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Topographisches in apokalyptischen Schriften der mittelbyzantinischen Zeit","translated_title":"","metadata":{"publisher":"De Gruyter","grobid_abstract":"In den Texten der byzantinischen Zeit über den bevorstehenden Weltuntergang, der in der apokalyptischen Ideologie ja mit dem Untergang des rçmisch-byzantinischen Reichs gleichgesetzt wird, spielt Konstantinopel als Hauptstadt dieses Reichs eine besondere, wenn auch nicht durchgehend zentrale Rolle. Eine natürliche Folge davon ist, daß diese Prophezeiungen die zukünftigen Ereignisse beim Ende von Konstantinopel dort schon bald an konkrete Örtlichkeiten knüpfen. Auf welche Weise das geschehen ist, soll der Gegenstand der folgenden Ausführungen sein. Xylokerkos, Bus und Xerolophos Die sogenannte Apokalypse des Pseudo-Methodios wurde ursprünglich um das Jahr 692 in Syrien auf Syrisch verfaßt, aber schon kurz danach ins Griechische übersetzt. 1 Diese Übersetzung enthält eine längere Interpolation mit der Beschreibung des ersten Angriffs der gottlosen Sçhne Ismaels, also der muslimischen Araber, auf Konstantinopel, hinter dem sich wohl die historische Belagerung der Stadt in den Jahren 717/18 verbirgt. 2 Der auf Konstantinopel bezügliche Teil der Interpolation lautet wie folgt: 3 Wehe dir, Byzas(stadt), daß Ismael dich erobern wird. Denn jedes Pferd Ismaels wird übersetzen, und das erste von ihnen wird sein Zelt dir gegenüber aufschlagen, Byzas, und mit dem Kampf beginnen, das Xylokerkos-Tor zerschmettern und bis 1 G. J. Reinink (Hrsg.), Die syrische Apokalypse des Pseudo-Methodius (CSCO 540; Scr. Syri 220). Leuven 1993; W. J. Aerts/G. A. A. Kortekaas (Hrsg.), Die Apokalypse des Pseudo-Methodius. Die ältesten griechischen und lateinischen Übersetzungen (CSCO 569/570; Subsidia 97/98). Louvain 1998. 2 Zur historischen Zuordnung vgl. zuletzt W. Brandes, Byzantine Cities in the Seventh an Eighth Centuries, in: G. P. Brogiolo/B. Ward-Perkins (ed.), The Idea and Ideal of the Town Between Late Antiquity and the Early Middle Ages (TRW 4). Leiden 1999, 25-57, hier 49-53; demnächst Ders., Die Belagerung Konstantinopels 717/718 als apokalyptisches Ereignis. Zu einer Interpolation im griechischen Text der Pseudo-Methodios-Apokalypse, in: Byzantina Mediterranea. Festschrift für Johannes Koder zum 65. 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J.-C., est analysee ici du point de vue topographique. La ville est divisee en 14 regions dont les limites sont mieux etablies par l&#39;etude du dessin des rues du debut de l&#39;epoque byzantine qu&#39;il ne semblait jusqu&#39;ici. Lors de l&#39;agrandissement de la ville aux 4e et 5e siecles apr. J.-C., un reseau regulier de rues que l&#39;on peut en partie reconstituer a l&#39;aide des constructions preservees fut etabli. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="85117212"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/85117212/Georgios_Kedrenos_Konstantinos_von_Rhodos_und_die_Sieben_Weltwunder"><img alt="Research paper thumbnail of Georgios Kedrenos, Konstantinos von Rhodos und die Sieben Weltwunder" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/85117212/Georgios_Kedrenos_Konstantinos_von_Rhodos_und_die_Sieben_Weltwunder">Georgios Kedrenos, Konstantinos von Rhodos und die Sieben Weltwunder</a></div><div class="wp-workCard_item"><span>Millennium – Jahrbuch (2004)</span><span>, 2004</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der hellenistischen Zeit an in der griechischen und lateinischen Literatur überliefert, und diese literarische Tradition lebt später noch durch das ganze Mittelalter hindurch fort. Die Auswahl der Wunderwerke ändert sich dabei im Lauf der Zeit, und es werden immer wieder andere, zuletzt auch christliche Objekte genannt.1 Mit einem späten Beispiel einer solchen Liste2 sollen sich die folgenden Ausführungen befassen. Es handelt sich hierbei um ein Gedicht in byzantinischen Zwölfsilbern, das in der um 1100 verfaßten Chronik des Georgios Kedrenos,3 gelegentlich aber auch einzeln überliefert ist.4 In der Fassung des Kedrenos lautet es wie folgt:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="85117212"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="85117212"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 85117212; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=85117212]").text(description); $(".js-view-count[data-work-id=85117212]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 85117212; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='85117212']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 85117212, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=85117212]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":85117212,"title":"Georgios Kedrenos, Konstantinos von Rhodos und die Sieben Weltwunder","translated_title":"","metadata":{"abstract":"Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der