><input class="navlinkcat__state" type="radio" name="nav-categories-list" id="nav-link-categories-awards" tabindex="-1" data-category-id="awards" hidden="" aria-hidden="true"/><span class="navlinkcat__targetWrapper"><label role="button" aria-label="Expand Awards & Events Nav Links" class="navlinkcat__item" tabindex="0" for="nav-link-categories-awards" data-testid="category-expando"><span class="navlinkcat__itemIcon"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--star-circle-filled" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M11.99 2C6.47 2 2 6.48 2 12s4.47 10 9.99 10C17.52 22 22 17.52 22 12S17.52 2 11.99 2zm3.23 15.39L12 15.45l-3.22 1.94a.502.502 0 0 1-.75-.54l.85-3.66-2.83-2.45a.505.505 0 0 1 .29-.88l3.74-.32 1.46-3.45c.17-.41.75-.41.92 0l1.46 3.44 3.74.32a.5.5 0 0 1 .28.88l-2.83 2.45.85 3.67c.1.43-.36.77-.74.54z"></path></svg></span><span class="navlinkcat__itemTitle">Awards & Events</span><span class="navlinkcat__itemChevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label><div class="navlinkcat__listContainer" aria-hidden="true" aria-expanded="false" data-testid="list-container"><div class="navlinkcat__listContainerInner" role="presentation"><ul class="ipc-list navlinkcat__list ipc-list--baseAlt" role="menu" aria-orientation="vertical"><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/oscars/?ref_=nv_ev_csegosc" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Oscars</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/best-of/?ref_=nv_ev_csegbest" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Best Of 2024</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/imdbpicks/?ref_=nv_ev_cseghoho" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Holiday Picks</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/starmeterawards/?ref_=nv_ev_sma" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">STARmeter Awards</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/awards-central/?ref_=nv_ev_csegawds" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Awards Central</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/festival-central/?ref_=nv_ev_csegfest" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Festival Central</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/event/?ref_=nv_ev_all" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">All Events</span></a></ul></div></div></span></div><div class="sc-eJobrH egPbEn navlinkcat noMarginItem" data-testid="nav-link-category" role="presentation"><input class="navlinkcat__state" type="radio" name="nav-categories-list" id="nav-link-categories-celebs" tabindex="-1" data-category-id="celebs" hidden="" aria-hidden="true"/><span class="navlinkcat__targetWrapper"><label role="button" aria-label="Expand Celebs Nav Links" class="navlinkcat__item" tabindex="0" for="nav-link-categories-celebs" data-testid="category-expando"><span class="navlinkcat__itemIcon"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--people" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M16 11c1.66 0 2.99-1.34 2.99-3S17.66 5 16 5s-3 1.34-3 3 1.34 3 3 3zm-8 0c1.66 0 2.99-1.34 2.99-3S9.66 5 8 5 5 6.34 5 8s1.34 3 3 3zm0 2c-2.33 0-7 1.17-7 3.5V18c0 .55.45 1 1 1h12c.55 0 1-.45 1-1v-1.5c0-2.33-4.67-3.5-7-3.5zm8 0c-.29 0-.62.02-.97.05.02.01.03.03.04.04 1.14.83 1.93 1.94 1.93 3.41V18c0 .35-.07.69-.18 1H22c.55 0 1-.45 1-1v-1.5c0-2.33-4.67-3.5-7-3.5z"></path></svg></span><span class="navlinkcat__itemTitle">Celebs</span><span class="navlinkcat__itemChevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label><div class="navlinkcat__listContainer" aria-hidden="true" aria-expanded="false" data-testid="list-container"><div class="navlinkcat__listContainerInner" role="presentation"><ul class="ipc-list navlinkcat__list ipc-list--baseAlt" role="menu" aria-orientation="vertical"><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/feature/bornondate/?ref_=nv_cel_brn" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Born Today</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/chart/starmeter/?ref_=nv_cel_m" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Most Popular Celebs</span></a><a role="menuitem" class="ipc-list__item nav-link sc-iBzDrC fzqpfp ipc-list__item--indent-one" href="/news/celebrity/?ref_=nv_cel_nw" tabindex="-1" aria-disabled="false"><span class="ipc-list-item__text" role="presentation">Celebrity News</span></a></ul></div></div></span></div><div data-testid="nav-link-category" class="sc-hhIjBB gsTgDe"></div><div class="sc-eJobrH egPbEn navlinkcat noMarginItem" data-testid="nav-link-category" role="presentation"><input class="navlinkcat__state" type="radio" name="nav-categories-list" id="nav-link-categories-comm" tabindex="-1" data-category-id="comm" hidden="" aria-hidden="true"/><span class="navlinkcat__targetWrapper"><label role="button" aria-label="Expand Community Nav Links" class="navlinkcat__item" tabindex="0" for="nav-link-categories-comm" data-testid="category-expando"><span class="navlinkcat__itemIcon"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--earth" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm-1 17.93c-3.95-.49-7-3.85-7-7.93 0-.62.08-1.21.21-1.79L9 15v1c0 1.1.9 2 2 2v1.93zm6.9-2.54c-.26-.81-1-1.39-1.9-1.39h-1v-3c0-.55-.45-1-1-1H8v-2h2c.55 0 1-.45 1-1V7h2c1.1 0 2-.9 2-2v-.41c2.93 1.19 5 4.06 5 7.41 0 2.08-.8 3.97-2.1 5.39z"></path></svg></span><span class="navlinkcat__itemTitle">Community</span><span class="navlinkcat__itemChevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label><div class="navlinkcat__listContainer" aria-hidden="true" aria-expanded="false" data-testid="list-container"><div class="navlinkcat__listContainerInner" role="presentation"><ul class="ipc-list navlinkcat__list ipc-list--baseAlt" role="menu" aria-orientation="vertical"><a role="menuitem" class="ipc-list__item nav-link 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class="ipc-title ipc-title--base ipc-title--page-title ipc-title--on-textPrimary" data-testid="tabbed-page-title"><hgroup><h1 class="ipc-title__text">Advanced search</h1></hgroup></div><section class="ipc-page-section ipc-page-section--none ipc-page-section--bp-none"><div class="ipc-tabs ipc-tabs--base ipc-tabs--align-left ipc-tabs--display-tab sc-5344c266-2 fHNrka tabs" role="presentation"><li class="ipc-tab-arrow ipc-tab-arrow--left" role="presentation"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--chevron-left-inline ipc-icon--inline ipc-tab-arrow--icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18.378 23.369c.398-.402.622-.947.622-1.516 0-.568-.224-1.113-.622-1.515l-8.249-8.34 8.25-8.34a2.16 2.16 0 0 0 .548-2.07A2.132 2.132 0 0 0 17.428.073a2.104 2.104 0 0 0-2.048.555l-9.758 9.866A2.153 2.153 0 0 0 5 12.009c0 .568.224 1.114.622 1.515l9.758 9.866c.808.817 2.17.817 2.998-.021z"></path></svg></li><ul class="ipc-tabs ipc-tabs--base ipc-tabs--align-left sc-5344c266-2 fHNrka tabs" role="tablist"><li class="ipc-tab ipc-tab--on-base" role="tab" tabindex="0" aria-selected="false"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--youtube ipc-tab__icon--pre hide-on-mobile" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M9.955 14.955v-5.91L15.182 12l-5.227 2.955zm11.627-7.769a2.505 2.505 0 0 0-1.768-1.768C18.254 5 12 5 12 5s-6.254 0-7.814.418c-.86.23-1.538.908-1.768 1.768C2 8.746 2 12 2 12s0 3.254.418 4.814c.23.86.908 1.538 1.768 1.768C5.746 19 12 19 12 19s6.254 0 7.814-.418a2.505 2.505 0 0 0 1.768-1.768C22 15.254 22 12 22 12s0-3.254-.418-4.814z"></path></svg><span>TITLES</span></li><li class="ipc-tab ipc-tab--on-base ipc-tab--active" role="tab" tabindex="0" aria-selected="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--people ipc-tab__icon--pre hide-on-mobile" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M16 11c1.66 0 2.99-1.34 2.99-3S17.66 5 16 5s-3 1.34-3 3 1.34 3 3 3zm-8 0c1.66 0 2.99-1.34 2.99-3S9.66 5 8 5 5 6.34 5 8s1.34 3 3 3zm0 2c-2.33 0-7 1.17-7 3.5V18c0 .55.45 1 1 1h12c.55 0 1-.45 1-1v-1.5c0-2.33-4.67-3.5-7-3.5zm8 0c-.29 0-.62.02-.97.05.02.01.03.03.04.04 1.14.83 1.93 1.94 1.93 3.41V18c0 .35-.07.69-.18 1H22c.55 0 1-.45 1-1v-1.5c0-2.33-4.67-3.5-7-3.5z"></path></svg><span>NAMES</span></li><li class="ipc-tab ipc-tab--on-base" role="tab" tabindex="0" aria-selected="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--subscriptions ipc-tab__icon--pre hide-on-mobile" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M19 8H5c-.55 0-1-.45-1-1s.45-1 1-1h14c.55 0 1 .45 1 1s-.45 1-1 1zm-2-6H7c-.55 0-1 .45-1 1s.45 1 1 1h10c.55 0 1-.45 1-1s-.45-1-1-1zm5 10v8c0 1.1-.9 2-2 2H4c-1.1 0-2-.9-2-2v-8c0-1.1.9-2 2-2h16c1.1 0 2 .9 2 2zm-6.81 3.56L10 12.73v6.53l5.19-2.82a.5.5 0 0 0 0-.88z"></path></svg><span>COLLABORATIONS</span></li><li role="presentation" data-currenttab="name" class="ipc-tabs__indicator" style="width:0;left:0"></li></ul><li class="ipc-tab-arrow ipc-tab-arrow--right" role="presentation"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--chevron-right-inline ipc-icon--inline ipc-tab-arrow--icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M5.622.631A2.153 2.153 0 0 0 5 2.147c0 .568.224 1.113.622 1.515l8.249 8.34-8.25 8.34a2.16 2.16 0 0 0-.548 2.07c.196.74.768 1.317 1.499 1.515a2.104 2.104 0 0 0 2.048-.555l9.758-9.866a2.153 2.153 0 0 0 0-3.03L8.62.61C7.812-.207 6.45-.207 5.622.63z"></path></svg></li></div><div role="tabpanel"><div><section class="ipc-page-background ipc-page-background--base sc-13add9d7-7 fWzbCe"><div class="sc-13add9d7-5 lkFtOq"><div class="sc-13add9d7-8 cCEHlh"></div><button data-testid="adv-search-get-results" class="ipc-btn ipc-btn--single-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-accent1 ipc-btn--theme-base ipc-btn--button-radius sc-13add9d7-4 cwcOrs hide-on-desktop hide-on-mobile" tabindex="0" aria-label="See results" aria-disabled="false"><span class="ipc-btn__text">See results</span></button></div><div class="ipc-page-grid ipc-page-grid--bias-left ipc-page-grid__item ipc-page-grid__item--span-2"><div class="sc-e367260b-0 aCiAF hide-on-mobile ipc-page-grid__item ipc-page-grid__item--span-1"><div class="sc-e367260b-1 jAbQvp">Search filters<button data-testid="adv-search-expand-all" class="ipc-btn ipc-btn--no-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-base ipc-btn--theme-base ipc-btn--button-radius ipc-btn--on-accent2 ipc-text-button sc-e367260b-4 dXXJXt" tabindex="0" aria-disabled="false"><span class="ipc-btn__text">Expand all</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--expand-more ipc-btn__icon ipc-btn__icon--post" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path opacity=".87" fill="none" d="M24 24H0V0h24v24z"></path><path d="M15.88 9.29L12 13.17 8.12 9.29a.996.996 0 1 0-1.41 1.41l4.59 4.59c.39.39 1.02.39 1.41 0l4.59-4.59a.996.996 0 0 0 0-1.41c-.39-.38-1.03-.39-1.42 0z"></path></svg></button></div><section class="ipc-page-background ipc-page-background--base sc-e367260b-3 MLsIz"><div class="ipc-accordion sc-e367260b-2 byzEZU accordion ipc-accordion--base ipc-accordion--dividers-between"><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="nameTextAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-nameTextAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-nameTextAccordion" data-testid="accordion-item-nameTextAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Name</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-nameTextAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-75edd547-0 fYHWpq"><div class="ipc-textfield ipc-textfield--base" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textfield__container" role="presentation"><div class="ipc-textfield__field-container" role="presentation"><div class="ipc-textfield__input-container" role="presentation"><input aria-label="Name" id="text-input__1511" name="name-text-input" class="ipc-textfield__input" type="text" data-testid="test-nametext" placeholder="e.g. Audrey Hepburn" value=""/></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="birthDateAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-birthDateAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-birthDateAccordion" data-testid="accordion-item-birthDateAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Birth date</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-birthDateAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-f207bfb9-0 gHggrn"> Enter full date <div class="sc-f207bfb9-1 kSnPCJ"><div class="ipc-textinput ipc-textinput--base sc-f207bfb9-3 fzJdJI" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date from" id="text-input__1577" name="birth-date-start-input" class="ipc-textinput__input" type="date" data-testid="birthDate-start" autoComplete="off"/></div></div></div></div><p class="sc-f207bfb9-4 grPiFF"> to </p><div class="ipc-textinput ipc-textinput--base sc-f207bfb9-3 fzJdJI" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date to" id="text-input__1578" name="birth-date-end-input" class="ipc-textinput__input" type="date" data-testid="birthDate-end"/></div></div></div></div></div><p class="sc-f207bfb9-4 grPiFF"> or just enter yyyy, or yyyy-mm below </p><div class="sc-f207bfb9-2 bFZMUI"><div class="ipc-textinput ipc-textinput--base sc-f207bfb9-3 fzJdJI" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date from" id="text-input__1579" name="birth-year-month-start-input" class="ipc-textinput__input" type="text" data-testid="birthYearMonth-start" maxLength="7"/></div></div></div></div><p class="sc-f207bfb9-4 grPiFF"> to </p><div class="ipc-textinput ipc-textinput--base sc-f207bfb9-3 fzJdJI" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter birth date to" id="text-input__1580" name="birth-year-month-end-input" class="ipc-textinput__input" type="text" data-testid="birthYearMonth-end" maxLength="7"/></div></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="birthdayAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-birthdayAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-birthdayAccordion" data-testid="accordion-item-birthdayAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Birthday</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-birthdayAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div data-testid="birthday-test-id" class="sc-6a0a8c77-0 jjJNWa"><div class="ipc-textfield ipc-textfield--base sc-6a0a8c77-1 ewtULE" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textfield__container" role="presentation"><div class="ipc-textfield__field-container" role="presentation"><div class="ipc-textfield__input-container" role="presentation"><input aria-label="Enter birthday" id="text-input__1512" name="birthday-input" class="ipc-textfield__input" type="text" autoComplete="off" data-testid="birthday-input-test-id" placeholder="MM-DD" value=""/></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="awardsAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-awardsAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-awardsAccordion" data-testid="accordion-item-awardsAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Awards & recognition</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-awardsAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><section class="ipc-page-section ipc-page-section--base ipc-page-section--tp-none ipc-page-section--bp-none sc-bb21426f-1 fjEPfy"><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actress_nominees"><span class="ipc-chip__text">Best Actress-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actor_nominees"><span class="ipc-chip__text">Best Actor-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actress_winners"><span class="ipc-chip__text">Best Actress-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_actor_winners"><span class="ipc-chip__text">Best Actor-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actress_nominees"><span class="ipc-chip__text">Best Supporting Actress-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actor_nominees"><span class="ipc-chip__text">Best Supporting Actor-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actress_winners"><span class="ipc-chip__text">Best Supporting Actress-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_supporting_actor_winners"><span class="ipc-chip__text">Best Supporting Actor-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_best_director_nominees"><span class="ipc-chip__text">Best Director-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-best_director_winner"><span class="ipc-chip__text">Best Director-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_nominee"><span class="ipc-chip__text">Oscar-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-emmy_nominee"><span class="ipc-chip__text">Emmy Award-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-golden_globe_nominated"><span class="ipc-chip__text">Golden Globe-Nominated</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-oscar_winner"><span class="ipc-chip__text">Oscar-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-emmy_winner"><span class="ipc-chip__text">Emmy Award-Winning</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-golden_globe_winning"><span class="ipc-chip__text">Golden Globe-Winning</span></button></section></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="pageTopicsAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-pageTopicsAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-pageTopicsAccordion" data-testid="accordion-item-pageTopicsAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Page topics</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-pageTopicsAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-b154f72e-1 kCqowG"><div class="sc-b154f72e-2 faeDyH">Only includes names with the selected topics</div><section class="ipc-page-section ipc-page-section--base ipc-page-section--tp-none ipc-page-section--bp-none sc-bb21426f-1 fjEPfy"><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-AWARD_NOMINATIONS"><span class="ipc-chip__text">Award Nominations</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-BIOGRAPHY"><span class="ipc-chip__text">Biography</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-BIRTH_DATE"><span class="ipc-chip__text">Birth Date</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-BIRTH_PLACE"><span class="ipc-chip__text">Place of birth</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-DEATH_DATE"><span class="ipc-chip__text">Death Date</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-DEATH_PLACE"><span class="ipc-chip__text">Place of death</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-HEIGHT_INFO"><span class="ipc-chip__text">Height info</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-QUOTES"><span class="ipc-chip__text">Quotes</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-TRIVIA"><span class="ipc-chip__text">Trivia</span></button></section><div class="ipc-select ipc-select--base sc-b154f72e-0 bPkaEk ipc-select--with-value ipc-select--with-label" role="presentation"><div class="ipc-select__container" role="presentation"><div class="ipc-select__field-container" role="presentation"><label class="ipc-select__label" for="within-topic-dropdown-id">Search within topic</label><div class="ipc-select__input-container"><select class="ipc-select__input" id="within-topic-dropdown-id" name="within-topic-dropdown" aria-invalid="false"><option value=""></option><option value="BIOGRAPHY" selected="">Biography</option><option value="BIRTH_PLACE">Place of birth</option><option value="DEATH_PLACE">Place of death</option><option value="QUOTES">Quotes</option><option value="TRIVIA">Trivia</option></select></div></div><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--arrow ipc-select__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path opacity=".87" fill="none" d="M24 24H0V0h24v24z"></path><path d="M15.88 9.29L12 13.17 8.12 9.29a.996.996 0 1 0-1.41 1.41l4.59 4.59c.39.39 1.02.39 1.41 0l4.59-4.59a.996.996 0 0 0 0-1.41c-.39-.38-1.03-.39-1.42 0z"></path></svg></div></div><div class="ipc-textfield ipc-textfield--base" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textfield__container" role="presentation"><div class="ipc-textfield__field-container" role="presentation"><div class="ipc-textfield__input-container" role="presentation"><input aria-label="e.g. Arrested" id="text-input__1513" name="within-topic-input" class="ipc-textfield__input" type="text" data-testid="test-within-page-topic" placeholder="e.g. Arrested" value=""/></div></div></div></div><button class="sc-b154f72e-3 fjRtcU ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="within-topic-term-chip"><span class="ipc-chip__text">Place of death: new york city</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--clear ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18.3 5.71a.996.996 0 0 0-1.41 0L12 10.59 7.11 5.7A.996.996 0 1 0 5.7 7.11L10.59 12 5.7 16.89a.996.996 0 1 0 1.41 1.41L12 13.41l4.89 4.89a.996.996 0 1 0 1.41-1.41L13.41 12l4.89-4.89c.38-.38.38-1.02 0-1.4z"></path></svg></button><button class="sc-b154f72e-3 fjRtcU ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="within-topic-term-chip"><span class="ipc-chip__text">Place of death: new york</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--clear ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18.3 5.71a.996.996 0 0 0-1.41 0L12 10.59 7.11 5.7A.996.996 0 1 0 5.7 7.11L10.59 12 5.7 16.89a.996.996 0 1 0 1.41 1.41L12 13.41l4.89 4.89a.996.996 0 1 0 1.41-1.41L13.41 12l4.89-4.89c.38-.38.38-1.02 0-1.4z"></path></svg></button><button class="sc-b154f72e-3 fjRtcU ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="within-topic-term-chip"><span class="ipc-chip__text">Place of death: usa</span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--clear ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M18.3 5.71a.996.996 0 0 0-1.41 0L12 10.59 7.11 5.7A.996.996 0 1 0 5.7 7.11L10.59 12 5.7 16.89a.996.996 0 1 0 1.41 1.41L12 13.41l4.89 4.89a.996.996 0 1 0 1.41-1.41L13.41 12l4.89-4.89c.38-.38.38-1.02 0-1.4z"></path></svg></button></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="deathDateAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-deathDateAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-deathDateAccordion" data-testid="accordion-item-deathDateAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Death date</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-deathDateAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-d8acc209-0 zAEDN"><div class="sc-d8acc209-1 dpgzuj"><div class="ipc-textinput ipc-textinput--base sc-d8acc209-3 fFRMhy" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date from" id="text-input__1581" name="death-date-start-input" class="ipc-textinput__input" type="date" data-testid="deathDate-start" autoComplete="off"/></div></div></div></div><p class="sc-d8acc209-4 bTDAUP"> to </p><div class="ipc-textinput ipc-textinput--base sc-d8acc209-3 fFRMhy" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date to" id="text-input__1582" name="death-date-end-input" class="ipc-textinput__input" type="date" data-testid="deathDate-end"/></div></div></div></div></div><p class="sc-d8acc209-4 bTDAUP"> or just enter yyyy, or yyyy-mm below </p><div class="sc-d8acc209-2 hweDrm"><div class="ipc-textinput ipc-textinput--base sc-d8acc209-3 fFRMhy" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date from" id="text-input__1583" name="death-year-month-start-input" class="ipc-textinput__input" type="text" data-testid="deathYearMonth-start" maxLength="7"/></div></div></div></div><p class="sc-d8acc209-4 bTDAUP"> to </p><div class="ipc-textinput ipc-textinput--base sc-d8acc209-3 fFRMhy" style="--ipc-pre-text-width:0px" role="presentation"><div class="ipc-textinput__container" role="presentation"><div class="ipc-textinput__field-container" role="presentation"><div class="ipc-textinput__input-container" role="presentation"><input aria-label="Enter death date to" id="text-input__1584" name="death-year-month-end-input" class="ipc-textinput__input" type="text" data-testid="deathYearMonth-end" maxLength="7"/></div></div></div></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="genderIdentityAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-genderIdentityAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-genderIdentityAccordion" data-testid="accordion-item-genderIdentityAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Gender identity</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-genderIdentityAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><section class="ipc-page-section ipc-page-section--base ipc-page-section--tp-none ipc-page-section--bp-none sc-bb21426f-1 fjEPfy"><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-MALE"><span class="ipc-chip__text">Male</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-FEMALE"><span class="ipc-chip__text">Female</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-NON_BINARY"><span class="ipc-chip__text">Non-binary</span></button><button class="sc-bb21426f-0 buRibl light ipc-chip ipc-chip--on-base" tabindex="0" aria-disabled="false" data-testid="test-chip-id-OTHER"><span class="ipc-chip__text">Other</span></button></section></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="filmographyAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-filmographyAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-filmographyAccordion" data-testid="accordion-item-filmographyAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Credits</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-filmographyAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><div class="sc-c4e337ff-0 hiaoQa"><div role="combobox" aria-haspopup="listbox" aria-owns="react-autowhatever-1" aria-expanded="false" class="react-autosuggest__container"><div class="sc-9d0ac180-1 gokzWz"><input type="text" autoComplete="off" aria-autocomplete="list" aria-controls="react-autowhatever-1" class="sc-9d0ac180-0 kBNQSh react-autosuggest__input" autoCapitalize="off" autoCorrect="off" spellcheck="true" aria-label="Autosuggest input field" data-testid="autosuggest-input-test-id-filmography" value=""/></div><div id="react-autowhatever-1" role="listbox" class="sc-9d0ac180-3 jPWAyA react-autosuggest__suggestions-container" data-testid="filmography-suggestions-container"></div></div></div></div></div></div><div class="ipc-accordion__item ipc-accordion__item--collapsed" data-testid="accordion-item" role="presentation" id="adultNamesAccordion"><div class="ipc-accordion__item__header" role="presentation"><label role="button" aria-label="Expand undefined" aria-expanded="false" aria-controls="accordion-item-adultNamesAccordion" class="ipc-accordion__item__label ipc-accordion__item__label--indent-full" tabindex="0" for="accordion-item-adultNamesAccordion" data-testid="accordion-item-adultNamesAccordion"><span class="ipc-accordion__item__title"><div class="sc-6addea7c-0 jfSEAR">Adult names</div></span><span class="ipc-accordion__item__chevron"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--chevron-right" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M9.29 6.71a.996.996 0 0 0 0 1.41L13.17 12l-3.88 3.88a.996.996 0 1 0 1.41 1.41l4.59-4.59a.996.996 0 0 0 0-1.41L10.7 6.7c-.38-.38-1.02-.38-1.41.01z"></path></svg></span></label></div><div id="accordion-item-adultNamesAccordion" class="ipc-accordion__item__content" aria-hidden="true" data-testid="accordion-item-content-container"><div class="ipc-accordion__item__content_inner" role="presentation"><section class="ipc-page-section ipc-page-section--none ipc-page-section--tp-none ipc-page-section--bp-none"><span class="ipc-boolean-input ipc-boolean-input--base ipc-radio-button"><span class="ipc-boolean-input__icon"><input aria-label="Exclude" data-testid="exclude-adult-names" name="Exclude" class="ipc-boolean-input__input" id="exclude-adult-names" type="radio" checked="" value="exclude-adult-names"/><span class="ipc-boolean-input__icon-wrapper" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-checked ipc-boolean-input__icon--accent2 ipc-boolean-input__icon--checked" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path><circle cx="12" cy="12" r="5"></circle></svg></span></span><label class="ipc-boolean-input__label" for="exclude-adult-names">Exclude</label></span><div class="sc-35f4b1d-0 yyNHJ"><span class="ipc-boolean-input ipc-boolean-input--base ipc-radio-button"><span class="ipc-boolean-input__icon"><input aria-label="Include" data-testid="include-adult-names" name="Include" class="ipc-boolean-input__input" id="include-adult-names" type="radio" value="include-adult-names"/><span class="ipc-boolean-input__icon-wrapper" aria-hidden="true"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--radio-button-unchecked ipc-boolean-input__icon--unchecked" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M12 2C6.48 2 2 6.48 2 12s4.48 10 10 10 10-4.48 10-10S17.52 2 12 2zm0 18c-4.42 0-8-3.58-8-8s3.58-8 8-8 8 3.58 8 8-3.58 8-8 8z"></path></svg></span></span><label class="ipc-boolean-input__label" for="include-adult-names">Include</label></span></div></section></div></div></div></div></section></div><div class="ipc-page-grid__item ipc-page-grid__item--span-2"><div class="sc-13add9d7-6 dCCeCI"><div class="sc-13add9d7-3 fwjHEn">1-50 of 7,744</div><div class="sc-13add9d7-1 fSfCTp"><button class="sc-13add9d7-0 bZyuVC hide-on-desktop ipc-chip ipc-chip--filled ipc-chip--on-base-accent2" tabindex="0" aria-disabled="false" data-testid="adv-search-edit"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--filter-list ipc-icon--inline ipc-chip__post-icon" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M11 18q-.425 0-.712-.288Q10 17.425 10 17t.288-.712Q10.575 16 11 16h2q.425 0 .713.288.287.287.287.712t-.287.712Q13.425 18 13 18zM4 8q-.425 0-.712-.287Q3 7.425 3 7t.288-.713Q3.575 6 4 6h16q.425 0 .712.287Q21 6.575 21 7t-.288.713Q20.425 8 20 8zm3 5q-.425 0-.713-.288Q6 12.425 6 12t.287-.713Q6.575 11 7 11h10q.425 0 .712.287.288.288.288.713t-.288.712Q17.425 13 17 13z"></path></svg></button><div class="sc-6092f229-0 jRUwyw"><span class="ipc-simple-select__container" data-testid="adv-srch-sort-by"><label class="ipc-simple-select__front-label" for="adv-srch-sort-by">Sort by</label><span class="ipc-simple-select ipc-simple-select--base ipc-simple-select--on-accent2"><label class="ipc-simple-select__selected-option" aria-hidden="true">Popularity</label><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--arrow-drop-down ipc-simple-select__icon--post" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path fill="none" d="M0 0h24v24H0V0z"></path><path d="M8.71 11.71l2.59 2.59c.39.39 1.02.39 1.41 0l2.59-2.59c.63-.63.18-1.71-.71-1.71H9.41c-.89 0-1.33 1.08-.7 1.71z"></path></svg><select id="adv-srch-sort-by" aria-label="Sort by" class="ipc-simple-select__input"><option value="POPULARITY" selected="">Popularity</option><option value="NAME">A-Z</option><option value="BIRTH_DATE">Birth date</option><option value="DEATH_DATE">Death date</option></select></span></span><button data-testid="test-sort-order" id="adv-srch-sort-order" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Ascending sort order" tabindex="0" aria-label="Ascending sort order" aria-disabled="false"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--ascending" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M12 22a.968.968 0 01-.713-.288A.967.967 0 0111 21V5.825L7.1 9.7a.977.977 0 01-.688.288A.93.93 0 015.7 9.7a.948.948 0 01-.275-.7c0-.283.092-.517.275-.7l5.6-5.6c.1-.1.208-.17.325-.212.117-.042.242-.063.375-.063s.258.02.375.063a.877.877 0 01.325.212l5.6 5.6a.933.933 0 01.275.688c0 .275-.092.512-.275.712-.2.2-.438.3-.713.3a.973.973 0 01-.712-.3L13 5.825V21c0 .283-.096.52-.287.712A.968.968 0 0112 22z"></path></svg></button></div></div><div class="sc-13add9d7-2 fepQkm"><div><button id="list-view-option-detailed" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Selected: Detailed view" tabindex="0" aria-label="Selected: Detailed view" aria-disabled="false"><svg width="24" height="24" xmlns="http://www.w3.org/2000/svg" class="ipc-icon ipc-icon--list-inline" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M1.5 13.5c.825 0 1.5-.675 1.5-1.5s-.675-1.5-1.5-1.5S0 11.175 0 12s.675 1.5 1.5 1.5zm0 5c.825 0 1.5-.675 1.5-1.5s-.675-1.5-1.5-1.5S0 16.175 0 17s.675 1.5 1.5 1.5zm0-10C2.325 8.5 3 7.825 3 7s-.675-1.5-1.5-1.5S0 6.175 0 7s.675 1.5 1.5 1.5zm4.857 5h16.286c.746 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detailed-list-view ipc-metadata-list--base" role="presentation"><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Eli Wallach in Our Family Honor (1985)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNDcwZDdiZWEtMGYxYS00MjI0LTgwNjctMWVkODZiZGE1ZDdjXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNDcwZDdiZWEtMGYxYS00MjI0LTgwNjctMWVkODZiZGE1ZDdjXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNDcwZDdiZWEtMGYxYS00MjI0LTgwNjctMWVkODZiZGE1ZDdjXkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNDcwZDdiZWEtMGYxYS00MjI0LTgwNjctMWVkODZiZGE1ZDdjXkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0908919/?ref_=sr_i_1" aria-label="Eli Wallach"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0908919/?ref_=sr_t_1" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">1. Eli Wallach</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Additional Crew</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0060196/?ref_=sr_knf_1">The Good, the Bad and the Ugly (1966)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000022/?ref_=sr">Clark Gable</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000142/?ref_=sr">Clint Eastwood</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000537/?ref_=sr">Steve McQueen</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000054/?ref_=sr">Marilyn Monroe</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000989/?ref_=sr">Yul Brynner</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000564/?ref_=sr">Peter O'Toole</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000199/?ref_=sr">Al Pacino</a>, to name but a few.<br/><br/>Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0931783/?ref_=sr">Tennessee Williams</a> play "The Rose Tattoo".<br/><br/>Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0048973/?ref_=sr">Baby Doll (1956)</a>, shined as "Dancer", the nattily dressed hitman, in director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0796923/?ref_=sr">Don Siegel</a>'s film-noir classic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0051866/?ref_=sr">The Lineup (1958)</a>, and co-starred in the heist film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0054295/?ref_=sr">Seven Thieves (1960)</a>. Director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0836328/?ref_=sr">John Sturges</a> then cast Wallach as vicious Mexican bandit Calvera in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0054047/?ref_=sr">The Magnificent Seven (1960)</a>, the western adaptation of the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000041/?ref_=sr">Akira Kurosawa</a> epic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0047478/?ref_=sr">Seven Samurai (1954)</a>. <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055184/?ref_=sr">The Misfits (1961)</a>, in the star-spangled western opus <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056085/?ref_=sr">How the West Was Won (1962)</a>, the underrated WW2 film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0057652/?ref_=sr">The Victors (1963)</a>, as a kidnapper in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0058371/?ref_=sr">The Moon-Spinners (1964)</a>, in the sea epic <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0059399/?ref_=sr">Lord Jim (1965)</a> and in the romantic comedy <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060522/?ref_=sr">How to Steal a Million (1966)</a>.<br/><br/>Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001466/?ref_=sr">Sergio Leone</a> cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060196/?ref_=sr">The Good, the Bad and the Ugly (1966)</a> (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0064615/?ref_=sr">Mackenna's Gold (1969)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0069883/?ref_=sr">Cinderella Liberty (1973)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071369/?ref_=sr">Crazy Joe (1974)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0075925/?ref_=sr">The Deep (1977)</a> and as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000537/?ref_=sr">Steve McQueen</a>'s bail buddy in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0080907/?ref_=sr">The Hunter (1980)</a>.<br/><br/>The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0083909/?ref_=sr">The Executioner's Song (1982)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0149504/?ref_=sr">Our Family Honor (1985)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0092105/?ref_=sr">Tough Guys (1986)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0093660/?ref_=sr">Nuts (1987)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0100828/?ref_=sr">The Two Jakes (1990)</a> and as the candy-addicted "Don Altabello" in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099674/?ref_=sr">The Godfather: Part III (1990)</a>. At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0103193/?ref_=sr">Vendetta: Secrets of a Mafia Bride (1990)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0105553/?ref_=sr">Teamster Boss: The Jackie Presser Story (1992)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0168085/?ref_=sr">Naked City: Justice with a Bullet (1998)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0171433/?ref_=sr">Keeping the Faith (2000)</a>. Most recently Wallach showed up as a fast-talking liquor store owner in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0327056/?ref_=sr">Mystic River (2003)</a> and in the comedic drama <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0363913/?ref_=sr">King of the Corner (2004)</a>.<br/><br/>In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.<br/><br/>Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Mae Questel" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTU0MDc0NDY4Nl5BMl5BanBnXkFtZTcwNTQyNzYxOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTU0MDc0NDY4Nl5BMl5BanBnXkFtZTcwNTQyNzYxOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTU0MDc0NDY4Nl5BMl5BanBnXkFtZTcwNTQyNzYxOA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTU0MDc0NDY4Nl5BMl5BanBnXkFtZTcwNTQyNzYxOA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0703362/?ref_=sr_i_2" aria-label="Mae Questel"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0703362/?ref_=sr_t_2" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">2. Mae Questel</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0097958/?ref_=sr_knf_2">National Lampoon's Christmas Vacation (1989)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Her Orthodox Jewish family was totally averse to her having an entertainment career. Her parents and grandparents forced her to leave the Theatre Guild school (New York) while still a teenager and had their wills drawn up accordingly so as to discourage this career choice.<br/><br/>Studied drama at Columbia University, and belonged to the American Theatre Wing.<br/><br/>When Mae was 17 and living in the South Bronx, she won a local contest to find the girl who most resembled Helen Kane, a popular singer known as the "Boop-Oop-A-Doop Queen". She was promptly signed by an agent and began performing in the Vaudeville circuit. Billing herself as "Mae Questel - Personality Singer of Personality Songs," she performed dead-on vocal imitations of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002001/?ref_=sr">Maurice Chevalier</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0134662/?ref_=sr">Eddie Cantor</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0108511/?ref_=sr">Fanny Brice</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000017/?ref_=sr">Marlene Dietrich</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0922213/?ref_=sr">Mae West</a> and of course <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0437318/?ref_=sr">Helen Kane</a>, among many others. Her mimic talent also provided duck, dog, chicken, owl, monkey, lion and baby sounds for radio shows.<br/><br/>Betty Boop creator Max Fleischer heard Mae doing her "boop-oop-a-doop" routine and hired her to do the character's voice in 1931. She served as the voice on more than 150 Betty Boop animated shorts until the character was retired in 1939. Her recording of "On The Good Ship Lollipop" sold more than 2 million during the Depression.<br/><br/>Best known as the voice of "Betty Boop", she was also the voice of not-so-less-famous "Olive Oyl" in the Popeye cartoons, as well as the toddler Swee'pea and others. She did Popeye's voice once, in the cartoon <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0152390/?ref_=sr">Shape Ahoy (1945)</a>, because <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0580271/?ref_=sr">Jack Mercer</a> was serving in the military during World War II. Her versatility is probably better appreciated in the cartoon <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0028027/?ref_=sr">Never Kick a Woman (1936)</a> in which she provides the quivery, nervous-Nellie voice of Olive Oyl, based on comedic actress <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0686032/?ref_=sr">Zasu Pitts</a>, and the deep, assured, alluring voice of the blonde saleswoman, based on <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0922213/?ref_=sr">Mae West</a>.<br/><br/>In 1968, the City of Indianapolis honored her with a "Mae Questel Day". In 1979, she won the Troupers Award for outstanding contribution to entertainment.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Philip Seymour Hoffman at an event for The Ides of March (2011)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTQ0NTA1NTg3Ml5BMl5BanBnXkFtZTcwNzkxNzgxNw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTQ0NTA1NTg3Ml5BMl5BanBnXkFtZTcwNzkxNzgxNw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTQ0NTA1NTg3Ml5BMl5BanBnXkFtZTcwNzkxNzgxNw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTQ0NTA1NTg3Ml5BMl5BanBnXkFtZTcwNzkxNzgxNw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000450/?ref_=sr_i_3" aria-label="Philip Seymour Hoffman"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0000450/?ref_=sr_t_3" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">3. Philip Seymour Hoffman</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Director</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt1560747/?ref_=sr_knf_3">The Master (2012)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.<br/><br/>He made his feature film debut in the indie production <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0103121/?ref_=sr">Triple Bogey on a Par Five Hole (1991)</a> as Phil Hoffman, and his first role in a major release came the next year in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0104954/?ref_=sr">My New Gun (1992)</a>. While he had supporting roles in some other major productions like <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0105323/?ref_=sr">Scent of a Woman (1992)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0117998/?ref_=sr">Twister (1996)</a>, his breakthrough role came in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000759/?ref_=sr">Paul Thomas Anderson</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0118749/?ref_=sr">Boogie Nights (1997)</a>.<br/><br/>He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001754/?ref_=sr">Todd Solondz</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0147612/?ref_=sr">Happiness (1998)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0155711/?ref_=sr">Flawless (1999)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0134119/?ref_=sr">The Talented Mr. Ripley (1999)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000759/?ref_=sr">Paul Thomas Anderson</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0175880/?ref_=sr">Magnolia (1999)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0181875/?ref_=sr">Almost Famous (2000)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0120202/?ref_=sr">State and Main (2000)</a>. He also appeared in supporting roles in such mainstream, big-budget features as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0289765/?ref_=sr">Red Dragon (2002)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0159365/?ref_=sr">Cold Mountain (2003)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0317919/?ref_=sr">Mission: Impossible III (2006)</a>.<br/><br/>Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001731/?ref_=sr">Sam Shepard</a>'s "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night." His other acting credits in the New York theater include "The Seagull" (directed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001566/?ref_=sr">Mike Nichols</a> for The New York Shakespeare Festival), "Defying Gravity," "The Merchant of Venice" (directed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0783299/?ref_=sr">Peter Sellars</a>), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).<br/><br/>He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0012289/?ref_=sr">Stephen Adly Guirgis</a>. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1973742/?ref_=sr">Rebecca Gilman</a> at the Manhattan Class Company.<br/><br/>Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0379725/?ref_=sr">Capote (2005)</a>, for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.