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Early Modern Japanese Prints, 2013","attachmentId":116048179,"attachmentType":"pdf","work_url":"https://www.academia.edu/110850920/Carolyn_M_Putney_Kendall_H_Brown_Koyama_Sh%C5%ABko_and_Paul_Binnie_Fresh_Impressions_Early_Modern_Japanese_Prints_2013","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/110850920/Carolyn_M_Putney_Kendall_H_Brown_Koyama_Sh%C5%ABko_and_Paul_Binnie_Fresh_Impressions_Early_Modern_Japanese_Prints_2013"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="121705217" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/121705217/Histoire_de_larchitecture_et_des_jardins_du_Japon">Histoire de l'architecture et des jardins du Japon</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="66790687" href="https://ephe.academia.edu/NicolasFi%C3%A9v%C3%A9">Nicolas Fiévé</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Livret-annuaire, 2022</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Histoire de l'architecture et des jardins du Japon","attachmentId":116522613,"attachmentType":"pdf","work_url":"https://www.academia.edu/121705217/Histoire_de_larchitecture_et_des_jardins_du_Japon","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/121705217/Histoire_de_larchitecture_et_des_jardins_du_Japon"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="7623516" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7623516/La_villa_Katsura_et_ses_jardins_linvention_dune_modernit%C3%A9_japonaise_dans_les_ann%C3%A9es_1930">La villa Katsura et ses jardins : l'invention d'une modernité japonaise dans les années 1930</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="275814" href="https://efeo.academia.edu/BenoitJacquet">Benoit Jacquet</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Vers une modernité architecturale et paysagère : modèles et savoirs partagés entre le Japon et le monde occidental, 2013</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La villa Katsura et ses jardins : l'invention d'une modernité japonaise dans les années 1930","attachmentId":34168428,"attachmentType":"pdf","work_url":"https://www.academia.edu/7623516/La_villa_Katsura_et_ses_jardins_linvention_dune_modernit%C3%A9_japonaise_dans_les_ann%C3%A9es_1930","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7623516/La_villa_Katsura_et_ses_jardins_linvention_dune_modernit%C3%A9_japonaise_dans_les_ann%C3%A9es_1930"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="49046256" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/49046256/L_arbre_colonne_de_Kitayama_comment_passer_d_une_ressource_mat%C3%A9rielle_%C3%A0_un_paysage_culturel_The_Column_Tree_of_Kitayama_How_a_natural_resource_gives_birth_to_a_cultural_landscape_">L’arbre colonne de Kitayama : comment passer d’une ressource matérielle à un paysage culturel ? (The Column Tree of Kitayama: How a natural resource gives birth to a cultural landscape)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3901029" href="https://kyoto-u.academia.edu/AndreaFloresUrushima">Andrea Flores Urushima</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="275814" href="https://efeo.academia.edu/BenoitJacquet">Benoit Jacquet</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Les cahiers de la recherche architecturale, urbaine et paysagère, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Dans l’architecture japonaise, les poteaux en bois de cryptomère (Cryptomeria japonica) sont utilisés à Kyoto depuis le XVIe siècle dans les bâtiments de style sukiya, dans les alcôves décoratives (tokonoma) et certains détails des maisons urbaines (machiya). Ce bois de construction, le Kitayama sugi, provient d’un village dans les montagnes du nord de Kyoto, dont le paysage et l’agroforesterie sont en cours de classement en tant que « paysage culturel ». L’objectif de cette recherche est d’observer comment l’exploitation d’une ressource matérielle peut devenir un lieu reconnu pour le caractère exceptionnel de son paysage culturel. Cette étude est fondée sur une série d’entretiens, menés entre 2014 et 2021 dans une forêt de Kitayama sugi auprès d’un pépiniériste et négociant en bois. Il est l’un des derniers garants de la transmission de techniques et de savoirs, il témoigne de l’évolution de cette sylviculture depuis la fin du XXe siècle. In Japanese architecture, posts made of cryptomeria wood (Cryptomeria japonica) are used in Kyoto from the 16th century for sukiya style building, in decorative alcoves (tokonoma) and some details of townhouses (machiya). This construction wood, the Kitayama sugi, comes from a village in the Northern mountains of Kyoto which landscape and agroforestry are in the process of being registered as “cultural landscape”. The goal of this research is to survey how the exploitation of a material resource can give birth to a place recognised for the exceptional character of its cultural landscape. This survey is based on a series of interviews conducted between 2014 and 2021 in a forest of Kitayama sugi with a nurseryman and timber trader. He is one of the last guarantors of the transmission of techniques and knowledges, he witnesses the evolution of this silviculture since the end of the 20th century.