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Calenda - La surprise dans les mondes hispaniques

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - La surprise dans les mondes hispaniques</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script><!-- Social network --> <meta name="twitter:card" content="summary" /> <meta property="og:type" content="article" /> <meta name="twitter:site" content="@calendaSHS" /> <meta property="og:url" content="https://calenda.org/1242976" /> <meta property="og:title" content="La surprise dans les mondes hispaniques" /> <meta property="og:description" content="D&#8217;apr&#232;s Natalie Depraz, la surprise est un syst&#232;me dynamique qui ne peut se limiter &#224; son seul objet puisqu&#8217;il met en &#339;uvre un processus qui commence par un horizon d&#8217;attente, culmine dans un momen..." /> <meta property="og:image" content="https://calenda.org/images/favicon_150x150.png" /> <meta name="DC.rights" content="https://creativecommons.org/publicdomain/zero/1.0/" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"></head> <body> <div id="ob-breadcrumb" class="ob-breadcrumb-calenda"> <div class="container"> <a href="https://calenda.org">Accueil</a><a href=""><span>La surprise dans les mondes hispaniques</span></a> </div> </div><!-- breadcrumb --> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&amp;ftype=40">Appel 脿 contribution</a><span><a href="search?primary=fsubject&amp;fsubject=260">Pens茅e</a></span></h2> <div id="tabledates"> <h2>Dates</h2> <div class="list_dates"> <div class="unique_date highlight"> <div class="day"><a href="search.html?primary=fdate&amp;fyear=2025&amp;fmonth=06&amp;fday=02">02</a></div> <div class="month"><a href="search.html?primary=fdate&amp;fyear=2025&amp;fmonth=06">jui</a></div> <div class="year"><a href="search.html?primary=fdate&amp;fyear=2025">2025</a></div> </div> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&amp;fsubject=268">Linguistique</a></li> <li><a href="search?primary=fsubject&amp;fsubject=269">Litt茅ratures</a></li> <li><a href="search?primary=fsubject&amp;fsubject=337">Am茅rique latine</a></li> <li><a href="search?primary=fsubject&amp;fsubject=267">Langage</a></li> <li><a href="search?primary=fsubject&amp;fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&amp;fsubject=281">Identit茅s culturelles</a></li> <li><a href="search?primary=fsubject&amp;fsubject=367">P茅ninsule Ib茅rique</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1242976">La surprise dans les mondes hispaniques</a></h1> <h2 class="origt">La sorpresa en los mundos hisp谩nicos</h2> </div> <div class="mapuce2">*&nbsp;&nbsp;*&nbsp;&nbsp;*</div> <p id="pubdate"> Publi茅 le mercredi 12 mars 2025 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-1242976-fr" class="tabContent" lang="fr" xml:lang="fr"> <p class="MsoNormal" style="text-align: left;">D&rsquo;apr&egrave;s Natalie Depraz, la surprise est un<strong> </strong>syst&egrave;me dynamique qui ne peut se limiter &agrave; son seul objet puisqu&rsquo;il met en &oelig;uvre un <em>processus</em> qui commence par un horizon d&rsquo;attente, culmine dans un moment de d&eacute;calage pendant lequel s&rsquo;ouvre une br&egrave;che, puis laisse place aux cons&eacute;quences de cette irruption. La surprise est ainsi indissociable de <em>l&rsquo;attente</em>, qu&rsquo;elle &laquo;&nbsp;d&eacute;&ccedil;oit&nbsp;&raquo;, d&eacute;borde, trompe. D&rsquo;une certaine fa&ccedil;on, la surprise est l&rsquo;&eacute;chec de notre anticipation. Elle est alors li&eacute;e &agrave; la notion de&nbsp;<em>hasard&nbsp;</em>; elle est ce moment, de &laquo;&nbsp;bon-heur&nbsp;&raquo; ou de &laquo;&nbsp;mal-heur&nbsp;&raquo;, un seuil inattendu. Il s'agit d'explorer ce processus dans les divers champs culturels des mondes hispaniques&nbsp;:&nbsp;en histoire, en litt&eacute;rature, en langue, en arts visuels.