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Cinema Novo - Wikipedia
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<li id="toc-Background" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Background"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Background</span> </div> </a> <ul id="toc-Background-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Influences" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Influences"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>Influences</span> </div> </a> <ul id="toc-Influences-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Ideology" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Ideology"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Ideology</span> </div> </a> <ul id="toc-Ideology-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Themes_and_style" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Themes_and_style"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Themes and style</span> </div> </a> <button aria-controls="toc-Themes_and_style-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Themes and style subsection</span> </button> <ul id="toc-Themes_and_style-sublist" class="vector-toc-list"> <li id="toc-First_phase_(1960–1964)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#First_phase_(1960–1964)"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>First phase (1960–1964)</span> </div> </a> <ul id="toc-First_phase_(1960–1964)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Second_phase_(1964–1968)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Second_phase_(1964–1968)"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Second phase (1964–1968)</span> </div> </a> <ul id="toc-Second_phase_(1964–1968)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Third_phase_and_Cinema_Marginal_(1968–1972)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Third_phase_and_Cinema_Marginal_(1968–1972)"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Third phase and <i>Cinema Marginal</i> (1968–1972)</span> </div> </a> <ul id="toc-Third_phase_and_Cinema_Marginal_(1968–1972)-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-End_of_Cinema_Novo" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#End_of_Cinema_Novo"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>End of Cinema Novo</span> </div> </a> <ul id="toc-End_of_Cinema_Novo-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Legacy</span> </div> </a> <button aria-controls="toc-Legacy-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Legacy subsection</span> </button> <ul id="toc-Legacy-sublist" class="vector-toc-list"> <li id="toc-Embrafilme" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Embrafilme"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.1</span> <span>Embrafilme</span> </div> </a> <ul id="toc-Embrafilme-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Third_Cinema" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Third_Cinema"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.2</span> <span>Third Cinema</span> </div> </a> <ul id="toc-Third_Cinema-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-List_of_key_films" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#List_of_key_films"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>List of key films</span> </div> </a> <button aria-controls="toc-List_of_key_films-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle List of key films subsection</span> </button> <ul id="toc-List_of_key_films-sublist" class="vector-toc-list"> <li id="toc-First_phase" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#First_phase"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.1</span> <span>First phase</span> </div> </a> <ul id="toc-First_phase-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Second_phase" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Second_phase"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.2</span> <span>Second phase</span> </div> </a> <ul id="toc-Second_phase-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Third_phase" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Third_phase"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.3</span> <span>Third phase</span> </div> </a> <ul id="toc-Third_phase-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-List_of_key_directors" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#List_of_key_directors"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>List of key directors</span> </div> </a> <ul id="toc-List_of_key_directors-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>Bibliography</span> </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Cinema Novo</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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href="https://ca.wikipedia.org/wiki/Cinema_novo" title="Cinema novo – Catalan" lang="ca" hreflang="ca" data-title="Cinema novo" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – German" lang="de" hreflang="de" data-title="Cinema Novo" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – Spanish" lang="es" hreflang="es" data-title="Cinema Novo" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Brazila_Nova_Kino" title="Brazila Nova Kino – Esperanto" lang="eo" hreflang="eo" data-title="Brazila Nova Kino" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%B3%DB%8C%D9%86%D9%85%D8%A7_%D9%86%D9%88%D9%88" title="سینما نوو – Persian" lang="fa" hreflang="fa" data-title="سینما نوو" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – French" lang="fr" hreflang="fr" data-title="Cinema Novo" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – Galician" lang="gl" hreflang="gl" data-title="Cinema Novo" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – Italian" lang="it" hreflang="it" data-title="Cinema Novo" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%B7%E3%83%8D%E3%83%9E%E3%83%BB%E3%83%8E%E3%83%BC%E3%83%B4%E3%82%A9" title="シネマ・ノーヴォ – Japanese" lang="ja" hreflang="ja" data-title="シネマ・ノーヴォ" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Cinema_novo" title="Cinema novo – Portuguese" lang="pt" hreflang="pt" data-title="Cinema novo" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-sc mw-list-item"><a href="https://sc.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – Sardinian" lang="sc" hreflang="sc" data-title="Cinema Novo" data-language-autonym="Sardu" data-language-local-name="Sardinian" class="interlanguage-link-target"><span>Sardu</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%9D%D0%BE%D0%B2%D0%B0_%D0%BA%D0%B8%D0%BD%D0%B5%D0%BC%D0%B0%D1%82%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%98%D0%B0_(1960-1972)" title="Нова кинематографија (1960-1972) – Serbian" lang="sr" hreflang="sr" data-title="Нова кинематографија (1960-1972)" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Cinema_Novo" title="Cinema Novo – Swedish" lang="sv" hreflang="sv" data-title="Cinema Novo" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q1092442#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="Namespaces"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div 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<div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Brazilian film movement</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Not to be confused with the Cinema Novo movement in the <a href="/wiki/Cinema_of_Portugal#1960s–1970s" title="Cinema of Portugal">Cinema of Portugal</a>, or the <a href="/wiki/Novo_Cinemas" title="Novo Cinemas">Novo Cinemas</a> chain.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><caption class="infobox-title summary">Cinema Novo</caption><tbody><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1950s to early 1970s <sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Location</th><td class="infobox-data">Brazil</td></tr><tr><th scope="row" class="infobox-label">Major figures</th><td class="infobox-data"><a href="/wiki/Glauber_Rocha" title="Glauber Rocha">Glauber Rocha</a>, <a href="/wiki/Nelson_Pereira_dos_Santos" title="Nelson Pereira dos Santos">Nelson Pereira dos Santos</a>, <a href="/wiki/Paulo_C%C3%A9sar_Saraceni" title="Paulo César Saraceni">Paulo César Saraceni</a>, <a href="/wiki/Joaquim_Pedro_de_Andrade" title="Joaquim Pedro de Andrade">Joaquim Pedro de Andrade</a>, <a href="/wiki/Leon_Hirszman" title="Leon Hirszman">Leon Hirszman</a>, <a href="/wiki/Carlos_Diegues" title="Carlos Diegues">Carlos Diegues</a>, <a href="/wiki/Ruy_Guerra" title="Ruy Guerra">Ruy Guerra</a>, <a href="/wiki/Arnaldo_Jabor" title="Arnaldo Jabor">Arnaldo Jabor</a><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Influences</th><td class="infobox-data"><a href="/wiki/Italian_Neorealism" class="mw-redirect" title="Italian Neorealism">Italian Neorealism</a>, <a href="/wiki/French_New_Wave" title="French New Wave">French New Wave</a>,<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Soviet_cinema" class="mw-redirect" title="Soviet cinema">Soviet cinema</a><sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup></td></tr></tbody></table> <p><b>Cinema Novo</b> (<style data-mw-deduplicate="TemplateStyles:r1177148991">.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}</style><span class="IPA-label IPA-label-small">Portuguese pronunciation:</span> <span class="IPA nowrap" lang="pt-Latn-fonipa"><a href="/wiki/Help:IPA/Portuguese" title="Help:IPA/Portuguese">[siˈnemɐ<span class="wrap"> </span>ˈnovu]</a></span>) ('New Cinema'), is a genre and movement of <a href="/wiki/Film" title="Film">film</a> noted for its emphasis on <a href="/wiki/Social_equality" title="Social equality">social equality</a> and <a href="/wiki/Intellectualism" title="Intellectualism">intellectualism</a> that rose to prominence in <a href="/wiki/Brazil" title="Brazil">Brazil</a> during the 1960s and 1970s.<sup id="cite_ref-Dixon_&_Foster,_293_5-0" class="reference"><a href="#cite_note-Dixon_&_Foster,_293-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Cinema Novo formed in response to class and racial unrest both in Brazil and the <a href="/wiki/United_States" title="United States">United States</a>. Influenced by <a href="/wiki/Italian_neorealism" title="Italian neorealism">Italian neorealism</a> and <a href="/wiki/French_New_Wave" title="French New Wave">French New Wave</a>, films produced under the ideology of Cinema Novo opposed traditional <a href="/wiki/Brazilian_cinema" class="mw-redirect" title="Brazilian cinema">Brazilian cinema</a>, which consisted primarily of musicals, comedies and <a href="/wiki/Cinema_of_the_United_States" title="Cinema of the United States">Hollywood</a>-style epics.<sup id="cite_ref-Johnson_&_Stam,_33_6-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Glauber_Rocha" title="Glauber Rocha">Glauber Rocha</a> is widely regarded as Cinema Novo's most influential filmmaker.<sup id="cite_ref-Gazetas,_308_7-0" class="reference"><a href="#cite_note-Gazetas,_308-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Dixon_&_Foster,_292_9-0" class="reference"><a href="#cite_note-Dixon_&_Foster,_292-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Today, the movement is often divided into three sequential phases that differ in tone, style and content. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Origins">Origins</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=1" title="Edit section: Origins"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Background">Background</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=2" title="Edit section: Background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the 1950s, Brazilian cinema was dominated by <i><a href="/wiki/Chanchada" class="mw-redirect" title="Chanchada">chanchada</a></i> (musicals, often comedic and "cheap"),<sup id="cite_ref-Viany,_141_10-0" class="reference"><a href="#cite_note-Viany,_141-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> big-budget epics that imitated the style of Hollywood,<sup id="cite_ref-Viany,_141_10-1" class="reference"><a href="#cite_note-Viany,_141-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> and "'serious' cinema" that Cinema Novo filmmaker <a href="/wiki/Carlos_Diegues" title="Carlos Diegues">Carlos Diegues</a> characterizes as "sometimes cerebral and often ridiculously pretentious."