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L’arbre colonne de Kitayama : comment passer d’une ressource matérielle à un paysage culturel ? (The Column Tree of Kitayama: How a natural resource gives birth to a cultural landscape)","attachmentId":67431348,"attachmentType":"pdf","work_url":"https://www.academia.edu/49046256/L_arbre_colonne_de_Kitayama_comment_passer_d_une_ressource_mat%C3%A9rielle_%C3%A0_un_paysage_culturel_The_Column_Tree_of_Kitayama_How_a_natural_resource_gives_birth_to_a_cultural_landscape_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/49046256/L_arbre_colonne_de_Kitayama_comment_passer_d_une_ressource_mat%C3%A9rielle_%C3%A0_un_paysage_culturel_The_Column_Tree_of_Kitayama_How_a_natural_resource_gives_birth_to_a_cultural_landscape_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="5754911" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/5754911/La_section_consacr%C3%A9e_aux_po%C3%A8mes_japonais_waka_du_Recueil_des_traditions_de_jadis_et_de_maintenant_Kokon_chomon_j%C3%BB_de_Tachibana_no_Narisue_1254_">La section consacrée aux poèmes japonais (waka) du Recueil des traditions de jadis et de maintenant (Kokon chomon-jû) de Tachibana no Narisue (1254)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6523285" href="https://independent.academia.edu/FranckFeurtey">Franck Feurtey</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Mémoire de Master, 2012</p><p class="ds-related-work--abstract ds2-5-body-sm">Le Kokon chomon-jû est un recueil d’anecdotes (setsuwa) compilé au milieu du 13ème siècle par un fonctionnaire de rang moyen de la cour impériale, Tachibana no Narisue. Cet ouvrage imposant (il ne rassemble pas moins de 700 anecdotes) présente une organisation systématique : les histoires se succèdent par ordre chronologique et sont classées en vingt sections thématiques, chacune de ces sections s’ouvrant sur une courte préface qui présente le thème dans son contexte historique ou mythique. Notre étude a pour objet la section consacrée à la poésie japonaise (waka), qui occupe une place éminente dans le recueil, entre littérature et musique. Nous proposons une traduction annotée des 52 anecdotes de cette section, en laissant de côté les 36 anecdotes considérées comme des ajouts postérieurs à la compilation de l’ouvrage. Deux anecdotes en particulier consignent la relation détaillée de réunions poétiques, le Concours d’œillets de l’impératrice douairière Senshi, qui s’est tenu en 986, et la Réunion célébrant le grand âge de fin de printemps à Shirakawa, organisée en 1172 par Fujiwara no Kiyosuke. Nous proposons une traduction des procès-verbaux (kiroku) de ces deux réunions, que Narisue a très vraisemblablement consultés, afin d’illustrer le travail de remise en forme auquel il s’est livré. En analysant la section consacrée au waka dans son ensemble, nous avons cherché à mettre en évidence les motivations qui auraient pu guider Narisue dans la sélection des anecdotes, notamment la vision de la poésie qu’il aurait souhaité présenter ou les enseignements qu’il aurait voulu transmettre. Pour la plupart, les anecdotes étudiées ont trait à la correspondance poétique des hauts dignitaires, offrant ainsi de nombreux exemples des usages de la poésie comme mode de communication à la cour : des poèmes sont composés pour adresser ses vœux de longévité à l’empereur, pour évoquer le souvenir agréable d’un divertissement, pour exprimer sa gratitude, ses félicitations ou ses reproches. Le support sur lequel est calligraphié le poème (papier de qualité, tissu…), tout comme l’objet qui peut l’accompagner (en général un rameau fleuri), participe à l’élégance de l’ensemble. Bien souvent, Narisue consigne les poèmes échangés sans indication permettant de comprendre en quoi ils sont remarquables à ses yeux. On peut néanmoins supposer que c’est leur élégance, ou, plus encore, leur à-propos, qui ont leur ont valu d’être sélectionnés. Si Narisue ne se livre à aucune critique d’ordre esthétique, il ajoute parfois de brèves remarques personnelles qui apportent un éclairage sur sa pensée. Elles témoignent notamment d’une foi bouddhique sincère : Narisue affirme ainsi à plusieurs reprises qu’il convient de placer la voie du Bouddha au-dessus de toutes les préoccupations du siècle, y compris les préoccupations artistiques. D’autre part, on perçoit au fil des anecdotes une admiration empreinte de nostalgie pour un passé où le prestige de l’empereur et de la noblesse n’était pas encore remis en cause par les clans guerriers. Pour Narisue, il était probablement important de montrer que la culture de la cour et ses traditions s’étaient transmises jusqu’à son époque, résistant aux troubles militaires et aux bouleversements politiques qui ont marqué l’entrée du pays dans le Moyen Age.