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Jasia Reichardt - Wikipedia
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id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Jasia Reichardt</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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.infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div style="display:inline;" class="fn">Jasia Reichardt</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Jasia_Reichardt,_London,_February_2022.jpg" class="mw-file-description" title="Reichardt in 2022"><img alt="Reichardt in 2022" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Jasia_Reichardt%2C_London%2C_February_2022.jpg/220px-Jasia_Reichardt%2C_London%2C_February_2022.jpg" decoding="async" width="220" height="275" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Jasia_Reichardt%2C_London%2C_February_2022.jpg/330px-Jasia_Reichardt%2C_London%2C_February_2022.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Jasia_Reichardt%2C_London%2C_February_2022.jpg/440px-Jasia_Reichardt%2C_London%2C_February_2022.jpg 2x" data-file-width="716" data-file-height="896" /></a></span><div class="infobox-caption" style="line-height:1.4em;">Reichardt in 2022</div></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Born</th><td class="infobox-data" style="line-height:1.4em;">Janina Chaykin<br /><span style="display:none"> (<span class="bday">1933-11-13</span>) </span>13 November 1933<span class="noprint ForceAgeToShow"> (age 91)</span><br /><a href="/wiki/Warsaw" title="Warsaw">Warsaw</a>, Poland</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Occupation</th><td class="infobox-data role" style="line-height:1.4em;"><a href="/wiki/Art_critic" title="Art critic">art critic</a>, <a href="/wiki/Curator" title="Curator">curator</a>, teacher and writer</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Nationality</th><td class="infobox-data category" style="line-height:1.4em;">Polish</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Citizenship</th><td class="infobox-data" style="line-height:1.4em;">British</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Education</th><td class="infobox-data" style="line-height:1.4em;"><a href="/wiki/Dartington_Hall_School" class="mw-redirect" title="Dartington Hall School">Dartington Hall School</a><br /><a href="/wiki/Bristol_Old_Vic_Theatre_School" title="Bristol Old Vic Theatre School">Bristol Old Vic Theatre School</a></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Notable works</th><td class="infobox-data" style="line-height:1.4em;"><i>Cybernetic serendipity: the computer and the arts</i>, director of the <a href="/wiki/Themerson" title="Themerson">Themerson Archive</a></td></tr></tbody></table> <p><b>Jasia Reichardt</b> (born <b>Janina Chaykin</b>; 13 November 1933)<sup id="cite_ref-:1_1-0" class="reference"><a href="#cite_note-:1-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> is a British <a href="/wiki/Art_critic" title="Art critic">art critic</a>, <a href="/wiki/Curator" title="Curator">curator</a>, art gallery director, teacher and prolific writer, specialist in the emergence of <a href="/wiki/Computer_art" title="Computer art">computer art</a>. In 1968 she was curator of the landmark <i><a href="/wiki/Cybernetic_Serendipity" title="Cybernetic Serendipity">Cybernetic Serendipity</a></i> exhibition at <a href="/wiki/London" title="London">London</a>'s <a href="/wiki/Institute_of_Contemporary_Arts" title="Institute of Contemporary Arts">Institute of Contemporary Arts</a>. She is generally known for her work on experimental art. After the deaths of <a href="/wiki/Franciszka_Themerson" title="Franciszka Themerson">Franciszka</a> and <a href="/wiki/Stefan_Themerson" title="Stefan Themerson">Stefan Themerson</a> she catalogued their archive<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and looks after their legacy. </p><p>Her own self-description reads: Jasia Reichardt writes, lectures and organises events about subjects which deal with the relationship of art to other areas of human activity such as architecture, science, technology. She was assistant director of the ICA, director of the <a href="/wiki/Whitechapel_Art_Gallery" class="mw-redirect" title="Whitechapel Art Gallery">Whitechapel Art Gallery</a>, and tutor at the <a href="/wiki/Architectural_Association" class="mw-redirect" title="Architectural Association">AA</a>. She has written books on art, computers, robots and the future.