<sup id="cite_ref-Johnson_&_Stam,_65_11-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_65-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> This traditional cinema was supported by foreign producers, distributors and exhibitors. As the decade ended, young Brazilian filmmakers protested films they perceived as made in "bad taste and ... sordid commercialism, ... a form of cultural prostitution" that relied on the patronage of "an illiterate and impoverished Brazil."<sup id="cite_ref-Johnson_&_Stam,_65_11-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_65-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>Cinema Novo became increasingly political. In the 1960s, Brazil was producing the most political cinema in South America. Brazil therefore became the natural “home of the Cinema Novo (New Cinema) movement”.<sup id="cite_ref-Dixon_&_Foster,_292_9-1" class="reference"><a href="#cite_note-Dixon_&_Foster,_292-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Cinema Novo rose to prominence at the same time that progressive Brazilian Presidents <a href="/wiki/Juscelino_Kubitschek" title="Juscelino Kubitschek">Juscelino Kubitschek</a> and later <a href="/wiki/Jo%C3%A3o_Goulart" title="João Goulart">João Goulart</a> took office and began to influence Brazilian popular culture. But it was not until 1959 or 1960 that 'Cinema Novo' emerged as a label for the movement.<sup id="cite_ref-Viany,_141_10-2" class="reference"><a href="#cite_note-Viany,_141-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> According to Randal Johnson and <a href="/wiki/Robert_Stam" title="Robert Stam">Robert Stam</a>, Cinema Novo officially began in 1960, with the start of its first phase.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p>In 1961, the Popular Center of Culture, a subsidiary of the National Students' Union, released <i>Cinco Vezes Favela</i>, a film serialized in five episodes that Johnson and Stam claim to be "one of the first" products of the Cinema Novo movement.<sup id="cite_ref-Johnson_&_Stam,_58_13-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_58-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The Popular Center of Culture (PCC) sought "to establish a cultural and political link with the Brazilian masses by putting on plays in factories and working-class neighborhoods, producing films and records, and by participating in literacy programs."<sup id="cite_ref-Johnson_&_Stam,_58_13-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_58-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Johnson and Stam hold that "many of the original members of Cinema Novo" were also active members in the PCC who participated in the production of <i>Cinco Vezes Favela</i>.<sup id="cite_ref-Johnson_&_Stam,_58_13-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_58-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Influences">Influences</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=3" title="Edit section: Influences"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Brazilian filmmakers modeled Cinema Novo after genres known for subversiveness: Italian neorealism and French New Wave. Johnson and Stam further claim that Cinema Novo has something in common "with <a href="/wiki/Soviet_film" class="mw-redirect" title="Soviet film">Soviet film</a> of the twenties," which like Italian neorealism and French New Wave had "a penchant for theorizing its own cinematic practice."<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Italian neorealist cinema often shot on location with nonprofessional actors and depicted <a href="/wiki/Working_class" title="Working class">working class</a> citizens during the hard economic times following <a href="/wiki/World_War_II" title="World War II">World War II</a>. French New Wave drew heavily from Italian neorealism, as New Wave directors rejected classical cinema and embraced <a href="/wiki/Iconoclasm" title="Iconoclasm">iconoclasm</a>. </p><p>Some proponents of Cinema Novo were "scornful of the politics of the [French] New Wave", viewing its tendency to stylistically copy Hollywood as elitist.<sup id="cite_ref-Johnson_&_Stam,_33_6-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> But Cinema Novo filmmakers were largely attracted to French New Wave's use of <a href="/wiki/Auteur_theory" class="mw-redirect" title="Auteur theory">auteur theory</a>, which enabled directors to make low-budget films and develop personal fan bases. </p> <div class="mw-heading mw-heading2"><h2 id="Ideology">Ideology</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=4" title="Edit section: Ideology"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cinema Novo filmmaker Alex Viany describes the movement as having elements of <a href="/wiki/Participatory_culture" title="Participatory culture">participatory culture</a>. According to Viany, while Cinema Novo was initially "as fluid and undefined" as its predecessor French New Wave, it required that filmmakers have a passion for cinema, a desire to use it to explain "social and human problems," and a willingness to individualize their work.<sup id="cite_ref-Viany,_141_10-3" class="reference"><a href="#cite_note-Viany,_141-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Auteur theory also greatly influenced Cinema Novo. Although its three phases were distinct, Cinema Novo encouraged directors to emphasize their personal politics and stylistic preferences. As Cinema Novo filmmaker <a href="/wiki/Joaquim_Pedro_de_Andrade" title="Joaquim Pedro de Andrade">Joaquim Pedro de Andrade</a> explained to Viany in a 1966 interview: </p> <blockquote><p>In our films, the propositions, positions, and ideas are extremely varied, at times even contradictory or at least multiple. Above all they are increasingly free and unmasked. There exists a total freedom of expression. ... At first glance this would seem to indicate some internal incoherence within the Cinema Novo movement. But in reality I think it indicates a greater coherence: a more legitimate, truthful, and direct correspondence between the filmmaker--with his perplexities, doubts, and certainties--and the world in which he lives.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Class struggle also informed Cinema Novo, whose strongest theme is the "aesthetic of hunger" developed by premiere Cinema Novo filmmaker Glauber Rocha in the first phase. Rocha wished to expose how different the standard of living was for rich South Americans and poor South Americans. In his 1965 essay "The Esthetic of Hunger," Rocha stated that "the hunger of South America is not simply an alarming symptom: it is the essence of our society. ... [Cinema Novo's] originality is [South Americans'] hunger[,] and our greatest misery is that this hunger is felt but not intellectually understood."<sup id="cite_ref-Johnson_&_Stam,_70_16-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_70-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> On this note, <a href="/wiki/Wheeler_Winston_Dixon" title="Wheeler Winston Dixon">Wheeler Winston Dixon</a> and <a href="/wiki/Gwendolyn_Audrey_Foster" title="Gwendolyn Audrey Foster">Gwendolyn Audrey Foster</a> hold that "[t]he <a href="/wiki/Marxist" class="mw-redirect" title="Marxist">Marxist</a> implications of [Rocha's] cinema are hard to miss".<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes_and_style">Themes and style</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=5" title="Edit section: Themes and style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Most film historians divide Cinema Novo into three sequential phases that differ in theme, style and subject matter. Stam and Johnson identify "a first phase going from 1960 to 1964," a second phase running "from 1964 to 1968," and a third phase running "from 1963 to 1972" (though they also claim the final phase concludes at "roughly" "the end of 1971").<sup id="cite_ref-Stam_&_Johnson_18-0" class="reference"><a href="#cite_note-Stam_&_Johnson-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> There is little disagreement among film critics about this time frame.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Dennison_&_Shaw,_133_22-0" class="reference"><a href="#cite_note-Dennison_&_Shaw,_133-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p><p>Filmmaker Carlos Diegues claims that while lack of funds lowered the technical precision of Cinema Novo films, it also allowed directors, writers and producers to have an unusual amount of creative freedom. "Because Cinema Novo is not a school, it has no established style," states Diegues. "In Cinema Novo, expressive forms are necessarily personal and original without formal <a href="/wiki/Dogmas" class="mw-redirect" title="Dogmas">dogmas</a>".<sup id="cite_ref-Johnson_&_Stam,_65_11-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_65-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> This directorial freedom, along with the changing social and political climate in Brazil, caused Cinema Novo to experience shifts in form and content in a short amount of time. </p> <div class="mw-heading mw-heading3"><h3 id="First_phase_(1960–1964)"><span id="First_phase_.281960.E2.80.931964.29"></span>First phase (1960–1964)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=6" title="Edit section: First phase (1960–1964)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Films of the first phase represent the original motivation and goals of Cinema Novo. First-phase films were earnest in tone and <a href="/wiki/Rural" class="mw-redirect" title="Rural">rural</a> in setting, dealing with social ills that affected the <a href="/wiki/Working_class" title="Working class">working class</a> like <a href="/wiki/Starvation" title="Starvation">starvation</a>, <a href="/wiki/Violence" title="Violence">violence</a>, religious alienation and economic exploitation. They also addressed the "<a href="/wiki/Fatalism" title="Fatalism">fatalism</a> and <a href="/wiki/Stoicism" title="Stoicism">stoicism</a>" of the working class, which discouraged it from working to fix these problems.<sup id="cite_ref-Dennison_&_Shaw,_133_22-1" class="reference"><a href="#cite_note-Dennison_&_Shaw,_133-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> "The films share a certain political optimism," write Johnson and Stam, "a kind of faith that merely showing these problems would be a first step toward their solution."<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>Unlike traditional Brazilian cinema that depicted beautiful professional actors in tropical paradises, first-phase Cinema Novo "searched out the dark corners of Brazilian life--its <i><a href="/wiki/Favelas" class="mw-redirect" title="Favelas">favelas</a></i> and its <i><a href="/wiki/Sert%C3%A3o" title="Sertão">sertão</a></i>--the places where Brazil's social contradictions appeared most dramatically."<sup id="cite_ref-Johnson_&_Stam,_33_6-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> These topics were supported by aesthetics that "were visually characterized by a documentary quality, often achieved by the use of a hand-held camera" and were shot "in black and white, using simple, stark scenery that vividly emphasized the harshness of the landscape".<sup id="cite_ref-Dennison_&_Shaw,_133_22-2" class="reference"><a href="#cite_note-Dennison_&_Shaw,_133-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Diegues contends that first-phase Cinema Novo did not focus on editing and shot-framing but rather on spreading a <a href="/wiki/Proletariat" title="Proletariat">proletariat</a> philosophy. "Brazilian filmmakers (principally in <a href="/wiki/Rio_de_Janeiro" title="Rio de Janeiro">Rio</a>, <a href="/wiki/Bahia" title="Bahia">Bahia</a>, and <a href="/wiki/S%C3%A3o_Paulo" title="São Paulo">São Paulo</a>) have taken their cameras and gone out into the streets, the country, and the beaches in search of the Brazilian people, the peasant, the worker, the fisherman, the slum dweller."