<br/><br/>On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="John Hughes" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BYTVjMjVmYmQtNDA3Ni00MGMxLWIwZDctNTFjMDRiMTNkZDY0XkEyXkFqcGc@._V1_QL75_UY60_CR1,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BYTVjMjVmYmQtNDA3Ni00MGMxLWIwZDctNTFjMDRiMTNkZDY0XkEyXkFqcGc@._V1_QL75_UY60_CR1,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BYTVjMjVmYmQtNDA3Ni00MGMxLWIwZDctNTFjMDRiMTNkZDY0XkEyXkFqcGc@._V1_QL75_UY90_CR1,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BYTVjMjVmYmQtNDA3Ni00MGMxLWIwZDctNTFjMDRiMTNkZDY0XkEyXkFqcGc@._V1_QL75_UY120_CR1,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000455/?ref_=sr_i_4" aria-label="John Hughes"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0000455/?ref_=sr_t_4" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">4. John Hughes</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Writer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Director</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0093748/?ref_=sr_knf_4">Planes, Trains (1987)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">John Hughes was an American film director, film producer, and screenwriter. He was credited for creating some of the most memorable comedy films of the 1980s and the 1990s, when he was at the height of his career. He had a talent for writing coming-of-age stories, and for depicting fairly realistic adolescent characters.<br/><br/>In 1950, Hughes was born in Lansing, Michigan. The city's main employers for much of the 20th century were manufacturing plants for automobiles. Lansing housed the headquarters of companies such as Oldsmobile and the REO Motor Car Company. Hughes' father John Hughes Sr. was a salesman, while Hughes' mother Marion Crawford worked as a volunteer for charity organizations.<br/><br/>Hughes had three sisters and no brothers. His family moved often. For most of his childhood, the Hughes family lived in Grosse Pointe, Michigan, a commuter suburb of Metro Detroit. According to an interview of Hughes, he was the only boy in his neighborhood while growing up. He was surrounded by girls and "old people," and there was no boys around for him to befriend. He spend a lot of time alone, and used his active imagination to keep himself entertained.<br/><br/>In 1963, the Hughes family moved to Northbrook, Illinois, a suburb of Chicago. Hughes attended first the Grove Middle School, and then the Glenbrook North High School. His high school experiences reportedly provided inspiration for his teen-themed films of his career. According to interviews with Hughes' friends, Hughes had a poor relationship with his parents who often criticized him.<br/><br/>As an adolescent, Hughes felt the need to escape his problems. He became an avid film fan, as he found that films satisfied his need for escapism. He was a fan of both the Rat Pack (an informal group of actors and singers), and the music group The Beatles.<br/><br/>After graduating high school, Hughes enrolled in the University of Arizona. He eventually dropped out of the University, and tried to make a living as a comedy writer. He wrote jokes for professional comedians, such as Rodney Dangerfield (1921 - 2004) and Joan Rivers (1933 - 2014).<br/><br/>In 1970, Hughes was hired by the advertising company Needham Harper & Steers (1925-1986). That same year, Hughes married his former high school classmate Nancy Ludwig. Hughes worked in the advertising industry for several years. In 1974, Hughes was hired by the advertising agency Leo Burnett Worldwide. This company's most notable clients included the Pillsbury Company, StarKist, Heinz, Green Giant, and Philip Morris.<br/><br/>As a marketing agent, Hughes was assigned to handle Virginia Slims, a brand of cigarettes produced by Philip Morris. The assignment required him to regularly travel to New York City, where Philip Morris' headquarters were located. Hughes took the opportunity to visit the offices of the popular humor magazine "National Lampoon" (1970-1998) in New York City. He successfully negotiated a new position as a regular contributor to the magazine.<br/><br/>Hughes reportedly impressed the magazine's editors by producing quality work at a fast pace. Among his first short stories was "Vacation '58," based on his recollections of his family's vacations during his childhood. The story was eventually adapted into the road comedy film "National Lampoon's Vacation" (1983).<br/><br/>"National Lampoon" co-produced films written by their staff writers. Hughes provided the script for the black comedy "National Lampoon's Class Reunion" (1982), depicting a serial killer who targets his former classmates. The film was poorly received and under-performed at the box office, but it inspired Hughes to try to make a career as a screenwriter.<br/><br/>Hughes subsequently wrote the scripts for both "National Lampoon's Vacation" (1983) and "Mr. Mom" (1983), comedy films which were box office hits. He then signed a contract for three films with the studio Universal Pictures. He made his directing debut in the coming-of-age comedy film "Sixteen Candles" (1984). The film depicted the misadventures of high school sophomore Samantha "Sam" Baker (played by Molly Ringwald). It performed well at the box office, and was well-received by critics.<br/><br/>Hughes quickly established himself as a leading director of teen films. His films "The Breakfast Club" (1985), "Weird Science" (1985), and "Ferris Bueller's Day Off" (1986) are considered classics of the genre. To cover new ground, he then directed "Planes, Trains and Automobiles" (1987), featuring a duo of adult protagonists. The stars of the film were experienced comic actors Steve Martin and John Candy. The film was a hit. More importantly, Hughes and Candy became close friends. They would often work together in subsequent films.<br/><br/>Hughes' next film as a director was "She's Having a Baby" (1988), about the life of a newlywed couple. The film fared poorly financially and was considered rather "blasé" by critics. Hughes made a comeback with "Uncle Buck" (1989), about a lifelong bachelor who has to take care of his two nieces and a nephew. The film was a box office hit, earning about 80 million dollars at the box office.<br/><br/>Hughes' final film as a director was the comedy-drama "Curly Sue" (1991), about homeless con artist Bill Dancer (played by Jim Belushi) who desperately tries to keep the custody of his surrogate daughter. While moderately successful at the box office at the box office, the film was widely ridiculed for being overly sentimental.<br/><br/>In the 1990s, Hughes found success as a screenwriter, scripting several box office hits. Among his most notable films in this period were "Home Alone" (1990) and "Beethoven" (1992), with both films starting lucrative media franchises. Hughes also wrote the scripts of the sequels "Home Alone 2: Lost in New York" (1992) and "Home Alone 3" (1997). He also scripted a notable comic strip adaptation, "Dennis the Menace" (1993). It was based on the long-running comic strip "Dennis the Menace" (1951-) by Hank Ketcham (1920-2001).<br/><br/>In 1994, Hughes moved to the Chicago metropolitan area. At about that time, he started actively avoiding publicity. He rarely gave any interviews until the end of his life. In 1995, Hughes co-founded the production company Great Oaks Entertainment, which mainly handled co-production of Disney produced films. Hughes handled the scripting of two of the company's films: "101 Dalmatians" (1996) and "Flubber" (1997). Both were remakes of older films.<br/><br/>In 1997, Hughes severed his partnership with Ricardo Mestres. A year later, their final co-production, "Reach the Rock," was released. The film was scripted by Hughes, though it was uncharacteristically dramatic for a Hughes film. The film depicted the conflict between an alienated young man and a police chief.<br/><br/>In the 2000s, Hughes only scripted three more films. The most notable among them the romantic drama "Maid in Manhattan" (2002), a hit for protagonist Jennifer Lopez. It earned about 164 million dollars.<br/><br/>In August 2009, Hughes visited New York City with his wife. He wanted to visit one of his sons who lived there, and to meet his new grandson. On August 6, Hughes suffered a heart attack while walking in Manhattan. He was transported to Roosevelt Hospital, but died shortly after. He was fifty-nine years old.<br/><br/>Hughes was buried in Lake Forest Cemetery, a rural cemetery located in Lake Forest, Illinois. He was survived by his wife, their two children, and several grandchildren.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Gloria Grahame" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BYjFhNmU5ZWQtNDllMi00OGMxLWI0Y2EtMGE5ZjNjNTc5ZmY2XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BYjFhNmU5ZWQtNDllMi00OGMxLWI0Y2EtMGE5ZjNjNTc5ZmY2XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BYjFhNmU5ZWQtNDllMi00OGMxLWI0Y2EtMGE5ZjNjNTc5ZmY2XkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BYjFhNmU5ZWQtNDllMi00OGMxLWI0Y2EtMGE5ZjNjNTc5ZmY2XkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0002108/?ref_=sr_i_5" aria-label="Gloria Grahame"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0002108/?ref_=sr_t_5" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">5. Gloria Grahame</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0042593/?ref_=sr_knf_5">In a Lonely Place (1950)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Gloria Grahame Hallward, an acting pupil of her mother (stage actress and teacher Jean Grahame), acted professionally while still in high school. In 1944 <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0562454/?ref_=sr">Louis B. Mayer</a> saw her on Broadway and gave her an MGM contract under the name Gloria Grahame. Her debut in the title role of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0036651/?ref_=sr">Blonde Fever (1944)</a> was auspicious, but her first public recognition came on loan-out in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038650/?ref_=sr">It's a Wonderful Life (1946)</a>. Although her talent and sex appeal were of star quality, she did not fit the star pattern at MGM, who sold her contract to RKO in 1947. Here the same problem resurfaced; her best film in these years was made on loan-out, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042593/?ref_=sr">In a Lonely Place (1950)</a>. Soon after, she left RKO. The 1950s, her best period, brought her a Best Supporting Actress Oscar and typecast her as shady, inimitably sultry ladies in seven well-known film-noir classics.<br/><br/>Rumors of being difficult to work with on the set of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0048445/?ref_=sr">Oklahoma! (1955)</a> helped sideline her film career from 1956 onward. She also suffered from marital and child-custody troubles. Eight years after divorce from <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0712947/?ref_=sr">Nicholas Ray</a>, who was 12 years her senior (and reportedly had discovered her in bed with his 13 year old son), and after a subsequent marriage to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0397220/?ref_=sr">Cy Howard</a> ended in divorce, in 1960 she married her former stepson <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0712743/?ref_=sr">Anthony Ray</a> (who was almost 14 years younger than she was.) This led former husbands <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0712947/?ref_=sr">Nicholas Ray</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0397220/?ref_=sr">Cy Howard</a> to sue Grahame; each man seeking custody of his respective child, putting gossip columnists and scandal sheets into overdrive. Grahame herself underwent electroconvulsive therapy after the ensuing stress caused a nervous breakdown. Surprisingly, however, Grahame and Anthony "Tony" Ray proved a happy couple. The union would be Grahame's longest marriage, lasting almost 14 years (10 years longer than her previous union with Ray's father); the couple had two children, Anthony Jr. and James.<br/><br/>In 1960, Grahame resumed stage acting, combined with TV work and, from 1970, some mostly inferior films. She was described as a serious, skillful actress; spontaneous, honest, and strong-willed; imaginative and curious; incredibly sexy but insecure about her looks (prompting plastic surgery on her famous lips); loving appreciative male company; "a bit loony". In 1975, she was treated for breast cancer. Five years later, she was diagnosed with cancer again, although it is unclear if this was a new cancer or a metastasis of her breast cancer. Grahame eventually moved to England in 1978. Her busiest period of British and American stage work ended abruptly in 1981 when she collapsed from cancer symptoms during a rehearsal. She wished to remain in Liverpool with her partner, Peter Turner (almost 30 years her junior), but after Turner notified her children of her health condition and impending death, two of her children flew to England to retrieve her, insisting she return to the United States. She died a few hours later that same day of stomach cancer and peritonitis at St. Vincent's Hospital in Manhattan on October 5, 1981 at age 57.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Natasha Richardson" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjE1OTUzNDQ0OV5BMl5BanBnXkFtZTcwOTA4MDMzMg@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjE1OTUzNDQ0OV5BMl5BanBnXkFtZTcwOTA4MDMzMg@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjE1OTUzNDQ0OV5BMl5BanBnXkFtZTcwOTA4MDMzMg@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjE1OTUzNDQ0OV5BMl5BanBnXkFtZTcwOTA4MDMzMg@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001670/?ref_=sr_i_6" aria-label="Natasha Richardson"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001670/?ref_=sr_t_6" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">6. Natasha Richardson</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0348505/?ref_=sr_knf_6">Asylum (2005)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Natasha Jane Richardson was born in Marylebone, London, England, to director and producer <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0724798/?ref_=sr">Tony Richardson</a> and actress <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000603/?ref_=sr">Vanessa Redgrave</a>. She was the sister of actress <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000613/?ref_=sr">Joely Richardson</a>, the niece of actors <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0714874/?ref_=sr">Corin Redgrave</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001655/?ref_=sr">Lynn Redgrave</a>, and the granddaughter of actors <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0714878/?ref_=sr">Michael Redgrave</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0447499/?ref_=sr">Rachel Kempson</a>.<br/><br/>Trained at London's Central School of Speech and Drama, Richardson performed extensively on stage in roles, including "Helena" in "A Midsummer Night's Dream" and Ophelia in "Hamlet" at the Young Vic. In 1986, she garnered the London Drama Critics' Most Promising Newcomer Award for her performance as "Nina" in "The Seagull", with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000603/?ref_=sr">Vanessa Redgrave</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000596/?ref_=sr">Jonathan Pryce</a>. In 1987, she played "Tracey Lord" in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0264236/?ref_=sr">Richard Eyre</a>'s musical, "High Society".<br/><br/>Natasha made her feature film debut as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0791217/?ref_=sr">Mary Shelley</a> in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001692/?ref_=sr">Ken Russell</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0091142/?ref_=sr">Gothic (1986)</a>. Her performance caught the attention of director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001707/?ref_=sr">Paul Schrader</a>, who cast her in the title role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0095836/?ref_=sr">Patty Hearst (1988)</a>. Natasha achieved notable success in such films as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0640466/?ref_=sr">Pat O'Connor</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0093562/?ref_=sr">A Month in the Country (1987)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0423646/?ref_=sr">Roland Joffé</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0097336/?ref_=sr">Fat Man and Little Boy (1989)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0101863/?ref_=sr">The Favour, the Watch and the Very Big Fish (1991)</a>, featuring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001364/?ref_=sr">Bob Hoskins</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000156/?ref_=sr">Jeff Goldblum</a>. For her performance in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0772522/?ref_=sr">Volker Schlöndorff</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099731/?ref_=sr">The Handmaid's Tale (1990)</a> and Schrader's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0099292/?ref_=sr">The Comfort of Strangers (1990)</a>, Richardson earned The London Evening Standard Award for Best Actress of 1990; and for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0111712/?ref_=sr">Widows' Peak (1994)</a>, also starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001201/?ref_=sr">Mia Farrow</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0687506/?ref_=sr">Joan Plowright</a>, she received the Best Actress Award at the 1994 Karlovy Vary Festival.<br/><br/>Also in 1994, she co-starred with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000149/?ref_=sr">Jodie Foster</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000553/?ref_=sr">Liam Neeson</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0110638/?ref_=sr">Nell (1994)</a> and, in 1998, in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0120783/?ref_=sr">The Parent Trap (1998)</a> with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000598/?ref_=sr">Dennis Quaid</a>. Her early 2000s films include <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0212380/?ref_=sr">Blow Dry (2001)</a> released in 2001, and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000160/?ref_=sr">Ethan Hawke</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0226935/?ref_=sr">Chelsea Walls (2001)</a>.<br/><br/>Natasha performed the title role of "Anna Christie", first in London, where she was voted London Drama Critics' Best Actress Award in 1992, then on Broadway at the Roundabout in 1993, where she was nominated for a Tony for Best Actress in a Play, a Theatre World Award for Outstanding Debut, the Outer Critics Circle Award for Outstanding Debut of an Actress, and a Drama Desk nomination for Best Actress. For her performance as Sally Bowles in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0005222/?ref_=sr">Sam Mendes</a>' production of "Cabaret", she won the 1998 Tony, Outer Critics Circle, Drama League and Drama Desk Awards for Best Actress in a Musical. She then appeared on Broadway in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0544999/?ref_=sr">Patrick Marber</a>'s Tony-nominated play "Closer". In December 2009 she had been intended to play "Miss Julie" on Broadway with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000450/?ref_=sr">Philip Seymour Hoffman</a>, directed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1659505/?ref_=sr">David Leveaux</a> for Roundabout Theatre.<br/><br/>Richardson's television credits included <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0406585/?ref_=sr">Henrik Ibsen</a>'s "Ghosts" for the BBC, also starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001132/?ref_=sr">Judi Dench</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002091/?ref_=sr">Michael Gambon</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000110/?ref_=sr">Kenneth Branagh</a>; the HBO cable feature <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0107141/?ref_=sr">Hostages (1992)</a>; the BBC film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0108247/?ref_=sr">Suddenly, Last Summer (1993)</a>, based on the play by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0931783/?ref_=sr">Tennessee Williams</a>, and also starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001749/?ref_=sr">Maggie Smith</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000507/?ref_=sr">Rob Lowe</a>. In 1993 she starred as Zelda Fitzgerald in the TNT movie <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0108648/?ref_=sr">Zelda (1993)</a>, co-starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000459/?ref_=sr">Timothy Hutton</a> and directed by Pat O'Connor (cable Ace nomination for Best Actress). She played <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0344295/?ref_=sr">Ruth Gruber</a> in the 2001 CBS mini-series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0250862/?ref_=sr">Haven (2001)</a> based on Ms. Gruber's autobiography.<br/><br/>In March 2009, Natasha died in a New York City hospital, after falling and receiving a head injury whilst skiing in Mont Tremblant, Quebec, Canada. Natasha was married to actor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000553/?ref_=sr">Liam Neeson</a> from 1994 until her death, and the couple have two children.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Heath Ledger at an event for Candy (2006)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTI2NTY0NzA4MF5BMl5BanBnXkFtZTYwMjE1MDE0._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTI2NTY0NzA4MF5BMl5BanBnXkFtZTYwMjE1MDE0._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTI2NTY0NzA4MF5BMl5BanBnXkFtZTYwMjE1MDE0._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTI2NTY0NzA4MF5BMl5BanBnXkFtZTYwMjE1MDE0._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0005132/?ref_=sr_i_7" aria-label="Heath Ledger"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0005132/?ref_=sr_t_7" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">7. Heath Ledger</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Director</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Cinematographer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0388795/?ref_=sr_knf_7">Brokeback Mountain (2005)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0147800/?ref_=sr">10 Things I Hate About You (1999)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0187393/?ref_=sr">The Patriot (2000)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0183790/?ref_=sr">A Knight's Tale (2001)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0285742/?ref_=sr">Monster's Ball (2001)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0277941/?ref_=sr">Ned Kelly (2003)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0355295/?ref_=sr">The Brothers Grimm (2005)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0355702/?ref_=sr">Lords of Dogtown (2005)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0388795/?ref_=sr">Brokeback Mountain (2005)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0402894/?ref_=sr">Casanova (2005)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0424880/?ref_=sr">Candy (2006)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0368794/?ref_=sr">I'm Not There (2007)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0468569/?ref_=sr">The Dark Knight (2008)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1054606/?ref_=sr">The Imaginarium of Doctor Parnassus (2009)</a>. He also produced and directed music videos and aspired to be a film director.<br/><br/>Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.<br/><br/>His first real acting job came in a low-budget movie called <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0118735/?ref_=sr">Blackrock (1997)</a>, a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0115379/?ref_=sr">Sweat (1996)</a> about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0094481/?ref_=sr">Home and Away (1988)</a> for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0119870/?ref_=sr">Paws (1997)</a>, a film which existed solely to cash in on guitar prodigy <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0146749/?ref_=sr">Nathan Cavaleri</a>'s brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0145547/?ref_=sr">Two Hands (1999)</a>. He went to the U.S. trying to audition for film roles, showcasing his brief role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0118451/?ref_=sr">Roar (1997)</a> opposite then unknown <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0267812/?ref_=sr">Vera Farmiga</a>.<br/><br/>Then Australian director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0429963/?ref_=sr">Gregor Jordan</a> auditioned him for the lead in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0145547/?ref_=sr">Two Hands (1999)</a>, which he got. An in your face Aussie crime thriller, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0145547/?ref_=sr">Two Hands (1999)</a> was outstanding and helped him secure a role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0147800/?ref_=sr">10 Things I Hate About You (1999)</a>. After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0187393/?ref_=sr">The Patriot (2000)</a>.<br/><br/>What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0285742/?ref_=sr">Monster's Ball (2001)</a>, but his version of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0277941/?ref_=sr">Ned Kelly (2003)</a> was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0388795/?ref_=sr">Brokeback Mountain (2005)</a>. For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.<br/><br/>Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0468569/?ref_=sr">The Dark Knight (2008)</a> and in the midst of filming his last role as Tony in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1054606/?ref_=sr">The Imaginarium of Doctor Parnassus (2009)</a>.<br/><br/>Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0368794/?ref_=sr">I'm Not There (2007)</a>, which was inspired by the life and songs of American singer-songwriter <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001168/?ref_=sr">Bob Dylan</a>. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.<br/><br/>A few months before his death, Ledger had finished filming his performance as the Joker in '<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0468569/?ref_=sr">The Dark Knight (2008)</a>. His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Nelsan Ellis at an event for The Soloist (2009)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjA1ODI2NDI5MV5BMl5BanBnXkFtZTcwNDY4NDk0Mg@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjA1ODI2NDI5MV5BMl5BanBnXkFtZTcwNDY4NDk0Mg@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjA1ODI2NDI5MV5BMl5BanBnXkFtZTcwNDY4NDk0Mg@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjA1ODI2NDI5MV5BMl5BanBnXkFtZTcwNDY4NDk0Mg@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm1734700/?ref_=sr_i_8" aria-label="Nelsan Ellis"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm1734700/?ref_=sr_t_8" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">8. Nelsan Ellis</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Writer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt2473602/?ref_=sr_knf_8">Get on Up (2014)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Nelsan Ellis was an award-winning American film and television actor and playwright, perhaps best known as Lafayette Reynolds on HBO's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0844441/?ref_=sr">True Blood (2008)</a>.<br/><br/>Nelsan was born on November 30, 1977, in Harvey, Illinois, the son of Jackie Ellis and Tommie Lee Thompson. Following his parents' divorce, Ellis and his mother moved to Alabama. He moved back to Illinois as a teenager, and graduated from Thornridge High School in Dolton, Illinois, in 1997. Ellis attended Juilliard and, while there, wrote a semi-autobiographical play titled Ugly that was performed at the school and later won the Lincoln Center's Martin E. Segal Award. Ellis won a 2008 Satellite Award from the International Press Academy for best supporting actor in a television series for his role as Lafayette Reynolds in HBO's True Blood. Ellis won the "Brink of Fame: Actor" award at the 2009 NewNowNext Awards.<br/><br/>Tragically, Ellis died at the age of 39 on July 8, 2017, in Los Angeles, California, after complications from heart failure. His family released a statement on July 10, saying that Nelsan had been trying to quit alcohol in the days before his death, and suggesting that he suffered from alcohol withdrawal syndrome, leading to his heart failure.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Kevin Conroy" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTM4MDcwMTU2NF5BMl5BanBnXkFtZTcwMzMyMjg0Nw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTM4MDcwMTU2NF5BMl5BanBnXkFtZTcwMzMyMjg0Nw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTM4MDcwMTU2NF5BMl5BanBnXkFtZTcwMzMyMjg0Nw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTM4MDcwMTU2NF5BMl5BanBnXkFtZTcwMzMyMjg0Nw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0175834/?ref_=sr_i_9" aria-label="Kevin Conroy"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0175834/?ref_=sr_t_9" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">9. Kevin Conroy</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt4853102/?ref_=sr_knf_9">Batman: The Killing Joke (2016)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Kevin Conroy was born on November 30, 1955 in Westbury, New York. At age 17, Kevin earned a full scholarship to attend Juilliard's drama division, where he studied under actor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002144/?ref_=sr">John Houseman</a>. In 1978, after graduating from Juilliard, he toured with "The Acting Company", Houseman's acting group, and in 1979, he went on the national tour of "Deathtrap". In 1980, he was cast in the daytime soap opera <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0057731/?ref_=sr">Another World (1964)</a>. However, he soon missed the theatre, and so he became associated with the Old Globe Theatre in San Diego, California, where he performed in "Hamlet" and "A Midsummer Night's Dream". From 1980 to 1985, he acted in a variety of contemporary and classic theatre pieces, including the Broadway production of "Eastern Standard" and "Lolita". He is very respected in theatre circles for his interpretation of Shakespearean characters, and in 1984, he played the title role in "Hamlet" in the New York Shakespeare Festival. Kevin returned to television in the television movie <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0088958/?ref_=sr">Covenant (1985)</a>. He was a series regular on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0092418/?ref_=sr">Ohara (1987)</a> in 1987, and on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0092468/?ref_=sr">Tour of Duty (1987)</a> from 1987 to 1988, before starring in a series of television movies. He is best known for providing the title role in the animated <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0103359/?ref_=sr">Batman: The Animated Series (1992)</a> series.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="William Hickey in Tales from the Darkside: The Movie (1990)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTM4MTE3OTgwMF5BMl5BanBnXkFtZTcwMjg1NDgwMw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTM4MTE3OTgwMF5BMl5BanBnXkFtZTcwMjg1NDgwMw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTM4MTE3OTgwMF5BMl5BanBnXkFtZTcwMjg1NDgwMw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTM4MTE3OTgwMF5BMl5BanBnXkFtZTcwMjg1NDgwMw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0382676/?ref_=sr_i_10" aria-label="William Hickey"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0382676/?ref_=sr_t_10" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">10. William Hickey</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0097958/?ref_=sr_knf_10">National Lampoon's Christmas Vacation (1989)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Son of Edward & Nora Hickey. Best known as the ancient Mafia don in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0089841/?ref_=sr">Prizzi's Honor (1985)</a>, Hickey had a long, distinguished career in film, television, and the stage. Began career as a child actor on the variety stage. Made Broadway debut as walk-on in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0789737/?ref_=sr">George Bernard Shaw</a>'s "Saint Joan" (1951 production, starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0353467/?ref_=sr">Uta Hagen</a>). Performed often during the golden age of television, including appearances on Studio One and Philco Playhouse. His most important contribution to the arts, however, remains his teaching career at the HB Studio in Greenwich Village, founded by Hagen and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0074596/?ref_=sr">Herbert Berghof</a>. <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001719/?ref_=sr">George Segal</a>, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006800/?ref_=sr">Sandy Dennis</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000659/?ref_=sr">Barbra Streisand</a> all studied under him.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="John Cazale in The Godfather: Part II (1974)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTUzMTM1MjI5NV5BMl5BanBnXkFtZTcwMTM5NTM1Mw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTUzMTM1MjI5NV5BMl5BanBnXkFtZTcwMTM5NTM1Mw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTUzMTM1MjI5NV5BMl5BanBnXkFtZTcwMTM5NTM1Mw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTUzMTM1MjI5NV5BMl5BanBnXkFtZTcwMTM5NTM1Mw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001030/?ref_=sr_i_11" aria-label="John Cazale"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001030/?ref_=sr_t_11" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">11. John Cazale</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Cinematographer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Editor</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0072890/?ref_=sr_knf_11">Dog Day Afternoon (1975)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">John Cazale was born in Boston, Massachusetts, to an Irish-American mother, Cecilia (Holland), and an Italian-American father, John Cazale. Cazale made only five feature films in his career, which fans and critics alike call classics. But before his film debut, in the short <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0447603/?ref_=sr">The American Way (1962)</a>, he won Obie Awards for his off-Broadway performances in "The Indian Wants the Bronx" and "The Line".<br/><br/>Cazale scored the role of Fredo Corleone in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000338/?ref_=sr">Francis Ford Coppola</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068646/?ref_=sr">The Godfather (1972)</a>, after his long-time friend, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000199/?ref_=sr">Al Pacino</a>, invited him to audition. He reprised his role as the troubled Fredo in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071562/?ref_=sr">The Godfather: Part II (1974)</a>, where his character endures one of the most infamous movie moments in the history of cinema.<br/><br/>Cazale also starred with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000432/?ref_=sr">Gene Hackman</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000148/?ref_=sr">Harrison Ford</a> in the thriller, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071360/?ref_=sr">The Conversation (1974)</a>, as Hackman's assistant, Stan. The Godfather's director, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000338/?ref_=sr">Francis Ford Coppola</a>, also directed the movie.<br/><br/>Cazale's fourth feature film, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0072890/?ref_=sr">Dog Day Afternoon (1975)</a>, earned him a Golden Globe nomination for Best Supporting Actor for his role as Sal, a bank robber. His long-time friend and Godfather costar, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000199/?ref_=sr">Al Pacino</a>, played his partner, Sonny.<br/><br/>His final film, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0077416/?ref_=sr">The Deer Hunter (1978)</a>, was filmed whilst he was ill with cancer. He was in a relationship with his costar, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000658/?ref_=sr">Meryl Streep</a>, whilst filming <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0077416/?ref_=sr">The Deer Hunter (1978)</a>, whom he met when they both appeared in the New York Public Theater's 1976 production of Shakespeare's Measure for Measure.<br/><br/>Controversy occurred during the filming. While the studio was unaware of his condition, the director, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001047/?ref_=sr">Michael Cimino</a>, knew about it. As Cazale was evidently weak, he was forced to film his scenes first. When the studio discovered he was suffering from cancer, they wanted him removed from the film. His costar and girlfriend, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000658/?ref_=sr">Meryl Streep</a>, threatened to quit if he was fired. He died shortly after filming was completed.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Lauren Bacall" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BZDI1ZDhmMzAtNzVlYS00NTQxLWJjYWYtMDJlOGNlNzk5N2E1XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BZDI1ZDhmMzAtNzVlYS00NTQxLWJjYWYtMDJlOGNlNzk5N2E1XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BZDI1ZDhmMzAtNzVlYS00NTQxLWJjYWYtMDJlOGNlNzk5N2E1XkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BZDI1ZDhmMzAtNzVlYS00NTQxLWJjYWYtMDJlOGNlNzk5N2E1XkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000002/?ref_=sr_i_12" aria-label="Lauren Bacall"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0000002/?ref_=sr_t_12" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">12. Lauren Bacall</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0037382/?ref_=sr_knf_12">To Have and Have Not (1944)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.<br/><br/>As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.<br/><br/>Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001328/?ref_=sr">Howard Hawks</a> spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0037382/?ref_=sr">To Have and Have Not (1944)</a>, a thriller opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000007/?ref_=sr">Humphrey Bogart</a>, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.<br/><br/>After 1945's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0037610/?ref_=sr">Confidential Agent (1945)</a>, Lauren received second billing in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038355/?ref_=sr">The Big Sleep (1946)</a> with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0039302/?ref_=sr">Dark Passage (1947)</a>. The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000064/?ref_=sr">Edward G. Robinson</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000859/?ref_=sr">Lionel Barrymore</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0040506/?ref_=sr">Key Largo (1948)</a>. The crime drama was even more of a nail biter than her previous film.<br/><br/>In 1950, Lauren starred in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0042285/?ref_=sr">Bright Leaf (1950)</a>, a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000011/?ref_=sr">Gary Cooper</a>. In 1953, Lauren appeared in her first comedy as Schatze Page in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0045891/?ref_=sr">How to Marry a Millionaire (1953)</a>. The film, with co-stars <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000054/?ref_=sr">Marilyn Monroe</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002107/?ref_=sr">Betty Grable</a>, was a smash hit all across the theaters of America.<br/><br/>After filming <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0050306/?ref_=sr">Designing Woman (1957)</a>, which was released in 1957, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000007/?ref_=sr">Humphrey Bogart</a> died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0051657/?ref_=sr">The Gift of Love (1958)</a> in 1958 opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0821041/?ref_=sr">Robert Stack</a>. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.<br/><br/>Lauren was away from the big screen for five years, but she returned in 1964 to appear in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0058585/?ref_=sr">Shock Treatment (1964)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0058580/?ref_=sr">Sex and the Single Girl (1964)</a>. The latter film was a comedy starring <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000020/?ref_=sr">Henry Fonda</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000348/?ref_=sr">Tony Curtis</a>. In 1966, Lauren starred in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060490/?ref_=sr">Harper (1966)</a> with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000056/?ref_=sr">Paul Newman</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0364915/?ref_=sr">Julie Harris</a>, which was one of former's signature films.<br/><br/>Alternating her time between films and the stage, Lauren returned in 1974's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071877/?ref_=sr">Murder on the Orient Express (1974)</a>. The film, based on <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002005/?ref_=sr">Agatha Christie</a>'s best-selling book was a huge hit. It also garnered <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000006/?ref_=sr">Ingrid Bergman</a> her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000078/?ref_=sr">John Wayne</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0075213/?ref_=sr">The Shootist (1976)</a>. The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001258/?ref_=sr">James Garner</a>, in a double episode, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0688020/?ref_=sr">Lions, Tigers, Monkeys and Dogs (1979)</a>, of his Rockford Files series.<br/><br/>For Lauren's next film role, she appeared in a large ensemble film, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0079256/?ref_=sr">HealtH (1980)</a>, which again paired her with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001258/?ref_=sr">James Garner</a>, and in 1981, she played an actress being stalked by a crazed admirer in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0082362/?ref_=sr">The Fan (1981)</a>. The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001258/?ref_=sr">James Garner</a>, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0094669/?ref_=sr">Appointment with Death (1988)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0095665/?ref_=sr">Mr. North (1988)</a>. After 1990's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0100157/?ref_=sr">Misery (1990)</a> and several made for television films, Lauren appeared in 1996's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0117119/?ref_=sr">My Fellow Americans (1996)</a>, a comedy romp with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000493/?ref_=sr">Jack Lemmon</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001258/?ref_=sr">James Garner</a> as two ex-presidents and their escapades. In 1997, Lauren appeared in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0117057/?ref_=sr">The Mirror Has Two Faces (1996)</a>, in one of the best roles of her later career, opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000659/?ref_=sr">Barbra Streisand</a>, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.<br/><br/>Despite her age and failing health, she made a small-scale comeback in the English-language dub of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0594503/?ref_=sr">Hayao Miyazaki</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0347149/?ref_=sr">Howl's Moving Castle (2004)</a> ("Howl's Moving Castle," based on the young-adult novel by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1168510/?ref_=sr">Diana Wynne Jones</a>) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Edward Herrmann" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTczNDUxODY3MF5BMl5BanBnXkFtZTYwOTI0ODA1._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTczNDUxODY3MF5BMl5BanBnXkFtZTYwOTI0ODA1._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTczNDUxODY3MF5BMl5BanBnXkFtZTYwOTI0ODA1._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTczNDUxODY3MF5BMl5BanBnXkFtZTYwOTI0ODA1._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001346/?ref_=sr_i_13" aria-label="Edward Herrmann"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001346/?ref_=sr_t_13" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">13. Edward Herrmann</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Additional Crew</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0093693/?ref_=sr_knf_13">Overboard (1987)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Edward Herrmann was born on 21 July 1943 in Washington, District of Columbia, USA. He was an actor, known for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0093693/?ref_=sr">Overboard (1987)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0093437/?ref_=sr">The Lost Boys (1987)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0113987/?ref_=sr">Nixon (1995)</a>. He was married to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0380771/?ref_=sr">Star Herrmann</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0192850/?ref_=sr">Leigh Curran</a>. He died on 31 December 2014 in New York City, New York, USA.