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data-sentry-source-file="index.jsx"><div class="publication-details-box_box__dRKHI"><div class="publication-details-box_imageWrapper__B32n6"><div class="publication-details-box_imageBox__z_LSG"><img alt=""Scientific Research in The Metropolitan Museum of Art": The Metropolitan Museum of Art Bulletin, v. 67, no. 1 (Summer, 2009)" data-loading="true" data-sentry-element="Image" data-sentry-component="SanityImage" data-sentry-source-file="index.tsx" width="250" height="323" decoding="async" data-nimg="1" class=" sanity-image_img__cWxRo sanity-image_default__50JPT publication-details-box_image__RhW7c " style="color:transparent;--img-bg-color:#047cb2;--img-color:#fff" sizes="(max-width: 960px) 85vw, 30vw" srcSet="https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=256&q=75&fit=clip&auto=format 256w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=384&q=75&fit=clip&auto=format 384w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=640&q=75&fit=clip&auto=format 640w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=750&q=75&fit=clip&auto=format 750w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=828&q=75&fit=clip&auto=format 828w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=1080&q=75&fit=clip&auto=format 1080w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=1200&q=75&fit=clip&auto=format 1200w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=1920&q=75&fit=clip&auto=format 1920w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=2048&q=75&fit=clip&auto=format 2048w, https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=3840&q=75&fit=clip&auto=format 3840w" src="https://cdn.sanity.io/images/cctd4ker/production/f87eda62907901158041a3b982b885761f7dc556-250x323.jpg?w=3840&q=75&fit=clip&auto=format"/></div></div><div class="publication-details-box_publicationText__CwWiF"><div class="publication-details-box_eyebrow__ze08r">THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 67 | NUMBER 1</div><h1 style="margin:0"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">"Scientific Research in The Metropolitan Museum of Art"</span></h1><div class="publication-details-box_authorText__WeZg9">Abramitis, Dorothy H., Julie Arslanoglu, Linda Borsch, Silvia A. Centeno, Federico Carò, Tony Frantz, Marco Leona, Dorothy Mahon, Julia Schultz, and Mark T. Wypyski</div><div class="publication-details-box_authorText__WeZg9">2009</div><div class="publication-details-box_additionalDetails__tJaHx"><div>48 pages</div></div><div class="library-and-store-links_container__uZIAB" data-sentry-component="LibraryAndStoreLinks" data-sentry-source-file="index.jsx"><div class="library-and-store-links_printStatusMessage__wCYGV">This title is out of print.</div><div style="--grid-gap:var(--spacing-micro);--grid-columns:2" class="grid_gridByColumnCount__TeDpp grid_grid__Z8NYn " data-sentry-element="Element" data-sentry-source-file="index.jsx" data-sentry-component="GridContainer"><div class="dropdown-navigation_container__umkPG" data-sentry-component="DropdownNavigation" data-sentry-source-file="index.tsx"><button class="dropdown-navigation_button__Wy6bS secondary" data-sentry-element="Button" data-sentry-source-file="index.jsx" data-sentry-component="Button">Find in a library<svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" fill="none" viewBox="0 0 48 48" class="undefined undefined" data-sentry-element="ChevronDown" data-sentry-source-file="index.tsx"><path fill="currentColor" stroke="currentColor" stroke-width="0.5" d="m40.277 13.5 2.223 2.077L24.489 34.5 6.5 15.579 8.723 13.5l15.813 16.888z"></path></svg></button></div><a class="button secondary" href="https://cdn.sanity.io/files/cctd4ker/production/c898bbbec0c88f596fdd7002549bdfdd2d54f50e.pdf">Download PDF (47.42 MB)</a></div></div></div></div></section><section class="page-section_wrapper__mFtQK" data-sentry-element="PageSection" data-sentry-source-file="index.jsx" data-sentry-component="PageSection"><div class="tab-drawer_wrapper__Go80z undefined" data-sentry-component="TabDrawers" data-sentry-source-file="index.tsx"><div class="tabs_wrapper__xVpUT undefined" data-sentry-component="Tabs" data-sentry-source-file="index.jsx"><fieldset class="tabs_fieldset__NRtDM"><legend data-sentry-element="Element" data-sentry-source-file="index.jsx" class="screen-reader-only_text__226tQ" data-sentry-component="ScreenReaderOnly">View More Publication Info</legend><div class="tabs_tab__shByP"><input type="radio" id="Table of contents-tab-id" class="tabs_input__mwg3g" name="publications-tabs" checked="" value="Table of contents"/><label for="Table of contents-tab-id" class="tabs_label__YG6gQ tabs_small__4mOy2"><div class="tabs_tabText__tixoU">Table of contents</div></label></div><div class="tabs_tab__shByP"><input type="radio" id="About the authors-tab-id" class="tabs_input__mwg3g" name="publications-tabs" value="About the authors"/><label for="About the authors-tab-id" class="tabs_label__YG6gQ tabs_small__4mOy2"><div class="tabs_tabText__tixoU">About the authors</div></label></div></fieldset></div><div class="tab-drawer_bodyWrapper__qg8iy tab-drawer_divider__uAZwv"><p>"The Materiality of Art: Scientific Research in Art History and Art Conservation at the Metropolitan Museum"<br/><em>Marco Leona</em></p><p>"The Chemistry of Aging in Oil Paintings: Metal Soaps and Visual Changes"<br/><em>Silvia A. Centeno</em> and <em>Dorothy Mahon</em></p><p>"Roman Variscite Beads: In Situ Analysis by X-ray Microdiffraction"<br/><em>Tony Frantz</em>, <em>Dorothy H. Abramitis</em>, <em>Linda Borsch</em>, and <em>Mark T. Wypyski</em></p><p>"Khmer Stone Sculptures: A Collection Seen from a Material Point of View"<br/><em>Federico Carò</em></p><p>"The Neptune Pendant: Renaissance Jewel or Nineteenth-Century Invention?"<br/><em>Mark T. Wypyski</em></p><p>"Immunology and Art: Using Antibody-based Techniques to Identify Proteins and Gums in Binding Media and Adhesives"<br/><em>Julie Arslanoglu</em> and <em>Julia Schultz</em></p><p>Notes<br/>Bibliography<br/>Authors' Acknowledgments and Photograph Credits</p></div></div></section><section id="met-art-in-publication" class="page-section_clampedWidthWrapper__kBLdL" data-sentry-component="PageSection" data-sentry-source-file="index.jsx"><div class="component-header_wrapper__kS6_W" data-sentry-component="ComponentHeader" data-sentry-source-file="index.tsx"><div class="component-header_titleAndLinkWrapper__mDA0q"><div><h2><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Met Art in Publication</span></h2></div></div><p class="component-header_description__yxN6Q"></p></div><div data-sentry-component="ObjectsWithViewer" data-sentry-source-file="index.tsx"><section class="object-grid_grid__hKKqs" data-sentry-component="ObjectGrid" data-sentry-source-file="index.tsx"><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/478211"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/478211/956180/main-image" alt="Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Dish with Abraham and Melchizedek" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/478211">Dish with Abraham and Melchizedek</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn"><div>Hans of Landshut</div></div><div>1498</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/248132"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/248132/544454/main-image" alt="Marble statue of an old woman, Marble, Pentelic, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Marble statue of an old woman" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/248132">Marble statue of an old woman</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>14–68 CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/247106"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/247106/1368466/main-image" alt="Painted limestone funerary stele with a woman in childbirth, Limestone, paint, Greek"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Painted limestone funerary stele with a woman in childbirth" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/247106">Painted limestone funerary stele with a woman in childbirth</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Greek</div><div>late 4th–early 3rd century BCE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/247109"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/247109/1368574/main-image" alt="Painted limestone funerary slab with a soldier and two girls, Limestone, paint, Greek"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Painted limestone funerary slab with a soldier and two girls" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/247109">Painted limestone funerary slab with a soldier and two girls</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Greek</div><div>2nd half of 3rd century BCE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/197822"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/197822/1401995/main-image" alt="Adam, Tullio