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1242976-fr" hreflang="fr" class="active">Fran莽ais</a>&#32;<a href="#annonce-1242976-es" hreflang="es">Espa帽ol</a>&#32;</div> <div id="annonce-1242976-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;" align="center">Colloque ALMOREAL, 19 et 20 mars 2026&nbsp;&agrave; Le Mans Universit&eacute;</p> <h1 class="MsoNormal">Argumentaire</h1> <p class="MsoNormal" style="text-align: justify;">Le terme de &laquo; surprise &raquo; nous am&egrave;ne imm&eacute;diatement &agrave; l&rsquo;associer &agrave; deux adjectifs&nbsp;: la <em>bonne</em> et la <em>mauvaise </em>surprise. Elle est joie ou d&eacute;ception, comble nos d&eacute;sirs ou voit au contraire se r&eacute;aliser nos plus grandes craintes, elle est une r&eacute;solution favorable et bienvenue, ou une rupture d&eacute;vastatrice. En somme, la surprise est une exp&eacute;rience extr&ecirc;mement subjective, que nous vivons lorsque surgit l&rsquo;inopin&eacute;, une irr&eacute;gularit&eacute; qui d&eacute;concerte nos sch&eacute;mas pr&eacute;&eacute;tablis, c&rsquo;est une rencontre inesp&eacute;r&eacute;e face &agrave; laquelle nous devons agir, r&eacute;agir, au-del&agrave; de l&rsquo;&eacute;tonnement joyeux ou de la sid&eacute;ration.&nbsp;</p> <p class="MsoNormal" style="text-align: justify;">D&rsquo;apr&egrave;s Natalie Depraz<a id="note1"></a><sup>1</sup>, la surprise est un<strong> </strong>syst&egrave;me dynamique qui ne peut se limiter &agrave; son seul objet (c&rsquo;est-&agrave;-dire &agrave; la simple consid&eacute;ration de l&rsquo;&ecirc;tre surpris, dans un temps et un espace donn&eacute;s et limit&eacute;s), mais bien un <em>processus</em> qui commence par un horizon d&rsquo;attente, culmine dans un moment de d&eacute;calage pendant lequel s&rsquo;ouvre une br&egrave;che, puis laisse place aux cons&eacute;quences de cette irruption.</p> <p class="MsoNormal" style="text-align: justify;">La surprise est ainsi indissociable de <em>l&rsquo;attente</em>, qu&rsquo;elle &laquo; d&eacute;&ccedil;oit &raquo;, d&eacute;borde, trompe&nbsp;; elle est le cas isol&eacute; qui fait irruption dans ce que l&rsquo;on pensait &ecirc;tre pr&eacute;d&eacute;termin&eacute;, logique, planifi&eacute;, norm&eacute;. D&rsquo;une certaine fa&ccedil;on, la surprise est l&rsquo;&eacute;chec de notre anticipation. Elle est alors li&eacute;e &agrave; la notion de <em>hasard&nbsp;</em>; elle est ce moment, de &laquo; bon-heur &raquo; ou de &laquo; mal-heur &raquo;, un seuil inattendu qui est franchi lorsque ce que l&rsquo;on attendait (ou <em>esp&eacute;rait</em>, ce qui nous renvoie &agrave; la dilogie, en espagnol, du verbe <em>esperar</em>) ne co&iuml;ncide pas avec ce qui a lieu.</p> <p class="MsoNormal" style="text-align: justify;">Enfin, la surprise est ins&eacute;parable de ses effets, elle est proche de l&rsquo;&eacute;tonnement, et peut induire la r&eacute;flexion, la recherche de connaissance&nbsp;: l&rsquo;&ecirc;tre surpris s&rsquo;inqui&egrave;te, analyse, interroge. La surprise est ainsi source d&rsquo;incertitude, de remise en cause.</p> <p class="MsoNormal" style="text-align: justify;">Le th&egrave;me de la surprise pourra &ecirc;tre abord&eacute; dans bien des champs&nbsp;:</p> <ul> <li class="MsoNormal">dans les arts (le &laquo; coup de th&eacute;&acirc;tre &raquo;, le choc esth&eacute;tique, le suspense, le fantastique, les&nbsp;<em>incipit</em> d&eacute;routants, la surprise comme ressort de l&rsquo;humour, de l&rsquo;aventure, de la trahison, ou de l&rsquo;apprentissage dans la litt&eacute;rature de jeunesse, le genre policier avec ses rebondissements, les transes permises par la musique et la danse, l&rsquo;improvisation, les <em>happenings</em>, etc.)