hellenistischen Zeit an in der griechischen und lateinischen Literatur überliefert, und diese literarische Tradition lebt später noch durch das ganze Mittelalter hindurch fort. Die Auswahl der Wunderwerke ändert sich dabei im Lauf der Zeit, und es werden immer wieder andere, zuletzt auch christliche Objekte genannt.1 Mit einem späten Beispiel einer solchen Liste2 sollen sich die folgenden Ausführungen befassen. Es handelt sich hierbei um ein Gedicht in byzantinischen Zwölfsilbern, das in der um 1100 verfaßten Chronik des Georgios Kedrenos,3 gelegentlich aber auch einzeln überliefert ist.4 In der Fassung des Kedrenos lautet es wie folgt:","publisher":"Walter de Gruyter","publication_date":{"day":null,"month":null,"year":2004,"errors":{}},"publication_name":"Millennium – Jahrbuch (2004)"},"translated_abstract":"Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der hellenistischen Zeit an in der griechischen und lateinischen Literatur überliefert, und diese literarische Tradition lebt später noch durch das ganze Mittelalter hindurch fort. Die Auswahl der Wunderwerke ändert sich dabei im Lauf der Zeit, und es werden immer wieder andere, zuletzt auch christliche Objekte genannt.1 Mit einem späten Beispiel einer solchen Liste2 sollen sich die folgenden Ausführungen befassen. 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Topographisches in apokalyptischen Schriften der mittelbyzantinischen Zeit","translated_title":"","metadata":{"publisher":"De Gruyter","grobid_abstract":"In den Texten der byzantinischen Zeit über den bevorstehenden Weltuntergang, der in der apokalyptischen Ideologie ja mit dem Untergang des rçmisch-byzantinischen Reichs gleichgesetzt wird, spielt Konstantinopel als Hauptstadt dieses Reichs eine besondere, wenn auch nicht durchgehend zentrale Rolle. Eine natürliche Folge davon ist, daß diese Prophezeiungen die zukünftigen Ereignisse beim Ende von Konstantinopel dort schon bald an konkrete Örtlichkeiten knüpfen. Auf welche Weise das geschehen ist, soll der Gegenstand der folgenden Ausführungen sein. Xylokerkos, Bus und Xerolophos Die sogenannte Apokalypse des Pseudo-Methodios wurde ursprünglich um das Jahr 692 in Syrien auf Syrisch verfaßt, aber schon kurz danach ins Griechische übersetzt. 1 Diese Übersetzung enthält eine längere Interpolation mit der Beschreibung des ersten Angriffs der gottlosen Sçhne Ismaels, also der muslimischen Araber, auf Konstantinopel, hinter dem sich wohl die historische Belagerung der Stadt in den Jahren 717/18 verbirgt. 2 Der auf Konstantinopel bezügliche Teil der Interpolation lautet wie folgt: 3 Wehe dir, Byzas(stadt), daß Ismael dich erobern wird. Denn jedes Pferd Ismaels wird übersetzen, und das erste von ihnen wird sein Zelt dir gegenüber aufschlagen, Byzas, und mit dem Kampf beginnen, das Xylokerkos-Tor zerschmettern und bis 1 G. J. Reinink (Hrsg.), Die syrische Apokalypse des Pseudo-Methodius (CSCO 540; Scr. Syri 220). Leuven 1993; W. J. Aerts/G. A. A. Kortekaas (Hrsg.), Die Apokalypse des Pseudo-Methodius. 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J.-C., est analysee ici du point de vue topographique. La ville est divisee en 14 regions dont les limites sont mieux etablies par l&#39;etude du dessin des rues du debut de l&#39;epoque byzantine qu&#39;il ne semblait jusqu&#39;ici. Lors de l&#39;agrandissement de la ville aux 4e et 5e siecles apr. J.-C., un reseau regulier de rues que l&#39;on peut en partie reconstituer a l&#39;aide des constructions preservees fut etabli. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="85117212"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/85117212/Georgios_Kedrenos_Konstantinos_von_Rhodos_und_die_Sieben_Weltwunder"><img alt="Research paper thumbnail of Georgios Kedrenos, Konstantinos von Rhodos und die Sieben Weltwunder" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/85117212/Georgios_Kedrenos_Konstantinos_von_Rhodos_und_die_Sieben_Weltwunder">Georgios Kedrenos, Konstantinos von Rhodos und die Sieben Weltwunder</a></div><div class="wp-workCard_item"><span>Millennium – Jahrbuch (2004)</span><span>, 2004</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der hellenistischen Zeit an in der griechischen und lateinischen Literatur überliefert, und diese literarische Tradition lebt später noch durch das ganze Mittelalter hindurch fort. Die Auswahl der Wunderwerke ändert sich dabei im Lauf der Zeit, und es werden immer wieder andere, zuletzt auch christliche Objekte genannt.1 Mit einem späten Beispiel einer solchen Liste2 sollen sich die folgenden Ausführungen befassen. Es handelt sich hierbei um ein Gedicht in byzantinischen Zwölfsilbern, das in der um 1100 verfaßten Chronik des Georgios Kedrenos,3 gelegentlich aber auch einzeln überliefert ist.4 In der Fassung des Kedrenos lautet es wie