Lombardo, Marble, Italian, Venice"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Adam" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/197822">Adam</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn"><div>Tullio Lombardo</div></div><div>ca. 1490–95</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/256830"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/256830/534603/main-image" alt="Fragment of a painted mummy shroud, Linen, paint, Roman, Egyptian"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Fragment of a painted mummy shroud" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/256830">Fragment of a painted mummy shroud</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman, Egyptian</div><div>late 2nd–3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/12127"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/12127/2199429/restricted" alt="Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent American, Oil on canvas, American"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Madame X (Virginie Amélie Avegno Gautreau)" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/12127">Madame X (Virginie Amélie Avegno Gautreau)</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn"><div>John Singer Sargent</div></div><div>1883–84</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/436603"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/436603/796433/main-image" alt="Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Samson Captured by the Philistines" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/436603">Samson Captured by the Philistines</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn"><div>Guercino (Giovanni Francesco Barbieri)</div></div><div>1619</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/437374"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/437374/795687/main-image" alt="Portrait of a Woman, Jan van Ravesteyn Dutch, Oil on wood"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Portrait of a Woman" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/437374">Portrait of a Woman</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn"><div>Jan van Ravesteyn</div></div><div>1635</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243377"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243377/1475092/main-image" alt="Earrings, Gold, Chalcedony, Glass, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Earrings" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243377">Earrings</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>2nd–3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243378"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243378/1475090/main-image" alt="Earrings, Gold, Chalcedony, Glass, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Earrings" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243378">Earrings</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>2nd–3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243364"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243364/1475088/main-image" alt="Gold and chalcedony earrings, Gold, chalcedony, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Gold and chalcedony earrings" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243364">Gold and chalcedony earrings</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243365"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243365/1475089/main-image" alt="Gold and chalcedony earring, Gold, chalcedony, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Gold and chalcedony earring" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243365">Gold and chalcedony earring</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>2nd–3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243366"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243366/540386/main-image" alt="Earring-hook type, with pendants and agate setting, Gold, agate, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Earring-hook type, with pendants and agate setting" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243366">Earring-hook type, with pendants and agate setting</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243324"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243324/540451/main-image" alt="Gold and variscite earring (one of a pair), Gold, chalcedony, Roman, Cypriot"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Gold and variscite earring (one of a pair)" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243324">Gold and variscite earring (one of a pair)</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman, Cypriot</div><div>2nd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/243323"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/243323/540450/main-image" alt="Gold and variscite earring (one of a pair), Gold, chalcedony, Roman, Cypriot"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Gold and variscite earring (one of a pair)" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/243323">Gold and variscite earring (one of a pair)</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman, Cypriot</div><div>2nd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/250988"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/250988/540385/main-image" alt="Gold necklace with emerald and variscite beads, Gold, emerald, and variscite, Roman"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Gold necklace with emerald and variscite beads" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/250988">Gold necklace with emerald and variscite beads</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Roman</div><div>3rd century CE</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/73158"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/73158/1337805/restricted" alt="Head of Buddha, Sandstone, Southern Cambodia"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Head of Buddha" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/73158">Head of Buddha</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Southern Cambodia</div><div>7th century</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/38159"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/38159/149690/main-image" alt="Standing Ganesha, Stone, Cambodia"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Standing Ganesha" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/38159">Standing Ganesha</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Cambodia</div><div>second half 7th century</div></div></figcaption></figure><figure class="collection-object_collectionObject__SuPct" data-sentry-component="CollectionObject" data-sentry-source-file="index.tsx"><div class="collection-object_imageWrapper__dUMo_"><a class="redundant-link_redundantlink__b5TFR" aria-hidden="true" tabindex="-1" data-sentry-element="GTMLink" data-sentry-source-file="index.jsx" data-sentry-component="RedundantLink" href="/en/art/collection/search/38158"></a><img loading="lazy" class="collection-object_image__XVQPm collection-object_gridView__8kZLF" src="https://collectionapi.metmuseum.org/api/collection/v1/iiif/38158/1337796/main-image" alt="Shiva, Sandstone, Vietnam or Southern Cambodia"/></div><figcaption class="collection-object_caption__Wbhum" data-sentry-element="figcaption" data-sentry-source-file="index.tsx"><div class="collection-object_title__1MnJJ"><a class="collection-object_link__qM3YR" title="Shiva" data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/en/art/collection/search/38158">Shiva</a></div><div class="collection-object_body__cW9co"><div class="collection-object_culture__BaSXn">Vietnam or Southern Cambodia</div><div>mid- 7th century</div></div></figcaption></figure></section><div class="load-more-wrapper_controls__jvvRg"><div class="load-more-wrapper_helperText__frGRS">Showing 20 of 31</div><button tabindex="0" class="load-more-wrapper_button__1lQCC">Load more <svg xmlns="http://www.w3.org/2000/svg" fill="none" style="transform:rotate(90deg)" viewBox="0 0 48 48" width="1em" height="1em" data-sentry-element="DownChevron" data-sentry-source-file="index.tsx"><path fill="currentColor" stroke="currentColor" stroke-width="2.5" d="M14 8.223 16.077 6 35 24.011 16.079 42 14 39.777l16.888-15.813z"></path></svg></button></div></div></section><section class="shelf-section_wrapper__aNTeG" data-sentry-component="ShelfSection" data-sentry-source-file="index.tsx"><div class="component-header_wrapper__kS6_W component-header_clampedWidth__0VK73" data-sentry-component="ComponentHeader" data-sentry-source-file="index.tsx"><div class="component-header_titleAndLinkWrapper__mDA0q"><div><h2><span data-sentry-element="Markdown" 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(October–November, 1971)</span></a></h4><div class="publication-card_date__0K8zx">1971</div></div><div class="publication-card_badgeWrapper__y1I4t"><div class="badge_badge__Uonuj" style="color:var(--color-grey-900)" data-sentry-component="Badge" data-sentry-source-file="index.tsx">Free to