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Mighty Joe Young (1949 film) - Wikipedia
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vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Themes"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Themes</span> </div> </a> <button aria-controls="toc-Themes-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Themes subsection</span> </button> <ul id="toc-Themes-sublist" class="vector-toc-list"> <li id="toc-Domestication_and_humanity" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Domestication_and_humanity"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Domestication and humanity</span> </div> </a> <ul id="toc-Domestication_and_humanity-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Racial_commentary" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Racial_commentary"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Racial commentary</span> </div> </a> <ul id="toc-Racial_commentary-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Release" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Release"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Release</span> </div> </a> <ul id="toc-Release-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Reception" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Reception"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Reception</span> </div> </a> <button aria-controls="toc-Reception-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Reception subsection</span> </button> <ul 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</ul> </li> <li id="toc-Sequel_and_remake" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Sequel_and_remake"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Sequel and remake</span> </div> </a> <ul id="toc-Sequel_and_remake-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>Bibliography</span> </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>Mighty Joe Young</i> (1949 film)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 18 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-18" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">18 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/El_gran_goril%C2%B7la" title="El gran goril·la – Catalan" lang="ca" hreflang="ca" data-title="El gran goril·la" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Mighty_Joe_Young" title="Mighty Joe Young – Welsh" lang="cy" hreflang="cy" data-title="Mighty Joe Young" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Panik_um_King_Kong" title="Panik um King Kong – German" lang="de" hreflang="de" data-title="Panik um King Kong" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/El_gran_gorila" title="El gran gorila – Spanish" lang="es" hreflang="es" data-title="El gran gorila" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Mighty_Joe_Young_(1949ko_filma)" title="Mighty Joe Young (1949ko filma) – Basque" lang="eu" hreflang="eu" data-title="Mighty Joe Young (1949ko filma)" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%AC%D9%88_%DB%8C%D8%A7%D9%86%DA%AF_%D9%82%D8%AF%D8%B1%D8%AA%D9%85%D9%86%D8%AF_(%D9%81%DB%8C%D9%84%D9%85_%DB%B1%DB%B9%DB%B4%DB%B9)" title="جو یانگ قدرتمند (فیلم ۱۹۴۹) – Persian" lang="fa" hreflang="fa" data-title="جو یانگ قدرتمند (فیلم ۱۹۴۹)" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Monsieur_Joe" title="Monsieur Joe – French" lang="fr" hreflang="fr" data-title="Monsieur Joe" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%A7%88%EC%9D%B4%ED%8B%B0_%EC%A1%B0_%EC%98%81_(1949%EB%85%84_%EC%98%81%ED%99%94)" title="마이티 조 영 (1949년 영화) – Korean" lang="ko" hreflang="ko" data-title="마이티 조 영 (1949년 영화)" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-ig mw-list-item"><a href="https://ig.wikipedia.org/wiki/Mighty_Joe_Young_(1949_film)" title="Mighty Joe Young (1949 film) – Igbo" lang="ig" hreflang="ig" data-title="Mighty Joe Young (1949 film)" data-language-autonym="Igbo" data-language-local-name="Igbo" class="interlanguage-link-target"><span>Igbo</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Il_re_dell%27Africa" title="Il re dell'Africa – Italian" lang="it" hreflang="it" data-title="Il re dell'Africa" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Mighty_Joe_Young_(filem_1949)" title="Mighty Joe Young (filem 1949) – Malay" lang="ms" hreflang="ms" data-title="Mighty Joe Young (filem 1949)" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E7%8C%BF%E4%BA%BA%E3%82%B8%E3%83%A7%E3%83%BC%E3%83%BB%E3%83%A4%E3%83%B3%E3%82%B0" title="猿人ジョー・ヤング – Japanese" lang="ja" hreflang="ja" data-title="猿人ジョー・ヤング" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Mighty_Joe_Young" title="Mighty Joe Young – Polish" lang="pl" hreflang="pl" data-title="Mighty Joe Young" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Mighty_Joe_Young_(1949)" title="Mighty Joe Young (1949) – Portuguese" lang="pt" hreflang="pt" data-title="Mighty Joe Young (1949)" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Mighty_Joe_Young_(film_din_1949)" title="Mighty Joe Young (film din 1949) – Romanian" lang="ro" hreflang="ro" data-title="Mighty Joe Young (film din 1949)" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9C%D0%BE%D0%B3%D1%83%D1%87%D0%B8%D0%B9_%D0%94%D0%B6%D0%BE_%D0%AF%D0%BD%D0%B3_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC,_1949)" title="Могучий Джо Янг (фильм, 1949) – Russian" lang="ru" hreflang="ru" data-title="Могучий Джо Янг (фильм, 1949)" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Mighty_Joe_Young" title="Mighty Joe Young – Simple English" lang="en-simple" hreflang="en-simple" data-title="Mighty Joe Young" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Fantomen_fr%C3%A5n_Afrika" title="Fantomen från Afrika – Swedish" lang="sv" hreflang="sv" data-title="Fantomen från Afrika" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q1640553#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="Namespaces"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-nstab-main" class="selected vector-tab-noicon mw-list-item"><a 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class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1949 film by Merian Cooper and Ernest Schoedsack</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Mighty Joe Young</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Mighty_Joe_Young_(1949_film)_poster.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/5/54/Mighty_Joe_Young_%281949_film%29_poster.jpg/220px-Mighty_Joe_Young_%281949_film%29_poster.jpg" decoding="async" width="220" height="322" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/5/54/Mighty_Joe_Young_%281949_film%29_poster.jpg 1.5x" data-file-width="261" data-file-height="382" /></a></span><div class="infobox-caption">Theatrical release poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Ernest_B._Schoedsack" title="Ernest B. Schoedsack">Ernest B. Schoedsack</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Screenplay by</th><td class="infobox-data"><a href="/wiki/Ruth_Rose" title="Ruth Rose">Ruth Rose</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Story by</th><td class="infobox-data">Merian C. Cooper</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data">Merian C. Cooper</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li><a href="/wiki/Terry_Moore_(actress)" title="Terry Moore (actress)">Terry Moore</a></li> <li><a href="/wiki/Ben_Johnson_(actor)" title="Ben Johnson (actor)">Ben Johnson</a></li> <li><a href="/wiki/Robert_Armstrong_(actor)" title="Robert Armstrong (actor)">Robert Armstrong</a></li> <li><a href="/wiki/Frank_McHugh" title="Frank McHugh">Frank McHugh</a></li> <li><a href="/wiki/Douglas_Fowley" title="Douglas Fowley">Douglas Fowley</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/J._Roy_Hunt" title="J. Roy Hunt">J. Roy Hunt</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data">Ted Cheesman</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><a href="/wiki/Roy_Webb" title="Roy Webb">Roy Webb</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production<br />company</div></th><td class="infobox-data"><div style="vertical-align: middle;"><a href="/wiki/Argosy_Pictures" class="mw-redirect" title="Argosy Pictures">Argosy Pictures</a></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><a href="/wiki/RKO_Pictures" title="RKO Pictures">RKO Radio Pictures</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release date</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist film-date"> <ul><li>July 13, 1949<span style="display:none"> (<span class="bday dtstart published updated itvstart">1949-07-13</span>)</span></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">93 minutes</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Country</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">$1.8 million<sup id="cite_ref-FOOTNOTETurner_Classic_Movies_1-0" class="reference"><a href="#cite_note-FOOTNOTETurner_Classic_Movies-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$1.95 million<sup id="cite_ref-FOOTNOTEVariety195059_2-0" class="reference"><a href="#cite_note-FOOTNOTEVariety195059-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></td></tr></tbody></table> <p><i><b>Mighty Joe Young</b></i> (also known as <i><b>Mr. Joseph Young of Africa</b></i> and <i><b>The Great Joe Young</b></i>) is a 1949 American <a href="/wiki/Black_and_white" class="mw-redirect" title="Black and white">black and white</a> <a href="/wiki/Fantasy_film" title="Fantasy film">fantasy film</a> distributed by <a href="/wiki/RKO_Radio_Pictures" class="mw-redirect" title="RKO Radio Pictures">RKO Radio Pictures</a> and produced by the same creative team responsible for <i><a href="/wiki/King_Kong_(1933_film)" title="King Kong (1933 film)">King Kong</a></i> (1933). The film was produced by <a href="/wiki/Merian_C._Cooper" title="Merian C. Cooper">Merian C. Cooper</a>, directed by <a href="/wiki/Ernest_B._Schoedsack" title="Ernest B. Schoedsack">Ernest B. Schoedsack</a>, and written by <a href="/wiki/Ruth_Rose" title="Ruth Rose">Ruth Rose</a>. It stars <a href="/wiki/Robert_Armstrong_(actor)" title="Robert Armstrong (actor)">Robert Armstrong</a>, <a href="/wiki/Terry_Moore_(actress)" title="Terry Moore (actress)">Terry Moore</a>, and <a href="/wiki/Ben_Johnson_(actor)" title="Ben Johnson (actor)">Ben Johnson</a> in his first credited screen role. Animation effects were handled by <a href="/wiki/Willis_H._O%27Brien" title="Willis H. O'Brien">Willis O'Brien</a>, <a href="/wiki/Ray_Harryhausen" title="Ray Harryhausen">Ray Harryhausen</a>, <a href="/wiki/Pete_Peterson_(animator)" title="Pete Peterson (animator)">Pete Peterson</a>, and <a href="/wiki/Marcel_Delgado" title="Marcel Delgado">Marcel Delgado</a>. It was released on July 13, 1949, and did not produce profit in the box office though reviews were generally positive. In 1950 the film won an Academy Award for special effects. </p> <p><i>Mighty Joe Young</i> tells the story of a young woman, Jill Young, living on her father's ranch in <a href="/wiki/Africa" title="Africa">Africa</a>. Jill has raised the title character, a large <a href="/wiki/Gorilla" title="Gorilla">gorilla</a>, from an infant and years later brings him to <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a>. She is seeking her fortune in order to save the family <a href="/wiki/Homestead_(building)" title="Homestead (building)">homestead</a>. The film explores the themes of domesticity, humanization, and primitivism. It was later <a href="/wiki/Mighty_Joe_Young_(1998_film)" title="Mighty Joe Young (1998 film)">remade in 1998</a> with <a href="/wiki/Charlize_Theron" title="Charlize Theron">Charlize Theron</a> and <a href="/wiki/Bill_Paxton" title="Bill Paxton">Bill Paxton</a>. From 2017 to 2018, <a href="/wiki/Aberystwyth_University" title="Aberystwyth University">Aberystwyth University</a> hosted an exhibition about its production.<style data-mw-deduplicate="TemplateStyles:r886046785">.mw-parser-output .toclimit-2 .toclevel-1 ul,.mw-parser-output .toclimit-3 .toclevel-2 ul,.mw-parser-output .toclimit-4 .toclevel-3 ul,.mw-parser-output .toclimit-5 .toclevel-4 ul,.mw-parser-output .toclimit-6 .toclevel-5 ul,.mw-parser-output .toclimit-7 .toclevel-6 ul{display:none}</style></p><div class="toclimit-2"><meta property="mw:PageProp/toc" /></div> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=1" title="Edit section: Plot"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1937 <a href="/wiki/Tanganyika_(territory)" class="mw-redirect" title="Tanganyika (territory)">Tanganyika territory</a>, <a href="/wiki/Africa" title="Africa">Africa</a>, seven-year-old Jill Young is living with her father on his ranch. Two Africans come by with an orphaned baby gorilla. Unbeknownst to her widowed father, Jill trades some of her toys, jewelry, and money for the gorilla and names him Joe Young. When he finds out, her father is initially reluctant to keep the gorilla, but eventually agrees. </p><p>Ten years later, business man Max O'Hara and a cowboy named Gregg are on a trip in Africa looking for animals to headline in Max's <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a> nightclub. The men have captured several lions and are about to leave when Joe Young appears, now 12 feet (3.7 m) tall and weighing 4,500 pounds (2,000 kg). When a caged lion bites Joe's fingers, he goes on a rampage. Visualizing Joe as their big nightclub attraction, Max and Gregg try to rope him, but he throws both men from their horses, breaks free, and attempts to attack them. A grown Jill Young arrives, calming Joe. The men meet with Jill, and Gregg becomes smitten with her. Max asks her to bring Joe and be part of his nightclub entertainment. He tells her that she and Joe will be a Hollywood hit and will be rich within weeks. Needing the income in order to keep her dead father's property, she agrees to take Joe to <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a>. </p><p>On opening night, Joe lifts a large platform above his head, holding Jill playing "<a href="/wiki/Beautiful_Dreamer" title="Beautiful Dreamer">Beautiful Dreamer</a>" on a grand piano. Afterward Joe has a tug of war with "the 10 strongest men in the world", which he easily wins. Italian heavyweight boxer <a href="/wiki/Primo_Carnera" title="Primo Carnera">Primo Carnera</a> tries to box with him, but Joe tosses him into the audience. Joe's popularity grows, and by the 10th week he is Hollywood's biggest nightclub attraction. By the 17th week, Joe has grown tired of performing and is homesick. Later, during dinner, Gregg and Jill express their love for one another, with Gregg agreeing to return with her to Africa. In his cage, an unhappy Joe tries to ignore three drunks who have sneaked backstage; they offer Joe an open whiskey bottle, and he becomes intoxicated. Taunting him, the drunks burn Joe's fingers with a cigarette lighter. Roaring with pain and rage, he breaks out, wrecking the nightclub's interior. He also smashes the glass of the lion habitat, allowing the lions to escape into the crowded club. </p><p>After the drunks accuse Joe of trying to kill them, a court decree orders Joe to be shot. Gregg, Max, Jill, and a friend named Windy devise a plan to get Joe back to Africa using a moving van and cargo ship. Before reaching port, they see an orphanage engulfed in flames. Jill and Gregg help the caretakers save the children. A last group, along with Jill and Gregg, are trapped on the top level. Joe braves the raging fire by climbing an adjacent tall tree, carrying Jill to safety, while Gregg lowers each child by rope to the ground. One child is left behind, so Joe climbs up again, grabbing the little girl. Max assures Jill that because of Joe's heroism, his life will now be spared. </p><p>Much later, Max receives home movies from his friends. Jill and Gregg are married and living on their ranch in Africa with Joe. Joe waves "goodbye," along with Jill and Gregg, to Max. </p> <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=2" title="Edit section: Cast"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Terry_Moore_(actress)" title="Terry Moore (actress)">Terry Moore</a> as Jill Young</li> <li><a href="/wiki/Lora_Lee_Michel" title="Lora Lee Michel">Lora Lee Michel</a> as Young Jill</li> <li><a href="/wiki/Ben_Johnson_(actor)" title="Ben Johnson (actor)">Ben Johnson</a> as Gregg Johnson</li> <li><a href="/wiki/Robert_Armstrong_(actor)" title="Robert Armstrong (actor)">Robert Armstrong</a> as Max O'Hara</li> <li><a href="/wiki/Frank_McHugh" title="Frank McHugh">Frank McHugh</a> as Windy</li> <li><a href="/wiki/Douglas_Fowley" title="Douglas Fowley">Douglas Fowley</a> as Jones</li> <li><a href="/w/index.php?title=Denis_Green&action=edit&redlink=1" class="new" title="Denis Green (page does not exist)">Denis Green</a> as Dan Crawford</li> <li><a href="/wiki/Regis_Toomey" title="Regis Toomey">Regis Toomey</a> as John Young</li> <li><a href="/wiki/Paul_Guilfoyle_(actor,_born_1902)" title="Paul Guilfoyle (actor, born 1902)">Paul Guilfoyle</a> as Smith</li> <li><a href="/wiki/Nestor_Paiva" title="Nestor Paiva">Nestor Paiva</a> as Brown</li> <li><a href="/wiki/James_Flavin" title="James Flavin">James Flavin</a> as Schultz</li> <li><a href="/wiki/Primo_Carnera" title="Primo Carnera">Primo Carnera</a> as himself<sup id="cite_ref-FOOTNOTELife194994–95_3-0" class="reference"><a href="#cite_note-FOOTNOTELife194994–95-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup></li></ul> <p>Uncredited performances with dialogue: </p> <ul><li><a href="/w/index.php?title=Phil_Olafsson&action=edit&redlink=1" class="new" title="Phil Olafsson (page does not exist)">Phil Olafsson</a> as The Swedish Angel<sup id="cite_ref-FOOTNOTELife194994–95_3-1" class="reference"><a href="#cite_note-FOOTNOTELife194994–95-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/William_Schallert" title="William Schallert">William Schallert</a> as a gas station attendant</li> <li><a href="/wiki/Charles_Lane_(actor,_born_1905)" title="Charles Lane (actor, born 1905)">Charles Lane</a> as a producer</li> <li><a href="/wiki/Ellen_Corby" title="Ellen Corby">Ellen Corby</a> as a nurse at the burning orphanage</li> <li><a href="/wiki/Irene_Ryan" title="Irene Ryan">Irene Ryan</a> as a southern belle at the bar</li></ul> <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=3" title="Edit section: Production"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Conception">Conception</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=4" title="Edit section: Conception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>Mighty Joe Young</i> was produced by Arko, a company formed by <a href="/wiki/John_Ford" title="John Ford">John Ford</a> and Merian C. Cooper and owned by RKO and Argosy Pictures.