folgt:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="85117212"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="85117212"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 85117212; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=85117212]").text(description); $(".js-view-count[data-work-id=85117212]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 85117212; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='85117212']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 85117212, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=85117212]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":85117212,"title":"Georgios Kedrenos, Konstantinos von Rhodos und die Sieben Weltwunder","translated_title":"","metadata":{"abstract":"Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der hellenistischen Zeit an in der griechischen und lateinischen Literatur überliefert, und diese literarische Tradition lebt später noch durch das ganze Mittelalter hindurch fort. Die Auswahl der Wunderwerke ändert sich dabei im Lauf der Zeit, und es werden immer wieder andere, zuletzt auch christliche Objekte genannt.1 Mit einem späten Beispiel einer solchen Liste2 sollen sich die folgenden Ausführungen befassen. Es handelt sich hierbei um ein Gedicht in byzantinischen Zwölfsilbern, das in der um 1100 verfaßten Chronik des Georgios Kedrenos,3 gelegentlich aber auch einzeln überliefert ist.4 In der Fassung des Kedrenos lautet es wie folgt:","publisher":"Walter de Gruyter","publication_date":{"day":null,"month":null,"year":2004,"errors":{}},"publication_name":"Millennium – Jahrbuch (2004)"},"translated_abstract":"Listen der Sieben Weltwunder, die teils in Prosa, teils in Versform gehalten sind, werden von der hellenistischen Zeit an in der griechischen und lateinischen Literatur überliefert, und diese literarische Tradition lebt später noch durch das ganze Mittelalter hindurch fort. Die Auswahl der Wunderwerke ändert sich dabei im Lauf der Zeit, und es werden immer wieder andere, zuletzt auch christliche Objekte genannt.1 Mit einem späten Beispiel einer solchen Liste2 sollen sich die folgenden Ausführungen befassen. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6744136" id="books"><div class="js-work-strip profile--work_container" data-work-id="40660610"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40660610/I_tondi_di_Venezia_e_Dumbarton_Oaks_The_Tondi_in_Venice_and_Dumbarton_Oaks_Arte_e_ideologia_imperiale_tra_Bisanzio_e_Venezia_Art_and_Imperial_Ideology_between_Byzantium_and_Venice_a_cura_di_edited_by_Niccol%C3%B2_Zorzi_Albrecht_Berger_Lorenzo_Lazzarini_Viella_Roma_2019"><img alt="Research paper thumbnail of I tondi di Venezia e Dumbarton Oaks / The Tondi in Venice and Dumbarton Oaks. 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Arte e ideologia imperiale tra Bisanzio e Venezia / Art and Imperial Ideology between Byzantium and Venice, a cura di / edited by Niccolò Zorzi, Albrecht Berger, Lorenzo Lazzarini, Viella, Roma 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ViellaLibreriaEditrice">Viella Editrice</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://lmu-munich.academia.edu/AlbrechtBerger">Albrecht Berger</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Da più di un secolo il “ritratto” dell’imperatore bizantino che campeggia sui tondi marmorei di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Da più di un secolo il “ritratto” dell’imperatore bizantino che campeggia sui tondi marmorei di Venezia e di Washington sfida gli studiosi con il suo enigmatico silenzio: chi è o chi sono gli imperatori raffigurati con le loro insegne e un fastoso abbigliamento? Quando e dove furono realizzati i due tondi? Per quale ragione furono trasferiti a Venezia e, uno di essi, prima in Germania e poi negli Stati Uniti? I saggi raccolti in questo volume affrontano con le più diverse metodologie i numerosi problemi posti da questi esempi straordinari di arte ufficiale, nel tentativo di offrire al lettore una nuova cornice per la loro interpretazione e nuove ipotesi suffragate da nuovi dati.<br /><br />For over a century the “portrait” of the Byzantine Emperor featured on two marble tondi in Venice and Washington, D.C., has been posing a challenge to scholars with its enigmatic silence: who is or are the Emperor depicted with his/their insignia and sumptuous attire? When and where were the two tondi created? Why were they brought to Venice, and why was one eventually transferred to Germany and then the United States? The essays collected in this volume address the numerous problems raised by these remarkable examples of official art by using a range of different methodologies, in an attempt to provide a new framework for their interpretation and new hypotheses supported by fresh data.