download</div></div></div><div class="publication-card_card__I2Znr" data-sentry-component="PublicationCard" data-sentry-source-file="index.tsx"><div class="publication-card_imageWrapper__35Jn2"><img alt=""Recent Acquisitions: A Selection, 1988-1989": The Metropolitan Museum of Art Bulletin, v. 47, no. 2 (Fall, 1989)" data-loading="true" data-sentry-element="Image" data-sentry-component="SanityImage" data-sentry-source-file="index.tsx" loading="lazy" width="250" height="332" decoding="async" data-nimg="1" class=" sanity-image_img__cWxRo sanity-image_default__50JPT publication-card_image__xMOzw " style="color:transparent;--img-bg-color:#e4ccb2;--img-color:#000" sizes="250px" 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data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">The Metropolitan Museum of Art: Masterpiece Paintings</span></a></h4><div class="publication-card_date__0K8zx">2016</div></div></div><div class="publication-card_card__I2Znr" data-sentry-component="PublicationCard" data-sentry-source-file="index.tsx"><div class="publication-card_imageWrapper__35Jn2"><img alt="a black-and-white photograph of a man with dark skin tone in a pinstriped suit playing a violin" data-loading="true" data-sentry-element="Image" data-sentry-component="SanityImage" data-sentry-source-file="index.tsx" loading="lazy" width="250" height="324" decoding="async" data-nimg="1" class=" sanity-image_img__cWxRo sanity-image_default__50JPT publication-card_image__xMOzw " style="color:transparent;--img-bg-color:#41311a;--img-color:#fff" sizes="250px" srcSet="https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=16&q=75&fit=clip&auto=format 16w, 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https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=640&q=75&fit=clip&auto=format 640w, https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=750&q=75&fit=clip&auto=format 750w, https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=828&q=75&fit=clip&auto=format 828w, https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=1080&q=75&fit=clip&auto=format 1080w, https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=1200&q=75&fit=clip&auto=format 1200w, https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=1920&q=75&fit=clip&auto=format 1920w, https://cdn.sanity.io/images/cctd4ker/production/5eb073fa06d504de15631b85ff9e72c272c9992d-250x324.jpg?w=2048&q=75&fit=clip&auto=format 2048w, 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class="accordion_heading__SvlEN">Essays and timelines</div></div></summary><div class="accordion_body__4G2Xj"><ul style="--grid-gap:var(--spacing-xxs);--grid-columns:3;--column-width:300px" class="grid_gridByColumnWidth__AuDEw grid_grid__Z8NYn " data-sentry-element="Element" data-sentry-component="GridContainer" data-sentry-source-file="index.jsx"><li class="article-list-item_card__nB7e5" data-sentry-component="ArticleListItem" data-sentry-source-file="index.tsx"><div class="article-list-item_seriesAndType__XfgDi"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Timeline of Art History</span> | <span class="article-list-item_type__umIQj"><span><svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" fill="none" viewBox="0 0 28 37"><path fill="currentColor" d="M6.222 6.167h10.89v10.791H6.221V6.167zm15.556 13.875H6.222v1.363h15.556zm0 4.773H6.222v1.364h15.556zm-6.222 4.477H6.222v1.363h9.334z"></path><path fill="currentColor" fill-rule="evenodd" d="M0 0h28v37H0zm3.111 3.083H24.89v30.834H3.11V3.083z" clip-rule="evenodd"></path></svg></span>Essay</span></div><h5 class="article-list-item_title__sSsqt"><a data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/toah/hd/dama/hd_dama.htm"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">The Damascus Room</span></a></h5><time class="article-list-item_date__ap298"></time></li><li class="article-list-item_card__nB7e5" data-sentry-component="ArticleListItem" data-sentry-source-file="index.tsx"><div class="article-list-item_seriesAndType__XfgDi"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Timeline of Art History</span> | <span class="article-list-item_type__umIQj"><span><svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" fill="none" viewBox="0 0 28 37"><path fill="currentColor" d="M6.222 6.167h10.89v10.791H6.221V6.167zm15.556 13.875H6.222v1.363h15.556zm0 4.773H6.222v1.364h15.556zm-6.222 4.477H6.222v1.363h9.334z"></path><path fill="currentColor" fill-rule="evenodd" d="M0 0h28v37H0zm3.111 3.083H24.89v30.834H3.11V3.083z" clip-rule="evenodd"></path></svg></span>Essay</span></div><h5 class="article-list-item_title__sSsqt"><a data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/toah/hd/sarg/hd_sarg.htm"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">John Singer Sargent (1856–1925)</span></a></h5><time class="article-list-item_date__ap298"></time></li><li class="article-list-item_card__nB7e5" data-sentry-component="ArticleListItem" data-sentry-source-file="index.tsx"><div class="article-list-item_seriesAndType__XfgDi"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Timeline of Art History</span> | <span class="article-list-item_type__umIQj"><span><svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" fill="none" viewBox="0 0 28 37"><path fill="currentColor" d="M6.222 6.167h10.89v10.791H6.221V6.167zm15.556 13.875H6.222v1.363h15.556zm0 4.773H6.222v1.364h15.556zm-6.222 4.477H6.222v1.363h9.334z"></path><path fill="currentColor" fill-rule="evenodd" d="M0 0h28v37H0zm3.111 3.083H24.89v30.834H3.11V3.083z" clip-rule="evenodd"></path></svg></span>Essay</span></div><h5 class="article-list-item_title__sSsqt"><a data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/toah/hd/clan/hd_clan.htm"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">The Rediscovery of Classical Antiquity</span></a></h5><time class="article-list-item_date__ap298"></time></li><li class="article-list-item_card__nB7e5" data-sentry-component="ArticleListItem" data-sentry-source-file="index.tsx"><div class="article-list-item_seriesAndType__XfgDi"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Timeline of Art History</span> | <span class="article-list-item_type__umIQj"><span><svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" fill="none" viewBox="0 0 28 37"><path fill="currentColor" d="M6.222 6.167h10.89v10.791H6.221V6.167zm15.556 13.875H6.222v1.363h15.556zm0 4.773H6.222v1.364h15.556zm-6.222 4.477H6.222v1.363h9.334z"></path><path fill="currentColor" fill-rule="evenodd" d="M0 0h28v37H0zm3.111 3.083H24.89v30.834H3.11V3.083z" clip-rule="evenodd"></path></svg></span>Essay</span></div><h5 class="article-list-item_title__sSsqt"><a data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/toah/hd/dbag/hd_dbag.htm"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Death, Burial, and the Afterlife in Ancient Greece</span></a></h5><time class="article-list-item_date__ap298"></time></li><li class="article-list-item_card__nB7e5" data-sentry-component="ArticleListItem" data-sentry-source-file="index.tsx"><div class="article-list-item_seriesAndType__XfgDi"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Timeline of Art History</span> | <span class="article-list-item_type__umIQj"><span><svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" fill="none" viewBox="0 0 28 37"><path fill="currentColor" d="M6.222 6.167h10.89v10.791H6.221V6.167zm15.556 13.875H6.222v1.363h15.556zm0 4.773H6.222v1.364h15.556zm-6.222 4.477H6.222v1.363h9.334z"></path><path fill="currentColor" fill-rule="evenodd" d="M0 0h28v37H0zm3.111 3.083H24.89v30.834H3.11V3.083z" clip-rule="evenodd"></path></svg></span>Essay</span></div><h5 class="article-list-item_title__sSsqt"><a data-sentry-element="Link" data-sentry-source-file="index.tsx" href="/toah/hd/grlg/hd_grlg.htm"><span data-sentry-element="Markdown" data-sentry-component="MarkdownParser" data-sentry-source-file="index.jsx">Greek Gods and Religious Practices</span></a></h5><time class="article-list-item_date__ap298"></time></li></ul></div></details></div></section></main><footer class="global-footer_footer__nWMhc"><section class="global-footer_locations__l92yQ"><div class="global-footer_logoWrapper__idTAi"><a title="Homepage" class="global-footer_logoLink__HOCSL" href="/"><svg xmlns="http://www.w3.org/2000/svg" width="1em" height="1em" viewBox="0 0 40 40" style="height:40px;width:40px"><path fill="currentColor" d="M39.74 27.009a11.607 11.607 0 0 0-.88-1.861 9.872 9.872 0 0 0-1.33-1.824 7.6 7.6 0 0 0-1.72-1.387 3.993 3.993 0 0 0-2.04-.55v15.4A3.032 3.032 0 0 0 34 38a2.648 2.648 0 0 0 .64.883 2.821 2.821 0 0 0 .95.55 3.518 3.518 0 0 0 1.17.19V40h-6.13V21.577a4.916 4.916 0 0 0-2.08.4 4.175 4.175 0 0 0-1.47 1.111 5.312 5.312 0 0 0-.94 1.709 11.471 11.471 0 0 0-.54 2.213h-.26a11.489 11.489 0 0 0-.54-2.194 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Its complex application of pigments, colored glazes, and metallic foils to the outside of the glass vessel—in the reverse order of panel painting—is unparalleled at this early date. The shape of the vessel is also unknown in northern Europe but found in Islamic lands; recent research suggests the glass was likely produced in the eastern Mediterranean and imported to Germany, where it was later decorated.