<sup id="cite_ref-FOOTNOTEArcher199345_4-0" class="reference"><a href="#cite_note-FOOTNOTEArcher199345-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Arko was formed solely for making <i>Mighty Joe Young</i>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> John Ford was credited as a co-producer of the film but left before shooting began.<sup id="cite_ref-FOOTNOTECady2003_6-0" class="reference"><a href="#cite_note-FOOTNOTECady2003-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Though Cooper originally conceptualized the story, he may have taken inspiration from <i><a href="/wiki/Toto_(gorilla)" title="Toto (gorilla)">Toto</a> and I</i> by Augusta Maria Hoyt.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200933_7-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200933-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> He wanted to make a film where a gorilla is raised by a woman, feels affection for her, and faces negative consequences as a result of his affection. This idea eventually evolved into the plot of <i>Mighty Joe Young</i>.<sup id="cite_ref-FOOTNOTECotta_Vaz2005340_8-0" class="reference"><a href="#cite_note-FOOTNOTECotta_Vaz2005340-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> It was approved for creation in 1946 by RKO, which was to distribute it.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> As production progressed with a budget between $1.2 and $1.5 million,<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Ernest Schoedsack and Willis O'Brien contributed to the storyline while Schoedsack's wife, Ruth Rose, wrote the screenplay.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200933–34_11-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200933–34-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> She based the characters Gregg and O'Hara off of her husband and Cooper, respectively.<sup id="cite_ref-FOOTNOTEHankin200824_12-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200824-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> In planning the film Cooper aimed for a lighthearted reflection of <i>King Kong</i>.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200934_13-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200934-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> As such, it is considered the third segment in the <i>King Kong</i> trilogy, being preceded by <i>King Kong</i> and <i><a href="/wiki/Son_of_Kong" title="Son of Kong">Son of Kong</a>.</i> <sup id="cite_ref-FOOTNOTEErb2009129,_132_14-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009129,_132-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Working titles included <i>The Last Safari</i>, <i>African Cowboy</i>, <i>Mr. Joseph Young of Africa</i>, and <i>The Great Joe Young</i>. Posters bearing the latter title were released, but the name was changed on the day the film debuted.<sup id="cite_ref-FOOTNOTEHankin200824_12-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200824-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> The producers considered cancelling the film multiple times,<sup id="cite_ref-FOOTNOTERovin197768_15-0" class="reference"><a href="#cite_note-FOOTNOTERovin197768-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> but after three years it was completed.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200933_7-1" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200933-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Animation_models">Animation models</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=5" title="Edit section: Animation models"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Mighty_Joe_Young_(1949).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Mighty_Joe_Young_%281949%29.jpg/220px-Mighty_Joe_Young_%281949%29.jpg" decoding="async" width="220" height="311" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Mighty_Joe_Young_%281949%29.jpg/330px-Mighty_Joe_Young_%281949%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Mighty_Joe_Young_%281949%29.jpg/440px-Mighty_Joe_Young_%281949%29.jpg 2x" data-file-width="2851" data-file-height="4032" /></a><figcaption><a href="/wiki/Stop_motion" title="Stop motion">Stop motion</a> model used in the film, <a href="/wiki/Scottish_National_Gallery_of_Modern_Art" title="Scottish National Gallery of Modern Art">Scottish National Gallery of Modern Art</a></figcaption></figure> <p>While <i>Mighty Joe Young</i> was in its conception stages in 1945, production designer Willis O'Brien, with Cooper's approval, hired a young man named <a href="/wiki/Ray_Harryhausen" title="Ray Harryhausen">Ray Harryhausen</a> with whom he had been acquainted for several years.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTECotta_Vaz2005342_17-0" class="reference"><a href="#cite_note-FOOTNOTECotta_Vaz2005342-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Harryhausen was fascinated by the stop-motion animation in <i>King Kong</i> and had experimented with stop-animation films of his own, showing them to O'Brien, to whom he looked up as a mentor.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <i>Mighty Joe Young</i> was Harryhausen's first major film project.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Until the film was officially approved in 1946, O'Brien and Harryhausen worked from O'Brien's home.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200892_20-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200892-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> At first Harryhausen's duties mainly consisted of cutting frames, mounting storyboards, copy typing, and attending story meetings.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> In these meetings O'Brien presented ideas for the plot.<sup id="cite_ref-FOOTNOTEHankin200823_22-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200823-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> With the film's approval, O'Brien and Harryhausen moved to an RKO studio in Culver City, where they were able to officially begin production.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200892_20-1" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200892-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEHarryhausenDalton200934_13-1" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200934-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> O'Brien was given a special effects team of 47 people.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> O'Brien felt that he didn't need a team that large, but <a href="/wiki/Cinema_of_the_United_States" title="Cinema of the United States">Hollywood</a> union rules stated that different jobs needed to be done by different people.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> As a result, the film cost more to make than it would have with a smaller team.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Members of the team included O'Brien, Harryhausen, <a href="/wiki/Pete_Peterson_(animator)" title="Pete Peterson (animator)">Pete Peterson</a>, George Lofgren, <a href="/wiki/Marcel_Delgado" title="Marcel Delgado">Marcel Delgado</a>, Fitch Fulton, <a href="/wiki/Harold_E._Stine" title="Harold E. Stine">Harold Stine</a>, Bert Willis, and <a href="/wiki/Linwood_G._Dunn" title="Linwood G. Dunn">Linwood Dunn</a>.<sup id="cite_ref-FOOTNOTEJewellHarbin1982240_26-0" class="reference"><a href="#cite_note-FOOTNOTEJewellHarbin1982240-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> There were less than ten animators on the team.<sup id="cite_ref-FOOTNOTEStein197726_27-0" class="reference"><a href="#cite_note-FOOTNOTEStein197726-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Later Harryhausen would explain that few of the animators produced footage that was fit to be used in the final film.<sup id="cite_ref-FOOTNOTEStein197726_27-1" class="reference"><a href="#cite_note-FOOTNOTEStein197726-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Animation took fourteen months, from October 1947 to December 1948.<sup id="cite_ref-FOOTNOTERovin197772_28-0" class="reference"><a href="#cite_note-FOOTNOTERovin197772-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> Cooper went to the animation set every day.<sup id="cite_ref-FOOTNOTECotta_Vaz2005342_17-1" class="reference"><a href="#cite_note-FOOTNOTECotta_Vaz2005342-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>Joe was animated using posable figures modeled after real gorillas.<sup id="cite_ref-FOOTNOTEHankin200828_29-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200828-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Each model, made of an <a href="/wiki/Aluminium%E2%80%93copper_alloys" title="Aluminium–copper alloys">aluminum-copper</a> skeleton with 150 pieces, cost nearly $1500.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Harryhausen designed the <a href="/wiki/Armature_(sculpture)" title="Armature (sculpture)">armature</a><sup id="cite_ref-FOOTNOTEHarryhausenDalton200892_20-2" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200892-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> with <a href="/wiki/Ball-and-socket_joint" title="Ball-and-socket joint">ball and socket joints</a>; early models were designed with <a href="/wiki/Hinge_joint" title="Hinge joint">hinge joints</a>.<sup id="cite_ref-FOOTNOTEHankin200828_29-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200828-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Using ball and socket joints allowed for increased natural joint movement<sup id="cite_ref-FOOTNOTEWalker-Werth202150_31-0" class="reference"><a href="#cite_note-FOOTNOTEWalker-Werth202150-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> though they required frequent repairs.<sup id="cite_ref-FOOTNOTEHankin200828_29-2" class="reference"><a href="#cite_note-FOOTNOTEHankin200828-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Engineer Harry Cunningham was put in charge of assembling the armature.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200892_20-3" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200892-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Years later, Cunningham denied assembling it and animator <a href="/wiki/Jim_Danforth" title="Jim Danforth">Jim Danforth</a> guessed that Cunningham delegated the task to someone else.<sup id="cite_ref-FOOTNOTEHankin200828_29-3" class="reference"><a href="#cite_note-FOOTNOTEHankin200828-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Once the armatures were complete, Delgado formed the gorilla's muscles.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> To do this, he attached <a href="/wiki/Foam_rubber" title="Foam rubber">foam rubber</a>, cotton, and <a href="/wiki/Dental_dam" title="Dental dam">dental dam</a> to the armatures and covered them with latex rubber to begin molding.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> Forming the muscles directly onto the armature made it look like the muscles were moving as the model moved, necessitating careful attention to detail while creating the model.<sup id="cite_ref-FOOTNOTEBrierton200447_34-0" class="reference"><a href="#cite_note-FOOTNOTEBrierton200447-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>The next step was to add the fur. The fur used on the models was taken from the hide of an unborn <a href="/wiki/Calf_(animal)" title="Calf (animal)">calf</a>; the fine hair worked well for a small-scale model of a large animal.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> O'Brien decided that it needed to be rubberized to prevent the hairs from sticking up when the animators handled the models, a problem that had not been addressed for the <i>King Kong</i> model.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Familiar with his patented technique for rubberizing fur, O'Brien hired George Lofgren to prepare the fur.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> Lofgren stretched the hide, combed the fur, and covered the hairs with a washable adhesive. After the adhesive dried, he placed the hide skin-up in a sealed container with <i><a href="/wiki/Dermestes" title="Dermestes">Dermestes</a></i> larvae, which ate the skin but not the hair and exposed the hair follicles. This done, rubber latex was applied; the adhesive was washed away after the rubber cured.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> In all there were six models varying from 5 to 16 inches.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> The smaller models were used for long shots of Joe.<sup id="cite_ref-FOOTNOTERovin197771_40-0" class="reference"><a href="#cite_note-FOOTNOTERovin197771-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> Harryhausen also created a 15-inch model of Joe's torso for close-ups, but it was never used because the other models sufficed.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> After filming was completed for the day, Delgado repaired the models.<sup id="cite_ref-FOOTNOTEArcher199352_42-0" class="reference"><a href="#cite_note-FOOTNOTEArcher199352-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Having multiple models made it possible for animation to continue while other models were being repaired.<sup id="cite_ref-FOOTNOTERovin197771_40-1" class="reference"><a href="#cite_note-FOOTNOTERovin197771-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> Delgado designed and sculpted additional models for lions, horses, and people to be used in stunt scenes.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Animation_process">Animation process</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=6" title="Edit section: Animation process"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>O'Brien's work on the animation largely involved the planning and preparation, including setting up the background images, while his assistants did most of the stop-motion features.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Backgrounds for the animated scenes were created by using both glass paintings and projected images. To make a background of glass paintings, O'Brien layered sheets of painted glass, bringing depth to the image.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> Further depth was achieved with multiple small-scale props in the foreground.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> The other background method, projection, required small models so that the projected image could be smaller and therefore more crisp.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200934_13-2" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200934-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> O'Brien and Cunningham designed and made the ARKO projectors used for the process.<sup id="cite_ref-FOOTNOTEHankin200830_47-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200830-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> Initially Cooper wanted the film to be shot in <a href="/wiki/Technicolor" title="Technicolor">technicolor</a>. However, getting the colors to appear correctly on the glass paintings proved to take took much time and risked exceeding the budget.