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Rita Hayworth" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BOTNiYjlhNTQtNjU4MS00MGRiLTkwYWItNmFmM2U1NGU5N2QzXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BOTNiYjlhNTQtNjU4MS00MGRiLTkwYWItNmFmM2U1NGU5N2QzXkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BOTNiYjlhNTQtNjU4MS00MGRiLTkwYWItNmFmM2U1NGU5N2QzXkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BOTNiYjlhNTQtNjU4MS00MGRiLTkwYWItNmFmM2U1NGU5N2QzXkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000028/?ref_=sr_i_14" aria-label="Rita Hayworth"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0000028/?ref_=sr_t_14" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">14. Rita Hayworth</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0038559/?ref_=sr_knf_14">Gilda (1946)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0134444/?ref_=sr">Eduardo Cansino</a> Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0124553/?ref_=sr">La Fiesta (1926)</a>. It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0790638/?ref_=sr">Winfield R. Sheehan</a>, she signed her first studio contract, and make her film debut at age sixteen, in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0026262/?ref_=sr">Dante's Inferno (1935)</a>, followed by <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0025017/?ref_=sr">Cruz Diablo (1934)</a>. She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0169902/?ref_=sr">Harry Cohn</a> changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0031762/?ref_=sr">Only Angels Have Wings (1939)</a>. After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034236/?ref_=sr">The Strawberry Blonde (1941)</a>; her splendid dancing with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000001/?ref_=sr">Fred Astaire</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034409/?ref_=sr">You'll Never Get Rich (1941)</a> made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0033405/?ref_=sr">Blood and Sand (1941)</a>, filmed in Technicolor.<br/><br/>Rita was probably the second most popular actress after <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002107/?ref_=sr">Betty Grable</a>. In <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0034409/?ref_=sr">You'll Never Get Rich (1941)</a> with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000001/?ref_=sr">Fred Astaire</a>, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038559/?ref_=sr">Gilda (1946)</a> (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0040525/?ref_=sr">The Lady from Shanghai (1947)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044493/?ref_=sr">Champagne Safari (1954)</a>. Then after <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0046269/?ref_=sr">Salome (1953)</a>, she was not seen again until <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0050815/?ref_=sr">Pal Joey (1957)</a>. Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001571/?ref_=sr">Kim Novak</a>.<br/><br/>Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038559/?ref_=sr">Gilda (1946)</a> made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0451288/?ref_=sr">Prince Aly Khan</a>. Her films after her divorce from Khan include perhaps her best straight acting performances, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0046076/?ref_=sr">Miss Sadie Thompson (1953)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0053351/?ref_=sr">They Came to Cordura (1959)</a>.<br/><br/>After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0069515/?ref_=sr">The Wrath of God (1972)</a>. Her career was really never the same after <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038559/?ref_=sr">Gilda (1946)</a>. Perhaps <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0727609/?ref_=sr">Gene Ringgold</a> said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.<br/><br/>Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0451343/?ref_=sr">Yasmin Khan</a>, until Rita's death at age 68 on May 14, 1987, in New York City.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="David McCallum" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMDVlYmEwNTgtMTMxMi00OTcyLTgzNWQtMzU3ZTkwMzZiNmY5XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMDVlYmEwNTgtMTMxMi00OTcyLTgzNWQtMzU3ZTkwMzZiNmY5XkEyXkFqcGc@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMDVlYmEwNTgtMTMxMi00OTcyLTgzNWQtMzU3ZTkwMzZiNmY5XkEyXkFqcGc@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMDVlYmEwNTgtMTMxMi00OTcyLTgzNWQtMzU3ZTkwMzZiNmY5XkEyXkFqcGc@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0564724/?ref_=sr_i_15" aria-label="David McCallum"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0564724/?ref_=sr_t_15" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">15. David McCallum</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0057115/?ref_=sr_knf_15">The Great Escape (1963)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Since David McCallum's father, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0564715/?ref_=sr">David McCallum Sr.</a>, was first violinist for the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm3136453/?ref_=sr">London Philharmonic Orchestra</a> and his mother, Dorothy Dorman, was a cellist, it's not surprising that David was originally headed for a career in music, playing oboe. He studied briefly at the Royal Academy of Music. He left that, however, for the Royal Academy of Dramatic Art and joined Actor's Equity in 1946, his first acting work being for BBC Radio. He made nearly a dozen movies in the United Kingdom before his critically acclaimed work as Lt. Wyatt in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0055796/?ref_=sr">Billy Budd (1962)</a>.<br/><br/>To the older generation, he is perhaps best known for his portrayal of U.N.C.L.E. agent Illya Kuryakin in the hit TV series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0057765/?ref_=sr">The Man from U.N.C.L.E. (1964)</a>. To younger audience, he is best known for his superlative portrayal of Dr. Donald "Duckie" Mallard on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0364845/?ref_=sr">NCIS: Naval Criminal Investigative Service (2003)</a>.<br/><br/>McCallum was first married to actress <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0409866/?ref_=sr">Jill Ireland</a>, whom he met while filming <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0051713/?ref_=sr">Hell Drivers (1957)</a>. In 1962 he introduced Ireland to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000314/?ref_=sr">Charles Bronson</a> when both were filming <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0057115/?ref_=sr">The Great Escape (1963)</a>. She eventually left McCallum and married Bronson in 1968. McCallum and Ireland had three sons: Paul, Jason (an adopted son who died from an accidental drug overdose in 1989), and Val (short for Valentine).<br/><br/>He met fashion model Katherine Carpenter during a photo shoot for Glamour in 1965 and married her two years later. The couple had a son, Peter, and a daughter, Sophie. They were together for 58 years and were active with charitable organizations that support the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1221998/?ref_=sr">The United States Marine Corps</a>: Katherine's father was a Marine who served in the Battle of Iwo Jima, and her brother lost his life in the Vietnam War. McCallum had eight grandchildren.<br/><br/>David McCallum died on September 25 2023 in New York City from natural causes at the age of 90.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Jessica Walter" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTkyNjA5NTA1NV5BMl5BanBnXkFtZTcwNjU0NjgyMQ@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTkyNjA5NTA1NV5BMl5BanBnXkFtZTcwNjU0NjgyMQ@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTkyNjA5NTA1NV5BMl5BanBnXkFtZTcwNjU0NjgyMQ@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTkyNjA5NTA1NV5BMl5BanBnXkFtZTcwNjU0NjgyMQ@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0910055/?ref_=sr_i_16" aria-label="Jessica Walter"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0910055/?ref_=sr_t_16" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">16. Jessica Walter</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0367279/?ref_=sr_knf_16">Arrested Development (2003–2019)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program <a class="ipc-md-link ipc-md-link--entity" href="/name/nm2170580/?ref_=sr">Richard Walter</a>. Their uncle was stage and screen actor <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0418911/?ref_=sr">Jerry Jarrett</a>. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.<br/><br/>On Broadway, Walter appeared in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001811/?ref_=sr">Peter Ustinov</a>'s "Photo Finish" (which earned her the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0220702/?ref_=sr">Clarence Derwent</a> Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0800319/?ref_=sr">Neil Simon</a>'s "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0500038/?ref_=sr">Ron Leibman</a> (to whom she was married from 1983 until his death in 2019).<br/><br/>After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001486/?ref_=sr">Sidney Lumet</a>'s <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060479/?ref_=sr">The Group (1966)</a>. This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000142/?ref_=sr">Clint Eastwood</a>'s directorial debut film, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0067588/?ref_=sr">Play Misty for Me (1971)</a>. This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (<a class="ipc-md-link ipc-md-link--entity" href="/name/nm0066028/?ref_=sr">Brian Bedford</a>) and troublesome girlfriend of another (<a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001258/?ref_=sr">James Garner</a>) in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0060472/?ref_=sr">Grand Prix (1966)</a>. Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0077469/?ref_=sr">Dr. Strange (1978)</a>. Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".<br/><br/>By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0087265/?ref_=sr">The Flamingo Kid (1984)</a>) and the small (<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0086816/?ref_=sr">Three's a Crowd (1984)</a>). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0105946/?ref_=sr">Babylon 5 (1993)</a> or providing the voice for the leading female character in the animated sitcom <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0101081/?ref_=sr">Dinosaurs (1991)</a>. Walter received an Emmy Award for Best Dramatic Actress in the <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0061266/?ref_=sr">Ironside (1967)</a> spin-off <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070965/?ref_=sr">Amy Prentiss (1974)</a> and was nominated for guest-starring roles in episodes of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078704/?ref_=sr">Trapper John, M.D. (1979)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068135/?ref_=sr">The Streets of San Francisco (1972)</a>. She found a new audience among younger viewers as the devious matriarch Lucille Bluth in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0367279/?ref_=sr">Arrested Development (2003)</a>.<br/><br/>Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Joan Crawford c. 1931" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjMzNzQ5Mjg5MF5BMl5BanBnXkFtZTYwNTg0NDM2._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjMzNzQ5Mjg5MF5BMl5BanBnXkFtZTYwNTg0NDM2._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjMzNzQ5Mjg5MF5BMl5BanBnXkFtZTYwNTg0NDM2._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjMzNzQ5Mjg5MF5BMl5BanBnXkFtZTYwNTg0NDM2._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001076/?ref_=sr_i_17" aria-label="Joan Crawford"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001076/?ref_=sr_t_17" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">17. Joan Crawford</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Writer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0056687/?ref_=sr_knf_17">What Ever Happened to Baby Jane? (1962)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0016241/?ref_=sr">Pretty Ladies (1925)</a>.<br/><br/>Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0019237/?ref_=sr">Our Dancing Daughters (1928)</a>, which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0318105/?ref_=sr">John Gilbert</a>'s tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0020538/?ref_=sr">Untamed (1929)</a>, was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0022958/?ref_=sr">Grand Hotel (1932)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0025740/?ref_=sr">Sadie McKee (1934)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0026787/?ref_=sr">No More Ladies (1935)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0027914/?ref_=sr">Love on the Run (1936)</a>; movie patrons were enthralled, and studio executives were satisfied.<br/><br/>By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0037913/?ref_=sr">Mildred Pierce (1945)</a> gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0002092/?ref_=sr">John Garfield</a> in the well-received <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0038622/?ref_=sr">Humoresque (1946)</a>. In 1947, she appeared as Louise Graham in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0039725/?ref_=sr">Possessed (1947)</a>; again she was nominated for a Best Actress from the Academy, but she lost to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0949835/?ref_=sr">Loretta Young</a> in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0039370/?ref_=sr">The Farmer's Daughter (1947)</a>. Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0045205/?ref_=sr">Sudden Fear (1952)</a>. This time the coveted Oscar went to <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0095804/?ref_=sr">Shirley Booth</a>, for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044509/?ref_=sr">Come Back, Little Sheba (1952)</a>. Crawford's career slowed after that; she appeared in minor roles until 1962, when she and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000012/?ref_=sr">Bette Davis</a> co-starred in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056687/?ref_=sr">What Ever Happened to Baby Jane? (1962)</a>. Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")<br/><br/>Crawford's final appearance on the silver screen was in the flop <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0066492/?ref_=sr">Trog (1970)</a>. Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001195/?ref_=sr">Douglas Fairbanks Jr.</a>, Crawford's first husband. (In 1981, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001159/?ref_=sr">Faye Dunaway</a> starred in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0082766/?ref_=sr">Mommie Dearest (1981)</a> which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Bert Lahr in Toast of the Town (1948)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjcyNTY2MDgwMF5BMl5BanBnXkFtZTcwNjM3ODIyOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjcyNTY2MDgwMF5BMl5BanBnXkFtZTcwNjM3ODIyOA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjcyNTY2MDgwMF5BMl5BanBnXkFtZTcwNjM3ODIyOA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjcyNTY2MDgwMF5BMl5BanBnXkFtZTcwNjM3ODIyOA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0481618/?ref_=sr_i_18" aria-label="Bert Lahr"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0481618/?ref_=sr_t_18" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">18. Bert Lahr</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Writer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0032138/?ref_=sr_knf_18">The Wizard of Oz (1939)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Fittingly known to be a "Leo" for his horoscope, Bert Lahr is always remembered as the Cowardly Lion in (and the farmer "Zeke") <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032138/?ref_=sr">The Wizard of Oz (1939)</a>. But during his acting career, he has been known for being in burlesque, vaudeville, and Broadway.<br/><br/>Dropped out of high school at the age of fifteen for a juvenile vaudeville act, Lahr worked his way up to the top billing of the Columbia Burlesque Circuit. When in Broadway, Lahr usually plays a comic actor in plays which he starred in such as the classic routine The Song of the Woodman, which he would later perform in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0029234/?ref_=sr">Merry-Go-Round of 1938 (1937)</a>.<br/><br/>Aside from <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0032138/?ref_=sr">The Wizard of Oz (1939)</a>, Lahr's movie career never caught on because his gestures and reactions were too broad. Lahr died in 1967.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Peter Boyle" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTk0ODc5NTE4M15BMl5BanBnXkFtZTYwNjY3MTI0._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTk0ODc5NTE4M15BMl5BanBnXkFtZTYwNjY3MTI0._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTk0ODc5NTE4M15BMl5BanBnXkFtZTYwNjY3MTI0._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTk0ODc5NTE4M15BMl5BanBnXkFtZTYwNjY3MTI0._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001967/?ref_=sr_i_19" aria-label="Peter Boyle"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001967/?ref_=sr_t_19" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">19. Peter Boyle</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0115167/?ref_=sr_knf_19">Everybody Loves Raymond (1996–2005)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">A bold, blunt instrument of hatred and violence at the onset of his film career, Peter Boyle recoiled from that repugnant, politically incorrect "working class" image to eventually play gruff, gentler bears and even comedy monsters in a career that lasted four decades.<br/><br/>He was born on October 18, 1935, in Norristown, Pennsylvania, to Alice (Lewis) and Francis Xavier Boyle. He eventually moved to Philadelphia, where his father was a sought-after local TV personality and children's show host. His paternal grandparents were Irish immigrants, and his mother was of mostly French and British Isles descent. Following a solid Catholic upbringing (he attended a Catholic high school), Peter was a sensitive youth and joined the Christian Brothers religious order at one point while attending La Salle University in Philadelphia. He left the monastery after only a few years when he "lost" his calling.<br/><br/>Bent on an acting career, Boyle initially studied with guru <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0353467/?ref_=sr">Uta Hagen</a> in New York. The tall (6' 2"), hulking, prematurely bald actor wannabe struggled through a variety of odd jobs (postal worker, waiter, bouncer) while simultaneously building up his credits on stage and waiting for that first big break. Things started progressing for him after appearing in the national company of "The Odd Couple" in 1965 and landing TV commercials on the sly. In the late 60s he joined Chicago's Second City improv group and made his Broadway debut as a replacement for <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0094288/?ref_=sr">Peter Bonerz</a> in <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0798131/?ref_=sr">Paul Sills</a>' "Story Theatre" (1971) (Sills was the founder of Second City). Peter's breakout film role did not come without controversy as the hateful, hardhat-donning bigot-turned-murderer <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0065916/?ref_=sr">Joe (1970)</a> in a tense, violence-prone film directed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000814/?ref_=sr">John G. Avildsen</a>. The role led to major notoriety, however, and some daunting supporting parts in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0067817/?ref_=sr">T.R. Baskin (1971)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0069282/?ref_=sr">Slither (1973)</a> and as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000602/?ref_=sr">Robert Redford</a>'s calculating campaign manager in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0068334/?ref_=sr">The Candidate (1972)</a>. During this time his political radicalism found a visible platform after joining <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000404/?ref_=sr">Jane Fonda</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000661/?ref_=sr">Donald Sutherland</a> on anti-war crusades, which would include the anti-establishment picture <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070731/?ref_=sr">Steelyard Blues (1973)</a>. This period also saw the forging of a strong friendship with former Beatle <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006168/?ref_=sr">John Lennon</a>.<br/><br/>Destined to be cast as monstrous undesirables throughout much of his career, he played a monster of another sort in his early film days, and thus avoided a complete stereotype as a film abhorrent. His hilarious, sexually potent Frankenstein's Monster in the cult <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000316/?ref_=sr">Mel Brooks</a> spoof <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0072431/?ref_=sr">Young Frankenstein (1974)</a> saw him in a sympathetic and certainly more humorous vein. His creature's first public viewing, in which Boyle shares an adroit tap-dancing scene with "creator" <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000698/?ref_=sr">Gene Wilder</a> in full <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000001/?ref_=sr">Fred Astaire</a> regalia, was a show-stopping audience pleaser. Late 70s filmgoers continued to witness Boyle in seamy, urban settings with brutish roles in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0075314/?ref_=sr">Taxi Driver (1976)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0079271/?ref_=sr">Hardcore (1979)</a>. At the same time he addressed several TV mini-movie roles with the same brilliant darkness such as his Senator Joe McCarthy in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0076794/?ref_=sr">Tail Gunner Joe (1977)</a>, for which he received an Emmy nomination, and his murderous, knife-wielding Fatso in the miniseries remake of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078616/?ref_=sr">From Here to Eternity (1979)</a>.<br/><br/>While the following decade found Peter in predominantly less noteworthy filming and a short-lived TV series lead as remote cop <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0090462/?ref_=sr">Joe Bash (1986)</a>, the 90s brought him Emmy glory (for a guest episode on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0106179/?ref_=sr">The X Files (1993)</a>). Despite a blood clot-induced stroke in 1990 that impaired his speech for six months, he ventured on and capped his enviable career on TV wielding funny but crass one-liners in the "Archie Bunker" mold on the long-running sitcom <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0115167/?ref_=sr">Everybody Loves Raymond (1996)</a>. A major Emmy blunder had Boyle earning seven nominations for his Frank Barrone character without a win, the only prime player on the show unhonored. He survived a heart attack while on the set of "Everybody Loves Raymond" in 1999, but managed to return full time for the remainder of the series' run through 2005.<br/><br/>Following a superb turn as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000671/?ref_=sr">Billy Bob Thornton</a>'s unrepentantly racist father in the sobering Oscar-winner <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0285742/?ref_=sr">Monster's Ball (2001)</a>, the remainder of his films were primarily situated in frivolous comedy fare such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0180052/?ref_=sr">The Adventures of Pluto Nash (2002)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0304669/?ref_=sr">The Santa Clause 2 (2002)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0331632/?ref_=sr">Scooby-Doo 2: Monsters Unleashed (2004)</a>, and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0452681/?ref_=sr">The Santa Clause 3: The Escape Clause (2006)</a>, typically playing cranky curmudgeons. Boyle died of multiple myeloma (bone-marrow cancer) and heart disease at New York Presbyterian Hospital in 2006, and was survived by his wife Lorraine and two children. He was 71.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Kim Hunter at an event for Playhouse 90 (1956)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjU3NzI3NjM0Ml5BMl5BanBnXkFtZTcwNjIxMjcxOA@@._V1_QL75_UY60_CR1,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjU3NzI3NjM0Ml5BMl5BanBnXkFtZTcwNjIxMjcxOA@@._V1_QL75_UY60_CR1,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjU3NzI3NjM0Ml5BMl5BanBnXkFtZTcwNjIxMjcxOA@@._V1_QL75_UY90_CR2,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjU3NzI3NjM0Ml5BMl5BanBnXkFtZTcwNjIxMjcxOA@@._V1_QL75_UY120_CR2,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001375/?ref_=sr_i_20" aria-label="Kim Hunter"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001375/?ref_=sr_t_20" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">20. Kim Hunter</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0044081/?ref_=sr_knf_20">A Streetcar Named Desire (1951)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Her father, Donald Cole, was a consulting engineer, and died in 1926 when Kim was only three years old. Her mother, Grace Lind, once performed as a concert pianist. She had one brother who was eight years older than she, and she was educated at Miami Beach High.<br/><br/>According to an in-depth article on Kim Hunter by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm2420302/?ref_=sr">Joseph Collura</a> in the October 2009 issue of "Classic Images", Kim was quiet and painfully shy as a child and overcame it through the guidance of a local dramatics teacher, a Mrs. Carmine. Included were diction, voice and posture lessons.<br/><br/>She studied at the Actors Studio and her first professional appearance was as "Penny" in "Penny Wise" in Miami in November 1939. Then, she joined a repertory group called "Theatre of Fifteen", but it disbanded in 1942 when WWII took away most of its male members.<br/><br/>She made her Broadway debut performance as "Stella" in "A Streetcar Named Desire" at the <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000856/?ref_=sr">Ethel Barrymore</a> Theatre, New York, in December 1947 that was the 1947-1948 season's success and for which she won the Critics Circle and Donaldson awards.<br/><br/>A one-time student of the Pasadena Playhouse, she was appearing in the 1942 production of "Arsenic and Old Lace" when she was discovered by an RKO talent hunter who signed her to a seven-year contract for <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0006388/?ref_=sr">David O. Selznick</a>'s company. Selznick suggested she change her first name to "Kim" and a RKO secretary suggested the last name of "Hunter". A few years later, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm1245243/?ref_=sr">Irene Mayer Selznick</a>, David's ex-wife by then, recommended Kim for her reprise role of "Stella" in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044081/?ref_=sr">A Streetcar Named Desire (1951)</a>, for which she won an Oscar.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Madeline Kahn" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BNTkzMDkzMTI0OF5BMl5BanBnXkFtZTcwNTUzOTAxNQ@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BNTkzMDkzMTI0OF5BMl5BanBnXkFtZTcwNTUzOTAxNQ@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BNTkzMDkzMTI0OF5BMl5BanBnXkFtZTcwNTUzOTAxNQ@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BNTkzMDkzMTI0OF5BMl5BanBnXkFtZTcwNTUzOTAxNQ@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0001404/?ref_=sr_i_21" aria-label="Madeline Kahn"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0001404/?ref_=sr_t_21" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">21. Madeline Kahn</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Soundtrack</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0070510/?ref_=sr_knf_21">Paper Moon (1973)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0434902/?ref_=sr">Paula Kahn</a>), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning an honorary doctorate from Boston Conservatory.<br/><br/>Kahn's best-known work came in the Mel Brooks films, but she was a standout in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070510/?ref_=sr">Paper Moon (1973)</a> with <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0641939/?ref_=sr">Ryan O'Neal</a>, which was followed the next year by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000316/?ref_=sr">Mel Brooks</a>'s outrageous <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0071230/?ref_=sr">Blazing Saddles (1974)</a> as Lili Von Shtupp, a cabaret singer who was obviously based on <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000017/?ref_=sr">Marlene Dietrich</a>'s performance in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0031225/?ref_=sr">Destry Rides Again (1939)</a>. Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0120623/?ref_=sr">A Bug's Life (1998)</a>.<br/><br/>On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0115144/?ref_=sr">Cosby (1996)</a>, aged 57.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Anne Bancroft in The Graduate (1967)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTg2MzQ3MTk4OV5BMl5BanBnXkFtZTcwMzIzNzgzNA@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTg2MzQ3MTk4OV5BMl5BanBnXkFtZTcwMzIzNzgzNA@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTg2MzQ3MTk4OV5BMl5BanBnXkFtZTcwMzIzNzgzNA@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTg2MzQ3MTk4OV5BMl5BanBnXkFtZTcwMzIzNzgzNA@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0000843/?ref_=sr_i_22" aria-label="Anne Bancroft"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0000843/?ref_=sr_t_22" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">22. Anne Bancroft</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Director</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Writer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0061722/?ref_=sr_knf_22">The Graduate (1967)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0044557/?ref_=sr">Don't Bother to Knock (1952)</a> in 1952, and over the next five years appeared in a lot of undistinguished movies such as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0047041/?ref_=sr">Gorilla at Large (1954)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0046899/?ref_=sr">Demetrius and the Gladiators (1954)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0048421/?ref_=sr">New York Confidential (1955)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0049552/?ref_=sr">Nightfall (1956)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0050439/?ref_=sr">The Girl in Black Stockings (1957)</a>. By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0056241/?ref_=sr">The Miracle Worker (1962)</a>, for which she won an Oscar. Bancroft went on to give acclaimed performances in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0058500/?ref_=sr">The Pumpkin Eater (1964)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0059729/?ref_=sr">The Slender Thread (1965)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0069528/?ref_=sr">Young Winston (1972)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0072034/?ref_=sr">The Prisoner of Second Avenue (1975)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0080678/?ref_=sr">The Elephant Man (1980)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0086450/?ref_=sr">To Be or Not to Be (1983)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0090570/?ref_=sr">84 Charing Cross Road (1987)</a> and other movies, but her most famous role would be as Mrs. Robinson in <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0061722/?ref_=sr">The Graduate (1967)</a>. Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001684/?ref_=sr">Katharine Ross</a> and just six years older than <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000163/?ref_=sr">Dustin Hoffman</a>. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0102343/?ref_=sr">Love Potion No. 9 (1992)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0107843/?ref_=sr">Point of No Return (1993)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0113321/?ref_=sr">Home for the Holidays (1995)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0119173/?ref_=sr">G.I. Jane (1997)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0119223/?ref_=sr">Great Expectations (1998)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0171433/?ref_=sr">Keeping the Faith (2000)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0153464/?ref_=sr">Up at the Villa (2000)</a>. She also started to make some TV films, including <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0186948/?ref_=sr">Deep in My Heart (1999)</a> for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000316/?ref_=sr">Mel Brooks</a>, and their son <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0112150/?ref_=sr">Max Brooks</a>, who was born in 1972. Her final film, the animated feature <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0361500/?ref_=sr">Delgo (2008)</a>, was released posthumously in 2008 and dedicated to her memory.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Peter Scolari" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMTI4OTk2MTkyNF5BMl5BanBnXkFtZTcwMjEwNzYzMw@@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMTI4OTk2MTkyNF5BMl5BanBnXkFtZTcwMjEwNzYzMw@@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMTI4OTk2MTkyNF5BMl5BanBnXkFtZTcwMjEwNzYzMw@@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMTI4OTk2MTkyNF5BMl5BanBnXkFtZTcwMjEwNzYzMw@@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0778642/?ref_=sr_i_23" aria-label="Peter Scolari"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0778642/?ref_=sr_t_23" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">23. Peter Scolari</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Director</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0083455/?ref_=sr_knf_23">Newhart (1984–1990)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Scolari was born in New Rochelle, New York, to Arthur and Barbara Scolari, and was raised in Scarsdale along with an older sister and two younger brothers. His father was of Italian descent and played semi-professional baseball before becoming a lawyer. His mother was a singer prior to meeting Scolari's father and later worked with the Alcohol Rehabilitation arm of the Tidewater Psychiatric Institute in Virginia Beach, Virginia.<br/><br/>At the age of 13 Scolari did some animation voice acting work and performed in plays while attending Edgemont High School in Scarsdale. At 16 years of age he starred as Finch in a high school production of How to Succeed in Business Without Really Trying and came to the realization that he wanted to be an actor professionally.<br/><br/>In 1972, he enrolled at Occidental College in Los Angeles as a theater arts major, but left a year later and returned to New York after his father died. He joined the Colonnades Theater Lab, a repertory theater in Manhattan, working with actors such as Danny DeVito, Rhea Perlman, Jeff Goldblum and Michael O'Keefe. He appeared in multiple off-Broadway plays and met Finnish actor Paavo Tammim, who taught him to juggle. He also studied mime and learned to ride a unicycle. He performed in a 1974 production of "Reflections" receiving a rave review from The New York Times. In 1979 he returned to Los Angeles.<br/><br/>His big break came when he was cast with Tom Hanks in the 1980 sitcom, Bosom Buddies. Scolari happened to be playing a guest role on an adjacent sound stage and was auditioned for the role. The show's pilot was shot a few days later. Bosom Buddies started out with good ratings, but was canceled after two seasons.<br/><br/>After Bosom Buddies cancellation he picked up a spot played recurring character Michael Harris on the CBS sitcom Newhart's (1984-1990) second season whose popularity garnered him a regular cast member position starting in the show's third season, which earned him three consecutive nominations for Prime-time Emmy Awards for Outstanding Supporting Actor in a Comedy Series from 1987 to 1989.<br/><br/>Scolari had roles as Wayne Szalinski in the Disney sitcom Honey, I Shrunk the Kids: The TV Show (1997-2000) and as Tad Horvath in the HBO series Girls (2012-2017) which earned him the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series. He had recurring roles in Gotham (2015) Evil (2019-2021).<br/><br/>He performed in the films The Rosebud Beach Hotel (1984), Corporate Affairs (1990), That Thing You Do! (1996), and The Polar Express (2004).<br/><br/>On stage, he played Yogi Berra in the play Bronx Bombers (2014) and acted in Sly Fox (2004), Magic/Bird (2012), and Lucky Girl (2013). He also acted in replacement roles in the musicals Hairspray in 2003 and Wicked in 2016.<br/><br/>Scolari died from leukemia in Manhattan on October 22, 2021, at the age of 66. He had been diagnosed with the disease two years earlier.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Michael Kenneth Williams at an event for Game of Thrones (2011)" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BMjE1MTI1NjUxMV5BMl5BanBnXkFtZTgwNTUyODM0MTE@._V1_QL75_UX60_CR0,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BMjE1MTI1NjUxMV5BMl5BanBnXkFtZTgwNTUyODM0MTE@._V1_QL75_UX60_CR0,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BMjE1MTI1NjUxMV5BMl5BanBnXkFtZTgwNTUyODM0MTE@._V1_QL75_UX90_CR0,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BMjE1MTI1NjUxMV5BMl5BanBnXkFtZTgwNTUyODM0MTE@._V1_QL75_UX120_CR0,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm0931324/?ref_=sr_i_24" aria-label="Michael Kenneth Williams"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm0931324/?ref_=sr_t_24" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">24. Michael Kenneth Williams</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actor</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Producer</li><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Additional Crew</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt0306414/?ref_=sr_knf_24">The Wire (2002–2008)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Emmy-nominated actor and producer Michael Kenneth Williams was one of his generation's most respected and acclaimed talents. By bringing complicated and charismatic characters to life--often with surprising tenderness--Williams established himself as a gifted and versatile performer with a unique ability to mesmerize audiences with his stunning character portrayals.<br/><br/>Born in 1966 in Brooklyn, Williams was best known for his remarkable work on <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0306414/?ref_=sr">The Wire (2002)</a>. The wit and humor that Williams brought to Omar, the whistle-happy, profanity-averse, openly gay drug dealer-robbing stickup man, earned him high praise, and made Omar one of television's most memorable characters. Williams also co-starred in HBO's critically acclaimed series <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0979432/?ref_=sr">Boardwalk Empire (2010)</a>, in which he played Chalky White, a 1920s bootlegger and the impeccably suited, veritable mayor of Atlantic City's African American community. In 2012, "Boardwalk Empire" won a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. He received his first Emmy nomination for Outstanding Supporting Actor in a Limited Series or a Movie for HBO's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt3704352/?ref_=sr">Bessie (2015)</a> and subsequently received his second nomination for Outstanding Supporting Actor in a Limited Series for his portrayal of Freddy in HBO's <a class="ipc-md-link ipc-md-link--entity" href="/title/tt2401256/?ref_=sr">The Night Of (2016)</a>.<br/><br/>In 2018, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt2782710/?ref_=sr">Vice (2013)</a> returned for its sixth season with an extended special season premiere produced by and featuring Williams as he embarked on a personal journey to expose the root of the American mass incarceration crisis: the juvenile justice system. The episode "Raised in the System" offered a frank and unflinching look at those caught up the system, exploring why the country's mass incarceration problem cannot be fixed without first addressing the juvenile justice problem. Williams investigated the solutions that local communities were employing that resulted in drastic drops in both crime and incarceration. Michael garnered his first Emmy nomination as a producer for this incredible documentary and continues to host screenings across the country as a way to educate and raise awareness.<br/><br/>Giving back to the community played an important role in Williams' off-camera life. He launched Making Kids Win, a charitable organization, the primary objective of which is to build community centers in urban neighborhoods that are in need of safe spaces for children to learn and play. Williams served as the ACLU's Ambassador of Smart Justice.<br/><br/>Williams began his career as a performer by dancing professionally at age 22. After numerous appearances in music videos and as a background dancer on concert tours for <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0000187/?ref_=sr">Madonna</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0584117/?ref_=sr">George Michael</a>, Williams decided to pursue acting seriously. He participated in several productions of the La MaMA Experimental Theater, the prestigious National Black Theater Company. and the Theater for a New Generation, directed by Mel Williams.<br/><br/>Michael K. Williams was born, raised, and resided in Brooklyn, New York, until his death on September 6, 2021.</div></div></div></div></div></div></li><li class="ipc-metadata-list-summary-item"><div class="ipc-metadata-list-summary-item__c"><div class="ipc-metadata-list-summary-item__tc"><span class="ipc-metadata-list-summary-item__t" aria-disabled="false"></span><div class="sc-77f37b3d-0 jCbCZO dli-parent"><div class="sc-77f37b3d-1 gJmTWZ"><div class="sc-7c95f518-0 cDAKkN"><div data-testid="nlib-img-container" class="sc-7c95f518-1 iorieb"><div class="ipc-avatar ipc-avatar--base" role="group"><div class="ipc-media ipc-media--avatar ipc-image-media-ratio--avatar ipc-media--circle-radius ipc-media--base ipc-media--custom ipc-avatar__avatar-image ipc-media__img" style="width:60px"><img alt="Charlbi Dean" class="ipc-image" loading="lazy" src="https://m.media-amazon.com/images/M/MV5BYWZjMDkzNTgtMjZjNC00MzE1LWFlODAtYzVlY2JjODAwMzA3XkEyXkFqcGc@._V1_QL75_UY60_CR15,0,60,60_.jpg" srcSet="https://m.media-amazon.com/images/M/MV5BYWZjMDkzNTgtMjZjNC00MzE1LWFlODAtYzVlY2JjODAwMzA3XkEyXkFqcGc@._V1_QL75_UY60_CR15,0,60,60_.jpg 60w, https://m.media-amazon.com/images/M/MV5BYWZjMDkzNTgtMjZjNC00MzE1LWFlODAtYzVlY2JjODAwMzA3XkEyXkFqcGc@._V1_QL75_UY90_CR23,0,90,90_.jpg 90w, https://m.media-amazon.com/images/M/MV5BYWZjMDkzNTgtMjZjNC00MzE1LWFlODAtYzVlY2JjODAwMzA3XkEyXkFqcGc@._V1_QL75_UY120_CR30,0,120,120_.jpg 120w" sizes="50vw, (min-width: 480px) 34vw, (min-width: 600px) 26vw, (min-width: 1024px) 16vw, (min-width: 1280px) 16vw" width="60"/></div><a class="ipc-lockup-overlay ipc-focusable" href="/name/nm4528025/?ref_=sr_i_25" aria-label="Charlbi Dean"><div class="ipc-lockup-overlay__screen"></div></a></div></div><div class="sc-7c95f518-3 krmPLY"><div data-testid="nlib-meter-const-container"></div><div class="ipc-title ipc-title--base ipc-title--title ipc-title-link-no-icon ipc-title--on-textPrimary sc-7c95f518-2 ghWujX" data-testid="nlib-title"><a href="/name/nm4528025/?ref_=sr_t_25" class="ipc-title-link-wrapper" tabindex="0"><h3 class="ipc-title__text">25. Charlbi Dean</h3></a></div><div class="sc-7c95f518-6 iDkHPP"><ul class="ipc-inline-list ipc-inline-list--show-dividers sc-7c95f518-4 lolxqE base" role="presentation" data-testid="nlib-professions"><li role="presentation" class="ipc-inline-list__item sc-7c95f518-5 eXHlql">Actress</li></ul><a class="ipc-link ipc-link--base sc-ab9eb9db-0 iRQWod" tabindex="0" aria-disabled="false" data-testid="nlib-known-for-title" href="/title/tt7322224/?ref_=sr_knf_25">Triangle of Sadness (2022)</a></div></div></div><div><button data-testid="dli-add-to-list-button" class="ipc-icon-button ipc-icon-button--base ipc-icon-button--onAccent2" title="Add to list" tabindex="0" aria-label="Add to list" aria-disabled="false"><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--add" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path d="M18 13h-5v5c0 .55-.45 1-1 1s-1-.45-1-1v-5H6c-.55 0-1-.45-1-1s.45-1 1-1h5V6c0-.55.45-1 1-1s1 .45 1 1v5h5c.55 0 1 .45 1 1s-.45 1-1 1z"></path></svg></button></div></div><div data-testid="dli-bio" class="sc-77f37b3d-2 dpXpaE"><div class="ipc-html-content ipc-html-content--base sc-77f37b3d-3 huKIYr" role="presentation"><div class="ipc-html-content-inner-div" role="presentation">Charlbi Dean was born on 5 February 1990 in Cape Town, South Africa. She was an actress, known for <a class="ipc-md-link ipc-md-link--entity" href="/title/tt7322224/?ref_=sr">Triangle of Sadness (2022)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt1059969/?ref_=sr">Spud (2010)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt4329806/?ref_=sr">Don't Sleep (2017)</a>. She died on 29 August 2022 in Manhattan, New York City, New York, USA.