<sup id="cite_ref-:0_3-0" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Childhood">Childhood</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=1" title="Edit section: Childhood"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Male_pisemko_chaykin_weinles_polona.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Male_pisemko_chaykin_weinles_polona.jpg/220px-Male_pisemko_chaykin_weinles_polona.jpg" decoding="async" width="220" height="342" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Male_pisemko_chaykin_weinles_polona.jpg/330px-Male_pisemko_chaykin_weinles_polona.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Male_pisemko_chaykin_weinles_polona.jpg/440px-Male_pisemko_chaykin_weinles_polona.jpg 2x" data-file-width="1400" data-file-height="2176" /></a><figcaption>Cover of the 1930's magazine <i>Małe pisemko</i>, drawing by Maryla Weinles-Chaykin</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg/220px-Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg" decoding="async" width="220" height="161" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg/330px-Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg/440px-Jakub_Weinles_-_%C5%BBydzi_modl%C4%85cy_sie_w_Jom_Kippur.jpg 2x" data-file-width="490" data-file-height="358" /></a><figcaption><i>Jews praying on Yom Kippur</i> by Jakub Weinles. In the collection of the <a href="/wiki/National_Museum_in_Warsaw" title="National Museum in Warsaw">National Museum in Warsaw</a>.</figcaption></figure> <p>Jasia Reichardt was born to Maryla Weinles and Seweryn Chaykin in <a href="/wiki/Warsaw" title="Warsaw">Warsaw</a>, Poland, in 1933. Her mother was an illustrator and pianist and her father an architect and engineer. Her maternal grandfather was <a href="/wiki/Jakub_Weinles" title="Jakub Weinles">Jakub Weinles</a> (1870–1938), painter of works devoted mainly to Jewish and religious subjects, member of the Jewish Society for the Promotion of Fine Arts.<sup id="cite_ref-:1_1-1" class="reference"><a href="#cite_note-:1-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>An assimilated middle-class Jewish family, Chaykins were overwhelmed by the <a href="/wiki/Nazi_Germany" title="Nazi Germany">German</a> <a href="/wiki/Invasion_of_Poland_(1939)" class="mw-redirect" title="Invasion of Poland (1939)">invasion of Poland</a> in 1939 and were incarcerated among the capital's Jewish population in the <a href="/wiki/Warsaw_Ghetto" title="Warsaw Ghetto">Warsaw Ghetto</a>. Jasia survived there for a while with her mother and maternal grandmother, Łucja Kaufman-Weinles, who tried to shield her from the unfolding horror. In 1942 she was smuggled out, but both her parents were murdered in the <a href="/wiki/Treblinka_extermination_camp" title="Treblinka extermination camp">Treblinka extermination camp</a>. </p><p>She was subsequently hidden under an assumed identity by a series of Poles, spending time in a convent, until she was able to join her mother's sister, Franciszka Themerson, and her husband, Stefan Themerson, in London in 1946. She attended <a href="/wiki/Dartington_Hall_School" class="mw-redirect" title="Dartington Hall School">Dartington Hall School</a><sup id="cite_ref-Persecution_and_survival:_One_family,_three_cities,_six_years_of_war_4-0" class="reference"><a href="#cite_note-Persecution_and_survival:_One_family,_three_cities,_six_years_of_war-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> and then went to study directing at the <a href="/wiki/Bristol_Old_Vic_Theatre_School" title="Bristol Old Vic Theatre School">Bristol Old Vic Theatre School</a>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:1_1-2" class="reference"><a href="#cite_note-:1-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_3-1" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Career">Career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=2" title="Edit section: Career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the 1950s she was assistant editor of <a href="/wiki/Art_News_and_Review" class="mw-redirect" title="Art News and Review">Art News and Review</a>, for which she wrote numerous reviews, as well as exhibition introductions for various galleries of contemporary art. In the early 1960s she was the general editor of the "Art in Progress" series published by <a href="/wiki/Methuen_Publishing" title="Methuen Publishing">Methuen</a>. She organised various exhibitions of new art, and in 1963 – 1971 was assistant director of the <a href="/wiki/Institute_of_Contemporary_Arts" title="Institute of Contemporary Arts">ICA</a><sup id="cite_ref-getty_6-0" class="reference"><a href="#cite_note-getty-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>In 1968, she organised the ground-breaking <i><a href="/wiki/Cybernetic_Serendipity" title="Cybernetic Serendipity">Cybernetic Serendipity</a></i> exhibition, and edited the special issue of <i><a href="/wiki/Studio_International" title="Studio International">Studio International</a></i>, which replaced the catalogue.