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> Instead it was filmed in black and white.<sup id="cite_ref-FOOTNOTEArcher199349_49-0" class="reference"><a href="#cite_note-FOOTNOTEArcher199349-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Later they tinted the burning orphanage scene in red, orange, and yellow.<sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> </p><p>Harryhausen, who did more than 80% of the animation, felt that King Kong's movements were unnatural and decided that Joe's movements should be smoother.<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> To accomplish this, he took pictures and observed footage of gorillas in the <a href="/wiki/Brookfield_Zoo_Chicago" title="Brookfield Zoo Chicago">Chicago Zoo</a>.<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Harryhausen did not attempt to imitate the gorillas' movements; instead, he explained that he wanted to determine "how they walked and their little idiosyncrasies".<sup id="cite_ref-FOOTNOTERovin197772_28-1" class="reference"><a href="#cite_note-FOOTNOTERovin197772-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> For a time Harryhausen ate mostly carrots and celery, thinking it would help him feel like a gorilla so he could animate effectively.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> He preferred animating by himself because it increased his concentration.<sup id="cite_ref-FOOTNOTERovin197768_15-1" class="reference"><a href="#cite_note-FOOTNOTERovin197768-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Eventually he was nicknamed "one-take Harryhausen" because he had to reshoot few sequences.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200886_54-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200886-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> Some individual scenes took a few days to animate.<sup id="cite_ref-FOOTNOTERovin197768,_72_55-0" class="reference"><a href="#cite_note-FOOTNOTERovin197768,_72-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> Among the most difficult was the scene in which Joe sits disconsolately in his cage. The model's movements needed to be slight and facial expressions detailed.<sup id="cite_ref-FOOTNOTEHankin200831_56-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200831-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Facial expressions were made possible by moving wires inside the head.<sup id="cite_ref-FOOTNOTECady2003_6-1" class="reference"><a href="#cite_note-FOOTNOTECady2003-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Scott Wittaker took several months to animate a nightclub scene in which patrons throw coins at Joe.<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> The models and animation are more sophisticated than in <i>King Kong</i> and use more subtle gestures. Despite the increased technical sophistication, the film, like <i>King Kong,</i> features scale issues, with Joe noticeably changing size between many shots. Harryhausen attributed these lapses to Cooper, who insisted Joe appear larger in some scenes for dramatic effect.<sup id="cite_ref-FOOTNOTEHarryhausen197422_58-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausen197422-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> </p><p>As the deadline approached more animators were hired,<sup id="cite_ref-FOOTNOTEHankin200838_59-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200838-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> including Pete Peterson and Buzz and Carl Gibson. Originally a <a href="/wiki/Grip_(occupation)" title="Grip (occupation)">grip</a>, Pete Peterson had shown interest in the animation process, watching while Harryhausen would animate.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> On his own he began to study people's movements by placing tape on their limbs and taking pictures.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> After some time Peterson requested to help with animation.<sup id="cite_ref-FOOTNOTEArcher199349_49-1" class="reference"><a href="#cite_note-FOOTNOTEArcher199349-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Hard-pressed for animators since Cooper pushed for animation to be sped up, O'Brien hired him.<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> Because he had <a href="/wiki/Multiple_sclerosis" title="Multiple sclerosis">multiple sclerosis</a> and found it difficult to stand, Peterson was able to sit while animating.<sup id="cite_ref-FOOTNOTEHankin200839_63-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200839-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> Peterson quickly learned animation processes, and according to Harryhausen did a better job than some of the previous assistants.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> His emphasis was on humorous shots with Joe in the nightclub and escape scenes.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> Cooper hired Buzz and Carl Gibson to further expedite animation.<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> They were put in charge of animating the sequence in which Joe first comes to the safari camp where Gregg and O'Hara are staying.<sup id="cite_ref-FOOTNOTEHankin200838_59-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200838-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> Used to working with the larger models of <i>King Kong</i>, they found it difficult to work with the smaller models used in <i>Mighty Joe Young</i> and left after six weeks.<sup id="cite_ref-FOOTNOTEHankin200838_59-2" class="reference"><a href="#cite_note-FOOTNOTEHankin200838-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> The scenes they animated are not in the completed film.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200937_67-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200937-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> After they left, Harryhausen animated the sequence.<sup id="cite_ref-FOOTNOTEHankin200839_63-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200839-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Live-action_sequences">Live-action sequences</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=7" title="Edit section: Live-action sequences"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Schoedsack was nearly blind while directing the live-action footage.<sup id="cite_ref-FOOTNOTECotta_Vaz2005340–341_68-0" class="reference"><a href="#cite_note-FOOTNOTECotta_Vaz2005340–341-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> Assistant director Sam Ruman told Schoedsack what was happening on set so he could direct more effectively.<sup id="cite_ref-FOOTNOTECady2003_6-2" class="reference"><a href="#cite_note-FOOTNOTECady2003-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> To better know how to implement stop-motion effects, O'Brien watched the live-action scenes.<sup id="cite_ref-FOOTNOTEHankin200831_56-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200831-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> In the safari sequence when Joe knocks over horses, the cowboys had their horses drop; Joe's movements were based on the structure of the fall.<sup id="cite_ref-FOOTNOTERovin197773_69-0" class="reference"><a href="#cite_note-FOOTNOTERovin197773-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> In the same scene, when the cowboys try lassoing Joe, the actors tried lassoing a tractor. In the completed scene the tractor was blocked by the model of Joe.<sup id="cite_ref-FOOTNOTERovin197773_69-1" class="reference"><a href="#cite_note-FOOTNOTERovin197773-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> While the adult version of Joe is animated, baby Joe is depicted by a live baby gorilla.<sup id="cite_ref-FOOTNOTEArcher199346_70-0" class="reference"><a href="#cite_note-FOOTNOTEArcher199346-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> No locations in Africa were used in shooting the film;<sup id="cite_ref-FOOTNOTEHankin200842_71-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200842-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> instead it was shot in New York City, <a href="/wiki/Niagara_Falls" title="Niagara Falls">Niagara Falls</a>, Florida, Scotland, Spain, Austria, and Italy.<sup id="cite_ref-FOOTNOTEArcher1993206_72-0" class="reference"><a href="#cite_note-FOOTNOTEArcher1993206-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> Upon its completion in 1949 Cooper wished he had added more humorous elements.<sup id="cite_ref-FOOTNOTECotta_Vaz2005343_73-0" class="reference"><a href="#cite_note-FOOTNOTECotta_Vaz2005343-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> However, Harryhausen disliked Cooper's emphasis on comedy, feeling that it ruined the tone of the film.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200899_74-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200899-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> Moore acted without makeup because her makeup artist was an alcoholic and often had hangovers.<sup id="cite_ref-FOOTNOTEEby199820_75-0" class="reference"><a href="#cite_note-FOOTNOTEEby199820-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> Ben Johnson, meanwhile, made his screen debut by playing Gregg.<sup id="cite_ref-FOOTNOTENewman2007_76-0" class="reference"><a href="#cite_note-FOOTNOTENewman2007-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes">Themes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=8" title="Edit section: Themes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Domestication_and_humanity">Domestication and humanity</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=9" title="Edit section: Domestication and humanity"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The film has a more domestic tone than its predecessors in the trilogy.<sup id="cite_ref-FOOTNOTEErb2009129,_132_14-1" class="reference"><a href="#cite_note-FOOTNOTEErb2009129,_132-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Cynthia Erb, who is a <a href="/wiki/Wayne_State_University" title="Wayne State University">Wayne State University</a> associate professor of English and film, suggests that the domesticity may have been influenced by Cooper's business partnership with John Ford; Ford typically addressed domestic themes in his films.<sup id="cite_ref-FOOTNOTEErb2009132_77-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009132-77"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup> Erb also attributed the increased domesticity to the timing of the film: coming out after <a href="/wiki/World_War_II" title="World War II">World War II</a>.<sup id="cite_ref-FOOTNOTEErb2009139_78-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009139-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> <a href="/wiki/College_of_Charleston" title="College of Charleston">College of Charleston</a> English professor Valerie Frazier attributes this to America's war-weariness.<sup id="cite_ref-FOOTNOTEFrazier2007199_79-0" class="reference"><a href="#cite_note-FOOTNOTEFrazier2007199-79"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> One way the tone was more domestic was by making Joe into a "childlike" character, which Cooper thought would help make the film attractive to children.<sup id="cite_ref-FOOTNOTEErb2009139–140_80-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009139–140-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> Joe becomes a sentimental character when he saves the children from the burning orphanage.<sup id="cite_ref-FOOTNOTEErb2009141_81-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009141-81"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> Psychologist Joseph D. Miller suggests that from a young age Joe's masculinity is removed by Jill's influence as well as by their brother-sister relationship. This, he says, removes any idea that the two have a romantic relationship as King Kong has with <a href="/wiki/Ann_Darrow" class="mw-redirect" title="Ann Darrow">Ann Darrow</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://it.wikipedia.org/wiki/Ann_Darrow" class="extiw" title="it:Ann Darrow">it</a>]</span>.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> According to Miller, Joe's sexuality is suppressed by music as well as the nature of his relationship with Jill.<sup id="cite_ref-FOOTNOTEMiller200598_83-0" class="reference"><a href="#cite_note-FOOTNOTEMiller200598-83"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> Joe breaks from that suppression during his drunken rampage, but it is short-lived.<sup id="cite_ref-FOOTNOTEMiller200597_84-0" class="reference"><a href="#cite_note-FOOTNOTEMiller200597-84"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> Miller explains that Joe's sexuality may have been suppressed because film censoring became common.<sup id="cite_ref-FOOTNOTEMiller200596,_98_85-0" class="reference"><a href="#cite_note-FOOTNOTEMiller200596,_98-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> </p><p>Cooper told film critic Thomas M. Pryor that <i>Mighty Joe Young</i> is about "the effects of civilization on animals transported from native habitats to such an incongruous jungle as a Hollywood nightclub."<sup id="cite_ref-FOOTNOTEAndriano199962_86-0" class="reference"><a href="#cite_note-FOOTNOTEAndriano199962-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> English professor Joseph D. Andriano suggests that throughout the film Joe is humanized and some people are bestialized.<sup id="cite_ref-FOOTNOTEAndriano199962_86-1" class="reference"><a href="#cite_note-FOOTNOTEAndriano199962-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> Andriano and author Jason Barr explain that this is an attempt to create a relatability between humans and other primates.<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> For example, patrons of the nightclub are bestialized in their drunkenness.<sup id="cite_ref-FOOTNOTEAndriano199964_88-0" class="reference"><a href="#cite_note-FOOTNOTEAndriano199964-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> They seek to objectify Joe, seeing him as their entertainment.<sup id="cite_ref-FOOTNOTEAndriano199964_88-1" class="reference"><a href="#cite_note-FOOTNOTEAndriano199964-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> Realizing he has objectified Joe by putting him in a nightclub, O'Hara seeks to rectify his actions by concocting a plan to help Joe escape being shot.<sup id="cite_ref-FOOTNOTEAndriano199965_89-0" class="reference"><a href="#cite_note-FOOTNOTEAndriano199965-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> Barr explains that the "deeply humanized" Joe manifests his humanity through his initial enjoyment of performing, which he views as play.<sup id="cite_ref-FOOTNOTEBarr2023136_90-0" class="reference"><a href="#cite_note-FOOTNOTEBarr2023136-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> When he becomes depressed after several weeks of performing, however, he displays human-like characteristics.<sup id="cite_ref-FOOTNOTEBarr2023136_90-1" class="reference"><a href="#cite_note-FOOTNOTEBarr2023136-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> According to Barr his humanity is increased by his rampage because it is a reaction to poor treatment and he is calmed down easily.<sup id="cite_ref-FOOTNOTEBarr2023137–138_91-0" class="reference"><a href="#cite_note-FOOTNOTEBarr2023137–138-91"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Racial_commentary">Racial commentary</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=10" title="Edit section: Racial commentary"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Frazier sees Joe Young as a successor to the character of King Kong who, with his power and sexual interest in a white woman, represents "the threat of the black other."<sup id="cite_ref-FOOTNOTEFrazier2007189_92-0" class="reference"><a href="#cite_note-FOOTNOTEFrazier2007189-92"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup> In contrast to <i>King Kong</i>, <i>Mighty Joe Young</i> "consciously sh[ies] away from potentially polarizing social or political messages." While there is are definite <a href="/wiki/Postcolonialism" title="Postcolonialism">postcolonial</a> implications to shipping Joe from Africa to entertain people at a nightclub and then be returned there, the happy ending does little to address these implications. Unlike King Kong, who is entranced by Ann's beauty, Joe Young doesn't have sexual tension with Jill. For Frazier, both of these changes from the King Kong narrative make <i>Mighty Joe Young</i> less popular than its predecessor.<sup id="cite_ref-FOOTNOTEFrazier2007187,_199–200_93-0" class="reference"><a href="#cite_note-FOOTNOTEFrazier2007187,_199–200-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> According to Erb, the film portrays Africa as an exotic location, "preserv[ing] to some extent the exploitative impulses inherent in this vision".