</div></div></div></div></div></div></li></ul><div class="sc-619d2eab-0 dxnOGI"><div class="sc-f09bd1f5-1 hoKmdt pagination-container"><span class="ipc-see-more sc-33e570c-0 cMGrFN single-page-see-more-button"><button class="ipc-btn ipc-btn--single-padding ipc-btn--center-align-content ipc-btn--default-height ipc-btn--core-base ipc-btn--theme-base ipc-btn--button-radius ipc-btn--on-accent2 ipc-text-button ipc-see-more__button" tabindex="0" aria-disabled="false"><span class="ipc-btn__text"><span class="ipc-see-more__text">50 more</span></span><svg xmlns="http://www.w3.org/2000/svg" width="24" height="24" class="ipc-icon ipc-icon--expand-more ipc-btn__icon ipc-btn__icon--post" viewBox="0 0 24 24" fill="currentColor" role="presentation"><path opacity=".87" fill="none" d="M24 24H0V0h24v24z"></path><path d="M15.88 9.29L12 13.17 8.12 9.29a.996.996 0 1 0-1.41 1.41l4.59 4.59c.39.39 1.02.39 1.41 0l4.59-4.59a.996.996 0 0 0 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Gable\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000142/?ref_=sr\"\u003eClint Eastwood\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000537/?ref_=sr\"\u003eSteve McQueen\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000054/?ref_=sr\"\u003eMarilyn Monroe\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000989/?ref_=sr\"\u003eYul Brynner\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000564/?ref_=sr\"\u003ePeter O\u0026#39;Toole\u003c/a\u003e, and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000199/?ref_=sr\"\u003eAl Pacino\u003c/a\u003e, to name but a few.\u003cbr/\u003e\u003cbr/\u003eWallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents\nwho emigrated from Poland, and was one of the few Jewish kids in his\nmostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham\nWallach, owned a candy store, Bertha\u0026#39;s Candy Store. He went on to\ngraduate with a B.A. from the University of Texas in Austin, but gained\nhis dramatic training with the Actors Studio and the Neighborhood\nPlayhouse. He made his debut on Broadway in 1945, and won a Tony Award\nin 1951 for portraying Alvaro Mangiacavallo in the\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0931783/?ref_=sr\"\u003eTennessee Williams\u003c/a\u003e play \u0026quot;The Rose\nTattoo\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eWallach made a strong screen debut in 1956 in the film version of the\nTennessee Williams play\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0048973/?ref_=sr\"\u003eBaby Doll (1956)\u003c/a\u003e, shined as \u0026quot;Dancer\u0026quot;,\nthe nattily dressed hitman, in director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0796923/?ref_=sr\"\u003eDon Siegel\u003c/a\u003e\u0026#39;s film-noir classic\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051866/?ref_=sr\"\u003eThe Lineup (1958)\u003c/a\u003e, and co-starred in\nthe heist film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054295/?ref_=sr\"\u003eSeven Thieves (1960)\u003c/a\u003e. Director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0836328/?ref_=sr\"\u003eJohn Sturges\u003c/a\u003e then cast Wallach as vicious\nMexican bandit Calvera in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054047/?ref_=sr\"\u003eThe Magnificent Seven (1960)\u003c/a\u003e,\nthe western adaptation of the\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000041/?ref_=sr\"\u003eAkira Kurosawa\u003c/a\u003e epic\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047478/?ref_=sr\"\u003eSeven Samurai (1954)\u003c/a\u003e.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055184/?ref_=sr\"\u003eThe Misfits (1961)\u003c/a\u003e, in the\nstar-spangled western opus\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056085/?ref_=sr\"\u003eHow the West Was Won (1962)\u003c/a\u003e,\nthe underrated WW2 film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057652/?ref_=sr\"\u003eThe Victors (1963)\u003c/a\u003e, as a kidnapper in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058371/?ref_=sr\"\u003eThe Moon-Spinners (1964)\u003c/a\u003e, in\nthe sea epic \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059399/?ref_=sr\"\u003eLord Jim (1965)\u003c/a\u003e and in the\nromantic comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060522/?ref_=sr\"\u003eHow to Steal a Million (1966)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eLooking for a third lead actor in the final episode of the \u0026quot;Dollars\nTrilogy\u0026quot;, Italian director\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001466/?ref_=sr\"\u003eSergio Leone\u003c/a\u003e cast the versatile\nWallach as the lying, two-faced, money-hungry (but somehow lovable)\nbandit \u0026quot;Tuco\u0026quot; in the spectacular\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060196/?ref_=sr\"\u003eThe Good, the Bad and the Ugly (1966)\u003c/a\u003e\n(aka \u0026quot;The Good, The Bad and The Ugly\u0026quot;), arguably his most memorable\nperformance. Wallach kept busy throughout the remainder of the \u0026#39;60s and\ninto the \u0026#39;70s with good roles in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064615/?ref_=sr\"\u003eMackenna\u0026#39;s Gold (1969)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069883/?ref_=sr\"\u003eCinderella Liberty (1973)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071369/?ref_=sr\"\u003eCrazy Joe (1974)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075925/?ref_=sr\"\u003eThe Deep (1977)\u003c/a\u003e and as\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000537/?ref_=sr\"\u003eSteve McQueen\u003c/a\u003e\u0026#39;s bail buddy in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080907/?ref_=sr\"\u003eThe Hunter (1980)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eThe 1980s was an interesting period for Wallach, as he was regularly\ncast as an aging doctor, a Mafia figure or an over-the-hill hitman,\nsuch as in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083909/?ref_=sr\"\u003eThe Executioner\u0026#39;s Song (1982)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0149504/?ref_=sr\"\u003eOur Family Honor (1985)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092105/?ref_=sr\"\u003eTough Guys (1986)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093660/?ref_=sr\"\u003eNuts (1987)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100828/?ref_=sr\"\u003eThe Two Jakes (1990)\u003c/a\u003e and as the\ncandy-addicted \u0026quot;Don Altabello\u0026quot; in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099674/?ref_=sr\"\u003eThe Godfather: Part III (1990)\u003c/a\u003e.\nAt 75+ years of age, Wallach\u0026#39;s quality of work was still first class\nand into the 1990s and beyond, he has remained in demand. He lent fine\nsupport to\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103193/?ref_=sr\"\u003eVendetta: Secrets of a Mafia Bride (1990)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105553/?ref_=sr\"\u003eTeamster Boss: The Jackie Presser Story (1992)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0168085/?ref_=sr\"\u003eNaked City: Justice with a Bullet (1998)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0171433/?ref_=sr\"\u003eKeeping the Faith (2000)\u003c/a\u003e.\nMost recently Wallach showed up as a fast-talking liquor store owner in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0327056/?ref_=sr\"\u003eMystic River (2003)\u003c/a\u003e and in the\ncomedic drama\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0363913/?ref_=sr\"\u003eKing of the Corner (2004)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eIn early 2005, Eli Wallach released his much anticipated autobiography,\n\u0026quot;The Good, The Bad And Me: In My Anecdotage\u0026quot;, an enjoyable reading from\none of the screen\u0026#39;s most inventive and enduring actors.\u003cbr/\u003e\u003cbr/\u003eEli Wallach was very much a family man who remained married to his wife\nAnne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by\nhis wife, three children, five grandchildren and several\ngreat-grandchildren.","knownFor":{"originalTitleText":"Il buono, il brutto, il cattivo","titleId":"tt0060196","titleText":"The Good, the Bad and the Ugly","canHaveEpisodes":false,"yearRange":{"year":1966}},"nameId":"nm0908919","nameText":"Eli Wallach","professions":["Actor","Producer","Additional Crew"],"primaryProfessions":["Actor","Producer","Additional Crew"],"primaryImage":{"caption":"Eli Wallach in Our Family Honor (1985)","height":3348,"width":2261,"url":"https://m.media-amazon.com/images/M/MV5BNDcwZDdiZWEtMGYxYS00MjI0LTgwNjctMWVkODZiZGE1ZDdjXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Her Orthodox Jewish family was totally averse to her having an entertainment career. Her parents and grandparents forced her to leave the Theatre Guild school (New York) while still a teenager and had their wills drawn up accordingly so as to discourage this career choice.\u003cbr/\u003e\u003cbr/\u003eStudied drama at Columbia University, and belonged to the American Theatre Wing.\u003cbr/\u003e\u003cbr/\u003eWhen Mae was 17 and living in the South Bronx, she won a local contest to find the girl who most resembled Helen Kane, a popular singer known as the \u0026quot;Boop-Oop-A-Doop Queen\u0026quot;. She was promptly signed by an agent and began performing in the Vaudeville circuit. Billing herself as \u0026quot;Mae Questel - Personality Singer of Personality Songs,\u0026quot; she performed dead-on vocal imitations of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002001/?ref_=sr\"\u003eMaurice Chevalier\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0134662/?ref_=sr\"\u003eEddie Cantor\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0108511/?ref_=sr\"\u003eFanny Brice\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000017/?ref_=sr\"\u003eMarlene Dietrich\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0922213/?ref_=sr\"\u003eMae West\u003c/a\u003e and of course \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0437318/?ref_=sr\"\u003eHelen Kane\u003c/a\u003e, among many others. Her mimic talent also provided duck, dog, chicken, owl, monkey, lion and baby sounds for radio shows.\u003cbr/\u003e\u003cbr/\u003eBetty Boop creator Max Fleischer heard Mae doing her \u0026quot;boop-oop-a-doop\u0026quot; routine and hired her to do the character\u0026#39;s voice in 1931. She served as the voice on more than 150 Betty Boop animated shorts until the character was retired in 1939. Her recording of \u0026quot;On The Good Ship Lollipop\u0026quot; sold more than 2 million during the Depression.\u003cbr/\u003e\u003cbr/\u003eBest known as the voice of \u0026quot;Betty Boop\u0026quot;, she was also the voice of not-so-less-famous \u0026quot;Olive Oyl\u0026quot; in the Popeye cartoons, as well as the toddler Swee\u0026#39;pea and others. She did Popeye\u0026#39;s voice once, in the cartoon \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0152390/?ref_=sr\"\u003eShape Ahoy (1945)\u003c/a\u003e, because \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0580271/?ref_=sr\"\u003eJack Mercer\u003c/a\u003e was serving in the military during World War II. Her versatility is probably better appreciated in the cartoon \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0028027/?ref_=sr\"\u003eNever Kick a Woman (1936)\u003c/a\u003e in which she provides the quivery, nervous-Nellie voice of Olive Oyl, based on comedic actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0686032/?ref_=sr\"\u003eZasu Pitts\u003c/a\u003e, and the deep, assured, alluring voice of the blonde saleswoman, based on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0922213/?ref_=sr\"\u003eMae West\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eIn 1968, the City of Indianapolis honored her with a \u0026quot;Mae Questel Day\u0026quot;. In 1979, she won the Troupers Award for outstanding contribution to entertainment.","knownFor":{"originalTitleText":"National Lampoon's Christmas Vacation","titleId":"tt0097958","titleText":"National Lampoon's Christmas Vacation","canHaveEpisodes":false,"yearRange":{"year":1989}},"nameId":"nm0703362","nameText":"Mae Questel","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Mae Questel","height":1148,"width":854,"url":"https://m.media-amazon.com/images/M/MV5BMTU0MDc0NDY4Nl5BMl5BanBnXkFtZTcwNTQyNzYxOA@@._V1_.jpg"}},{"bio":"Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University\u0026#39;s Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.\u003cbr/\u003e\u003cbr/\u003eHe made his feature film debut in the indie production \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103121/?ref_=sr\"\u003eTriple Bogey on a Par Five Hole (1991)\u003c/a\u003e as Phil Hoffman, and his first role in a major release came the next year in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0104954/?ref_=sr\"\u003eMy New Gun (1992)\u003c/a\u003e. While he had supporting roles in some other major productions like \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105323/?ref_=sr\"\u003eScent of a Woman (1992)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0117998/?ref_=sr\"\u003eTwister (1996)\u003c/a\u003e, his breakthrough role came in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000759/?ref_=sr\"\u003ePaul Thomas Anderson\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118749/?ref_=sr\"\u003eBoogie Nights (1997)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eHe quickly became an icon of indie cinema, establishing a reputation as one of the screen\u0026#39;s finest actors, in a variety of supporting and second leads in indie and major features, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001754/?ref_=sr\"\u003eTodd Solondz\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0147612/?ref_=sr\"\u003eHappiness (1998)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0155711/?ref_=sr\"\u003eFlawless (1999)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0134119/?ref_=sr\"\u003eThe Talented Mr. Ripley (1999)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000759/?ref_=sr\"\u003ePaul Thomas Anderson\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0175880/?ref_=sr\"\u003eMagnolia (1999)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0181875/?ref_=sr\"\u003eAlmost Famous (2000)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120202/?ref_=sr\"\u003eState and Main (2000)\u003c/a\u003e. He also appeared in supporting roles in such mainstream, big-budget features as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0289765/?ref_=sr\"\u003eRed Dragon (2002)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0159365/?ref_=sr\"\u003eCold Mountain (2003)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0317919/?ref_=sr\"\u003eMission: Impossible III (2006)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eHoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001731/?ref_=sr\"\u003eSam Shepard\u003c/a\u003e\u0026#39;s \u0026quot;True West\u0026quot; and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O\u0026#39;Neill (I)\u0026#39;s \u0026quot;Long Day\u0026#39;s Journey into Night.\u0026quot; His other acting credits in the New York theater include \u0026quot;The Seagull\u0026quot; (directed by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001566/?ref_=sr\"\u003eMike Nichols\u003c/a\u003e for The New York Shakespeare Festival), \u0026quot;Defying Gravity,\u0026quot; \u0026quot;The Merchant of Venice\u0026quot; (directed by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0783299/?ref_=sr\"\u003ePeter Sellars\u003c/a\u003e), \u0026quot;Shopping and F*@%ing\u0026quot; and \u0026quot;The Author\u0026#39;s Voice\u0026quot; (Drama Desk nomination).\u003cbr/\u003e\u003cbr/\u003eHe was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed \u0026quot;Our Lady of 121st Street\u0026quot; by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0012289/?ref_=sr\"\u003eStephen Adly Guirgis\u003c/a\u003e. He also directed \u0026quot;In Arabia, We\u0026#39;d All Be Kings\u0026quot; and \u0026quot;Jesus Hopped the A Train\u0026quot; by Guirgis for LAByrinth, and \u0026quot;The Glory of Living\u0026quot; by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1973742/?ref_=sr\"\u003eRebecca Gilman\u003c/a\u003e at the Manhattan Class Company.\u003cbr/\u003e\u003cbr/\u003eHoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0379725/?ref_=sr\"\u003eCapote (2005)\u003c/a\u003e, for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.\u003cbr/\u003e\u003cbr/\u003eOn February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with \u0026quot;60 Minutes\u0026quot; that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.","knownFor":{"originalTitleText":"The Master","titleId":"tt1560747","titleText":"The Master","canHaveEpisodes":false,"yearRange":{"year":2012}},"nameId":"nm0000450","nameText":"Philip Seymour Hoffman","professions":["Actor","Producer","Director"],"primaryProfessions":["Actor","Producer","Director"],"primaryImage":{"caption":"Philip Seymour Hoffman at an event for The Ides of March (2011)","height":2048,"width":1483,"url":"https://m.media-amazon.com/images/M/MV5BMTQ0NTA1NTg3Ml5BMl5BanBnXkFtZTcwNzkxNzgxNw@@._V1_.jpg"}},{"bio":"John Hughes was an American film director, film producer, and screenwriter. He was credited for creating some of the most memorable comedy films of the 1980s and the 1990s, when he was at the height of his career. He had a talent for writing coming-of-age stories, and for depicting fairly realistic adolescent characters.\u003cbr/\u003e\u003cbr/\u003eIn 1950, Hughes was born in Lansing, Michigan. The city\u0026#39;s main employers for much of the 20th century were manufacturing plants for automobiles. Lansing housed the headquarters of companies such as Oldsmobile and the REO Motor Car Company. Hughes\u0026#39; father John Hughes Sr. was a salesman, while Hughes\u0026#39; mother Marion Crawford worked as a volunteer for charity organizations.\u003cbr/\u003e\u003cbr/\u003eHughes had three sisters and no brothers. His family moved often. For most of his childhood, the Hughes family lived in Grosse Pointe, Michigan, a commuter suburb of Metro Detroit. According to an interview of Hughes, he was the only boy in his neighborhood while growing up. He was surrounded by girls and \u0026quot;old people,\u0026quot; and there was no boys around for him to befriend. He spend a lot of time alone, and used his active imagination to keep himself entertained.\u003cbr/\u003e\u003cbr/\u003eIn 1963, the Hughes family moved to Northbrook, Illinois, a suburb of Chicago. Hughes attended first the Grove Middle School, and then the Glenbrook North High School. His high school experiences reportedly provided inspiration for his teen-themed films of his career. According to interviews with Hughes\u0026#39; friends, Hughes had a poor relationship with his parents who often criticized him.\u003cbr/\u003e\u003cbr/\u003eAs an adolescent, Hughes felt the need to escape his problems. He became an avid film fan, as he found that films satisfied his need for escapism. He was a fan of both the Rat Pack (an informal group of actors and singers), and the music group The Beatles.\u003cbr/\u003e\u003cbr/\u003eAfter graduating high school, Hughes enrolled in the University of Arizona. He eventually dropped out of the University, and tried to make a living as a comedy writer. He wrote jokes for professional comedians, such as Rodney Dangerfield (1921 - 2004) and Joan Rivers (1933 - 2014).\u003cbr/\u003e\u003cbr/\u003eIn 1970, Hughes was hired by the advertising company Needham Harper \u0026amp; Steers (1925-1986). That same year, Hughes married his former high school classmate Nancy Ludwig. Hughes worked in the advertising industry for several years. In 1974, Hughes was hired by the advertising agency Leo Burnett Worldwide. This company\u0026#39;s most notable clients included the Pillsbury Company, StarKist, Heinz, Green Giant, and Philip Morris.\u003cbr/\u003e\u003cbr/\u003eAs a marketing agent, Hughes was assigned to handle Virginia Slims, a brand of cigarettes produced by Philip Morris. The assignment required him to regularly travel to New York City, where Philip Morris\u0026#39; headquarters were located. Hughes took the opportunity to visit the offices of the popular humor magazine \u0026quot;National Lampoon\u0026quot; (1970-1998) in New York City. He successfully negotiated a new position as a regular contributor to the magazine.\u003cbr/\u003e\u003cbr/\u003eHughes reportedly impressed the magazine\u0026#39;s editors by producing quality work at a fast pace. Among his first short stories was \u0026quot;Vacation \u0026#39;58,\u0026quot; based on his recollections of his family\u0026#39;s vacations during his childhood. The story was eventually adapted into the road comedy film \u0026quot;National Lampoon\u0026#39;s Vacation\u0026quot; (1983).\u003cbr/\u003e\u003cbr/\u003e\u0026quot;National Lampoon\u0026quot; co-produced films written by their staff writers. Hughes provided the script for the black comedy \u0026quot;National Lampoon\u0026#39;s Class Reunion\u0026quot; (1982), depicting a serial killer who targets his former classmates. The film was poorly received and under-performed at the box office, but it inspired Hughes to try to make a career as a screenwriter.\u003cbr/\u003e\u003cbr/\u003eHughes subsequently wrote the scripts for both \u0026quot;National Lampoon\u0026#39;s Vacation\u0026quot; (1983) and \u0026quot;Mr. Mom\u0026quot; (1983), comedy films which were box office hits. He then signed a contract for three films with the studio Universal Pictures. He made his directing debut in the coming-of-age comedy film \u0026quot;Sixteen Candles\u0026quot; (1984). The film depicted the misadventures of high school sophomore Samantha \u0026quot;Sam\u0026quot; Baker (played by Molly Ringwald). It performed well at the box office, and was well-received by critics.\u003cbr/\u003e\u003cbr/\u003eHughes quickly established himself as a leading director of teen films. His films \u0026quot;The Breakfast Club\u0026quot; (1985), \u0026quot;Weird Science\u0026quot; (1985), and \u0026quot;Ferris Bueller\u0026#39;s Day Off\u0026quot; (1986) are considered classics of the genre. To cover new ground, he then directed \u0026quot;Planes, Trains and Automobiles\u0026quot; (1987), featuring a duo of adult protagonists. The stars of the film were experienced comic actors Steve Martin and John Candy. The film was a hit. More importantly, Hughes and Candy became close friends. They would often work together in subsequent films.\u003cbr/\u003e\u003cbr/\u003eHughes\u0026#39; next film as a director was \u0026quot;She\u0026#39;s Having a Baby\u0026quot; (1988), about the life of a newlywed couple. The film fared poorly financially and was considered rather \u0026quot;blasé\u0026quot; by critics. Hughes made a comeback with \u0026quot;Uncle Buck\u0026quot; (1989), about a lifelong bachelor who has to take care of his two nieces and a nephew. The film was a box office hit, earning about 80 million dollars at the box office.\u003cbr/\u003e\u003cbr/\u003eHughes\u0026#39; final film as a director was the comedy-drama \u0026quot;Curly Sue\u0026quot; (1991), about homeless con artist Bill Dancer (played by Jim Belushi) who desperately tries to keep the custody of his surrogate daughter. While moderately successful at the box office at the box office, the film was widely ridiculed for being overly sentimental.\u003cbr/\u003e\u003cbr/\u003eIn the 1990s, Hughes found success as a screenwriter, scripting several box office hits. Among his most notable films in this period were \u0026quot;Home Alone\u0026quot; (1990) and \u0026quot;Beethoven\u0026quot; (1992), with both films starting lucrative media franchises. Hughes also wrote the scripts of the sequels \u0026quot;Home Alone 2: Lost in New York\u0026quot; (1992) and \u0026quot;Home Alone 3\u0026quot; (1997). He also scripted a notable comic strip adaptation, \u0026quot;Dennis the Menace\u0026quot; (1993). It was based on the long-running comic strip \u0026quot;Dennis the Menace\u0026quot; (1951-) by Hank Ketcham (1920-2001).\u003cbr/\u003e\u003cbr/\u003eIn 1994, Hughes moved to the Chicago metropolitan area. At about that time, he started actively avoiding publicity. He rarely gave any interviews until the end of his life. In 1995, Hughes co-founded the production company Great Oaks Entertainment, which mainly handled co-production of Disney produced films. Hughes handled the scripting of two of the company\u0026#39;s films: \u0026quot;101 Dalmatians\u0026quot; (1996) and \u0026quot;Flubber\u0026quot; (1997). Both were remakes of older films.\u003cbr/\u003e\u003cbr/\u003eIn 1997, Hughes severed his partnership with Ricardo Mestres. A year later, their final co-production, \u0026quot;Reach the Rock,\u0026quot; was released. The film was scripted by Hughes, though it was uncharacteristically dramatic for a Hughes film. The film depicted the conflict between an alienated young man and a police chief.\u003cbr/\u003e\u003cbr/\u003eIn the 2000s, Hughes only scripted three more films. The most notable among them the romantic drama \u0026quot;Maid in Manhattan\u0026quot; (2002), a hit for protagonist Jennifer Lopez. It earned about 164 million dollars.\u003cbr/\u003e\u003cbr/\u003eIn August 2009, Hughes visited New York City with his wife. He wanted to visit one of his sons who lived there, and to meet his new grandson. On August 6, Hughes suffered a heart attack while walking in Manhattan. He was transported to Roosevelt Hospital, but died shortly after. He was fifty-nine years old.\u003cbr/\u003e\u003cbr/\u003eHughes was buried in Lake Forest Cemetery, a rural cemetery located in Lake Forest, Illinois. He was survived by his wife, their two children, and several grandchildren.","knownFor":{"originalTitleText":"Planes, Trains \u0026 Automobiles","titleId":"tt0093748","titleText":"Planes, Trains","canHaveEpisodes":false,"yearRange":{"year":1987}},"nameId":"nm0000455","nameText":"John Hughes","professions":["Writer","Producer","Director"],"primaryProfessions":["Writer","Producer","Director"],"primaryImage":{"caption":"John Hughes","height":2785,"width":2837,"url":"https://m.media-amazon.com/images/M/MV5BYTVjMjVmYmQtNDA3Ni00MGMxLWIwZDctNTFjMDRiMTNkZDY0XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Gloria Grahame Hallward, an acting pupil of her mother (stage actress and teacher Jean Grahame), acted professionally while still in high school. In 1944 \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0562454/?ref_=sr\"\u003eLouis B. Mayer\u003c/a\u003e saw her on Broadway and gave her an MGM contract under the name Gloria Grahame.\nHer debut in the title role of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036651/?ref_=sr\"\u003eBlonde Fever (1944)\u003c/a\u003e was auspicious, but her first public recognition came on loan-out in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038650/?ref_=sr\"\u003eIt\u0026#39;s a Wonderful Life (1946)\u003c/a\u003e. Although her talent and sex appeal were of star quality, she did not fit the star pattern at MGM, who sold her contract to RKO in 1947. Here the same problem resurfaced; her best film in these years was made on loan-out, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042593/?ref_=sr\"\u003eIn a Lonely Place (1950)\u003c/a\u003e. Soon after, she left RKO. The 1950s, her best period, brought her a Best Supporting Actress Oscar and typecast her as shady, inimitably sultry ladies in seven well-known film-noir classics.\u003cbr/\u003e\u003cbr/\u003eRumors of being difficult to work with on the set of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0048445/?ref_=sr\"\u003eOklahoma! (1955)\u003c/a\u003e helped sideline her film career from 1956 onward. She also suffered from marital and child-custody troubles. Eight years after divorce from \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0712947/?ref_=sr\"\u003eNicholas Ray\u003c/a\u003e, who was 12 years her senior (and reportedly had discovered her in bed with his 13 year old son), and after a subsequent marriage to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0397220/?ref_=sr\"\u003eCy Howard\u003c/a\u003e ended in divorce, in 1960 she married her former stepson \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0712743/?ref_=sr\"\u003eAnthony Ray\u003c/a\u003e (who was almost 14 years younger than she was.) This led former husbands \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0712947/?ref_=sr\"\u003eNicholas Ray\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0397220/?ref_=sr\"\u003eCy Howard\u003c/a\u003e to sue Grahame; each man seeking custody of his respective child, putting gossip columnists and scandal sheets into overdrive. Grahame herself underwent electroconvulsive therapy after the ensuing stress caused a nervous breakdown. Surprisingly, however, Grahame and Anthony \u0026quot;Tony\u0026quot; Ray proved a happy couple. The union would be Grahame\u0026#39;s longest marriage, lasting almost 14 years (10 years longer than her previous union with Ray\u0026#39;s father); the couple had two children, Anthony Jr. and James.\u003cbr/\u003e\u003cbr/\u003eIn 1960, Grahame resumed stage acting, combined with TV work and, from 1970, some mostly inferior films. She was described as a serious, skillful actress; spontaneous, honest, and strong-willed; imaginative and curious; incredibly sexy but insecure about her looks (prompting plastic surgery on her famous lips); loving appreciative male company; \u0026quot;a bit loony\u0026quot;. In 1975, she was treated for breast cancer. Five years later, she was diagnosed with cancer again, although it is unclear if this was a new cancer or a metastasis of her breast cancer. Grahame eventually moved to England in 1978. Her busiest period of British and American stage work ended abruptly in 1981 when she collapsed from cancer symptoms during a rehearsal. She wished to remain in Liverpool with her partner, Peter Turner (almost 30 years her junior), but after Turner notified her children of her health condition and impending death, two of her children flew to England to retrieve her, insisting she return to the United States. She died a few hours later that same day of stomach cancer and peritonitis at St. Vincent\u0026#39;s Hospital in Manhattan on October 5, 1981 at age 57.","knownFor":{"originalTitleText":"In a Lonely Place","titleId":"tt0042593","titleText":"In a Lonely Place","canHaveEpisodes":false,"yearRange":{"year":1950}},"nameId":"nm0002108","nameText":"Gloria Grahame","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Gloria Grahame","height":4200,"width":3340,"url":"https://m.media-amazon.com/images/M/MV5BYjFhNmU5ZWQtNDllMi00OGMxLWI0Y2EtMGE5ZjNjNTc5ZmY2XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Natasha Jane Richardson was born in Marylebone, London, England, to director and producer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0724798/?ref_=sr\"\u003eTony Richardson\u003c/a\u003e and actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000603/?ref_=sr\"\u003eVanessa Redgrave\u003c/a\u003e. She was the sister of actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000613/?ref_=sr\"\u003eJoely Richardson\u003c/a\u003e, the niece of actors \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0714874/?ref_=sr\"\u003eCorin Redgrave\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001655/?ref_=sr\"\u003eLynn Redgrave\u003c/a\u003e, and the granddaughter of actors \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0714878/?ref_=sr\"\u003eMichael Redgrave\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0447499/?ref_=sr\"\u003eRachel Kempson\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eTrained at London\u0026#39;s Central School of Speech and Drama, Richardson\nperformed extensively on stage in roles, including \u0026quot;Helena\u0026quot; in \u0026quot;A Midsummer Night\u0026#39;s Dream\u0026quot; and Ophelia in \u0026quot;Hamlet\u0026quot; at the Young Vic. In 1986, she garnered the London Drama Critics\u0026#39; Most Promising Newcomer Award for her performance as \u0026quot;Nina\u0026quot; in \u0026quot;The Seagull\u0026quot;, with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000603/?ref_=sr\"\u003eVanessa Redgrave\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000596/?ref_=sr\"\u003eJonathan Pryce\u003c/a\u003e. In 1987, she played \u0026quot;Tracey Lord\u0026quot; in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0264236/?ref_=sr\"\u003eRichard Eyre\u003c/a\u003e\u0026#39;s musical, \u0026quot;High Society\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eNatasha made her feature film debut as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0791217/?ref_=sr\"\u003eMary Shelley\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001692/?ref_=sr\"\u003eKen Russell\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0091142/?ref_=sr\"\u003eGothic (1986)\u003c/a\u003e. Her performance caught the\nattention of director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001707/?ref_=sr\"\u003ePaul Schrader\u003c/a\u003e, who cast her in the\ntitle role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095836/?ref_=sr\"\u003ePatty Hearst (1988)\u003c/a\u003e. Natasha achieved notable success in such films as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0640466/?ref_=sr\"\u003ePat O\u0026#39;Connor\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093562/?ref_=sr\"\u003eA Month in the Country (1987)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0423646/?ref_=sr\"\u003eRoland Joffé\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097336/?ref_=sr\"\u003eFat Man and Little Boy (1989)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0101863/?ref_=sr\"\u003eThe Favour, the Watch and the Very Big Fish (1991)\u003c/a\u003e, featuring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001364/?ref_=sr\"\u003eBob Hoskins\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000156/?ref_=sr\"\u003eJeff Goldblum\u003c/a\u003e. For her performance in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0772522/?ref_=sr\"\u003eVolker Schlöndorff\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099731/?ref_=sr\"\u003eThe Handmaid\u0026#39;s Tale (1990)\u003c/a\u003e and Schrader\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099292/?ref_=sr\"\u003eThe Comfort of Strangers (1990)\u003c/a\u003e, Richardson earned The London Evening Standard Award for Best Actress of 1990; and for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0111712/?ref_=sr\"\u003eWidows\u0026#39; Peak (1994)\u003c/a\u003e,\nalso starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001201/?ref_=sr\"\u003eMia Farrow\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0687506/?ref_=sr\"\u003eJoan Plowright\u003c/a\u003e, she received the Best Actress Award at the 1994 Karlovy Vary Festival.\u003cbr/\u003e\u003cbr/\u003eAlso in 1994, she co-starred with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000149/?ref_=sr\"\u003eJodie Foster\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000553/?ref_=sr\"\u003eLiam Neeson\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0110638/?ref_=sr\"\u003eNell (1994)\u003c/a\u003e and, in 1998, in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120783/?ref_=sr\"\u003eThe Parent Trap (1998)\u003c/a\u003e with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000598/?ref_=sr\"\u003eDennis Quaid\u003c/a\u003e. Her early 2000s films include\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0212380/?ref_=sr\"\u003eBlow Dry (2001)\u003c/a\u003e released in 2001, and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000160/?ref_=sr\"\u003eEthan Hawke\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0226935/?ref_=sr\"\u003eChelsea Walls (2001)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eNatasha performed the title role of \u0026quot;Anna Christie\u0026quot;, first\nin London, where she was voted London Drama Critics\u0026#39; Best Actress Award\nin 1992, then on Broadway at the Roundabout in 1993, where she was\nnominated for a Tony for Best Actress in a Play, a Theatre World Award\nfor Outstanding Debut, the Outer Critics Circle Award for Outstanding\nDebut of an Actress, and a Drama Desk nomination for Best Actress. For\nher performance as Sally Bowles in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005222/?ref_=sr\"\u003eSam Mendes\u003c/a\u003e\u0026#39; production of \u0026quot;Cabaret\u0026quot;,\nshe won the 1998 Tony, Outer Critics Circle, Drama League and Drama\nDesk Awards for Best Actress in a Musical. She then appeared on\nBroadway in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0544999/?ref_=sr\"\u003ePatrick Marber\u003c/a\u003e\u0026#39;s\nTony-nominated play \u0026quot;Closer\u0026quot;. In December 2009 she had been intended to\nplay \u0026quot;Miss Julie\u0026quot; on Broadway with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000450/?ref_=sr\"\u003ePhilip Seymour Hoffman\u003c/a\u003e, directed\nby \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1659505/?ref_=sr\"\u003eDavid Leveaux\u003c/a\u003e for Roundabout Theatre.\u003cbr/\u003e\u003cbr/\u003eRichardson\u0026#39;s television credits included\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0406585/?ref_=sr\"\u003eHenrik Ibsen\u003c/a\u003e\u0026#39;s \u0026quot;Ghosts\u0026quot; for the BBC, also\nstarring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001132/?ref_=sr\"\u003eJudi Dench\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002091/?ref_=sr\"\u003eMichael Gambon\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000110/?ref_=sr\"\u003eKenneth Branagh\u003c/a\u003e; the HBO cable feature\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107141/?ref_=sr\"\u003eHostages (1992)\u003c/a\u003e; the BBC film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108247/?ref_=sr\"\u003eSuddenly, Last Summer (1993)\u003c/a\u003e,\nbased on the play by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0931783/?ref_=sr\"\u003eTennessee Williams\u003c/a\u003e, and also starring\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001749/?ref_=sr\"\u003eMaggie Smith\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000507/?ref_=sr\"\u003eRob Lowe\u003c/a\u003e. In 1993 she starred as Zelda\nFitzgerald in the TNT movie\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108648/?ref_=sr\"\u003eZelda (1993)\u003c/a\u003e, co-starring\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000459/?ref_=sr\"\u003eTimothy Hutton\u003c/a\u003e and directed by Pat\nO\u0026#39;Connor (cable Ace nomination for Best Actress). She played\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0344295/?ref_=sr\"\u003eRuth Gruber\u003c/a\u003e in the 2001 CBS mini-series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0250862/?ref_=sr\"\u003eHaven (2001)\u003c/a\u003e based on Ms.\nGruber\u0026#39;s autobiography.\u003cbr/\u003e\u003cbr/\u003eIn March 2009, Natasha died in a New York City hospital, after falling and receiving a head\ninjury whilst skiing in Mont Tremblant, Quebec, Canada. Natasha was married to actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000553/?ref_=sr\"\u003eLiam Neeson\u003c/a\u003e from 1994 until her death, and the couple have two children.","knownFor":{"originalTitleText":"Asylum","titleId":"tt0348505","titleText":"Asylum","canHaveEpisodes":false,"yearRange":{"year":2005}},"nameId":"nm0001670","nameText":"Natasha Richardson","professions":["Actress","Producer","Soundtrack"],"primaryProfessions":["Actress","Producer","Soundtrack"],"primaryImage":{"caption":"Natasha Richardson","height":400,"width":308,"url":"https://m.media-amazon.com/images/M/MV5BMjE1OTUzNDQ0OV5BMl5BanBnXkFtZTcwOTA4MDMzMg@@._V1_.jpg"}},{"bio":"When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a \u0026quot;pretty boy\u0026quot; and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0147800/?ref_=sr\"\u003e10 Things I Hate About You (1999)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0187393/?ref_=sr\"\u003eThe Patriot (2000)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0183790/?ref_=sr\"\u003eA Knight\u0026#39;s Tale (2001)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0285742/?ref_=sr\"\u003eMonster\u0026#39;s Ball (2001)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0277941/?ref_=sr\"\u003eNed Kelly (2003)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0355295/?ref_=sr\"\u003eThe Brothers Grimm (2005)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0355702/?ref_=sr\"\u003eLords of Dogtown (2005)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0388795/?ref_=sr\"\u003eBrokeback Mountain (2005)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0402894/?ref_=sr\"\u003eCasanova (2005)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0424880/?ref_=sr\"\u003eCandy (2006)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0368794/?ref_=sr\"\u003eI\u0026#39;m Not There (2007)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0468569/?ref_=sr\"\u003eThe Dark Knight (2008)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1054606/?ref_=sr\"\u003eThe Imaginarium of Doctor Parnassus (2009)\u003c/a\u003e. He also produced and directed music videos and aspired to be a film director.\u003cbr/\u003e\u003cbr/\u003eHeath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.\u003cbr/\u003e\u003cbr/\u003eHis first real acting job came in a low-budget movie called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118735/?ref_=sr\"\u003eBlackrock (1997)\u003c/a\u003e, a largely unimpressive cliché; an adolescent angst film about one boy\u0026#39;s struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0115379/?ref_=sr\"\u003eSweat (1996)\u003c/a\u003e about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0094481/?ref_=sr\"\u003eHome and Away (1988)\u003c/a\u003e for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119870/?ref_=sr\"\u003ePaws (1997)\u003c/a\u003e, a film which existed solely to cash in on guitar prodigy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0146749/?ref_=sr\"\u003eNathan Cavaleri\u003c/a\u003e\u0026#39;s brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played \u0026quot;Oberon\u0026quot;. A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0145547/?ref_=sr\"\u003eTwo Hands (1999)\u003c/a\u003e. He went to the U.S. trying to audition for film roles, showcasing his brief role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118451/?ref_=sr\"\u003eRoar (1997)\u003c/a\u003e opposite then unknown \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0267812/?ref_=sr\"\u003eVera Farmiga\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eThen Australian director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0429963/?ref_=sr\"\u003eGregor Jordan\u003c/a\u003e auditioned him for the lead in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0145547/?ref_=sr\"\u003eTwo Hands (1999)\u003c/a\u003e, which he got. An in your face Aussie crime thriller, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0145547/?ref_=sr\"\u003eTwo Hands (1999)\u003c/a\u003e was outstanding and helped him secure a role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0147800/?ref_=sr\"\u003e10 Things I Hate About You (1999)\u003c/a\u003e. After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0187393/?ref_=sr\"\u003eThe Patriot (2000)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eWhat followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0285742/?ref_=sr\"\u003eMonster\u0026#39;s Ball (2001)\u003c/a\u003e, but his version of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0277941/?ref_=sr\"\u003eNed Kelly (2003)\u003c/a\u003e was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0388795/?ref_=sr\"\u003eBrokeback Mountain (2005)\u003c/a\u003e. For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.\u003cbr/\u003e\u003cbr/\u003eLedger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0468569/?ref_=sr\"\u003eThe Dark Knight (2008)\u003c/a\u003e and in the midst of filming his last role as Tony in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1054606/?ref_=sr\"\u003eThe Imaginarium of Doctor Parnassus (2009)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003ePosthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0368794/?ref_=sr\"\u003eI\u0026#39;m Not There (2007)\u003c/a\u003e, which was inspired by the life and songs of American singer-songwriter \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001168/?ref_=sr\"\u003eBob Dylan\u003c/a\u003e. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan\u0026#39;s life and persona.