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-jasia_8-0" class="reference"><a href="#cite_note-jasia-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> The same year, she curated <i>Fluorescent Chrysanthemum</i>, an exhibition of contemporary experimental Japanese art.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-jasia_8-1" class="reference"><a href="#cite_note-jasia-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Other exhibitions followed, including Play Orbit of objects to play with by British artists. </p><p>From 1974 to 1976 Reichardt was director of the <a href="/wiki/Whitechapel_Art_Gallery" class="mw-redirect" title="Whitechapel Art Gallery">Whitechapel Art Gallery</a>.<sup id="cite_ref-getty_6-1" class="reference"><a href="#cite_note-getty-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Between 1989 and 1998 she was one of the directors of <i>Artec</i> biennale in <a href="/wiki/Nagoya" title="Nagoya">Nagoya</a>. In 1998 she curated <i>Electronically Yours</i>, an exhibition of electronic portraiture at the <a href="/wiki/Tokyo_Metropolitan_Museum_of_Photography" class="mw-redirect" title="Tokyo Metropolitan Museum of Photography">Tokyo Metropolitan Museum of Photography</a>. Apart from writing and organising exhibitions, she broadcast on the arts programme, "Critics’ Forum" for the <a href="/wiki/BBC" title="BBC">BBC</a>, 1965 – 1977. She collaborated with artists and continued to focus on the intersection of the arts and science on which she wrote a monthly column in the <i><a href="/wiki/New_Scientist" title="New Scientist">New Scientist</a></i>. After 1990, she collaborated on various projects with <a href="/wiki/Nicholas_Wadley" title="Nicholas Wadley">Nick Wadley</a>, until his death in 2017. She has taught at the Architectural Association and other colleges. After 1988, she organised the archive of <a href="/wiki/Franciszka_Themerson" title="Franciszka Themerson">Franciszka</a> and <a href="/wiki/Stefan_Themerson" title="Stefan Themerson">Stefan Themerson</a>; the 3 volume catalogue of the archive was published in 2020 and distributed by <a href="/wiki/MIT" class="mw-redirect" title="MIT">MIT</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>She served on numerous committees; belonged to a number of professional organisations, gave lectures at conferences, and received several distinctions. </p><p>In 2022 the <a href="/wiki/Australian_National_University" title="Australian National University">Australian National University's</a> <a href="/wiki/ANU_College_of_Engineering,_Computing_and_Cybernetics" class="mw-redirect" title="ANU College of Engineering, Computing and Cybernetics">School of Cybernetics</a> launched the school by presenting an exhibition <i>Australian Cybernetic: a point through time</i>. The exhibition included works from <i>Cybernetic Serendipity</i> (1968), <i>Australia ‘75: Festival of Creative Arts and Science</i> (1975), and contemporary pieces curated by the School of Cybernetics. In describing Reichardt's <i>Cybernetic Serendipity</i> exhibition the school stated that it "represented points of expanding the cybernetic imagination" and was a "ground-breaking" "glimpse of a future in which computers were entangled with people and cultures, and through this she fashioned a blueprint for the future of computing that has since inspired generations".<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:0_3-2" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>In 2024 Reichardt was honoured with an <a href="/wiki/Honorary_doctorate" class="mw-redirect" title="Honorary doctorate">honorary doctorate</a> from the Australian National University's School of Cybernetics. The <a href="/wiki/Doctor_of_Letters" title="Doctor of Letters">Doctor of Letters</a> degree was awarded by ANU Chancellor, the Hon. <a href="/wiki/Julie_Bishop" title="Julie Bishop">Julie Bishop</a>, during a special ceremony in London.