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href="/wiki/File:The_Apparition,_Gustave_Moreau_1876.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/The_Apparition%2C_Gustave_Moreau_1876.jpg/250px-The_Apparition%2C_Gustave_Moreau_1876.jpg" decoding="async" width="250" height="371" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/The_Apparition%2C_Gustave_Moreau_1876.jpg/375px-The_Apparition%2C_Gustave_Moreau_1876.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6c/The_Apparition%2C_Gustave_Moreau_1876.jpg/500px-The_Apparition%2C_Gustave_Moreau_1876.jpg 2x" data-file-width="1684" data-file-height="2500" /></a><figcaption><i>The Apparition</i>, Gustave Moreau, 1876. watercolor. <a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a>, Paris.</figcaption></figure> <p><b><i>The Apparition</i> </b>(French: <i>L'Apparition</i>) is a painting by French artist <a href="/wiki/Gustave_Moreau" title="Gustave Moreau">Gustave Moreau</a>, painted between 1874 and 1876. It shows the biblical character of <a href="/wiki/Salome" title="Salome">Salome</a> dancing in front of <a href="/wiki/Herod_Antipas" title="Herod Antipas">Herod Antipas</a> with a vision of <a href="/wiki/John_the_Baptist" title="John the Baptist">John the Baptist</a>'s severed head. The 106 cm high and 72,2 cm wide watercolor held by the <a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a> in Paris elaborates on an episode told in the <a href="/wiki/Matthew_14" title="Matthew 14">Matthew 14</a>:6–11 and <a href="/wiki/Mark_6" title="Mark 6">Mark 6</a>:21–29.<sup id="cite_ref-:0_1-0" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> On a feast held for <a href="/wiki/Herod_Antipas" title="Herod Antipas">Herod Antipas</a>' birthday, the princess Salome dances in front of the king and his guests. This pleased him so much he promises her anything she wished for. Incited by her mother <a href="/wiki/Herodias" title="Herodias">Herodias</a>, who was reproved by the John the Baptist for her illegitimate marriage to <a href="/wiki/Herod_Antipas" title="Herod Antipas">Herod</a>, Salome demands John's head on a <a href="/wiki/Charger_(table_setting)" title="Charger (table setting)">charger</a>. Regretful but compelled to keep his word in front of everyone present, Herod complies with Salome's demand. John the Baptist is <a href="/wiki/Beheading_of_John_the_Baptist" title="Beheading of John the Baptist">beheaded</a>, his head brought on a charger and given to Salome, who in turn gives it to her mother. </p><p>Moreau approached the biblical theme in 19 paintings, 6 watercolors and more than 150 drawings.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Part of a series of at least 8 closely resembling paintings and more than 40 sketch drawings, it is regarded as a key work of Moreau's opus, <a href="/wiki/Symbolism_(arts)" class="mw-redirect" title="Symbolism (arts)">symbolism</a> and <i><a href="/wiki/Fin_de_si%C3%A8cle" title="Fin de siècle">fin de siècle</a></i> art in general.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Upon its first presentation 1876 in <a href="/wiki/Salon_(Paris)" title="Salon (Paris)">Salon</a> (French: <i>Salon de Paris</i>), the painting caused a sensation. It has since made a lasting impression on various artists, notably from the <a href="/wiki/Decadent_movement" title="Decadent movement">Decadent movement</a>.<sup id="cite_ref-:3_4-0" class="reference"><a href="#cite_note-:3-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Description">Description</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)&action=edit&section=1" title="Edit section: Description"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Against the backdrop of a lavishly decorated palace inspired by the <a href="/wiki/Alhambra" title="Alhambra">Alhambra</a><sup id="cite_ref-:0_1-1" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Salome stands out in an array of bejeweled veils, her body facing the viewer, her left arm pointing up in the air to John the Baptist's hovering head, enclosed by a <a href="/wiki/Halo_(religious_iconography)" title="Halo (religious iconography)">halo</a>. At the back in the half-light stands the executioner with his sword, at his feet the silver charger. Seated in ascending position on Salome's side are a lutanist, Herodias and Herod Antipas. They face the foreground events seemingly lit by John's halo and its reflections on Salome's costume. The severed head recalls a <a href="/wiki/Woodblock_printing_in_Japan" title="Woodblock printing in Japan">Japanese print</a> copied by Moreau at the <a href="/wiki/Palais_de_l%27Industrie" title="Palais de l'Industrie">Palais de l'Industrie</a> in 1869, as well as the severed head of <a href="/wiki/Medusa" title="Medusa">Medusa</a> as held by <a href="/wiki/Benvenuto_Cellini" title="Benvenuto Cellini">Benvenuto Cellini</a>'s bronze <i>Perseus with the head of Medusa</i> in <a href="/wiki/Florence" title="Florence">Florence</a> (<a href="/wiki/Loggia_dei_Lanzi" title="Loggia dei Lanzi">Loggia dei Lanzi</a>). Since no one, including Salome, reacts directly to the vision central to the composition, it is unclear if it is real, imagined by the princess, or a collective hallucination. This deliberately confusing technique has been attributed to an alleged consumption of <a href="/wiki/Opium" title="Opium">opium</a> and thereby caused hallucinations, though justification of such claims was never established.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Its surreal setting and mystic air, evoked by obscure architectural and textile opulence, contrast with previous interpretations of the subject, making <i>The Apparition</i> a key work for the emerging symbolist movement.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>Belgian art dealer Léon Gauchez bought <i>The Apparition</i> in 1876 upon its first presentation at the Salon where it was exhibited with several other of Moreau's works<i>. </i>The following year Gauchez sent it to be exhibited at London's <a href="/wiki/Grosvenor_Gallery" title="Grosvenor Gallery">Grosvenor Gallery</a> where it hung not with the aquarelles in a separate room but in the main East Gallery with the oil paintings.