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="797fa7be3d2801ae609a28181f253677" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60944583,"asset_id":40660610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60944583/download_file?st=MTczMjU0OTcyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40660610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40660610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40660610; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40660610]").text(description); $(".js-view-count[data-work-id=40660610]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40660610; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40660610']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40660610, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "797fa7be3d2801ae609a28181f253677" } } $('.js-work-strip[data-work-id=40660610]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40660610,"title":"I tondi di Venezia e Dumbarton Oaks / The Tondi in Venice and Dumbarton Oaks. 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Bibliothèque de l'Antiquité Tardive 35</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://culture.academia.edu/EfthymiosRizos">Efthymios Rizos</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unifr-ch.academia.edu/JeanMichelSpieser">Jean-Michel Spieser</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://gettysburg.academia.edu/CarolynSnively">Carolyn Snively</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://edinburgh.academia.edu/JohnBintliff">John Bintliff</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SylvieBletry">Sylvie Bletry</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://univ-montp3.academia.edu/ASSENATMartine">ASSENAT Martine</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://hacettepe.academia.edu/ElifKeserKayaalp">Elif Keser Kayaalp</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ugr.academia.edu/JavierMart%C3%ADnezJim%C3%A9nez">Javier Martínez Jiménez</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://mimarsinan.academia.edu/G%C3%BCnderVarinlio%C4%9Flu">Günder Varinlioğlu</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://tu-berlin.academia.edu/MartinGussone">Martin Gussone</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://edinburgh.academia.edu/JimCrow">Jim Crow</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://lmu-munich.academia.edu/AlbrechtBerger">Albrecht Berger</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ouc.academia.edu/GeorgiosDeligiannakis">Georgios Deligiannakis</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/Knut%C3%98deg%C3%A5rd">Knut Ødegård</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unimi.academia.edu/EmanueleIntagliata">Emanuele E . Intagliata</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://niku.academia.edu/DavidHill">David Hill</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/H%C3%A5konIngvaldsen">Håkon Roland</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reviewed by: N. Burkhardt, Historische Zeitschrift, 2019, Vol.309(1), pp.165-168 P. Maranzana, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reviewed by:<br /><br />N. Burkhardt, Historische Zeitschrift, 2019, Vol.309(1), pp.165-168<br /><br />P. Maranzana, American Journal of Archaeology, 4/2019, Vol.123(2)<br /><a href="https://www.ajaonline.org/book-review/3856" rel="nofollow">https://www.ajaonline.org/book-review/3856</a><br /><br />E. Zanini, Medioevo Greco 19, 2019, 453-455<br /><a href="https://www.academia.edu/41221431/Reviev_of_Efthymios_Rizos_ed._New_Cities_in_Late_Antiquity._Documents_and_Archaeology_Turnhout_2017" rel="nofollow">https://www.academia.edu/41221431/Reviev_of_Efthymios_Rizos_ed._New_Cities_in_Late_Antiquity._Documents_and_Archaeology_Turnhout_2017</a><br /><br />M. Sartre, in Syria 96 (2019) <br /><a href="https://journals.openedition.org/syria/8971" rel="nofollow">https://journals.openedition.org/syria/8971</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b0d7531346418105327d0ff9984c90c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52820553,"asset_id":11911182,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52820553/download_file?st=MTczMjU0OTcyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11911182"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11911182"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11911182; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11911182]").text(description); $(".js-view-count[data-work-id=11911182]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11911182; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11911182']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 11911182, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b0d7531346418105327d0ff9984c90c4" } } $('.js-work-strip[data-work-id=11911182]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11911182,"title":"New Cities in Late Antiquity: Documents and Archaeology. 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