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Personal_life">Personal life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=3" title="Edit section: Personal life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Jasia Reichardt was married first to Tony Richards (later Reichardt), art dealer and collector, and secondly to art historian and artist <a href="/wiki/Nicholas_Wadley" title="Nicholas Wadley">Nick Wadley</a>.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Exhibitions_organised_by_JR">Exhibitions organised by JR</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=4" title="Edit section: Exhibitions organised by JR"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>in London unless otherwise indicated </p> <ul><li><i>Image in Progress</i> (first exhibition of <a href="/wiki/Pop_Art" class="mw-redirect" title="Pop Art">Pop Art</a> in London), <a href="/wiki/Grabowski_Gallery" title="Grabowski Gallery">Grabowski Gallery</a>, 1962</li> <li><i>The Inner Image</i> (between painting and sculpture), Grabowski Gallery, 1964</li> <li><i>Art in Britain 1930-40</i> (A tribute to <a href="/wiki/Sir_Herbert_Read" class="mw-redirect" title="Sir Herbert Read">Sir Herbert Read</a>), Marlborough Fine Art and New London Gallery, 1965</li> <li><i>Between Poetry and Painting</i>, ICA, 1965</li> <li><i>London Under Forty</i>, Galleria Milano, Milan, 1966</li> <li><i>Essays in Narrative</i>, Zwemmer Gallery, London, 1966</li> <li><i>Ventures</i>, (experimental works in three dimensions), Arts Council touring exhibition, 1967</li> <li><i><a href="/wiki/Cybernetic_Serendipity" title="Cybernetic Serendipity">Cybernetic Serendipity</a></i>, ICA, 1968, also in <a href="/wiki/Corcoran_Gallery_of_Art" title="Corcoran Gallery of Art">Washington</a> and <a href="/wiki/Exploratorium" title="Exploratorium">San Francisco</a><sup id="cite_ref-:0_3-3" class="reference"><a href="#cite_note-:0-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup></li> <li><i>Fluorescent Chrysanthemum</i> (new Japanese art, music and films), ICA, 1968–69, and <a href="/wiki/Vancouver" title="Vancouver">Vancouver</a></li> <li><i>Play Orbit</i> (playthings by artists), ICA, 1969–70</li> <li><i>Ten Sitting Rooms</i> (created by artists), ICA, 1970</li> <li><i>Time, Words and the Camera</i> (photoworks by British artists), Künstlerhaus, Graz, 1976–77</li> <li><i>Electronically Yours</i>, Tokyo Metropolitan Museum of Photography, 1988</li> <li><i><a href="/wiki/Yolanda_Sonnabend" title="Yolanda Sonnabend">Yolanda Sonnabend</a>, House of Memory</i>, Galeria Stara, Lublin, 2001</li> <li><i>Nearly Human</i>, Łaźnia Centre for Contemporary Art II, Gdańsk, 2015</li> <li><i><a href="/wiki/Nicholas_Wadley" title="Nicholas Wadley">Nick</a> in Europe</i>, 12 Star Gallery, London, 2018</li> <li><i><a href="/wiki/Nicholas_Wadley" title="Nicholas Wadley">Nick</a> in Gdańsk</i>, Łaźnia Centre for Contemporary Art II, Gdańsk, 2019</li> <li><i>Fluorescent Chrysanthemum Remembered</i>, Łaźnia Centre for Contemporary Art I, Gdańsk, 2019</li></ul> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=5" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Articles in regular magazine series: </p> <ul><li>Monthly column. <a href="/wiki/Architectural_Design" title="Architectural Design">Architectural Design</a>. 1963-79</li> <li>Column on modern art. <a href="/wiki/Apollo" title="Apollo">Apollo</a>, 1960–63</li> <li>'Developments in Style.' <a href="/wiki/The_London_Magazine" title="The London Magazine">The London Magazine</a>, 1962–64</li> <li>Column on art in London. <a href="/w/index.php?title=Art_d%27aujourd%27hui&action=edit&redlink=1" class="new" title="Art d'aujourd'hui (page does not exist)">Art d'aujourd'hui</a>, 1962–66</li> <li>'Comment.' <a href="/wiki/Studio_International" title="Studio International">Studio International</a>, 1965–69</li> <li>'Art at large,' on the connections between art and science. <a href="/wiki/New_Scientist" title="New Scientist">New Scientist</a>, 1971–74</li> <li>Monthly column. <a href="/wiki/Building_Design" title="Building Design">Building Design</a>, 1982–88</li> <li>Contributor to <a href="/w/index.php?title=Artefactum&action=edit&redlink=1" class="new" title="Artefactum (page does not exist)">Artefactum</a>, 1984–86</li> <li>Contributor to <a href="/w/index.php?title=Cedal&action=edit&redlink=1" class="new" title="Cedal (page does not exist)">Cedal</a>, Puerto Rico, 1986</li></ul> <p>Books written by: </p> <ul><li><i><a href="/wiki/Victor_Pasmore" title="Victor Pasmore">Victor Pasmore</a></i>. Art in Progress series. London: Methuen & Co 1962. ASIN: B0000CLE70</li> <li><i><a href="/wiki/Yaacov_Agam" title="Yaacov Agam">Yaacov Agam</a></i>. Art in Progress series. London: Methuen. 