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> It is currently housed in the Musée d'Orsay. </p> <div class="mw-heading mw-heading3"><h3 id="Style">Style</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)&action=edit&section=2" title="Edit section: Style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>"The dreadful head glows eerily, bleeding all the while, so that clots of dark red form at the ends of hair and beard." (Joris-Karl Huysmans, <i>À Rebours</i>, Chap. VI. 1884) </p><p><i>The Apparition</i> stands apart from biblical and historic paintings of the period, incorporating elements of style which would become significant for the aesthetic and symbolist movement, while also anteceding surrealism.<sup id="cite_ref-:22_8-0" class="reference"><a href="#cite_note-:22-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Whereas the Bible mentions Salome as acting out Herodias' will, Moreau draws her guided by her own lust. Among his series of Salome-paintings, the climactic <i>The Apparition</i> is the most openly erotic with a bare-breasted princess turned towards the viewer, her naked arm directed at the object she will soon receive. By accentuating her stillness, Moreau immobilizes her to be seen alternately as idol or sexual object or both.<sup id="cite_ref-:022_9-0" class="reference"><a href="#cite_note-:022-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Some critics also ascribed her statuesque posture to fear, like French writer <a href="/wiki/Joris-Karl_Huysmans" title="Joris-Karl Huysmans">Joris-Karl Huysmans</a> who muses on the painting in his influential decadent novel <i><a href="/wiki/%C3%80_rebours" title="À rebours">À rebours</a></i>.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Moreau himself described Salome as a "bored and fantastic woman, animal by nature and so disgusted with the complete satisfaction of her desires (that she) gives herself the sad pleasure of seeing her enemy degraded."<sup id="cite_ref-:022_9-1" class="reference"><a href="#cite_note-:022-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> His sensual presentation of Salome and innovative interpretation of traditional historic and mythological themes caused his art to be regarded as eccentric and provocative.<sup id="cite_ref-:122_11-0" class="reference"><a href="#cite_note-:122-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Emphasizing instincts over reason, subjectivity over objectivity and suggestion over definition, the watercolor features essential qualities of symbolism as coined by French poet and critic <a href="/wiki/Jean_Mor%C3%A9as" title="Jean Moréas">Jean Moréas</a>.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Further, the scene's morbidity and underlying themes of <a href="/wiki/Necrophilia" title="Necrophilia">necrophilia</a>, incest and sadism associate it with the decadent movement and <i><a href="/wiki/Fin_de_si%C3%A8cle" title="Fin de siècle">Fin de siècle</a></i> art. These disparate elements and the use of complex techniques like highlighting, graftage and incisions, create a sublime ideal of the <a href="/wiki/Orientalism" title="Orientalism">Orient</a>. Excessive detail given to foreign costumes and background elements as strange mural reliefs on the pallast's columns proof characteristic for Moreau whose artistic style tending towards <a href="/wiki/Exoticism" title="Exoticism">exoticism</a> and <a href="/wiki/Orientalism" title="Orientalism">orientalism</a> was often referred to as "Byzanthine". Together with the mysterious titular vision they both evoke <a href="/wiki/Fantastic_art" title="Fantastic art">fantastic art</a> and indicate his evolution towards <a href="/wiki/Fauvism" title="Fauvism">fauvism</a> and <a href="/wiki/Abstract_painting" class="mw-redirect" title="Abstract painting">abstract painting</a>.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>Rather than being solely a character from academic painting Moreau remained bound to despite his <i><a href="/wiki/Avant-garde" title="Avant-garde">avant-garde</a></i> tendencies, his Salome embodies the <a href="/wiki/Femme_fatale" title="Femme fatale">femme fatale</a> of the <a href="/wiki/Victorian_era" title="Victorian era">Victorian</a> imagination who was equally seductive and destructive.<sup id="cite_ref-:122_11-1" class="reference"><a href="#cite_note-:122-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:1_14-0" class="reference"><a href="#cite_note-:1-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Defying conventions of historic and biblical painting, <i>The Apparition</i> became a source for <a href="/wiki/Surrealism" title="Surrealism">surrealism</a> as did others of Moreau's works.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Motif">Motif</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)&action=edit&section=3" title="Edit section: Motif"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The events from which Moreau draws his scene are first described in two <a href="/wiki/Parallel_passage" title="Parallel passage">parallel passages</a> of the <a href="/wiki/New_Testament" title="New Testament">New Testament</a>. </p><p>"...And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he sware unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath's sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, and brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother." (<a href="/wiki/Gospel_of_Mark" title="Gospel of Mark">Mark</a> 6:21–29, KJV) </p><p>A shorter version appears in the Gospel of St. Matthew: </p><p>"But on Herod's birthday, the daughter of Herodias danced before them: and pleased Herod. Whereupon he promised with an oath, to give her whatsoever she would ask of him. But she being instructed before by her mother, said: Give me here in a dish the head of John the Baptist. And the king was struck sad: yet because of his oath, and for them that sat with him at table, he commanded it to be given. And he sent, and beheaded John in the prison. And his head was brought in a dish: and it was given to the damsel, and she brought it to her mother." (<a href="/wiki/Gospel_of_Matthew" title="Gospel of Matthew">Matt</a> 14:6–11, D-R) </p><p>The unnamed dancer identified as Salome by scholars<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> has inspired numerous artist before Moreau, among them <a href="/wiki/Masolino_da_Panicale" title="Masolino da Panicale">Masolino da Panicale</a>, <a href="/wiki/Filippo_Lippi" title="Filippo Lippi">Filippo Lippi</a>, <a href="/wiki/Lucas_Cranach_the_Elder" title="Lucas Cranach the Elder">Lucas Cranach the Elder</a>, <a href="/wiki/Titian" title="Titian">Titian</a>, <a href="/wiki/Caravaggio" title="Caravaggio">Caravaggio</a>, <a href="/wiki/Guido_Reni" title="Guido Reni">Guido Reni</a>, <a href="/wiki/Carel_Fabritius" title="Carel Fabritius">Fabritius</a>, <a