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<!DOCTYPE html><html><head><title>Renaissance Architecture - Christy Anderson - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_viewport_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/v2_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><script>_OC_Hooks = ["_OC_Page", "_OC_SearchReload", "_OC_TocReload", "_OC_EmptyFunc", "_OC_SearchPage", "_OC_QuotePage" ];for (var _OC_i = 0; _OC_i < _OC_Hooks.length; _OC_i++) {eval("var " + _OC_Hooks[_OC_i] + ";");}function _OC_InitHooks () {for (var i = 0; i < _OC_Hooks.length; i++) {var func = arguments[i];eval( _OC_Hooks[i] + " = func;");}}</script><link rel="canonical" href="https://books.google.com/books/about/Renaissance_Architecture.html?id=70m1KbuD5YoC"/><meta property="og:url" content="https://books.google.com/books/about/Renaissance_Architecture.html?id=70m1KbuD5YoC"/><meta name="title" content="Renaissance Architecture"/><meta name="description" content="The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. 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Illustrations","Pid":"PA245","PgNum":"245","Order":259},{"Title":"Index","Pid":"PA251","PgNum":"251","Order":265}]}},"table_of_contents_page_id":"PP6","max_resolution_image_width":1280,"max_resolution_image_height":1812,"num_toc_pages":1,"quality_info":"We have no quality information about this book.","volume_id":"70m1KbuD5YoC","permission_info":"Published by OUP Oxford","is_ebook":false,"volumeresult":{"has_flowing_text":false,"has_scanned_text":true,"can_download_pdf":false,"can_download_epub":false,"is_pdf_drm_enabled":false,"is_epub_drm_enabled":false},"publisher":"OUP Oxford","publication_date":"2013.02.28","subject":"Architecture","num_pages":258,"sample_url":"https://play.google.com/books/reader?id=70m1KbuD5YoC\u0026source=gbs_vpt_hover","synposis":"The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.","my_library_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fop%3Dlibrary\u0026hl=en","is_magazine":false,"is_public_domain":false,"last_page":{"pid":"PA258","order":272,"title":"258"}},{"enableUserFeedbackUI":true,"pseudocontinuous":true,"is_cobrand":false,"sign_in_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fid%3D70m1KbuD5YoC%26q%3Drenaissance%2Barchitecture%26redir_esc%3Dy%26hl%3Den\u0026hl=en","isEntityPageViewport":false,"showViewportOnboarding":false,"showViewportPlainTextOnboarding":false},{"page":[{"pid":"PA189","highlights":[{"X":278,"Y":230,"W":64,"H":13},{"X":448,"Y":292,"W":60,"H":13},{"X":337,"Y":307,"W":60,"H":13},{"X":79,"Y":529,"W":47,"H":9},{"X":323,"Y":752,"W":70,"H":11}],"flags":8,"order":203,"vq":"renaissance architecture"}]},null,{"number_of_results":91,"search_results":[{"page_id":"PP2","snippet_text":"Christy Anderson. \u003cb\u003eRenaissance Architecture\u003c/b\u003e Oxford History of Art Titles in the Oxford History of Art series are up. Christy Anderson is an architectural historian with a special interest in the buildings of Renaissance and Baroque Europe\u0026nbsp;..."},{"page_id":"PP12","snippet_text":"... architecture. Triglyphs: In classical architecture, in the Doric order, a part of the frieze above the columns and ... \u003cb\u003eRenaissance architecture\u003c/b\u003e, a trompe is an elaboration of an arch that connects two walls and provides extra space\u0026nbsp;..."},{"page_id":"PA1","page_number":"1","snippet_text":"... \u003cb\u003eRenaissance Architecture\u003c/b\u003e in Italy (1963), Peter Murray said that we have to take Renaissance build- ings on their own terms, that we need to have the knowledge of ancient culture and Renaissance learning in order to see the architecture\u0026nbsp;..."},{"page_id":"PA2","page_number":"2","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e has primarily been the story of architectural classicism as it developed in central Italy in the fif- teenth and sixteenth centuries. Often beginning with the work of Filippo Brunelleschi in Florence and\u0026nbsp;..."