<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p><p>Most film historians agree that Glauber Rocha, "one of the most well-known and prolific filmmakers to emerge in the late 1950s in Brazil",<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> was the most powerful advocate for Cinema Novo in its first phase. Dixon and Foster contend that Rocha helped initiate the movement because he wanted to make films that educated the public about social equality, <a href="/wiki/Art" title="Art">art</a> and intellectualism, which Brazilian cinema at the time did not do. Rocha summarized these goals by claiming his films used "aesthetics of hunger" to address class and racial unrest. In 1964, Rocha released <i><a href="/wiki/Deus_e_o_Diabo_na_Terra_do_Sol" class="mw-redirect" title="Deus e o Diabo na Terra do Sol">Deus e o Diabo na Terra do Sol</a></i> ("Black God, White Devil"), which he wrote and directed to “suggest that only violence will help those who are sorely oppressed".<sup id="cite_ref-Dixon_&_Foster,_292_9-2" class="reference"><a href="#cite_note-Dixon_&_Foster,_292-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>With Rocha at the helm during its first phase, Cinema Novo was praised by critics around the world. </p> <div class="mw-heading mw-heading3"><h3 id="Second_phase_(1964–1968)"><span id="Second_phase_.281964.E2.80.931968.29"></span>Second phase (1964–1968)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=7" title="Edit section: Second phase (1964–1968)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1964, popular Democratic President João Goulart was removed from office by military coup, turning Brazil into a military-run <a href="/wiki/Autocracy" title="Autocracy">autocracy</a> under new President <a href="/wiki/Humberto_de_Alencar_Castelo_Branco" title="Humberto de Alencar Castelo Branco">Humberto de Alencar Castelo Branco</a>. Brazilians consequently lost faith in the ideals of Cinema Novo, as the movement had promised to protect civilian rights yet had failed to uphold democracy. Cinema Novo filmmaker Joaquim Pedro de Andrade blamed fellow directors, who he claimed had lost touch with Brazilians while appealing to critics: "For a film to be a truly political instrument," de Andrade said, "it must first communicate with its public".<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Second-phase Cinema Novo thus sought to both deflect criticism and to address the "anguish" and "perplexity" that Brazilians felt after Goulart was ousted. It did this by producing films that were "analyses of <i>failure</i>--of <a href="/wiki/Populism" title="Populism">populism</a>, of <a href="/wiki/Developmentalism" title="Developmentalism">developmentalism</a>, and of <a href="/wiki/Leftist" class="mw-redirect" title="Leftist">leftist</a> intellectuals" to protect Brazilian democracy.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p><p>At this time, filmmakers also started trying to make Cinema Novo more profitable. Stephanie Dennison and Lisa Shaw state that second-phase directors "recognized the irony in making so-called 'popular' films, to be viewed only by university students and art-house aficionados. As a result, some <i>auteurs</i> began to move away from the so-called 'aesthetics of hunger' toward a filmmaking style and themes designed to attract the interest of the cinema-going public at large."<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> As a result, the first Cinema Novo film to be shot in color and to depict middle-class protagonists was released during this time: Leon Hirzshman's <i><a href="/wiki/The_Girl_from_Ipanema" title="The Girl from Ipanema">Garota de Ipanema</a></i> ("Girl from Ipanema," 1968). </p> <div class="mw-heading mw-heading3"><h3 id="Third_phase_and_Cinema_Marginal_(1968–1972)"><span id="Third_phase_and_Cinema_Marginal_.281968.E2.80.931972.29"></span>Third phase and <i>Cinema Marginal</i> (1968–1972)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=8" title="Edit section: Third phase and Cinema Marginal (1968–1972)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Hans Proppe and Susan Tarr characterize Cinema Novo's third phase as "a mixed bag of social and political themes against a backdrop of characters, images and contexts not unlike the richness and floridness of the Brazilian jungle".<sup id="cite_ref-Proppe_&_Tarr_29-0" class="reference"><a href="#cite_note-Proppe_&_Tarr-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Third-phase Cinema Novo has also been called "the cannibal-tropicalist phase"<sup id="cite_ref-Johnson_&_Stam,_37_30-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_37-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> or simply the "tropicalist" phase.<sup id="cite_ref-Proppe_&_Tarr_29-1" class="reference"><a href="#cite_note-Proppe_&_Tarr-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Tropic%C3%A1lia" title="Tropicália">Tropicalism</a> was a movement that focused on <a href="/wiki/Kitsch" title="Kitsch">kitsch</a>, bad taste and gaudy colors. Film historians refer to <a href="/wiki/Human_cannibalism" title="Human cannibalism">cannibalism</a> both literally and metaphorically. Both types of cannibalism are visible in <i><a href="/wiki/Como_Era_Gostoso_o_Meu_Franc%C3%AAs" class="mw-redirect" title="Como Era Gostoso o Meu Francês">Como Era Gostoso o Meu Francês</a></i> ("How Tasty Was My Little Frenchman," 1971), in which the protagonist is abducted and eaten by literal cannibals at the same time it is "suggested that the Indians (i.e., Brazil) should metaphorically cannibalize their foreign enemies, appropriating their force without being dominated by them."<sup id="cite_ref-Stam_&_Johnson_18-1" class="reference"><a href="#cite_note-Stam_&_Johnson-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Rocha believed cannibalism represented the violence that was necessary to enact social change and depict it onscreen: "From Cinema Novo it should be learned that an aesthetic of violence, before being primitive, is revolutionary. It is the initial moment when the colonizer becomes aware of the colonized. Only when confronted with violence does the colonizer understand, through horror, the strength of the culture he exploits."<sup id="cite_ref-Johnson_&_Stam,_70_16-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_70-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>With Brazil modernizing in the global economy, third-phase Cinema Novo also became more polished and professional, producing "films in which the rich cultural texture of Brazil has been pushed to the limit and exploited for its own aesthetic ends rather than for its appropriateness as political metaphor."<sup id="cite_ref-Proppe_&_Tarr_29-2" class="reference"><a href="#cite_note-Proppe_&_Tarr-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Brazilian consumers and filmmakers began to feel that Cinema Novo was contradicting the ideals of its first phase. This perception led to the birth of <i>Cinema Marginal</i>, also called <i>Udigrudi</i><sup id="cite_ref-udigrudi_31-0" class="reference"><a href="#cite_note-udigrudi-31"><span class="cite-bracket">[</span>nb 1<span class="cite-bracket">]</span></a></sup> cinema or <i>Novo Cinema Novo</i>,<sup id="cite_ref-fernão_32-0" class="reference"><a href="#cite_note-fernão-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> which used 'dirty screen' and 'garbage' aesthetics to return Cinema Novo to its original focus on marginalized characters and social problems, all while appropriating elements of <a href="/wiki/B-movies" class="mw-redirect" title="B-movies">b-movies</a> and <i><a href="/wiki/Pornochanchada" title="Pornochanchada">pornochanchadas</a></i> to reach a wider, <a href="/wiki/Working-class" class="mw-redirect" title="Working-class">working-class</a> audience.<sup id="cite_ref-fernão_32-1" class="reference"><a href="#cite_note-fernão-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> </p><p>But third-phase Cinema Novo also had supporters. Cinema Novo filmmaker Joaquim Pedro de Andrade, who was active during the first phase and produced one of the premiere films of the third phase, <i><a href="/wiki/Macuna%C3%ADma_(film)" title="Macunaíma (film)">Macunaíma</a></i>, was pleased Cinema Novo had made itself more relatable to Brazilian citizens, despite accusations it was <a href="/wiki/Selling_out" title="Selling out">selling out</a> to do so. Referencing Leon Hirszman's <i>Garota de Ipanema</i>, de Andrade praised Hirszman for using "a popular <a href="/wiki/Stereotype" title="Stereotype">stereotype</a> to establish contact with the masses, while at the same time ... demystif[ying] that very stereotype".<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="End_of_Cinema_Novo">End of Cinema Novo</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=9" title="Edit section: End of Cinema Novo"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Burnes St. Patrick Hollyman, son of famed American photographer <a href="/wiki/Thomas_Hollyman" title="Thomas Hollyman">Thomas Hollyman</a>, states that "by 1970, many of the cinema novo films had won numerous awards at international festivals".<sup id="cite_ref-Hollyman,_96_34-0" class="reference"><a href="#cite_note-Hollyman,_96-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> In 1970 Rocha published a manifesto on the progress of Cinema Novo, in which he said he was pleased that Cinema Novo "had gained critical acceptance as part of world cinema" and had become "a nationalist cinema that accurately reflected the artistic and ideological concerns of the Brazilian people" (Hollyman).<sup id="cite_ref-Hollyman,_96_34-1" class="reference"><a href="#cite_note-Hollyman,_96-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> But Rocha also warned filmmakers and consumers that being too complacent in the achievements of Cinema Novo would return Brazil to its pre-Cinema Novo state: </p> <blockquote><p>The movement is bigger than any one of us. But the young should know that they cannot be irresponsible about the present and the future because today's anarchy can be tomorrow's slavery. Before long, imperialism will start to exploit the newly created films. If the Brazilian cinema is the palm tree of Tropicalism, it is important that the people who have lived through the drought are on guard to make sure that Brazilian cinema doesn't become underdeveloped.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Rocha's fears were realized. In 1977, filmmaker Carlos Diegues said that "one can only talk about Cinema Novo in nostalgic or figurative terms because Cinema Novo as a group no longer exists, above all because it has been diluted into Brazilian cinema."<sup id="cite_ref-Johnson_&_Stam,_100_36-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_100-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Toward the end of Cinema Novo, the Brazilian government created film company <a href="/wiki/Embrafilme" title="Embrafilme">Embrafilme</a> to encourage production of Brazilian cinema; but Embrafilme mostly produced films that ignored the Cinema Novo ideology. <a href="/w/index.php?title=Aristides_Gazetas&action=edit&redlink=1" class="new" title="Aristides Gazetas (page does not exist)">Aristides Gazetas</a> claims that <a href="/wiki/Third_Cinema" title="Third Cinema">Third Cinema</a> now carries on the Cinema Novo tradition.<sup id="cite_ref-Gazetas,_306_37-0" class="reference"><a href="#cite_note-Gazetas,_306-37"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=10" title="Edit section: Legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Embrafilme">Embrafilme</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=11" title="Edit section: Embrafilme"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1969, the Brazilian government instituted Embrafilme, a company designed to produce and distribute Brazilian cinema. Embrafilme produced movies of various genres, including fantasies and big-budget epics. At the time, Cinema Novo filmmaker Carlos Diegues said he supported Embrafilme because it was "the only enterprise with sufficient economic and political power to confront the devastating voracity of the multinational corporations in Brazil."<sup id="cite_ref-Johnson_&_Stam,_100_36-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_100-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Moreover, Diegues held that while Cinema Novo "is not identified with Embrafilme", "[Embrafilme's] existence ... is in reality a project of Cinema Novo."