href="/wiki/Henri_Regnault" title="Henri Regnault">Henri Regnault</a> and <a href="/wiki/Georges_Rochegrosse" title="Georges Rochegrosse">Georges Rochegrosse</a>. Though classic academic subjects from religion and history were superseded by everyday scenes during the 19th century, Salome remained a figure of artistic interest,<sup id="cite_ref-:122_11-2" class="reference"><a href="#cite_note-:122-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> appearing in <a href="/wiki/Heinrich_Heine" title="Heinrich Heine">Heinrich Heine</a>'s 1843 epic poem <i><a href="/w/index.php?title=Atta_Troll&action=edit&redlink=1" class="new" title="Atta Troll (page does not exist)">Atta Troll</a></i>, <i>The Beheading of John the Baptist </i>by<i> </i>Pierre Puvis de Chavannes, <a href="/wiki/Henri_Regnault" title="Henri Regnault">Henri Regnault</a>'s <i>eponymous oil painting </i>and <a href="/wiki/Arthur_O%27Shaughnessy" title="Arthur O'Shaughnessy">Arthur O'Shaughnessy</a>'s 1870 poem <i>The Daughter of Herodias. </i>In his 1875 poem <i>Salomé</i>, Henri Cazaliz's paid homage to Moreau's earlier Salome-paintings, musing on Salome’s feelings before and after the execution.<sup id="cite_ref-:122_11-3" class="reference"><a href="#cite_note-:122-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Still, it were Moreau's <i>The Apparition</i> and its sister piece, an oil version also called <i>The Apparition </i>(1875) which sparked a Salome craze lasting into the 20th century, permeating all forms of art.<sup id="cite_ref-:1_14-1" class="reference"><a href="#cite_note-:1-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <ul class="gallery mw-gallery-traditional"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Gustave_Moreau_Salom%C3%A9_1876.jpg" class="mw-file-description" title="Salomé dansant devant Hérode (1876)"><img alt="Salomé dansant devant Hérode (1876)" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Gustave_Moreau_Salom%C3%A9_1876.jpg/81px-Gustave_Moreau_Salom%C3%A9_1876.jpg" decoding="async" width="81" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Gustave_Moreau_Salom%C3%A9_1876.jpg/122px-Gustave_Moreau_Salom%C3%A9_1876.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Gustave_Moreau_Salom%C3%A9_1876.jpg/162px-Gustave_Moreau_Salom%C3%A9_1876.jpg 2x" data-file-width="1024" data-file-height="1514" /></a></span></div> <div class="gallerytext"> Salomé dansant devant Hérode (1876) </div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Gustave_Moreau_-_l%27Apparition.jpg" class="mw-file-description" title="The Apparition oil on canvas (1876/1877)"><img alt="The Apparition oil on canvas (1876/1877)" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Gustave_Moreau_-_l%27Apparition.jpg/100px-Gustave_Moreau_-_l%27Apparition.jpg" decoding="async" width="100" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Gustave_Moreau_-_l%27Apparition.jpg/151px-Gustave_Moreau_-_l%27Apparition.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Gustave_Moreau_-_l%27Apparition.jpg/201px-Gustave_Moreau_-_l%27Apparition.jpg 2x" data-file-width="4060" data-file-height="4845" /></a></span></div> <div class="gallerytext"> <i>The Apparition</i> oil on canvas (1876/1877)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg" class="mw-file-description" title="Salome Dancing before Herod, oil on canvas (1876)"><img alt="Salome Dancing before Herod, oil on canvas (1876)" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg/86px-Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg" decoding="async" width="86" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg/129px-Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg/172px-Salome_Dancing_before_Herod_by_Gustave_Moreau.jpg 2x" data-file-width="1074" data-file-height="1500" /></a></span></div> <div class="gallerytext"> <i><a href="/wiki/Salome_Dancing_before_Herod" title="Salome Dancing before Herod">Salome Dancing before Herod</a></i>, oil on canvas (1876)</div> </li> </ul> <div class="mw-heading mw-heading2"><h2 id="Impact">Impact</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)&action=edit&section=4" title="Edit section: Impact"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>The Apparition</i> quickly became Moreau's best known work, its notoriety growing with the critical and artistic attention it received.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Numerous artist drew inspiration from Moreau's Salome, her mimesis infusing their works or insinuating itself in it. French poet Stéphane Mallarmé envisions Salome in his <i>Herodiade</i> (1864–1896) as the virgin-whore seen by many of Moreau's contemporaries<sup id="cite_ref-:3_4-1" class="reference"><a href="#cite_note-:3-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:4_18-0" class="reference"><a href="#cite_note-:4-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p><p>"The horror of my virginity <br />Delights me, and I would envelope me<br />In the terror of my tresses, that, by night,<br />Inviolate reptile, I might feel the white <br />And glimmering radiance of thy frozen fire,<br />Thou art chaste and diest of desire,<br />White night of ice and of the cruel snow!"<sup id="cite_ref-:3_4-2" class="reference"><a href="#cite_note-:3-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>As André Fontainas noted 1928 in <i>Mes souvenirs du Symbolisme</i>, many artists since responded to it.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Prominent works influenced by the painting include: </p> <ul><li><a href="/wiki/Jules_Massenet" title="Jules Massenet">Jules Massenet</a>'s <i><a href="/wiki/H%C3%A9rodiade" title="Hérodiade">Herodiade</a> </i>(1877)</li> <li><a href="/wiki/Odilon_Redon" title="Odilon Redon">Odilon Redon</a>'s <i>Salome with the Head of John the Baptist</i> and <i>Apparition</i></li> <li><a href="/wiki/Gustave_Flaubert" title="Gustave Flaubert">Gustave Flaubert</a>'s short story <i><a href="/wiki/H%C3%A9rodias_(short_story)" class="mw-redirect" title="Hérodias (short story)">Herodias</a> from his <a href="/wiki/Three_Tales_(Flaubert)" title="Three Tales (Flaubert)">Three Tales</a> </i></li> <li>Famously, <a href="/wiki/Oscar_Wilde" title="Oscar Wilde">Oscar Wilde</a> wrote his symbolist play <i><a href="/wiki/Salome_(play)" title="Salome (play)">Salome</a></i> (1893) after being impressed by <i>The Apparition </i>viewing it in 1884 at the Louvre<sup id="cite_ref-:4_18-1" class="reference"><a href="#cite_note-:4-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/Richard_Strauss" title="Richard Strauss">Richard Strauss</a>' <a href="/wiki/Salome_(opera)" title="Salome (opera)">opera <i>Salome</i></a>, based on Wilde's play</li> <li><a href="/wiki/Antoine_Mariotte" title="Antoine Mariotte">Antoine Mariotte</a>'s opera <i>Salome</i>, also based on Wilde's Salome</li> <li><a href="/wiki/Nick_Cave" title="Nick Cave">Nick Cave</a>'s theatrical dialogue <i>Salome</i></li></ul> <p>When the renown of its creator faded, <i>The Apparition</i> contained its prominent place in artistic imagination, its lasting impressiveness being crucial to the rediscovery of Moreau's art in the later 20th century.