\u003cbr/\u003e\u003cbr/\u003eA few months before his death, Ledger had finished filming his performance as the Joker in \u0026#39;\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0468569/?ref_=sr\"\u003eThe Dark Knight (2008)\u003c/a\u003e. His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.","knownFor":{"originalTitleText":"Brokeback Mountain","titleId":"tt0388795","titleText":"Brokeback Mountain","canHaveEpisodes":false,"yearRange":{"year":2005}},"nameId":"nm0005132","nameText":"Heath Ledger","professions":["Actor","Director","Cinematographer"],"primaryProfessions":["Actor","Director","Cinematographer"],"primaryImage":{"caption":"Heath Ledger at an event for Candy (2006)","height":400,"width":267,"url":"https://m.media-amazon.com/images/M/MV5BMTI2NTY0NzA4MF5BMl5BanBnXkFtZTYwMjE1MDE0._V1_.jpg"}},{"bio":"Nelsan Ellis was an award-winning American film and television actor and playwright, perhaps best known as Lafayette Reynolds on HBO\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0844441/?ref_=sr\"\u003eTrue Blood (2008)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eNelsan was born on November 30, 1977, in Harvey, Illinois, the son of Jackie Ellis and Tommie Lee Thompson. Following his parents\u0026#39; divorce, Ellis and his mother moved to Alabama. He moved back to Illinois as a teenager, and graduated from Thornridge High School in Dolton, Illinois, in 1997. Ellis attended Juilliard and, while there, wrote a semi-autobiographical play titled Ugly that was performed at the school and later won the Lincoln Center\u0026#39;s Martin E. Segal Award. Ellis won a 2008 Satellite Award from the International Press Academy for best supporting actor in a television series for his role as Lafayette Reynolds in HBO\u0026#39;s True Blood. Ellis won the \u0026quot;Brink of Fame: Actor\u0026quot; award at the 2009 NewNowNext Awards.\u003cbr/\u003e\u003cbr/\u003eTragically, Ellis died at the age of 39 on July 8, 2017, in Los Angeles, California, after complications from heart failure. His family released a statement on July 10, saying that Nelsan had been trying to quit alcohol in the days before his death, and suggesting that he suffered from alcohol withdrawal syndrome, leading to his heart failure.","knownFor":{"originalTitleText":"Get on Up","titleId":"tt2473602","titleText":"Get on Up","canHaveEpisodes":false,"yearRange":{"year":2014}},"nameId":"nm1734700","nameText":"Nelsan Ellis","professions":["Actor","Producer","Writer"],"primaryProfessions":["Actor","Producer","Writer"],"primaryImage":{"caption":"Nelsan Ellis at an event for The Soloist (2009)","height":400,"width":288,"url":"https://m.media-amazon.com/images/M/MV5BMjA1ODI2NDI5MV5BMl5BanBnXkFtZTcwNDY4NDk0Mg@@._V1_.jpg"}},{"bio":"Kevin Conroy was born on November 30, 1955 in Westbury, New York. At\nage 17, Kevin earned a full scholarship to attend Juilliard\u0026#39;s drama\ndivision, where he studied under actor\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002144/?ref_=sr\"\u003eJohn Houseman\u003c/a\u003e. In 1978, after\ngraduating from Juilliard, he toured with \u0026quot;The Acting Company\u0026quot;,\nHouseman\u0026#39;s acting group, and in 1979, he went on the national tour of\n\u0026quot;Deathtrap\u0026quot;. In 1980, he was cast in the daytime soap opera\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057731/?ref_=sr\"\u003eAnother World (1964)\u003c/a\u003e. However,\nhe soon missed the theatre, and so he became associated with the Old\nGlobe Theatre in San Diego, California, where he performed in \u0026quot;Hamlet\u0026quot;\nand \u0026quot;A Midsummer Night\u0026#39;s Dream\u0026quot;. From 1980 to 1985, he acted in a\nvariety of contemporary and classic theatre pieces, including the\nBroadway production of \u0026quot;Eastern Standard\u0026quot; and \u0026quot;Lolita\u0026quot;. He is very\nrespected in theatre circles for his interpretation of Shakespearean\ncharacters, and in 1984, he played the title role in \u0026quot;Hamlet\u0026quot; in the\nNew York Shakespeare Festival. Kevin returned to television in the\ntelevision movie\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088958/?ref_=sr\"\u003eCovenant (1985)\u003c/a\u003e. He was a\nseries regular on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092418/?ref_=sr\"\u003eOhara (1987)\u003c/a\u003e in 1987,\nand on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092468/?ref_=sr\"\u003eTour of Duty (1987)\u003c/a\u003e from\n1987 to 1988, before starring in a series of television movies. He is\nbest known for providing the title role in the animated\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103359/?ref_=sr\"\u003eBatman: The Animated Series (1992)\u003c/a\u003e series.","knownFor":{"originalTitleText":"Batman: The Killing Joke","titleId":"tt4853102","titleText":"Batman: The Killing Joke","canHaveEpisodes":false,"yearRange":{"year":2016}},"nameId":"nm0175834","nameText":"Kevin Conroy","professions":["Actor","Producer","Soundtrack"],"primaryProfessions":["Actor","Producer","Soundtrack"],"primaryImage":{"caption":"Kevin Conroy","height":2048,"width":1420,"url":"https://m.media-amazon.com/images/M/MV5BMTM4MDcwMTU2NF5BMl5BanBnXkFtZTcwMzMyMjg0Nw@@._V1_.jpg"}},{"bio":"Son of Edward \u0026amp; Nora Hickey. Best known as the ancient Mafia don in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0089841/?ref_=sr\"\u003ePrizzi\u0026#39;s Honor (1985)\u003c/a\u003e, Hickey had\na long, distinguished career in film, television, and the stage. Began\ncareer as a child actor on the variety stage. Made Broadway debut as\nwalk-on in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0789737/?ref_=sr\"\u003eGeorge Bernard Shaw\u003c/a\u003e\u0026#39;s\n\u0026quot;Saint Joan\u0026quot; (1951 production, starring\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0353467/?ref_=sr\"\u003eUta Hagen\u003c/a\u003e). Performed often during the golden\nage of television, including appearances on Studio One and Philco\nPlayhouse. His most important contribution to the arts, however,\nremains his teaching career at the HB Studio in Greenwich Village,\nfounded by Hagen and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0074596/?ref_=sr\"\u003eHerbert Berghof\u003c/a\u003e.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001719/?ref_=sr\"\u003eGeorge Segal\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006800/?ref_=sr\"\u003eSandy Dennis\u003c/a\u003e, and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000659/?ref_=sr\"\u003eBarbra Streisand\u003c/a\u003e all studied under him.","knownFor":{"originalTitleText":"National Lampoon's Christmas Vacation","titleId":"tt0097958","titleText":"National Lampoon's Christmas Vacation","canHaveEpisodes":false,"yearRange":{"year":1989}},"nameId":"nm0382676","nameText":"William Hickey","professions":["Actor"],"primaryProfessions":["Actor"],"primaryImage":{"caption":"William Hickey in Tales from the Darkside: The Movie (1990)","height":2048,"width":1510,"url":"https://m.media-amazon.com/images/M/MV5BMTM4MTE3OTgwMF5BMl5BanBnXkFtZTcwMjg1NDgwMw@@._V1_.jpg"}},{"bio":"John Cazale was born in Boston, Massachusetts, to an Irish-American mother, Cecilia (Holland), and an Italian-American father, John Cazale. Cazale made only five feature films in his career, which fans and critics alike call classics. But before his film debut, in the short \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0447603/?ref_=sr\"\u003eThe American Way (1962)\u003c/a\u003e, he won Obie Awards for his off-Broadway performances in \u0026quot;The Indian Wants the Bronx\u0026quot; and \u0026quot;The Line\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eCazale scored the role of Fredo Corleone in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/?ref_=sr\"\u003eFrancis Ford Coppola\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068646/?ref_=sr\"\u003eThe Godfather (1972)\u003c/a\u003e, after his long-time friend, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000199/?ref_=sr\"\u003eAl Pacino\u003c/a\u003e, invited him to audition. He reprised his role as the troubled Fredo in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071562/?ref_=sr\"\u003eThe Godfather: Part II (1974)\u003c/a\u003e, where his character endures one of the most infamous movie moments in the history of cinema.\u003cbr/\u003e\u003cbr/\u003eCazale also starred with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000432/?ref_=sr\"\u003eGene Hackman\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000148/?ref_=sr\"\u003eHarrison Ford\u003c/a\u003e in the thriller, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071360/?ref_=sr\"\u003eThe Conversation (1974)\u003c/a\u003e, as Hackman\u0026#39;s assistant, Stan. The Godfather\u0026#39;s director, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000338/?ref_=sr\"\u003eFrancis Ford Coppola\u003c/a\u003e, also directed the movie.\u003cbr/\u003e\u003cbr/\u003eCazale\u0026#39;s fourth feature film, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072890/?ref_=sr\"\u003eDog Day Afternoon (1975)\u003c/a\u003e, earned him a Golden Globe nomination for Best Supporting Actor for his role as Sal, a bank robber. His long-time friend and Godfather costar, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000199/?ref_=sr\"\u003eAl Pacino\u003c/a\u003e, played his partner, Sonny.\u003cbr/\u003e\u003cbr/\u003eHis final film, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077416/?ref_=sr\"\u003eThe Deer Hunter (1978)\u003c/a\u003e, was filmed whilst he was ill with cancer. He was in a relationship with his costar, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000658/?ref_=sr\"\u003eMeryl Streep\u003c/a\u003e, whilst filming \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077416/?ref_=sr\"\u003eThe Deer Hunter (1978)\u003c/a\u003e, whom he met when they both appeared in the New York Public Theater\u0026#39;s 1976 production of Shakespeare\u0026#39;s Measure for Measure.\u003cbr/\u003e\u003cbr/\u003eControversy occurred during the filming. While the studio was unaware of his condition, the director, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001047/?ref_=sr\"\u003eMichael Cimino\u003c/a\u003e, knew about it. As Cazale was evidently weak, he was forced to film his scenes first. When the studio discovered he was suffering from cancer, they wanted him removed from the film. His costar and girlfriend, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000658/?ref_=sr\"\u003eMeryl Streep\u003c/a\u003e, threatened to quit if he was\nfired. He died shortly after filming was completed.","knownFor":{"originalTitleText":"Dog Day Afternoon","titleId":"tt0072890","titleText":"Dog Day Afternoon","canHaveEpisodes":false,"yearRange":{"year":1975}},"nameId":"nm0001030","nameText":"John Cazale","professions":["Actor","Cinematographer","Editor"],"primaryProfessions":["Actor","Cinematographer","Editor"],"primaryImage":{"caption":"John Cazale in The Godfather: Part II (1974)","height":1590,"width":1072,"url":"https://m.media-amazon.com/images/M/MV5BMTUzMTM1MjI5NV5BMl5BanBnXkFtZTcwMTM5NTM1Mw@@._V1_.jpg"}},{"bio":"Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.\u003cbr/\u003e\u003cbr/\u003eAs a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.\u003cbr/\u003e\u003cbr/\u003eOut of school, she entered modeling and, because of her beauty, appeared on the cover of Harper\u0026#39;s Bazaar, one of the most popular magazines in the US. The wife of famed director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001328/?ref_=sr\"\u003eHoward Hawks\u003c/a\u003e spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037382/?ref_=sr\"\u003eTo Have and Have Not (1944)\u003c/a\u003e, a thriller opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000007/?ref_=sr\"\u003eHumphrey Bogart\u003c/a\u003e, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood\u0026#39;s greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.\u003cbr/\u003e\u003cbr/\u003eAfter 1945\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037610/?ref_=sr\"\u003eConfidential Agent (1945)\u003c/a\u003e, Lauren received second billing in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038355/?ref_=sr\"\u003eThe Big Sleep (1946)\u003c/a\u003e with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039302/?ref_=sr\"\u003eDark Passage (1947)\u003c/a\u003e. The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000064/?ref_=sr\"\u003eEdward G. Robinson\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000859/?ref_=sr\"\u003eLionel Barrymore\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040506/?ref_=sr\"\u003eKey Largo (1948)\u003c/a\u003e. The crime drama was even more of a nail biter than her previous film.\u003cbr/\u003e\u003cbr/\u003eIn 1950, Lauren starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042285/?ref_=sr\"\u003eBright Leaf (1950)\u003c/a\u003e, a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000011/?ref_=sr\"\u003eGary Cooper\u003c/a\u003e. In 1953, Lauren appeared in her first comedy as Schatze Page in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045891/?ref_=sr\"\u003eHow to Marry a Millionaire (1953)\u003c/a\u003e. The film, with co-stars \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000054/?ref_=sr\"\u003eMarilyn Monroe\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002107/?ref_=sr\"\u003eBetty Grable\u003c/a\u003e, was a smash hit all across the theaters of America.\u003cbr/\u003e\u003cbr/\u003eAfter filming \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050306/?ref_=sr\"\u003eDesigning Woman (1957)\u003c/a\u003e, which was released in 1957, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000007/?ref_=sr\"\u003eHumphrey Bogart\u003c/a\u003e died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051657/?ref_=sr\"\u003eThe Gift of Love (1958)\u003c/a\u003e in 1958 opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0821041/?ref_=sr\"\u003eRobert Stack\u003c/a\u003e. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.\u003cbr/\u003e\u003cbr/\u003eLauren was away from the big screen for five years, but she returned in 1964 to appear in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058585/?ref_=sr\"\u003eShock Treatment (1964)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058580/?ref_=sr\"\u003eSex and the Single Girl (1964)\u003c/a\u003e. The latter film was a comedy starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000020/?ref_=sr\"\u003eHenry Fonda\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000348/?ref_=sr\"\u003eTony Curtis\u003c/a\u003e. In 1966, Lauren starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060490/?ref_=sr\"\u003eHarper (1966)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000056/?ref_=sr\"\u003ePaul Newman\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0364915/?ref_=sr\"\u003eJulie Harris\u003c/a\u003e, which was one of former\u0026#39;s signature films.\u003cbr/\u003e\u003cbr/\u003eAlternating her time between films and the stage, Lauren returned in 1974\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071877/?ref_=sr\"\u003eMurder on the Orient Express (1974)\u003c/a\u003e. The film, based on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002005/?ref_=sr\"\u003eAgatha Christie\u003c/a\u003e\u0026#39;s best-selling book was a huge hit. It also garnered \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000006/?ref_=sr\"\u003eIngrid Bergman\u003c/a\u003e her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000078/?ref_=sr\"\u003eJohn Wayne\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075213/?ref_=sr\"\u003eThe Shootist (1976)\u003c/a\u003e. The film was Wayne\u0026#39;s last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001258/?ref_=sr\"\u003eJames Garner\u003c/a\u003e, in a double episode, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0688020/?ref_=sr\"\u003eLions, Tigers, Monkeys and Dogs (1979)\u003c/a\u003e, of his Rockford Files series.\u003cbr/\u003e\u003cbr/\u003eFor Lauren\u0026#39;s next film role, she appeared in a large ensemble film, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079256/?ref_=sr\"\u003eHealtH (1980)\u003c/a\u003e, which again paired her with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001258/?ref_=sr\"\u003eJames Garner\u003c/a\u003e, and in 1981, she played an actress being stalked by a crazed admirer in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0082362/?ref_=sr\"\u003eThe Fan (1981)\u003c/a\u003e. The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001258/?ref_=sr\"\u003eJames Garner\u003c/a\u003e, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0094669/?ref_=sr\"\u003eAppointment with Death (1988)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0095665/?ref_=sr\"\u003eMr. North (1988)\u003c/a\u003e. After 1990\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100157/?ref_=sr\"\u003eMisery (1990)\u003c/a\u003e and several made for television films, Lauren appeared in 1996\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0117119/?ref_=sr\"\u003eMy Fellow Americans (1996)\u003c/a\u003e, a comedy romp with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000493/?ref_=sr\"\u003eJack Lemmon\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001258/?ref_=sr\"\u003eJames Garner\u003c/a\u003e as two ex-presidents and their escapades. In 1997, Lauren appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0117057/?ref_=sr\"\u003eThe Mirror Has Two Faces (1996)\u003c/a\u003e, in one of the best roles of her later career, opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000659/?ref_=sr\"\u003eBarbra Streisand\u003c/a\u003e, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.\u003cbr/\u003e\u003cbr/\u003eDespite her age and failing health, she made a small-scale comeback in the English-language dub of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0594503/?ref_=sr\"\u003eHayao Miyazaki\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0347149/?ref_=sr\"\u003eHowl\u0026#39;s Moving Castle (2004)\u003c/a\u003e (\u0026quot;Howl\u0026#39;s Moving Castle,\u0026quot; based on the young-adult novel by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1168510/?ref_=sr\"\u003eDiana Wynne Jones\u003c/a\u003e) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.","knownFor":{"originalTitleText":"To Have and Have Not","titleId":"tt0037382","titleText":"To Have and Have Not","canHaveEpisodes":false,"yearRange":{"year":1944}},"nameId":"nm0000002","nameText":"Lauren Bacall","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Lauren Bacall","height":3556,"width":2793,"url":"https://m.media-amazon.com/images/M/MV5BZDI1ZDhmMzAtNzVlYS00NTQxLWJjYWYtMDJlOGNlNzk5N2E1XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Edward Herrmann was born on 21 July 1943 in Washington, District of Columbia, USA. He was an actor, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093693/?ref_=sr\"\u003eOverboard (1987)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0093437/?ref_=sr\"\u003eThe Lost Boys (1987)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0113987/?ref_=sr\"\u003eNixon (1995)\u003c/a\u003e. He was married to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0380771/?ref_=sr\"\u003eStar Herrmann\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0192850/?ref_=sr\"\u003eLeigh Curran\u003c/a\u003e. He died on 31 December 2014 in New York City, New York, USA.","knownFor":{"originalTitleText":"Overboard","titleId":"tt0093693","titleText":"Overboard","canHaveEpisodes":false,"yearRange":{"year":1987}},"nameId":"nm0001346","nameText":"Edward Herrmann","professions":["Actor","Additional Crew","Soundtrack"],"primaryProfessions":["Actor","Additional Crew","Soundtrack"],"primaryImage":{"caption":"Edward Herrmann","height":400,"width":330,"url":"https://m.media-amazon.com/images/M/MV5BMTczNDUxODY3MF5BMl5BanBnXkFtZTYwOTI0ODA1._V1_.jpg"}},{"bio":"Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0134444/?ref_=sr\"\u003eEduardo Cansino\u003c/a\u003e Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita\u0026#39;s American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family\u0026#39;s footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0124553/?ref_=sr\"\u003eLa Fiesta (1926)\u003c/a\u003e. It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0790638/?ref_=sr\"\u003eWinfield R. Sheehan\u003c/a\u003e, she signed her first studio contract, and make her film debut at age sixteen, in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0026262/?ref_=sr\"\u003eDante\u0026#39;s Inferno (1935)\u003c/a\u003e, followed by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0025017/?ref_=sr\"\u003eCruz Diablo (1934)\u003c/a\u003e. She continued to play small bit parts in several films under the name of \u0026quot;Rita Cansino\u0026quot;. Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0169902/?ref_=sr\"\u003eHarry Cohn\u003c/a\u003e changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031762/?ref_=sr\"\u003eOnly Angels Have Wings (1939)\u003c/a\u003e. After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034236/?ref_=sr\"\u003eThe Strawberry Blonde (1941)\u003c/a\u003e; her splendid dancing with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000001/?ref_=sr\"\u003eFred Astaire\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034409/?ref_=sr\"\u003eYou\u0026#39;ll Never Get Rich (1941)\u003c/a\u003e made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033405/?ref_=sr\"\u003eBlood and Sand (1941)\u003c/a\u003e, filmed in Technicolor.\u003cbr/\u003e\u003cbr/\u003eRita was probably the second most popular actress after \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002107/?ref_=sr\"\u003eBetty Grable\u003c/a\u003e. In \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034409/?ref_=sr\"\u003eYou\u0026#39;ll Never Get Rich (1941)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000001/?ref_=sr\"\u003eFred Astaire\u003c/a\u003e, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038559/?ref_=sr\"\u003eGilda (1946)\u003c/a\u003e (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040525/?ref_=sr\"\u003eThe Lady from Shanghai (1947)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044493/?ref_=sr\"\u003eChampagne Safari (1954)\u003c/a\u003e. Then after \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046269/?ref_=sr\"\u003eSalome (1953)\u003c/a\u003e, she was not seen again until \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050815/?ref_=sr\"\u003ePal Joey (1957)\u003c/a\u003e. Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001571/?ref_=sr\"\u003eKim Novak\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eRita, herself, said, \u0026quot;Men fell in love with Gilda, but they wake up with me\u0026quot;. In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038559/?ref_=sr\"\u003eGilda (1946)\u003c/a\u003e made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0451288/?ref_=sr\"\u003ePrince Aly Khan\u003c/a\u003e. Her films after her divorce from Khan include perhaps her best straight acting performances, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046076/?ref_=sr\"\u003eMiss Sadie Thompson (1953)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053351/?ref_=sr\"\u003eThey Came to Cordura (1959)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eAfter a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069515/?ref_=sr\"\u003eThe Wrath of God (1972)\u003c/a\u003e. Her career was really never the same after \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038559/?ref_=sr\"\u003eGilda (1946)\u003c/a\u003e. Perhaps \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0727609/?ref_=sr\"\u003eGene Ringgold\u003c/a\u003e said it best when he remarked, \u0026quot;Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally.\u0026quot; Perhaps he was right but Hayworth fans would vehemently disagree with him.\u003cbr/\u003e\u003cbr/\u003eBeginning in 1960 (age 42), early onset of Alzheimer\u0026#39;s disease (undiagnosed until 1980) limited Rita\u0026#39;s ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0451343/?ref_=sr\"\u003eYasmin Khan\u003c/a\u003e, until Rita\u0026#39;s death at age 68 on May 14, 1987, in New York City.","knownFor":{"originalTitleText":"Gilda","titleId":"tt0038559","titleText":"Gilda","canHaveEpisodes":false,"yearRange":{"year":1946}},"nameId":"nm0000028","nameText":"Rita Hayworth","professions":["Actress","Producer","Soundtrack"],"primaryProfessions":["Actress","Producer","Soundtrack"],"primaryImage":{"caption":"Rita Hayworth","height":3762,"width":3226,"url":"https://m.media-amazon.com/images/M/MV5BOTNiYjlhNTQtNjU4MS00MGRiLTkwYWItNmFmM2U1NGU5N2QzXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Since David McCallum\u0026#39;s father, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0564715/?ref_=sr\"\u003eDavid McCallum Sr.\u003c/a\u003e, was first violinist for the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm3136453/?ref_=sr\"\u003eLondon Philharmonic Orchestra\u003c/a\u003e and his mother, Dorothy Dorman, was a cellist, it\u0026#39;s not surprising that David was originally headed for a career in music, playing oboe. He studied briefly at the Royal Academy of Music. He left that, however, for the Royal Academy of Dramatic Art and joined Actor\u0026#39;s Equity in 1946, his first acting work being for BBC Radio. He made nearly a dozen movies in the United Kingdom before his critically acclaimed work as Lt. Wyatt in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055796/?ref_=sr\"\u003eBilly Budd (1962)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eTo the older generation, he is perhaps best known for his portrayal of U.N.C.L.E. agent Illya Kuryakin in the hit TV series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057765/?ref_=sr\"\u003eThe Man from U.N.C.L.E. (1964)\u003c/a\u003e. To younger audience, he is best known for his superlative portrayal of Dr. Donald \u0026quot;Duckie\u0026quot; Mallard on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0364845/?ref_=sr\"\u003eNCIS: Naval Criminal Investigative Service (2003)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eMcCallum was first married to actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0409866/?ref_=sr\"\u003eJill Ireland\u003c/a\u003e, whom he met while filming \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051713/?ref_=sr\"\u003eHell Drivers (1957)\u003c/a\u003e. In 1962 he introduced Ireland to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000314/?ref_=sr\"\u003eCharles Bronson\u003c/a\u003e when both were filming \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057115/?ref_=sr\"\u003eThe Great Escape (1963)\u003c/a\u003e. She eventually left McCallum and married Bronson in 1968. McCallum and Ireland had three sons: Paul, Jason (an adopted son who died from an accidental drug overdose in 1989), and Val (short for Valentine).\u003cbr/\u003e\u003cbr/\u003eHe met fashion model Katherine Carpenter during a photo shoot for Glamour in 1965 and married her two years later. The couple had a son, Peter, and a daughter, Sophie. They were together for 58 years and were active with charitable organizations that support the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1221998/?ref_=sr\"\u003eThe United States Marine Corps\u003c/a\u003e: Katherine\u0026#39;s father was a Marine who served in the Battle of Iwo Jima, and her brother lost his life in the Vietnam War. McCallum had eight grandchildren.\u003cbr/\u003e\u003cbr/\u003eDavid McCallum died on September 25 2023 in New York City from natural causes at the age of 90.","knownFor":{"originalTitleText":"The Great Escape","titleId":"tt0057115","titleText":"The Great Escape","canHaveEpisodes":false,"yearRange":{"year":1963}},"nameId":"nm0564724","nameText":"David McCallum","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"David McCallum","height":3000,"width":2315,"url":"https://m.media-amazon.com/images/M/MV5BMDVlYmEwNTgtMTMxMi00OTcyLTgzNWQtMzU3ZTkwMzZiNmY5XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2170580/?ref_=sr\"\u003eRichard Walter\u003c/a\u003e. Their uncle was stage and screen actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0418911/?ref_=sr\"\u003eJerry Jarrett\u003c/a\u003e. Raised in Queens, Walter was a graduate of New York\u0026#39;s High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.\u003cbr/\u003e\u003cbr/\u003eOn Broadway, Walter appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001811/?ref_=sr\"\u003ePeter Ustinov\u003c/a\u003e\u0026#39;s \u0026quot;Photo Finish\u0026quot; (which earned her the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0220702/?ref_=sr\"\u003eClarence Derwent\u003c/a\u003e Award as Most Promising Newcomer), \u0026quot;A Severed Head\u0026quot;, \u0026quot;Advise and Consent\u0026quot;, \u0026quot;Night Life\u0026quot; and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0800319/?ref_=sr\"\u003eNeil Simon\u003c/a\u003e\u0026#39;s \u0026quot;Rumors\u0026quot;. Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of \u0026quot;Tartuffe\u0026quot; opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0500038/?ref_=sr\"\u003eRon Leibman\u003c/a\u003e (to whom she was married from 1983 until his death in 2019).\u003cbr/\u003e\u003cbr/\u003eAfter guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001486/?ref_=sr\"\u003eSidney Lumet\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060479/?ref_=sr\"\u003eThe Group (1966)\u003c/a\u003e. This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000142/?ref_=sr\"\u003eClint Eastwood\u003c/a\u003e\u0026#39;s directorial debut film, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067588/?ref_=sr\"\u003ePlay Misty for Me (1971)\u003c/a\u003e. This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0066028/?ref_=sr\"\u003eBrian Bedford\u003c/a\u003e) and troublesome girlfriend of another (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001258/?ref_=sr\"\u003eJames Garner\u003c/a\u003e) in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060472/?ref_=sr\"\u003eGrand Prix (1966)\u003c/a\u003e. Walter\u0026#39;s numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077469/?ref_=sr\"\u003eDr. Strange (1978)\u003c/a\u003e. Of her many screen villainesses she later said: \u0026quot;those are the fun roles. They\u0026#39;re juicy, much better than playing the vanilla ingénues\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eBy the 1980s, Walter had turned increasingly towards comedy, both on the big screen (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087265/?ref_=sr\"\u003eThe Flamingo Kid (1984)\u003c/a\u003e) and the small (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086816/?ref_=sr\"\u003eThree\u0026#39;s a Crowd (1984)\u003c/a\u003e). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105946/?ref_=sr\"\u003eBabylon 5 (1993)\u003c/a\u003e or providing the voice for the leading female character in the animated sitcom \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0101081/?ref_=sr\"\u003eDinosaurs (1991)\u003c/a\u003e. Walter received an Emmy Award for Best Dramatic Actress in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061266/?ref_=sr\"\u003eIronside (1967)\u003c/a\u003e spin-off \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070965/?ref_=sr\"\u003eAmy Prentiss (1974)\u003c/a\u003e and was nominated for guest-starring roles in episodes of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078704/?ref_=sr\"\u003eTrapper John, M.D. (1979)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068135/?ref_=sr\"\u003eThe Streets of San Francisco (1972)\u003c/a\u003e. She found a new audience among younger viewers as the devious matriarch Lucille Bluth in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0367279/?ref_=sr\"\u003eArrested Development (2003)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eJessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.","knownFor":{"originalTitleText":"Arrested Development","titleId":"tt0367279","titleText":"Arrested Development","canHaveEpisodes":true,"yearRange":{"year":2003,"endYear":2019}},"nameId":"nm0910055","nameText":"Jessica Walter","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Jessica Walter","height":649,"width":450,"url":"https://m.media-amazon.com/images/M/MV5BMTkyNjA5NTA1NV5BMl5BanBnXkFtZTcwNjU0NjgyMQ@@._V1_.jpg"}},{"bio":"Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she\u0026#39;d had three stepfathers. It wasn\u0026#39;t an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0016241/?ref_=sr\"\u003ePretty Ladies (1925)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eThree films quickly followed; although the roles weren\u0026#39;t much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0019237/?ref_=sr\"\u003eOur Dancing Daughters (1928)\u003c/a\u003e, which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren\u0026#39;t particularly pleasant or because their voices, pleasing enough, didn\u0026#39;t match the public\u0026#39;s expectations (for example, some fans felt that \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0318105/?ref_=sr\"\u003eJohn Gilbert\u003c/a\u003e\u0026#39;s tenor didn\u0026#39;t quite match his very masculine persona). But Crawford wasn\u0026#39;t felled by sound. Her first talkie, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0020538/?ref_=sr\"\u003eUntamed (1929)\u003c/a\u003e, was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0022958/?ref_=sr\"\u003eGrand Hotel (1932)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0025740/?ref_=sr\"\u003eSadie McKee (1934)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0026787/?ref_=sr\"\u003eNo More Ladies (1935)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0027914/?ref_=sr\"\u003eLove on the Run (1936)\u003c/a\u003e; movie patrons were enthralled, and studio executives were satisfied.\u003cbr/\u003e\u003cbr/\u003eBy the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037913/?ref_=sr\"\u003eMildred Pierce (1945)\u003c/a\u003e gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002092/?ref_=sr\"\u003eJohn Garfield\u003c/a\u003e in the well-received \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038622/?ref_=sr\"\u003eHumoresque (1946)\u003c/a\u003e. In 1947, she appeared as Louise Graham in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039725/?ref_=sr\"\u003ePossessed (1947)\u003c/a\u003e; again she was nominated for a Best Actress from the Academy, but she lost to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0949835/?ref_=sr\"\u003eLoretta Young\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039370/?ref_=sr\"\u003eThe Farmer\u0026#39;s Daughter (1947)\u003c/a\u003e. Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045205/?ref_=sr\"\u003eSudden Fear (1952)\u003c/a\u003e. This time the coveted Oscar went to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0095804/?ref_=sr\"\u003eShirley Booth\u003c/a\u003e, for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044509/?ref_=sr\"\u003eCome Back, Little Sheba (1952)\u003c/a\u003e. Crawford\u0026#39;s career slowed after that; she appeared in minor roles until 1962, when she and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000012/?ref_=sr\"\u003eBette Davis\u003c/a\u003e co-starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056687/?ref_=sr\"\u003eWhat Ever Happened to Baby Jane? (1962)\u003c/a\u003e. Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, \u0026quot;She\u0026#39;s slept with every male star at MGM except Lassie\u0026quot;, and Crawford said of Davis, \u0026quot;I don\u0026#39;t hate [her] even though the press wants me to. I resent her. I don\u0026#39;t see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She\u0026#39;s phony, but I guess the public really likes that.\u0026quot;)\u003cbr/\u003e\u003cbr/\u003eCrawford\u0026#39;s final appearance on the silver screen was in the flop \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066492/?ref_=sr\"\u003eTrog (1970)\u003c/a\u003e. Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called \u0026quot;Mommie Dearest\u0026quot;, The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001195/?ref_=sr\"\u003eDouglas Fairbanks Jr.\u003c/a\u003e, Crawford\u0026#39;s first husband. (In 1981, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001159/?ref_=sr\"\u003eFaye Dunaway\u003c/a\u003e starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0082766/?ref_=sr\"\u003eMommie Dearest (1981)\u003c/a\u003e which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.","knownFor":{"originalTitleText":"What Ever Happened to Baby Jane?","titleId":"tt0056687","titleText":"What Ever Happened to Baby Jane?","canHaveEpisodes":false,"yearRange":{"year":1962}},"nameId":"nm0001076","nameText":"Joan Crawford","professions":["Actress","Writer","Producer"],"primaryProfessions":["Actress","Writer","Producer"],"primaryImage":{"caption":"Joan Crawford c. 1931","height":450,"width":322,"url":"https://m.media-amazon.com/images/M/MV5BMjMzNzQ5Mjg5MF5BMl5BanBnXkFtZTYwNTg0NDM2._V1_.jpg"}},{"bio":"Fittingly known to be a \u0026quot;Leo\u0026quot; for his horoscope, Bert Lahr is always\nremembered as the Cowardly Lion in (and the farmer \u0026quot;Zeke\u0026quot;) \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032138/?ref_=sr\"\u003eThe Wizard of Oz (1939)\u003c/a\u003e. But\nduring his acting career, he has been known for being in burlesque,\nvaudeville, and Broadway.\u003cbr/\u003e\u003cbr/\u003eDropped out of high school at the age of fifteen for a juvenile\nvaudeville act, Lahr worked his way up to the top billing of the\nColumbia Burlesque Circuit. When in Broadway, Lahr usually plays a\ncomic actor in plays which he starred in such as the classic routine\nThe Song of the Woodman, which he would later perform in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0029234/?ref_=sr\"\u003eMerry-Go-Round of 1938 (1937)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eAside from \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032138/?ref_=sr\"\u003eThe Wizard of Oz (1939)\u003c/a\u003e, Lahr\u0026#39;s movie career never caught on because his\ngestures and reactions were too broad. Lahr died in 1967.","knownFor":{"originalTitleText":"The Wizard of Oz","titleId":"tt0032138","titleText":"The Wizard of Oz","canHaveEpisodes":false,"yearRange":{"year":1939}},"nameId":"nm0481618","nameText":"Bert Lahr","professions":["Actor","Writer","Soundtrack"],"primaryProfessions":["Actor","Writer","Soundtrack"],"primaryImage":{"caption":"Bert Lahr in Toast of the Town (1948)","height":1279,"width":839,"url":"https://m.media-amazon.com/images/M/MV5BMjcyNTY2MDgwMF5BMl5BanBnXkFtZTcwNjM3ODIyOA@@._V1_.jpg"}},{"bio":"A bold, blunt instrument of hatred and violence at the onset of his film career, Peter Boyle recoiled from that repugnant, politically incorrect \u0026quot;working class\u0026quot; image to eventually play gruff, gentler bears and even comedy monsters in a career that lasted four decades.\u003cbr/\u003e\u003cbr/\u003eHe was born on October 18, 1935, in Norristown, Pennsylvania, to Alice (Lewis) and Francis Xavier Boyle. He eventually moved to Philadelphia, where his father was a sought-after local TV personality and children\u0026#39;s show host. His paternal grandparents were Irish immigrants, and his mother was of mostly French and British Isles descent. Following a solid Catholic upbringing (he attended a Catholic high school), Peter was a sensitive youth and joined the Christian Brothers religious order at one point while attending La Salle University in Philadelphia. He left the monastery after only a few years when he \u0026quot;lost\u0026quot; his calling.\u003cbr/\u003e\u003cbr/\u003eBent on an acting career, Boyle initially studied with guru \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0353467/?ref_=sr\"\u003eUta Hagen\u003c/a\u003e in New York. The tall (6\u0026#39; 2\u0026quot;), hulking, prematurely bald actor wannabe struggled through a variety of odd jobs (postal worker, waiter, bouncer) while simultaneously building up his credits on stage and waiting for that first big break. Things started progressing for him after appearing in the national company of \u0026quot;The Odd Couple\u0026quot; in 1965 and landing TV commercials on the sly. In the late 60s he joined Chicago\u0026#39;s Second City improv group and made his Broadway debut as a replacement for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0094288/?ref_=sr\"\u003ePeter Bonerz\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0798131/?ref_=sr\"\u003ePaul Sills\u003c/a\u003e\u0026#39; \u0026quot;Story Theatre\u0026quot; (1971) (Sills was the founder of Second City). Peter\u0026#39;s breakout film role did not come without controversy as the hateful, hardhat-donning bigot-turned-murderer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0065916/?ref_=sr\"\u003eJoe (1970)\u003c/a\u003e in a tense, violence-prone film directed by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000814/?ref_=sr\"\u003eJohn G. Avildsen\u003c/a\u003e. The role led to major notoriety, however, and some daunting supporting parts in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067817/?ref_=sr\"\u003eT.R. Baskin (1971)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069282/?ref_=sr\"\u003eSlither (1973)\u003c/a\u003e and as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000602/?ref_=sr\"\u003eRobert Redford\u003c/a\u003e\u0026#39;s calculating campaign manager in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068334/?ref_=sr\"\u003eThe Candidate (1972)\u003c/a\u003e. During this time his political radicalism found a visible platform after joining \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000404/?ref_=sr\"\u003eJane Fonda\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000661/?ref_=sr\"\u003eDonald Sutherland\u003c/a\u003e on anti-war crusades, which would include the anti-establishment picture \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070731/?ref_=sr\"\u003eSteelyard Blues (1973)\u003c/a\u003e. This period also saw the forging of a strong friendship with former Beatle \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006168/?ref_=sr\"\u003eJohn Lennon\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eDestined to be cast as monstrous undesirables throughout much of his career, he played a monster of another sort in his early film days, and thus avoided a complete stereotype as a film abhorrent. His hilarious, sexually potent Frankenstein\u0026#39;s Monster in the cult \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000316/?ref_=sr\"\u003eMel Brooks\u003c/a\u003e spoof \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072431/?ref_=sr\"\u003eYoung Frankenstein (1974)\u003c/a\u003e saw him in a sympathetic and certainly more humorous vein. His creature\u0026#39;s first public viewing, in which Boyle shares an adroit tap-dancing scene with \u0026quot;creator\u0026quot; \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000698/?ref_=sr\"\u003eGene Wilder\u003c/a\u003e in full \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000001/?ref_=sr\"\u003eFred Astaire\u003c/a\u003e regalia, was a show-stopping audience pleaser. Late 70s filmgoers continued to witness Boyle in seamy, urban settings with brutish roles in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075314/?ref_=sr\"\u003eTaxi Driver (1976)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079271/?ref_=sr\"\u003eHardcore (1979)\u003c/a\u003e. At the same time he addressed several TV mini-movie roles with the same brilliant darkness such as his Senator Joe McCarthy in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0076794/?ref_=sr\"\u003eTail Gunner Joe (1977)\u003c/a\u003e, for which he received an Emmy nomination, and his murderous, knife-wielding Fatso in the miniseries remake of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078616/?ref_=sr\"\u003eFrom Here to Eternity (1979)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eWhile the following decade found Peter in predominantly less noteworthy filming and a short-lived TV series lead as remote cop \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090462/?ref_=sr\"\u003eJoe Bash (1986)\u003c/a\u003e, the 90s brought him Emmy glory (for a guest episode on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0106179/?ref_=sr\"\u003eThe X Files (1993)\u003c/a\u003e). Despite a blood clot-induced stroke in 1990 that impaired his speech for six months, he ventured on and capped his enviable career on TV wielding funny but crass one-liners in the \u0026quot;Archie Bunker\u0026quot; mold on the long-running sitcom \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0115167/?ref_=sr\"\u003eEverybody Loves Raymond (1996)\u003c/a\u003e. A major Emmy blunder had Boyle earning seven nominations for his Frank Barrone character without a win, the only prime player on the show unhonored. He survived a heart attack while on the set of \u0026quot;Everybody Loves Raymond\u0026quot; in 1999, but managed to return full time for the remainder of the series\u0026#39; run through 2005.