},{"page_id":"PA3","page_number":"3","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e was the product of great individuals. His book is organized around biograph- ical studies of artists, sculptors, and \u003cb\u003earchitects\u003c/b\u003e, culminating in the singular figure of Michelangelo. If the term \u0026#39;\u003cb\u003eRenaissance\u003c/b\u003e\u0026#39; has subsequently\u0026nbsp;..."},{"page_id":"PA4","page_number":"4","snippet_text":"Christy Anderson. Seeing \u003cb\u003eRenaissance Architecture\u003c/b\u003e on Its Own Terms The great variety of architecture in Europe during the fifteenth and sixteenth centuries makes it impossible to designate any one area as the stylistic centre out of\u0026nbsp;..."},{"page_id":"PA5","page_number":"5","snippet_text":"... buildings that are rarely discussed, and almost never in a book of this kind. Readers will find unexpected architecture from places far beyond the central Italian cities that are the usual monuments in books on \u003cb\u003eRenaissance architecture\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA6","page_number":"6","snippet_text":"... architectural treatise as a practical and literary genre changed the practice of architecture in this period. In fact, the complex dialogue between theory and practice is one of the central themes in any history of \u003cb\u003eRenaissance architecture\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA9","page_number":"9","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e. Almost every small town has buildings from this period, witnesses to the pleasure of building. Some are masterpieces; more are minor examples, in a local style, somewhat altered over time and adapted to new use\u0026nbsp;..."},{"page_id":"PA11","page_number":"11","snippet_text":"Christy Anderson. The Language of \u003cb\u003eArchitecture\u003c/b\u003e Language is a powerful metaphor for \u003cb\u003earchitecture\u003c/b\u003e, and in the fifteenth ... \u003cb\u003eArchitecture\u003c/b\u003e was a fully committed part of this project. Any discussion of \u003cb\u003estyle\u003c/b\u003e, therefore, must also take\u0026nbsp;..."},{"page_id":"PA12","page_number":"12","snippet_text":"... \u003cb\u003earchitectural\u003c/b\u003e language , it was only one of many styles during the \u003cb\u003eRenaissance\u003c/b\u003e . In Venice , for example , rich and colourful materials used in patterns across the façade tied any new \u003cb\u003earchitecture\u003c/b\u003e in with local traditions [ 2 ] .5 The\u0026nbsp;..."},{"page_id":"PA13","page_number":"13","snippet_text":"... architecture as a language allows us to tie the building practices in with local traditions and histories, which ... \u003cb\u003eRenaissance architecture\u003c/b\u003e became a discipline in its own right. Architects and patrons alike expressed a new belief\u0026nbsp;..."},{"page_id":"PA14","page_number":"14","snippet_text":"... architecture back to the organic and fertile world of nature. \u003cb\u003eRenaissance architectural\u003c/b\u003e and scientific texts dealing with building materials suggest that rough stone would also have evoked widely held beliefs that organic forces are\u0026nbsp;..."},{"page_id":"PA16","page_number":"16","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e became in the \u003cb\u003eRenaissance\u003c/b\u003e part of a broader arts curriculum based in ancient texts and modern commentaries . When available , ancient \u003cb\u003ebuildings\u003c/b\u003e were mined for usable materials , especially finely wrought columns , and\u0026nbsp;..."},{"page_id":"PA17","page_number":"17","snippet_text":"... \u003cb\u003earchitectural\u003c/b\u003e pedigree : a newly built and grand house , yet closely resembling the earlier traditions of castle \u003cb\u003earchitecture\u003c/b\u003e . While Azay - le - Rideau uses the \u003cb\u003earchitectural\u003c/b\u003e language of fortresses , the corner towers and moat , and\u0026nbsp;..."},{"page_id":"PA19","page_number":"19","snippet_text":"... architectural setting of ruins and lush palaces. Although the long book is filled with paraphrases of Alberti and earlier architectural authors, it offers an alternative view of \u003cb\u003eRenaissance architecture\u003c/b\u003e as a mysterious, emotional, and\u0026nbsp;..."