<sup id="cite_ref-:122_11-4" class="reference"><a href="#cite_note-:122-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:1_14-2" class="reference"><a href="#cite_note-:1-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)&action=edit&section=5" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a href="/wiki/Salome_Dancing_before_Herod" title="Salome Dancing before Herod">Salome Dancing before Herod</a></i></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Apparition_(Moreau,_Mus%C3%A9e_d%27Orsay)&action=edit&section=6" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-:0-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20150402175945/http://www.musee-orsay.fr/en/collections/works-in-focus/graphic-arts/commentaire_id/the-apparition-11024.html?tx_commentaire_pi1%5BpidLi%5D=848&tx_commentaire_pi1%5Bfrom%5D=845&cHash=6df4efb7b5">"Musee d'Orsay Collection – Works in Focus – Gustave Moreau: The Apparition"</a>. <i>www.musee-orsay.fr</i>. Musee d'Orsay. 2006. Archived from <a rel="nofollow" class="external text" href="http://www.musee-orsay.fr/en/collections/works-in-focus/graphic-arts/commentaire_id/the-apparition-11024.html?tx_commentaire_pi1%5BpidLi%5D=848&tx_commentaire_pi1%5Bfrom%5D=845&cHash=6df4efb7b5">the original</a> on 2 April 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">30 December</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.musee-orsay.fr&rft.atitle=Musee+d%27Orsay+Collection+%E2%80%93+Works+in+Focus+%E2%80%93+Gustave+Moreau%3A+The+Apparition&rft.date=2006&rft_id=http%3A%2F%2Fwww.musee-orsay.fr%2Fen%2Fcollections%2Fworks-in-focus%2Fgraphic-arts%2Fcommentaire_id%2Fthe-apparition-11024.html%3Ftx_commentaire_pi1%255BpidLi%255D%3D848%26tx_commentaire_pi1%255Bfrom%255D%3D845%26cHash%3D6df4efb7b5&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.visual-arts-cork.com/famous-artists/gustave-moreau.htm">"Art Encyclopedia: Visual Arts of Painting – Sculpture – Architecture"</a>. <i>www.visual-arts-cork.com</i>. 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New York: New York Graphic Society. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0821207017" title="Special:BookSources/978-0821207017"><bdi>978-0821207017</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Gustave+Moreau%2C+with+a+catalogue+of+the+finished+paintings%2C+watercolors+and+drawings&rft.place=New+York&rft.pub=New+York+Graphic+Society&rft.date=1976&rft.isbn=978-0821207017&rft.aulast=Mathieu&rft.aufirst=Pierre-Louis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> <li id="cite_note-:3-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:3_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:3_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:3_4-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDijkstra1988" class="citation book cs1">Dijkstra, Bram (1988). <i>Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture</i>. 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Retrieved <span class="nowrap">30 December</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.encyclopedia.com&rft.atitle=Encyclopedia+of+World+Biography&rft.date=2004&rft_id=http%3A%2F%2Fwww.encyclopedia.com%2Ftopic%2FGustave_Moreau.aspx&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGirard1984" class="citation journal cs1">Girard, Rene (1984). "Scandal and the Dance: Salome in the Gospel of Mark". <i>New Literary History</i>. <b>15</b> (2): 311–324. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F468858">10.2307/468858</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/468858">468858</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Literary+History&rft.atitle=Scandal+and+the+Dance%3A+Salome+in+the+Gospel+of+Mark&rft.volume=15&rft.issue=2&rft.pages=311-324&rft.date=1984&rft_id=info%3Adoi%2F10.2307%2F468858&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F468858%23id-name%3DJSTOR&rft.aulast=Girard&rft.aufirst=Rene&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMorris1994" class="citation book cs1">Morris, Jean (1994). <i>History as a theatre of cruelty: representation and theatricality in Flaubert's Salammbô and Hérodias and in Gustave Moreau's Salome paintings</i>. North Carolina: University of North Carolina.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=History+as+a+theatre+of+cruelty%3A+representation+and+theatricality+in+Flaubert%27s+Salammb%C3%B4+and+H%C3%A9rodias+and+in+Gustave+Moreau%27s+Salome+paintings&rft.place=North+Carolina&rft.pub=University+of+North+Carolina&rft.date=1994&rft.aulast=Morris&rft.aufirst=Jean&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> <li id="cite_note-:4-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-:4_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:4_18-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEllmann1988" class="citation book cs1">Ellmann, Richard (1988). <i>Oscar Wilde</i>. Oxford: Vintage Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0394759845" title="Special:BookSources/978-0394759845"><bdi>978-0394759845</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Oscar+Wilde&rft.place=Oxford&rft.pub=Vintage+Books&rft.date=1988&rft.isbn=978-0394759845&rft.aulast=Ellmann&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClement1996" class="citation book cs1">Clement, Russell T. (1996). <i>Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis</i>. United States: Greenwood Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780313297526" title="Special:BookSources/9780313297526"><bdi>9780313297526</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Four+French+Symbolists%3A+A+Sourcebook+on+Pierre+Puvis+de+Chavannes%2C+Gustave+Moreau%2C+Odilon+Redon%2C+and+Maurice+Denis&rft.place=United+States&rft.pub=Greenwood+Publishing+Group&rft.date=1996&rft.isbn=9780313297526&rft.aulast=Clement&rft.aufirst=Russell+T.