<sup id="cite_ref-FOOTNOTEErb2009133_94-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009133-94"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> She explains that it simultaneously employs and exposes stereotypes of Africa.<sup id="cite_ref-FOOTNOTEErb2009134_95-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009134-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> This is often seen through the character O'Hara, who lives in a modern setting but holds on to primitivist Victorian ideas about Africa.<sup id="cite_ref-FOOTNOTEErb2009134_95-1" class="reference"><a href="#cite_note-FOOTNOTEErb2009134-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> O'Hara tells dramatic stories of his time in Africa, all of which are untrue.<sup id="cite_ref-FOOTNOTEErb2009134_95-2" class="reference"><a href="#cite_note-FOOTNOTEErb2009134-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> His office with decorated with several artifacts, and his nightclub features a "primitivist dancer number".<sup id="cite_ref-FOOTNOTEErb2009135–136_96-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009135–136-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> Erb says that the film "offers a moderate parody" of O'Hara's primitivist views.<sup id="cite_ref-FOOTNOTEErb2009135_97-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009135-97"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> Eventually O'Hara sees beyond primitivism.<sup id="cite_ref-FOOTNOTEAndriano199963_98-0" class="reference"><a href="#cite_note-FOOTNOTEAndriano199963-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> Barr explains that Joe's removal from Africa serves "to heighten [his] absurdity and [his] bizarre-ness".<sup id="cite_ref-FOOTNOTEBarr202322_99-0" class="reference"><a href="#cite_note-FOOTNOTEBarr202322-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> At the same time, Joe's rampage through the club signifies his destruction of primitivism, contrasting with his eventual domestication.<sup id="cite_ref-FOOTNOTEErb2009138–139_100-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009138–139-100"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup> Erb calls the film "a productive exposure of...primitivist fantasies found in...jungle films".<sup id="cite_ref-FOOTNOTEErb2009134_95-3" class="reference"><a href="#cite_note-FOOTNOTEErb2009134-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=11" title="Edit section: Release"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><span><video id="mwe_player_0" poster="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm/220px--Mighty_Joe_Young_%281949%29_-_trailer.webm.jpg" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="220" height="166" data-durationhint="99" data-mwtitle="Mighty_Joe_Young_(1949)_-_trailer.webm" data-mwprovider="wikimediacommons" resource="/wiki/File:Mighty_Joe_Young_(1949)_-_trailer.webm"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm/Mighty_Joe_Young_%281949%29_-_trailer.webm.480p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="480p.vp9.webm" data-width="636" data-height="480" /><source src="//upload.wikimedia.org/wikipedia/commons/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm" type="video/webm; codecs="vp9, opus"" data-width="636" data-height="480" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm/Mighty_Joe_Young_%281949%29_-_trailer.webm.144p.mjpeg.mov" type="video/quicktime" data-transcodekey="144p.mjpeg.mov" data-width="190" data-height="144" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm/Mighty_Joe_Young_%281949%29_-_trailer.webm.240p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="240p.vp9.webm" data-width="318" data-height="240" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm/Mighty_Joe_Young_%281949%29_-_trailer.webm.360p.webm" type="video/webm; codecs="vp8, vorbis"" data-transcodekey="360p.webm" data-width="478" data-height="360" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/0/0c/Mighty_Joe_Young_%281949%29_-_trailer.webm/Mighty_Joe_Young_%281949%29_-_trailer.webm.360p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="360p.vp9.webm" data-width="478" data-height="360" /></video></span><figcaption>Trailer</figcaption></figure> <p><i>Mighty Joe Young's</i> marketing campaign was run by Terry Turner.<sup id="cite_ref-FOOTNOTEMcKenna202061_101-0" class="reference"><a href="#cite_note-FOOTNOTEMcKenna202061-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup> The film was advertised on television and radio commercials, including <a href="/wiki/NBC_Radio_Network" title="NBC Radio Network">NBC</a>, and at the <a href="/wiki/P._T._Barnum" title="P. T. Barnum">P.T. Barnum</a> Festival Fun Day Parade in Connecticut.<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> The studio created four different poster designs and multiple lobby cards.<sup id="cite_ref-FOOTNOTEHankin200853_103-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200853-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> Additionally, they sent 11,000 postcards to people, each of which had a message from Joe Young.<sup id="cite_ref-FOOTNOTEHankin200853_103-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200853-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> In New Jersey, a city manager hired a man to dress in a gorilla suit and surf on the beach while holding up promotional signs; a week before the film officially showed in theaters, he also hired a man in a gorilla suit to climb a local movie theater.<sup id="cite_ref-FOOTNOTEHankin200853_103-2" class="reference"><a href="#cite_note-FOOTNOTEHankin200853-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> In New York, a televised parade featured a Joe Young mascot riding on a street float; the float stopped in front of the movie theater, where the mayor greeted the Joe Young mascot.<sup id="cite_ref-FOOTNOTEHankin200853_103-3" class="reference"><a href="#cite_note-FOOTNOTEHankin200853-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> On opening night in one city, a man dressed as a gorilla performed stunts on buildings and tightropes, while "gorilla trucks" drove around New England and New York.<sup id="cite_ref-FOOTNOTEMcKenna202062_104-0" class="reference"><a href="#cite_note-FOOTNOTEMcKenna202062-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Flannery_O%27Connor" title="Flannery O'Connor">Flannery O'Connor</a>, who was living in New York City when the film was released, borrowed aspects of its campaign for her novel <i><a href="/wiki/Wise_Blood" title="Wise Blood">Wise Blood</a></i>. Specifically, she based Gonga the Gorilla off of the campaign's use of men in gorilla suits.<sup id="cite_ref-FOOTNOTECofer2010143–144_105-0" class="reference"><a href="#cite_note-FOOTNOTECofer2010143–144-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> Also in the novel, the character Enoch Emery watches a film in which an orangutan rescues children from a burning orphanage, reminiscent of Mighty Joe Young.<sup id="cite_ref-FOOTNOTENelson201491_106-0" class="reference"><a href="#cite_note-FOOTNOTENelson201491-106"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> </p><p><i>Mighty Joe Young</i> premiered on July 13, 1949 in 358 theaters across New England and upstate New York.<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> Its mid-summer release was an uncommon practice at the time because producers often thought that people would rather be outside than watch movies.<sup id="cite_ref-FOOTNOTEMcKenna202062_104-1" class="reference"><a href="#cite_note-FOOTNOTEMcKenna202062-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> The film opened in fifth place at the US box office.<sup id="cite_ref-FOOTNOTEVariety_1949,_"National_Boxoffice_Survey",_p._3_108-0" class="reference"><a href="#cite_note-FOOTNOTEVariety_1949,_"National_Boxoffice_Survey",_p._3-108"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> Ticket sales added up to about $1,950,000 but because of production costs the film made no profit and the company lost $675,000.<sup id="cite_ref-FOOTNOTEMcKenna202061_101-1" class="reference"><a href="#cite_note-FOOTNOTEMcKenna202061-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup> Once production companies saw its deficiency in the box office, O'Brien struggled to find work in major motion pictures.<sup id="cite_ref-FOOTNOTEHankin200864_109-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200864-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=12" title="Edit section: Reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Film critic Thomas M. Pryor in his review for <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> said that Merian Cooper and Ernest Schoedsack, as producer and director "... are endeavoring to make all the world love, or at the very least feel a deep sympathy for, their monstrous, mechanical gorilla."<sup id="cite_ref-FOOTNOTEPryor194919_110-0" class="reference"><a href="#cite_note-FOOTNOTEPryor194919-110"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup> A review in <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i> had a similar opinion: "<i>Young</i> is fun to laugh at and with, loaded with incredible corn, plenty of humor, and a robot gorilla who becomes a genuine hero. The technical skill of the large staff of experts gives the robot life, both for audience thrills and sympathy."<sup id="cite_ref-FOOTNOTEBrog19498_111-0" class="reference"><a href="#cite_note-FOOTNOTEBrog19498-111"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup> Writing for <i><a href="/wiki/The_Daily_Express" class="mw-redirect" title="The Daily Express">The Daily Express</a>,</i> Leonard Mosley stated that, though Joe is portrayed by an animation model, he "had much more sympathy than any flesh and blood actor in the film."<sup id="cite_ref-FOOTNOTEArcher199348_112-0" class="reference"><a href="#cite_note-FOOTNOTEArcher199348-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Motion_Picture_Herald" title="Motion Picture Herald">Motion Picture Herald</a></i> called Joe "the ingenious creation of Mr. Willis O'Brien."<sup id="cite_ref-FOOTNOTEArcher199349_49-2" class="reference"><a href="#cite_note-FOOTNOTEArcher199349-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> The <i><a href="/wiki/Daily_Mail" title="Daily Mail">Daily Mail</a></i> felt similarly, writing that "the star of this film is a Mr. Willis O'Brien."<sup id="cite_ref-FOOTNOTEArcher199348–49_113-0" class="reference"><a href="#cite_note-FOOTNOTEArcher199348–49-113"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup> Screenwriter <a href="/wiki/Paul_Dehn" title="Paul Dehn">Paul Dehn</a> wrote that "'Mr. Young' is as real as 'Slavering Sam."<sup id="cite_ref-FOOTNOTEArcher199348_112-1" class="reference"><a href="#cite_note-FOOTNOTEArcher199348-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> <i>Mighty Joe Young</i> was generally not well-liked among viewers who perceived it as a revisitation of <i>King Kong</i>.<sup id="cite_ref-FOOTNOTEHankin200859_114-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200859-114"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/The_Times" title="The Times">The Times</a></i> of London dubbed Joe "the King Kong of 1949".<sup id="cite_ref-FOOTNOTEArcher199348_112-2" class="reference"><a href="#cite_note-FOOTNOTEArcher199348-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> <i>Today's Cinema</i> predicted that the film would "clean-up at popular box-offices".<sup id="cite_ref-FOOTNOTEArcher199348_112-3" class="reference"><a href="#cite_note-FOOTNOTEArcher199348-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> A review in <i><a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a></i> expressed that the film "leaves much to be desired. It is little more than footage strung together by a plot that rarely makes sense."<sup id="cite_ref-FOOTNOTEErb2009130–131_115-0" class="reference"><a href="#cite_note-FOOTNOTEErb2009130–131-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Current">Current</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=13" title="Edit section: Current"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Neil Pettigrew of <i><a href="/wiki/Cinefantastique" title="Cinefantastique">Cinefantastique</a></i> in particular praises the scenes where Joe sits disconsolately in his cage, commenting that they are "fluidly animated" and give Joe "a distinct and credible personality". Pettigrew rated them as the fifth of "20 finest stop-motion special effects sequences".<sup id="cite_ref-FOOTNOTEPettigrew199929_116-0" class="reference"><a href="#cite_note-FOOTNOTEPettigrew199929-116"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Jeff_Rovin" title="Jeff Rovin">Jeff Rovin</a> states that the skill by which Joe was animated contrasts with the skills of the actors and actresses, who, in his view, do not seem to take the film seriously.<sup id="cite_ref-FOOTNOTERovin197774_117-0" class="reference"><a href="#cite_note-FOOTNOTERovin197774-117"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Kim_Newman" title="Kim Newman">Kim Newman</a> in <i><a href="/wiki/Empire_(magazine)" title="Empire (magazine)">Empire</a></i> says that Joe is "a smoother character than Kong, but he's a pretender rather than a king." Newman adds that "no one in the movie even mentions that there might be something unusual about a sixteen-foot-tall ape".<sup id="cite_ref-FOOTNOTENewman2007_76-1" class="reference"><a href="#cite_note-FOOTNOTENewman2007-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Academy_Award">Academy Award</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=14" title="Edit section: Academy Award"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1950 <i>Mighty Joe Young</i> won the <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> for <a href="/wiki/Academy_Award_for_Visual_Effects" class="mw-redirect" title="Academy Award for Visual Effects">Best Visual Effects</a>,<sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> a new category for the Oscars.<sup id="cite_ref-FOOTNOTEFiscus200536_119-0" class="reference"><a href="#cite_note-FOOTNOTEFiscus200536-119"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup> The other nominee that year was the film <i><a href="/wiki/Tulsa_(film)" title="Tulsa (film)">Tulsa</a>,</i> which was nominated for its animation of an oil field.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">[</span>120<span class="cite-bracket">]</span></a></sup> O'Brien initially nominated multiple people he believed should receive the award, including Harryhausen, but Academy Awards had created a policy where only one person could receive the award.<sup id="cite_ref-FOOTNOTEHankin200853,_59_121-0" class="reference"><a href="#cite_note-FOOTNOTEHankin200853,_59-121"><span class="cite-bracket">[</span>121<span class="cite-bracket">]</span></a></sup> O'Brien was sent to accept the award, saying, "Thank you, very, very much."<sup id="cite_ref-FOOTNOTEWillis_O'Brien_Wins_Special_Effects_122-0" class="reference"><a href="#cite_note-FOOTNOTEWillis_O'Brien_Wins_Special_Effects-122"><span class="cite-bracket">[</span>122<span class="cite-bracket">]</span></a></sup> Following the award ceremony Cooper allowed O'Brien to keep the award, even though it was to have gone to him because he was the producer.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200899_74-1" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200899-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Exhibition">Exhibition</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=15" title="Edit section: Exhibition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Aberystwyth_University" title="Aberystwyth University">Aberystwyth University</a> discovered an album in the archive that contained original artwork, more than a hundred stills, and production photographs.<sup id="cite_ref-123" class="reference"><a href="#cite_note-123"><span class="cite-bracket">[</span>123<span class="cite-bracket">]</span></a></sup> The album, likely created by crew members, was gifted to the university by film historian <a href="/wiki/Raymond_Durgnat" title="Raymond Durgnat">Raymond Durgnat</a>.<sup id="cite_ref-FOOTNOTEHeuser_2020,_"Introduction"_124-0" class="reference"><a href="#cite_note-FOOTNOTEHeuser_2020,_"Introduction"-124"><span class="cite-bracket">[</span>124<span class="cite-bracket">]</span></a></sup> The album was displayed at a free exhibition at the Aberystwyth School of Art and was ran from November 20, 2017, to February 2, 2018, under the direction of professor Harry Heuser.<sup id="cite_ref-125" class="reference"><a href="#cite_note-125"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> The exhibition, entitled <i>Recapturing Mighty Joe Young: The Movie! The Memory!! The Make-believe!!!,</i> incorporated slideshows, artifacts, posters, storyboards, paintings, copies of the album pages, and concept art from other 1940s films.