\u003cbr/\u003e\u003cbr/\u003eThe painting shows the biblical patriarch Abraham, fresh from victorious battle, meeting the king and high priest Melchizedek, who gives him bread and wine, blesses him, and receives a tenth of Abraham’s loot (Genesis 14:18-20). Although this is an episode from the Hebrew Bible, Melchizedek is dressed as a bishop and his offering takes the form of a Christian chalice and paten, the plate for the bread consecrated at the Mass. These details, combined with the story’s emphasis on sacrifice and redemption, suggest the object likely served as a paten.\u003cbr/\u003e\u003cbr/\u003eCurled banderoles below the bases of columns on either side are marked \"1 [4]\" (left) and \"9 8\" (right), indicating the year 1498. At the top of each lantern flanking the elaborate openwork arches above is a lion supporting a shield; these bear the arms of the city of Freising in southern Germany (left) and its Bishopric (right). The background, however, depicts the nearby town of Landshut. Two large glass dishes are recorded in Freising’s cathedral inventory in 1456, and a record from 1498 indicates that a certain \"Master Hans, painter in Landshut\" decorated one—almost certainly producing this artwork.23:T56f,Copy of a Greek work of the second century B.C.\u003cbr/\u003e\u003cbr/\u003eDuring the Hellenistic period, artists became concerned with the accurate representation of childhood, old age, and even physical deformity. 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Veneration of Dionysos was widespread\u003cbr/\u003eduring the Hellenistic period, and ancient literary descriptions give an idea of the extraordinary processions and festivals held in his honor. The flattened composition of the figure is typical of sculpture created in the late second century B.C. The original work may have been dedicated in a sanctuary of Dionysos. The Roman copy could have decorated a garden.24:T457,Tullio Lombardo came from a prestigious family of sculptors and architects in Venice. His tomb for Doge Andrea Vendramin (d. 1478) now in the basilica of S.S. Giovanni e Paolo, is the most lavish funerary monument of Renaissance Venice. It originally contained this lifesize figure of Adam, signed on the base by the sculptor.\u003cbr/\u003e\u003cbr/\u003eThe figure of Adam is clearly classicized, as is the architectural framework derived from the Roman triumphal arch in which he was formerly paired with a figure of Eve. Adam is based on a combination of antique figures of Antinous and Bacchus, interpreted with an almost Attic simplicity. Further refinements are his meaningful glance and eloquent hands (one holding the Apple of Temptation) and the tree trunk adorned with a serpent and a grapevine, allusions to the Fall and Redemption of Man. \u003cbr/\u003e\u003cbr/\u003eRemarkable for the purity of its marble and the smoothness of its carving, Adam was the first monumental classical nude carved fol"])</script><script>self.__next_f.push([1,"lowing antiquity; prudery led to its removal from display around 1810–19, when the monument was transferred to SS. Giovanni e Paolo.25:T457,The practice of combining hardstone and gold in the same composition originated in Italy, where a piece of this sort was known as a commesso. Prudence gazes into a diamond mirror.\u003cbr/\u003e\u003cbr/\u003e The Italian Renaissance brought with it a wholehearted embrace of classical antiquity throughout the fifteenth and sixteenth centuries. Emulation of ancient cameos played a large part. Carvers invested ancient myths with increasingly refined compositions and techniques, paying close attention to the latest archaeological discoveries. Demand for Italian carvers took them to all the courts of Europe. Milan in particular developed a taste for cameos with wondrous atmospheric effects.\u003cbr/\u003e\u003cbr/\u003eOne of the four cardinal virtues, Prudence gazes into a mirror while holding a snake—attributes symbolizing, respectively, her self-knowledge and her wisdom. The pendant is an example of the Italian commesso technique, in which carved gemstones are combined with gold and enamel to create figural compositions. The enamel on the reverse, a nineteenth-century addition, is after a design by Étienne Delaune (1518/19–1583).26:T7b4,The Damascus Room is a residential winter reception chamber (qa'a) typical of the late Ottoman period in Damascus, Syria. Among the earliest extant, nearly complete interiors of its kind, the room’s large scale and refined decoration suggest that it was part of the house of an important, affluent family. Poetry inscribed on its walls indicates that the patron was Muslim and possibly a member of the religious elite who claimed descent from the Prophet Muhammad.\u003cbr/\u003e\u003cbr/\u003eThe Damascus Room, like most winter reception rooms (qa'as) of its time, is divided into two areas: a raised, square seating area (tazar) and a small antechamber ('ataba) entered through a doorway from a courtyard. The opening from which visitors view the room today would originally have been a wall with a cup"])</script><script>self.__next_f.push([1,"board. 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Her responsibilities include the technical examination and treatment of objects in all media. She was the supervising conservator for the 15-year reinstallation of the Greek and Roman galleries, which was completed in 2007. Dorothy has been involved in significant research on stone sculpture and polychromy in antiquity. She has participated in international organizations and symposia focused on these subjects, including the Polychrome RoundTable and ASMOSIA. She received a certificate in conservation with an MA in art history from New York University and an MFA in sculpture from Rutgers University.\\n\",\"_key\":\"a6059a6551410\",\"_type\":\"span\"}],\"_type\":\"block\"}],\"sitecoreDisplayName\":\"Dorothy H. Abramitis\",\"slug\":{\"current\":\"dorothy-h-abramitis\"},\"lastName\":\"Abramitis\"},{\"_type\":\"person\",\"sitecoreDisplayName\":\"Silvia A. 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Centeno, Margaret Iocono, Federico Carò, Andrea Obermeier, and Heike Stege. “Johannes Vermeer’s Mistress and Maid: New Discoveries Cast Light on Changes to the Composition and the Discoloration of Some Paint Passages.” \",\"_key\":\"e444bd1521400\",\"_type\":\"span\",\"marks\":[]},{\"marks\":[\"em\"],\"text\":\"Heritage Science\",\"_key\":\"e444bd1521401\",\"_type\":\"span\"},{\"text\":\" 8 (2020), article no. 30. \",\"_key\":\"e444bd1521402\",\"_type\":\"span\",\"marks\":[]},{\"_type\":\"span\",\"marks\":[\"75d163b424fa\"],\"text\":\"https://doi.org/10.1186/s40494-020-00375-2\",\"_key\":\"e444bd1521403\"},{\"_type\":\"span\",\"marks\":[],\"text\":\".\",\"_key\":\"e444bd1521404\"}],\"_type\":\"block\"},{\"style\":\"normal\",\"_key\":\"e7c3af01ac83\",\"markDefs\":[{\"_type\":\"link\",\"href\":\"https://rdcu.be/cwkET\",\"_key\":\"0d3bbb53e0ae\"}],\"children\":[{\"marks\":[],\"text\":\"Centeno, Silvia A., Dorothy Mahon, Federico Carò, David Pullins, “Discovering the Evolution of Jacques-Louis David’s Portrait of Antoine-Laurent and Marie-Anne Pierrette Paulze Lavoisier,” \",\"_key\":\"f96b9914c06d\",\"_type\":\"span\"},{\"_type\":\"span\",\"marks\":[\"em\"],\"text\":\"Heritage Science\",\"_key\":\"dbe6ff2d5a2e1\"},{\"_type\":\"span\",\"marks\":[],\"text\":\", 2021. 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Having worked at The Met since 1986, he specializes in the application of electron microscopy and X-ray microanalysis for the characterization of art and archaeological materials. 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Prior to joining The Met, Dr. Leona worked at the Freer Gallery of Art in Washington, D.C., and at the Los Angeles County Museum Art (LACMA). Dr. Leona pioneered the use of Surface Enhanced Raman spectroscopy to investigate natural and synthetic dyes in works of art. Besides his work at the Museum, he teaches analytical chemistry at the Conservation Center of New York University’s Institute of Fine Art.\"]}]]}]}],[\"$\",\"div\",null,{\"style\":{\"marginTop\":\"var(--spacing-xxs)\"},\"children\":[\"$\",\"div\",null,{\"className\":\"accordion_accordion__XhGIc\",\"style\":{\"--title-padding\":\"var(--spacing-micro)\"},\"children\":[[\"$\",\"details\",\"accordion-item-0\",{\"className\":\"accordion_details__KCDfm\",\"children\":[[\"$\",\"summary\",null,{\"className\":\"accordion_summary__bMgD_\",\"children\":[\"$\",\"div\",null,{\"className\":\"accordion_button__hY5el\",\"children\":[\"$\",\"div\",null,{\"children\":\"Selected publications\"}]}]}],[\"$\",\"div\",null,{\"className\":\"accordion_body__4G2Xj\",\"children\":[[\"$\",\"p\",\"bbe1ff0d1d44\",{\"children\":[\"Leona, Marco, and Jennifer Perry. “Beneath the Blue: A Scientific Analysis of Kōrin's Irises at Yatsuhashi.” In Impressions 37 (2016): 128–139.