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Apparition+%28Moreau%2C+Mus%C3%A9e+d%27Orsay%29" class="Z3988"></span></span> </li> </ol></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output 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href="/wiki/Template:Gustave_Moreau" title="Template:Gustave Moreau"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Gustave_Moreau" title="Template talk:Gustave Moreau"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Gustave_Moreau" title="Special:EditPage/Template:Gustave Moreau"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Gustave_Moreau" style="font-size:114%;margin:0 4em"><a href="/wiki/Gustave_Moreau" title="Gustave Moreau">Gustave Moreau</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Oedipus_and_the_Sphinx" title="Oedipus and the Sphinx">Oedipus and the Sphinx</a></i> (1864)</li> <li><i><a href="/wiki/Scottish_Horseman" title="Scottish Horseman">Scottish Horseman</a></i> (1870s)</li> <li><i><a href="/wiki/Tattooed_Salome" title="Tattooed Salome">Tattooed Salome</a></i> (begun 1874, never completed)</li> <li><i>The Apparition</i> (1874–1876; <a class="mw-selflink selflink">Musée d'Orsay</a>, <a href="/wiki/The_Apparition_(Moreau,_Mus%C3%A9e_national_Gustave_Moreau)" title="The Apparition (Moreau, Musée national Gustave Moreau)">Musée national Gustave Moreau</a>)</li> <li><i><a href="/wiki/Salome_Dancing_before_Herod" title="Salome Dancing before Herod">Salome Dancing before Herod</a></i> (1876)</li> <li><i><a href="/wiki/The_Unicorns_(painting)" title="The Unicorns (painting)">The Unicorns</a></i> (1880s)</li> <li><i><a href="/wiki/Les_Chim%C3%A8res_(painting)" title="Les Chimères (painting)">Les Chimères</a></i> (1884)</li> <li><i><a href="/wiki/The_Parca_and_the_Angel_of_Death" title="The Parca and the Angel of Death">The Parca and the Angel of Death</a></i> (1890)</li> <li><i><a href="/wiki/Dead_Poet_Carried_by_a_Centaur" title="Dead Poet Carried by a Centaur">Dead Poet Carried by a Centaur</a></i> (c. 1890)</li> <li><i><a href="/wiki/The_Mystic_Flower" title="The Mystic Flower">The Mystic Flower</a></i> (c. 1890)</li> <li><i><a href="/wiki/Jupiter_and_Semele" title="Jupiter and Semele">Jupiter and Semele</a></i> (1894–1895)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Museums</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mus%C3%A9e_national_Gustave_Moreau" title="Musée national Gustave Moreau">Musée national Gustave Moreau</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Symbolism_(arts)" class="mw-redirect" title="Symbolism (arts)">Symbolism</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Musée_d&#039;Orsay" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Mus%C3%A9e_d%27Orsay" title="Template:Musée d'Orsay"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Mus%C3%A9e_d%27Orsay" title="Template talk:Musée d'Orsay"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Mus%C3%A9e_d%27Orsay" title="Special:EditPage/Template:Musée d'Orsay"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Musée_d&#039;Orsay" style="font-size:114%;margin:0 4em"><a href="/wiki/Mus%C3%A9e_d%27Orsay" title="Musée d'Orsay">Musée d'Orsay</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Building" style="font-size:114%;margin:0 4em">Building</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Gare_d%27Orsay" title="Gare d'Orsay">Gare d'Orsay</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Paintings" style="font-size:114%;margin:0 4em">Paintings</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">French</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Baader</b></span>: <i><a href="/wiki/Remorse_(Baader_painting)" class="mw-redirect" title="Remorse (Baader painting)">Remorse</a></i></li> <li><span class="smallcaps"><b>Bartholomé</b></span>: <i><a href="/wiki/In_the_Conservatory_(Bartholom%C3%A9)" title="In the Conservatory (Bartholomé)">In the Conservatory</a></i></li> <li><span class="smallcaps"><b>Bastien-Lepage</b></span>: <i><a href="/wiki/Haymaking_(Bastien-Lepage)" title="Haymaking (Bastien-Lepage)">Haymaking</a></i></li> <li><span class="smallcaps"><b>Bazille</b></span>: <i><a href="/wiki/The_Family_Reunion_(painting)" title="The Family Reunion (painting)">The Family Reunion</a></i> – <i><a href="/wiki/The_Improvised_Field_Hospital" title="The Improvised Field Hospital">The Improvised Field Hospital</a></i> – <i><a href="/wiki/The_Pink_Dress" title="The Pink Dress">The Pink Dress</a></i> – <i><a href="/wiki/Bazille%27s_Studio" title="Bazille's Studio">Bazille's Studio</a></i></li> <li><span class="smallcaps"><b>Belly</b></span>: <i><a href="/wiki/Pilgrims_going_to_Mecca" title="Pilgrims going to Mecca">Pilgrims going to Mecca</a></i></li> <li><span class="smallcaps"><b>Bonnard</b></span>: <i><a href="/wiki/Woman_with_a_Cat_(Bonnard)" title="Woman with a Cat (Bonnard)">Woman with a Cat</a></i></li> <li><span class="smallcaps"><b>Bonheur</b></span>: <i><a href="/wiki/Ploughing_in_the_Nivernais" title="Ploughing in the Nivernais">Ploughing in the Nivernais</a></i></li> <li><span class="smallcaps"><b>Bouguereau</b></span>: <i><a href="/wiki/The_Birth_of_Venus_(Bouguereau)" title="The Birth of Venus (Bouguereau)">The Birth of Venus</a></i> – <i><a href="/wiki/La_Danse_(Bouguereau)" title="La Danse (Bouguereau)">La Danse</a></i> – <i><a href="/wiki/Dante_and_Virgil" title="Dante and Virgil">Dante and Virgil</a></i> – <i><a href="/wiki/Equality_Before_Death" title="Equality Before Death">Equality Before Death</a></i> – <i><a href="/wiki/Les_Or%C3%A9ades" title="Les Oréades">Les Oréades</a></i></li> <li><span class="smallcaps"><b>Boulanger</b></span>: <i><a href="/wiki/R%C3%A9p%C3%A9tition_du_%22Joueur_de_fl%C3%BBte%22_et_de_%22La_femme_de_Diom%C3%A8de%22_chez_le_prince_Napol%C3%A9on" title="Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon">Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon</a></i></li> <li><span class="smallcaps"><b>Bracquemond</b></span>: <i><a href="/wiki/The_Lady_in_White_(Bracquemond)" title="The Lady in White (Bracquemond)">The Lady in White</a></i> – <i><a href="/wiki/Three_Women_with_Parasols" title="Three Women with Parasols">Three Women with Parasols</a></i></li> <li><span class="smallcaps"><b>Cabanel</b></span>: <i><a href="/wiki/The_Birth_of_Venus_(Cabanel)" title="The Birth of Venus (Cabanel)">The Birth of Venus</a></i></li> <li><span class="smallcaps"><b>Caillebotte</b></span>: <i><a href="/wiki/Les_raboteurs_de_parquet" title="Les raboteurs de parquet">Les raboteurs de parquet</a></i> – <i><a href="/wiki/Vue_de_toits_(Effet_de_neige)" title="Vue de toits (Effet de neige)">Vue de toits (Effet de neige)</a></i></li> <li><span