<sup id="cite_ref-Johnson_&_Stam,_100_36-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_100-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p><p>When Embrafilme was dismantled in 1990 by President <a href="/wiki/Fernando_Collor_de_Mello" title="Fernando Collor de Mello">Fernando Collor de Mello</a>, "the consequences" for the Brazilian film industry "were immediate and grim."<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> Lacking investors, many Brazilian directors co-produced English films. This caused English cinema to overrun the Brazilian market, which went from producing 74 films in 1989 to producing nine films in 1993. Brazilian President <a href="/wiki/Itamar_Franco" title="Itamar Franco">Itamar Franco</a> ended the crisis by implementing the Brazilian Cinema Rescue Award, which funded 90 projects between 1993 and 1994. The award "opened new doors to a young generation of new film-makers (and a few of the veterans) who were confident that, as the title of a film by Cinema Novo veteran director Carlos Diegues prophetically announced, better days would come (<i>Melhores Dias Virao</i>/<i>Better Days Will Come</i>, 1989)."<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Third_Cinema">Third Cinema</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=12" title="Edit section: Third Cinema"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>According to Aristides Gazetas, Cinema Novo is the first example of an influential genre called Third Cinema. Like Cinema Novo, Third Cinema draws on Italian neorealism and French New Wave. Gazetas claims that Cinema Novo can be characterized as early Third Cinema because Glauber Rocha "adopted Third Cinema techniques to bring awareness of the social and political realities in his country through cinema".<sup id="cite_ref-Gazetas,_308_7-1" class="reference"><a href="#cite_note-Gazetas,_308-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> After fading with Cinema Novo, Third Cinema was revived in 1986 when English film companies looked to create a genre that "focused upon <a href="/wiki/Anglo-American_ethnic_group" class="mw-redirect" title="Anglo-American ethnic group">Anglo-American</a> cinematic practices" and stayed away from "both the sentimental <a href="/wiki/Leftist" class="mw-redirect" title="Leftist">leftist</a> cultural theory emanating from the UK and the cultural and educational practices in line with corporate cultures and market consumerism that related to variants of <a href="/wiki/Postmodernism" title="Postmodernism">postmodernism</a>."<sup id="cite_ref-Gazetas,_306_37-1" class="reference"><a href="#cite_note-Gazetas,_306-37"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> </p><p>In 1965, Glauber Rocha claimed that "Cinema Novo is a phenomenon of new peoples everywhere and not a privilege of Brazil."<sup id="cite_ref-Johnson_&_Stam,_70_16-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_70-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Appropriately, Third Cinema has affected film culture throughout the world. In Italy, <a href="/wiki/Gillo_Pontecorvo" title="Gillo Pontecorvo">Gillo Pontecorvo</a> directed the Oscar-nominated <i><a href="/wiki/The_Battle_of_Algiers" title="The Battle of Algiers">The Battle of Algiers</a></i> (1965), which depicted native African <a href="/wiki/Muslims" title="Muslims">Muslims</a> as brave terrorists fighting French colonialists in <a href="/wiki/Algeria" title="Algeria">Algeria</a>. Cuban filmmaker <a href="/wiki/Tomas_Gutierrez_Alea" class="mw-redirect" title="Tomas Gutierrez Alea">Tomas Gutierrez Alea</a>, co-founder of the ground-breaking <a href="/wiki/Instituto_Cubano_del_Arte_e_Industria_Cinematogr%C3%A1ficos" title="Instituto Cubano del Arte e Industria Cinematográficos">Instituto Cubano del Arte e Industria Cinematográficos</a>, used Third Cinema to "reconstitut[e] a historical past for Cubans."<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> According to Stuart Hall, Third Cinema also impacted black peoples in the <a href="/wiki/Caribbean" title="Caribbean">Caribbean</a> by giving them two identities: one in which they are unified across a <a href="/wiki/Diaspora" title="Diaspora">diaspora</a>, and another that highlights "what black people have become as a result of white rule and colonization."<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="List_of_key_films">List of key films</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=13" title="Edit section: List of key films"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="First_phase">First phase</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=14" title="Edit section: First phase"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Aruanda</i> (1960)</li> <li><i>Arraial do Cabo</i> (1960)<sup id="cite_ref-Johnson_&_Stam,_33_6-3" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li> <li><i>Cinco Vezes Favela</i> (1962)<sup id="cite_ref-Johnson_&_Stam,_33_6-4" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Barravento" title="Barravento">Barravento</a></i> (1962)<sup id="cite_ref-Johnson_&_Stam,_33_6-5" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Unscrupulous_Ones" title="The Unscrupulous Ones">The Unscrupulous Ones</a></i> (1962)<sup id="cite_ref-Johnson_&_Stam,_33_6-6" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Ganga_Zumba_(film)" title="Ganga Zumba (film)">Ganga Zumba</a></i> (1963)<sup id="cite_ref-Johnson_&_Stam,_33_6-7" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Vidas_secas_(film)" title="Vidas secas (film)">Barren Lives</a></i> (1963)<sup id="cite_ref-Johnson_&_Stam,_33_6-8" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Black_God,_White_Devil" title="Black God, White Devil">Black God, White Devil</a></i> (1964)<sup id="cite_ref-Johnson_&_Stam,_33_6-9" class="reference"><a href="#cite_note-Johnson_&_Stam,_33-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Guns_(film)" title="The Guns (film)">The Guns</a></i> (1964)<sup id="cite_ref-Dixon_&_Foster,_293_5-1" class="reference"><a href="#cite_note-Dixon_&_Foster,_293-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading3"><h3 id="Second_phase">Second phase</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=15" title="Edit section: Second phase"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>The Deceased</i> (1965)</li> <li><i>The Challenge</i> (1966)<sup id="cite_ref-Johnson_&_Stam,_35_43-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_35-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Entranced_Earth" title="Entranced Earth">Entranced Earth</a></i> (1967)<sup id="cite_ref-Johnson_&_Stam,_35_43-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_35-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Brave_Warrior" title="The Brave Warrior">The Brave Warrior</a></i> (1968)<sup id="cite_ref-Johnson_&_Stam,_35_43-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_35-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Hunger_for_Love" title="Hunger for Love">Hunger for Love</a></i> (1968)<sup id="cite_ref-Johnson_&_Stam,_35_43-3" class="reference"><a href="#cite_note-Johnson_&_Stam,_35-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Red_Light_Bandit" title="The Red Light Bandit">The Red Light Bandit</a></i> (1968)<sup id="cite_ref-Johnson_&_Stam,_35_43-4" class="reference"><a href="#cite_note-Johnson_&_Stam,_35-43"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading3"><h3 id="Third_phase">Third phase</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=16" title="Edit section: Third phase"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a href="/wiki/Macuna%C3%ADma_(film)" title="Macunaíma (film)">Macunaíma</a></i> (1969)<sup id="cite_ref-Johnson_&_Stam,_37_30-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_37-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Antonio_das_Mortes" title="Antonio das Mortes">Antonio das Mortes</a></i> (1969)<sup id="cite_ref-Johnson_&_Stam,_38_44-0" class="reference"><a href="#cite_note-Johnson_&_Stam,_38-44"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Of_Gods_and_the_Undead" title="Of Gods and the Undead">Of Gods and the Undead</a></i> (1970)</li> <li><i>The Heirs</i> (1970)<sup id="cite_ref-Johnson_&_Stam,_38_44-1" class="reference"><a href="#cite_note-Johnson_&_Stam,_38-44"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/How_Tasty_Was_My_Little_Frenchman" title="How Tasty Was My Little Frenchman">How Tasty Was My Little Frenchman</a></i> (1971)<sup id="cite_ref-Dixon_&_Foster,_293_5-2" class="reference"><a href="#cite_note-Dixon_&_Foster,_293-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Pindorama_(film)" title="Pindorama (film)">Pindorama</a></i> (1971)<sup id="cite_ref-Johnson_&_Stam,_38_44-2" class="reference"><a href="#cite_note-Johnson_&_Stam,_38-44"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/S%C3%A3o_Bernardo_(film)" class="mw-redirect" title="São Bernardo (film)">São Bernardo</a></i> (1972)</li> <li><i><a href="/wiki/Iracema:_Uma_Transa_Amaz%C3%B4nica" title="Iracema: Uma Transa Amazônica">Iracema: Uma Transa Amazônica</a></i> (1974)<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="List_of_key_directors">List of key directors</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=17" title="Edit section: List of key directors"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Mário Carneiro</li> <li><a href="/wiki/Joaquim_Pedro_de_Andrade" title="Joaquim Pedro de Andrade">Joaquim Pedro de Andrade</a></li> <li><a href="/wiki/Carlos_Diegues" title="Carlos Diegues">Carlos Diegues</a></li> <li><a href="/wiki/Nelson_Pereira_dos_Santos" title="Nelson Pereira dos Santos">Nelson Pereira dos Santos</a></li> <li><a href="/wiki/Ruy_Guerra" title="Ruy Guerra">Ruy Guerra</a></li> <li>Leon Hirszman</li> <li>Gustavo Dahl</li> <li><a href="/wiki/Arnaldo_Jabor" title="Arnaldo Jabor">Arnaldo Jabor</a></li> <li><a href="/wiki/David_Neves" title="David Neves">David Neves</a></li> <li><a href="/wiki/Glauber_Rocha" title="Glauber Rocha">Glauber Rocha</a></li> <li><a href="/wiki/Paulo_C%C3%A9sar_Saraceni" title="Paulo César Saraceni">Paulo César Saraceni</a></li> <li>Alex Viany</li> <li>Olney São Paulo</li> <li>Roberto Pires<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=18" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Nuevo_Cine_Mexicano" title="Nuevo Cine Mexicano">Nuevo Cine Mexicano</a></li> <li><a href="/wiki/List_of_Brazilian_films" class="mw-redirect" title="List of Brazilian films">List of Brazilian films</a></li> <li><a href="/wiki/Walter_Salles" title="Walter Salles">Walter Salles</a>-Acclaimed director of the 1998 Oscar-nominated Brazilian film <i><a href="/wiki/Central_do_Brasil" title="Central do Brasil">Central do Brasil</a></i> and 2004 Oscar-winning <i><a href="/wiki/The_Motorcycle_Diaries_(film)" title="The Motorcycle Diaries (film)">The Motorcycle Diaries</a></i></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=19" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-udigrudi-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-udigrudi_31-0">^</a></b></span> <span class="reference-text">Brazilian pronunciation of "Underground."</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=20" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://library.brown.edu/create/fivecenturiesofchange/chapters/chapter-8/cinema-novo/">Brazil: Five Centuries of Change-library.brown.edu</a></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.tasteofcinema.com/2017/the-10-greatest-new-wave-movements-in-film-history/">The 10 Greatest New Wave Movements in Film History« Taste of Cinema</a></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.brazil.gov.br/arts-culture/film-and-theatre/cinema-novo-revolutionised-brazilian-cinema-in-the-1960s">Cinema Novo revolutionised Brazilian cinema in the 1960s-Brazil</a></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://variety.com/2016/film/reviews/cannes-film-review-cinema-novo-1201782773/">Cannes 2016: 'Cinema Novo' Review-Variety</a></span> </li> <li id="cite_note-Dixon_&_Foster,_293-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-Dixon_&_Foster,_293_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Dixon_&_Foster,_293_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Dixon_&_Foster,_293_5-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Dixon & Foster, 293.