\"]}],[\"$\",\"p\",\"a09ec456bf7a\",{\"children\":[\"Pozzi, Federica, and Marco Leona. “\",[\"$\",\"$L20\",\"7ab29e8ef6461\",{\"className\":null,\"href\":\"https://analyticalsciencejournals.onlinelibrary.wiley.com/doi/abs/10.1002/jrs.4827\",\"target\":\"_self\",\"rel\":\"noreferrer\",\"data-sentry-element\":\"Link\",\"data-sentry-component\":\"ExternalLink\",\"data-sentry-source-file\":\"index.jsx\",\"children\":[\"Surface-Enhanced Raman Spectroscopy in Art and Archaeology\"]}],\".” In Journal of Raman Spectroscopy 47, no. 1 (2015): 67–77.\"]}],[\"$\",\"p\",\"5b746da6abb0\",{\"children\":[\"Leona, Marco. “\",[\"$\",\"$L20\",\"c0908ac93c301\",{\"className\":null,\"href\":\"https://www.pnas.org/doi/10.1073/pnas.0906995106\",\"target\":\"_self\",\"rel\":\"noreferrer\",\"data-sentry-element\":\"Link\",\"data-sentry-component\":\"ExternalLink\",\"data-sentry-source-file\":\"index.jsx\",\"children\":[\"Microanalysis of Organic Pigments and Glazes in Polychrome Works of Art by Surface-Enhanced Resonance Raman Scattering\"]}],\".” In Proceedings of the National Academy of Sciences 106, no. 35 (2009): 14757–4762.\"]}]]}]]}]]}]}]]}]]}],[\"$\",\"div\",\"FCAB579C-57F7-43E6-876F-0895C81DAB42\",{\"className\":\"person-card_personCard__NbYbq\",\"data-sentry-component\":\"PersonCard\",\"data-sentry-source-file\":\"index.tsx\",\"children\":[[\"$\",\"div\",null,{\"className\":\"person-card_imageWrapper___nkJh\",\"children\":[\"$\",\"$L1a\",null,{\"fill\":true,\"image\":\"$b:props:children:1:props:children:1:props:children:1:props:children:7:props:publication:authors:4:headshot\",\"sizes\":\"150px\"}]}],[\"$\",\"div\",null,{\"className\":\"person-card_body__EWv0i\",\"children\":[[\"$\",\"h4\",null,{\"className\":\"person-card_name__zEKc_\",\"children\":\"Dorothy Mahon\"}],[\"$\",\"div\",null,{\"className\":\"person-card_subHeading__jzrxv\",\"children\":\"$undefined\"}],[\"$\",\"div\",null,{\"children\":[\"$\",\"$L1f\",null,{\"maxLines\":8,\"data-sentry-element\":\"ReadMoreWrapper\",\"data-sentry-source-file\":\"index.tsx\",\"children\":[[\"$\",\"p\",\"f5a5a752447c\",{\"children\":[\"Dorothy Mahon received her MA in the history of art and a certificate of advanced study in conservation from the Institute of Fine Arts at New York University. She was appointed to the staff in 1981 and has conserved paintings spanning the collection, with emphasis on the technical examination and treatment of European paintings of the 15th to 19th centuries and American paintings, including works by Veronese, Caravaggio, Rembrandt, Goya, Delacroix, Homer, and Sargent. 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Centeno, Margaret Iocono, Federico Carò, Andrea Obermeier, and Heike Stege. “Johannes Vermeer’s Mistress and Maid: New Discoveries Cast Light on Changes to the Composition and the Discoloration of Some Paint Passages.” \",[\"$\",\"em\",\"e444bd1521401\",{\"children\":[\"Heritage Science\"]}],\" 8 (2020), article no. 30. \",[\"$\",\"$L20\",\"e444bd1521403\",{\"className\":null,\"href\":\"https://doi.org/10.1186/s40494-020-00375-2\",\"target\":\"_self\",\"rel\":\"noreferrer\",\"data-sentry-element\":\"Link\",\"data-sentry-component\":\"ExternalLink\",\"data-sentry-source-file\":\"index.jsx\",\"children\":[\"https://doi.org/10.1186/s40494-020-00375-2\"]}],\".\"]}],[\"$\",\"p\",\"e7c3af01ac83\",{\"children\":[\"Centeno, Silvia A., Dorothy Mahon, Federico Carò, David Pullins, “Discovering the Evolution of Jacques-Louis David’s Portrait of Antoine-Laurent and Marie-Anne Pierrette Paulze Lavoisier,” \",[\"$\",\"em\",\"dbe6ff2d5a2e1\",{\"children\":[\"Heritage Science\"]}],\", 2021. (an open source online journal) \",[\"$\",\"$L20\",\"dbe6ff2d5a2e3\",{\"className\":null,\"href\":\"https://rdcu.be/cwkET\",\"target\":\"_self\",\"rel\":\"noreferrer\",\"data-sentry-element\":\"Link\",\"data-sentry-component\":\"ExternalLink\",\"data-sentry-source-file\":\"index.jsx\",\"children\":[\"https://rdcu.be/cwkET\"]}]]}],[\"$\",\"p\",\"94d7938aff7f\",{\"children\":[\"Mahon, Dorothy, “On the Conservation History of Rembrandt Paintings in The Metropolitan Museum of Art and The Frick Collection 1891-2018,” in \",[\"$\",\"em\",\"70ab87e6b1bf1\",{\"children\":[\"Rembrandt: Conservation Histories\"]}],\", Archetype, 2021\"]}]]}]]}]]}]}]]}]]}],[\"$\",\"div\",\"79B73C5E-F453-49D5-9AF4-7D30B56BD47D\",{\"className\":\"person-card_personCard__NbYbq\",\"data-sentry-component\":\"PersonCard\",\"data-sentry-source-file\":\"index.tsx\",\"children\":[[\"$\",\"div\",null,{\"className\":\"person-card_imageWrapper___nkJh\",\"children\":[\"$\",\"$L1a\",null,{\"fill\":true,\"image\":\"$b:props:children:1:props:children:1:props:children:1:props:children:7:props:publication:authors:5:headshot\",\"sizes\":\"150px\"}]}],[\"$\",\"div\",null,{\"className\":\"person-card_body__EWv0i\",\"children\":[[\"$\",\"h4\",null,{\"className\":\"person-card_name__zEKc_\",\"children\":\"Mark T. Wypyski\"}],[\"$\",\"div\",null,{\"className\":\"person-card_subHeading__jzrxv\",\"children\":\"$undefined\"}],[\"$\",\"div\",null,{\"children\":[\"$\",\"$L1f\",null,{\"maxLines\":8,\"data-sentry-element\":\"ReadMoreWrapper\",\"data-sentry-source-file\":\"index.tsx\",\"children\":[[\"$\",\"p\",\"739ea7e8e571\",{\"children\":[\"Mark Wypyski graduated from Haverford College with a combined BS/BA degree, and earned graduate degrees in science, art history, and art conservation from Rutgers University and New York University’s Institute of Fine Arts. Having worked at The Met since 1986, he specializes in the application of electron microscopy and X-ray microanalysis for the characterization of art and archaeological materials. 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(36.9 x 4.2 cm)\",\"creditLine\":\"The Cloisters Collection, 2008\",\"accessionNumber\":\"2008.278\",\"webLabel\":\"$22\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":478211,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/478211/956180/main-image\",\"altText\":\"Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"019\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":248132,\"objectID\":248132,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Marble statue of an old woman\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Early Imperial, Julio-Claudian\",\"date\":\"14–68 CE\",\"culture\":\"Roman\",\"medium\":\"Marble, Pentelic\",\"dimensions\":\"H. 49 5/8 in. (125.98 cm)\",\"creditLine\":\"Rogers Fund, 1909\",\"accessionNumber\":\"09.39\",\"webLabel\":\"$23\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":248132,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/248132/544454/main-image\",\"altText\":\"Marble statue of an old woman, Marble, Pentelic, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"162\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":247106,\"objectID\":247106,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Painted limestone funerary stele with a woman in childbirth\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Early Hellenistic\",\"date\":\"late 4th–early 3rd century BCE\",\"culture\":\"Greek\",\"medium\":\"Limestone, paint\",\"dimensions\":\"Height: 29 7/8 in. (75.9 cm)\u003cbr/\u003eOther: 4 1/2 in. (11.4 cm)\u003cbr/\u003eWidth: 16 3/4 in. (42.5 cm)\",\"creditLine\":\"Gift of Darius Ogden Mills, 1904\",\"accessionNumber\":\"04.17.1\",\"webLabel\":\"The dying woman leans back, supported on either side by an attendant. Her torso and arms are naked, while two garments—one reddish and one pink—cover her lower body. The composition and subject of the painting derive from Classical Greek grave reliefs. This stele was found in the same underground tomb as the adjacent tomb marker and it probably once served as a funerary monument above ground.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":247106,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/247106/1368466/main-image\",\"altText\":\"Painted limestone funerary stele with a woman in childbirth, Limestone, paint, Greek\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"162\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":247109,\"objectID\":247109,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Painted limestone funerary slab with a soldier and two girls\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Hellenistic\",\"date\":\"2nd half of 3rd century BCE\",\"culture\":\"Greek\",\"medium\":\"Limestone, paint\",\"dimensions\":\"Other: 16 1/2 × 9 5/8 × 3 7/8 in. (41.9 × 24.4 × 9.8 cm)\u003cbr/\u003eOther (Panel): 7 1/4 × 6 3/4 in. (18.4 × 17.1 cm)\",\"creditLine\":\"Gift of Darius Odgen Mills, 1904\",\"accessionNumber\":\"04.17.4\",\"webLabel\":\"The soldier, in a long blue cloak, stands at the right and clasps the hand of a small girl. Behind her another girl raises her hand in a gesture of farewell. These may well represent the soldier's children, indicating that the mercenaries settled in Alexandria and raised families.