<sup id="cite_ref-126" class="reference"><a href="#cite_note-126"><span class="cite-bracket">[</span>126<span class="cite-bracket">]</span></a></sup> Also featured in the exhibition was a board that was signed in January 1948 by forty-five members of the cast and crew.<sup id="cite_ref-FOOTNOTEHeuser_2020,_"Cast_and_Crew_Signatures"_127-0" class="reference"><a href="#cite_note-FOOTNOTEHeuser_2020,_"Cast_and_Crew_Signatures"-127"><span class="cite-bracket">[</span>127<span class="cite-bracket">]</span></a></sup> Curator and art historian Harry Heuser points out, "not all of the names listed here appear in the credits on screen. Some have never been associated with the film." The board, illustrated by Scott Whitaker, is a "unique record of a production underway," says Heuser.<sup id="cite_ref-128" class="reference"><a href="#cite_note-128"><span class="cite-bracket">[</span>128<span class="cite-bracket">]</span></a></sup> Animation workshops were also offered; films created during the workshops were featured in the exhibition.<sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span class="cite-bracket">[</span>129<span class="cite-bracket">]</span></a></sup> The exhibition opened with a presentation from <a href="/wiki/Ray_Harryhausen#Foundation" title="Ray Harryhausen">The Ray and Diana Harryhausen Foundation</a>'s collections manager Connor Heaney. He presented a history of the film's production and surviving models and artworks held in the foundation's archive before introducing a screening of the movie.<sup id="cite_ref-FOOTNOTEHarryhausen_Foundation_130-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausen_Foundation-130"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Sequel_and_remake">Sequel and remake</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=16" title="Edit section: Sequel and remake"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Following the release of <i>Mighty Joe Young</i>, Cooper and <a href="/wiki/Sol_Lesser" title="Sol Lesser">Sol Lesser</a> contemplated creating a sequel entitled <i>Mighty Joe Young Meets Tarzan</i>.<sup id="cite_ref-FOOTNOTEHarryhausenDalton200939_131-0" class="reference"><a href="#cite_note-FOOTNOTEHarryhausenDalton200939-131"><span class="cite-bracket">[</span>131<span class="cite-bracket">]</span></a></sup> Leland Laurence was to write the screenplay, and the plot was to take place solely in Africa. The film was never completed.<sup id="cite_ref-FOOTNOTEHankin200859_114-1" class="reference"><a href="#cite_note-FOOTNOTEHankin200859-114"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> </p><p><i>Mighty Joe Young</i> was remade through a collaboration between RKO and <a href="/wiki/The_Walt_Disney_Company" title="The Walt Disney Company">Disney</a> and was released in 1998.<sup id="cite_ref-132" class="reference"><a href="#cite_note-132"><span class="cite-bracket">[</span>132<span class="cite-bracket">]</span></a></sup> It was written by <a href="/wiki/Lawrence_Konner" title="Lawrence Konner">Lawrence Konner</a> and <a href="/wiki/Mark_Rosenthal_(filmmaker)" title="Mark Rosenthal (filmmaker)">Mark Rosenthal</a> and produced by Tom Jacobsen and <a href="/wiki/Ted_Hartley" title="Ted Hartley">Ted Hartley</a>.<sup id="cite_ref-FOOTNOTEVariety_Staff1997_133-0" class="reference"><a href="#cite_note-FOOTNOTEVariety_Staff1997-133"><span class="cite-bracket">[</span>133<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Charlize_Theron" title="Charlize Theron">Charlize Theron</a> played Jill and <a href="/wiki/Bill_Paxton" title="Bill Paxton">Bill Paxton</a> played Gregg O'Hara.<sup id="cite_ref-FOOTNOTEVariety_Staff1997_133-1" class="reference"><a href="#cite_note-FOOTNOTEVariety_Staff1997-133"><span class="cite-bracket">[</span>133<span class="cite-bracket">]</span></a></sup> Joe was created with a combination of <a href="/wiki/Animatronics" title="Animatronics">animatronics</a>, <a href="/wiki/Computer_animation" title="Computer animation">CGI</a>, and a gorilla costume worn by <a href="/wiki/Costumed_performer" title="Costumed performer">creature performer</a> John Alexander.<sup id="cite_ref-134" class="reference"><a href="#cite_note-134"><span class="cite-bracket">[</span>134<span class="cite-bracket">]</span></a></sup> Joe was designed by Rick Baker and CGI was created by <a href="/wiki/Dream_Quest_Images" title="Dream Quest Images">DreamQuest Images</a>.<sup id="cite_ref-FOOTNOTEVariety_Staff1997_133-2" class="reference"><a href="#cite_note-FOOTNOTEVariety_Staff1997-133"><span class="cite-bracket">[</span>133<span class="cite-bracket">]</span></a></sup> Harryhausen expressed satisfaction with the adaptation.<sup id="cite_ref-FOOTNOTEMallory2001_135-0" class="reference"><a href="#cite_note-FOOTNOTEMallory2001-135"><span class="cite-bracket">[</span>135<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=17" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/King_Kong" title="King Kong">King Kong</a></li> <li><a href="/wiki/List_of_American_films_of_1949" title="List of American films of 1949">List of American films of 1949</a></li> <li><a href="/wiki/List_of_fictional_primates" title="List of fictional primates">List of fictional primates</a></li> <li><a href="/wiki/List_of_stop_motion_films" title="List of stop motion films">List of stop motion films</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=18" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-FOOTNOTETurner_Classic_Movies-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETurner_Classic_Movies_1-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTurner_Classic_Movies">Turner Classic Movies</a>.</span> </li> <li id="cite_note-FOOTNOTEVariety195059-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVariety195059_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVariety1950">Variety 1950</a>, p. 59.</span> </li> <li id="cite_note-FOOTNOTELife194994–95-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELife194994–95_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELife194994–95_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLife1949">Life 1949</a>, pp. 94–95.</span> </li> <li id="cite_note-FOOTNOTEArcher199345-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEArcher199345_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 45.</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 45; <a href="#CITEREFJewellHarbin1982">Jewell & Harbin 1982</a>, p. 240</span> </li> <li id="cite_note-FOOTNOTECady2003-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECady2003_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECady2003_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECady2003_6-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCady2003">Cady 2003</a>.</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200933-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHarryhausenDalton200933_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarryhausenDalton200933_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 33.</span> </li> <li id="cite_note-FOOTNOTECotta_Vaz2005340-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECotta_Vaz2005340_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCotta_Vaz2005">Cotta Vaz 2005</a>, p. 340.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 181; <a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 92</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 34; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 25</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200933–34-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarryhausenDalton200933–34_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, pp. 33–34.</span> </li> <li id="cite_note-FOOTNOTEHankin200824-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHankin200824_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200824_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 24.</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200934-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHarryhausenDalton200934_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarryhausenDalton200934_13-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarryhausenDalton200934_13-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 34.</span> </li> <li id="cite_note-FOOTNOTEErb2009129,_132-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEErb2009129,_132_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEErb2009129,_132_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFErb2009">Erb 2009</a>, pp. 129, 132.</span> </li> <li id="cite_note-FOOTNOTERovin197768-15"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERovin197768_15-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERovin197768_15-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 68.</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 23; <a href="#CITEREFHarryhausen2006">Harryhausen 2006</a>, p. 94</span> </li> <li id="cite_note-FOOTNOTECotta_Vaz2005342-17"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECotta_Vaz2005342_17-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECotta_Vaz2005342_17-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCotta_Vaz2005">Cotta Vaz 2005</a>, p. 342.</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 50; <a href="#CITEREFByrge2013">Byrge 2013</a>; <a href="#CITEREFMassie2020">Massie 2020</a>, p. 44</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 23; <a href="#CITEREFArcher1993">Archer 1993</a>, pp. 187, 203; <a href="#CITEREFMassie2020">Massie 2020</a>, p. 44; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 34</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200892-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHarryhausenDalton200892_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarryhausenDalton200892_20-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarryhausenDalton200892_20-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarryhausenDalton200892_20-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 92.</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 92; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 23</span> </li> <li id="cite_note-FOOTNOTEHankin200823-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHankin200823_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 23.</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 92; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 34</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 31; <a href="#CITEREFRovin1977">Rovin 1977</a>, p. 61</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 32; <a href="#CITEREFRovin1977">Rovin 1977</a>, p. 61</span> </li> <li id="cite_note-FOOTNOTEJewellHarbin1982240-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJewellHarbin1982240_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJewellHarbin1982">Jewell & Harbin 1982</a>, p. 240.</span> </li> <li id="cite_note-FOOTNOTEStein197726-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEStein197726_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEStein197726_27-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFStein1977">Stein 1977</a>, p. 26.</span> </li> <li id="cite_note-FOOTNOTERovin197772-28"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERovin197772_28-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERovin197772_28-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 72.</span> </li> <li id="cite_note-FOOTNOTEHankin200828-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHankin200828_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200828_29-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200828_29-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200828_29-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 28.</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 71; <a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 92</span> </li> <li id="cite_note-FOOTNOTEWalker-Werth202150-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWalker-Werth202150_31-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWalker-Werth2021">Walker-Werth 2021</a>, p. 50.</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 184; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 36</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 92; <a href="#CITEREFHarryhausenDalton2009">Harryhausen et al. 2009</a>, p. 36; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29</span> </li> <li id="cite_note-FOOTNOTEBrierton200447-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBrierton200447_34-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrierton2004">Brierton 2004</a>, p. 47.</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 34</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 37</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrierton2004">Brierton 2004</a>, p. 23; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29; <a href="#CITEREFBrierton2004">Brierton 2004</a>, p. 23</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29; <a href="#CITEREFCotta_Vaz2005">Cotta Vaz 2005</a>, pp. 340–341</span> </li> <li id="cite_note-FOOTNOTERovin197771-40"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERovin197771_40-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERovin197771_40-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 71.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, pp. 28–29; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 36</span> </li> <li id="cite_note-FOOTNOTEArcher199352-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEArcher199352_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 52.</span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 71; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 29</span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 51; <a href="#CITEREFRovin1977">Rovin 1977</a>, p. 68</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 73; <a href="#CITEREFStein1977">Stein 1977</a>, p. 26</span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 42; <a href="#CITEREFRovin1977">Rovin 1977</a>, p. 73</span> </li> <li id="cite_note-FOOTNOTEHankin200830-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHankin200830_47-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 30.</span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, pp. 34, 36; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 25</span> </li> <li id="cite_note-FOOTNOTEArcher199349-49"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEArcher199349_49-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEArcher199349_49-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEArcher199349_49-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 49.</span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-50">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 25; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 36</span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text"><a href="#CITEREFWalker-Werth2021">Walker-Werth 2021</a>, p. 50; <a href="#CITEREFCady2003">Cady 2003</a>; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 32</span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-52">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 37; <a href="#CITEREFWalker-Werth2021">Walker-Werth 2021</a>, p. 50; <a href="#CITEREFRovin1977">Rovin 1977</a>, p. 72</span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 37; <a href="#CITEREFBrierton2004">Brierton 2004</a>, p. 5</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200886-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarryhausenDalton200886_54-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 86.</span> </li> <li id="cite_note-FOOTNOTERovin197768,_72-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERovin197768,_72_55-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, pp. 68, 72.</span> </li> <li id="cite_note-FOOTNOTEHankin200831-56"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHankin200831_56-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200831_56-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 31.</span> </li> <li id="cite_note-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-57">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 38; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 38</span> </li> <li id="cite_note-FOOTNOTEHarryhausen197422-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarryhausen197422_58-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausen1974">Harryhausen 1974</a>, p. 22.</span> </li> <li id="cite_note-FOOTNOTEHankin200838-59"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHankin200838_59-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200838_59-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200838_59-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 38.