</span> </li> <li id="cite_note-Johnson_&_Stam,_33-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_33_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_33_6-9"><sup><i><b>j</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 33.</span> </li> <li id="cite_note-Gazetas,_308-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-Gazetas,_308_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Gazetas,_308_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Gazetas, 308.</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Johnson & Stam, 42.</span> </li> <li id="cite_note-Dixon_&_Foster,_292-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-Dixon_&_Foster,_292_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Dixon_&_Foster,_292_9-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Dixon_&_Foster,_292_9-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Dixon & Foster, 292.</span> </li> <li id="cite_note-Viany,_141-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-Viany,_141_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Viany,_141_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Viany,_141_10-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Viany,_141_10-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Viany, 141.</span> </li> <li id="cite_note-Johnson_&_Stam,_65-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_65_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_65_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_65_11-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 65.</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">Johnson & Stam, 32.</span> </li> <li id="cite_note-Johnson_&_Stam,_58-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_58_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_58_13-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_58_13-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 58.</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Johnson & Stam, 55.</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Johnson & Stam, 75.</span> </li> <li id="cite_note-Johnson_&_Stam,_70-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_70_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_70_16-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_70_16-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 70.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Dixon & Foster, 292-293.</span> </li> <li id="cite_note-Stam_&_Johnson-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-Stam_&_Johnson_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Stam_&_Johnson_18-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Stam & Johnson.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Xavier, 372-373.</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Rodríguez, 108.</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text">King, 113.</span> </li> <li id="cite_note-Dennison_&_Shaw,_133-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-Dennison_&_Shaw,_133_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Dennison_&_Shaw,_133_22-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Dennison_&_Shaw,_133_22-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Dennison & Shaw, 133.</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">Johnson & Stam, 34.</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text">Johnson & Stam, 66.</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text">Hollyman, 9.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">Johnson & Stam, 73.</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Johnson & Stam, 35-36.</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text">Dennison & Shaw, 134.</span> </li> <li id="cite_note-Proppe_&_Tarr-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-Proppe_&_Tarr_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Proppe_&_Tarr_29-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Proppe_&_Tarr_29-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Proppe & Tarr.</span> </li> <li id="cite_note-Johnson_&_Stam,_37-30"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_37_30-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_37_30-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 37.</span> </li> <li id="cite_note-fernão-32"><span class="mw-cite-backlink">^ <a href="#cite_ref-fernão_32-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-fernão_32-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFRAMOS2000" class="citation book cs1">RAMOS, Fernão (2000). <i>Enciclopédia do cinema brasileiro</i>. Senac São Paulo. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/8539601508" title="Special:BookSources/8539601508"><bdi>8539601508</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Enciclop%C3%A9dia+do+cinema+brasileiro&rft.pub=Senac+S%C3%A3o+Paulo&rft.date=2000&rft.isbn=8539601508&rft.aulast=RAMOS&rft.aufirst=Fern%C3%A3o&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACinema+Novo" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">Johnson & Stam, 74.</span> </li> <li id="cite_note-Hollyman,_96-34"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hollyman,_96_34-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hollyman,_96_34-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Hollyman, 96.</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text">Qtd. on Hollyman, 97.</span> </li> <li id="cite_note-Johnson_&_Stam,_100-36"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_100_36-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_100_36-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_100_36-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 100.</span> </li> <li id="cite_note-Gazetas,_306-37"><span class="mw-cite-backlink">^ <a href="#cite_ref-Gazetas,_306_37-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Gazetas,_306_37-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Gazetas, 306.</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text">Rêgo, 35.</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text">Rêgo, 37-38.</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text">Gazetas, 309.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text">Gazetas, 310.</span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.bbc.com/culture/story/20140627-cinemas-most-radical-battlefield">BBC-Culture-Brazil: Cinema's most radical battleground</a></span> </li> <li id="cite_note-Johnson_&_Stam,_35-43"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_35_43-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_35_43-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_35_43-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_35_43-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_35_43-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 35.</span> </li> <li id="cite_note-Johnson_&_Stam,_38-44"><span class="mw-cite-backlink">^ <a href="#cite_ref-Johnson_&_Stam,_38_44-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_38_44-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Johnson_&_Stam,_38_44-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Johnson & Stam, 38.</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLund2002" class="citation web cs1">Lund, Joshua Kristofer (March 14, 2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=CiDEu4D8GeMC&q=iracema+uma">"Theories and Narratives of Hybridity in Latin American Writing"</a>. University of Minnesota – via Google Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Theories+and+Narratives+of+Hybridity+in+Latin+American+Writing&rft.pub=University+of+Minnesota&rft.date=2002-03-14&rft.aulast=Lund&rft.aufirst=Joshua+Kristofer&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DCiDEu4D8GeMC%26q%3Diracema%2Buma&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACinema+Novo" class="Z3988"></span></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://vimeo.com/704700216">The Cinema of Salvador Bahia (1953-1962): 3 x Robert Pires on Vimeo</a></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cinema_Novo&action=edit&section=21" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Dennison, Stephanie and Lisa Shaw (2004), <i>Popular cinema in Brazil, 1930-2001</i>, New York: Manchester.</li> <li>Dixon, Wheeler Winston and Gwendolyn Audrey Foster (2008), <i>A Short History of Cinema</i>, New Brunswick, NJ: Rutgers.</li> <li>Gazetas, Aristides (2008), <i>An Introduction to World Cinema</i>, Jefferson, NC: McFarland & Company.</li> <li>Hollyman, Burnes Saint Patrick (1983), <i>Glauber Rocha and The Cinema Novo</i>, New York & London: Garland.</li> <li>Johnson, Randal and Robert Stam (1995), <i>Brazilian Cinema</i>, New York: Columbia.</li> <li>King, John (2000), <i>Magical Reels: A History of Cinema in South America</i>, New York & London: Verso.</li> <li>Proppe, Hans and Susan Tarr (1976), "<a rel="nofollow" class="external text" href="http://www.ejumpcut.org/archive/onlinessays/JC10-11folder/CinemaNovo.html">Pitfalls of cultural nationalism in cinema novo</a>", <i>Jump Cut: A Review of Contemporary Media</i>, 10, 45-48.</li> <li>Rêgo, Cacilda (2011), "The Fall and Rise of Brazilian Cinema", in Rêgo, Calcida; Carolina, Rocha, <i>New Trends in Argentine and Brazilian Cinema</i>, Chicago: intellect.</li> <li>Rodríguez-Hernández, Rafael (2009), <i>Splendors of South Cinema</i>, Westport, CT: Praeger.</li> <li>Stam, Robert and Randal Johnson (November 1979), <a rel="nofollow" class="external text" href="http://www.ejumpcut.org/archive/onlinessays/JC21folder/BrazilStamJohnson.html">"Beyond Cinema Novo"</a>, <i>Jump Cut: A Review of Contemporary Media</i>, 21, 13-18.</li> <li>Viany, Alex (Winter, 1970), "The Old and the New in Brazilian Cinema", <i>The Drama Review</i>, <b>14</b> (2), 141-144.</li> <li>Xavier, Ismail (2000), "Cinema Novo", in Balderston, Daniel; Gonzalez, Mike; Lopez, Ana M., <i>Encyclopedia of Contemporary South American and Caribbean Cultures</i>, London: Routledge.</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · 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class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Cinema_of_Argentina#1990s" title="Cinema of Argentina">Argentina</a></li> <li><a href="/wiki/Australian_New_Wave" title="Australian New Wave">Australia</a></li> <li><a class="mw-selflink selflink">Brazil</a></li> <li><a href="/wiki/British_New_Wave" title="British New Wave">Britain</a></li> <li><a href="/wiki/Czechoslovak_New_Wave" title="Czechoslovak New Wave">Czechoslovakia</a></li> <li><a href="/wiki/French_New_Wave" title="French New Wave">France</a></li> <li><a href="/wiki/Hong_Kong_New_Wave" title="Hong Kong New Wave">Hong Kong</a></li> <li><a href="/wiki/Parallel_cinema" title="Parallel cinema">India</a> (<a href="/wiki/New_Generation_(Malayalam_film_movement)" class="mw-redirect" title="New Generation (Malayalam film movement)">Malayalam</a>)</li> <li><a href="/wiki/Iranian_New_Wave" title="Iranian New Wave">Iran</a></li> <li><a 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remarriage">Remarriage</a></li> <li><a href="/wiki/Romantic_comedy" title="Romantic comedy">Romantic</a></li> <li><a href="/wiki/Sex_comedy" title="Sex comedy">Sex</a></li> <li><a href="/wiki/Screwball_comedy" title="Screwball comedy">Screwball</a></li> <li><a href="/wiki/Silent_comedy" title="Silent comedy">Silent</a></li> <li><a href="/wiki/Slapstick_film" title="Slapstick film">Slapstick</a></li></ul></li> <li><a href="/wiki/Cyberpunk" title="Cyberpunk">Cyberpunk</a> <ul><li><a href="/wiki/Japanese_cyberpunk" title="Japanese cyberpunk">Japanese</a></li></ul></li> <li><a href="/wiki/Documentary_film" title="Documentary film">Documentary</a> <ul><li><a href="/wiki/Animated_documentary" title="Animated documentary">Animated</a></li> <li><a href="/wiki/City_symphony" title="City symphony">City symphony</a></li> <li><a href="/wiki/Docudrama" title="Docudrama">Docudrama</a></li> <li><a href="/wiki/Mockumentary" title="Mockumentary">Mockumentary</a></li> <li><a href="/wiki/Mondo_film" title="Mondo film">Mondo</a></li> <li><a href="/wiki/Pseudo-documentary" title="Pseudo-documentary">Pseudo</a></li> <li><a href="/wiki/Semidocumentary" title="Semidocumentary">Semi</a></li> <li><a href="/wiki/Travel_documentary" title="Travel documentary">Travel</a></li> <li><a href="/wiki/Video_essay" title="Video