&nbsp;;</li> <li class="MsoNormal">en Histoire, civilisation, politique (les crises soudaines, coups d'&Eacute;tat, r&eacute;volutions, scandales, surgissement de radicalit&eacute;s, attentats qui sid&egrave;rent, la surprise comme tactique de guerre/d&eacute;stabilisation sur le champ de bataille ou autres conflits, etc.) ;</li> <li class="MsoNormal">en linguistique (les jeux de mots et leurs effets humoristiques, les &eacute;carts par rapport &agrave; une norme langagi&egrave;re, les expressions idiomatiques transcrivant la surprise, les diff&eacute;rences entre les r&eacute;f&eacute;rents culturels, etc.).</li> </ul> <h1 class="MsoNormal">Modalit&eacute;s de contribution</h1> <p class="MsoNormal" style="text-align: justify;">Le colloque se tiendra &agrave; l&rsquo;Universit&eacute; du Mans les 19 et 20 mars 2026. Les langues de communication accept&eacute;es seront le fran&ccedil;ais et l&rsquo;espagnol.</p> <p class="MsoNormal" style="text-align: justify;">Les propositions de communication (de 500 mots maximum), accompagn&eacute;es d&rsquo;une br&egrave;ve bio-bibliographie, comprendront un titre, le nom de l&rsquo;auteur/de l&rsquo;autrice, son affiliation acad&eacute;mique ainsi que l&rsquo;adresse acad&eacute;mique de correspondance. Elles sont &agrave; envoyer aux adresses suivantes:</p> <ul> <li class="MsoNormal">Florence Dumora:&nbsp;<strong>florence.dumora@univ-lemans.fr</strong></li> <li class="MsoNormal">Marina Letourneur:&nbsp;<strong>marina.letourneur@univ-lemans.fr</strong></li> <li class="MsoNormal"><span lang="ES">Lucie Valverde:<strong> </strong></span><strong><span lang="ES">lucie.valverde@univ-lemans.fr</span></strong></li> </ul> <h3>au plus tard le 2 juin 2025.</h3> <p class="MsoNormal" style="text-align: justify;">Une r&eacute;ponse sera apport&eacute;e apr&egrave;s examen des propositions dans la premi&egrave;re dizaine de juillet.</p> <p>ALMOREAL est une association savante &agrave; but non lucratif qui s&rsquo;autofinance enti&egrave;rement. Par cons&eacute;quent, les frais d&rsquo;inscription au colloque permettent un bon fonctionnement et une qualit&eacute; d&rsquo;accueil. Il vous sera demand&eacute; une somme n&rsquo;exc&eacute;dant pas 80 euros qui couvrira au minimum tous les frais de restauration.&nbsp;</p> <h1>Comit&eacute; de s&eacute;lection</h1> <ul> <li class="MsoNormal">Fernando Copello 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Florence Dumora 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Julie Fintzel 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Charles-Elie Le Goff 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Marina Letourneur 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">C&eacute;cile Marchant 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Marina Ruiz Cano 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Lucie Valverde 3L.AM (LMU Le Mans Universit&eacute;)</li> </ul> <h1>Publication</h1> <p class="MsoNormal" style="text-align: justify;">Le colloque sera suivi d&rsquo;une publication pour une s&eacute;lection d&rsquo;articles dans la revue&nbsp;<em>HispanismeS</em>, en juin 2027. Pour respecter au mieux les d&eacute;lais de publication, il sera demand&eacute; aux intervenants de rendre leurs travaux dans le mois et demi qui suivra le colloque, afin de permettre une premi&egrave;re relecture avant envoi pour &eacute;valuation par la revue.&nbsp;</p> <h1>Note</h1> <p class="MsoFootnoteText"><!-- [if !supportFootnotes]--><a href="#note1">[1]</a><!--[endif]--> DEPRAZ, Natalie (philosophe, professeure &agrave; Nanterre), <em>La surprise. Crise dans la pens&eacute;e</em>, Paris, Seuil, 2024. Voir l&rsquo;&eacute;mission <em>Avec philosophie</em> de <em>France Culture</em>, &laquo; De l&rsquo;art d&rsquo;&ecirc;tre surpris &raquo;, 10 mai 2024.