</span> </li> <li id="cite_note-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-60">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 38; <a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 9</span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 96; <a href="#CITEREFArcher1993">Archer 1993</a>, p. 49</span> </li> <li 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href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 38; <a href="#CITEREFHankin2008">Hankin 2008</a>, p. 39</span> </li> <li id="cite_note-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-66">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 96; <a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 37</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200937-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarryhausenDalton200937_67-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 37.</span> </li> <li id="cite_note-FOOTNOTECotta_Vaz2005340–341-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECotta_Vaz2005340–341_68-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCotta_Vaz2005">Cotta Vaz 2005</a>, pp. 340–341.</span> </li> <li 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href="#cite_ref-FOOTNOTEMiller200597_84-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMiller2005">Miller 2005</a>, p. 97.</span> </li> <li id="cite_note-FOOTNOTEMiller200596,_98-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMiller200596,_98_85-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMiller2005">Miller 2005</a>, pp. 96, 98.</span> </li> <li id="cite_note-FOOTNOTEAndriano199962-86"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEAndriano199962_86-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAndriano199962_86-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFAndriano1999">Andriano 1999</a>, p. 62.</span> </li> <li id="cite_note-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-87">^</a></b></span> <span class="reference-text"><a href="#CITEREFAndriano1999">Andriano 1999</a>, pp. 65–66; <a href="#CITEREFBarr2023">Barr 2023</a>, p. 138</span> </li> <li 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href="#cite_ref-FOOTNOTEErb2009134_95-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEErb2009134_95-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEErb2009134_95-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEErb2009134_95-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFErb2009">Erb 2009</a>, p. 134.</span> </li> <li id="cite_note-FOOTNOTEErb2009135–136-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEErb2009135–136_96-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFErb2009">Erb 2009</a>, pp. 135–136.</span> </li> <li id="cite_note-FOOTNOTEErb2009135-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEErb2009135_97-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFErb2009">Erb 2009</a>, p. 135.</span> </li> <li id="cite_note-FOOTNOTEAndriano199963-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAndriano199963_98-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAndriano1999">Andriano 1999</a>, p. 63.</span> </li> <li id="cite_note-FOOTNOTEBarr202322-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBarr202322_99-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBarr2023">Barr 2023</a>, p. 22.</span> </li> <li id="cite_note-FOOTNOTEErb2009138–139-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEErb2009138–139_100-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFErb2009">Erb 2009</a>, pp. 138–139.</span> </li> <li id="cite_note-FOOTNOTEMcKenna202061-101"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMcKenna202061_101-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMcKenna202061_101-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMcKenna2020">McKenna 2020</a>, p. 61.</span> </li> <li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 53; <a href="#CITEREFMcKenna2020">McKenna 2020</a>, p. 62</span> </li> <li id="cite_note-FOOTNOTEHankin200853-103"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHankin200853_103-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200853_103-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200853_103-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200853_103-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 53.</span> </li> <li id="cite_note-FOOTNOTEMcKenna202062-104"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMcKenna202062_104-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMcKenna202062_104-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMcKenna2020">McKenna 2020</a>, p. 62.</span> </li> <li id="cite_note-FOOTNOTECofer2010143–144-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECofer2010143–144_105-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCofer2010">Cofer 2010</a>, pp. 143–144.</span> </li> <li id="cite_note-FOOTNOTENelson201491-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENelson201491_106-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNelson2014">Nelson 2014</a>, p. 91.</span> </li> <li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 53; <a href="#CITEREFVariety_1949,_"Film_Cos",_p._7">Variety 1949, "Film Cos", p. 7</a></span> </li> <li id="cite_note-FOOTNOTEVariety_1949,_"National_Boxoffice_Survey",_p._3-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVariety_1949,_"National_Boxoffice_Survey",_p._3_108-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVariety_1949,_"National_Boxoffice_Survey",_p._3">Variety 1949, "National Boxoffice Survey", p. 3</a>.</span> </li> <li id="cite_note-FOOTNOTEHankin200864-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHankin200864_109-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 64.</span> </li> <li id="cite_note-FOOTNOTEPryor194919-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPryor194919_110-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPryor1949">Pryor 1949</a>, p. 19.</span> </li> <li id="cite_note-FOOTNOTEBrog19498-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBrog19498_111-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrog1949">Brog 1949</a>, p. 8.</span> </li> <li id="cite_note-FOOTNOTEArcher199348-112"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEArcher199348_112-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEArcher199348_112-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEArcher199348_112-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEArcher199348_112-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, p. 48.</span> </li> <li id="cite_note-FOOTNOTEArcher199348–49-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEArcher199348–49_113-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFArcher1993">Archer 1993</a>, pp. 48–49.</span> </li> <li id="cite_note-FOOTNOTEHankin200859-114"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHankin200859_114-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHankin200859_114-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 59.</span> </li> <li id="cite_note-FOOTNOTEErb2009130–131-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEErb2009130–131_115-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFErb2009">Erb 2009</a>, pp. 130–131.</span> </li> <li id="cite_note-FOOTNOTEPettigrew199929-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPettigrew199929_116-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPettigrew1999">Pettigrew 1999</a>, p. 29.</span> </li> <li id="cite_note-FOOTNOTERovin197774-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERovin197774_117-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRovin1977">Rovin 1977</a>, p. 74.</span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, p. 17; <a href="#CITEREFWalker-Werth2021">Walker-Werth 2021</a>, p. 50</span> </li> <li id="cite_note-FOOTNOTEFiscus200536-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFiscus200536_119-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFiscus2005">Fiscus 2005</a>, p. 36.</span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2008">Harryhausen & Dalton 2008</a>, p. 99; <a href="#CITEREFWillis_O'Brien_Wins_Special_Effects">Willis O'Brien Wins Special Effects</a></span> </li> <li id="cite_note-FOOTNOTEHankin200853,_59-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHankin200853,_59_121-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHankin2008">Hankin 2008</a>, pp. 53, 59.</span> </li> <li id="cite_note-FOOTNOTEWillis_O'Brien_Wins_Special_Effects-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWillis_O'Brien_Wins_Special_Effects_122-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWillis_O'Brien_Wins_Special_Effects">Willis O'Brien Wins Special Effects</a>.</span> </li> <li id="cite_note-123"><span class="mw-cite-backlink"><b><a href="#cite_ref-123">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausen_Foundation">Harryhausen Foundation</a>; <a href="#CITEREFAberystwyth_University">Aberystwyth University</a></span> </li> <li id="cite_note-FOOTNOTEHeuser_2020,_"Introduction"-124"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHeuser_2020,_"Introduction"_124-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHeuser_2020,_"Introduction"">Heuser 2020, "Introduction"</a>.</span> </li> <li id="cite_note-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-125">^</a></b></span> <span class="reference-text"><a href="#CITEREFCambrian_News">Cambrian News</a>; <a href="#CITEREFHarryhausen_Foundation">Harryhausen Foundation</a>; <a href="#CITEREFAberystwyth_University">Aberystwyth University</a></span> </li> <li id="cite_note-126"><span class="mw-cite-backlink"><b><a href="#cite_ref-126">^</a></b></span> <span class="reference-text"><a href="#CITEREFHeuser_2020,_"Introduction"">Heuser 2020, "Introduction"</a>; <a href="#CITEREFAberystwyth_University">Aberystwyth University</a>; <a href="#CITEREFHarryhausen_Foundation">Harryhausen Foundation</a></span> </li> <li id="cite_note-FOOTNOTEHeuser_2020,_"Cast_and_Crew_Signatures"-127"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHeuser_2020,_"Cast_and_Crew_Signatures"_127-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHeuser_2020,_"Cast_and_Crew_Signatures"">Heuser 2020, "Cast and Crew Signatures"</a>.</span> </li> <li id="cite_note-128"><span class="mw-cite-backlink"><b><a href="#cite_ref-128">^</a></b></span> <span class="reference-text"><a href="#CITEREFHeuser_2020,_"Introduction"">Heuser 2020, "Introduction"</a>; <a href="#CITEREFHarryhausen_Foundation">Harryhausen Foundation</a></span> </li> <li id="cite_note-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-129">^</a></b></span> <span class="reference-text"><a href="#CITEREFHeuser_2020,_"Introduction"">Heuser 2020, "Introduction"</a>; <a href="#CITEREFAberystwyth_University">Aberystwyth University</a></span> </li> <li id="cite_note-FOOTNOTEHarryhausen_Foundation-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarryhausen_Foundation_130-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausen_Foundation">Harryhausen Foundation</a>.</span> </li> <li id="cite_note-FOOTNOTEHarryhausenDalton200939-131"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarryhausenDalton200939_131-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarryhausenDalton2009">Harryhausen & Dalton 2009</a>, p. 39.</span> </li> <li id="cite_note-132"><span class="mw-cite-backlink"><b><a href="#cite_ref-132">^</a></b></span> <span class="reference-text"><a href="#CITEREFMallory2001">Mallory 2001</a>; <a href="#CITEREFVariety_Staff1997">Variety Staff 1997</a></span> </li> <li id="cite_note-FOOTNOTEVariety_Staff1997-133"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEVariety_Staff1997_133-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEVariety_Staff1997_133-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEVariety_Staff1997_133-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFVariety_Staff1997">Variety Staff 1997</a>.</span> </li> <li id="cite_note-134"><span class="mw-cite-backlink"><b><a href="#cite_ref-134">^</a></b></span> <span class="reference-text"><a href="#CITEREFMallory2001">Mallory 2001</a>; <a href="#CITEREFGleiberman1998">Gleiberman 1998</a></span> </li> <li id="cite_note-FOOTNOTEMallory2001-135"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMallory2001_135-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMallory2001">Mallory 2001</a>.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=19" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFAndriano1999" class="citation book cs1">Andriano, Joseph D. (1999). <i>Immortal Monster: The Mythological Evolution of the Fantastic Beast in Modern Fiction and Film</i>. Contributions to the Study of Science Fiction and Fantasy, Number 78. Westport, Connecticut: Greenwood Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-313-30667-2" title="Special:BookSources/0-313-30667-2"><bdi>0-313-30667-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Immortal+Monster%3A+The+Mythological+Evolution+of+the+Fantastic+Beast+in+Modern+Fiction+and+Film&rft.place=Westport%2C+Connecticut&rft.series=Contributions+to+the+Study+of+Science+Fiction+and+Fantasy%2C+Number+78&rft.pub=Greenwood+Press&rft.date=1999&rft.isbn=0-313-30667-2&rft.aulast=Andriano&rft.aufirst=Joseph+D.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFArcher1993" class="citation book cs1">Archer, Steve (1993). <i>Willis O'Brien: Special Effects Genius</i>. Jefferson, North Carolina: McFarland Classics. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7864-0573-2" title="Special:BookSources/0-7864-0573-2"><bdi>0-7864-0573-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Willis+O%27Brien%3A+Special+Effects+Genius&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland+Classics&rft.date=1993&rft.isbn=0-7864-0573-2&rft.aulast=Archer&rft.aufirst=Steve&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarr2023" class="citation book cs1">Barr, Jason (2023). <i>The Kaiju Connection: Giant Monsters and Ourselves</i>. Jefferson, North Carolina: McFarland & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781476693514" title="Special:BookSources/9781476693514"><bdi>9781476693514</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Kaiju+Connection%3A+Giant+Monsters+and+Ourselves&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland+%26+Company&rft.date=2023&rft.isbn=9781476693514&rft.aulast=Barr&rft.aufirst=Jason&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrierton2004" class="citation book cs1">Brierton, Tom (2004). <i>Stop-Motion Puppet Sculpting: A Manual of foam Injection, Build-Up, and Finishing Techniques</i>. Jefferson, North Carolina: McFarland & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7864-1873-7" title="Special:BookSources/0-7864-1873-7"><bdi>0-7864-1873-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Stop-Motion+Puppet+Sculpting%3A+A+Manual+of+foam+Injection%2C+Build-Up%2C+and+Finishing+Techniques&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland+%26+Company&rft.date=2004&rft.isbn=0-7864-1873-7&rft.aulast=Brierton&rft.aufirst=Tom&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrog1949" class="citation magazine cs1">Brog (May 25, 1949). <a rel="nofollow" class="external text" href="https://archive.org/details/variety174-1949-05/page/n175/mode/1up?view=theater">"Film Reviews: Mighty Joe Young"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. p. 8<span class="reference-accessdate">. Retrieved <span class="nowrap">October 30,</span> 2024</span> – via <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Film+Reviews%3A+Mighty+Joe+Young&rft.pages=8&rft.date=1949-05-25&rft.au=Brog&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fvariety174-1949-05%2Fpage%2Fn175%2Fmode%2F1up%3Fview%3Dtheater&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFByrge2013" class="citation web cs1">Byrge, Duane (2013-05-07). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/news/general-news/visual-effects-pioneer-ray-harryhausen-518636/">"Visual Effects Pioneer Ray Harryhausen Dies at 92"</a>. <i>The Hollywood Reporter</i><span class="reference-accessdate">. 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Cooper, Creator of King Kong</i>. New York, New York: Villard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-4000-6276-4" title="Special:BookSources/1-4000-6276-4"><bdi>1-4000-6276-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Living+Dangerously%3A+The+Adventures+of+Merian+C.+Cooper%2C+Creator+of+King+Kong&rft.place=New+York%2C+New+York&rft.pub=Villard+Books&rft.date=2005&rft.isbn=1-4000-6276-4&rft.aulast=Cotta+Vaz&rft.aufirst=Mark&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEby1998" class="citation journal cs1">Eby, Douglas (December 1, 1998). "Mighty Joe Young: Terry Moore". <i>Cinefantastique</i>. <b>30</b> (11): 20.