essay">Video essay</a></li></ul></li> <li><a href="/wiki/Drama_(film_and_television)" title="Drama (film and television)">Drama</a> <ul><li><a href="/wiki/Calligrafismo" title="Calligrafismo">Calligrafismo</a></li> <li><a href="/wiki/Comedy_drama" title="Comedy drama">Dramedy</a></li> <li><a href="/wiki/Historical_drama" title="Historical drama">Historical</a></li> <li><a href="/wiki/Legal_drama" title="Legal drama">Legal</a></li> <li><a href="/wiki/Melodrama" title="Melodrama">Melodrama</a> <ul><li><a href="/wiki/Korean_melodrama" title="Korean melodrama">Korean</a></li></ul></li></ul></li> <li><a href="/wiki/Sex_in_film" title="Sex in film">Erotic</a> <ul><li><a href="/wiki/Commedia_sexy_all%27italiana" title="Commedia sexy all'italiana">Commedia sexy all'italiana</a></li> <li><a href="/wiki/Pink_film" title="Pink film">Pink</a></li> <li><a href="/wiki/Sexploitation_film" title="Sexploitation film">Sexploitation</a></li> <li><a href="/wiki/Erotic_thriller" title="Erotic thriller">Thriller</a></li></ul></li> <li><a href="/wiki/Educational_film" title="Educational film">Educational</a></li> <li><a href="/wiki/Social_guidance_film" title="Social guidance film">Social guidance</a></li> <li><a href="/wiki/Epic_film" title="Epic film">Epic</a> <ul><li><a href="/wiki/Sword-and-sandal" title="Sword-and-sandal">Sword-and-sandal</a></li></ul></li> <li><a href="/wiki/Experimental_film" title="Experimental film">Experimental</a></li> <li><a href="/wiki/Exploitation_film" title="Exploitation film">Exploitation</a> <ul><li><a href="/wiki/Template:Exploitation_film" title="Template:Exploitation film">see <i>Exploitation film template</i></a></li></ul></li> <li><a href="/wiki/Fantasy_film" title="Fantasy film">Fantasy</a> <ul><li><a href="/wiki/Fantasy_comedy" title="Fantasy comedy">Comedy</a></li> <li><a href="/wiki/Contemporary_fantasy" title="Contemporary fantasy">Contemporary</a></li> <li><a href="/wiki/Fantastique" title="Fantastique">Fantastique</a></li> <li><a href="/wiki/High_fantasy" title="High fantasy">High</a></li> <li><a href="/wiki/Historical_fantasy" title="Historical fantasy">Historical</a></li> <li><a href="/wiki/Magic_realism" class="mw-redirect" title="Magic realism">Magic realism</a></li> <li><a href="/wiki/Science_fantasy" title="Science fantasy">Science</a></li></ul></li> <li><a href="/wiki/Film_noir" title="Film noir">Film noir</a> <ul><li><a href="/wiki/Neo-noir" title="Neo-noir">Neo-noir</a></li> <li><a href="/wiki/Pulp_noir" title="Pulp noir">Pulp noir</a></li> <li><a href="/wiki/Tech_noir" title="Tech noir">Tech noir</a></li></ul></li> <li><a href="/wiki/Gothic_film" title="Gothic film">Gothic</a> <ul><li><a href="/wiki/Gothic_romance_film" title="Gothic romance film">Romance</a></li> <li><a href="/wiki/Southern_Gothic" title="Southern Gothic">Southern</a></li> <li><a href="/wiki/Gothic_science_fiction" class="mw-redirect" title="Gothic science fiction">Space</a></li> <li><a href="/wiki/Suburban_Gothic" title="Suburban Gothic">Suburban</a></li> <li><a href="/wiki/Urban_Gothic" title="Urban Gothic">Urban</a></li></ul></li> <li><a href="/wiki/Horror_film" title="Horror film">Horror</a> <ul><li><a href="/wiki/Art_horror" title="Art horror">Arthouse</a></li> <li><a href="/wiki/List_of_body_horror_media" title="List of body horror media">Body</a></li> <li><a href="/wiki/Cannibal_film" title="Cannibal film">Cannibal</a></li> <li><a href="/wiki/Chinese_horror_film" title="Chinese horror film">Chinese horror</a></li> <li><a href="/wiki/Christmas_horror" title="Christmas horror">Christmas horror</a></li> <li><a href="/wiki/Comedy_horror" title="Comedy horror">Comedy</a></li> <li><a href="/wiki/List_of_eco-horror_films" title="List of eco-horror films">Eco</a></li> <li><a href="/wiki/Fantastique" title="Fantastique">Fantastique</a></li> <li><a href="/wiki/Found_footage_(film_technique)" title="Found footage (film technique)">Found footage</a></li> <li><a href="/wiki/German_underground_horror" title="German underground horror">German underground</a></li> <li><a href="/wiki/List_of_ghost_films" title="List of ghost films">Ghost</a></li> <li><a href="/wiki/Giallo" title="Giallo">Giallo</a> <ul><li><a href="/wiki/List_of_giallo_films" title="List of giallo films">List of films</a></li></ul></li> <li><a href="/wiki/List_of_holiday_horror_films" title="List of holiday horror films">Holiday</a></li> <li><a href="/wiki/Japanese_horror" title="Japanese horror">Japanese horror</a></li> <li><a href="/wiki/Korean_horror" title="Korean horror">Korean horror</a></li> <li><a href="/wiki/Lovecraftian_horror" title="Lovecraftian horror">Lovecraftian</a></li> <li><a href="/wiki/List_of_natural_horror_films" title="List of natural horror films">Natural</a></li> <li><a href="/wiki/New_Extremity" class="mw-redirect" title="New Extremity">New French Extremity</a></li> <li><a href="/wiki/Gender_in_horror_films" title="Gender in horror films">Psycho-biddy</a></li> <li><a href="/wiki/Psychological_horror" title="Psychological horror">Psychological</a></li> <li><a href="/wiki/List_of_science_fiction_horror_films" title="List of science fiction horror films">Science fiction</a></li> <li><a href="/wiki/Slasher_film" title="Slasher film">Slasher</a></li> <li><a href="/wiki/Splatter_film" title="Splatter film">Splatter</a></li> <li><a href="/wiki/Satanic_film" title="Satanic film">Satanic</a></li></ul></li> <li><a href="/wiki/Maximalist_film" title="Maximalist film">Maximalist film</a></li> <li><a href="/wiki/Minimalist_film" title="Minimalist film">Minimalist film</a></li> <li><a href="/wiki/Mumblecore" title="Mumblecore">Mumblecore</a></li> <li><a href="/wiki/Musical_film" title="Musical film">Musical</a> <ul><li><a href="/wiki/Arthouse_musical" title="Arthouse musical">Arthouse</a></li> <li><a href="/wiki/Backstage_musical" title="Backstage musical">Backstage</a></li> <li><a href="/wiki/Jukebox_musical" title="Jukebox musical">Jukebox</a></li> <li><a href="/wiki/Musicarello" title="Musicarello">Musicarello</a></li> <li><a href="/wiki/Operetta_film" title="Operetta film">Operetta</a></li> <li><a href="/wiki/Sceneggiata" title="Sceneggiata">Sceneggiata</a></li></ul></li> <li><a href="/wiki/Mystery_film" title="Mystery film">Mystery</a> <ul><li><a href="/wiki/Detective_fiction" title="Detective fiction">Detective</a> <ul><li><a href="/wiki/Occult_detective_fiction" title="Occult detective fiction">Occult detective</a></li> <li><a href="/wiki/Whodunit" title="Whodunit">Whodunit</a></li></ul></li> <li><a href="/wiki/Giallo" title="Giallo">Giallo</a></li></ul></li> <li><a href="/wiki/Crossover_fiction" class="mw-redirect" title="Crossover fiction">Crossover</a></li> <li><a href="/wiki/Pornographic_film" title="Pornographic film">Pornographic</a> <ul><li><a href="/wiki/Hardcore_pornography" title="Hardcore pornography">Hardcore pornography</a></li> <li><a href="/wiki/Softcore_pornography" title="Softcore pornography">Softcore pornography</a></li> <li>(<a href="/wiki/Malayalam_softcore_pornography" title="Malayalam softcore pornography">Malayalam</a>)</li></ul></li> <li><a href="/wiki/Propaganda_film" title="Propaganda film">Propaganda</a></li> <li><a href="/wiki/Reality_film" title="Reality film">Reality</a></li> <li><a href="/wiki/Romance_film" title="Romance film">Romantic</a> <ul><li><a href="/wiki/Romantic_comedy" title="Romantic comedy">Comedy</a> <ul><li><a href="/wiki/Bromantic_comedy" title="Bromantic comedy">Bromantic</a></li></ul></li> <li><a href="/wiki/Romantic_fantasy" title="Romantic fantasy">Fantasy</a></li> <li><a href="/wiki/Gothic_romance_film" title="Gothic romance film">Gothic</a></li> <li><a href="/wiki/Paranormal_romance" title="Paranormal romance">Paranormal</a></li> <li><a href="/wiki/Romantic_thriller" title="Romantic thriller">Thriller</a></li></ul></li> <li><a href="/wiki/Science_fiction_film" title="Science fiction film">Science fiction</a> <ul><li><a href="/wiki/Arthouse_science_fiction_film" title="Arthouse science fiction film">Art</a></li> <li><a href="/wiki/Science_fiction_comedy" title="Science fiction comedy">Comedy</a></li> <li><a href="/wiki/Fantastique" title="Fantastique">Fantastique</a></li> <li><a href="/wiki/Science_fantasy" title="Science fantasy">Fantasy</a></li> <li><a href="/wiki/Gothic_science_fiction" class="mw-redirect" title="Gothic science fiction">Gothic</a></li> <li><a href="/wiki/List_of_science_fiction_horror_films" title="List of science fiction horror films">Horror</a></li> <li><a href="/wiki/Military_science_fiction" title="Military science fiction">Military</a></li> <li><a href="/wiki/New_Wave_science_fiction" class="mw-redirect" title="New Wave science fiction">New Wave</a></li> <li><a href="/wiki/Space_opera" title="Space opera">Space opera</a></li> <li><a href="/wiki/Steampunk" title="Steampunk">Steampunk</a></li> <li><a href="/wiki/Tokusatsu" title="Tokusatsu">Tokusatsu</a></li> <li><a href="/wiki/Space_Western" title="Space Western">Western</a></li></ul></li> <li><a href="/wiki/Slice_of_life" title="Slice of life">Slice of life</a></li> <li><a href="/wiki/Slow_cinema" title="Slow cinema">Slow cinema</a></li> <li><a href="/wiki/Survival_film" title="Survival film">Survival</a></li> <li><a href="/wiki/Thriller_film" title="Thriller film">Thriller</a> <ul><li><a href="/wiki/Comedy_thriller" title="Comedy thriller">Comedy</a></li> <li><a href="/wiki/Erotic_thriller" title="Erotic thriller">Erotic</a></li> <li><a href="/wiki/Financial_thriller" title="Financial thriller">Financial</a></li> <li><a href="/wiki/Giallo" title="Giallo">Giallo</a></li> <li><a href="/wiki/Legal_thriller" title="Legal thriller">Legal</a></li> <li><a href="/wiki/New_Extremity" class="mw-redirect" title="New Extremity">New French Extremity</a></li> <li><a href="/wiki/Political_thriller" title="Political thriller">Political</a></li> <li><a href="/wiki/Psychological_thriller" title="Psychological thriller">Psychological</a></li> <li><a href="/wiki/Romantic_thriller" title="Romantic thriller">Romantic</a></li> <li><a href="/wiki/Techno-thriller" title="Techno-thriller">Techno</a></li></ul></li> <li><a href="/wiki/Transgressive_art" title="Transgressive art">Transgressive</a> <ul><li><a href="/wiki/Cinema_of_Transgression" title="Cinema of Transgression">Cinema of Transgression</a></li> <li><a href="/wiki/Extreme_cinema" title="Extreme cinema">Extreme cinema</a></li> <li><a href="/wiki/New_Extremity" class="mw-redirect" title="New Extremity">New French Extremity</a></li></ul></li> <li><a href="/wiki/Trick_film" title="Trick film">Trick</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">By theme</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_films_about_animals" title="List of films about animals">Animals</a></li> <li><a href="/wiki/Beach_party_film" title="Beach party film">Beach party</a></li> <li><a href="/wiki/Body_swap" title="Body swap">Body swap</a></li> <li><a href="/wiki/Buddy_film" title="Buddy film">Buddy</a> <ul><li><a href="/wiki/Buddy_cop" title="Buddy cop">Buddy cop</a></li> <li><a href="/wiki/Female_buddy_film" title="Female buddy film">Female</a></li></ul></li> <li><a href="/wiki/Cannibal_film" title="Cannibal film">Cannibal</a></li> <li><a href="/wiki/List_of_Chicano_films" title="List of Chicano films">Chicano</a></li> <li><a href="/wiki/Colonial_cinema" title="Colonial cinema">Colonial</a></li> <li><a href="/wiki/Coming-of-age_story" title="Coming-of-age story">Coming-of-age</a></li> <li><a href="/wiki/Concert_film" title="Concert film">Concert</a></li> <li><a href="/wiki/Crime_film" title="Crime film">Crime</a> <ul><li><a href="/wiki/Detective_fiction" title="Detective fiction">Detective</a></li> <li><a href="/wiki/Gangster_film" title="Gangster film">Gangster</a></li> <li><a href="/wiki/Gentleman_thief" title="Gentleman thief">Gentleman thief</a></li> <li><a href="/wiki/Gokud%C5%8D" title="Gokudō">Gokudō</a></li> <li><a href="/wiki/Gong%27an_fiction" title="Gong'an fiction">Gong'an</a></li> <li><a href="/wiki/Heist_film" title="Heist film">Heist</a></li> <li><a href="/wiki/Heroic_bloodshed" title="Heroic bloodshed">Heroic bloodshed</a></li> <li><a href="/wiki/Hood_film" title="Hood film">Hood</a></li> <li><a href="/wiki/Mafia_film" title="Mafia film">Mafia</a></li> <li><a href="/wiki/Mafia_comedy_film" title="Mafia comedy film">Mafia comedy</a></li> <li><a