</p> </div> <div id="annonce-1242976-es" class="tabContent hidden" lang="es" xml:lang="es"> <p class="Corps"><span lang="IT">Coloquio Almoreal,&nbsp;</span><span lang="ES-TRAD">19 y 20 de marzo de 2026&nbsp;</span><span lang="ES-TRAD">en la Universidad de Le Mans (Francia)</span></p> <h1 class="Corps"><span lang="DE">Argumentos&nbsp;<br></span></h1> <p class="Corps"><span lang="ES-TRAD">La palabra </span><span lang="ES">&laquo;</span><span lang="IT">sorpresa&raquo; </span><span class="Aucun"><span lang="ES-TRAD">nos lleva inmediatamente a asociarla con dos adjetivos: la <em>buena </em>sorpresa y la </span><em><span lang="DE">mala</span></em></span><span class="Aucun"><span lang="ES-TRAD"> sorpresa. Es una alegr</span><span lang="DE">&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">a o una decepci&oacute;n, satisface nuestros deseos o, por el contrario, convierte en realidad nuestros peores temores; es una resoluci&oacute;n favorable y bienvenida o una ruptura devastadora. En resumen, la sorpresa es una experiencia extremadamente subjetiva que tenemos cuando sucede lo inesperado, una irregularidad que desconcierta nuestros modelos preestablecidos. Es un encuentro inesperado ante el cual tenemos que actuar y reaccionar, m</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="EN-US">s all</span><span lang="DE">&aacute; </span></span><span lang="ES-TRAD">del asombro alegre o del estupor.</span></p> <p class="Corps"><span class="Aucun"><span lang="PT">Seg</span><span lang="DE">&uacute;</span></span><span lang="ES-TRAD">n Natalie Depraz</span><a title="" href="#_ftn1" name="_ftnref1"><!-- [if !supportFootnotes]--><span lang="ES-TRAD">[1]</span><!--[endif]--></a><span class="Aucun"><span lang="ES-TRAD">, la sorpresa es un sistema din</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">mico que no puede limitarse exclusivamente a su objeto (es decir a la simple observaci&oacute;n del ser sorprendido, en un tiempo y un espacio determinados y limitados), sino m</span><span lang="DE">&aacute;</span></span><span lang="ES">s bien a</span><span lang="IT"> un </span><em><span lang="ES-TRAD">proceso</span></em><span lang="ES-TRAD"> que comienza con un horizonte de </span><span lang="ES">espera</span><span class="Aucun"><span lang="ES-TRAD">, culmina en un momento de desajuste durante el cual se abre una brecha, y luego da paso a las consecuencias de esta irrupci&oacute;</span><span lang="DE">n.</span></span></p> <p class="Corps"><span lang="ES-TRAD">Por lo tanto, no se puede separar la sorpresa de la</span> <em><span lang="ES">espera</span></em><span lang="ES"> o</span> <em><span lang="EN-US">expectativa</span></em><span lang="ES-TRAD">, a la que </span><span lang="ES">&laquo;</span><span lang="ES-TRAD">decepciona</span><span lang="IT">&raquo;</span><span class="Aucun"><span lang="ES-TRAD">, desborda, enga&ntilde;a; es el caso aislado que irrumpe en lo que cre</span><span lang="DE">&iacute;</span></span><span lang="ES-TRAD">amos predeterminado, l&oacute;gico, planificado y normalizado. En cierto modo, la sorpresa es el fracaso de nuestra anticipaci&oacute;</span><span class="Aucun"><span lang="PT">n. Est</span><span lang="DE">&aacute; </span></span><span lang="ES-TRAD">ligada entonces a la noci&oacute;</span><span lang="NL">n de </span><em><span lang="PT">casualidad</span></em><span lang="ES-TRAD">; es ese momento de </span><span lang="ES">&laquo;</span><span lang="ES-TRAD">buena suerte</span><span lang="IT">&raquo; </span><span lang="PT">o de </span><span lang="ES">&laquo;</span><span lang="ES-TRAD">mala suerte</span><span lang="IT">&raquo;</span><span class="Aucun"><span lang="ES-TRAD">, un umbral inesperado que se cruza cuando lo que esper</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">bamos (es decir lo que pens</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">bamos </span><em><span lang="DE">inminente</span></em></span><span class="Aucun"><span lang="ES-TRAD"> y/o lo que </span><em><span lang="DE">dese&aacute;</span></em></span><em><span lang="ES-TRAD">bamos</span></em><span class="Aucun"><span lang="ES-TRAD">, si nos referimos a la dilog</span><span lang="DE">&iacute;</span></span><span lang="ES-TRAD">a, en espa&ntilde;</span><span lang="IT">ol, del verbo </span><em><span lang="ES-TRAD">esperar</span></em><span lang="ES-TRAD">) no coincide con lo que tiene lugar.