},{"page_id":"PA20","page_number":"20","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e. In the soaring bowers of Gothic vaulting or palaces painted with familiar myths or local leg- ends, \u003cb\u003eRenaissance buildings\u003c/b\u003e transformed everyday experience. Classical ornament seems, for example, so\u0026nbsp;..."},{"page_id":"PA23","page_number":"23","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e than build- ings made for worship. By equating the modern devotional building with the ancient temple, Alberti wrote that \u0026#39;In all \u003cb\u003earchitecture\u003c/b\u003e there does not exist any work which requires greater talent, care, skill, and\u0026nbsp;..."},{"page_id":"PA27","page_number":"27","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e from the eastern Mediterranean , especially \u003cb\u003ebuildings\u003c/b\u003e in Constantinople . Brunelleschi\u0026#39;s ability to fuse these varied sources into a highly charged personal monument for the Medici marks a turning point in \u003cb\u003eRenaissance\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA28","page_number":"28","snippet_text":"Christy Anderson. Brunelleschi\u0026#39;s \u003cb\u003earchitecture\u003c/b\u003e synthesized local, Tuscan \u003cb\u003earchitectural\u003c/b\u003e tra- ditions in the use of a ... \u003cb\u003eRenaissance\u003c/b\u003e, as well as the modern, viewer of Brunelleschi\u0026#39;s \u003cb\u003ebuildings\u003c/b\u003e is invited to believe that there is an\u0026nbsp;..."},{"page_id":"PA29","page_number":"29","snippet_text":"... architect in the history of \u003cb\u003eRenaissance architecture\u003c/b\u003e . its Every aspect of the dome could take on religious significance , from very shape to the manipulation of lights through windows , all read through Christian theology and\u0026nbsp;..."},{"page_id":"PA32","page_number":"32","snippet_text":"... buildings, more usually as round, square, or octagonal. An interest in centralized plans has been extensively studied in the history of \u003cb\u003eRenaissance architecture\u003c/b\u003e, especially by Rudolf Wittkower in his book Architectural Principles in the\u0026nbsp;..."},{"page_id":"PA33","page_number":"33","snippet_text":"... Renaissance viewers could look at architecture. The attention to details by \u003cb\u003eRenaissance architects\u003c/b\u003e, the subtle evolutions of the classical architectural vocabulary, the search for sources and antecedents, all suggest how even the\u0026nbsp;..."},{"page_id":"PA39","page_number":"39","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e ever since. The tremendous focus of the building, all centred around the supposed spot of St Peter\u0026#39;s crucifixion, and mediated through the Doric order, demanded a kind of looking which was devotional in its\u0026nbsp;..."},{"page_id":"PA48","page_number":"48","snippet_text":"... \u003cb\u003earchitects\u003c/b\u003e in both places to make much of the skyline\u0026#39;s impact in the design of their \u003cb\u003ebuildings\u003c/b\u003e. And in the fifteenth and six- teenth centuries, both cultures were deeply involved in the crafting of \u003cb\u003eRenaissance\u003c/b\u003e identities that looked\u0026nbsp;..."},{"page_id":"PA53","page_number":"53","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e, he writes, and, inevitably, from giving our opinion. By the mid-fifteenth century, when Alberti is writing, the interest in \u003cb\u003earchitecture\u003c/b\u003e was widespread among the edu- cated classes. Yet Alberti is actually identifying a\u0026nbsp;..."},{"page_id":"PA54","page_number":"54","snippet_text":"... architecture developed as patrons, architects, and the general public increasingly took an interest in major building projects, and the possibility of building for their own ... \u003cb\u003eRenaissance architects\u003c/b\u003e had in 54 theories and practices."