href="/wiki/Mumbai_underworld_film" class="mw-redirect" title="Mumbai underworld film">Mumbai underworld</a></li> <li><a href="/wiki/Poliziotteschi" title="Poliziotteschi">Poliziotteschi</a></li> <li><a href="/wiki/Yakuza_film" title="Yakuza film">Yakuza</a></li></ul></li> <li><a href="/wiki/Dance_in_film" title="Dance in film">Dance</a></li> <li><a href="/wiki/Disaster_film" title="Disaster film">Disaster</a> <ul><li><a href="/wiki/List_of_apocalyptic_films" title="List of apocalyptic films">Apocalyptic</a></li></ul></li> <li><a href="/wiki/List_of_drug_films" title="List of drug films">Drug</a> <ul><li><a href="/wiki/Psychedelic_film" title="Psychedelic film">Psychedelic</a></li> <li><a href="/wiki/Stoner_film" title="Stoner film">Stoner</a></li></ul></li> <li><a href="/wiki/List_of_dystopian_films" title="List of dystopian films">Dystopian</a></li> <li><a href="/wiki/Ecchi" title="Ecchi">Ecchi</a></li> <li><a href="/wiki/Economics_film" title="Economics film">Economic</a></li> <li><a href="/wiki/Ethnographic_film" title="Ethnographic film">Ethnographic</a></li> <li><a href="/wiki/Exploitation_film" title="Exploitation film">Exploitation</a> <ul><li><a href="/wiki/Blaxploitation" title="Blaxploitation">Blaxploitation</a></li> <li><a href="/wiki/Mexploitation" title="Mexploitation">Mexploitation</a></li> <li><a href="/wiki/Turksploitation" title="Turksploitation">Turksploitation</a></li></ul></li> <li><a href="/wiki/List_of_films_featuring_extraterrestrials" title="List of films featuring extraterrestrials">Extraterrestrial</a></li> <li><a href="/wiki/List_of_films_about_food_and_drink" title="List of films about food and drink">Food and drink</a></li> <li><a href="/wiki/Gendai-geki" title="Gendai-geki">Gendai-geki</a></li> <li><a href="/wiki/List_of_ghost_films" title="List of ghost films">Ghost</a></li> <li><a href="/wiki/Goona-goona_epic" title="Goona-goona epic">Goona-goona epic</a></li> <li><a href="/wiki/Gothic_film" title="Gothic film">Gothic</a> <ul><li><a href="/wiki/Gothic_romance_film" title="Gothic romance film">Romance</a></li> <li><a href="/wiki/Gothic_science_fiction" class="mw-redirect" title="Gothic science fiction">Space</a></li> <li><a href="/wiki/Suburban_Gothic" title="Suburban Gothic">Suburban</a></li></ul></li> <li><a href="/wiki/Girls_with_guns" title="Girls with guns">Girls with guns</a></li> <li><a href="/wiki/Harem_(genre)" title="Harem (genre)">Harem</a></li> <li><a href="/wiki/Hentai" title="Hentai">Hentai</a> <ul><li><a href="/wiki/Lolicon" title="Lolicon">Lolicon</a></li> <li><a href="/wiki/Shotacon" title="Shotacon">Shotacon</a></li> <li><a href="/wiki/Tentacle_erotica" title="Tentacle erotica">Tentacle erotica</a></li></ul></li> <li><a href="/wiki/Heimatfilm" title="Heimatfilm">Homeland</a></li> <li><a href="/wiki/Isekai" title="Isekai">Isekai</a></li> <li><a href="/wiki/Jidaigeki" title="Jidaigeki">Jidaigeki</a> <ul><li><a href="/wiki/Samurai_cinema" title="Samurai cinema">Samurai</a></li></ul></li> <li><a href="/wiki/Gentleman_thief" title="Gentleman thief">Kaitō</a></li> <li><a href="/wiki/List_of_LGBTQ-related_films" title="List of LGBTQ-related films">LGBTQ</a> <ul><li><a href="/wiki/Yaoi" class="mw-redirect" title="Yaoi">Yaoi</a></li> <li><a href="/wiki/Yuri_(genre)" title="Yuri (genre)">Yuri</a></li></ul></li> <li><a href="/wiki/Luchador_films" title="Luchador films">Luchador</a></li> <li><a href="/wiki/Magical_girl" title="Magical girl">Magical girl</a></li> <li><a href="/wiki/Martial_arts_film" title="Martial arts film">Martial arts</a> <ul><li><a href="/wiki/Bruceploitation" title="Bruceploitation">Bruceploitation</a></li> <li><a href="/wiki/Chopsocky" title="Chopsocky">Chopsocky</a></li> <li><a href="/wiki/Gun_fu" title="Gun fu">Gun fu</a></li> <li><a href="/wiki/Kung_fu_film" title="Kung fu film">Kung fu</a></li> <li><a href="/wiki/List_of_ninja_films" title="List of ninja films">Ninja</a></li> <li><a href="/wiki/Wuxia" title="Wuxia">Wuxia</a></li></ul></li> <li><a href="/wiki/Mecha" title="Mecha">Mecha</a> <ul><li><a href="/wiki/Mecha_anime_and_manga" title="Mecha anime and manga">Anime</a></li></ul></li> <li><a href="/wiki/Monster_movie" title="Monster movie">Monster</a> <ul><li><a href="/wiki/List_of_films_featuring_giant_monsters" title="List of films featuring giant monsters">Giant monster</a></li> <li><a href="/wiki/Kaiju" title="Kaiju">Kaiju</a></li> <li><a href="/wiki/List_of_mummy_films" title="List of mummy films">Mummy</a></li> <li><a href="/wiki/Vampire_film" title="Vampire film">Vampire</a></li> <li><a href="/wiki/List_of_zombie_films" title="List of zombie films">Zombie</a> <ul><li><a href="/wiki/Zombie_comedy" title="Zombie comedy">Zombie comedy</a></li></ul></li></ul></li> <li><a href="/wiki/Mountain_film" title="Mountain film">Mountain</a></li> <li><a href="/wiki/Cinema_da_Boca_do_Lixo" title="Cinema da Boca do Lixo">Mouth of Garbage</a></li> <li><a href="/wiki/Muslim_social" title="Muslim social">Muslim social</a></li> <li><a href="/wiki/Nature_documentary" title="Nature documentary">Nature</a> <ul><li><a href="/wiki/List_of_environmental_films" title="List of environmental films">Environmental issues</a></li></ul></li> <li><a href="/wiki/Opera_film" title="Opera film">Opera</a></li> <li><a href="/wiki/Outlaw_biker_film" title="Outlaw biker film">Outlaw biker</a></li> <li><a href="/wiki/Ozploitation" title="Ozploitation">Ozploitation</a></li> <li><a href="/wiki/Partisan_film" title="Partisan film">Partisan film</a></li> <li><a href="/wiki/Prison_film" title="Prison film">Prison</a> <ul><li><a href="/wiki/Women_in_prison_film" title="Women in prison film">Women</a></li></ul></li> <li><a href="/wiki/Race_film" title="Race film">Race</a></li> <li><a href="/wiki/Rape_and_revenge_film" class="mw-redirect" title="Rape and revenge film">Rape and revenge</a></li> <li><a href="/wiki/Road_movie" title="Road movie">Road</a></li> <li><a href="/wiki/Tr%C3%BCmmerfilm" title="Trümmerfilm">Rubble</a></li> <li><a href="/wiki/Rumberas_film" title="Rumberas film">Rumberas</a></li> <li><a href="/wiki/Sexploitation_film" title="Sexploitation film">Sexploitation</a> <ul><li><a href="/wiki/Bavarian_porn" title="Bavarian porn">Bavarian porn</a></li> <li><a href="/wiki/Commedia_sexy_all%27italiana" title="Commedia sexy all'italiana">Commedia sexy all'italiana</a></li> <li><a href="/wiki/Mexican_sex_comedy" title="Mexican sex comedy">Mexican sex comedy</a></li> <li><a href="/wiki/Nazi_exploitation" title="Nazi exploitation">Nazi exploitation</a></li> <li><a href="/wiki/Pornochanchada" title="Pornochanchada">Pornochanchada</a></li> <li><a href="/wiki/Nunsploitation" title="Nunsploitation">Nunsploitation</a></li> <li><a href="/wiki/Sex_report_film" title="Sex report film">Sex report</a></li></ul></li> <li><a href="/wiki/Shoshimin-eiga" title="Shoshimin-eiga">Shoshimin-eiga</a></li> <li><a href="/wiki/List_of_films_featuring_slavery" title="List of films featuring slavery">Slavery</a></li> <li><a href="/wiki/Slice_of_life" title="Slice of life">Slice of life</a></li> <li><a href="/wiki/Snuff_film" title="Snuff film">Snuff</a></li> <li><a href="/wiki/South_Seas_genre" title="South Seas genre">South Seas</a></li> <li><a href="/wiki/Sports_film" title="Sports film">Sports</a></li> <li><a href="/wiki/Spy_film" title="Spy film">Spy</a> <ul><li><a href="/wiki/Eurospy_film" title="Eurospy film">Eurospy</a></li></ul></li> <li><a href="/wiki/Superhero_film" title="Superhero film">Superhero</a></li> <li><a href="/wiki/Surf_film" title="Surf film">Surfing</a></li> <li><a href="/wiki/Swashbuckler_film" title="Swashbuckler film">Swashbuckler</a></li> <li><a href="/wiki/Sword-and-sandal" title="Sword-and-sandal">Sword-and-sandal</a></li> <li><a href="/wiki/Sword_and_sorcery" title="Sword and sorcery">Sword and sorcery</a></li> <li><a href="/wiki/Travel_documentary" title="Travel documentary">Travel</a> <ul><li><a href="/wiki/Imaginary_voyage" title="Imaginary voyage">imaginary voyage</a></li></ul></li> <li><a href="/wiki/Trial_film" title="Trial film">Trial</a></li> <li><a href="/wiki/Vigilante_film" title="Vigilante film">Vigilante</a></li> <li><a href="/wiki/War_film" title="War film">War</a> <ul><li><a href="/wiki/List_of_anti-war_films" title="List of anti-war films">Anti-war</a></li> <li><a href="/wiki/Euro_War" title="Euro War">Euro War</a></li> <li><a href="/wiki/Submarine_films" title="Submarine films">Submarine</a></li></ul></li> <li><a href="/wiki/Western_film" title="Western film">Western</a> <ul><li><a href="/wiki/Acid_Western" title="Acid Western">Acid</a></li> <li><a href="/wiki/Contemporary_Western" title="Contemporary Western">Contemporary Western</a></li> <li><a href="/wiki/Dacoit_Western" class="mw-redirect" title="Dacoit Western">Dacoit Western</a></li> <li><a href="/wiki/Fantasy_Western" class="mw-redirect" title="Fantasy Western">Fantasy</a></li> <li><a href="/wiki/Florida_Western" title="Florida Western">Florida</a></li> <li><a href="/wiki/Horror_Western" title="Horror Western">Horror</a></li> <li><a href="/wiki/Australian_Western" title="Australian Western">Meat pie</a></li> <li><a href="/wiki/Northern_(genre)" title="Northern (genre)">Northern</a></li> <li><a href="/wiki/Ostern" title="Ostern">Ostern</a></li> <li><a href="/wiki/Revisionist_Western" title="Revisionist Western">Revisionist</a></li> <li><a href="/wiki/Science_fiction_Western" title="Science fiction Western">Science fiction</a></li> <li><a href="/wiki/Singing_cowboy" title="Singing cowboy">Singing cowboy</a></li> <li><a href="/wiki/Space_Western" title="Space Western">Space</a></li> <li><a href="/wiki/Spaghetti_Western" title="Spaghetti Western">Spaghetti</a></li> <li><a href="/wiki/Weird_West" title="Weird West">Weird Western</a></li> <li><a href="/wiki/Zapata_Western" class="mw-redirect" title="Zapata Western">Zapata Western</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">By movement <br /> or period</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Absolute_film" class="mw-redirect" title="Absolute film">Absolute</a></li> <li><a href="/wiki/American_eccentric_cinema" title="American eccentric cinema">American eccentric cinema</a></li> <li><a href="/wiki/New_Objectivity_(filmmaking)" title="New Objectivity (filmmaking)">New Objectivity</a></li> <li><a href="/wiki/Australian_New_Wave" title="Australian New Wave">Australian New Wave</a></li> <li><a href="/wiki/Auteur" title="Auteur">Auteur films</a></li> <li><a href="/wiki/Berlin_School_(filmmaking)" title="Berlin School (filmmaking)">Berlin School</a></li> <li><a href="/wiki/Bourekas_film" title="Bourekas film">Bourekas</a></li> <li><a href="/wiki/Brighton_School_(filmmaking)" title="Brighton School (filmmaking)">Brighton School</a></li> <li><a href="/wiki/British_New_Wave" title="British New Wave">British New Wave</a> <ul><li><a href="/wiki/Kitchen_sink_realism" title="Kitchen sink realism">Kitchen sink realism</a></li></ul></li> <li><a href="/wiki/Budapest_school" title="Budapest school">Budapest school</a></li> <li><a href="/wiki/Calligrafismo" title="Calligrafismo">Calligrafismo</a></li> <li><a href="/wiki/Cannibal_film" title="Cannibal film">Cannibal boom</a></li> <li><a href="/wiki/Cin%C3%A9ma_du_look" title="Cinéma du look">Cinéma du look</a></li> <li><a class="mw-selflink selflink">Cinema Novo</a></li> <li><a href="/wiki/Cinema_of_Transgression" title="Cinema of Transgression">Cinema of Transgression</a></li> <li><a href="/wiki/Cin%C3%A9ma_pur" class="mw-redirect" title="Cinéma pur">Cinéma pur</a></li> <li><a href="/wiki/Commedia_all%27italiana" title="Commedia all'italiana">Commedia all'italiana</a></li> <li><a href="/wiki/Czechoslovak_New_Wave" title="Czechoslovak New Wave">Czechoslovak New Wave</a></li> <li><a href="/wiki/Documentary_Film_Movement" title="Documentary Film Movement">Documentary Film Movement</a></li> <li><a href="/wiki/Dogme_95" title="Dogme 95">Dogme 95</a></li> <li><a href="/wiki/Erra_Cinema" class="mw-redirect" title="Erra Cinema">Erra Cinema</a></li> <li><a href="/wiki/European_art_cinema" title="European art cinema">European art cinema</a></li> <li><a href="/wiki/Film_d%27art" title="Film d'art">Film d'art</a></li> <li><a href="/wiki/Film_gris" title="Film gris">Film gris</a></li> <li><a href="/wiki/Free_Cinema" title="Free Cinema">Free Cinema</a></li> <li><a href="/wiki/French_New_Wave" title="French New Wave">French