\u003cbr/\u003e\u003cbr/\u003eFollowing a superb turn as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000671/?ref_=sr\"\u003eBilly Bob Thornton\u003c/a\u003e\u0026#39;s unrepentantly racist father in the sobering Oscar-winner \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0285742/?ref_=sr\"\u003eMonster\u0026#39;s Ball (2001)\u003c/a\u003e, the remainder of his films were primarily situated in frivolous comedy fare such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0180052/?ref_=sr\"\u003eThe Adventures of Pluto Nash (2002)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0304669/?ref_=sr\"\u003eThe Santa Clause 2 (2002)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0331632/?ref_=sr\"\u003eScooby-Doo 2: Monsters Unleashed (2004)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0452681/?ref_=sr\"\u003eThe Santa Clause 3: The Escape Clause (2006)\u003c/a\u003e, typically playing cranky curmudgeons. Boyle died of multiple myeloma (bone-marrow cancer) and heart disease at New York Presbyterian Hospital in 2006, and was survived by his wife Lorraine and two children. He was 71.","knownFor":{"originalTitleText":"Everybody Loves Raymond","titleId":"tt0115167","titleText":"Everybody Loves Raymond","canHaveEpisodes":true,"yearRange":{"year":1996,"endYear":2005}},"nameId":"nm0001967","nameText":"Peter Boyle","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"Peter Boyle","height":400,"width":272,"url":"https://m.media-amazon.com/images/M/MV5BMTk0ODc5NTE4M15BMl5BanBnXkFtZTYwNjY3MTI0._V1_.jpg"}},{"bio":"Her father, Donald Cole, was a consulting engineer, and died in 1926\nwhen Kim was only three years old. Her mother, Grace Lind, once performed\nas a concert pianist. She had one brother who was eight years older\nthan she, and she was educated at Miami Beach High.\u003cbr/\u003e\u003cbr/\u003eAccording to an in-depth article on Kim Hunter by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2420302/?ref_=sr\"\u003eJoseph Collura\u003c/a\u003e in the October 2009 issue\nof \u0026quot;Classic Images\u0026quot;, Kim was quiet and painfully shy as a child and\novercame it through the guidance of a local dramatics teacher, a Mrs.\nCarmine. Included were diction, voice and posture lessons.\u003cbr/\u003e\u003cbr/\u003eShe studied at the Actors Studio and her first professional appearance\nwas as \u0026quot;Penny\u0026quot; in \u0026quot;Penny Wise\u0026quot; in Miami in November 1939. Then, she\njoined a repertory group called \u0026quot;Theatre of Fifteen\u0026quot;, but it disbanded\nin 1942 when WWII took away most of its male members.\u003cbr/\u003e\u003cbr/\u003eShe made her Broadway debut performance as \u0026quot;Stella\u0026quot; in \u0026quot;A Streetcar\nNamed Desire\u0026quot; at the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000856/?ref_=sr\"\u003eEthel Barrymore\u003c/a\u003e\nTheatre, New York, in December 1947 that was the 1947-1948 season\u0026#39;s\nsuccess and for which she won the Critics Circle and Donaldson awards.\u003cbr/\u003e\u003cbr/\u003eA one-time student of the Pasadena Playhouse, she was appearing in the\n1942 production of \u0026quot;Arsenic and Old Lace\u0026quot; when she was discovered by an\nRKO talent hunter who signed her to a seven-year contract for\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006388/?ref_=sr\"\u003eDavid O. Selznick\u003c/a\u003e\u0026#39;s company. Selznick\nsuggested she change her first name to \u0026quot;Kim\u0026quot; and a RKO secretary\nsuggested the last name of \u0026quot;Hunter\u0026quot;. A few years later,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1245243/?ref_=sr\"\u003eIrene Mayer Selznick\u003c/a\u003e, David\u0026#39;s\nex-wife by then, recommended Kim for her reprise role of \u0026quot;Stella\u0026quot; in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044081/?ref_=sr\"\u003eA Streetcar Named Desire (1951)\u003c/a\u003e,\nfor which she won an Oscar.","knownFor":{"originalTitleText":"A Streetcar Named Desire","titleId":"tt0044081","titleText":"A Streetcar Named Desire","canHaveEpisodes":false,"yearRange":{"year":1951}},"nameId":"nm0001375","nameText":"Kim Hunter","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Kim Hunter at an event for Playhouse 90 (1956)","height":1980,"width":2048,"url":"https://m.media-amazon.com/images/M/MV5BMjU3NzI3NjM0Ml5BMl5BanBnXkFtZTcwNjIxMjcxOA@@._V1_.jpg"}},{"bio":"Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0434902/?ref_=sr\"\u003ePaula Kahn\u003c/a\u003e), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning an honorary doctorate from Boston Conservatory.\u003cbr/\u003e\u003cbr/\u003eKahn\u0026#39;s best-known work came in the Mel Brooks films, but she was a standout in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070510/?ref_=sr\"\u003ePaper Moon (1973)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0641939/?ref_=sr\"\u003eRyan O\u0026#39;Neal\u003c/a\u003e, which was followed the next year by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000316/?ref_=sr\"\u003eMel Brooks\u003c/a\u003e\u0026#39;s outrageous \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071230/?ref_=sr\"\u003eBlazing Saddles (1974)\u003c/a\u003e as Lili Von Shtupp, a cabaret singer who was obviously based on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000017/?ref_=sr\"\u003eMarlene Dietrich\u003c/a\u003e\u0026#39;s performance in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031225/?ref_=sr\"\u003eDestry Rides Again (1939)\u003c/a\u003e. Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of \u0026quot;Gypsy\u0026quot; in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120623/?ref_=sr\"\u003eA Bug\u0026#39;s Life (1998)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eOn December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0115144/?ref_=sr\"\u003eCosby (1996)\u003c/a\u003e, aged 57.","knownFor":{"originalTitleText":"Paper Moon","titleId":"tt0070510","titleText":"Paper Moon","canHaveEpisodes":false,"yearRange":{"year":1973}},"nameId":"nm0001404","nameText":"Madeline Kahn","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Madeline Kahn","height":1892,"width":1380,"url":"https://m.media-amazon.com/images/M/MV5BNTkzMDkzMTI0OF5BMl5BanBnXkFtZTcwNTUzOTAxNQ@@._V1_.jpg"}},{"bio":"Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044557/?ref_=sr\"\u003eDon\u0026#39;t Bother to Knock (1952)\u003c/a\u003e in 1952, and over the next five years appeared in a lot of undistinguished movies such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047041/?ref_=sr\"\u003eGorilla at Large (1954)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0046899/?ref_=sr\"\u003eDemetrius and the Gladiators (1954)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0048421/?ref_=sr\"\u003eNew York Confidential (1955)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049552/?ref_=sr\"\u003eNightfall (1956)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050439/?ref_=sr\"\u003eThe Girl in Black Stockings (1957)\u003c/a\u003e. By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056241/?ref_=sr\"\u003eThe Miracle Worker (1962)\u003c/a\u003e, for which she won an Oscar. Bancroft went on to give acclaimed performances in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058500/?ref_=sr\"\u003eThe Pumpkin Eater (1964)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059729/?ref_=sr\"\u003eThe Slender Thread (1965)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0069528/?ref_=sr\"\u003eYoung Winston (1972)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072034/?ref_=sr\"\u003eThe Prisoner of Second Avenue (1975)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080678/?ref_=sr\"\u003eThe Elephant Man (1980)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086450/?ref_=sr\"\u003eTo Be or Not to Be (1983)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0090570/?ref_=sr\"\u003e84 Charing Cross Road (1987)\u003c/a\u003e and other movies, but her most famous role would be as Mrs. Robinson in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061722/?ref_=sr\"\u003eThe Graduate (1967)\u003c/a\u003e. Her status as the \u0026quot;older woman\u0026quot; in the film is iconic, although in real life she was only eight years older than \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001684/?ref_=sr\"\u003eKatharine Ross\u003c/a\u003e and just six years older than \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000163/?ref_=sr\"\u003eDustin Hoffman\u003c/a\u003e. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the \u0026#39;90s and early \u0026#39;00s, playing a range of characters in such films as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0102343/?ref_=sr\"\u003eLove Potion No. 9 (1992)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107843/?ref_=sr\"\u003ePoint of No Return (1993)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0113321/?ref_=sr\"\u003eHome for the Holidays (1995)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119173/?ref_=sr\"\u003eG.I. Jane (1997)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119223/?ref_=sr\"\u003eGreat Expectations (1998)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0171433/?ref_=sr\"\u003eKeeping the Faith (2000)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0153464/?ref_=sr\"\u003eUp at the Villa (2000)\u003c/a\u003e. She also started to make some TV films, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0186948/?ref_=sr\"\u003eDeep in My Heart (1999)\u003c/a\u003e for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000316/?ref_=sr\"\u003eMel Brooks\u003c/a\u003e, and their son \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0112150/?ref_=sr\"\u003eMax Brooks\u003c/a\u003e, who was born in 1972. Her final film, the animated feature \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0361500/?ref_=sr\"\u003eDelgo (2008)\u003c/a\u003e, was released posthumously in 2008 and dedicated to her memory.","knownFor":{"originalTitleText":"The Graduate","titleId":"tt0061722","titleText":"The Graduate","canHaveEpisodes":false,"yearRange":{"year":1967}},"nameId":"nm0000843","nameText":"Anne Bancroft","professions":["Actress","Director","Writer"],"primaryProfessions":["Actress","Director","Writer"],"primaryImage":{"caption":"Anne Bancroft in The Graduate (1967)","height":1023,"width":801,"url":"https://m.media-amazon.com/images/M/MV5BMTg2MzQ3MTk4OV5BMl5BanBnXkFtZTcwMzIzNzgzNA@@._V1_.jpg"}},{"bio":"Scolari was born in New Rochelle, New York, to Arthur and Barbara Scolari, and was raised in Scarsdale along with an older sister and two younger brothers. His father was of Italian descent and played semi-professional baseball before becoming a lawyer. His mother was a singer prior to meeting Scolari\u0026#39;s father and later worked with the Alcohol Rehabilitation arm of the Tidewater Psychiatric Institute in Virginia Beach, Virginia.\u003cbr/\u003e\u003cbr/\u003eAt the age of 13 Scolari did some animation voice acting work and performed in plays while attending Edgemont High School in Scarsdale. At 16 years of age he starred as Finch in a high school production of How to Succeed in Business Without Really Trying and came to the realization that he wanted to be an actor professionally.\u003cbr/\u003e\u003cbr/\u003eIn 1972, he enrolled at Occidental College in Los Angeles as a theater arts major, but left a year later and returned to New York after his father died. He joined the Colonnades Theater Lab, a repertory theater in Manhattan, working with actors such as Danny DeVito, Rhea Perlman, Jeff Goldblum and Michael O\u0026#39;Keefe. He appeared in multiple off-Broadway plays and met Finnish actor Paavo Tammim, who taught him to juggle. He also studied mime and learned to ride a unicycle. He performed in a 1974 production of \u0026quot;Reflections\u0026quot; receiving a rave review from The New York Times. In 1979 he returned to Los Angeles.\u003cbr/\u003e\u003cbr/\u003eHis big break came when he was cast with Tom Hanks in the 1980 sitcom, Bosom Buddies. Scolari happened to be playing a guest role on an adjacent sound stage and was auditioned for the role. The show\u0026#39;s pilot was shot a few days later. Bosom Buddies started out with good ratings, but was canceled after two seasons.\u003cbr/\u003e\u003cbr/\u003eAfter Bosom Buddies cancellation he picked up a spot played recurring character Michael Harris on the CBS sitcom Newhart\u0026#39;s (1984-1990) second season whose popularity garnered him a regular cast member position starting in the show\u0026#39;s third season, which earned him three consecutive nominations for Prime-time Emmy Awards for Outstanding Supporting Actor in a Comedy Series from 1987 to 1989.\u003cbr/\u003e\u003cbr/\u003eScolari had roles as Wayne Szalinski in the Disney sitcom Honey, I Shrunk the Kids: The TV Show (1997-2000) and as Tad Horvath in the HBO series Girls (2012-2017) which earned him the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series. He had recurring roles in Gotham (2015) Evil (2019-2021).\u003cbr/\u003e\u003cbr/\u003eHe performed in the films The Rosebud Beach Hotel (1984), Corporate Affairs (1990), That Thing You Do! (1996), and The Polar Express (2004).\u003cbr/\u003e\u003cbr/\u003eOn stage, he played Yogi Berra in the play Bronx Bombers (2014) and acted in Sly Fox (2004), Magic/Bird (2012), and Lucky Girl (2013). He also acted in replacement roles in the musicals Hairspray in 2003 and Wicked in 2016.\u003cbr/\u003e\u003cbr/\u003eScolari died from leukemia in Manhattan on October 22, 2021, at the age of 66. He had been diagnosed with the disease two years earlier.","knownFor":{"originalTitleText":"Newhart","titleId":"tt0083455","titleText":"Newhart","canHaveEpisodes":true,"yearRange":{"year":1984,"endYear":1990}},"nameId":"nm0778642","nameText":"Peter Scolari","professions":["Actor","Director","Producer"],"primaryProfessions":["Actor","Director","Producer"],"primaryImage":{"caption":"Peter Scolari","height":400,"width":277,"url":"https://m.media-amazon.com/images/M/MV5BMTI4OTk2MTkyNF5BMl5BanBnXkFtZTcwMjEwNzYzMw@@._V1_.jpg"}},{"bio":"Emmy-nominated actor and producer Michael Kenneth Williams was one of his generation\u0026#39;s most respected and acclaimed talents. By bringing complicated and charismatic characters to life--often with surprising tenderness--Williams established himself as a gifted and versatile performer with a unique ability to mesmerize audiences with his stunning character portrayals.\u003cbr/\u003e\u003cbr/\u003eBorn in 1966 in Brooklyn, Williams was best known for his remarkable work on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0306414/?ref_=sr\"\u003eThe Wire (2002)\u003c/a\u003e. The wit and humor that Williams brought to Omar, the whistle-happy, profanity-averse, openly gay drug dealer-robbing stickup man, earned him high praise, and made Omar one of television\u0026#39;s most memorable characters. Williams also co-starred in HBO\u0026#39;s critically acclaimed series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0979432/?ref_=sr\"\u003eBoardwalk Empire (2010)\u003c/a\u003e, in which he played Chalky White, a 1920s bootlegger and the impeccably suited, veritable mayor of Atlantic City\u0026#39;s African American community. In 2012, \u0026quot;Boardwalk Empire\u0026quot; won a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. He received his first Emmy nomination for Outstanding Supporting Actor in a Limited Series or a Movie for HBO\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt3704352/?ref_=sr\"\u003eBessie (2015)\u003c/a\u003e and subsequently received his second nomination for Outstanding Supporting Actor in a Limited Series for his portrayal of Freddy in HBO\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2401256/?ref_=sr\"\u003eThe Night Of (2016)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eIn 2018, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2782710/?ref_=sr\"\u003eVice (2013)\u003c/a\u003e returned for its sixth season with an extended special season premiere produced by and featuring Williams as he embarked on a personal journey to expose the root of the American mass incarceration crisis: the juvenile justice system. The episode \u0026quot;Raised in the System\u0026quot; offered a frank and unflinching look at those caught up the system, exploring why the country\u0026#39;s mass incarceration problem cannot be fixed without first addressing the juvenile justice problem. Williams investigated the solutions that local communities were employing that resulted in drastic drops in both crime and incarceration. Michael garnered his first Emmy nomination as a producer for this incredible documentary and continues to host screenings across the country as a way to educate and raise awareness.\u003cbr/\u003e\u003cbr/\u003eGiving back to the community played an important role in Williams\u0026#39; off-camera life. He launched Making Kids Win, a charitable organization, the primary objective of which is to build community centers in urban neighborhoods that are in need of safe spaces for children to learn and play. Williams served as the ACLU\u0026#39;s Ambassador of Smart Justice.\u003cbr/\u003e\u003cbr/\u003eWilliams began his career as a performer by dancing professionally at age 22. After numerous appearances in music videos and as a background dancer on concert tours for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000187/?ref_=sr\"\u003eMadonna\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0584117/?ref_=sr\"\u003eGeorge Michael\u003c/a\u003e, Williams decided to pursue acting seriously. He participated in several productions of the La MaMA Experimental Theater, the prestigious National Black Theater Company. and the Theater for a New Generation, directed by Mel Williams.\u003cbr/\u003e\u003cbr/\u003eMichael K. Williams was born, raised, and resided in Brooklyn, New York, until his death on September 6, 2021.","knownFor":{"originalTitleText":"The Wire","titleId":"tt0306414","titleText":"The Wire","canHaveEpisodes":true,"yearRange":{"year":2002,"endYear":2008}},"nameId":"nm0931324","nameText":"Michael Kenneth Williams","professions":["Actor","Producer","Additional Crew"],"primaryProfessions":["Actor","Producer","Additional Crew"],"primaryImage":{"caption":"Michael Kenneth Williams at an event for Game of Thrones (2011)","height":2048,"width":1365,"url":"https://m.media-amazon.com/images/M/MV5BMjE1MTI1NjUxMV5BMl5BanBnXkFtZTgwNTUyODM0MTE@._V1_.jpg"}},{"bio":"Charlbi Dean was born on 5 February 1990 in Cape Town, South Africa. She was an actress, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt7322224/?ref_=sr\"\u003eTriangle of Sadness (2022)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1059969/?ref_=sr\"\u003eSpud (2010)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt4329806/?ref_=sr\"\u003eDon\u0026#39;t Sleep (2017)\u003c/a\u003e. She died on 29 August 2022 in Manhattan, New York City, New York, USA.","knownFor":{"originalTitleText":"Triangle of Sadness","titleId":"tt7322224","titleText":"Triangle of Sadness","canHaveEpisodes":false,"yearRange":{"year":2022}},"nameId":"nm4528025","nameText":"Charlbi Dean","professions":["Actress"],"primaryProfessions":["Actress"],"primaryImage":{"caption":"Charlbi Dean","height":3175,"width":4763,"url":"https://m.media-amazon.com/images/M/MV5BYWZjMDkzNTgtMjZjNC00MzE1LWFlODAtYzVlY2JjODAwMzA3XkEyXkFqcGc@._V1_.jpg"}},{"bio":"Like a number of British actors of the same generation\n(\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000457/?ref_=sr\"\u003eJohn Hurt\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000614/?ref_=sr\"\u003eAlan Rickman\u003c/a\u003e, to name two), Roger Rees originally trained for the visual arts. He was born on May 5 1944 in Aberystwyth, Wales, and acted in church and Boy Scouts stage productions while growing up in South London, but studied painting and lithography at the Slade School of Art. He had to quit his studies, however, when his father died and he had to help support the family. His first paying jobs in show business were as a scenery painter. He was painting scenery, in fact, when he was asked to sub in for a part and made his acting debut. He put away his brushes for good after this.\u003cbr/\u003e\u003cbr/\u003eHe turned to acting on a full-time basis in the mid-1960s and appeared on both the London and Scottish stages. After his\nfourth audition, the Royal Shakespeare Company finally hired him as a\nwalk-on, sword carrier and bit player in 1968. He then worked his way up through the RSC\u0026#39;s ranks, finally achieving stardom in the early 1980s in the 8-1/2 hour stage adaptation of \u0026quot;The Life and Adventures of Nicholas Nickelby\u0026quot;, which had a cast of 40 actors, and for which he won both an Olivier Award and a Tony Award. Rees was also nominated for an Emmy Award for the television version of the play. By this time, he had several\nTV movies to his name, but he did not make his big-screen\ndebut until \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086355/?ref_=sr\"\u003eStar 80 (1983)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eLiving in the United States since 1989, Roger made a name for himself in America when he joined the cast of the TV hit comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083399/?ref_=sr\"\u003eCheers (1982)\u003c/a\u003e as the priggish Britisher Robin Colcord and later the glib British ambassador Lord John Marbury on the series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0200276/?ref_=sr\"\u003eThe West Wing (1999)\u003c/a\u003e. More recently, he appeared as a frequent guest in several British and American television series and in a number of independent films.\u003cbr/\u003e\u003cbr/\u003eHowever, Roger Rees remained primarily a man of the theatre with secondary careers as a playwright and stage director. Married to theatre collaborator \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1338811/?ref_=sr\"\u003eRick Elice\u003c/a\u003e since 2011, Roger was subsequently diagnosed with cancer. Performing on Broadway in the musical \u0026quot;The Visit\u0026quot; starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0729234/?ref_=sr\"\u003eChita Rivera\u003c/a\u003e, he was forced to quit the show in late May of 2015. The 71-year-old actor died on July 10, 2015.","knownFor":{"originalTitleText":"Frida","titleId":"tt0120679","titleText":"Frida","canHaveEpisodes":false,"yearRange":{"year":2002}},"nameId":"nm0715953","nameText":"Roger Rees","professions":["Actor","Director","Soundtrack"],"primaryProfessions":["Actor","Director","Soundtrack"],"primaryImage":{"caption":"Roger Rees","height":299,"width":450,"url":"https://m.media-amazon.com/images/M/MV5BMjAxMjIwODkxOV5BMl5BanBnXkFtZTcwMjk0MjgyMQ@@._V1_.jpg"}},{"bio":"Sidney Lumet was a master of cinema, best known for his technical\nknowledge and his skill at getting first-rate performances from his\nactors -- and for shooting most of his films in his beloved New York.\nHe made over 40 movies, often complex and emotional, but seldom overly\nsentimental. Although his politics were somewhat left-leaning and he\noften treated socially relevant themes in his films, Lumet didn\u0026#39;t want\nto make political movies in the first place. Born on June 25, 1924, in\nPhiladelphia, the son of actor \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0525885/?ref_=sr\"\u003eBaruch Lumet\u003c/a\u003e\nand dancer Eugenia Wermus Lumet, he made his stage debut at age four at\nthe Yiddish Art Theater in New York. He played many roles on Broadway\nin the 1930s and also in the film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031761/?ref_=sr\"\u003e...One Third of a Nation... (1939)\u003c/a\u003e.\nAfter starting an off-Broadway acting troupe in the late 1940s, he\nbecame the director of many television shows in the 1950s. Lumet made\nhis feature film directing debut with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050083/?ref_=sr\"\u003e12 Angry Men (1957)\u003c/a\u003e, which won the\nGolden Bear at the Berlin Film Festival and earned three Academy Award\nnominations. The courtroom drama, which takes place almost entirely in\na jury room, is justly regarded as one of the most auspicious\ndirectorial debuts in film history. Lumet got the chance to direct\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000008/?ref_=sr\"\u003eMarlon Brando\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052832/?ref_=sr\"\u003eThe Fugitive Kind (1960)\u003c/a\u003e, an\nimperfect, but powerful adaptation of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0931783/?ref_=sr\"\u003eTennessee Williams\u003c/a\u003e\u0026#39; \u0026quot;Orpheus\nDescending\u0026quot;. The first half of the 1960s was one of Lumet\u0026#39;s most\nartistically successful periods.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056196/?ref_=sr\"\u003eLong Day\u0026#39;s Journey Into Night (1962)\u003c/a\u003e,\na masterful, brilliantly photographed adaptation of the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0642156/?ref_=sr\"\u003eEugene O\u0026#39;Neill\u003c/a\u003e\nplay, is one of several Lumet films about families. It earned\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000031/?ref_=sr\"\u003eKatharine Hepburn\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0724732/?ref_=sr\"\u003eRalph Richardson\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001777/?ref_=sr\"\u003eDean Stockwell\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001673/?ref_=sr\"\u003eJason Robards\u003c/a\u003e deserved acting awards in\nCannes and Hepburn an Oscar nomination. The alarming Cold War thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058083/?ref_=sr\"\u003eFail Safe (1964)\u003c/a\u003e unfairly suffered from\ncomparison to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000040/?ref_=sr\"\u003eStanley Kubrick\u003c/a\u003e\u0026#39;s\nequally great satire\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057012/?ref_=sr\"\u003eDr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)\u003c/a\u003e,\nwhich was released shortly before.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059575/?ref_=sr\"\u003eThe Pawnbroker (1964)\u003c/a\u003e, arguably\nthe most outstanding of the great movies Lumet made in this phase,\ntells the story of a Holocaust survivor who lives in New York and can\u0026#39;t\novercome his experiences in the Nazi concentration camps.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001768/?ref_=sr\"\u003eRod Steiger\u003c/a\u003e\u0026#39;s unforgettable performance in\nthe title role earned an Academy Award nomination. Lumet\u0026#39;s intense\ncharacter study \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059274/?ref_=sr\"\u003eThe Hill (1965)\u003c/a\u003e about\ninhumanity in a military prison camp was the first of five films he did\nwith \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000125/?ref_=sr\"\u003eSean Connery\u003c/a\u003e. After the overly talky\nbut rewarding drama \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0060479/?ref_=sr\"\u003eThe Group (1966)\u003c/a\u003e\nabout young upper-class women in the 1930s, and the stylish spy\nthriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061556/?ref_=sr\"\u003eThe Deadly Affair (1967)\u003c/a\u003e, the\nlate 1960s turned out to be a lesser phase in Lumet\u0026#39;s career. He had a\nstrong comeback with the box-office hit\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066767/?ref_=sr\"\u003eThe Anderson Tapes (1971)\u003c/a\u003e.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070468/?ref_=sr\"\u003eThe Offence (1973)\u003c/a\u003e was commercially\nless successful, but artistically brilliant - with Connery in one of\nhis most impressive performances. The terrific cop thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070666/?ref_=sr\"\u003eSerpico (1973)\u003c/a\u003e, the first of his films\nabout police corruption in New York City, became one of his biggest\ncritical and financial successes. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000199/?ref_=sr\"\u003eAl Pacino\u003c/a\u003e\u0026#39;s\nfascinating portrayal of the real-life cop Frank Serpico earned a\nGolden Globe and the movie earned two Academy Award nominations (it is\nworth noting that Lumet\u0026#39;s feature films of the 1970s alone earned 30\nOscar nominations, winning six times). The love triangle\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071780/?ref_=sr\"\u003eLovin\u0026#39; Molly (1974)\u003c/a\u003e was not always\nconvincing in its atmospheric details, but Lumet\u0026#39;s fine sense of\nemotional truth and a good \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001100/?ref_=sr\"\u003eBlythe Danner\u003c/a\u003e\nkeep it interesting. The adaptation of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002005/?ref_=sr\"\u003eAgatha Christie\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071877/?ref_=sr\"\u003eMurder on the Orient Express (1974)\u003c/a\u003e,\nan exquisitely photographed murder mystery with an all-star cast, was a\nbig success again. Lumet\u0026#39;s complex crime thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072890/?ref_=sr\"\u003eDog Day Afternoon (1975)\u003c/a\u003e, which\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0434461/?ref_=sr\"\u003ePauline Kael\u003c/a\u003e called \u0026quot;one of the best \u0026quot;New\nYork\u0026quot; movies ever made\u0026quot;, gave \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000199/?ref_=sr\"\u003eAl Pacino\u003c/a\u003e the\nopportunity for a breathtaking, three-dimensional portrayal of a\nbisexual man who tries to rob a bank to finance his lover\u0026#39;s sex-change\noperation. Lumet\u0026#39;s next masterpiece,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074958/?ref_=sr\"\u003eNetwork (1976)\u003c/a\u003e, was a prophetic satire on\nmedia and society. The film version of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0787323/?ref_=sr\"\u003ePeter Shaffer\u003c/a\u003e\u0026#39;s stage play\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075995/?ref_=sr\"\u003eEquus (1977)\u003c/a\u003e about a doctor and his\nmentally confused patient was also powerful, not least because of the\nenergetic acting by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000009/?ref_=sr\"\u003eRichard Burton\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0278752/?ref_=sr\"\u003ePeter Firth\u003c/a\u003e. After the enjoyable\nmusical \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078504/?ref_=sr\"\u003eThe Wiz (1978)\u003c/a\u003e and the\ninteresting but not easily accessible comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0080975/?ref_=sr\"\u003eJust Tell Me What You Want (1980)\u003c/a\u003e,\nSidney Lumet won the New York Film Critics Circle Award for his\noutstanding direction of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0082945/?ref_=sr\"\u003ePrince of the City (1981)\u003c/a\u003e, one\nof his best and most typical films. It\u0026#39;s about police corruption, but\nhardly a remake of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070666/?ref_=sr\"\u003eSerpico (1973)\u003c/a\u003e.\nStarring a powerful \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001852/?ref_=sr\"\u003eTreat Williams\u003c/a\u003e, it\u0026#39;s\nan extraordinarily multi-layered film. In his highly informative book\n\u0026quot;Making Movies\u0026quot; (1995), Lumet describes the film in the following way:\n\u0026quot;When we try to control everything, everything winds up controlling us.\nNothing is what it seems.\u0026quot; It\u0026#39;s also a movie about values, friendship\nand drug addiction and, like \u0026quot;Serpico\u0026quot;, is based on a true story. In\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083806/?ref_=sr\"\u003eDeathtrap (1982)\u003c/a\u003e, Lumet successfully\nblended suspense and black humor.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084855/?ref_=sr\"\u003eThe Verdict (1982)\u003c/a\u003e was voted the\nfourth greatest courtroom drama of all time by the American Film\nInstitute in 2008. A few minor inaccuracies in legal details do not mar\nthis study of an alcoholic lawyer (superbly embodied by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000056/?ref_=sr\"\u003ePaul Newman\u003c/a\u003e) aiming to regain his\nself-respect through a malpractice case. The expertly directed movie\nreceived five Academy Award nominations. Lumet\u0026#39;s controversial drama\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085398/?ref_=sr\"\u003eDaniel (1983)\u003c/a\u003e with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000459/?ref_=sr\"\u003eTimothy Hutton\u003c/a\u003e, an adaptation of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0230039/?ref_=sr\"\u003eE.L. Doctorow\u003c/a\u003e\u0026#39;s \u0026quot;The Book of Daniel\u0026quot; about\ntwo young people whose parents were executed during the McCarthy Red\nScare hysteria in the 1950s for alleged espionage, is one of his\nunderrated achievements. His later masterpiece\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0096018/?ref_=sr\"\u003eRunning on Empty (1988)\u003c/a\u003e has a\nsimilar theme, portraying a family which has been on the run from the\nFBI since the parents (played by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001441/?ref_=sr\"\u003eChristine Lahti\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0002139/?ref_=sr\"\u003eJudd Hirsch\u003c/a\u003e) committed a bomb attack on a\nnapalm laboratory in 1971 to protest the war in Vietnam. The son\n(played by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000203/?ref_=sr\"\u003eRiver Phoenix\u003c/a\u003e in an\nextraordinarily moving, Oscar-nominated performance) falls in love with\na girl and wishes to stay with her and study music.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0284524/?ref_=sr\"\u003eNaomi Foner\u003c/a\u003e\u0026#39;s screenplay won the Golden\nGlobe. Other Lumet movies of the 1980s are the melancholic comedy drama\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0087313/?ref_=sr\"\u003eGarbo Talks (1984)\u003c/a\u003e; the occasionally\nclichéd \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0091786/?ref_=sr\"\u003ePower (1986)\u003c/a\u003e about election\ncampaigns; the all too slow thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0091554/?ref_=sr\"\u003eThe Morning After (1986)\u003c/a\u003e and\nthe amusing gangster comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097328/?ref_=sr\"\u003eFamily Business (1989)\u003c/a\u003e. With\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100442/?ref_=sr\"\u003eQ \u0026amp; A (1990)\u003c/a\u003e Lumet returned to the genre of\nthe New York cop thriller. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000560/?ref_=sr\"\u003eNick Nolte\u003c/a\u003e shines\nin the role of a corrupt and racist detective in this multi-layered,\nstrangely underrated film. Sadly, with the exception of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0119783/?ref_=sr\"\u003eNight Falls on Manhattan (1996)\u003c/a\u003e,\nan imperfect but fascinating crime drama in the tradition of his own\nprevious genre works, almost none of Lumet\u0026#39;s works of the 1990s did\nquite get the attention they deserved. The crime drama\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105483/?ref_=sr\"\u003eA Stranger Among Us (1992)\u003c/a\u003e\nblended genres in a way that did not seem to match most viewers\u0026#39;\nexpectations, but its contemplations about life arouse interest. The\nintelligent hospital satire\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118901/?ref_=sr\"\u003eCritical Care (1997)\u003c/a\u003e was unfairly\nneglected as well. The courtroom thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107057/?ref_=sr\"\u003eGuilty as Sin (1993)\u003c/a\u003e was cold but\nintriguing. Lumet\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0120683/?ref_=sr\"\u003eGloria (1999)\u003c/a\u003e remake\nseemed unnecessary, but he returned impressively with the\nunderestimated courtroom comedy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0419749/?ref_=sr\"\u003eFind Me Guilty (2006)\u003c/a\u003e and the\njustly acclaimed crime thriller\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0292963/?ref_=sr\"\u003eBefore the Devil Knows You\u0026#39;re Dead (2007)\u003c/a\u003e.\nIn 2005, Sidney Lumet received a well-deserved honorary Academy Award\nfor his outstanding contribution to filmmaking. Sidney Lumet tragically\ndied of cancer in 2011.","knownFor":{"originalTitleText":"12 Angry Men","titleId":"tt0050083","titleText":"12 Angry Men","canHaveEpisodes":false,"yearRange":{"year":1957}},"nameId":"nm0001486","nameText":"Sidney Lumet","professions":["Director","Writer","Producer"],"primaryProfessions":["Director","Writer","Producer"],"primaryImage":{"caption":"Sidney Lumet","height":400,"width":276,"url":"https://m.media-amazon.com/images/M/MV5BMTY4Mzk5Mzk4Ml5BMl5BanBnXkFtZTYwMTE2NDg0._V1_.jpg"}},{"bio":"As the short, straight-man counterpart of the stellar husband-and-wife comedy team \u0026quot;Stiller \u0026amp; Meara\u0026quot;, Jerry Stiller and wife \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0575198/?ref_=sr\"\u003eAnne Meara\u003c/a\u003e were on top of the comedy game in the 1960s, a steady and hilarious presence on television variety, notably \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040053/?ref_=sr\"\u003eToast of the Town (1948)\u003c/a\u003e, on which they appeared 36 times. Decades later, Jerry\u0026#39;s career was revitalized in the role of the raucous, gasket-blowing Frank Costanza on the sitcom classic \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098904/?ref_=sr\"\u003eSeinfeld (1989)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eJerry Stiller was born Gerald Isaac Stiller in the Unity Hospital in Brooklyn, New York, to Bella (Citron) and William Stiller, a bus driver. His paternal grandparents were Jewish emigrants from Galicia, and his mother was a Polish Jewish emigrant, from Frampol. In the beginning, Stiller was a drama major at the Syracuse University. Though he had played rather uneducated, blue-collar sorts for most of his career, he received his Bachelor of Science in Speech and Drama before making his acting debut on stage with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0580565/?ref_=sr\"\u003eBurgess Meredith\u003c/a\u003e in \u0026quot;The Silver Whistle\u0026quot; in 1951. While a member of the improvisational team The Compass Players (the company later evolved into the well-known Second City troupe), he met Anne.\u003cbr/\u003e\u003cbr/\u003eThey married in 1954 and began touring together on the national club circuit while giving new and inventive meaning to the term spousal comedy. This led to television prominence on \u0026quot;The Ed Sullivan Show\u0026quot;, \u0026quot;The Tonight Show\u0026quot;, \u0026quot;The Steve Allen Comedy Hour\u0026quot;, \u0026quot;The Merv Griffin Show\u0026quot;, as well as game shows \u0026quot;He Said, She Said\u0026quot;, \u0026quot;You\u0026#39;re Putting Me On\u0026quot; and \u0026quot;What\u0026#39;s My Line?\u0026quot; as well as other talk/comedy venues.\u003cbr/\u003e\u003cbr/\u003eAfter well over a decade of fame together, they decided to pursue individual successes and both found it. A Broadway favorite in such shows as \u0026quot;Hurlyburly\u0026quot;, \u0026quot;The Ritz\u0026quot; (he later recreated his hilarious mobster family member role in the film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075144/?ref_=sr\"\u003eThe Ritz (1976)\u003c/a\u003e), \u0026quot;The Golden Apple\u0026quot;, \u0026quot;Three Men on a Horse\u0026quot;, \u0026quot;What\u0026#39;s Wrong with This Picture\u0026quot; and \u0026quot;The Three Sisters\u0026quot;, Stiller even appeared with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000177/?ref_=sr\"\u003eKevin Kline\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001100/?ref_=sr\"\u003eBlythe Danner\u003c/a\u003e as Dogberry in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000636/?ref_=sr\"\u003eWilliam Shakespeare\u003c/a\u003e\u0026#39;s \u0026quot;Much Ado About Nothing\u0026quot; in 1988. Musicals were not out of his range, either, as he created the role of Launce in \u0026quot;Two Gentlemen of Verona\u0026quot; and co-starred as Nathan Detroit in a production of \u0026quot;Guys and Dolls\u0026quot;. Although he kept afloat on television as a 1970s regular on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068118/?ref_=sr\"\u003eThe Paul Lynde Show (1972)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072523/?ref_=sr\"\u003eJoe and Sons (1975)\u003c/a\u003e, he had some rocky years and Anne\u0026#39;s pilot fizzled when they reunited for a possible \u0026quot;Stiller \u0026amp; Meara\u0026quot; sitcom.\u003cbr/\u003e\u003cbr/\u003eThen came eight seasons as hypertensive Frank Costanza and his character star was reborn. Nominated for a 1997 Emmy Award and the recipient of the 1998 American Comedy Award, Stiller found back-to-back sitcom hits with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0165581/?ref_=sr\"\u003eThe King of Queens (1998)\u003c/a\u003e as the irascible Arthur Spooner. He also appeared in a number of his successful son \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001774/?ref_=sr\"\u003eBen Stiller\u003c/a\u003e\u0026#39;s comedy pictures including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0110006/?ref_=sr\"\u003eHeavyweights (1995)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0196229/?ref_=sr\"\u003eZoolander (2001)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0408839/?ref_=sr\"\u003eThe Heartbreak Kid (2007)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1608290/?ref_=sr\"\u003eZoolander 2 (2016)\u003c/a\u003e\u003cbr/\u003e\u003cbr/\u003eInto the millennium, Jerry has appeared in a number of independent films, including a starring role as a low-level director seeking a comeback in the comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0160403/?ref_=sr\"\u003eThe Independent (2000)\u003c/a\u003e; had a cameo in the off-color \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001098/?ref_=sr\"\u003eRodney Dangerfield\u003c/a\u003e slapstick farce \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0216930/?ref_=sr\"\u003eMy 5 Wives (2000)\u003c/a\u003e; played the slick Mr. Pinky in the film version of the Broadway musical hit \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0427327/?ref_=sr\"\u003eHairspray (2007)\u003c/a\u003e; and featured roles in the romantic comedies \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1502420/?ref_=sr\"\u003eSwinging with the Finkels (2011)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1877893/?ref_=sr\"\u003eExcuse Me for Living (2012)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eDaughter \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0830243/?ref_=sr\"\u003eAmy Stiller\u003c/a\u003e is also a thriving actress. He and Anne wrote, performed and produced award-winning radio commercials together for such products as Blue Nun Wine, United Van Lines and Amalgamated Bank, among others. His autobiography \u0026quot;Married to Laughter\u0026quot; came out in 2000. Stiller\u0026#39;s wife Anne passed away on May 23, 2015, and he passed away nearly five years later, on May 11, 2020, at age 92.","knownFor":{"originalTitleText":"Seinfeld","titleId":"tt0098904","titleText":"Seinfeld","canHaveEpisodes":true,"yearRange":{"year":1993,"endYear":1998}},"nameId":"nm0005467","nameText":"Jerry Stiller","professions":["Actor","Producer","Writer"],"primaryProfessions":["Actor","Producer","Writer"],"primaryImage":{"caption":"Jerry Stiller at an event for Meet the Fockers (2004)","height":400,"width":271,"url":"https://m.media-amazon.com/images/M/MV5BMTQzNjA1NzgzNV5BMl5BanBnXkFtZTYwODY4ODQ0._V1_.jpg"}},{"bio":"A New York stage actress in the 1950s, McClanahan was plucked from the\nstage by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005131/?ref_=sr\"\u003eNorman Lear\u003c/a\u003e for roles on\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0066626/?ref_=sr\"\u003eAll in the Family (1971)\u003c/a\u003e\nand later \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068103/?ref_=sr\"\u003eMaude (1972)\u003c/a\u003e. For two years\n(1982 - 1984), she played \u0026quot;Aunt Fran\u0026quot; on\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085050/?ref_=sr\"\u003eMama\u0026#39;s Family (1983)\u003c/a\u003e until her\ncharacter was killed off and she joined the cast of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088526/?ref_=sr\"\u003eThe Golden Girls (1985)\u003c/a\u003e, in which she\nhit her comedic stride as a sharp tongued oversexed Southern belle.","knownFor":{"originalTitleText":"The Golden Girls","titleId":"tt0088526","titleText":"The Golden Girls","canHaveEpisodes":true,"yearRange":{"year":1985,"endYear":1992}},"nameId":"nm0001516","nameText":"Rue McClanahan","professions":["Actress","Producer","Soundtrack"],"primaryProfessions":["Actress","Producer","Soundtrack"],"primaryImage":{"caption":"\"The Golden Girls\" Rue McClanahan","height":500,"width":332,"url":"https://m.media-amazon.com/images/M/MV5BMTk3NTg4MjQxMF5BMl5BanBnXkFtZTcwNDAzODM1Mw@@._V1_.jpg"}},{"bio":"Exotic leading man of American films, famed as much for his completely\nbald head as for his performances, Yul Brynner masked much of his life\nin mystery and outright lies designed to tease people he considered\ngullible. It was not until the publication of the books \u0026quot;Yul: The Man\nWho Would Be King\u0026quot; and \u0026quot;Empire and Odyssey\u0026quot; by his son, Yul \u0026quot;Rock\u0026quot;\nBrynner, that many of the details of Brynner\u0026#39;s early life became clear.