},{"page_id":"PA55","page_number":"55","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e treatises. The ten books covered \u003cb\u003earchitectural\u003c/b\u003e issues as diverse as the training of the \u003cb\u003earchitect\u003c/b\u003e, the shape and ornament of temples and theatres, building materials, ornament, the mythical ori- gins of \u003cb\u003earchitecture\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA56","page_number":"56","snippet_text":"... \u003cb\u003eArchitecture\u003c/b\u003e and the Body St Peter\u0026#39;s was conceived as a shrine to the apostle Peter , and planned as a holy covering for his body . Each renovation and new building to the church in the \u003cb\u003eRenaissance\u003c/b\u003e had at its heart the belief that great\u0026nbsp;..."},{"page_id":"PA57","page_number":"57","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e as well as his knowledge of antiquities and ancient texts in creating his edition of Vitruvius, as can be seen here in this image showing various systems for harnessing the power of flowing water. This, the fourth printed\u0026nbsp;..."},{"page_id":"PA58","page_number":"58","snippet_text":"... \u003cb\u003earchitectural\u003c/b\u003e materials, retained the organic vitality that they had in nature. A \u003cb\u003eRenaissance\u003c/b\u003e audience then brought this vitalism to the \u003cb\u003ebuildings\u003c/b\u003e themselves. Alberti described this life force as the animans, the animated organism\u0026nbsp;..."},{"page_id":"PA60","page_number":"60","snippet_text":"... Architectural Treatise The emergence of the architectural treatise, one of the most important aspects of \u003cb\u003eRenaissance architecture\u003c/b\u003e, disseminated ideas about buildings to a wider audience. Through printed books, which could emerge thanks\u0026nbsp;..."},{"page_id":"PA61","page_number":"61","snippet_text":"... \u003cb\u003ebuildings\u003c/b\u003e with great religious importance , served as models for new construction in the \u003cb\u003eRenaissance\u003c/b\u003e . Many of these models were centrally planned \u003cb\u003ebuildings\u003c/b\u003e , and the profusion of this shape in medieval and especially \u003cb\u003eRenaissance\u003c/b\u003e build\u0026nbsp;..."},{"page_id":"PA62","page_number":"62","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e required a more directed reading of topics that were thought to contribute to the practice of \u003cb\u003earchitecture\u003c/b\u003e in all its dimen- sions. Fortifications and military arts, for example, were an important area of expertise for \u003cb\u003eRenaissance\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA63","page_number":"63","snippet_text":"... style (that is, according to Vasari, following the antique), shaped the approach to \u003cb\u003eRenaissance architecture\u003c/b\u003e as a history of the solitary, inventive archi- tect. Yet even for those most singular architects, they worked in col\u0026nbsp;..."},{"page_id":"PA65","page_number":"65","snippet_text":"Christy Anderson. 31 Philibert de l\u0026#39;Orme, Allegory of the Good \u003cb\u003eArchitect\u003c/b\u003e, Le Premier Tome de l\u0026#39;\u003cb\u003earchitecture\u003c/b\u003e, Paris 1567 Fiercely nationalistic, Philibert de l\u0026#39;Orme studied antiquity in Rome in order to forge a French \u003cb\u003earchitectural style\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA67","page_number":"67","snippet_text":"... \u003cb\u003eRenaissance architects\u003c/b\u003e and scholars of the ancient culture understood that there were different types of orders. They could be thought of as families or groups, characterized by their proportions, ornament, and use in architecture\u0026nbsp;..."},{"page_id":"PA68","page_number":"68","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e ( and later ) has been described as the \u0026#39; hard spine \u0026#39; that runs through the history of Western architecture . 16 The orders give structure and regularity to \u003cb\u003eRenaissance architecture\u003c/b\u003e , providing a common\u0026nbsp;..."},{"page_id":"PA69","page_number":"69","snippet_text":"... \u003cb\u003ebuildings\u003c/b\u003e was demanding and costly work . \u003cb\u003eArchitects\u003c/b\u003e and antiquarians needed to pay for the construction of scaffolding to reach the upper levels , including the capitals and entablatures , and then proceed to carefully record not only\u0026nbsp;..."