</span></p> <p class="Corps"><span class="Aucun"><span lang="ES-TRAD">Por </span><span lang="DE">&uacute;</span></span><span class="Aucun"><span lang="ES-TRAD">ltimo, la sorpresa es inseparable de sus efectos, raya en el asombro, y puede suscitar la reflexi&oacute;n y la b</span><span lang="DE">&uacute;</span></span><span lang="ES-TRAD">squeda de conocimiento: la persona sorprendida se preocupa, analiza y cuestiona. La sorpresa es, entonces, fuente de incertidumbre y de cuestionamiento.</span></p> <p class="Corps"><span class="Aucun"><span lang="ES-TRAD">El tema de la sorpresa podr</span><span lang="DE">&aacute; </span></span><span class="Aucun"><span lang="ES-TRAD">abordarse en muchos </span><span lang="DE">&aacute;</span></span><span lang="PT">mbitos:</span></p> <ul> <li class="Corps"><span lang="ES-TRAD">en las artes (con el golpe de efecto, el choque est</span><span lang="ES">&eacute;</span><span class="Aucun"><span lang="ES-TRAD">tico, el suspense, lo fant</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">stico, los </span><em><span lang="DE">&iacute;</span></em></span><em><span lang="IT">ncipit</span></em> <span class="Aucun"><span lang="ES-TRAD">desconcertantes, la sorpresa como motivo humor</span><span lang="DE">&iacute;</span></span><span lang="IT">stico, la aventura, la traici</span><span lang="ES-TRAD">&oacute;n o el aprendizaje en la literatura infantil, el g</span><span lang="ES">&eacute;</span><span class="Aucun"><span lang="ES-TRAD">nero polic</span><span lang="DE">&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">aco con sus giros inesperados, los trances que posibilitan la m</span><span lang="DE">&uacute;</span></span><span lang="ES-TRAD">sica y la danza, la improvisaci&oacute;n, los </span><em><span lang="EN-US">happenings</span></em><span lang="ES">, etc.);</span></li> <li class="Corps"><span class="Aucun"><span lang="ES-TRAD">en la historia, la civilizaci&oacute;n y la pol</span><span lang="DE">&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">tica (con las crisis repentinas, los golpes de Estado, revoluciones, los esc</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">ndalos, la aparici&oacute;n de radicalismos, los atentados que aturden, la sorpresa como t</span><span lang="DE">&aacute;</span></span><span lang="ES-TRAD">ctica de guerra/desestabilizaci&oacute;n en el campo de batalla o en otros conflictos, etc.);</span></li> <li class="Corps"><span lang="DE">en ling&uuml;&iacute;</span><span class="Aucun"><span lang="ES-TRAD">stica (con los juegos de palabras y sus efectos humor</span><span lang="DE">&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">sticos, las desviaciones respecto a una norma ling</span><span lang="DE">&uuml;&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">stica, las expresiones idiom</span><span lang="DE">&aacute;</span></span><span lang="ES-TRAD">ticas que transmiten sorpresa, las diferencias entre referentes culturales, etc.).</span></li> </ul> <h1>Modalidades de ponencias</h1> <p class="Corps"><span class="Aucun"><span lang="ES-TRAD">El coloquio se celebrar</span><span lang="DE">&aacute; </span></span><span lang="ES-TRAD">en la Universidad de Le Mans, los 19 y 20 de marzo de 2026. Las lenguas de comunicaci&oacute;</span><span class="Aucun"><span lang="IT">n del coloquio ser</span><span lang="DE">&aacute;</span></span><span lang="ES-TRAD">n el franc</span><span lang="ES">&eacute;</span><span lang="ES-TRAD">s y el espa&ntilde;</span><span lang="PT">ol.