New Wave</a></li> <li><a href="/wiki/German_expressionist_cinema" title="German expressionist cinema">German Expressionist</a></li> <li><a href="/wiki/German_underground_horror" title="German underground horror">German underground horror</a></li> <li><a href="/wiki/Golden_Age_of_Nigerian_Cinema" title="Golden Age of Nigerian Cinema">Nigerian Golden Age</a></li> <li><a href="/wiki/Grupo_Cine_Liberaci%C3%B3n" title="Grupo Cine Liberación">Grupo Cine Liberación</a></li> <li><a href="/wiki/Heimatfilm" title="Heimatfilm">Heimatfilm</a></li> <li><a href="/wiki/Hollywood_on_the_Tiber" title="Hollywood on the Tiber">Hollywood on the Tiber</a></li> <li><a href="/wiki/Hong_Kong_New_Wave" title="Hong Kong New Wave">Hong Kong New Wave</a></li> <li><a href="/wiki/Indiewood" title="Indiewood">Indiewood</a></li> <li><a href="/wiki/Iranian_New_Wave" title="Iranian New Wave">Iranian New Wave</a></li> <li><a href="/wiki/Italian_futurism_in_cinema" title="Italian futurism in cinema">Italian futurist</a></li> <li><a href="/wiki/Italian_neorealism" title="Italian neorealism">Italian neorealist</a></li> <li><a href="/wiki/Japanese_New_Wave" title="Japanese New Wave">Japanese New Wave</a></li> <li><a href="/wiki/Kammerspielfilm" title="Kammerspielfilm">Kammerspielfilm</a></li> <li><a href="/wiki/L.A._Rebellion" title="L.A. Rebellion">L.A. Rebellion</a></li> <li><a href="/wiki/Lettrism" title="Lettrism">Lettrist</a></li> <li><a href="/wiki/Modernist_film" title="Modernist film">Modernist film</a></li> <li><a href="/wiki/Mumblecore" title="Mumblecore">Mumblecore</a></li> <li><a href="/wiki/Neorealism_(art)" title="Neorealism (art)">Neorealist</a></li> <li><a href="/wiki/New_Extremity" class="mw-redirect" title="New Extremity">New French Extremity</a></li> <li><a href="/wiki/New_German_Cinema" title="New German Cinema">New German</a></li> <li><a href="/wiki/New_generation_(Malayalam_film_movement)" title="New generation (Malayalam film movement)">New generation</a></li> <li><a href="/wiki/New_Hollywood" title="New Hollywood">New Hollywood</a></li> <li><a href="/wiki/New_Nigerian_Cinema" title="New Nigerian Cinema">New Nollywood</a></li> <li><a href="/wiki/New_queer_cinema" title="New queer cinema">New Queer</a></li> <li><a href="/wiki/No_Wave_Cinema" class="mw-redirect" title="No Wave Cinema">No wave</a></li> <li><a href="/wiki/Nuevo_Cine_Mexicano" title="Nuevo Cine Mexicano">Nuevo Cine Mexicano</a></li> <li><a href="/wiki/Pan-Indian_film" title="Pan-Indian film">Pan-Indian film</a></li> <li><a href="/wiki/Parallel_cinema" title="Parallel cinema">Parallel cinema</a></li> <li><a href="/wiki/Filmfarsi" title="Filmfarsi">Persian Film</a></li> <li><a href="/wiki/Poetic_realism" title="Poetic realism">Poetic realist</a></li> <li><a href="/wiki/Polish_Film_School" title="Polish Film School">Polish Film School</a></li> <li><a href="/wiki/Poliziotteschi" title="Poliziotteschi">Poliziotteschi</a></li> <li><a href="/wiki/The_Prague_film_school" title="The Prague film school">The Prague film school</a></li> <li><a href="/wiki/Prussian_film" title="Prussian film">Prussian film</a></li> <li><a href="/wiki/Pure_Film_Movement" title="Pure Film Movement">Pure Film Movement</a></li> <li><a href="/wiki/Remodernist_film" title="Remodernist film">Remodernist</a></li> <li><a href="/wiki/Romanian_New_Wave" title="Romanian New Wave">Romanian New Wave</a></li> <li><a href="/wiki/Slow_cinema" title="Slow cinema">Slow cinema</a></li> <li><a href="/wiki/Spaghetti_Western" title="Spaghetti Western">Spaghetti Western</a></li> <li><a href="/wiki/Socialist_realism" title="Socialist realism">Socialist realist</a></li> <li><a href="/wiki/Social_realism" title="Social realism">Social realist</a> <ul><li><a href="/wiki/Kitchen_sink_realism" title="Kitchen sink realism">Kitchen sink realism</a></li></ul></li> <li><a href="/wiki/Soviet_parallel_cinema" title="Soviet parallel cinema">Soviet parallel</a></li> <li><a href="/wiki/Structural_film" title="Structural film">Structural</a></li> <li><a href="/wiki/Surrealist_cinema" title="Surrealist cinema">Surrealist</a></li> <li><a href="/wiki/Sword-and-sandal" title="Sword-and-sandal">Sword-and-sandal</a></li> <li><a href="/wiki/Telefoni_Bianchi" title="Telefoni Bianchi">Telefoni Bianchi</a></li> <li><a href="/wiki/Third_Cinema" title="Third Cinema">Third Cinema</a></li> <li><a href="/wiki/Toronto_New_Wave" title="Toronto New Wave">Toronto New Wave</a></li> <li><a href="/wiki/Vulgar_auteurism" title="Vulgar auteurism">Vulgar auteurism</a></li> <li><a href="/wiki/Yugoslav_Black_Wave" title="Yugoslav Black Wave">Yugoslav Black Wave</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">By demographic</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pornographic_film" title="Pornographic film">Adult</a></li> <li><a href="/wiki/Black_film" title="Black film">Black</a></li> <li><a href="/wiki/Children%27s_film" title="Children's film">Children and family</a> <ul><li><a href="/wiki/Children%27s_anime_and_manga" title="Children's anime and manga">Anime</a></li></ul></li> <li>Men <ul><li><a href="/wiki/Seinen_manga" title="Seinen manga">Seinen</a></li> <li><a href="/wiki/Stag_film" title="Stag film">Stag</a></li></ul></li> <li><a href="/wiki/Teen_film" title="Teen film">Teen</a> <ul><li><a href="/wiki/Sh%C5%8Dnen_manga" title="Shōnen manga">Shōnen</a></li> <li><a href="/wiki/Sh%C5%8Djo_manga" title="Shōjo manga">Shōjo</a></li></ul></li> <li><a href="/wiki/Woman%27s_film" title="Woman's film">Women</a> <ul><li><a href="/wiki/Chick_flick" title="Chick flick">Chick flick</a></li> <li><a href="/wiki/Josei_manga" title="Josei manga">Josei</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">By format,<br /> technique,<br /> approach,<br /> or production</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/3D_film" title="3D film">3D</a></li> <li><a href="/wiki/Actuality_film" title="Actuality film">Actuality</a></li> <li><a href="/wiki/Animation" title="Animation">Animation</a> <ul><li><a href="/wiki/Anime" title="Anime">Anime</a></li> <li><a href="/wiki/Arthouse_animation" title="Arthouse animation">Art</a></li> <li><a href="/wiki/Animated_cartoon" class="mw-redirect" title="Animated cartoon">Cartoon</a></li> <li><a href="/wiki/Computer_animation" title="Computer animation">Computer</a></li> <li><a href="/wiki/Stop_motion" title="Stop motion">Stop-motion</a></li> <li><a href="/wiki/Traditional_animation" title="Traditional animation">Traditional</a></li></ul></li> <li><a href="/wiki/Anthology_film" title="Anthology film">Anthology</a></li> <li><a href="/wiki/Art_film" title="Art film">Art</a></li> <li><a href="/wiki/B_movie" title="B movie">B movie</a></li> <li><a href="/wiki/Behind-the-scenes" title="Behind-the-scenes">Behind-the-scenes</a></li> <li><a href="/wiki/Black-and-white" title="Black-and-white">Black-and-white</a></li> <li><a href="/wiki/Blockbuster_(entertainment)" title="Blockbuster (entertainment)">Blockbuster</a></li> <li><a href="/wiki/Cin%C3%A9ma_v%C3%A9rit%C3%A9" title="Cinéma vérité">Cinéma vérité</a></li> <li><a href="/wiki/Classical_Hollywood_cinema" title="Classical Hollywood cinema">Classical Hollywood cinema</a></li> <li><a href="/wiki/Collage_film" title="Collage film">Collage</a></li> <li><a href="/wiki/Color_motion_picture_film" title="Color motion picture film">Color</a></li> <li><a href="/wiki/Compilation_film" title="Compilation film">Compilation</a></li> <li><a href="/wiki/Composite_film" title="Composite film">Composite</a></li> <li><a href="/wiki/Screenlife" title="Screenlife">Computer screen</a></li> <li><a href="/wiki/Cult_film" title="Cult film">Cult</a> <ul><li><a href="/wiki/Midnight_movie" title="Midnight movie">midnight movie</a></li></ul></li> <li><a href="/wiki/Database_cinema" title="Database cinema">Database cinema</a></li> <li><a href="/wiki/Docufiction" title="Docufiction">Docufiction</a></li> <li><a href="/wiki/Ethnofiction" title="Ethnofiction">Ethnofiction</a></li> <li><a href="/wiki/Experimental_film" title="Experimental film">Experimental</a> <ul><li><a href="/wiki/Abstract_animation" class="mw-redirect" title="Abstract animation">Abstract</a></li></ul></li> <li><a href="/wiki/Feature_film" title="Feature film">Feature</a></li> <li><a href="/wiki/Featurette" title="Featurette">Featurette</a></li> <li><a href="/wiki/Film_%C3%A0_clef" title="Film à clef">Film à clef</a></li> <li><a href="/wiki/Film-poem" title="Film-poem">Film-poem</a></li> <li><a href="/wiki/Found_footage_(film_technique)" title="Found footage (film technique)">Found footage</a></li> <li><a href="/wiki/Hyperlink_cinema" title="Hyperlink cinema">Hyperlink cinema</a></li> <li><a href="/wiki/Independent_film" title="Independent film">Independent</a> <ul><li><a href="/wiki/Guerrilla_filmmaking" title="Guerrilla filmmaking">Guerrilla filmmaking</a></li> <li><a href="/wiki/List_of_American_independent_films" title="List of American independent films">List of American independent films</a></li></ul></li> <li><a href="/wiki/Interstitial_art" title="Interstitial art">Interstitial art</a></li> <li><a href="/wiki/Live_action" title="Live action">Live action</a> <ul><li><a href="/wiki/List_of_films_with_live_action_and_animation" title="List of films with live action and animation">animation</a></li></ul></li> <li><a href="/wiki/Low-budget_film" title="Low-budget film">Low-budget</a></li> <li><a href="/wiki/Major_film_studios" title="Major film studios">Major film studios</a></li> <li><a href="/wiki/Masala_film" title="Masala film">Masala</a></li> <li><a href="/wiki/Maximalist_film" title="Maximalist film">Maximalist film</a></li> <li><a href="/wiki/Message_picture" title="Message picture">Message picture</a></li> <li><a href="/wiki/Metacinema" title="Metacinema">Meta-film</a></li> <li><a href="/wiki/Minimalist_film" title="Minimalist film">Minimalist film</a></li> <li><a href="/wiki/Mockbuster" title="Mockbuster">Mockbuster</a></li> <li><a href="/wiki/Modernist_film" title="Modernist film">Modernist film</a></li> <li><a href="/wiki/Musical_short" title="Musical short">Musical short</a></li> <li><a href="/wiki/Mythopoeia" title="Mythopoeia">Mythopoeia</a></li> <li><a href="/wiki/Neorealism_(art)" title="Neorealism (art)">Neorealist</a></li> <li><a href="/wiki/No-budget_film" title="No-budget film">No-budget</a></li> <li><a href="/wiki/One-shot_film" title="One-shot film">One-shot</a></li> <li><a href="/wiki/Paracinema" title="Paracinema">Paracinema</a></li> <li><a href="/wiki/Participatory_cinema" title="Participatory cinema">Participatory</a></li> <li><a href="/wiki/Poetry_film" title="Poetry film">Poetry</a></li> <li><a href="/wiki/Postmodernist_film" title="Postmodernist film">Postmodernist</a></li> <li><a href="/wiki/Reverse_motion" title="Reverse motion">Reverse motion</a></li> <li><a href="/wiki/Satire_(film_and_television)" title="Satire (film and television)">Satire</a></li> <li><a href="/wiki/Sceneggiata" title="Sceneggiata">Sceneggiata</a></li> <li><a href="/wiki/Semidocumentary" title="Semidocumentary">Semidocumentary</a></li> <li><a href="/wiki/Serial_film" title="Serial film">Serial</a></li> <li><a href="/wiki/Shinpa" title="Shinpa">Shinpa</a></li> <li><a href="/wiki/Short_film" title="Short film">Short</a></li> <li><a href="/wiki/Silent_film" title="Silent film">Silent</a></li> <li><a href="/wiki/Slow_cinema" title="Slow cinema">Slow cinema</a></li> <li><a href="/wiki/Socialist_realism" title="Socialist realism">Socialist realist</a></li> <li><a href="/wiki/Sound_film" title="Sound film">Sound</a></li> <li><a href="/wiki/Underground_film" title="Underground film">Underground</a></li> <li><a href="/wiki/Video_nasty" title="Video nasty">Video nasty</a></li> <li><a href="/wiki/Vulgar_auteurism" title="Vulgar auteurism">Vulgar auteurism</a></li> <li><a href="/wiki/Z_movie" title="Z movie">Z movie</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Film_genres" title="Category:Film genres">Category</a></li></ul> </div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐57488d5c7d‐tlb8r Cached time: 20241128023457 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.568 seconds Real time usage: 0.762 seconds Preprocessor visited node count: 1614/1000000 Post‐expand include size: 61285/2097152 bytes Template argument size: 942/2097152 bytes Highest 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