class="smallcaps"><b>Cézanne</b></span>: <i><a href="/wiki/The_Hanged_Man%27s_House" title="The Hanged Man's House">The Hanged Man's House</a></i> – <i><a href="/wiki/The_Card_Players" title="The Card Players">The Card Players</a></i> – <i><a href="/wiki/Portrait_of_Gustave_Geffroy" title="Portrait of Gustave Geffroy">Portrait of Gustave Geffroy</a></i></li> <li><span class="smallcaps"><b>Chassériau</b></span>: <i><a href="/wiki/Arab_Chiefs_Challenging_each_other_to_Single_Combat_under_the_Ramparts_of_a_City" title="Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City">Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City</a></i></li> <li><span class="smallcaps"><b>de Chavannes</b></span>: <i><a href="/wiki/The_Poor_Fisherman" title="The Poor Fisherman">The Poor Fisherman</a></i> – <i><a href="/wiki/The_Turtle_Seller" title="The Turtle Seller">The Turtle Seller</a></i></li> <li><span class="smallcaps"><b>Courbet</b></span>: <i><a href="/wiki/A_Burial_at_Ornans" title="A Burial at Ornans">A Burial at Ornans</a></i> – <i><a href="/wiki/L%27Origine_du_monde" title="L'Origine du monde">L'Origine du monde</a></i> – <i><a href="/wiki/The_Painter%27s_Studio" title="The Painter's Studio">The Painter's Studio</a></i> – <i><a href="/wiki/Le_ruisseau_noir" title="Le ruisseau noir">Le ruisseau noir</a></i> – <i><a href="/wiki/The_Wounded_Man_(painting)" title="The Wounded Man (painting)">The Wounded Man</a></i></li> <li><span class="smallcaps"><b>Couture</b></span>: <i><a href="/wiki/The_Romans_in_their_Decadence" title="The Romans in their Decadence">The Romans in their Decadence</a></i></li> <li><span class="smallcaps"><b>Daubigny</b></span>: <i><a href="/wiki/The_Harvest_(Daubigny)" title="The Harvest (Daubigny)">The Harvest</a></i></li> <li><span class="smallcaps"><b>Daumier</b></span>: <i><a href="/wiki/The_Laundress_(Daumier)" title="The Laundress (Daumier)">The Laundress</a></i> – <i><a href="/wiki/The_Republic_(Daumier)" title="The Republic (Daumier)">The Republic</a></i></li> <li><span class="smallcaps"><b>Degas</b></span>: <i><a href="/wiki/L%27Absinthe" title="L'Absinthe">L'Absinthe</a></i> – <i><a href="/wiki/The_Bellelli_Family" title="The Bellelli Family">The Bellelli Family</a></i> – <i><a href="/wiki/Caf%C3%A9-Concert_at_Les_Ambassadeurs" title="Café-Concert at Les Ambassadeurs">Café-Concert at Les Ambassadeurs</a></i> <span style="font-size:85%;">(1885)</span> – <i><a href="/wiki/Les_Choristes" title="Les Choristes">Les Choristes</a></i> – <i><a href="/wiki/The_Orchestra_at_the_Opera" title="The Orchestra at the Opera">The Orchestra at the Opera</a></i> – <i><a href="/wiki/Portraits_at_the_Stock_Exchange" title="Portraits at the Stock Exchange">Portraits at the Stock Exchange</a></i> – <i><a href="/wiki/The_Tub" title="The Tub">The Tub</a></i></li> <li><span class="smallcaps"><b>Dehodencq</b></span>: <i><a href="/wiki/Boabdil%27s_Farewell_to_Granada" title="Boabdil's Farewell to Granada">Boabdil's Farewell to Granada</a></i></li> <li><span class="smallcaps"><b>Delacroix</b></span>: <i><a href="/wiki/Arab_Horses_Fighting_in_a_Stable" title="Arab Horses Fighting in a Stable">Arab Horses Fighting in a Stable</a></i></li> <li><span class="smallcaps"><b>Denis</b></span>: <i><a href="/wiki/Homage_to_C%C3%A9zanne" title="Homage to Cézanne">Homage to Cézanne</a></i></li> <li><span class="smallcaps"><b>Detaille</b></span>: <i><a href="/wiki/The_Dream_(Detaille)" title="The Dream (Detaille)">The Dream</a></i></li> <li><span class="smallcaps"><b>Doré</b></span>: <i><a href="/wiki/The_Enigma_(Dor%C3%A9)" title="The Enigma (Doré)">The Enigma</a></i></li> <li><span class="smallcaps"><b>Fantin-Latour</b></span>: <i><a href="/wiki/Around_the_Piano" title="Around the Piano">Around the Piano</a></i> – <i><a href="/wiki/The_Corner_of_the_Table" title="The Corner of the Table">The Corner of the Table</a></i> – <i><a href="/wiki/Homage_to_Delacroix" title="Homage to Delacroix">Homage to Delacroix</a></i> – <i><a href="/wiki/A_Studio_at_Les_Batignolles" title="A Studio at Les Batignolles">A Studio at Les Batignolles</a></i></li> <li><span class="smallcaps"><b>Gauguin</b></span>: <i><a href="/wiki/Arearea" title="Arearea">Arearea</a></i> – <i><a href="/wiki/The_Beautiful_Angel" title="The Beautiful Angel">The Beautiful Angel</a></i> – <i><a href="/wiki/Breton_Peasant_Women" title="Breton Peasant Women">Breton Peasant Women</a></i> – <i><a href="/wiki/The_Schuffenecker_Family" title="The Schuffenecker Family">The Schuffenecker Family</a></i> – <i><a href="/wiki/Self-Portrait_in_a_Hat" title="Self-Portrait in a Hat">Self-Portrait in a Hat</a></i> – <i><a href="/wiki/Self-Portrait_with_the_Yellow_Christ" title="Self-Portrait with the Yellow Christ">Self-Portrait with the Yellow Christ</a></i> – <i><a href="/wiki/Tahitian_Women_on_the_Beach" title="Tahitian Women on the Beach">Tahitian Women on the Beach</a></i> – <i><a href="/wiki/Vairumati" title="Vairumati">Vairumati</a></i></li> <li><span class="smallcaps"><b>Gérôme</b></span>: <i><a href="/wiki/The_Cock_Fight" title="The Cock Fight">The Cock Fight</a></i> – <i><a href="/wiki/Jerusalem_(painting)" title="Jerusalem (painting)">Jerusalem</a></i> – <i><a href="/wiki/Reception_of_the_Grand_Cond%C3%A9_at_Versailles" title="Reception of the Grand Condé at Versailles">Reception of the Grand Condé at Versailles</a></i></li> <li><span class="smallcaps"><b>Gervex</b></span>: <i><a href="/wiki/A_Session_of_the_Painting_Jury" title="A Session of the Painting Jury">A Session of the Painting Jury</a></i></li> <li><span class="smallcaps"><b>Glaize</b></span>: <i><a href="/wiki/The_Gallic_Women:_Episode_from_the_Roman_Invasion" title="The Gallic Women: Episode from the Roman Invasion">The Gallic Women: Episode from the Roman Invasion</a></i></li> <li><span class="smallcaps"><b>Ingres</b></span>: <i><a href="/wiki/The_Source_(Ingres)" title="The Source (Ingres)">The Source</a></i></li> <li><span class="smallcaps"><b>Laurens</b></span>: <i><a href="/wiki/The_Excommunication_of_Robert_the_Pious" title="The Excommunication of Robert the Pious">The Excommunication of Robert the Pious</a></i></li> <li><span class="smallcaps"><b>Lefebvre</b></span>: <i><a href="/wiki/The_Truth_(Lefebvre)" title="The Truth (Lefebvre)">The Truth</a></i></li> <li><span class="smallcaps"><b>Luce</b></span>: <i><a href="/wiki/The_Quai_Saint-Michel_and_Notre-Dame" title="The Quai Saint-Michel and Notre-Dame">The Quai Saint-Michel and Notre-Dame</a></i></li> <li><span class="smallcaps"><b>Manet</b></span>: <i><a href="/wiki/The_Balcony_(Manet)" title="The