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":247109,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/247109/1368574/main-image\",\"altText\":\"Painted limestone funerary slab with a soldier and two girls, Limestone, paint, Greek\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":197822,\"objectID\":197822,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Adam\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Tullio Lombardo\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Tullio Lombardo\"}]},\"period\":\"\",\"date\":\"ca. 1490–95\",\"culture\":\"Italian, Venice\",\"medium\":\"Marble\",\"dimensions\":\"Overall: 6 ft. 3 1/2 in., 770 lb. (191.8 cm, 349.2697kg)\",\"creditLine\":\"Fletcher Fund, 1936\",\"accessionNumber\":\"36.163\",\"webLabel\":\"$24\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":197822,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/197822/1401995/main-image\",\"altText\":\"Adam, Tullio Lombardo, Marble, Italian, Venice\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"504\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":256830,\"objectID\":256830,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Fragment of a painted mummy shroud\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Imperial\",\"date\":\"late 2nd–3rd century CE\",\"culture\":\"Roman, Egyptian\",\"medium\":\"Linen, paint\",\"dimensions\":\"H.: 11 1/4 in. (28.5 cm)\",\"creditLine\":\"Museum Accession\",\"accessionNumber\":\"X.390\",\"webLabel\":\"This fragment is part of a portrait of a woman painted in tempera on a linen shroud. All that survives is a view of her hands: she wears a lot of jewelry, including a ring on every finger of her left hand. The snake-ring on her right hand finds parallels in actual gold rings, which are usually dated to the first century A.D., but this shroud is probably later.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":256830,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/256830/534603/main-image\",\"altText\":\"Fragment of a painted mummy shroud, Linen, paint, Roman, Egyptian\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"171\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":12127,\"objectID\":12127,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Madame X (Virginie Amélie Avegno Gautreau)\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"John Singer Sargent\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"John Singer Sargent\"}]},\"period\":\"\",\"date\":\"1883–84\",\"culture\":\"American\",\"medium\":\"Oil on canvas\",\"dimensions\":\"82 1/8 x 43 1/4in. (208.6 x 109.9cm)\u003cbr/\u003eFramed: 95 3/4 x 56 5/8 x 5 in. (243.2 x 143.8 x 12.7 cm)\",\"creditLine\":\"Arthur Hoppock Hearn Fund, 1916\",\"accessionNumber\":\"16.53\",\"webLabel\":\"Madame Pierre Gautreau (the Louisiana-born Virginie Amélie Avegno; 1859–1915) was known in Paris for her artful appearance. Sargent hoped to enhance his reputation by painting and exhibiting her portrait. Working without a commission but with his sitter’s complicity, he emphasized her daring personal style, showing the right strap of her gown slipping from her shoulder. At the Salon of 1884, the portrait received more ridicule than praise. Sargent repainted the shoulder strap and kept the work for over thirty years. When, eventually, he sold it to the Metropolitan, he commented, “I suppose it is the best thing I have done,” but asked that the Museum disguise the sitter’s name.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":false,\"objectID\":12127,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/12127/2199429/restricted\",\"altText\":\"Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent American, Oil on canvas, American\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"771\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":436603,\"objectID\":436603,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Samson Captured by the Philistines\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Guercino (Giovanni Francesco Barbieri)\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Guercino (Giovanni Francesco Barbieri)\"}]},\"period\":\"\",\"date\":\"1619\",\"culture\":\"\",\"medium\":\"Oil on canvas\",\"dimensions\":\"75 1/4 x 93 1/4 in. (191.1 x 236.9 cm)\",\"creditLine\":\"Gift of Mr. and Mrs. Charles Wrightsman, 1984\",\"accessionNumber\":\"1984.459.2\",\"webLabel\":\"According to the Bible, Samson, whose strength came from his hair, had his locks cut by his duplicitous lover, Delilah. This made him vulnerable to the Philistines, who bound and blinded him. The focus of Guercino’s dramatic and marvelously staged composition—a landmark in the artist’s career—is the vigorously modeled back of Samson, struggling to free himself. The painting’s theatricality, produced through the human body at extremes and a tight, complex composition, is quintessentially Baroque. It was one of several commissions from Cardinal Giacomo Serra, who also collected paintings by Rubens.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":436603,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/436603/796433/main-image\",\"altText\":\"Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"620\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":437374,\"objectID\":437374,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Portrait of a Woman\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Jan van Ravesteyn\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Jan van Ravesteyn\"}]},\"period\":\"\",\"date\":\"1635\",\"culture\":\"\",\"medium\":\"Oil on wood\",\"dimensions\":\"26 7/8 x 22 7/8 in. (68.3 x 58.1 cm)\",\"creditLine\":\"Gift of Henry Goldman, 1912\",\"accessionNumber\":\"12.202\",\"webLabel\":\"\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":437374,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/437374/795687/main-image\",\"altText\":\"Portrait of a Woman, Jan van Ravesteyn Dutch, Oil on wood\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243377,\"objectID\":243377,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Earrings\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Late Imperial\",\"date\":\"2nd–3rd century CE\",\"culture\":\"Roman\",\"medium\":\"Gold, Chalcedony, Glass\",\"dimensions\":\"Other: 7/16 × 9/16 × 1 1/4 in. (1.2 × 1.4 × 3.2 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3961\",\"webLabel\":\"Pair of gold earrings with glass and green chalcedony adjuncts.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243377,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243377/1475092/main-image\",\"altText\":\"Earrings, Gold, Chalcedony, Glass, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243378,\"objectID\":243378,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Earrings\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":null,\"date\":\"2nd–3rd century CE\",\"culture\":\"Roman\",\"medium\":\"Gold, Chalcedony, Glass\",\"dimensions\":\"Diameter: 5/16 × 13/16 in. (0.8 × 2.1 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3962\",\"webLabel\":\"Pair of gold earrings with glass and green chalcedony adjuncts.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243378,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243378/1475090/main-image\",\"altText\":\"Earrings, Gold, Chalcedony, Glass, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243364,\"objectID\":243364,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Gold and chalcedony earrings\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Mid–Late Imperial\",\"date\":\"3rd century CE\",\"culture\":\"Roman\",\"medium\":\"Gold, chalcedony\",\"dimensions\":\"Other: 1 5/8 in. (4.1 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3948\",\"webLabel\":\"Earrings with two jeweled pendants.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243364,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243364/1475088/main-image\",\"altText\":\"Gold and chalcedony earrings, Gold, chalcedony, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243365,\"objectID\":243365,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Gold and chalcedony earring\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Mid–Late Imperial\",\"date\":\"2nd–3rd century CE\",\"culture\":\"Roman\",\"medium\":\"Gold, chalcedony\",\"dimensions\":\"Other: 1 5/8 in. (4.1 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3949\",\"webLabel\":\"Earrings with two jeweled pendants.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243365,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243365/1475089/main-image\",\"altText\":\"Gold and chalcedony earring, Gold, chalcedony, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243366,\"objectID\":243366,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Earring-hook type, with pendants and agate setting\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Mid–Late Imperial\",\"date\":\"3rd century CE\",\"culture\":\"Roman\",\"medium\":\"Gold, agate\",\"dimensions\":\"Other: 9/16 × 3/16 × 1 1/16 in. (1.5 × 0.5 × 2.8 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3950\",\"webLabel\":\"Earring with three pendants.