1966. ASIN: B0006BSCLM</li> <li><i>The Computer in Art</i>. London: Studio Vista. 1971</li> <li><i>Robots: Fact, Fiction, and Prediction</i>. <a href="/wiki/Thames_%26_Hudson" title="Thames & Hudson">Thames & Hudson</a>. 1978 <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0500271230" title="Special:BookSources/978-0500271230">978-0500271230</a></li> <li><i><a href="/wiki/Magdalena_Abakanowicz" title="Magdalena Abakanowicz">Magdalena Abakanowicz</a></i>. New York: <a href="/wiki/Abbeville_Press" class="mw-redirect" title="Abbeville Press">Abbeville Press</a>. 1982. ISBN 0896593231.</li> <li><i>Fifteen Journeys from Warsaw to London</i>. London: <a href="/wiki/Dalkey_Archive_Press" title="Dalkey Archive Press">Dalkey Archive Press</a>. 2012. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781564787200" title="Special:BookSources/9781564787200">9781564787200</a></li></ul> <p>Books edited by: </p> <ul><li>Series of 13 monographs on living artists 'Art in Progress', Methuen, 1962–66</li> <li><a href="/wiki/Raoul_Hausmann" title="Raoul Hausmann">Hausmann, Raoul</a> and <a href="/wiki/Kurt_Schwitters" title="Kurt Schwitters">Schwitters, Kurt</a>; ed. Jasia Reichardt. <i>PIN</i>, Gaberbocchus Press (1962); Anabas-Verlag, Giessen. 1986</li> <li><i>Cybernetics, art, and ideas</i>. Studio Vista. 1971</li> <li><i>Stefan Themerson - Collected Poems</i>, Gaberbocchus Press/<a href="/wiki/Uitgeverij_De_Harmonie" title="Uitgeverij De Harmonie">Uitgeverij De Harmonie</a>, Amsterdam, 1997</li> <li><i>Stefan Themerson – Wiersze Wybrane 1939 – 1945</i>, <a href="/wiki/Wydawnictwo_Uniwersytetu_%C5%9Al%C4%85skiego" title="Wydawnictwo Uniwersytetu Śląskiego">Wydawnictwo Uniwersytetu Śląskiego</a>, <a href="/wiki/Katowice" title="Katowice">Katowice</a>, 2004</li> <li>Kurt Schwitters: <i>Three Stories</i>, Tate Publishing, 2010</li> <li><i>Unposted Letters [of] Franciszka and Stefan Themerson</i>, Gaberbocchus & De Harmonie, Amsterdam, 2013</li> <li><i>The Themerson Archive Catalogue</i>, MIT, 2020</li></ul> <p>Books contributed to: </p> <ul><li>"Multiples" in <i>The Year’s Art</i>, Penguin Books, 1974</li> <li>"Op Art" in <i>Concepts of Modern Art</i>, Penguin Books, 1974</li> <li>"Art and Cybernetics" in <a href="/w/index.php?title=Le_Temps_et_la_Cybernetique&action=edit&redlink=1" class="new" title="Le Temps et la Cybernetique (page does not exist)">Le Temps et la Cybernetique</a>, Micromégas, 1975</li> <li>"After Malraux" in <i>360 degrees around Katsuhiro Yamaguchi</i>, Rikuyo-sha Publishing Inc., 1981</li> <li>"Die Paradoxe mechanijsche Lebens" in <i>Wunschmaschine Welterfindung</i>, Springer, Vienna, 1966</li> <li>"In the beginning", <i>White Heat Cold Logic</i>, MIT, 2009</li> <li>"A meeting with Borges", with <i>Borges, My Work in Prose</i>, <a href="/w/index.php?title=Obscure_Publications&action=edit&redlink=1" class="new" title="Obscure Publications (page does not exist)">Obscure Publications</a>, 2010</li> <li>"Borges", with <i>Borges, My life in Books</i>, Obscure Publications, 2010</li></ul> <p>Texts in exhibition catalogues include: </p> <ul><li><i>Janina Baranowska</i>. London: <a href="/wiki/Grabowski_Gallery" title="Grabowski Gallery">Grabowski Gallery</a>. 1962. ASIN: B00MAPQH32</li> <li><i><a href="/wiki/Marc_Vaux" title="Marc Vaux">Marc Vaux</a>/<a href="/wiki/Tess_Jaray" title="Tess Jaray">Tess Jaray</a></i>. London: Grabowski Gallery. 1963. ASIN: B0016702SG</li> <li><i>Peter Schmidt</i> - Autobiographical Mono Prints. London: Lisson Gallery. 1970. ASIN: B00C3YNUP8</li> <li><i><a href="/wiki/Paul_Van_Hoeydonck" class="mw-redirect" title="Paul Van Hoeydonck">Paul Van Hoeydonck</a> Space Sculpture</i>. London: <a href="/w/index.php?title=Annely_Juda_Fine_Art&action=edit&redlink=1" class="new" title="Annely Juda Fine Art (page does not exist)">Annely Juda Fine Art</a>. 1973. ASIN: B001E0DNUY</li> <li>Folon, Jean-Michel; Reichardt, Jasia. <i><a href="/wiki/Jean-Michel_Folon" title="Jean-Michel Folon">FOLON</a></i> "Catalogue of an exhibition organised by the <a href="/wiki/Belgium" title="Belgium">Belgian Ministry of French Culture</a> and held at the <a href="/wiki/Institute_of_Contemporary_Arts" title="Institute of Contemporary Arts">Institute of Contemporary Arts</a> Gallery 21 April - 29 May 1977". 