Balcony (Manet)">The Balcony</a></i> – <i><a href="/wiki/Berthe_Morisot_with_a_Bouquet_of_Violets" title="Berthe Morisot with a Bouquet of Violets">Berthe Morisot with a Bouquet of Violets</a></i> – <i><a href="/wiki/Blonde_Woman_with_Bare_Breasts" title="Blonde Woman with Bare Breasts">Blonde Woman with Bare Breasts</a></i> – <i><a href="/wiki/Bullfight_(Manet)" title="Bullfight (Manet)">Bullfight</a></i> – <i><a href="/wiki/Le_D%C3%A9jeuner_sur_l%27herbe" title="Le Déjeuner sur l'herbe">Le Déjeuner sur l'herbe</a></i> – <i><a href="/wiki/Flowers_in_a_Crystal_Vase" title="Flowers in a Crystal Vase">Flowers in a Crystal Vase</a></i> – <i><a href="/wiki/The_Fifer" title="The Fifer">The Fifer</a></i> – <i><a href="/wiki/Madame_Manet_at_the_Piano" title="Madame Manet at the Piano">Madame Manet at the Piano</a></i> – <i><a href="/wiki/Olympia_(Manet)" title="Olympia (Manet)">Olympia</a></i> – <i><a href="/wiki/The_Port_of_Boulogne_by_Moonlight" title="The Port of Boulogne by Moonlight">The Port of Boulogne by Moonlight</a></i> – <i><a href="/wiki/Portrait_of_Clemenceau_(Manet,_Paris)" title="Portrait of Clemenceau (Manet, Paris)">Portrait of Clemenceau</a></i> – <i><a href="/wiki/Portrait_of_Emile_Zola" title="Portrait of Emile Zola">Portrait of Emile Zola</a></i> – <i><a href="/wiki/Portrait_of_Marguerite_de_Conflans" title="Portrait of Marguerite de Conflans">Portrait of Marguerite de Conflans</a></i> <sup>[1]</sup> – <i><a href="/wiki/Portrait_of_Monsieur_and_Madame_Manet" title="Portrait of Monsieur and Madame Manet">Portrait of Monsieur and Madame Manet</a></i> – <i><a href="/wiki/Portrait_of_St%C3%A9phane_Mallarm%C3%A9" title="Portrait of Stéphane Mallarmé">Portrait of Stéphane Mallarmé</a></i> – <i><a href="/wiki/The_Reading_(Manet)" title="The Reading (Manet)">The Reading</a></i> – <i><a href="/wiki/A_Sprig_of_Asparagus" title="A Sprig of Asparagus">A Sprig of Asparagus</a></i> – <i><a href="/wiki/The_Waitress_(Manet)" title="The Waitress (Manet)">The Waitress</a></i></li> <li><span class="smallcaps"><b>Matisse</b></span>: <i><a href="/wiki/Luxe,_Calme_et_Volupt%C3%A9" title="Luxe, Calme et Volupté">Luxe, Calme et Volupté</a></i></li> <li><span class="smallcaps"><b>Meissonier</b></span>: <i><a href="/wiki/French_Campaign,_1814_(Meissonier)" title="French Campaign, 1814 (Meissonier)">French Campaign, 1814</a></i> – <i><a href="/wiki/The_Siege_of_Paris_(Meissonier)" title="The Siege of Paris (Meissonier)">The Siege of Paris</a></i></li> <li><span class="smallcaps"><b>Millet</b></span>: <i><a href="/wiki/The_Angelus_(painting)" title="The Angelus (painting)">The Angelus</a></i> – <i><a href="/wiki/The_Gleaners" title="The Gleaners">The Gleaners</a></i> – <i><a href="/wiki/Shepherdess_with_her_Flock" title="Shepherdess with her Flock">Shepherdess with her Flock</a></i> – <i><a href="/wiki/The_Winnower_(Millet)" title="The Winnower (Millet)">The Winnower</a></i></li> <li><span class="smallcaps"><b>Monet</b></span>: <i><a href="/wiki/The_Artist%27s_Garden_at_Giverny" title="The Artist's Garden at Giverny">The Artist's Garden at Giverny</a></i> – <i><a href="/wiki/A_Cart_on_the_Snowy_Road_at_Honfleur" title="A Cart on the Snowy Road at Honfleur">A Cart on the Snowy Road at Honfleur</a></i> – <i><a href="/wiki/Le_D%C3%A9jeuner_sur_l%27herbe_(Monet,_Paris)" title="Le Déjeuner sur l'herbe (Monet, Paris)">Le Déjeuner sur l'herbe</a></i> – <i><a href="/wiki/The_Magpie_(Monet)" title="The Magpie (Monet)">The Magpie</a></i> – <i><a href="/wiki/Regatta_at_Argenteuil" title="Regatta at Argenteuil">Regatta at Argenteuil</a></i> – <i><a href="/wiki/Resting_Under_a_Lilac_Bush" title="Resting Under a Lilac Bush">Resting Under a Lilac Bush</a></i> – <i><a href="/wiki/The_Road_in_Front_of_Saint-Simeon_Farm_in_Winter" title="The Road in Front of Saint-Simeon Farm in Winter">The Road in Front of Saint-Simeon Farm in Winter</a></i> – <i><a href="/wiki/Women_in_the_Garden" title="Women in the Garden">Women in the Garden</a></i></li> <li><span class="smallcaps"><b>Moreau</b></span>: <i><a class="mw-selflink selflink">The Apparition</a></i></li> <li><span class="smallcaps"><b>Morisot</b></span>: <i><a href="/wiki/The_Cradle_(Morisot)" title="The Cradle (Morisot)">The Cradle</a></i></li> <li><span class="smallcaps"><b>Motte</b></span>: <i><a href="/wiki/The_Fianc%C3%A9e_of_Belus" title="The Fiancée of Belus">The Fiancée of Belus</a></i></li> <li><span class="smallcaps"><b>Ottmann</b></span>: <i><a href="/wiki/The_Luxembourg_Station_in_Brussels" title="The Luxembourg Station in Brussels">The Luxembourg Station in Brussels</a></i></li> <li><span class="smallcaps"><b>Regnault</b></span>: <i><a href="/wiki/Summary_Execution_under_the_Moorish_Kings_of_Granada" title="Summary Execution under the Moorish Kings of Granada">Summary Execution under the Moorish Kings of Granada</a></i></li> <li><span class="smallcaps"><b>Renoir</b></span>: <i><a href="/wiki/Bal_du_moulin_de_la_Galette" title="Bal du moulin de la Galette">Bal du moulin de la Galette</a></i> – <i><a href="/wiki/The_Bathers_(Renoir)" title="The Bathers (Renoir)">The Bathers</a></i> – <i><a href="/wiki/Dance_in_the_City" title="Dance in the City">Dance in the City</a></i> – <i><a href="/wiki/Dance_in_the_Country" title="Dance in the Country">Dance in the Country</a></i> – <i><a href="/wiki/Fr%C3%A9d%C3%A9ric_Bazille_at_his_Easel" title="Frédéric Bazille at his Easel">Frédéric Bazille at his Easel</a></i> – <i><a href="/wiki/Girls_at_the_Piano" title="Girls at the Piano">Girls at the Piano</a></i> – <i><a href="/wiki/Portrait_of_the_Painter_Claude_Monet" title="Portrait of the Painter Claude Monet">Portrait of the Painter Claude Monet</a></i> – <i><a href="/wiki/Portrait_of_William_Sisley" title="Portrait of William Sisley">Portrait of William Sisley</a></i> – <i><a href="/wiki/The_Swing_(Renoir)" title="The Swing (Renoir)">The Swing</a></i></li> <li><span class="smallcaps"><b>Rousseau</b></span>: <i><a href="/wiki/The_Snake_Charmer_(Rousseau)" title="The Snake Charmer (Rousseau)">The Snake Charmer</a></i></li> <li><span class="smallcaps"><b>Sérusier</b></span>: <i><a href="/wiki/The_Talisman_(painting)" title="The Talisman (painting)">The Talisman</a></i></li> <li><span class="smallcaps"><b>Seurat</b></span>: <i><a href="/wiki/The_Circus_(Seurat)" title="The Circus (Seurat)">The Circus</a></i></li> <li><span class="smallcaps"><b>Sisley</b></span>: <i><a href="/wiki/Avenue_of_Poplars_near_Moret-sur-Loing" title="Avenue of Poplars near Moret-sur-Loing">Avenue of Poplars near Moret-sur-Loing</a></i> – <i><a