},{"page_id":"PA70","page_number":"70","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e , built according to the rules of the orders . Classicism in England and elsewhere came to be an \u003cb\u003earchitecture\u003c/b\u003e of authority and gravitas , learned against the local building practices that did not have a written theory based\u0026nbsp;..."},{"page_id":"PA71","page_number":"71","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e was particularly appropriate for \u003cb\u003ebuildings\u003c/b\u003e connected with colleges and universities . While individual elements of the gate , through which graduates of the college passed , are derived from Italian and French sources\u0026nbsp;..."},{"page_id":"PA73","page_number":"73","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e South choir ambulatory , pier niches , barrel vaulting built Raphael dies ; Antonio da Sangallo ... \u003cb\u003earchitecture\u003c/b\u003e is definitely alive.21 St Peter\u0026#39;s , Rome There was no building in the \u003cb\u003eRenaissance\u003c/b\u003e more complex in its\u0026nbsp;..."},{"page_id":"PA76","page_number":"76","snippet_text":"... architect and patron . The model was originally painted , and a variety of materials were used to suggest the ... \u003cb\u003eRenaissance architectural\u003c/b\u003e model , and its great size and expense were in keeping with the importance of St Peter\u0026#39;s\u0026nbsp;..."},{"page_id":"PA78","page_number":"78","snippet_text":"... \u003cb\u003ebuildings\u003c/b\u003e in miniature. Models were also made in clay (Michelangelo for St Peter\u0026#39;s) or even in papier-maché (St ... \u003cb\u003eRenaissance\u003c/b\u003e, models were increasingly popular as part of the design process, and although few survive, we know from\u0026nbsp;..."},{"page_id":"PA79","page_number":"79","snippet_text":"... \u003cb\u003earchitectural\u003c/b\u003e process, and as \u003cb\u003earchitecture\u003c/b\u003e demanded more skills and a greater range of abilities, drawing methods developed in ways that supported the profession of the \u003cb\u003earchitect\u003c/b\u003e. As antique \u003cb\u003ebuildings\u003c/b\u003e were seen as a more important part\u0026nbsp;..."},{"page_id":"PA84","page_number":"84","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e and painter Baldassare Peruzzi (1481–1536) left his native Siena, and spent much of his career in ... \u003cb\u003earchitecture\u003c/b\u003e is a place of learning. All \u003cb\u003earchitectural\u003c/b\u003e drawings were made for a purpose. \u003cb\u003eArchitects\u003c/b\u003e drew to explore\u0026nbsp;..."},{"page_id":"PA87","page_number":"87","snippet_text":"Christy Anderson. The. \u003cb\u003eArchitecture\u003c/b\u003e. of. Ascendancy. \u003cb\u003eBuildings\u003c/b\u003e. and. Power. 4. Detail of 64 Political rule is a spatial reality. For the \u003cb\u003eRenaissance\u003c/b\u003e prince, the route to power came through the control of his dominion. Moving out from the\u0026nbsp;..."},{"page_id":"PA89","page_number":"89","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e , was an important part of politics . Juan Guas ( c.1430–1496 ) was the Master of the Royal Works for Isabella , and principal \u003cb\u003earchitect\u003c/b\u003e at San Juan de los Reyes . He was born in Brittany ( France ) , the son of a mason\u0026nbsp;..."},{"page_id":"PA94","page_number":"94","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e , however , evokes ideas of a primal Christian building type , derived from ancient models and transformed for modern use . no other residence than his saddle.7 The church is dedicated to the Spanish saint St Lawrence\u0026nbsp;..."},{"page_id":"PA95","page_number":"95","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e. It is the contrast, however, between the cultural past and the political present that must have compelled Charles and his \u003cb\u003earchitect\u003c/b\u003e to create this imperial statement of Hapsburg rule, side by side with the Islamic\u0026nbsp;..."