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cinefantastique&rft.atitle=Mighty+Joe+Young%3A+Terry+Moore&rft.volume=30&rft.issue=11&rft.pages=20&rft.date=1998-12-01&rft.aulast=Eby&rft.aufirst=Douglas&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFErb2009" class="citation book cs1">Erb, Cynthia (2009). <i>Tracking King Kong A Hollywood Icon in World Culture</i> (2nd ed.). Detroit, Michigan: Wayne State University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8143-3430-0" title="Special:BookSources/978-0-8143-3430-0"><bdi>978-0-8143-3430-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tracking+King+Kong+A+Hollywood+Icon+in+World+Culture&rft.place=Detroit%2C+Michigan&rft.edition=2nd&rft.pub=Wayne+State+University+Press&rft.date=2009&rft.isbn=978-0-8143-3430-0&rft.aulast=Erb&rft.aufirst=Cynthia&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety_1949,_"Film_Cos",_p._7" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://archive.org/details/variety175-1949-07/page/n62/mode/1up">"Film Cos. Veering More to Multiple, Regional Openings, Day-and-Date"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. July 13, 1949. p. 7<span class="reference-accessdate">. Retrieved <span class="nowrap">October 30,</span> 2024</span> – via <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Film+Cos.+Veering+More+to+Multiple%2C+Regional+Openings%2C+Day-and-Date&rft.pages=7&rft.date=1949-07-13&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fvariety175-1949-07%2Fpage%2Fn62%2Fmode%2F1up&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFiscus2005" class="citation book cs1">Fiscus, James W. (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?hl=en&lr=&id=j-GOIZo5mcoC"><i>Meet King Kong</i></a>. Famous Movie Monsters. Rosen Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1404202702" title="Special:BookSources/978-1404202702"><bdi>978-1404202702</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Meet+King+Kong&rft.series=Famous+Movie+Monsters&rft.pub=Rosen+Publishing+Group&rft.date=2005&rft.isbn=978-1404202702&rft.aulast=Fiscus&rft.aufirst=James+W.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fhl%3Den%26lr%3D%26id%3Dj-GOIZo5mcoC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrazier2007" class="citation journal cs1">Frazier, Valerie (December 2007). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/44325418">"King Kong's Reign Continues: "King Kong" as a Sign of Shifting Racial Politics"</a>. <i>CLA Journal</i>. <b>51</b> (2): 186–205 – via JSTOR.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=CLA+Journal&rft.atitle=King+Kong%27s+Reign+Continues%3A+%22King+Kong%22+as+a+Sign+of+Shifting+Racial+Politics&rft.volume=51&rft.issue=2&rft.pages=186-205&rft.date=2007-12&rft.aulast=Frazier&rft.aufirst=Valerie&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F44325418&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGleiberman1998" class="citation web cs1">Gleiberman, Owen (December 23, 1998). <a rel="nofollow" class="external text" href="https://ew.com/article/1998/12/23/mighty-joe-young/">"Mighty Joe Young"</a>. <i>EW.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2024-10-17</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=EW.com&rft.atitle=Mighty+Joe+Young&rft.date=1998-12-23&rft.aulast=Gleiberman&rft.aufirst=Owen&rft_id=https%3A%2F%2Few.com%2Farticle%2F1998%2F12%2F23%2Fmighty-joe-young%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHankin2008" class="citation book cs1">Hankin, Mike (2008-09-14). <a rel="nofollow" class="external text" href="https://books.google.com/books?hl=en&lr=&id=1voGbBwpB9sC"><i>Ray Harryhausen - Master of the Majicks, Vol. 2: The American Films</i></a>. Los Angeles, California: Archive Editions, LLC. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9817829-0-4" title="Special:BookSources/978-0-9817829-0-4"><bdi>978-0-9817829-0-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ray+Harryhausen+-+Master+of+the+Majicks%2C+Vol.+2%3A+The+American+Films&rft.place=Los+Angeles%2C+California&rft.pub=Archive+Editions%2C+LLC&rft.date=2008-09-14&rft.isbn=978-0-9817829-0-4&rft.aulast=Hankin&rft.aufirst=Mike&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fhl%3Den%26lr%3D%26id%3D1voGbBwpB9sC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarryhausen1974" class="citation book cs1">Harryhausen, Ray (1974). <i>Film Fantasy Scrapbook</i>. South Brunswick: A.S. Barnes. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780498016325" title="Special:BookSources/9780498016325"><bdi>9780498016325</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1008040">1008040</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Film+Fantasy+Scrapbook&rft.place=South+Brunswick&rft.pub=A.S.+Barnes&rft.date=1974&rft_id=info%3Aoclcnum%2F1008040&rft.isbn=9780498016325&rft.aulast=Harryhausen&rft.aufirst=Ray&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarryhausen2006" class="citation news cs1">Harryhausen, Ray (June 17, 2006). "Weekend: Pictures with Meaning: Ray Harryhausen, award-winning animator: Scene For Mighty Joe Young, by Willis O'Brien (1949)". <i>The Guardian</i>. Guardian News & Media.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Weekend%3A+Pictures+with+Meaning%3A+Ray+Harryhausen%2C+award-winning+animator%3A+Scene+For+Mighty+Joe+Young%2C+by+Willis+O%27Brien+%281949%29&rft.date=2006-06-17&rft.aulast=Harryhausen&rft.aufirst=Ray&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarryhausenDalton2008" class="citation book cs1">Harryhausen, Ray; Dalton, Tony (2008). <i>A Century of Model Animation: From Méliès to Aardman</i>. London, England: Aurum Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84513-367-2" title="Special:BookSources/978-1-84513-367-2"><bdi>978-1-84513-367-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Century+of+Model+Animation%3A+From+M%C3%A9li%C3%A8s+to+Aardman&rft.place=London%2C+England&rft.pub=Aurum+Press&rft.date=2008&rft.isbn=978-1-84513-367-2&rft.aulast=Harryhausen&rft.aufirst=Ray&rft.au=Dalton%2C+Tony&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Harryhausen, Ray (2009). <i>Art of Ray Harryhausen</i>. New York: Watson-Guptill. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780823084647" title="Special:BookSources/9780823084647"><bdi>9780823084647</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/276908198">276908198</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Art+of+Ray+Harryhausen&rft.place=New+York&rft.pub=Watson-Guptill&rft.date=2009&rft_id=info%3Aoclcnum%2F276908198&rft.isbn=9780823084647&rft.aulast=Harryhausen&rft.aufirst=Ray&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarryhausenDalton2009" class="citation book cs1">Harryhausen, Ray; Dalton, Tony (2009). <i>Ray Harryhausen: An Animated Life</i> (2nd ed.). London, England: Aurum Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84513-501-0" title="Special:BookSources/978-1-84513-501-0"><bdi>978-1-84513-501-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ray+Harryhausen%3A+An+Animated+Life&rft.place=London%2C+England&rft.edition=2nd&rft.pub=Aurum+Press&rft.date=2009&rft.isbn=978-1-84513-501-0&rft.aulast=Harryhausen&rft.aufirst=Ray&rft.au=Dalton%2C+Tony&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeuser_2020,_"Cast_and_Crew_Signatures"" class="citation web cs1">Heuser, Harry (2020-07-25). <a rel="nofollow" class="external text" href="https://harryheuser.com/mighty-joe-young-cast-and-crew-signatures/">"Recapturing Mighty Joe Young: Cast and Crew Signatures"</a>. <i>Harry Heuser</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2024-10-31</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Harry+Heuser&rft.atitle=Recapturing+Mighty+Joe+Young%3A+Cast+and+Crew+Signatures&rft.date=2020-07-25&rft.aulast=Heuser&rft.aufirst=Harry&rft_id=https%3A%2F%2Fharryheuser.com%2Fmighty-joe-young-cast-and-crew-signatures%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeuser_2020,_"Introduction"" class="citation web cs1">Heuser, Harry (2020-07-25). <a rel="nofollow" class="external text" href="https://harryheuser.com/recapturing-mighty-joe-young-the-movie-the-memory-the-make-believe/">"Recapturing Mighty Joe Young: Introduction"</a>. <i>Harry Heuser</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2024-10-31</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Harry+Heuser&rft.atitle=Recapturing+Mighty+Joe+Young%3A+Introduction&rft.date=2020-07-25&rft.aulast=Heuser&rft.aufirst=Harry&rft_id=https%3A%2F%2Fharryheuser.com%2Frecapturing-mighty-joe-young-the-movie-the-memory-the-make-believe%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJewellHarbin1982" class="citation book cs1">Jewell, Richard B.; Harbin, Vernon (1982). <i>The RKO Story</i>. London, England: Octopus Books Limited. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-517-546566" title="Special:BookSources/0-517-546566"><bdi>0-517-546566</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+RKO+Story&rft.place=London%2C+England&rft.pub=Octopus+Books+Limited&rft.date=1982&rft.isbn=0-517-546566&rft.aulast=Jewell&rft.aufirst=Richard+B.&rft.au=Harbin%2C+Vernon&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLife1949" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=D08EAAAAMBAJ&pg=PA95">"King Kong's Successor"</a>. <i>Life</i>. Vol. 27, no. 4. July 25, 1949. pp. 94–95.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Life&rft.atitle=King+Kong%27s+Successor&rft.volume=27&rft.issue=4&rft.pages=94-95&rft.date=1949-07-25&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DD08EAAAAMBAJ%26pg%3DPA95&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTurner_Classic_Movies" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/title/570/mighty-joe-young#notes">"Mighty Joe Young (1949): Notes"</a>. <i>prod.tcm.com</i><span class="reference-accessdate">. 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"Fantastic beasts and where to find them: Claudia Massie explores the cinematic majesty and mind-bending visual trickery of stop-motion wizard Ray Harryhausen". <i>Spectator</i>. <b>344</b> (10026): 44–45.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Spectator&rft.atitle=Fantastic+beasts+and+where+to+find+them%3A+Claudia+Massie+explores+the+cinematic+majesty+and+mind-bending+visual+trickery+of+stop-motion+wizard+Ray+Harryhausen.&rft.volume=344&rft.issue=10026&rft.pages=44-45&rft.date=2020-10-24&rft.aulast=Massie&rft.aufirst=Claudia&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcKenna2020" class="citation journal cs1">McKenna, A. T. (Fall 2020). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27063733">"<span class="cs1-kern-left"></span>"Anybody with a buck": Terry Turner and the Ecosystems of Film Promotion, 1920-1960"</a>. <i>Journal of Cinema and Media Studies</i>. <b>60</b> (1): 49–69 – via JSTOR.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+Cinema+and+Media+Studies&rft.atitle=%22Anybody+with+a+buck%22%3A+Terry+Turner+and+the+Ecosystems+of+Film+Promotion%2C+1920-1960&rft.ssn=fall&rft.volume=60&rft.issue=1&rft.pages=49-69&rft.date=2020&rft.aulast=McKenna&rft.aufirst=A.+T.&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F27063733&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiller2005" class="citation book cs1">Miller, Joseph D. (2005). 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(July 28, 1949). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1949/07/28/archives/mighty-joe-young-featuring-giant-gorilla-stars-terry-moore-and-ben.html">"<span class="cs1-kern-left"></span>'Mighty Joe Young', Featuring Giant Gorilla, Stars Terry Moore and Ben Johnson"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. p. 19<span class="reference-accessdate">. Retrieved <span class="nowrap">October 30,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=%27Mighty+Joe+Young%27%2C+Featuring+Giant+Gorilla%2C+Stars+Terry+Moore+and+Ben+Johnson&rft.pages=19&rft.date=1949-07-28&rft.aulast=Pryor&rft.aufirst=Thomas+M.&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1949%2F07%2F28%2Farchives%2Fmighty-joe-young-featuring-giant-gorilla-stars-terry-moore-and-ben.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAberystwyth_University" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.aber.ac.uk/en/news/archive/2017/11/title-207857-en.html">"Rare 1940s Hollywood artefacts on display at Aberystwyth School of Art - Aberystwyth University"</a>. <i>www.aber.ac.uk</i>. 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Retrieved <span class="nowrap">2024-10-31</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cambrian+News&rft.atitle=Rare+Hollywood+Artefacts+on+Display+for+First+Time&rft.date=2017-12-07&rft_id=https%3A%2F%2Fwww.cambrian-news.co.uk%2Fnews%2Frare-hollywood-artefacts-on-display-for-first-time-97153&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarryhausen_Foundation" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rayharryhausen.com/recapturing-mighty-joe-young-at-aberystwyth-university/">"<span class="cs1-kern-left"></span>'Recapturing Mighty Joe Young' at Aberystwyth University | The Ray and Diana Harryhausen Foundation"</a><span class="reference-accessdate">. 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New York, New York: Berkley Publishing Corporation. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0425035061" title="Special:BookSources/978-0425035061"><bdi>978-0425035061</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=From+the+Land+Beyond+Beyond%3A+The+Films+of+Willis+O%27Brien+and+Ray+Harryhausen&rft.place=New+York%2C+New+York&rft.pub=Berkley+Publishing+Corporation&rft.date=1977&rft.isbn=978-0425035061&rft.aulast=Rovin&rft.aufirst=Jeff&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStein1977" class="citation journal cs1">Stein, Elliott (1977). "The Thirteen Voyages of Ray Harryhausen". <i>Film Comments</i>. <b>13</b> (6): 24–28, 64.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Film+Comments&rft.atitle=The+Thirteen+Voyages+of+Ray+Harryhausen&rft.volume=13&rft.issue=6&rft.pages=24-28%2C+64&rft.date=1977&rft.aulast=Stein&rft.aufirst=Elliott&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety1950" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://archive.org/stream/variety177-1950-01#page/n58/mode/1up">"Top Grossers of 1949"</a>. <i>Variety</i>. 4 January 1950. p. 59.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Top+Grossers+of+1949&rft.pages=59&rft.date=1950-01-04&rft_id=https%3A%2F%2Farchive.org%2Fstream%2Fvariety177-1950-01%23page%2Fn58%2Fmode%2F1up&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety_Staff1997" class="citation web cs1">Variety Staff (1997-04-09). <a rel="nofollow" class="external text" href="https://variety.com/1997/scene/vpage/theron-gets-close-to-joe-1117435462/">"Theron gets close to 'Joe'<span class="cs1-kern-right"></span>"</a>. <i>Variety</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2024-10-18</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Theron+gets+close+to+%E2%80%98Joe%E2%80%99&rft.date=1997-04-09&rft.au=Variety+Staff&rft_id=https%3A%2F%2Fvariety.com%2F1997%2Fscene%2Fvpage%2Ftheron-gets-close-to-joe-1117435462%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWalker-Werth2021" class="citation journal cs1">Walker-Werth, Thomas (Winter 2021). "Ray Harryhausen: Giving New Life to Old Legends". <i>The Objective Standard</i>. <b>16</b> (4): 49–55.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Objective+Standard&rft.atitle=Ray+Harryhausen%3A+Giving+New+Life+to+Old+Legends&rft.ssn=winter&rft.volume=16&rft.issue=4&rft.pages=49-55&rft.date=2021&rft.aulast=Walker-Werth&rft.aufirst=Thomas&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWillis_O'Brien_Wins_Special_Effects" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=svr4giOnmos">"Willis O'Brien Wins Special Effects: 1950 Oscars"</a>. <i><a href="/wiki/YouTube" title="YouTube">YouTube</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 29,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=YouTube&rft.atitle=Willis+O%27Brien+Wins+Special+Effects%3A+1950+Oscars&rft_id=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dsvr4giOnmos&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMighty+Joe+Young+%281949+film%29" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mighty_Joe_Young_(1949_film)&action=edit&section=20" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid 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href="https://en.wikiquote.org/wiki/Special:Search/Mighty_Joe_Young_(1949_film)" class="extiw" title="q:Special:Search/Mighty Joe Young (1949 film)">Mighty Joe Young (1949 film)</a></b></i>.