</span></p> <p class="Corps"><span class="Aucun"><span lang="ES-TRAD">Las propuestas de comunicaci&oacute;n (de 500 palabras como m</span><span lang="DE">&aacute;</span></span><span lang="PT">ximo), acompa</span><span class="Aucun"><span lang="ES-TRAD">&ntilde;adas de una breve bio-bibliograf</span><span lang="DE">&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">a, deber</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">n constar de un t</span><span lang="DE">&iacute;</span></span><span lang="ES-TRAD">tulo, el nombre del autor/de la autora, su filiaci&oacute;n acad</span><span lang="ES">&eacute;</span><span lang="ES-TRAD">mica y la direcci&oacute;n acad</span><span lang="ES">&eacute;</span><span class="Aucun"><span lang="ES-TRAD">mica que ser</span><span lang="DE">&aacute; </span></span><span class="Aucun"><span lang="PT">utilizada para comunicarnos. Deber</span><span lang="DE">&aacute;</span></span><span class="Aucun"><span lang="ES-TRAD">n enviarse</span></span><span lang="ES-TRAD"> a las siguientes direcciones:</span></p> <ul> <li class="Corps"><span lang="PT">Florence Dumora: <strong>florence.dumora@univ-lemans.fr</strong></span></li> <li class="Corps">Marina Letourneur: <strong>marina.letourneur@univ-lemans.fr</strong></li> <li class="Corps"><span lang="IT">Lucie Valverde:&nbsp;<strong>lucie.valverde@univ-lemans.fr</strong></span></li> </ul> <h3><span class="Aucun"><span lang="ES-TRAD"> a m</span><span lang="DE">&aacute;</span></span><span lang="ES-TRAD">s tardar el 2 de junio de 2025</span>.</h3> <p class="Corps"><span class="Aucun"><span lang="IT">Se informar</span><span lang="DE">&aacute; </span></span><span class="Aucun"><span lang="ES-TRAD">a los autores/las autoras de las propuestas aceptadas en los diez primeros d</span><span lang="DE">&iacute;</span></span><span lang="ES-TRAD">as de julio.</span></p> <p><span lang="ES-TRAD">ALMOREAL es una asociaci&oacute;n acad</span><span lang="ES">&eacute;</span><span class="Aucun"><span lang="ES-TRAD">mica sin </span><span lang="DE">&aacute;</span></span><span lang="ES-TRAD">nimo de lucro que se autofinancia por completo. Por ello, las cuotas de inscripci&oacute;</span><span class="Aucun"><span lang="IT">n al coloquio permitir</span><span lang="DE">&aacute;</span></span><span lang="ES-TRAD">n garantizar su buen desarrollo y la atenci&oacute;n a los asistentes. </span><span lang="ES">Les pediremos una cuota que no exceder&aacute; 80 euros para cubrir como m&iacute;nimo&nbsp; todos los gastos de restauraci&oacute;n.</span></p> <h1>Publicaci&oacute;n</h1> <p class="Corps"><span lang="ES-TRAD">Despu</span><span lang="ES">&eacute;</span><span class="Aucun"><span lang="ES-TRAD">s del coloquio, se publicar</span><span lang="DE">&aacute; </span></span><span lang="ES-TRAD">una selecci&oacute;</span><span class="Aucun"><span lang="NL">n de art</span><span lang="DE">&iacute;</span></span><span class="Aucun"><span lang="ES-TRAD">culos en la revista </span><em><span lang="DE">HispanismeS,</span></em></span><span lang="ES-TRAD"> en junio de 2027. Con el fin de respetar lo mejor posible los plazos de publicaci&oacute;</span><span class="Aucun"><span lang="PT">n, se pedir</span><span lang="DE">&aacute; </span></span><span class="Aucun"><span lang="ES-TRAD">a los participantes que entreguen sus trabajos en el mes y medio siguiente a su ponencia, para que puedan ser corregidos antes de ser enviados a la revista para su evaluaci&oacute;</span><span lang="DE">n.