1977. London: Institute of Contemporary Arts Gallery. 1977. ASIN: B0010LNM3A</li> <li><i><a href="/wiki/Margaret_Priest" title="Margaret Priest">Margaret Priest</a>. Recent Drawings</i>. London: <a href="/w/index.php?title=Waddington_Fine_Art&action=edit&redlink=1" class="new" title="Waddington Fine Art (page does not exist)">Waddington Fine Art</a>. 1980. ASIN: B002GE5TB8</li> <li><i><a href="/wiki/Liliane_Lijn" title="Liliane Lijn">Liliane Lijn</a>: Imagine the Goddess</i>. London: <a href="/w/index.php?title=Fischer_Fine_Art&action=edit&redlink=1" class="new" title="Fischer Fine Art (page does not exist)">Fischer Fine Art</a> exhibition catalogue. 1987</li> <li><i><a href="/wiki/Karl_Gerstner" title="Karl Gerstner">Karl Gerstner</a>, First London Exhibition</i>. <a href="/wiki/Marlborough_Fine_Art" title="Marlborough Fine Art">Marlborough Fine Art</a> (London) Ltd. 1999. ISBN 978-0900955785</li> <li><i><a href="/wiki/Andrew_Logan_(sculptor)" title="Andrew Logan (sculptor)">Andrew Logan</a>, an Adventure in Art</i>. <a href="/wiki/Museum_of_Modern_Art,_Oxford" class="mw-redirect" title="Museum of Modern Art, Oxford">Museum of Modern Art, Oxford</a>. 1999. ISBN 978-0905836737</li> <li><i>Uncanny Valley: Recent Sculptures by <a href="/wiki/Tim_Lewis" title="Tim Lewis">Tim Lewis</a></i>. <a href="/wiki/Liverpool" title="Liverpool">Liverpool</a>: <a href="/wiki/National_Museums_and_Galleries_on_Merseyside" class="mw-redirect" title="National Museums and Galleries on Merseyside">National Museums and Galleries on Merseyside</a>. 2004. ASIN: B00LXOO5V2</li> <li><i><a href="/w/index.php?title=Piero_Fogliati&action=edit&redlink=1" class="new" title="Piero Fogliati (page does not exist)">Piero Fogliati</a> - The Poet of Light</i>. <a href="/wiki/Turin" title="Turin">Turin</a>, 2004. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-8877571786" title="Special:BookSources/978-8877571786">978-8877571786</a></li> <li><i>Swinging London - The <a href="/wiki/Mateusz_Grabowski" title="Mateusz Grabowski">Grabowski Collection</a></i>. <a href="/wiki/Museum_of_Art_in_%C5%81%C3%B3d%C5%BA" class="mw-redirect" title="Museum of Art in Łódź">Museum of Art in Łódź</a> (Łódź: Muzeum Sztuki). 2007 <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-8387937485" title="Special:BookSources/978-8387937485">978-8387937485</a></li></ul> <p>Journals and magazines contributed to: <i>AA files, Ambit, Architectural Review, Art Monthly, Art International, Art News, Arte Oggi, Arts, Arts Review, Artscribe, Arts Review, Billedkunst, Bonhams magazine, The British Journal of Aesthetics, Cambridge Opinion, Cimaise, Connoisseur, The Creative Holography Index, Domus, Eye, Image Roche, The Independent, Interdisciplinary Science Reviews, Konteksty, Das Kunstwerk, Kwartalnik Literacki, Leonardo, Marmo, Metro, Museumjournaal, Opus, Pagina, Pa`renthesis, Penrose Annual, Pix 1, Progressive Architecture, Quadrum, The Royal Academy Magazine, RSA Journal, Skira Annuel, Studio International, Sunday Times, Typographica, L'Uomo e l'Arte, Vytvarne Umeni, Zodiac</i>, and others </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=6" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Algorithmic_art" title="Algorithmic art">Algorithmic art</a></li> <li><a href="/wiki/Computer_Art" class="mw-redirect" title="Computer Art">Computer Art</a></li> <li><a href="/wiki/Electronic_art" title="Electronic art">Electronic art</a></li> <li><a href="/wiki/Generative_art" title="Generative art">Generative art</a></li> <li><a href="/wiki/New_media_art" title="New media art">New media art</a></li> <li><a href="/wiki/Virtual_art" title="Virtual art">Virtual art</a></li> <li><a href="/wiki/Post-conceptual_art" title="Post-conceptual art">Post-conceptual art</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jasia_Reichardt&action=edit&section=7" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width"> <ol class="references"> <li id="cite_note-:1-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:1_1-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFJedlińska2021" class="citation journal cs1 cs1-prop-foreign-lang-source">Jedlińska, Eleonora (2021). <a rel="nofollow" class="external text" href="https://journals.ub.uni-heidelberg.de/index.php/psp/article/view/101910">"Fenomen Jasi Reichardt - polskiej krytyczki sztuki w Anglii"</a>. <i>Pamiętnik Sztuk Pięknych / Fine Arts Diary</i> (in Polish). <b>16</b>: <span class="nowrap">189–</span>195. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.11588%2Fpsp.2021.1.101910">10.11588/psp.2021.1.101910</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/2658-1655">2658-1655</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Pami%C4%99tnik+Sztuk+Pi%C4%99knych+%2F+Fine+Arts+Diary&rft.atitle=Fenomen+Jasi+Reichardt+-+polskiej+krytyczki+sztuki+w+Anglii&rft.volume=16&rft.pages=%3Cspan+class%3D%22nowrap%22%3E189-%3C%2Fspan%3E195&rft.date=2021&rft_id=info%3Adoi%2F10.11588%2Fpsp.2021.1.101910&rft.issn=2658-1655&rft.aulast=Jedli%C5%84ska&rft.aufirst=Eleonora&rft_id=https%3A%2F%2Fjournals.ub.uni-heidelberg.de%2Findex.php%2Fpsp%2Farticle%2Fview%2F101910&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://mitpress.mit.edu/books/themerson-archive-catalogue-3-vol-set"><i>The Themerson Archive Catalogue, 3-vol. Set: Three Volumes (Vol I, Letters and Documents; vol II, the Themersons, vol III, Gaberbocchus)</i></a>. MIT Press. 3 November 2020. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781916247413" title="Special:BookSources/9781916247413"><bdi>9781916247413</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Themerson+Archive+Catalogue%2C+3-vol.+Set%3A+Three+Volumes+%28Vol+I%2C+Letters+and+Documents%3B+vol+II%2C+the+Themersons%2C+vol+III%2C+Gaberbocchus%29&rft.pub=MIT+Press&rft.date=2020-11-03&rft.isbn=9781916247413&rft_id=https%3A%2F%2Fmitpress.mit.edu%2Fbooks%2Fthemerson-archive-catalogue-3-vol-set&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-:0-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:0_3-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://national-gallery.primo.exlibrisgroup.com/view/delivery/61UNI_NGA/1266003070002361">"Papers of Jasia Reichardt : 1960-1980"</a>. <i>national-gallery.primo.exlibrisgroup.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">4 May</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=national-gallery.primo.exlibrisgroup.com&rft.atitle=Papers+of+Jasia+Reichardt+%3A+1960-1980.&rft_id=https%3A%2F%2Fnational-gallery.primo.exlibrisgroup.com%2Fview%2Fdelivery%2F61UNI_NGA%2F1266003070002361&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-Persecution_and_survival:_One_family,_three_cities,_six_years_of_war-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-Persecution_and_survival:_One_family,_three_cities,_six_years_of_war_4-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPaskett,_Zoe2017" class="citation news cs1">Paskett, Zoe (9 March 2017). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180618175332/http://www.hamhigh.co.uk/etcetera/art/persecution-and-survival-one-family-three-cities-six-years-of-war-1-4924077">"Persecution and survival: One family, three cities, six years of war"</a>. <i>Ham & High</i>. Archived from <a rel="nofollow" class="external text" href="http://www.hamhigh.co.uk/etcetera/art/persecution-and-survival-one-family-three-cities-six-years-of-war-1-4924077/">the original</a> on 18 June 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">18 June</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Ham+%26+High&rft.atitle=Persecution+and+survival%3A+One+family%2C+three+cities%2C+six+years+of+war&rft.date=2017-03-09&rft.au=Paskett%2C+Zoe&rft_id=http%3A%2F%2Fwww.hamhigh.co.uk%2Fetcetera%2Fart%2Fpersecution-and-survival-one-family-three-cities-six-years-of-war-1-4924077%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFReichardt,_Jasia1974" class="citation journal cs1">Reichardt, Jasia (1974). <a rel="nofollow" class="external text" href="https://unesdoc.unesco.org/ark:/48223/pf0000009559">"Twenty years of symbiosis between art and science"</a>. <i>Art and Science</i>. <b>24</b> (1): 41.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Art+and+Science&rft.atitle=Twenty+years+of+symbiosis+between+art+and+science&rft.volume=24&rft.issue=1&rft.pages=41&rft.date=1974&rft.au=Reichardt%2C+Jasia&rft_id=https%3A%2F%2Funesdoc.unesco.org%2Fark%3A%2F48223%2Fpf0000009559&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-getty-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-getty_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-getty_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://primo.getty.edu/primo_library/libweb/action/dlDisplay.do?vid=GRI&afterPDS=true&institution=GETTY&docId=GETTY_ALMA21116252270001551">Jasia Reichardt archive of concrete and sound poetry, 1959-1977</a>. Getty Research Institute. Accessed January 2014.