</div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0041650/"><i>Mighty Joe Young</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.allmovie.com/movie/v32603"><i>Mighty Joe Young</i></a> at <a href="/wiki/AllMovie" title="AllMovie">AllMovie</a></li> <li><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/title/570/enwp"><i>Mighty Joe Young</i></a> at the <a href="/wiki/Turner_Classic_Movies" title="Turner Classic Movies">TCM Movie Database</a></li> <li><a rel="nofollow" class="external text" href="https://catalog.afi.com/Catalog/moviedetails/26024"><i>Mighty Joe Young</i></a> at the <em><a 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.navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="King_Kong" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:King_Kong" title="Template:King Kong"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:King_Kong" title="Template talk:King Kong"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:King_Kong" title="Special:EditPage/Template:King Kong"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="King_Kong" style="font-size:114%;margin:0 4em"><i><a href="/wiki/King_Kong_(franchise)" title="King Kong (franchise)">King Kong</a></i></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Characters</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/King_Kong" title="King Kong">King Kong</a></span> <ul><li><span class="nowrap"><a href="/wiki/Kong_(Monsterverse)" title="Kong (Monsterverse)">Monsterverse</a></span></li></ul></li> <li><span class="nowrap"><a href="/wiki/Carl_Denham" title="Carl Denham">Carl Denham</a></span></li> <li><span class="nowrap"><a href="/wiki/Jack_Driscoll_(character)" title="Jack Driscoll (character)">Jack Driscoll</a></span></li> <li><span class="nowrap"><a href="/wiki/Godzilla" title="Godzilla">Godzilla</a></span> <ul><li><span class="nowrap"><a href="/wiki/Godzilla_(Monsterverse)" title="Godzilla (Monsterverse)">Monsterverse</a></span></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">American films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Live action</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/King_Kong_(1933_film)" title="King Kong (1933 film)">King Kong</a></i> (1933)</span></li> <li><span class="nowrap"><i><a href="/wiki/Son_of_Kong" title="Son of Kong">Son of Kong</a></i> (1933)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_(1976_film)" title="King Kong (1976 film)">King Kong</a></i> (1976)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_Lives" title="King Kong Lives">King Kong Lives</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_(2005_film)" title="King Kong (2005 film)">King Kong</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/Kong:_Skull_Island" title="Kong: Skull Island">Kong: Skull Island</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/Godzilla_vs._Kong" title="Godzilla vs. Kong">Godzilla vs. Kong</a></i> (2021)</span></li> <li><span class="nowrap"><i><a href="/wiki/Godzilla_x_Kong:_The_New_Empire" title="Godzilla x Kong: The New Empire">Godzilla x Kong: The New Empire</a></i> (2024)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Animated</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/The_Mighty_Kong" title="The Mighty Kong">The Mighty Kong</a></i> (1998)</span></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Japanese films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Toho Co., Ltd</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/King_Kong_vs._Godzilla" title="King Kong vs. Godzilla">King Kong vs. Godzilla</a></i> (1962)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_Escapes" title="King Kong Escapes">King Kong Escapes</a></i> (1967)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Unauthorized/lost</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Wasei_Kingu_Kongu" title="Wasei Kingu Kongu">Wasei Kingu Kongu</a></i> (1933)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_King_Kong_That_Appeared_in_Edo" title="The King Kong That Appeared in Edo">The King Kong That Appeared in Edo</a></i> (1938)</span></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related films</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/The_Lost_World_(1925_film)" title="The Lost World (1925 film)">The Lost World</a></i> (1925)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ingagi" title="Ingagi">Ingagi</a></i> (1930)</span></li> <li><span class="nowrap"><i><a href="/wiki/Creation_(unfinished_film)" title="Creation (unfinished film)">Creation</a></i> (1931, unfinished)</span></li> <li><span class="nowrap"><i><a class="mw-selflink selflink">Mighty Joe Young</a></i> (1949)</span></li> <li><span class="nowrap"><i><a href="/wiki/Konga_(film)" title="Konga (film)">Konga</a></i> (1961)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Mighty_Gorga" title="The Mighty Gorga">The Mighty Gorga</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mighty_Joe_Young_(1998_film)" title="Mighty Joe Young (1998 film)">Mighty Joe Young</a></i> (1998)</span></li></ul> <ul><li><span class="nowrap"><i><a href="/wiki/Ready_Player_One_(film)" title="Ready Player One (film)">Ready Player One</a></i> (2018)</span></li> <li><span class="nowrap"><i><a href="/wiki/Godzilla:_King_of_the_Monsters_(2019_film)" title="Godzilla: King of the Monsters (2019 film)">Godzilla: King of the Monsters</a></i> (2019)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Television</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/The_King_Kong_Show" title="The King Kong Show">The King Kong Show</a></i> (1966–1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Kong:_The_Animated_Series" title="Kong: The Animated Series">Kong: The Animated Series</a></i> (2000–2001)</span></li> <li><span class="nowrap"><i><a href="/wiki/Kong:_King_of_the_Apes" title="Kong: King of the Apes">Kong: King of the Apes</a></i> (2016–2018)</span></li> <li><span class="nowrap"><i><a href="/wiki/Skull_Island_(TV_series)" title="Skull Island (TV series)">Skull Island</a></i> (2023)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Stage</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/King_Kong_(2013_musical)" title="King Kong (2013 musical)">King Kong</a></i> (2013)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Attractions</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Kong_(ride)" title="Kong (ride)">Kong</a> (1972; rebuilt 2015)</span></li> <li><span class="nowrap"><a href="/wiki/King_Kong_Encounter" title="King Kong Encounter">King Kong Encounter</a> (1986)</span></li> <li><span class="nowrap"><a href="/wiki/Kongfrontation" title="Kongfrontation">Kongfrontation</a> (1990)</span></li> <li><span class="nowrap"><a href="/wiki/King_Kong:_360_3-D" title="King Kong: 360 3-D">King Kong: 360 3-D</a> (2010)</span></li> <li><span class="nowrap"><a href="/wiki/Skull_Island:_Reign_of_Kong" title="Skull Island: Reign of Kong">Skull Island: Reign of Kong</a> (2016)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Video games</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/King_Kong_(Atari_2600)" title="King Kong (Atari 2600)">King Kong</a></i> (1982)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_2:_Ikari_no_Megaton_Punch" title="King Kong 2: Ikari no Megaton Punch">King Kong 2: Ikari no Megaton Punch</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_2:_Yomigaeru_Densetsu" title="King Kong 2: Yomigaeru Densetsu">King Kong 2: Yomigaeru Densetsu</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/Konami_Wai_Wai_World" title="Konami Wai Wai World">Konami Wai Wai World</a></i> (1988)</span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_(2005_video_game)" title="King Kong (2005 video game)">Peter Jackson's King Kong: The Official Game of the Movie</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/Skull_Island:_Rise_of_Kong" title="Skull Island: Rise of Kong">Skull Island: Rise of Kong</a></i> (2023)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/King_Kong_in_popular_culture" title="King Kong in popular culture">King Kong in popular culture</a></span></li> <li><span class="nowrap"><a href="/wiki/King_Kong_(comics)" title="King Kong (comics)">Comics</a></span></li> <li><span class="nowrap"><a href="/wiki/King_Kong_statue" title="King Kong statue">King Kong statue</a></span></li> <li><span class="nowrap"><a href="/wiki/Skull_Island_(King_Kong)" title="Skull Island (King Kong)">Skull Island</a></span></li> <li><span class="nowrap"><i><a href="/wiki/Universal_City_Studios,_Inc._v._Nintendo_Co.,_Ltd." title="Universal City Studios, Inc. v. Nintendo Co., Ltd.">Universal City Studios, Inc. v. Nintendo Co., Ltd.</a></i></span></li> <li><span class="nowrap"><i><a href="/wiki/King_Kong_vs._Tarzan" title="King Kong vs. Tarzan">King Kong vs. Tarzan</a></i></span></li> <li><span class="nowrap"><a href="/wiki/Monsterverse" title="Monsterverse">Monsterverse</a></span></li> <li><span class="nowrap"><a href="/wiki/Godzilla_(franchise)" title="Godzilla (franchise)"><i>Godzilla</i> (franchise)</a></span></li> <li><span class="nowrap"><a href="/wiki/Tarzan_and_Jane_(TV_series)" title="Tarzan and Jane (TV series)"><i>Tarzan and Jane</i>, "Return of the King"</a> (2018)</span></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="nowrap"><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:King_Kong_(franchise)" title="Category:King Kong (franchise)">Category</a></span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Films_directed_by_Ernest_B._Schoedsack" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Ernest_B._Schoedsack" title="Template:Ernest B. 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Schoedsack</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Grass_(1925_film)" title="Grass (1925 film)">Grass</a></i> (1925)</li> <li><i><a href="/wiki/Chang:_A_Drama_of_the_Wilderness" title="Chang: A Drama of the Wilderness">Chang: A Drama of the Wilderness</a></i> (1927)</li> <li><i><a href="/wiki/The_Four_Feathers_(1929_film)" title="The Four Feathers (1929 film)">The Four Feathers</a></i> (1929)</li> <li><i><a href="/wiki/Rango_(1931_film)" title="Rango (1931 film)">Rango</a></i> (1931)</li> <li><i><a href="/wiki/The_Most_Dangerous_Game_(film)" class="mw-redirect" title="The Most Dangerous Game (film)">The Most Dangerous Game</a></i> (1932)</li> <li><i><a href="/wiki/The_Monkey%27s_Paw_(1933_film)" title="The Monkey's Paw (1933 film)">The Monkey's Paw</a></i> (1933)</li> <li><i><a href="/wiki/King_Kong_(1933_film)" title="King Kong (1933 film)">King Kong</a></i> (1933)</li> <li><i><a href="/wiki/Blind_Adventure" title="Blind Adventure">Blind Adventure</a></i> (1933)</li> <li><i><a href="/wiki/Son_of_Kong" title="Son of Kong">Son of Kong</a></i> (1933)</li> <li><i><a href="/wiki/Long_Lost_Father" title="Long Lost Father">Long Lost Father</a></i> (1934)</li> <li><i><a href="/wiki/The_Last_Days_of_Pompeii_(1935_film)" title="The Last Days of Pompeii (1935 film)">The Last Days of Pompeii</a></i> (1935)</li> <li><i><a href="/wiki/Trouble_in_Morocco" title="Trouble in Morocco">Trouble in Morocco</a></i> (1937)</li> <li><i><a href="/wiki/Outlaws_of_the_Orient" title="Outlaws of the Orient">Outlaws of the Orient</a></i> (1937)</li> <li><i><a href="/wiki/Dr._Cyclops" title="Dr. Cyclops">Dr. Cyclops</a></i> (1940)</li> <li><i><a class="mw-selflink selflink">Mighty Joe Young</a></i> (1949)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Films_of_Ray_Harryhausen" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Ray_Harryhausen" title="Template:Ray Harryhausen"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Ray_Harryhausen" title="Template talk:Ray Harryhausen"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Ray_Harryhausen" title="Special:EditPage/Template:Ray Harryhausen"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Films_of_Ray_Harryhausen" style="font-size:114%;margin:0 4em">Films of <a href="/wiki/Ray_Harryhausen" title="Ray Harryhausen">Ray Harryhausen</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Features</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a class="mw-selflink selflink">Mighty Joe Young</a></i> (1949)</li> <li><i><a href="/wiki/The_Beast_from_20,000_Fathoms" title="The Beast from 20,000 Fathoms">The Beast from 20,000 Fathoms</a></i> (1953)</li> <li><i><a href="/wiki/It_Came_from_Beneath_the_Sea" title="It Came from Beneath the Sea">It Came from Beneath the Sea</a></i> (1955)</li> <li><i><a href="/wiki/The_Animal_World_(film)" title="The Animal World (film)">The Animal World</a></i> (1956) (documentary)</li> <li><i><a href="/wiki/Earth_vs._the_Flying_Saucers" title="Earth vs. the Flying Saucers">Earth vs. the Flying Saucers</a></i> (1956)</li> <li><i><a href="/wiki/20_Million_Miles_to_Earth" title="20 Million Miles to Earth">20 Million Miles to Earth</a></i> (1957)</li> <li><i><a href="/wiki/The_7th_Voyage_of_Sinbad" title="The 7th Voyage of Sinbad">The 7th Voyage of Sinbad</a></i> (1958)</li> <li><i><a href="/wiki/The_3_Worlds_of_Gulliver" title="The 3 Worlds of Gulliver">The 3 Worlds of Gulliver</a></i> (1960)</li> <li><i><a href="/wiki/Mysterious_Island_(1961_film)" title="Mysterious Island (1961 film)">Mysterious Island</a></i> (1961)</li> <li><i><a href="/wiki/Jason_and_the_Argonauts_(1963_film)" title="Jason and the Argonauts (1963 film)">Jason and the Argonauts</a></i> (1963)</li> <li><i><a href="/wiki/First_Men_in_the_Moon_(1964_film)" title="First Men in the Moon (1964 film)">First Men in the Moon</a></i> (1964)</li> <li><i><a href="/wiki/One_Million_Years_B.C." title="One Million Years B.C.">One Million Years B.C.</a></i> (1966)</li> <li><i><a href="/wiki/The_Valley_of_Gwangi" title="The Valley of Gwangi">The Valley of Gwangi</a></i> (1969)</li> <li><i><a href="/wiki/The_Golden_Voyage_of_Sinbad" title="The Golden Voyage of Sinbad">The Golden Voyage of Sinbad</a></i> (1973)</li> <li><i><a href="/wiki/Sinbad_and_the_Eye_of_the_Tiger" title="Sinbad and the Eye of the Tiger">Sinbad and the Eye of the Tiger</a></i> (1977)</li> <li><i><a href="/wiki/Clash_of_the_Titans_(1981_film)" title="Clash of the Titans (1981 film)">Clash of the Titans</a></i> (1981)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Shorts</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i>How to Bridge a Gorge</i> (1942)</li> <li><i><a href="/wiki/Tulips_Shall_Grow" title="Tulips Shall Grow">Tulips Shall Grow</a></i> (1942)</li> <li><i>Guadalcanal</i> (1943)</li> <li><i>Mother Goose Stories</i> (1946)</li> <li><i>The Story of Little Red Riding Hood</i> (1949)</li> <li><i>The Story of Rapunzel</i> (1951)</li> <li><i>The Story of Hansel and Gretel</i> (1951)</li> <li><i>The Story of King Midas</i> (1953)</li> <li><i><a href="/wiki/The_Story_of_The_Tortoise_%26_the_Hare" title="The Story of The Tortoise & the Hare">The Story of The Tortoise & the Hare</a></i> (2002, begun 1953)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" aria-label="Navbox" style="padding:3px"><table class="nowraplinks hlist navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a>: National <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q1640553#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no2011069268">United States</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐5dc468848‐g2bmp Cached time: 20241123181217 Cache expiry: 3600 Reduced expiry: true Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.407 seconds Real time usage: 1.615 seconds Preprocessor visited node count: 13225/1000000 Post‐expand include size: 179515/2097152 bytes Template argument size: 16164/2097152 bytes Highest expansion depth: 23/100 Expensive parser function count: 4/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 205615/5000000 bytes Lua time usage: 0.837/10.000 seconds Lua memory usage: 10444446/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 1407.200 1 -total 26.04% 366.504 132 Template:Sfn 11.28% 158.689 15 Template:Cite_book 10.83% 152.464 1 Template:Reflist 10.51% 147.901 1 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Rendering was triggered because: page-view --> </div><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Mighty_Joe_Young_(1949_film)&oldid=1256199776">https://en.wikipedia.org/w/index.php?title=Mighty_Joe_Young_(1949_film)&oldid=1256199776</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1949_films" title="Category:1949 films">1949 films</a></li><li><a href="/wiki/Category:1940s_fantasy_films" title="Category:1940s fantasy films">1940s fantasy films</a></li><li><a href="/wiki/Category:1940s_monster_movies" title="Category:1940s monster movies">1940s monster movies</a></li><li><a href="/wiki/Category:American_black-and-white_films" title="Category:American black-and-white films">American black-and-white films</a></li><li><a href="/wiki/Category:American_fantasy_films" title="Category:American fantasy films">American fantasy films</a></li><li><a href="/wiki/Category:Fictional_gorillas" title="Category:Fictional gorillas">Fictional gorillas</a></li><li><a href="/wiki/Category:Films_about_gorillas" title="Category:Films about gorillas">Films about gorillas</a></li><li><a href="/wiki/Category:Films_directed_by_Ernest_B._Schoedsack" title="Category:Films directed by Ernest B. 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