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243366,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243366/540386/main-image\",\"altText\":\"Earring-hook type, with pendants and agate setting, Gold, agate, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243324,\"objectID\":243324,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Gold and variscite earring (one of a pair)\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Mid-Imperial\",\"date\":\"2nd century CE\",\"culture\":\"Roman, Cypriot\",\"medium\":\"Gold, chalcedony\",\"dimensions\":\"Diam.: 7/8 in. (2.2 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3907\",\"webLabel\":\"Pair of earrings with green beads made from a type of chalcedony known as variscite, attached by wire loops.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243324,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243324/540451/main-image\",\"altText\":\"Gold and variscite earring (one of a pair), Gold, chalcedony, Roman, Cypriot\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":243323,\"objectID\":243323,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Gold and variscite earring (one of a pair)\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Mid-Imperial\",\"date\":\"2nd century CE\",\"culture\":\"Roman, Cypriot\",\"medium\":\"Gold, chalcedony\",\"dimensions\":\"Diam.: 1 1/16 in. (2.7 cm)\",\"creditLine\":\"The Cesnola Collection, Purchased by subscription, 1874–76\",\"accessionNumber\":\"74.51.3906\",\"webLabel\":\"Pair of earrings with green beads made from a type of chalcedony known as variscite, attached by wire loops.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":243323,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/243323/540450/main-image\",\"altText\":\"Gold and variscite earring (one of a pair), Gold, chalcedony, Roman, Cypriot\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":250988,\"objectID\":250988,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Gold necklace with emerald and variscite beads\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Late Imperial\",\"date\":\"3rd century CE\",\"culture\":\"Roman\",\"medium\":\"Gold, emerald, and variscite\",\"dimensions\":\"Overall: 17 1/8 in. (43.5 cm)\",\"creditLine\":\"Rogers Fund, 1920\",\"accessionNumber\":\"20.239\",\"webLabel\":\"24 green beads: 1 emerald and 23 variscite.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":250988,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/250988/540385/main-image\",\"altText\":\"Gold necklace with emerald and variscite beads, Gold, emerald, and variscite, Roman\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"166\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":73158,\"objectID\":73158,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Head of Buddha\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"pre-Angkor period\",\"date\":\"7th century\",\"culture\":\"Southern Cambodia\",\"medium\":\"Sandstone\",\"dimensions\":\"H. 24 in. (61 cm); W. 13 in. (33 cm); D. 12 3/4 (32.4)\",\"creditLine\":\"Gift of Doris Wiener, 2005\",\"accessionNumber\":\"2005.512\",\"webLabel\":\"This over-life-size head of the Buddha is a testament to the grandeur of the monumental sculptural tradition in the Zhenla kingdom. It was carved from a sandstone characteristic of southern Cambodia, which is consistent with its stylistic assignment to Angkor Borei or a related site. The Buddha has a strong, broad face; lightly modeled eyelids and pupils; and full lips that turn up at the corners in a hint of a smile. The hair curls, like those of other Buddhas from this period and region, are large and flat—a memory of the southern Indian style favored in the early period of contact.\u003cbr/\u003e\u003cbr/\u003eDeaccessioned by The Metropolitan Museum of Art for return to the Kingdom of Cambodia, 2023\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":false,\"objectID\":73158,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/73158/1337805/restricted\",\"altText\":\"Head of Buddha, Sandstone, Southern Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":38159,\"objectID\":38159,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Standing Ganesha\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"pre-Angkor period\",\"date\":\"second half 7th century\",\"culture\":\"Cambodia\",\"medium\":\"Stone\",\"dimensions\":\"H. 17 1/4 in. (43.8 cm); W. 10 9/16 in. (26.9 cm); D. 6 in. (15.2 cm)\",\"creditLine\":\"Rogers, Louis V. Bell and Fletcher Funds, 1982\",\"accessionNumber\":\"1982.220.7\",\"webLabel\":\"In Southeast Asia, Ganesha, the Hindu deity who removes obstacles, has a more independent status than in India. His images were often housed in separate temples as primary icons of worship. Here, Ganesha is shown wearing a short wraparound skirt (sampot), the front end of which falls down the center in a series of flaring folds characteristic of the Prasat Andet style.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":38159,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/38159/149690/main-image\",\"altText\":\"Standing Ganesha, Stone, Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"251\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":38158,\"objectID\":38158,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Shiva\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"pre-Angkor period\",\"date\":\"mid- 7th century\",\"culture\":\"Vietnam or Southern Cambodia\",\"medium\":\"Sandstone\",\"dimensions\":\"H. 24 in. (61 cm); W. 7 3/4 in. (19.7 cm); D. 4 in. (10.2 cm)\",\"creditLine\":\"Rogers Fund, 1987\",\"accessionNumber\":\"1987.17\",\"webLabel\":\"Sculptures of Shiva in human form began to appear in Khmer art in the seventh century, probably in response to the rising popularity of the Vaishnava cult that celebrated Vishnu as a king-like divinity, accessible and benign. The slim, almost adolescent figure displays a disconcerting realism in the modeling of the pectoral muscles and the subtle suggestion of the underlying ribcage. Yet the face is strong and authoritative—the face of a stern god—with a mustache, full lips, and strong arched eyebrows. A vertical third eye marks the forehead.\u003cbr/\u003e\u003cbr/\u003ecat. no. 90\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":38158,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/38158/1337796/main-image\",\"altText\":\"Shiva, Sandstone, Vietnam or Southern Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"245\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":38296,\"objectID\":38296,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Guardian Deity (Rakshasa)\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Angkor period\",\"date\":\"ca. 921–945\",\"culture\":\"Cambodia\",\"medium\":\"Stone\",\"dimensions\":\"H. 38 3/4 in. (98.5 cm); W. 15 1/2 in. (39.3 cm)\",\"creditLine\":\"Gift of Doris and Harry Rubin, in memory of Ralph Konheim, 1987\",\"accessionNumber\":\"1987.308\",\"webLabel\":\"\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":38296,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/38296/167262/main-image\",\"altText\":\"Guardian Deity (Rakshasa), Stone, Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"249\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":39606,\"objectID\":39606,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Lintel with Shiva on Nandi\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Angkor period\",\"date\":\"11th century\",\"culture\":\"Cambodia\",\"medium\":\"Stone\",\"dimensions\":\"H. 23 1/2 in. (59.7 cm); W. 54 in. (137.2 cm); D. 4 in. (10.2 cm)\",\"creditLine\":\"Gift of Steven Kossak, The Kronos Collections, 1996\",\"accessionNumber\":\"1996.473\",\"webLabel\":\"Deaccessioned by The Metropolitan Museum of Art for return to the Kingdom of Cambodia, 2023\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":false,\"objectID\":39606,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/39606/167212/restricted\",\"altText\":\"Lintel with Shiva on Nandi, Stone, Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":38295,\"objectID\":38295,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Lintel with Carved Figures\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Angkor period\",\"date\":\"ca. 921–945\",\"culture\":\"Cambodia\",\"medium\":\"Stone\",\"dimensions\":\"H. 20 1/4 in. (51.4 cm); W. 49 in. (124.5 cm)\",\"creditLine\":\"Fletcher Fund, 1936\",\"accessionNumber\":\"36.96.6\",\"webLabel\":\"\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":38295,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/38295/167213/main-image\",\"altText\":\"Lintel with Carved Figures, Stone, Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"249\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":38613,\"objectID\":38613,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Lintel