</span></span></p> <h1>Comit&eacute; cient&iacute;fico</h1> <ul> <li class="MsoNormal">Fernando Copello 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Florence Dumora 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Julie Fintzel 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Charles-Elie Le Goff 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Marina Letourneur 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">C&eacute;cile Marchant 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Marina Ruiz Cano 3L.AM (LMU Le Mans Universit&eacute;)</li> <li class="MsoNormal">Lucie Valverde 3L.AM (LMU Le Mans Universit&eacute;)</li> </ul> <p><!-- [if !supportFootnotes]--></p> <h1>Note</h1> <p><!--[endif]--></p> <p class="MsoFootnoteText"><a title="" href="#_ftnref1" name="_ftn1"><!-- [if !supportFootnotes]--><span lang="EN-US">[1]</span><!--[endif]--></a> <span lang="EN-US">DEPRAZ, Natalie (fil&oacute;sofa, catedr&aacute;tica de la Universidad de Nanterre), <em>La surprise. Crise dans la pens&eacute;e</em>, Paris, Seuil, 2024. Ver el programa <em>Avec philosophie</em> (Con filosof&iacute;a) de <em>France Culture</em>, &laquo; De l&rsquo;art d&rsquo;&ecirc;tre surpris &raquo; (Sobre el arte de estar sorprendido), 10 mai 2024).</span></p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&amp;fsubject=260">Pens茅e</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=267">Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=268">Linguistique</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=267">Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=269">Litt茅ratures</a></li> <li><a href="search?primary=fsubject&amp;fsubject=327">Espaces</a> &gt; <a href="search?primary=fsubject&amp;fsubject=336">Am茅riques</a> &gt; <a href="search?primary=fsubject&amp;fsubject=337">Am茅rique latine</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=267">Langage</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=276">Repr茅sentations</a> &gt; <a href="search?primary=fsubject&amp;fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=276">Repr茅sentations</a> &gt; <a href="search?primary=fsubject&amp;fsubject=281">Identit茅s culturelles</a></li> <li><a href="search?primary=fsubject&amp;fsubject=327">Espaces</a> &gt; <a href="search?primary=fsubject&amp;fsubject=354">Europe</a> &gt; <a href="search?primary=fsubject&amp;fsubject=367">P茅ninsule Ib茅rique</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Maison des Sciences humaines - Avenue Olivier Messiaen <br/> Le Mans, France (72) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement hybride sur site et en ligne</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>lundi 02 juin 2025</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="1244395?file=1" target="_blank">CONVOCATORIA 10 03 25.pdf</a></li> <li><a href="1244397?file=1" target="_blank">APPEL 10 03 25.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>surprise, monde hispanique, hasard, attente, d茅ception, esp茅rance, bonheur, malheur</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Florence Dumora<br/><em>courriel :</em> florence [dot] dumora [at] univ-lemans [dot] fr<br/></li> <li>Lucie Valverde<br/><em>courriel :</em> lucie [dot] valverde [at] univ-lemans [dot] fr<br/></li> <li>Marina Letourneur<br/><em>courriel :</em> marina [dot] letourneur [at] univ-lemans [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://3lam.univ-lemans.fr/fr/actualites.html">3L.AM</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Florence Dumora<br/><em>courriel :</em> florence [dot] dumora [at] univ-lemans [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 La surprise dans les mondes hispaniques 禄, <span class="category">Appel 脿 contribution</span>, <em>Calenda</em>, Publi茅 le mercredi 12 mars 2025, <a class="url" href="https://doi.org/10.58079/13gi5">https://doi.org/10.58079/13gi5</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1242976?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1242976?formatage=print">Imprimer</a> <a id="signaler" 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