\u003cbr/\u003e\u003cbr/\u003eYul sometimes claimed to be a half-Swiss, half-Japanese named Taidje\nKhan, born on the island of Sakhalin; in reality, he was the son of\nMarousia Dimitrievna (Blagovidova), the Russian daughter of a doctor,\nand Boris Yuliyevich Bryner, an engineer and inventor of Swiss-German\nand Russian descent. He was born in their home town of Vladivostok on\n11 July 1920 and named Yuli after his grandfather, Jules Bryner. When\nYuli\u0026#39;s father abandoned the family, his mother took him and his sister\nVera to Harbin, Manchuria, where they attended a YMCA school. In 1934\nYuli\u0026#39;s mother took her children to Paris. Her son was sent to the\nexclusive Lycée Moncelle, but his attendance was spotty. He dropped out\nand became a musician, playing guitar in the nightclubs among the\nRussian gypsies who gave him his first real sense of family. He met\nluminaries such as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0168413/?ref_=sr\"\u003eJean Cocteau\u003c/a\u003e and became\nan apprentice at the Theatre des Mathurins. He worked as a trapeze\nartist with the famed Cirque d\u0026#39;Hiver company.\u003cbr/\u003e\u003cbr/\u003eHe traveled to the U.S.\nin 1941 to study with acting teacher\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0155011/?ref_=sr\"\u003eMichael Chekhov\u003c/a\u003e and toured the country\nwith Chekhov\u0026#39;s theatrical troupe. That same year, he debuted in New York\nas Fabian in \u0026quot;Twelfth Night\u0026quot; (billed as Youl Bryner). After working in\na very early TV series,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0121947/?ref_=sr\"\u003eMr. Jones and His Neighbors (1944)\u003c/a\u003e,\nhe played on Broadway in \u0026quot;Lute Song\u0026quot; with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0552756/?ref_=sr\"\u003eMary Martin\u003c/a\u003e, winning awards and mild\nacclaim. He and his wife, actress\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0319582/?ref_=sr\"\u003eVirginia Gilmore\u003c/a\u003e, starred in the first\nTV talk show,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0121948/?ref_=sr\"\u003eMr. and Mrs. (1948)\u003c/a\u003e. Brynner\nthen joined CBS as a television director. He made his film debut in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041761/?ref_=sr\"\u003ePort of New York (1949)\u003c/a\u003e. Two\nyears later Mary Martin recommended him for the part he would forever\nbe known for: the King in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006256/?ref_=sr\"\u003eRichard Rodgers\u003c/a\u003e\u0026#39; and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0358564/?ref_=sr\"\u003eOscar Hammerstein II\u003c/a\u003e\u0026#39;s musical \u0026quot;The\nKing and I\u0026quot;. Brynner became an immediate sensation in the role,\nrepeating it for film\n(\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049408/?ref_=sr\"\u003eThe King and I (1956)\u003c/a\u003e) and\nwinning the Oscar for Best Actor.\u003cbr/\u003e\u003cbr/\u003eFor the next two decades, he\nmaintained a starring film career despite the exotic nature of his\npersona, performing in a wide range of roles from Egyptian pharaohs to\nWestern gunfighters, almost all with the same shaved head and\nindefinable accent. In the 1970s he returned to the role that had made\nhim a star, and spent most of the rest of his life touring the world in\n\u0026quot;The King and I\u0026quot;. When he developed lung cancer in the mid 1980s, he\nleft a powerful public service announcement denouncing smoking as the\ncause, for broadcast after his death. The cancer and its complications,\nafter a long illness, ended his life. Brynner was cremated and his\nashes buried in a remote part of France, on the grounds of the Abbey of\nSaint-Michel de Bois Aubry, a short distance outside the village of\nLuzé. He remains one of the most fascinating, unusual and beloved stars\nof his time.","knownFor":{"originalTitleText":"The King and I","titleId":"tt0049408","titleText":"The King and I","canHaveEpisodes":false,"yearRange":{"year":1956}},"nameId":"nm0000989","nameText":"Yul Brynner","professions":["Actor","Director","Producer"],"primaryProfessions":["Actor","Director","Producer"],"primaryImage":{"caption":"\"The Sound and the Fury\" Yul Brynner 1959 Twentieth Century Fox","height":432,"width":343,"url":"https://m.media-amazon.com/images/M/MV5BNDQ2ODQ2MjQ5NV5BMl5BanBnXkFtZTYwODk4MjM2._V1_.jpg"}},{"bio":"David Bowie was one of the most influential and prolific writers and performers of popular music, but he was much more than that; he was also an accomplished actor, a mime and an intellectual, as well as an art lover whose appreciation and knowledge of it had led to him amassing one of the biggest collections of 20th century art.\u003cbr/\u003e\u003cbr/\u003eBorn David Jones, he changed his name to Bowie in the 1960s, to avoid confusion with the then well-known \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0427888/?ref_=sr\"\u003eDavy Jones\u003c/a\u003e (lead singer of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1119068/?ref_=sr\"\u003eThe Monkees\u003c/a\u003e). The 1960s were not a happy period for Bowie, who remained a struggling artist, awaiting his breakthrough. He dabbled in many different styles of music (without commercial success), and other art forms such as acting, mime, painting, and play-writing. He finally achieved his commercial breakthrough in 1969 with the song \u0026quot;Space Oddity\u0026quot;, which was released at the time of the moon landing. Despite the fact that the literal meaning of the lyrics relates to an astronaut who is lost in space, this song was used by the BBC in their coverage of the moon landing, and this helped it become such a success. The album, which followed \u0026quot;Space Oddity\u0026quot;, and the two, which followed (one of which included the song \u0026quot;The Man Who Sold The World\u0026quot;, covered by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0525801/?ref_=sr\"\u003eLulu\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1110321/?ref_=sr\"\u003eNirvana\u003c/a\u003e) failed to produce another hit single, and Bowie\u0026#39;s career appeared to be in decline.\u003cbr/\u003e\u003cbr/\u003eHowever, he made the first of many successful \u0026quot;comebacks\u0026quot; in 1972 with \u0026quot;Ziggy Stardust\u0026quot;, a concept album about a space-age rock star. This album was followed by others in a similar vein, rock albums built around a central character and concerned with futuristic themes of Armageddon, gender dysfunction/confusion, as well as more contemporary themes such as the destructiveness of success and fame, and the dangers inherent in star worship. In the mid-1970s, Bowie was a heavy cocaine abuser and sometime heroin user.\u003cbr/\u003e\u003cbr/\u003eIn 1975, he changed tack. Musically, he released \u0026quot;Young Americans\u0026quot;, a soul (or plastic soul as he later referred to it) album. This produced his first number one hit in the US, \u0026quot;Fame\u0026quot;. He also appeared in his first major film, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074851/?ref_=sr\"\u003eThe Man Who Fell to Earth (1976)\u003c/a\u003e. With a permanently-dilated pupil and skeletal frame, he certainly looked the part of an alien. The following year, he released \u0026quot;Station to Station,\u0026quot; containing some of the material he had written for the soundtrack to this film (which was not used). As his drug problem heightened, his behavior became more erratic. Reports of his insanity started to appear, and he continued to waste away physically. He fled back to Europe, finally settling in Berlin, where he changed musical direction again and recorded three of the most influential albums of all time, an electronic trilogy with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006061/?ref_=sr\"\u003eBrian Eno\u003c/a\u003e \u0026quot;Low, Heroes and Lodger\u0026quot;. Towards the end of the 1970s, he finally kicked his drug habit, and recorded the album many of his fans consider his best, the Japanese-influenced \u0026quot;Scary Monsters\u0026quot;. Around this time, he appeared in the title role of the Broadway drama The Elephant Man, and to considerable acclaim.\u003cbr/\u003e\u003cbr/\u003eThe next few years saw something of a drop-off in his musical output as his acting career flourished, culminating in his acclaimed performance in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085933/?ref_=sr\"\u003eMerry Christmas Mr. Lawrence (1983)\u003c/a\u003e. In 1983, he released \u0026quot;Let\u0026#39;s Dance,\u0026quot; an album which proved an unexpected massive commercial success, and produced his second #1 hit single in the United States. According to producer \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0734755/?ref_=sr\"\u003eNile Rodgers\u003c/a\u003e, the album was made in just 17 days and was \u0026quot;the easiest album\u0026quot; he\u0026#39;d ever made in his life. The tour which followed, \u0026quot;Serious Moonlight\u0026quot;, was his most successful ever. Faced with this success on a massive scale, Bowie apparently attempted to \u0026quot;repeat the formula\u0026quot; in the next two albums, with less success (and to critical scorn). Finally, in the late 1980s, he turned his back on commercial success and his solo career, forming the hard rock band, Tin Machine, who had a deliberate limited appeal. By now, his acting career was in decline. After the comparative failure of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0091369/?ref_=sr\"\u003eLabyrinth (1986)\u003c/a\u003e, the movie industry appears to have decided that Bowie was not a sufficient name to be a lead actor in a major movie, and since that date, most of his roles have been cameos or glorified cameos. Tin Machine toured extensively and released two albums, with little critical or commercial success.\u003cbr/\u003e\u003cbr/\u003eIn 1992, Bowie again changed direction and re-launched his solo career with \u0026quot;Black Tie White Noise\u0026quot;, a wedding album inspired by his recent marriage to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0408081/?ref_=sr\"\u003eIman\u003c/a\u003e. He released three albums to considerable critical acclaim and reasonable commercial success. In 1995, he renewed his working relationship with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0006061/?ref_=sr\"\u003eBrian Eno\u003c/a\u003e to record \u0026quot;Outside.\u0026quot; After an initial hostile reaction from the critics, this album has now taken its place with his classic albums. In 2003, Bowie released an album entitled \u0026#39;Reality.\u0026#39; The Reality Tour began in November 2003 and, after great commercial success, was extended into July 2004. In June 2004, Bowie suffered a heart attack and the tour did not finish its scheduled run.\u003cbr/\u003e\u003cbr/\u003eAfter recovering, Bowie gave what turned out to be his final live performance in a three-song set with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1006024/?ref_=sr\"\u003eAlicia Keys\u003c/a\u003e at the Hammerstein Ballroom in New York in November 2006. He also returned to acting. He played Tesla in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0482571/?ref_=sr\"\u003eThe Prestige (2006)\u003c/a\u003e and had a small cameo in the comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0857865/?ref_=sr\"\u003eDavid Bowie (2006)\u003c/a\u003e for fan \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0315041/?ref_=sr\"\u003eRicky Gervais\u003c/a\u003e. In 2007, he did a cartoon voice in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0206512/?ref_=sr\"\u003eSpongeBob SquarePants (1999)\u003c/a\u003e playing Lord Royal Highness. He had a brief cameo in the movie \u0026#39;\u0026#39;Bandslam\u0026#39;\u0026#39; released in 2009; after a ten year hiatus from recording, he released a new album called \u0026#39;The Next Day\u0026#39;, featuring a homage cover to his earlier work \u0026#39;\u0026#39;Heroes\u0026#39;\u0026#39;. The music video of \u0026#39;\u0026#39;Stars are Out Tonight\u0026#39;\u0026#39; premiered on 25 February 2013. It consists of other songs like \u0026#39;\u0026#39;Where Are We Now?\u0026quot;, \u0026quot;Valentine\u0026#39;s Day\u0026quot;, \u0026quot;Love is Lost\u0026quot;, \u0026quot;The Next Day\u0026quot;, etc.\u003cbr/\u003e\u003cbr/\u003eIn 2014, Bowie won British Male Solo Artist at the 2014 Brit Awards, 30 years since last winning it, and became the oldest ever Brit winner. Bowie wrote and recorded the opening title song to the television miniseries \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt4075386/?ref_=sr\"\u003eThe Last Panthers (2015)\u003c/a\u003e, which aired in November 2015. The theme used for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt4075386/?ref_=sr\"\u003eThe Last Panthers (2015)\u003c/a\u003e was also the title track for his January 2016 release, \u0026#39;\u0026#39;Blackstar\u0026quot; (released on 8 January 2016, Bowie\u0026#39;s 69th birthday) was met with critical acclaim. Following Bowie\u0026#39;s death two days later, on 10 January 2016, producer Tony Visconti revealed Bowie had planned the album to be his swan song, and a \u0026quot;parting gift\u0026quot; for his fans before his death. An EP, No Plan, was released on 8 January 2017, which would have been Bowie\u0026#39;s 70th birthday. The day following his death, online viewing of Bowie\u0026#39;s music skyrocketed, breaking the record for Vevo\u0026#39;s most viewed artist in a single day.\u003cbr/\u003e\u003cbr/\u003eOn 15 January, \u0026quot;Blackstar\u0026quot; debuted at number one on the UK Albums Chart; nineteen of his albums were in the UK Top 100 Albums Chart, and thirteen singles were in the UK Top 100 Singles Chart. The song also debuted at #1 on album charts around the world, including Australia, France, Germany, Italy, New Zealand and the US Billboard 200. At the 59th Annual Grammy Awards, Bowie won all five nominated awards: Best Rock Performance; Best Alternative Music Album; Best Engineered Album, Non-Classical; Best Recording Package; and Best Rock Song. The wins marked Bowie\u0026#39;s first ever in musical categories. David Bowie influenced the course of popular music several times and had an effect on several generations of musicians.","knownFor":{"originalTitleText":"Labyrinth","titleId":"tt0091369","titleText":"Labyrinth","canHaveEpisodes":false,"yearRange":{"year":1986}},"nameId":"nm0000309","nameText":"David Bowie","professions":["Music Artist","Composer","Actor"],"primaryProfessions":["Music Artist","Composer","Actor"],"primaryImage":{"caption":"David Bowie","height":400,"width":288,"url":"https://m.media-amazon.com/images/M/MV5BMTQ4NTE3MTYzOF5BMl5BanBnXkFtZTcwNDM4OTcyMg@@._V1_.jpg"}},{"bio":"The late Adrienne Shelly was born in Queens, New York, to Elaine Langbaum\nand Sheldon Levine. After graduating Jericho High School in Jericho, New\nYork, she enrolled at Boston University and majored in film production. She\ndropped out after her junior year and moved to Manhattan, where she made\na name for herself in independent films with her work in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100842/?ref_=sr\"\u003eThe Unbelievable Truth (1989)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0103130/?ref_=sr\"\u003eTrust (1990)\u003c/a\u003e.\nShe eventually moved behind the camera, writing and directing\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0210741/?ref_=sr\"\u003eI\u0026#39;ll Take You There (1999)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0473308/?ref_=sr\"\u003eWaitress (2007)\u003c/a\u003e (her final film).\u003cbr/\u003e\u003cbr/\u003eOn November 1, 2006, Adrienne Shelly was murdered. She was survived by\nher husband Andy Ostroy and their daughter Sophie.","knownFor":{"originalTitleText":"Waitress","titleId":"tt0473308","titleText":"Waitress","canHaveEpisodes":false,"yearRange":{"year":2007}},"nameId":"nm0791248","nameText":"Adrienne Shelly","professions":["Actress","Writer","Director"],"primaryProfessions":["Actress","Writer","Director"],"primaryImage":{"caption":"Adrienne Shelly","height":522,"width":450,"url":"https://m.media-amazon.com/images/M/MV5BMTM5NDIwODM2NF5BMl5BanBnXkFtZTcwMzUwMjAzMQ@@._V1_.jpg"}},{"bio":"Sylvia Sidney was born in The Bronx, New York City, on August 8, 1910 as Sophia Kosow to Jewish parents. Her father was born in Russia and her mother was born in Romania. They divorced not long after her birth. Her mother subsequently remarried and young Sophia was adopted by her stepfather, Sigmund Sidney.\u003cbr/\u003e\u003cbr/\u003eA shy, only child, her parents tried to encourage her to be more outgoing and gregarious. As an early teen, Sophia (later Sylvia) had decided she wanted a stage career. While most parents would have looked down on such an announcement, Sylvia was encouraged to pursue the dream she had made. She enrolled in the Theater Guild\u0026#39;s School for Acting. Sylvia later admitted that when she decided to become a stage actress at 15, it wasn\u0026#39;t being star struck that occurred to her, but the expression of beauty that encompassed acting. All she wanted was to be identified with good productions.\u003cbr/\u003e\u003cbr/\u003eOne school production was held at a Broadway theater and in the audience there was a critic from the New York Times who had nothing but rave reviews for the young woman. On the strength of her performance in New York, she appeared onstage in Washington, D.C. Further stage productions followed, each better than the last and it wasn\u0026#39;t long before the film moguls were at the doorstep. She was appearing in the stage production of \u0026quot;Crime\u0026quot; when she made her first appearance on the silver screen in 1927. The film in question was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0017703/?ref_=sr\"\u003eBroadway Nights (1927)\u003c/a\u003e which dealt with stage personalities of which Sylvia, despite her extremely tender age, was one. After the film she returned to the stage where she appeared in creations which were, for the most part, forgettable. She moved to Colorado to tour with a stock company. She later returned to Broadway for a series of other plays. By 1929, she was on the big screen with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0020497/?ref_=sr\"\u003eThru Different Eyes (1929)\u003c/a\u003e as Valerie Briand. This was followed by a short film, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0020888/?ref_=sr\"\u003eFive Minutes from the Station (1930)\u003c/a\u003e. Sylvia Sidney was slowly leaving the stage for the production studios of Paramount.\u003cbr/\u003e\u003cbr/\u003e1931 saw her appear in five films, one of which, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0021750/?ref_=sr\"\u003eCity Streets (1931)\u003c/a\u003e, made her a star. Aware that she was replacing the great \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001966/?ref_=sr\"\u003eClara Bow\u003c/a\u003e, who was suffering from severe and debilitating health issues, mainly depression. The contrast between the two actresses was great but the movie was a hit. The sad-eyed Sylvia made a tremendous impact and her screen career was off a running. Her next film was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0022042/?ref_=sr\"\u003eLadies of the Big House (1931)\u003c/a\u003e as Kathleen Storm McNeil, part of a couple framed for a murder they didn\u0026#39;t commit. The film made huge profits at the box-office. She then made \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0023213/?ref_=sr\"\u003eMerrily We Go to Hell (1932)\u003c/a\u003e, appearing opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0545298/?ref_=sr\"\u003eFredric March\u003c/a\u003e. The film was an unqualified success. Later, in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0023169/?ref_=sr\"\u003eMadame Butterfly (1932)\u003c/a\u003e, she starred as the doomed geisha girl (Cho-Cho San); critics agreed that only her performance saved the film from being a total disaster.\u003cbr/\u003e\u003cbr/\u003eIn 1933, she starred in the title role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0024193/?ref_=sr\"\u003eJennie Gerhardt (1933)\u003c/a\u003e. Yet another doom and gloom picture, she played a girl beset with poverty and the death of her young husband before the birth of their child. Sidney received the star spotlight in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0025192/?ref_=sr\"\u003eGood Dame (1934)\u003c/a\u003e.\nDespite her fine performance, the film failed at the box-office. She scored big with the film critics as the lead female in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0026688/?ref_=sr\"\u003eMary Burns, Fugitive (1935)\u003c/a\u003e, a restaurant owner who falls for a big time gangster. Her performance was overshadowed by Alan Baxter, who gave an outstanding portrayal as the gangster. That film was quickly followed by \u0026quot;Accent On Youth\u0026quot;, in which she played Linda Brown, a young lady fascinated by older men. In 1938, Sidney played in \u0026quot;You and Me\u0026quot;, opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0706368/?ref_=sr\"\u003eGeorge Raft\u003c/a\u003e. The film critics gave it mixed reviews but it did not fare well at the box-office. Afterward, the roles began to dissipate. She filmed \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0031761/?ref_=sr\"\u003e...One Third of a Nation... (1939)\u003c/a\u003e and would not be seen again onscreen until \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034370/?ref_=sr\"\u003eThe Wagons Roll at Night (1941)\u003c/a\u003e. There was a four year hiatus before \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037547/?ref_=sr\"\u003eBlood on the Sun (1945)\u003c/a\u003e, opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000010/?ref_=sr\"\u003eJames Cagney\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eIn 1946, she starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038915/?ref_=sr\"\u003eThe Searching Wind (1946)\u003c/a\u003e as Cassie Bowman. The film was based on a Broadway play but it just didn\u0026#39;t transfer well onto the big screen. It was widely considered to be too serious and flopped with the movie fans. After \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039586/?ref_=sr\"\u003eLove from a Stranger (1947)\u003c/a\u003e, she didn\u0026#39;t appear onscreen again until \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044907/?ref_=sr\"\u003eLes Miserables (1952)\u003c/a\u003e, as \u0026quot;Fantine\u0026quot;. Only three more films followed that decade. There were no films throughout the 1960s. After appearing in a made-for-television movie, she returned to the big screen in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070748/?ref_=sr\"\u003eSummer Wishes, Winter Dreams (1973)\u003c/a\u003e, playing the mother of the character played by Oscar-winning actress \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0940946/?ref_=sr\"\u003eJoanne Woodward\u003c/a\u003e. For her performance, Sidney received her only Oscar nomination, losing to another actress who also only received one Oscar nomination in her lifetime, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001575/?ref_=sr\"\u003eTatum O\u0026#39;Neal\u003c/a\u003e (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070510/?ref_=sr\"\u003ePaper Moon (1973)\u003c/a\u003e). O\u0026#39;Neal was 10 years old when she accepted the award.\u003cbr/\u003e\u003cbr/\u003eAside from a few more supporting role film appearances strewn here and there, Sidney mostly appeared on television thereafter. In 1988, she appeared as Juno in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000318/?ref_=sr\"\u003eTim Burton\u003c/a\u003e \u0026#39;s hit film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0094721/?ref_=sr\"\u003eBeetle Juice (1988)\u003c/a\u003e. Her last film for the big screen was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0116996/?ref_=sr\"\u003eMars Attacks! (1996)\u003c/a\u003e as the unlikely heroine whose taste in music saves Earth from an exceptionally brutal Martian victory. She had been seriously injured after being hit by a car but director Burton waited for her to be able to appear (in a wheelchair) rather than recast the role. In 1998, she played Clia, the irritable elderly travel agency clerk, who appeared (along with Fyvush Finkel) at the beginning of every episode of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0158408/?ref_=sr\"\u003eFantasy Island (1998)\u003c/a\u003e, the short-lived black-humored reboot of the iconic 1970s series of the same name.\u003cbr/\u003e\u003cbr/\u003eA lifelong heavy smoker, Sidney died on July 1, 1999, aged 88, of throat cancer.","knownFor":{"originalTitleText":"Beetlejuice","titleId":"tt0094721","titleText":"Beetle Juice","canHaveEpisodes":false,"yearRange":{"year":1988}},"nameId":"nm0796662","nameText":"Sylvia Sidney","professions":["Actress"],"primaryProfessions":["Actress"],"primaryImage":{"caption":"Sylvia Sidney 11/4/50","height":450,"width":350,"url":"https://m.media-amazon.com/images/M/MV5BMTU0NzY1MDk2MV5BMl5BanBnXkFtZTYwNzI2NDQ2._V1_.jpg"}},{"bio":"Mark Margolis was an American actor who is well-known for his collaborations with film director \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0004716/?ref_=sr\"\u003eDarren Aronofsky\u003c/a\u003e, particularly \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0138704/?ref_=sr\"\u003ePi (1998)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0180093/?ref_=sr\"\u003eRequiem for a Dream (2000)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1959490/?ref_=sr\"\u003eNoah (2014)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0947798/?ref_=sr\"\u003eBlack Swan (2010)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0414993/?ref_=sr\"\u003eThe Fountain (2006)\u003c/a\u003e. Margolis also gained notoriety for his portrayal of \u0026quot;Tio\u0026quot; Hector Salamanca in the highly successful crossover series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0903747/?ref_=sr\"\u003eBreaking Bad (2008)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt3032476/?ref_=sr\"\u003eBetter Call Saul (2015)\u003c/a\u003e. He also acted in the hit films \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0109040/?ref_=sr\"\u003eAce Ventura: Pet Detective (1994)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086250/?ref_=sr\"\u003eScarface (1983)\u003c/a\u003e. He has been married to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0546789/?ref_=sr\"\u003eJacqueline Margolis\u003c/a\u003e since 1962 and has one child with her.","knownFor":{"originalTitleText":"Pi","titleId":"tt0138704","titleText":"Pi","canHaveEpisodes":false,"yearRange":{"year":1998}},"nameId":"nm0546797","nameText":"Mark Margolis","professions":["Actor"],"primaryProfessions":["Actor"],"primaryImage":{"caption":"Mark Margolis","height":900,"width":675,"url":"https://m.media-amazon.com/images/M/MV5BM2NhYjg2ZDUtNzdiNS00MGEwLThjNjktNDNhMzM1MmQ1NmMyXkEyXkFqcGc@._V1_.jpg"}},{"bio":"Anne Baxter was born in Michigan City, Indiana, on May 7, 1923. She was the daughter of a salesman, Kenneth Stuart Baxter, and his wife, Catherine Dorothy (Wright), who herself was the daughter of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0942394/?ref_=sr\"\u003eFrank Lloyd Wright\u003c/a\u003e, the world-renowned architect. Anne was a young girl of 11 when her parents moved to New York City, which at that time was still the hub of the entertainment industry even though the film colony was moving west. The move there encouraged her to consider acting as a vocation. By the time she was 13 she had already appeared in a stage production of \u0026#39;Seen but Not Heard\u0026#39;\u0026quot;, and had garnered rave reviews from the tough Broadway critics. The play helped her gain entrance to an exclusive acting school.\u003cbr/\u003e\u003cbr/\u003eIn 1937, Anne made her first foray into Hollywood to test the waters there in the film industry. As she was thought to be too young for a film career, she packed her bags and returned to the New York stage with her mother, where she continued to act on Broadway and summer stock up and down the East Coast. Undaunted by the failure of her previous effort to crack Hollywood, Anne returned to California two years later to try again. This time her luck was somewhat better. She took a screen test which was ultimately seen by the moguls of Twentieth Century-Fox, and she was signed to a seven-year contract. However, before she could make a movie with Fox, Anne was loaned out to MGM to make \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032178/?ref_=sr\"\u003e20 Mule Team (1940)\u003c/a\u003e. At only 17 years of age, she was already in the kind of pictures that other starlets would have had to slave for years as an extra before landing a meaty role. Back at Fox, that same year, Anne played Mary Maxwell in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0032556/?ref_=sr\"\u003eThe Great Profile (1940)\u003c/a\u003e, which was a box-office dud. The following year she played Amy Spettigue in the remake of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033457/?ref_=sr\"\u003eCharley\u0026#39;s Aunt (1941)\u003c/a\u003e. It still wasn\u0026#39;t a great role, but it was better than a bit part. The only other film job Anne appeared in that year was in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0034251/?ref_=sr\"\u003eSwamp Water (1941)\u003c/a\u003e. It was the first role that was really worth anything, but critics weren\u0026#39;t that impressed with Anne, her role nor the movie. In 1942 Anne played \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001072/?ref_=sr\"\u003eJoseph Cotten\u003c/a\u003e\u0026#39;s daughter, Lucy Morgan, in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0035015/?ref_=sr\"\u003eThe Magnificent Ambersons (1942)\u003c/a\u003e. The following year she appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036217/?ref_=sr\"\u003eThe North Star (1943)\u003c/a\u003e, the first film where she received top billing. The film was a critical and financial success and Anne came in for her share of critical plaudits. \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036886/?ref_=sr\"\u003eGuest in the House (1944)\u003c/a\u003e the next year was a dismal failure, but \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0037326/?ref_=sr\"\u003eSunday Dinner for a Soldier (1944)\u003c/a\u003e was received much better by the public, though it was ripped apart by the critics. Anne starred with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0388303/?ref_=sr\"\u003eJohn Hodiak\u003c/a\u003e, who would become her first husband in 1947 (Anne was to divorce Hodiak in 1954. Her other two husbands were Randolph Galt and David Klee).\u003cbr/\u003e\u003cbr/\u003eIn 1946 Anne portrayed Sophie MacDonald in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0038873/?ref_=sr\"\u003eThe Razor\u0026#39;s Edge (1946)\u003c/a\u003e, a film that would land her an Academy Award for Best Supporting Actress. She had come a long way in so short a time, but for her next two films she was just the narrator: \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039634/?ref_=sr\"\u003eMother Wore Tights (1947)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039196/?ref_=sr\"\u003eBlaze of Noon (1947)\u003c/a\u003e. It would be 1950 before she landed another decent role--the part of Eve Harrington in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042192/?ref_=sr\"\u003eAll About Eve (1950)\u003c/a\u003e. This film garnered Anne her second nomination, but she lost the Oscar to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0391062/?ref_=sr\"\u003eJudy Holliday\u003c/a\u003e for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042276/?ref_=sr\"\u003eBorn Yesterday (1950)\u003c/a\u003e. After several films through the 1950s, Anne landed what many considered a plum role--Queen Nefretiri in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001124/?ref_=sr\"\u003eCecil B. DeMille\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049833/?ref_=sr\"\u003eThe Ten Commandments (1956)\u003c/a\u003e. Never in her Hollywood career did Anne look as beautiful as she did as the Egyptian queen, opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000032/?ref_=sr\"\u003eCharlton Heston\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000989/?ref_=sr\"\u003eYul Brynner\u003c/a\u003e. After that epic, job offers got fewer because she wasn\u0026#39;t tied to a studio, instead opting to freelance her talents. After no appearances in 1958, she made one film in 1959 \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053321/?ref_=sr\"\u003eSummer of the Seventeenth Doll (1959)\u003c/a\u003e and one in 1960 \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053715/?ref_=sr\"\u003eCimarron (1960)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eAfter \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0056671/?ref_=sr\"\u003eWalk on the Wild Side (1962)\u003c/a\u003e, she took a hiatus from filming for the next four years. She was hardly idle, though. She appeared often on stage and on television. She wasn\u0026#39;t particularly concerned with being a celebrity or a personality; she was more concerned with being just an actress and trying hard to produce the best performance she was capable of. After several notable TV appearances, Anne became a staple of two television series, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083409/?ref_=sr\"\u003eEast of Eden (1981)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085032/?ref_=sr\"\u003eHotel (1983)\u003c/a\u003e. Her final moment before the public eye was as Irene Adler in the TV film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0088108/?ref_=sr\"\u003eThe Masks of Death (1984)\u003c/a\u003e. On December 12, 1985, Anne died of a stroke in New York. She was 62.","knownFor":{"originalTitleText":"All About Eve","titleId":"tt0042192","titleText":"All About Eve","canHaveEpisodes":false,"yearRange":{"year":1950}},"nameId":"nm0000879","nameText":"Anne Baxter","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Anne Baxter, 1956.","height":450,"width":350,"url":"https://m.media-amazon.com/images/M/MV5BMjA2OTU3MTM0Nl5BMl5BanBnXkFtZTYwMTgwMTM2._V1_.jpg"}},{"bio":"Gavin Creel was born on 18 April 1976 in Findlay, Ohio, USA. He was an actor and producer, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt31956116/?ref_=sr\"\u003eThe Delicate Medium\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2360751/?ref_=sr\"\u003eSubmissions Only (2010)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt5923792/?ref_=sr\"\u003eThe Ceiling Fan (2016)\u003c/a\u003e. He died on 30 September 2024 in Manhattan, New York City, New York, USA.","knownFor":{"originalTitleText":"The Delicate Medium","titleId":"tt31956116","titleText":"The Delicate Medium","canHaveEpisodes":false,"yearRange":{}},"nameId":"nm1342128","nameText":"Gavin Creel","professions":["Actor","Producer","Soundtrack"],"primaryProfessions":["Actor","Producer","Soundtrack"],"primaryImage":{"caption":"Gavin Creel at an event for The 71st Annual Tony Awards (2017)","height":2048,"width":1464,"url":"https://m.media-amazon.com/images/M/MV5BMjEyMjE0MDc0OF5BMl5BanBnXkFtZTgwMzk5Njk1MjI@._V1_.jpg"}},{"bio":"Jerry Orbach was born in the Bronx, New York, the only child of Leon Orbach, a former vaudevillian actor, was a German Jewish immigrant, who was born in Hamburg, Germany, and Emily (nee Olexy), a radio singer, was born in Pennsylvania to immigrant Polish-Lithuanian Roman Catholic parents, Alexander Olexy and Susanna (nee Klauba). The family moved frequently. He spent part of his childhood in Nanticoke, Pennsylvania and eventually settled in Waukegan, Illinois, where he went to high school.\u003cbr/\u003e\u003cbr/\u003eThe constant moving made him the new kid on the block and forced him to become \u0026quot;a chameleon\u0026quot; to blend in his new settings. He studied drama at the University of Illinois and at Northwestern University. He then went to study acting in New York and got constant work in musicals. He slowly pushed to get acting roles in television and films after being overlooked due to his musical roots.\u003cbr/\u003e\u003cbr/\u003eOrbach died at age 69 on December 28, 2004, after a decade-long battle with prostate cancer. His widow, Elaine Cancilla Orbach died on April 1, 2009, from pneumonia. Orbach and Cancilla both predeceased Orbach\u0026#39;s mother, Emily Orbach, who died on July 28, 2012, at the age of 101.","knownFor":{"originalTitleText":"Law \u0026 Order","titleId":"tt0098844","titleText":"Law \u0026 Order","canHaveEpisodes":true,"yearRange":{"year":1991,"endYear":2004}},"nameId":"nm0001583","nameText":"Jerry Orbach","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"Jerry Orbach © 1987 Gene Trindl","height":420,"width":286,"url":"https://m.media-amazon.com/images/M/MV5BMjAwNzY0Njg2MV5BMl5BanBnXkFtZTYwNjg2OTQ2._V1_.jpg"}},{"bio":"Diana became involved in show business at a very early age, tap dancing at seven and winning a beauty contest three years later. This led to modeling sun suits for Sears Department Stores, and, eventually, to becoming a Conover model for the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm3661254/?ref_=sr\"\u003eJohn Robert Powers\u003c/a\u003e Agency in New York. She also acquired plenty of acting practice during seven seasons of summer stock, playing assorted leads in classic plays like The Little Foxes, The Seven Year Itch (the role immortalized by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000054/?ref_=sr\"\u003eMarilyn Monroe\u003c/a\u003e on screen!), Tobacco Road and Life With Father. From the mid-50s, she appeared on numerous live TV shows in New York and even enjoyed a second-billed leading role in a 1955 episode of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0267223/?ref_=sr\"\u003eStar Tonight (1955)\u003c/a\u003e. This did not lead anywhere career-wise, so the blonde, comely-looking Diana took on further acting studies and got herself noticed with covers in popular contemporary magazines. Alas, it took a move to Hollywood for her career to really gain some traction, then, before long, she became a much-in-demand guest actress for prime-time TV shows. So much so, where by 1962, she was given the sobriquet \u0026#39;Miss Emmy\u0026#39;.\u003cbr/\u003e\u003cbr/\u003eDiana also appeared thrice on Broadway, culminating in a leading role in the comedy play Boeing-Boeing in 1962. That same year, she toured the U.S. and Canada in a National Theatre Company Production of The Seven Year Itch, opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0102787/?ref_=sr\"\u003eEddie Bracken\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eDuring her prolific TV appearances in the 60s, Diana accumulated screen credits on some of the most popular shows of the day, including \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050037/?ref_=sr\"\u003eMaverick (1957)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047736/?ref_=sr\"\u003eGunsmoke (1955)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0053534/?ref_=sr\"\u003eRoute 66 (1960)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052504/?ref_=sr\"\u003eRawhide (1959)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050051/?ref_=sr\"\u003ePerry Mason (1957)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051247/?ref_=sr\"\u003e77 Sunset Strip (1958)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0055710/?ref_=sr\"\u003eThe Virginian (1962)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057765/?ref_=sr\"\u003eThe Man from U.N.C.L.E. (1964)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eHowever, her undoubted career highlight came near the end of her life as an actress when producer/creator \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0193303/?ref_=sr\"\u003eDan Curtis\u003c/a\u003e offered her the juicy role of Laura Collins (an immortal Phoenix-like entity) in his cult supernatural day time series \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059978/?ref_=sr\"\u003eDark Shadows (1966)\u003c/a\u003e. Between 1966 and 1969, Diana lived and breathed this character in 62 episodes and a subsequent spin-off movie release, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0067491/?ref_=sr\"\u003eNight of Dark Shadows (1971)\u003c/a\u003e. After that, her acting career ended somewhat inconspicuously.\u003cbr/\u003e\u003cbr/\u003eIn later years, she moved back to New York where she reinvented herself as an author of several books, including \u0026quot;The Power of Halloween\u0026quot; (dealing with supernatural themes, such as witchcraft), \u0026quot;How to Create Good Luck\u0026quot; and \u0026quot;I\u0026#39;d Rather Eat Than Act\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eBetween 1966 and 1968, Diana Claire Millay was married to Geoffrey Montgomery Talbot Jones, a Broadway producer, Princeton alumnus and former wartime OSS officer. Sometime during the 1990s, she worked as a promoter for Microhydrin, an antioxidant and nutritional supplement.\u003cbr/\u003e\u003cbr/\u003eDiana passed away in New York on 8 January 2021 at the age of 86.","knownFor":{"originalTitleText":"Dark Shadows","titleId":"tt0059978","titleText":"Dark Shadows","canHaveEpisodes":true,"yearRange":{"year":1966,"endYear":1969}},"nameId":"nm0587765","nameText":"Diana Millay","professions":["Actress"],"primaryProfessions":["Actress"],"primaryImage":{"caption":"Diana Millay","height":375,"width":500,"url":"https://m.media-amazon.com/images/M/MV5BMTQ1NzQzNjU0Ml5BMl5BanBnXkFtZTgwNTMwNDIyMjE@._V1_.jpg"}},{"bio":"Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086312/?ref_=sr\"\u003eSilkwood (1983)\u003c/a\u003e, co-written with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0035146/?ref_=sr\"\u003eAlice Arlen\u003c/a\u003e) and a mobster\u0026#39;s feisty independent daughter Cookie Voltecki (\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0097109/?ref_=sr\"\u003eCookie (1989)\u003c/a\u003e, also co-written with Arlen). Ephron\u0026#39;s hard-headed sensibilities helped make \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001661/?ref_=sr\"\u003eRob Reiner\u003c/a\u003e\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098635/?ref_=sr\"\u003eWhen Harry Met Sally... (1989)\u003c/a\u003e a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.