href="/wiki/The_Canal_du_Loing_(painting)" title="The Canal du Loing (painting)">The Canal du Loing</a></i> – <i><a href="/wiki/The_Canal_Saint-Martin_(painting)" title="The Canal Saint-Martin (painting)">The Canal Saint-Martin</a></i> – <i><a href="/wiki/Chemin_de_la_Machine,_Louveciennes" title="Chemin de la Machine, Louveciennes">Chemin de la Machine, Louveciennes</a></i> – <i><a href="/wiki/The_Forge_at_Marly-le-Roi" title="The Forge at Marly-le-Roi">The Forge at Marly-le-Roi</a></i> – <i><a href="/wiki/Regatta_at_Molesey_near_Hampton_Court" title="Regatta at Molesey near Hampton Court">Regatta at Molesey near Hampton Court</a></i> – <i><a href="/wiki/Resting_by_a_Stream_at_the_Edge_of_the_Wood" title="Resting by a Stream at the Edge of the Wood">Resting by a Stream at the Edge of the Wood</a></i> – <i><a href="/wiki/Rue_de_la_Chauss%C3%A9e_in_Argenteuil" title="Rue de la Chaussée in Argenteuil">Rue de la Chaussée in Argenteuil</a></i> – <i><a href="/wiki/View_of_the_Canal_Saint-Martin" title="View of the Canal Saint-Martin">View of the Canal Saint-Martin</a></i> – <i><a href="/wiki/The_Village_of_Voisins" title="The Village of Voisins">The Village of Voisins</a></i></li> <li><span class="smallcaps"><b>Toulouse-Lautrec</b></span>: <i><a href="/wiki/Le_Lit_(Toulouse-Lautrec)" title="Le Lit (Toulouse-Lautrec)">Le Lit</a></i> – <i><a href="/wiki/La_Toilette_(Toulouse-Lautrec)" title="La Toilette (Toulouse-Lautrec)">La Toilette</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">American</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Harrison</b></span>: <i><a href="/wiki/Solitude_(Harrison)" title="Solitude (Harrison)">Solitude</a></i></li> <li><span class="smallcaps"><b>Tanner</b></span>: <i><a href="/wiki/The_Resurrection_of_Lazarus" title="The Resurrection of Lazarus">The Resurrection of Lazarus</a></i></li> <li><span class="smallcaps"><b>Whistler</b></span>: <i><a href="/wiki/Whistler%27s_Mother" title="Whistler's Mother">Whistler's Mother</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Belgian</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>van Rysselberghe</b></span>: <i><a href="/wiki/Sailboats_and_Estuary" title="Sailboats and Estuary">Sailboats and Estuary</a></i></li> <li><span class="smallcaps"><b>Stevens</b></span>: <i><a href="/wiki/The_Bath_(Stevens)" title="The Bath (Stevens)">The Bath</a></i> – <i><a href="/wiki/What_is_Called_Vagrancy" title="What is Called Vagrancy">What is Called Vagrancy</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">British</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Burne-Jones</b></span>: <i><a href="/wiki/The_Wheel_of_Fortune_(Burne-Jones)" title="The Wheel of Fortune (Burne-Jones)">The Wheel of Fortune</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Dutch</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Van Gogh</b></span>: <i><a href="/wiki/L%27Arl%C3%A9sienne_(painting)" title="L'Arlésienne (painting)">L'Arlésienne</a></i> – <i><a href="/wiki/Bedroom_in_Arles" title="Bedroom in Arles">Bedroom in Arles</a></i> <span style="font-size:85%;">(3rd version)</span> – <i><a href="/wiki/The_Church_at_Auvers" title="The Church at Auvers">The Church at Auvers</a></i> – <i><a href="/wiki/Starry_Night_Over_the_Rh%C3%B4ne" title="Starry Night Over the Rhône">Starry Night Over the Rhône</a></i> – <i><a href="/wiki/Portrait_of_Dr._Gachet" title="Portrait of Dr. Gachet">Portrait of Dr. Gachet</a></i> <span style="font-size:85%;">(2nd version)</span> – <i><a href="/wiki/Doctor_Gachet%27s_Garden_in_Auvers" title="Doctor Gachet's Garden in Auvers">Doctor Gachet's Garden in Auvers</a></i> – <i><a href="/wiki/Imperial_Fritillaries_in_a_Copper_Vase" title="Imperial Fritillaries in a Copper Vase">Imperial Fritillaries in a Copper Vase</a></i> – <i><a href="/wiki/Van_Gogh_self-portrait_(1889)" title="Van Gogh self-portrait (1889)">Self-portrait</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Finnish</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Edelfelt</b></span>: <i><a href="/wiki/Pasteur%27s_portrait_by_Edelfelt" title="Pasteur's portrait by Edelfelt">Pasteur's portrait by Edelfelt</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Italian</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Boldini</b></span>: <i><a href="/wiki/Madame_Charles_Max" title="Madame Charles Max">Madame Charles Max</a></i> – <i><a href="/wiki/Portrait_of_Robert_de_Montesquiou" title="Portrait of Robert de Montesquiou">Portrait of Robert de Montesquiou</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Spanish</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Sorolla</b></span>: <i><a href="/wiki/The_Return_from_Fishing:_Hauling_the_Boat" title="The Return from Fishing: Hauling the Boat">The Return from Fishing: Hauling the Boat</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Sculptures" style="font-size:114%;margin:0 4em">Sculptures</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="French" scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">French</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Barrias</b></span>: <i><a href="/wiki/Nature_Unveiling_Herself_Before_Science" title="Nature Unveiling Herself Before Science">Nature Unveiling Herself Before Science</a></i></li> <li><span class="smallcaps"><b>Clésinger</b></span>: <i><a href="/wiki/Woman_Bitten_by_a_Serpent" title="Woman Bitten by a Serpent">Woman Bitten by a Serpent</a></i></li> <li><span class="smallcaps"><b>Claudel</b></span>: <i><a href="/wiki/The_Mature_Age" title="The Mature Age">The Mature Age</a></i></li> <li><span class="smallcaps"><b>Delaplanche</b></span>: <i><a href="/wiki/Virgin_with_a_Lily" title="Virgin with a Lily">Virgin with a Lily</a></i></li> <li><span class="smallcaps"><b>Jacquemart</b></span>: <i><a href="/wiki/Rhinoc%C3%A9ros_(Jacquemart)" title="Rhinocéros (Jacquemart)">Rhinocéros</a></i></li> <li><span class="smallcaps"><b>Gauguin</b></span>: <i><a href="/wiki/Objet_d%C3%A9coratif_carr%C3%A9_avec_dieux_tahitiens" title="Objet décoratif carré avec dieux tahitiens">Objet décoratif carré avec dieux tahitiens</a></i> – <i><a href="/wiki/Oviri" title="Oviri">Oviri</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table><div></div></td></tr><tr><td class="navbox-abovebelow hlist" colspan="2"><div> <ul><li><sup>[1]</sup> On display at the <a href="/wiki/Mus%C3%A9e_des_Augustins" title="Musée des Augustins">Musée des Augustins</a> in <a href="/wiki/Toulouse" title="Toulouse">Toulouse</a></li></ul> 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