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La section consacrée aux poèmes japonais (waka) du Recueil des traditions de jadis et de maintenant (Kokon chomon-jû) de Tachibana no Narisue (1254)","attachmentId":32783398,"attachmentType":"pdf","work_url":"https://www.academia.edu/5754911/La_section_consacr%C3%A9e_aux_po%C3%A8mes_japonais_waka_du_Recueil_des_traditions_de_jadis_et_de_maintenant_Kokon_chomon_j%C3%BB_de_Tachibana_no_Narisue_1254_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/5754911/La_section_consacr%C3%A9e_aux_po%C3%A8mes_japonais_waka_du_Recueil_des_traditions_de_jadis_et_de_maintenant_Kokon_chomon_j%C3%BB_de_Tachibana_no_Narisue_1254_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="42715675" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42715675/Usages_Traditionnels_Et_Disponibilit%C3%A9_Des_Plantes_Exploit%C3%A9es_Dans_Lartisanat_Chez_Les_Populations_Koulango_Et_Lobi_De_La_P%C3%A9riph%C3%A9rie_Est_Du_Parc_National_De_La_Como%C3%A9_C%C3%B4te_dIvoire">Usages Traditionnels Et Disponibilité Des Plantes Exploitées Dans L'artisanat Chez Les Populations Koulango Et Lobi De La Périphérie Est Du Parc National De La Comoé, Côte d'Ivoire</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="33384065" href="https://euinstitute.academia.edu/EuropeanScientificJournalESJ">European Scientific Journal ESJ</a></div><p class="ds-related-work--abstract ds2-5-body-sm">This paper focuses on keeping inventory and assessing the availability of plants used in the construction and making of tools by the Koulango and Lobi populations. Ethnobotanical surveys through door-to-door and trekking approaches have provided information on the uses of plants. The availability of resources was assessed using the scarcity index from surface surveys. The level of knowledge of plant uses was assessed using the frequency of citation. The intensity of use of the plants was calculated using the ethnobotanical use value. The similarities between the uses of plants were revealed, thanks to the ascending hierarchical classification. The status of the species was determined by the depletion index. From this work, it emerges that 39 plants belonging to 38 genera and 22 families are used in construction. 55 plant species, divided into 48 genera and 22 families, are used in the manufacture of household objects. The uses of six plants are well known. These are Raphia sudanica (92.15%), Vitellaria paradoxa (89.6%), Khaya senegalensis (83.05%), Pterocarpus erinaceus (70.15%), Phoenix reclinata (52.75%), and Pseudocedrela kotschyi (51.7%). For the two ethnic groups combined, five plants are the most used. These are Raphia sudanica (1.84), Vitellaria paradoxa (1.76), Phoenix reclinata (1.74), Khaya senegalensis (1.66), and Pterocarpus erinaceus (1.38). Several plants, including Bombax costatum, Ceiba pentandra, Adansonia digitata, have juvenile and adult individuals which are very rare in the PNC as in the rural area.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Usages Traditionnels Et Disponibilité Des Plantes Exploitées Dans L'artisanat Chez Les Populations Koulango Et Lobi De La Périphérie Est Du Parc National De La Comoé, Côte d'Ivoire","attachmentId":62930323,"attachmentType":"pdf","work_url":"https://www.academia.edu/42715675/Usages_Traditionnels_Et_Disponibilit%C3%A9_Des_Plantes_Exploit%C3%A9es_Dans_Lartisanat_Chez_Les_Populations_Koulango_Et_Lobi_De_La_P%C3%A9riph%C3%A9rie_Est_Du_Parc_National_De_La_Como%C3%A9_C%C3%B4te_dIvoire","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42715675/Usages_Traditionnels_Et_Disponibilit%C3%A9_Des_Plantes_Exploit%C3%A9es_Dans_Lartisanat_Chez_Les_Populations_Koulango_Et_Lobi_De_La_P%C3%A9riph%C3%A9rie_Est_Du_Parc_National_De_La_Como%C3%A9_C%C3%B4te_dIvoire"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="21330564" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/21330564/The_Japanese_Garden_in_Europe_A_distant_heritage_of_Akisato_Rit%C5%8D_">The Japanese Garden in Europe A distant heritage of Akisato Ritō ?</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="42426012" href="https://independent.academia.edu/sdsd59">sd sd</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Japanese Garden in Europe A distant heritage of Akisato Ritō ?","attachmentId":41819227,"attachmentType":"pdf","work_url":"https://www.academia.edu/21330564/The_Japanese_Garden_in_Europe_A_distant_heritage_of_Akisato_Rit%C5%8D_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/21330564/The_Japanese_Garden_in_Europe_A_distant_heritage_of_Akisato_Rit%C5%8D_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":70713483,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":70713483,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_70713483" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="37829068" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37829068/La_princesse_lib%C3%A9r%C3%A9e_et_lartiste_moderne_La_peinture_japonaise_dans_Le_Conte_de_la_Princesse_Kaguya_et_Miss_Hokusai_">La princesse libérée et l'artiste moderne. 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