\u003cbr/\u003e\u003cbr/\u003eEphron made her directorial debut with the comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0105577/?ref_=sr\"\u003eThis Is My Life (1992)\u003c/a\u003e, co-scripted by her sister \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0258286/?ref_=sr\"\u003eDelia Ephron\u003c/a\u003e, which starred \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001413/?ref_=sr\"\u003eJulie Kavner\u003c/a\u003e as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0108160/?ref_=sr\"\u003eSleepless in Seattle (1993)\u003c/a\u003e, a romantic comedy in which lovers \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000158/?ref_=sr\"\u003eTom Hanks\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000212/?ref_=sr\"\u003eMeg Ryan\u003c/a\u003e are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050105/?ref_=sr\"\u003eAn Affair to Remember (1957)\u003c/a\u003e, starring \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000026/?ref_=sr\"\u003eCary Grant\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000039/?ref_=sr\"\u003eDeborah Kerr\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eEphron was born in New York City, the daughter of stage and screen writing team \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0258288/?ref_=sr\"\u003eHenry Ephron\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0258290/?ref_=sr\"\u003ePhoebe Ephron\u003c/a\u003e, who used her infancy as the subject of their play \u0026quot;Three\u0026#39;s a Family\u0026quot; and based their comedy \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0057556/?ref_=sr\"\u003eTake Her, She\u0026#39;s Mine (1963)\u003c/a\u003e on letters their daughter wrote them from college. Their screenplays include \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047574/?ref_=sr\"\u003eThere\u0026#39;s No Business Like Show Business (1954)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049055/?ref_=sr\"\u003eCarousel (1956)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050307/?ref_=sr\"\u003eDesk Set (1957)\u003c/a\u003e. Formerly married to novelist \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0338633/?ref_=sr\"\u003eDan Greenburg\u003c/a\u003e and investigative journalist \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0077012/?ref_=sr\"\u003eCarl Bernstein\u003c/a\u003e, Ephron was wed to crime journalist and screenwriter \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0683380/?ref_=sr\"\u003eNicholas Pileggi\u003c/a\u003e, at the time of her passing, who wrote such films as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0099685/?ref_=sr\"\u003eGoodFellas (1990)\u003c/a\u003e. She was of Russian Jewish descent.","knownFor":{"originalTitleText":"Julie \u0026 Julia","titleId":"tt1135503","titleText":"Julie \u0026 Julia","canHaveEpisodes":false,"yearRange":{"year":2009}},"nameId":"nm0001188","nameText":"Nora Ephron","professions":["Writer","Producer","Director"],"primaryProfessions":["Writer","Producer","Director"],"primaryImage":{"caption":"Nora Ephron","height":2048,"width":1360,"url":"https://m.media-amazon.com/images/M/MV5BMjE0MTEyNDE0M15BMl5BanBnXkFtZTcwNzA5NjQwOA@@._V1_.jpg"}},{"bio":"Myrna Williams, later to become Myrna Loy, was born on August 2, 1905 in Helena, Montana. Her father was the youngest person ever elected to the Montana State legislature. Later on her family moved to Radersburg where she spent her youth on a cattle ranch. At the age of 13, Myrna\u0026#39;s father died of influenza and the rest of the family moved to Los Angeles. She was educated in L.A. at the Westlake School for Girls where she caught the acting bug. She started at the age of 15 when she appeared in local stage productions in order to help support her family. Some of the stage plays were held in the now famous Grauman\u0026#39;s Theater in Hollywood. Mrs. Rudolph Valentino happened to be in the audience one night who managed to pull some strings to get Myrna some parts in the motion picture industry. Her first film was a small part in the production of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0019567/?ref_=sr\"\u003eWhat Price Beauty? (1925)\u003c/a\u003e. Later she appeared the same year in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0016241/?ref_=sr\"\u003ePretty Ladies (1925)\u003c/a\u003e along with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001076/?ref_=sr\"\u003eJoan Crawford\u003c/a\u003e. She was one of the few stars that would start in silent movies and make a successful transition into the sound era. In the silent films, Myrna would appear as an exotic femme fatale. Later in the sound era, she would become a refined, wholesome character. Unable to land a contract with MGM, she continued to appear in small, bit roles, nothing that one could really call acting. In 1926, Myrna appeared in the Warner Brothers film called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0016313/?ref_=sr\"\u003eSatan in Sables (1925)\u003c/a\u003e which, at long last, landed her a contract. Her first appearance as a contract player was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0016716/?ref_=sr\"\u003eThe Caveman (1926)\u003c/a\u003e where she played a maid. Although she was typecast over and over again as a vamp, Myrna continued to stay busy with small parts. Finally, in 1927, she received star billing in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0017676/?ref_=sr\"\u003eBitter Apples (1927)\u003c/a\u003e. The excitement was short lived as she returned to the usual smaller roles afterward. Myrna would take any role that would give her exposure and showcase the talent she felt was being wasted. It seemed that she would play one vamp after another. She wanted something better. Finally her contract ran out with WB and she signed with MGM where she got two meaty roles. One was in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0024475/?ref_=sr\"\u003eThe Prizefighter and the Lady (1933)\u003c/a\u003e, and the other as Nora Charles in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0025878/?ref_=sr\"\u003eThe Thin Man (1934)\u003c/a\u003e with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001635/?ref_=sr\"\u003eWilliam Powell\u003c/a\u003e. Most agreed that the Thin Man series would never have been successful without Myrna. Her witty perception of situations gave her the image that one could not pull a fast one over on the no-nonsense Mrs. Charles. After The Thin Man, Myrna would appear in five more in the series. Myrna was a big box-office draw. She was popular enough that, in 1936, she was named Queen of the Movies and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000022/?ref_=sr\"\u003eClark Gable\u003c/a\u003e the king in a nationwide poll of movie goers. Her popularity was at its zenith. With the outbreak of World War II, Myrna all but abandoned her acting career to focus on the war effort. After making THE SHADOW OF THE THIN MAN in November of 1941, Myrna more or less stayed away from Hollywood for five years. She broke this hiatus to appear in one Thin Man sequel while devoting most of her time working with the Red Cross. When she did return her star quality had not diminished a bit, as evidenced by her headlining \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0036868/?ref_=sr\"\u003eThe Best Years of Our Lives (1946)\u003c/a\u003e. The film did superbly at the box-office, winning the Academy Award for Best Picture in 1947. With her career in high gear again, Myrna played opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000026/?ref_=sr\"\u003eCary Grant\u003c/a\u003e in back-to-back hits \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0039169/?ref_=sr\"\u003eThe Bachelor and the Bobby-Soxer (1947)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040613/?ref_=sr\"\u003eMr. Blandings Builds His Dream House (1948)\u003c/a\u003e. She continued to make films through the \u0026#39;50s but the roles started getting fewer, her biggest success coming at the start of that decade with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042327/?ref_=sr\"\u003eCheaper by the Dozen (1950)\u003c/a\u003e. By the 1960s the parts had all but dried up as producers and directors looked elsewhere for talent. In 1960 she appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054084/?ref_=sr\"\u003eMidnight Lace (1960)\u003c/a\u003e and was not in another film until 1969 in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0064036/?ref_=sr\"\u003eThe April Fools (1969)\u003c/a\u003e. The 1970s found her mainly in TV movies, not theatrical productions, except for small roles in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071110/?ref_=sr\"\u003eAirport 1975 (1974)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077504/?ref_=sr\"\u003eThe End (1978)\u003c/a\u003e. Her last film was in 1981 called \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083141/?ref_=sr\"\u003eSummer Solstice (1981)\u003c/a\u003e, and her final acting credit was a guest spot on the sitcom \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0081896/?ref_=sr\"\u003eLove, Sidney (1981)\u003c/a\u003e in 1982. By the time Myrna passed away, on December 14, 1993, at the age of 88, she had appeared in a phenomenal 129 motion pictures. She was buried in Helena, Montana.","knownFor":{"originalTitleText":"The Thin Man","titleId":"tt0025878","titleText":"The Thin Man","canHaveEpisodes":false,"yearRange":{"year":1934}},"nameId":"nm0001485","nameText":"Myrna Loy","professions":["Actress","Soundtrack"],"primaryProfessions":["Actress","Soundtrack"],"primaryImage":{"caption":"Myrna Loy c. 1932","height":450,"width":322,"url":"https://m.media-amazon.com/images/M/MV5BMjAwMzU0NjY4NF5BMl5BanBnXkFtZTYwNDE3NjQ2._V1_.jpg"}},{"bio":"WWII veteran, dance instructor and diversely talented stage \u0026amp; screen\nactor were all inclusions on the resume of this perpetually busy US\nactor who didn\u0026#39;t get in front of the cameras until around the time of\nhis fortieth birthday. The stockily built Charles Durning was one of\nHollywood\u0026#39;s most dependable and sought after supporting actors.\u003cbr/\u003e\u003cbr/\u003eDurning was born in Highland Falls, New York, to Louise Marie\n(Leonard), a laundress, and James Gerald Durning. His father was an\nIrish immigrant and his mother was of Irish descent. Durning first got\nhis start in guest appearances in early 1960\u0026#39;s TV shows. He scored\nminor roles over the next decade until he really got noticed by film\nfans as the sneering, corrupt cop \u0026quot;Lt. Snyder\u0026quot; hassling street grifter\n\u0026#39;Robert Redford\u0026#39; in the multi award winning mega-hit\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0070735/?ref_=sr\"\u003eThe Sting (1973)\u003c/a\u003e. Durning was equally\nentertaining in the \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000697/?ref_=sr\"\u003eBilly Wilder\u003c/a\u003e production\nof \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071524/?ref_=sr\"\u003eThe Front Page (1974)\u003c/a\u003e, he\nsupported screen tough guy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000314/?ref_=sr\"\u003eCharles Bronson\u003c/a\u003e in the\nsuspenseful western\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072735/?ref_=sr\"\u003eBreakheart Pass (1975)\u003c/a\u003e and\nfeatured as \u0026quot;Spermwhale Whalen\u0026quot; in the story of unorthodox police\nbehavior in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0075845/?ref_=sr\"\u003eThe Choirboys (1977)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eThe versatile Durning is equally adept at comedic roles and\ndemonstrated his skills as \u0026quot;Doc Hopper\u0026quot; in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079588/?ref_=sr\"\u003eThe Muppet Movie (1979)\u003c/a\u003e, a\nfeisty football coach in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079640/?ref_=sr\"\u003eNorth Dallas Forty (1979)\u003c/a\u003e, a\nhighly strung police officer berating maverick cop\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000608/?ref_=sr\"\u003eBurt Reynolds\u003c/a\u003e in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083064/?ref_=sr\"\u003eSharky\u0026#39;s Machine (1981)\u003c/a\u003e, and a\nlight footed, dancing Governor (alongside Burt Reynolds once more) in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083642/?ref_=sr\"\u003eThe Best Little Whorehouse in Texas (1982)\u003c/a\u003e.\nDurning continued a regular on screen association with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000608/?ref_=sr\"\u003eBurt Reynolds\u003c/a\u003e appearing in several\nmore feature films together and as \u0026quot;Dr. Harlan Elldridge\u0026quot; in the highly\npopular TV series\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0098790/?ref_=sr\"\u003eEvening Shade (1990)\u003c/a\u003e. On par\nwith his multitude of feature film roles, Durning has always been in\nhigh demand on television and has guest starred in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0115167/?ref_=sr\"\u003eEverybody Loves Raymond (1996)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0312172/?ref_=sr\"\u003eMonk (2002)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0381798/?ref_=sr\"\u003eRescue Me (2004)\u003c/a\u003e. Plus, he has\nappeared in the role of \u0026quot;Santa Claus\u0026quot; in five different television\nmovies.","knownFor":{"originalTitleText":"Dog Day Afternoon","titleId":"tt0072890","titleText":"Dog Day Afternoon","canHaveEpisodes":false,"yearRange":{"year":1975}},"nameId":"nm0001164","nameText":"Charles Durning","professions":["Actor","Additional Crew","Soundtrack"],"primaryProfessions":["Actor","Additional Crew","Soundtrack"],"primaryImage":{"caption":"Charles Durning","height":400,"width":341,"url":"https://m.media-amazon.com/images/M/MV5BMjAzMDk1NTU1OV5BMl5BanBnXkFtZTYwMDA2MjM0._V1_.jpg"}},{"bio":"Jack Warden was born John Warden Lebzelter, Jr. on September 18, 1920 in Newark,\nNew Jersey, to Laura M. (Costello) and John Warden Lebzelter. His father\nwas of German and Irish descent, and his mother was of Irish ancestry.\nRaised in Louisville, Kentucky, at the age of seventeen, young Jack Lebzelter\nwas expelled from Louisville\u0026#39;s DuPont Manual High School for repeatedly\nfighting. Good with his fists, he turned professional, boxing as a\nwelterweight under the name \u0026quot;Johnny Costello\u0026quot;, adopting his mother\u0026#39;s\nmaiden name. The purses were poor, so he soon left the ring and worked\nas a bouncer at a night club. He also worked as a lifeguard before\nsigning up with the U.S. Navy in 1938. He served in China with the\nYangtze River Patrol for the best part of his three-year hitch before\njoining the Merchant Marine in 1941.\u003cbr/\u003e\u003cbr/\u003eThough the Merchant Marine paid better than the Navy, Warden was\ndissatisfied with his life aboard ship on the long convoy runs and quit\nin 1942 in order to enlist in the U.S. Army. He became a paratrooper\nwith the elite 101st Airborne Division, and missed the June 1944\ninvasion of Normandy due to a leg badly broken by landing on a fence\nduring a nighttime practice jump shortly before D-Day. Many of his\ncomrades lost their lives during the Normandy invasion, but the future\nJack Warden was spared that ordeal. Recuperating from his injuries, he\nread a play by \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0644048/?ref_=sr\"\u003eClifford Odets\u003c/a\u003e given to\nhim by a fellow soldier who was an actor in civilian life. He was so\nmoved by the play, he decided to become an actor after the war. After\nrecovering from his badly shattered leg, Warden saw action at the\nBattle of the Bulge, Nazi Germany\u0026#39;s last major offensive. He was\ndemobilized with the rank of sergeant and decided to pursue an acting\ncareer on the G.I. Bill. He moved to New York City to attend acting\nschool, then joined the company of Theatre\n\u0026#39;47 in Dallas in 1947 as\na professional actor, taking his middle name as his surname.\nThis repertory company, run by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1631182/?ref_=sr\"\u003eMargo Jones\u003c/a\u003e,\nbecame famous in the 1940s and \u0026#39;50s for producing Tennessee Williams\u0026#39;s\nplays. The experience gave him a valuable grounding in both classic and\ncontemporary drama, and he shuttled between Texas and New York for five\nyears as he was in demand as an actor. Warden made his television debut\nin 1948, though he continued to perform on stage (he appeared in a\nstage production in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0007186/?ref_=sr\"\u003eArthur Miller\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0187806/?ref_=sr\"\u003eDeath of a Salesman (1966)\u003c/a\u003e).\nAfter several years in small, local productions, he made both his\nBroadway debut in the 1952 Broadway revival of Odets\u0026#39; \u0026quot;Golden Boy\u0026quot; and,\nthree years later, originated the role of \u0026quot;Marco\u0026quot; in the original\nBroadway production of Miller\u0026#39;s \u0026quot;A View From the Bridge\u0026quot;. On film, he\nand fellow World War II veteran,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001511/?ref_=sr\"\u003eLee Marvin\u003c/a\u003e (Marine Corps, South\nPacific), made their debut in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044224/?ref_=sr\"\u003eYou\u0026#39;re in the Navy Now (1951)\u003c/a\u003e\n(a.k.a. \u0026quot;U.S.S. Teakettle\u0026quot;), uncredited, along with fellow vet\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000314/?ref_=sr\"\u003eCharles Bronson\u003c/a\u003e, then billed as\n\u0026quot;Charles Buchinsky\u0026quot;.\u003cbr/\u003e\u003cbr/\u003eWith his athletic physique, he was routinely cast in bit parts as\nsoldiers (including the sympathetic barracks-mate of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001050/?ref_=sr\"\u003eMontgomery Clift\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000069/?ref_=sr\"\u003eFrank Sinatra\u003c/a\u003e in the Oscar-winning\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045793/?ref_=sr\"\u003eFrom Here to Eternity (1953)\u003c/a\u003e.\nHe played the coach on TV\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0044279/?ref_=sr\"\u003eMister Peepers (1952)\u003c/a\u003e with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0185281/?ref_=sr\"\u003eWally Cox\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eAside from\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0045793/?ref_=sr\"\u003eFrom Here to Eternity (1953)\u003c/a\u003e\n(The Best Picture Oscar winner for 1953), other famous roles in the\n1950s included Juror #7 (a disinterested salesman who wants a quick\nconviction to get the trial over with) in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050083/?ref_=sr\"\u003e12 Angry Men (1957)\u003c/a\u003e - a film that\nproved to be his career breakthrough - the bigoted foreman in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0050347/?ref_=sr\"\u003eEdge of the City (1957)\u003c/a\u003e and one\nof the submariners commended by\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000022/?ref_=sr\"\u003eClark Gable\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000044/?ref_=sr\"\u003eBurt Lancaster\u003c/a\u003e in the World War II drama,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052151/?ref_=sr\"\u003eRun Silent, Run Deep (1958)\u003c/a\u003e.\nIn 1959, Warden capped off the decade with a memorable appearance in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052520/?ref_=sr\"\u003eThe Twilight Zone (1959)\u003c/a\u003e\nepisode,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0734656/?ref_=sr\"\u003eThe Lonely (1959)\u003c/a\u003e,\nin the series premier year of 1959. As \u0026quot;James Corry\u0026quot;, Warden created a\nsensitive portrayal of a convicted felon marooned on an asteroid,\nsentenced to serve a lifetime sentence, who falls in love with a robot.\nIt was a character quite different from his role as Juror #7.\u003cbr/\u003e\u003cbr/\u003eIn the 1960s and early 70s, his most memorable work was on television,\nplaying a detective in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0054517/?ref_=sr\"\u003eThe Asphalt Jungle (1961)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0058852/?ref_=sr\"\u003eThe Wackiest Ship in the Army (1965)\u003c/a\u003e\nand \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0061282/?ref_=sr\"\u003eN.Y.P.D. (1967)\u003c/a\u003e. He opened up\nthe decade of the 1970s by winning an Emmy Award playing football coach\n\u0026quot;George Halas\u0026quot; in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0068315/?ref_=sr\"\u003eBrian\u0026#39;s Song (1971)\u003c/a\u003e, the\nhighly-rated and acclaimed TV movie based on\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0768469/?ref_=sr\"\u003eGale Sayers\u003c/a\u003e\u0026#39;s memoir, \u0026quot;I Am Third\u0026quot;. He\nappeared again as a detective in the TV series,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074010/?ref_=sr\"\u003eJigsaw John (1976)\u003c/a\u003e, in the\nmid-1970s,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078566/?ref_=sr\"\u003eThe Bad News Bears (1979)\u003c/a\u003e\nand appeared in a pilot for a planned revival of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0029682/?ref_=sr\"\u003eTopper (1937)\u003c/a\u003e in 1979.\u003cbr/\u003e\u003cbr/\u003eHis collaboration with\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000886/?ref_=sr\"\u003eWarren Beatty\u003c/a\u003e in two 1970s films\nbrought him to the summit of his career as he displayed a flair for\ncomedy in both \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0073692/?ref_=sr\"\u003eShampoo (1975)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077663/?ref_=sr\"\u003eHeaven Can Wait (1978)\u003c/a\u003e. As the\nfaintly sinister businessman \u0026quot;Lester\u0026quot; and as the perpetually befuddled\nfootball trainer \u0026quot;Max Corkle\u0026quot;, Warden received Academy Award\nnominations as Best Supporting Actor. Other memorable roles in the\nperiod were as the metro news editor of the \u0026quot;Washington Post\u0026quot; in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074119/?ref_=sr\"\u003eAll the President\u0026#39;s Men (1976)\u003c/a\u003e,\nthe German doctor in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0077413/?ref_=sr\"\u003eDeath on the Nile (1978)\u003c/a\u003e, the\nsenile, gun-toting judge in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078718/?ref_=sr\"\u003e...And Justice for All (1979)\u003c/a\u003e,\nthe President of the United States in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078841/?ref_=sr\"\u003eBeing There (1979)\u003c/a\u003e, the twin car\nsalesmen in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0081698/?ref_=sr\"\u003eUsed Cars (1980)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000056/?ref_=sr\"\u003ePaul Newman\u003c/a\u003e\u0026#39;s law partner in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0084855/?ref_=sr\"\u003eThe Verdict (1982)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eThis was the peak of Warden\u0026#39;s career, as he entered his early sixties.\nHe single-handedly made\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000921/?ref_=sr\"\u003eAndrew Bergman\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083099/?ref_=sr\"\u003eSo Fine (1981)\u003c/a\u003e watchable, but after that\nfilm, the quality of his roles declined. He made a third stab at TV,\nagain appearing as a detective in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0086691/?ref_=sr\"\u003eCrazy Like a Fox (1984)\u003c/a\u003e in\nthe mid-1980s. He played the shifty convenience store owner \u0026quot;Big Ben\u0026quot;\nin \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0100419/?ref_=sr\"\u003eProblem Child (1990)\u003c/a\u003e and its two\nsequels, a role unworthy of his talent, but he shone again as the\nBroadway high-roller \u0026quot;Julian Marx\u0026quot; in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000095/?ref_=sr\"\u003eWoody Allen\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0109348/?ref_=sr\"\u003eBullets Over Broadway (1994)\u003c/a\u003e.\nAfter appearing in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000886/?ref_=sr\"\u003eWarren Beatty\u003c/a\u003e\u0026#39;s\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0118798/?ref_=sr\"\u003eBulworth (1998)\u003c/a\u003e, Warden\u0026#39;s last film was\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0191397/?ref_=sr\"\u003eThe Replacements (2000)\u003c/a\u003e in 2000.\nHe then lived in retirement in New York City with his girlfriend,\nMarucha Hinds. He was married to French stage actress\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0243401/?ref_=sr\"\u003eWanda Ottoni\u003c/a\u003e, best known for her role as\nthe object of \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0078798/?ref_=sr\"\u003eJoe Besser\u003c/a\u003e\u0026#39;s desire in\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1947784/?ref_=sr\"\u003eThe Three Stooges\u003c/a\u003e short,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0051614/?ref_=sr\"\u003eFifi Blows Her Top (1958)\u003c/a\u003e. She\ngave up her career after her marriage. They had one son, Christopher,\nbut had been separated for many years.","knownFor":{"originalTitleText":"12 Angry Men","titleId":"tt0050083","titleText":"12 Angry Men","canHaveEpisodes":false,"yearRange":{"year":1957}},"nameId":"nm0912001","nameText":"Jack Warden","professions":["Actor","Soundtrack"],"primaryProfessions":["Actor","Soundtrack"],"primaryImage":{"caption":"Jack Warden at an event for The Twilight Zone (1959)","height":627,"width":450,"url":"https://m.media-amazon.com/images/M/MV5BMTc1Mjk3Njc5MV5BMl5BanBnXkFtZTcwMDk2MzUzMQ@@._V1_.jpg"}},{"bio":"Gloria Swanson was born Gloria May Josephine Svensson in Chicago, Illinois. She was destined to be perhaps one of the biggest stars of the silent movie era. Her personality and antics in private definitely made her a favorite with America\u0026#39;s movie-going public. Gloria certainly didn\u0026#39;t intend on going into show business. After her formal education in the Chicago school system and elsewhere,\nshe began work in a department store as a salesclerk. In 1915, at the age of 18, she decided to go to a Chicago movie studio with an aunt to see how motion pictures were made. She was plucked out of the crowd, because of her beauty, to be included as a bit player in the film \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0005261/?ref_=sr\"\u003eThe Fable of Elvira and Farina and the Meal Ticket (1915)\u003c/a\u003e. In her next film, she was an extra also, when she appeared in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0004920/?ref_=sr\"\u003eAt the End of a Perfect Day (1915)\u003c/a\u003e. After another uncredited role, Gloria got a more substantial role in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0006123/?ref_=sr\"\u003eSweedie Goes to College (1915)\u003c/a\u003e. In 1916, she first appeared with future husband\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000891/?ref_=sr\"\u003eWallace Beery\u003c/a\u003e. Once married, the two pulled up stakes in Chicago and moved to Los Angeles to the film colony of Hollywood. Once out west, Gloria continued her torrid pace in films. She seemed to be in hit after hit in such films as \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0008474/?ref_=sr\"\u003eThe Pullman Bride (1917)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0009608/?ref_=sr\"\u003eShifting Sands (1918)\u003c/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0010071/?ref_=sr\"\u003eDon\u0026#39;t Change Your Husband (1919)\u003c/a\u003e. By the time of the latter, Gloria had divorced Beery and was remarried, but it was not to\nbe her last marriage, as she collected a total of six husbands. By the middle 1920s, she was the highest-paid actress in Hollywood. It has been said that Gloria made and spent over $8 million in the \u0026#39;20s alone. That, along with the six marriages she had, kept the fans spellbound with her escapades for over 60 years. They just couldn\u0026#39;t get enough of her. Gloria was 30 when the sound revolution hit, and there was speculation as to whether she could adapt. She did. In 1928, she received an Oscar nomination for Best Actress for her role of Sadie Thompson in the film of the same name but lost to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0310980/?ref_=sr\"\u003eJanet Gaynor\u003c/a\u003e for 3 different films. The following year, she again was nominated for the same award in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0020514/?ref_=sr\"\u003eThe Trespasser (1929)\u003c/a\u003e. This time, she lost out to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0790454/?ref_=sr\"\u003eNorma Shearer\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0020827/?ref_=sr\"\u003eThe Divorcee (1930)\u003c/a\u003e. By the 1930s, Gloria pared back her work with only four films during that time. She had taken a hiatus from film work after 1934\u0026#39;s \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0025536/?ref_=sr\"\u003eMusic in the Air (1934)\u003c/a\u003e and would not be seen again until \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0033592/?ref_=sr\"\u003eFather Takes a Wife (1941)\u003c/a\u003e. That was to be it until 1950, when she starred in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043014/?ref_=sr\"\u003eSunset Blvd. (1950)\u003c/a\u003e as Norma Desmond opposite \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000034/?ref_=sr\"\u003eWilliam Holden\u003c/a\u003e. She played a movie actress who was all but washed up. The movie was a box office smash and earned her a third Academy Award nomination as Best Actress, but she lost to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0391062/?ref_=sr\"\u003eJudy Holliday\u003c/a\u003e in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0042276/?ref_=sr\"\u003eBorn Yesterday (1950)\u003c/a\u003e. The film is considered one of the best in the history of film and, on June 16, 1998, was named one of the top 100 films of all time by the American Film Institute, placing 12th. After a few more films in the 1950s, Gloria more or less retired.\nThroughout the 1960s, she appeared mostly on television. Her last fling with the silver screen was \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071110/?ref_=sr\"\u003eAirport 1975 (1974)\u003c/a\u003e, wherein she played herself. Gloria died on April 4, 1983, in New York City at the age of 84. There was never anyone like her, before or since.","knownFor":{"originalTitleText":"Sunset Blvd.","titleId":"tt0043014","titleText":"Sunset Blvd.","canHaveEpisodes":false,"yearRange":{"year":1950}},"nameId":"nm0841797","nameText":"Gloria Swanson","professions":["Actress","Producer","Costume Designer"],"primaryProfessions":["Actress","Producer","Costume Designer"],"primaryImage":{"caption":"\"Impossible Mrs. Bellew, The\" Gloria Swanson 1922 Paramount **I.V.","height":450,"width":316,"url":"https://m.media-amazon.com/images/M/MV5BMTU3NzIxOTUwOV5BMl5BanBnXkFtZTYwNDM5MTI2._V1_.jpg"}},{"bio":"Jonathan Demme was born on 22 February 1944 in Baldwin, Long Island, New York, USA. He was a director and producer, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0102926/?ref_=sr\"\u003eThe Silence of the Lambs (1991)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1084950/?ref_=sr\"\u003eRachel Getting Married (2008)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0107818/?ref_=sr\"\u003ePhiladelphia (1993)\u003c/a\u003e. He was married to \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2888596/?ref_=sr\"\u003eJoanne Howard\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0700715/?ref_=sr\"\u003eEvelyn Purcell\u003c/a\u003e. He died on 26 April 2017 in Manhattan, New York City, New York, USA.","knownFor":{"originalTitleText":"The Silence of the Lambs","titleId":"tt0102926","titleText":"The Silence of the Lambs","canHaveEpisodes":false,"yearRange":{"year":1991}},"nameId":"nm0001129","nameText":"Jonathan Demme","professions":["Director","Producer","Writer"],"primaryProfessions":["Director","Producer","Writer"],"primaryImage":{"caption":"Jonathan Demme","height":400,"width":279,"url":"https://m.media-amazon.com/images/M/MV5BMTY1NzY0OTQ0OF5BMl5BanBnXkFtZTcwNDY1Njk5Mg@@._V1_.jpg"}},{"bio":"Elegance and femininity are fitting descriptions for Arlene Dahl. She\nis considered to be one of the most beautiful actresses to have graced\nthe screen during the postwar period. Audiences were captivated by her\nbreathtaking beauty and the way she used to it to her advantage,\nprogressing from claimer to character roles.\u003cbr/\u003e\u003cbr/\u003eOf Norwegian extraction, Miss Dahl was born in Minneapolis. Following\nhigh school she joined a local drama group, supporting herself with a\nvariety of jobs, including modeling for a number of department stores.\nArriving in Hollywood in 1946, she signed a brief contract with Warner\nBrothers, but she is best remembered for her work at MGM.\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040187/?ref_=sr\"\u003eThe Bride Goes Wild (1948)\u003c/a\u003e\nwas her first work at Metro. It was an odd but rather humorous love\nstory, which starred \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0004496/?ref_=sr\"\u003eVan Johnson\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000742/?ref_=sr\"\u003eJune Allyson\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eAlthough her beauty captivated audiences, it ultimately limited her to\nsmaller roles, and the mark she made at MGM was small. Some of her best\nfilms were\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0041796/?ref_=sr\"\u003eReign of Terror (1949)\u003c/a\u003e, which\nactually required some acting and she acquitted herself quite\nwell, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0043044/?ref_=sr\"\u003eThree Little Words (1950)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0047680/?ref_=sr\"\u003eWoman\u0026#39;s World (1954)\u003c/a\u003e,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0049769/?ref_=sr\"\u003eSlightly Scarlet (1956)\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0052948/?ref_=sr\"\u003eJourney to the Center of the Earth (1959)\u003c/a\u003e.\u003cbr/\u003e\u003cbr/\u003eLeaving films behind her in 1959, her typecasting would pay off\nfinancially as she became a beauty columnist and writer. She later\nestablished herself as a businesswoman, founding Arlene Dahl\nEnterprises which marketed lingerie and cosmetics.\u003cbr/\u003e\u003cbr/\u003eShe was married six times, two of whom were actors,\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000851/?ref_=sr\"\u003eLex Barker\u003c/a\u003e and\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0482881/?ref_=sr\"\u003eFernando Lamas\u003c/a\u003e. She is the mother of\nactor / action star \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0001444/?ref_=sr\"\u003eLorenzo Lamas\u003c/a\u003e, and\nactually made a guest appearance in his film\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0102535/?ref_=sr\"\u003eNight of the Warrior (1991)\u003c/a\u003e.","knownFor":{"originalTitleText":"Journey to the Center of the Earth","titleId":"tt0052948","titleText":"Journey to the Center of the Earth","canHaveEpisodes":false,"yearRange":{"year":1959}},"nameId":"nm0006428","nameText":"Arlene Dahl","professions":["Actress","Costume and Wardrobe Department","Costume Designer"],"primaryProfessions":["Actress","Costume and Wardrobe Department","Costume Designer"],"primaryImage":{"caption":"Arlene Dahl, circa 1950. Vintage silver gelatin © 1978 Glenn Embree MPTV ","height":347,"width":450,"url":"https://m.media-amazon.com/images/M/MV5BMTMwMjg2MDE0Nl5BMl5BanBnXkFtZTYwMzg1NDM2._V1_.jpg"}},{"bio":"Jim Henson never thought that he would make a name of himself in\npuppetry; it was merely a way of getting himself on television. The\nvehicle that achieved it was\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0476937/?ref_=sr\"\u003eSam and Friends (1955)\u003c/a\u003e, a\nlate-night puppet show that was on after the 11:00 news in Washington\nDC. It proved to be very popular and inspired Jim to continue using\npuppets for his work. He made many commercials, developing the\nsignature humor that Henson Productions is known for. A key reason for\nthe success of his puppets is that Jim realized he didn\u0026#39;t need to hide\npuppeteers behind a structure when they were in front of a camera. All\nhe had to do was instruct the camera operators to focus on the puppets\nand keep the puppeteers out of the frame. This allowed the puppets to\ndominate the image and make them more lifelike. This work on puppets\nand television would lead to separate projects that had different\ngoals. The first one was his work on the\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0254906/?ref_=sr\"\u003eThe Jimmy Dean Show (1963)\u003c/a\u003e\nwith the character Rowlf the Dog, the oldest clearly identified\ncharacter that Henson Productions still uses. This show provided an\nincome that allowed Jim to work on a pet project. That project was\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0059807/?ref_=sr\"\u003eTime Piece (1965)\u003c/a\u003e, a surrealistic\nshort about time which was nominated for best live-action short Oscar.\nHenson shot to prominence when he was approached to use his muppets for\nthe revolutionary educational show\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063951/?ref_=sr\"\u003eSesame Street (1969)\u003c/a\u003e. The show\nwas a smash hit and his characters have become staples on public\ntelevision. Unforetunately, this also led to Henson being typecast as\nonly an entertainer for children. He sought to disprove that by being\npart of the initial crew of\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0072562/?ref_=sr\"\u003eSaturday Night Live (1975)\u003c/a\u003e,\nbut his style and that of the creative staff simply didn\u0026#39;t jibe. It was\nthis circumstance that encouraged him to develop a variety show format\nthat had the kind of sophisticated humor that\n\u0026quot;\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0063951/?ref_=sr\"\u003eSesame Street (1969)\u003c/a\u003e\u0026quot; didn\u0026#39;t\nwork with. No American broadcaster was interested, but British producer\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0333528/?ref_=sr\"\u003eLew Grade\u003c/a\u003e was. This led to\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0074028/?ref_=sr\"\u003eThe Muppet Show (1976)\u003c/a\u003e. It\ninitially struggled both in the ratings and in the search for guest\nstars, but in the second season it became a smash hit and would\neventually become the most widely watched series in television history.\nHungry for a new challenge, Henson made\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0079588/?ref_=sr\"\u003eThe Muppet Movie (1979)\u003c/a\u003e, defying\nthe popular industry opinion that his characters would never work in a\nmovie. The film became a hit and spawned a series of features which\nincluded the moody fantasy\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0083791/?ref_=sr\"\u003eThe Dark Crystal (1982)\u003c/a\u003e, which\nwas a drastic and bold departure from the amiable tone of his previous\nwork. The most successful TV work in the 1980s was\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0085017/?ref_=sr\"\u003eFraggle Rock (1983)\u003c/a\u003e, a fantasy\nseries specifically designed to appeal to as many cultural groups as\npossible. During this time he also established the Creature Shop, a\npuppet studio that became renowned for being as brilliant with puppetry\nas ILM was at special effects. When he died all too soon in 1990, he\nwas indisputably one of the geniuses of puppetry. More importantly, he\nwas a man who achieved his phenomenal success while still retaining his\nsocial conscience and artistic integrity as his work in promoting\nenvironmentalism and his brilliant\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0092383/?ref_=sr\"\u003eThe Storyteller (1987)\u003c/a\u003e series\nrespectively attest to.","knownFor":{"originalTitleText":"The Muppet Show","titleId":"tt0074028","titleText":"The Muppet Show","canHaveEpisodes":true,"yearRange":{"year":1976,"endYear":1981}},"nameId":"nm0001345","nameText":"Jim Henson","professions":["Actor","Writer","Producer"],"primaryProfessions":["Actor","Writer","Producer"],"primaryImage":{"caption":"Jim Henson at an event for The 41st Annual Primetime Emmy Awards (1989)","height":2048,"width":1343,"url":"https://m.media-amazon.com/images/M/MV5BMjMzMzI3MjAwM15BMl5BanBnXkFtZTcwODIzMDk1OA@@._V1_.jpg"}},{"bio":"Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama \u0026quot;St. Elmo\u0026#39;s Fire\u0026quot; (1985), and the vampire-themed horror film \u0026quot;The Lost Boys\u0026quot; (1987). In the 1990s, he worked on two controversial superhero films \u0026quot;Batman Forever\u0026quot; (1995) and \u0026quot;Batman \u0026amp; Robin\u0026quot; (1997). His final high-profile film was \u0026quot;The Phantom of the Opera\u0026quot; (2004). It was an adaptation of Andrew Lloyd Webber\u0026#39;s 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.","knownFor":{"originalTitleText":"The Phantom of the Opera","titleId":"tt0293508","titleText":"The Phantom of the Opera","canHaveEpisodes":false,"yearRange":{"year":2004}},"nameId":"nm0001708","nameText":"Joel Schumacher","professions":["Director","Writer","Producer"],"primaryProfessions":["Director","Writer","Producer"],"primaryImage":{"caption":"Joel Schumacher at an event for Tigerland (2000)","height":400,"width":271,"url":"https://m.media-amazon.com/images/M/MV5BMTk2OTc1ODgzNV5BMl5BanBnXkFtZTYwNjMxMTY1._V1_.jpg"}},{"bio":"He, along with the other members of the \u0026quot;Compass Players\u0026quot; including\n\u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0561938/?ref_=sr\"\u003eElaine May\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0798131/?ref_=sr\"\u003ePaul Sills\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0686097/?ref_=sr\"\u003eByrne Piven\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0686098/?ref_=sr\"\u003eJoyce Hiller Piven\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0000799/?ref_=sr\"\u003eEdward Asner\u003c/a\u003e helped start the famed\n\u0026quot;Second City Improv\u0026quot; company. They used the games taught to them by\nfellow cast mate, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0798131/?ref_=sr\"\u003ePaul Sills\u003c/a\u003e \u0026#39;s mother, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0819348/?ref_=sr\"\u003eViola Spolin\u003c/a\u003e. He later worked in\nlegitimate theater as an actor before entering into a very successful\ncomedy duo with \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0561938/?ref_=sr\"\u003eElaine May\u003c/a\u003e. The two were known as \u0026quot;the world\u0026#39;s fastest\nhumans\u0026quot;.","knownFor":{"originalTitleText":"The Graduate","titleId":"tt0061722","titleText":"The Graduate","canHaveEpisodes":false,"yearRange":{"year":1967}},"nameId":"nm0001566","nameText":"Mike Nichols","professions":["Director","Producer","Additional Crew"],"primaryProfessions":["Director","Producer","Additional Crew"],"primaryImage":{"caption":"Mike Nichols","height":400,"width":313,"url":"https://m.media-amazon.com/images/M/MV5BMjc4NzQyNDIzOF5BMl5BanBnXkFtZTcwNzY0MzY1Mw@@._V1_.jpg"}},{"bio":"Morgan Spurlock was born on 7 November 1970 in Parkersburg, West Virginia, USA. He was a producer and writer, known for \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0390521/?ref_=sr\"\u003eSuper Size Me (2004)\u003c/a\u003e, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt1743720/?ref_=sr\"\u003eThe Greatest Movie Ever Sold (2011)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt2294729/?ref_=sr\"\u003eMansome (2012)\u003c/a\u003e. He was married to Sara Bernstein, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm1655801/?ref_=sr\"\u003eAlexandra Jamieson\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm2853049/?ref_=sr\"\u003ePriscilla Sommer\u003c/a\u003e. He died on 23 May 2024 in Manhattan, New York City, New York, USA.","knownFor":{"originalTitleText":"Super Size Me","titleId":"tt0390521","titleText":"Super Size Me","canHaveEpisodes":false,"yearRange":{"year":2004}},"nameId":"nm1041597","nameText":"Morgan Spurlock","professions":["Producer","Writer","Director"],"primaryProfessions":["Producer","Writer","Director"],"primaryImage":{"caption":"Morgan Spurlock","height":2048,"width":1381,"url":"https://m.media-amazon.com/images/M/MV5BOTIyNTU1ODQwOF5BMl5BanBnXkFtZTcwODk5MDU2Ng@@._V1_.jpg"}},{"bio":"The incredibly gifted comedienne-actress Anne Meara is known for her comedic efforts alongside husband-comedian, \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/name/nm0005467/?ref_=sr\"\u003eJerry Stiller\u003c/a\u003e; together, they were \u0026#39;Stiller and Meara\u0026#39;; they were original members of the improvisational company, the Compass Players, which later evolved as the Second City Theater. They gained popularity with their skits on \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0040053/?ref_=sr\"\u003eToast of the Town (1948)\u003c/a\u003e, but the act dissolved following the demise of variety television. Meara went on to offer her talents to a variety of television roles, notably the Golden Globe-winning Sally Gallagher in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0071040/?ref_=sr\"\u003eRhoda (1974)\u003c/a\u003e, and Veronica Rooney, an outspoken Irish cook in the hit sitcom \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0078562/?ref_=sr\"\u003eArchie Bunker\u0026#39;s Place (1979)\u003c/a\u003e. In later years, Meara played reoccurring characters in \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0159206/?ref_=sr\"\u003eSex and the City (1998)\u003c/a\u003e and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"/title/tt0165581/?ref_=sr\"\u003eThe King of Queens (1998)\u003c/a\u003e.","knownFor":{"originalTitleText":"Heavyweights","titleId":"tt0110006","titleText":"Heavyweights","canHaveEpisodes":false,"yearRange":{"year":1995}},"nameId":"nm0575198","nameText":"Anne Meara","professions":["Actress","Producer","Writer"],"primaryProfessions":["Actress","Producer","Writer"],"primaryImage":{"caption":"Anne Meara","height":2048,"width":1366,"url":"https://m.media-amazon.com/images/M/MV5BMTkwNTkxNDkyOV5BMl5BanBnXkFtZTcwMTc3MjE3NA@@._V1_.jpg"}}],"total":7744,"endCursor":"eyJlc1Rva2VuIjpbIjczNTIiLCI3MzUyIiwibm0wNTc1MTk4Il0sImZpbHRlciI6IntcImNvbnN0cmFpbnRzXCI6e1wiZGVhdGhQbGFjZUNvbnN0cmFpbnRcIjp7XCJkZWF0aFBsYWNlXCI6XCJuZXcgeW9yayBjaXR5XCJ9fSxcInNvcnRcIjp7XCJzb3J0QnlcIjpcIlBPUFVMQVJJVFlcIixcInNvcnRPcmRlclwiOlwiQVNDXCJ9LFwicmVzdWx0SW5kZXhcIjo0OX0ifQ=="}},"requestContext":{"timestamp":"2024-12-11T20:12:37.024Z","sidecar":{"account":{"userName":null,"userId":null,"isLoggedIn":false},"weblabs":{"IMDB_NEXT_CLIENT_SIDE_NAVIGATION_323089":{"C":true},"IMDB_418056":{"C":true},"IMDB_BRANCH_KEY_SELECTION_373673":{"C":true},"IMDB_CLIENT_ERROR_PAGE_1105559":{"T1":true},"IMDB_NEXT_ADVANCED_TITLE_SEARCH_JOB_CATEGORIES_REFINER_1061270":{"T1":true},"IMDB_NEXT_USER_PROFILE_PAGE_MODERNIZATION_1008195":{"T1":true},"IMDB_CENTRALIZED_SEARCH_QUERY_LOGGING_899405":{"T1":true},"IMDB_NEXT_DELAY_NAVBAR_QUERY_592650":{"C":true},"IMDB_CENTRALIZED_SEARCH_QUERY_LOGGING_NAV_966369":{"T1":true},"IMDB_REACTION_TASK_COMPLETION_991261":{"C":true},"IMDB_WEB_FEDV2_1043889":{"C":true},"IMDB_NEXT_1111799":{"C":true}},"ads":{"sisPixelMarkup":"","adSlotsInfo":"{\"acceptableClientSideUrl\":\"\",\"adRefreshWebDisabledByBigRedButton\":false,\"clientSideUrl\":\"\",\"hasPremiumAd\":false,\"headerMarkup\":\"\u003croot\u003e\\n\u003cscript\u003e\\nwindow.ads_js_start = new Date().getTime();\\nvar imdbads = imdbads || {}; 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