</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFManovich,_Lev2002" class="citation journal cs1">Manovich, Lev (2002). "Ten Key Texts on Digital Art: 1970-2000". <i><a href="/wiki/Leonardo_(journal)" title="Leonardo (journal)">Leonardo</a></i>. <b>35</b> (5): 567–569+571–575. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1162%2F002409402320774385">10.1162/002409402320774385</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:57566892">57566892</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Leonardo&rft.atitle=Ten+Key+Texts+on+Digital+Art%3A+1970-2000&rft.volume=35&rft.issue=5&rft.pages=567-569%2B571-575&rft.date=2002&rft_id=info%3Adoi%2F10.1162%2F002409402320774385&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A57566892%23id-name%3DS2CID&rft.au=Manovich%2C+Lev&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span><a href="/wiki/Charlie_Gere" title="Charlie Gere">Charlie Gere</a>, ‘Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980’ in <a href="/wiki/Hannah_Higgins" title="Hannah Higgins">Hannah Higgins</a>, & <a href="/wiki/Douglas_Kahn" title="Douglas Kahn">Douglas Kahn</a> (Eds.). Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press (2012), p. 119</span> </li> <li id="cite_note-jasia-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-jasia_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-jasia_8-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Jasia Reichardt (ed) (November 1968). <i>Cybernetic Serendipity, the computer and the arts</i>. <i>Studio International</i> Special Issue <b>905</b>.<a rel="nofollow" class="external text" href="https://monoskop.org/images/2/25/Reichardt_Jasia_ed_Cybernetic_Serendipidity_The_Computer_and_the_Arts.pdf">London, Studio International</a></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="https://archive.ica.art/bulletin/fluorescent-chrysanthemum-revisited">https://archive.ica.art/bulletin/fluorescent-chrysanthemum-revisited</a> 2016.</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">‘Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980’ in <a href="/wiki/Hannah_Higgins" title="Hannah Higgins">Hannah Higgins</a>, & <a href="/wiki/Douglas_Kahn" title="Douglas Kahn">Douglas Kahn</a> (Eds.). Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press (2012), p. 119</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.polishculture.org.uk/literature/news/article/15-journeys-from-warsaw-to-london-1646.html">"15 Journeys from Warsaw to London - Jasia Reichardt's memoir"</a>. polishculture.org.uk<span class="reference-accessdate">. Retrieved <span class="nowrap">1 June</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=15+Journeys+from+Warsaw+to+London+-+Jasia+Reichardt%27s+memoir&rft.pub=polishculture.org.uk&rft_id=http%3A%2F%2Fwww.polishculture.org.uk%2Fliterature%2Fnews%2Farticle%2F15-journeys-from-warsaw-to-london-1646.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://cybernetics.anu.edu.au/futures/australian-cybernetic/">"Australian Cybernetic: A point through time"</a>. <i>ANU School of Cybernetics</i>. 26 April 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">27 April</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=ANU+School+of+Cybernetics&rft.atitle=Australian+Cybernetic%3A+A+point+through+time&rft.date=2023-04-26&rft_id=https%3A%2F%2Fcybernetics.anu.edu.au%2Ffutures%2Faustralian-cybernetic%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://reporter.anu.edu.au/all-stories/world-leading-cybernetics-pioneer-receives-anu-honorary-doctorate">"World-leading cybernetics pioneer receives ANU honorary doctorate"</a>. <i>reporter.anu.edu.au</i><span class="reference-accessdate">. Retrieved <span class="nowrap">24 April</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=reporter.anu.edu.au&rft.atitle=World-leading+cybernetics+pioneer+receives+ANU+honorary+doctorate&rft_id=https%3A%2F%2Freporter.anu.edu.au%2Fall-stories%2Fworld-leading-cybernetics-pioneer-receives-anu-honorary-doctorate&rfr_id=info%3Asid%2Fen.wikipedia.org%3AJasia+Reichardt" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFReichardt2017" class="citation web cs1">Reichardt, Jasia (29 November 2017). <a rel="nofollow" class="external text" href="https://www.theguardian.com/education/2017/nov/29/nick-wadley-obituary">"Nick Wadley obituary"</a>. <i>The Guardian</i>.</cite><span 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