with a Mask of Kala\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Angkor period\",\"date\":\"ca. first quarter of the 11th century\",\"culture\":\"Thailand\",\"medium\":\"Stone\",\"dimensions\":\"Overall: 23 x 67 in. (58.4 x 170.2 cm)\",\"creditLine\":\"Gift of R. Hatfield Ellsworth, in honor of Florence and Herbert Irving, 1994\",\"accessionNumber\":\"1994.94\",\"webLabel\":\"\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":38613,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/38613/189131/main-image\",\"altText\":\"Lintel with a Mask of Kala, Stone, Thailand\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"249\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":38304,\"objectID\":38304,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Bust of Hevajra\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"Angkor period\",\"date\":\"late 12th–early 13th century\",\"culture\":\"Cambodia\",\"medium\":\"Stone\",\"dimensions\":\"H. 52 in. (132.1 cm); W. 29 in. (73.7 cm)\",\"creditLine\":\"Fletcher Fund, 1936\",\"accessionNumber\":\"36.96.4\",\"webLabel\":\"This colossal bust of the Esoteric Buddhist god Hevajra comes from the ruins of the ancient site of Angkor in northwestern Cambodia. It is said to have been found near the East Gate (the Gate of the Dead) of the great walled city of Angkor Thom, built by Jayavarman VII (r. 1181–1219). The Bayon, sited at the very center of Angkor Thom, was one of the last major monuments of the Khmer empire.\u003cbr/\u003e\u003cbr/\u003eThis sculpture is fragmentary. The top head is missing. If the sculpture was, in fact, intended to represent the dancing Hevajra, it would have had eight arms on each side. Quite a few small bronze sculptures confirm this depiction. To judge from the rough surface of parts of this sculpture, it was never completed.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":38304,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/38304/149661/main-image\",\"altText\":\"Bust of Hevajra, Stone, Cambodia\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"249\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":192706,\"objectID\":192706,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Sixteenth-century-style pendant\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Reinhold Vasters\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Reinhold Vasters\"}]},\"period\":\"\",\"date\":\"19th century\",\"culture\":\"Italian\",\"medium\":\"Gold, enamel, diamonds, rubies, pearls\",\"dimensions\":\"Height: 2 5/8 in. (6.7 cm)\",\"creditLine\":\"Bequest of Benjamin Altman, 1913\",\"accessionNumber\":\"14.40.665\",\"webLabel\":\"\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":192706,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/192706/2274710/main-image\",\"altText\":\"Sixteenth-century-style pendant, Reinhold Vasters German, Gold, enamel, diamonds, rubies, pearls, Italian\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":192703,\"objectID\":192703,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Cup with cover\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Reinhold Vasters\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Reinhold Vasters\"},{\"__typename\":\"Artist\",\"displayName\":\"Abraham Lotter the Elder\"}]},\"period\":\"\",\"date\":\"19th century\",\"culture\":\"German\",\"medium\":\"Rock crystal, enameled gold\",\"dimensions\":\"Height: 10 1/2 in. (26.7 cm)\",\"creditLine\":\"Bequest of Benjamin Altman, 1913\",\"accessionNumber\":\"14.40.661a, b\",\"webLabel\":\"The design for the entire covered cup, crystal included, is by Reinhold Vasters. The drawings for it exist at the Victoria and Albert Museum, London. The finial figure, Caritas, has been derived from a similar composition on the Hausaltar of Albrecht V at the Schatzkammer in Munich, made by Abraham Lotter the Elder, 1573–74.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":192703,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/192703/480347/main-image\",\"altText\":\"Cup with cover, Reinhold Vasters German, Rock crystal, enameled gold, German\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":193692,\"objectID\":193692,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Prudence\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Etienne Delaune\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Etienne Delaune\"}]},\"period\":\"\",\"date\":\"ca. 1550–60, back: 19th century\",\"culture\":\"French, Paris\",\"medium\":\"Chalcedony, mounted in gold with enamel, rubies, emeralds, diamond, and pearl\",\"dimensions\":\"Overall, with pendant pearl, without bail: 3 3/16 x 1 7/8 in. (8.2 x 4.8 cm); Overall, central commesso (confirmed): 1 9/16 x 1 7/16 in. (4 x 3.6 cm); 40 x 34.7 mm\",\"creditLine\":\"Gift of J. Pierpont Morgan, 1917\",\"accessionNumber\":\"17.190.907\",\"webLabel\":\"$25\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":193692,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/193692/466721/main-image\",\"altText\":\"Prudence, Etienne Delaune French, Chalcedony, mounted in gold with enamel, rubies, emeralds, diamond, and pearl, French, Paris\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"544\",\"onView\":true}},{\"__typename\":\"Object\",\"id\":357687,\"objectID\":357687,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"The British architect; or, the builder's treasury of staircases...\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":{\"__typename\":\"Artist\",\"displayName\":\"Abraham Swan\"},\"all\":[{\"__typename\":\"Artist\",\"displayName\":\"Abraham Swan\"},{\"__typename\":\"Artist\",\"displayName\":\"Edward Rooker\"},{\"__typename\":\"Artist\",\"displayName\":\"Thomas Meighan\"},{\"__typename\":\"Artist\",\"displayName\":\"W. Meadows\"}]},\"period\":null,\"date\":\"1745\",\"culture\":\"\",\"medium\":\"Illustrations: etching and engraving\",\"dimensions\":\"16 × 10 3/16 × 1 in. (40.7 × 25.8 × 2.5 cm)\",\"creditLine\":\"Bequest of W. Gedney Beatty, 1941\",\"accessionNumber\":\"41.100.30\",\"webLabel\":\"Swan's British Architect was first published in 1745 and went through four English editions before 1775, when an American edition was published in Philadelphia. Its designs for homes for the professional and middle classes in England were well suited to the needs of the colonial elite.\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":357687,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/357687/729642/main-image\",\"altText\":\"The British architect; or, the builder's treasury of staircases..., Abraham Swan British, Illustrations: etching and engraving\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":473846,\"objectID\":473846,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Saint John\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"\",\"date\":\"mid-13th century\",\"culture\":\"Italian\",\"medium\":\"Poplar covered with canvas, gesso, and tin foil; oil glazes\",\"dimensions\":\"Overall: 57 1/2 x 15 1/8 x 3 1/4 in. (146.1 x 38.4 x 8.3 cm)\",\"creditLine\":\"The Cloisters Collection, 1925\",\"accessionNumber\":\"25.120.215\",\"webLabel\":\"\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":473846,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/473846/951391/main-image\",\"altText\":\"Saint John, Poplar covered with canvas, gesso, and tin foil; oil glazes, Italian\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":null,\"onView\":false}},{\"__typename\":\"Object\",\"id\":452102,\"objectID\":452102,\"titles\":{\"__typename\":\"Titles\",\"primary\":{\"__typename\":\"Title\",\"title\":\"Damascus Room\"}},\"artists\":{\"__typename\":\"Artists\",\"primary\":null,\"all\":[]},\"period\":\"\",\"date\":\"dated 1119 AH/1707 CE\",\"culture\":\"\",\"medium\":\"Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass\",\"dimensions\":\"Overall:\u003cbr/\u003e H. 264 7/16 in. (671.6 cm)\u003cbr/\u003e W. 200 1/2 in. (509.2 cm)\u003cbr/\u003e D. 316 5/8 in. (804.2 cm)\u003cbr/\u003eFrom inside front entrance to back wall:\u003cbr/\u003e H. 316 5/8 in. (804.2 cm)\u003cbr/\u003eFountain:\u003cbr/\u003e H. 4 15/16 in. (12.5 cm)\",\"creditLine\":\"Gift of The Hagop Kevorkian Fund, 1970\",\"accessionNumber\":\"1970.170\",\"webLabel\":\"$26\",\"images\":{\"__typename\":\"Images\",\"primary\":{\"__typename\":\"Image\",\"openAccess\":true,\"objectID\":452102,\"mainImageUrl\":\"https://collectionapi.metmuseum.org/api/collection/v1/iiif/452102/904095/main-image\",\"altText\":\"Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass\"}},\"location\":{\"__typename\":\"Location\",\"gallery\":\"461\",\"onView\":true}}]}],false]}],[\"$\",\"section\",null,{\"className\":\"shelf-section_wrapper__aNTeG\",\"data-sentry-component\":\"ShelfSection\",\"data-sentry-source-file\":\"index.tsx\",\"children\":[[\"$\",\"div\",null,{\"className\":\"component-header_wrapper__kS6_W 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