},{"page_id":"PA96","page_number":"96","snippet_text":"... \u003cb\u003earchitecture\u0026#39;s\u003c/b\u003e materials and structure. His \u003cb\u003earchitecture\u003c/b\u003e continued the classicizing trend initiated by Pacheco and developed under Juan Battista, yet his particular feel for the essence of classicism led him to shape a \u003cb\u003estyle\u003c/b\u003e of building\u0026nbsp;..."},{"page_id":"PA97","page_number":"97","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e in Italy or elsewhere. The most current \u003cb\u003earchitectural\u003c/b\u003e treatises such as Sebastiano Serlio\u0026#39;s Regole generali di architettura sopra le cinque maniere degli edifici (Venice, 1537–51), translated into Spanish by Francisco de\u0026nbsp;..."},{"page_id":"PA98","page_number":"98","snippet_text":"... architecture . \u003cb\u003eRenaissance architects\u003c/b\u003e used the a - b - a pattern of the arch as a recognizable rhythm on building façades , as in Bramante\u0026#39;s Belvedere . Where there were local examples , as in Rimini , those often served as the models\u0026nbsp;..."},{"page_id":"PA105","page_number":"105","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e, including the full vocabulary of columns, entablatures, and mouldings, had earlier been used by Florentine \u003cb\u003earchitects\u003c/b\u003e working in Hungary. This architec- ture was well known by both Ried and his patrons in Prague, and\u0026nbsp;..."},{"page_id":"PA108","page_number":"108","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e diminished in the next generation of building. After an extensive fire in June 1547, \u003cb\u003earchitects\u003c/b\u003e working for Ivan IV looked again to Russian models for inspiration. The onion domes and multiple chapels of St Basil\u0026#39;s\u0026nbsp;..."},{"page_id":"PA133","page_number":"133","snippet_text":"... \u003cb\u003eRenaissance architectural\u003c/b\u003e practice, as did almost every other aspect of the ves- tibule. Although derived from a variety of ancient and modern sources, the details were used in an unexpected way.18 Everything conspired to set the\u0026nbsp;..."},{"page_id":"PA153","page_number":"153","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e [104]. For Henry II\u0026#39;s entry into Paris (and a year later into Rouen), the temporary arches were ... \u003cb\u003eRenaissance\u003c/b\u003e was involved in the festivals for their court patrons and their native cities. Temporary \u003cb\u003earchitecture\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA164","page_number":"164","snippet_text":"... \u003cb\u003earchitectural\u003c/b\u003e treatise I quattro libri dell\u0026#39;architettura ( The Four Books of \u003cb\u003eArchitecture\u003c/b\u003e ; Venice , 1570 ) . \u003cb\u003eArchitects\u003c/b\u003e should take special care to build a house that is suitable ( commodo ) to the patrons , choos- ing the form and\u0026nbsp;..."},{"page_id":"PA178","page_number":"178","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e villa ideology, or set of beliefs about the pleasures and benefits of coun- try living, shaped the perception of even the most traditional of structures. Building in the country was as old as \u003cb\u003earchitecture\u003c/b\u003e itself, and\u0026nbsp;..."},{"page_id":"PA185","page_number":"185","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e, were redistributed on the façade in a French manner. The pilasters for example in the corner towers ... \u003cb\u003eRenaissance\u003c/b\u003e interest in the houses of the ancients. Poggio Bracciolini, a fifteenth-century historian, described\u0026nbsp;..."},{"page_id":"PA189","page_number":"189","snippet_text":"... \u003cb\u003eArchitecture\u003c/b\u003e here takes a turn toward a different kind of spatial experience, a potent idea about \u003cb\u003earchitectural\u003c/b\u003e ... \u003cb\u003eRenaissance\u003c/b\u003e artists had seen in the remains of ancient \u003cb\u003ebuildings\u003c/b\u003e, and called alla grottesca for its appearance in\u0026nbsp;..."},{"page_id":"PA190","page_number":"190","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e and nature were to be united in the villa, so too were all the arts to be present in the decoration and design of the villa. In the garden ... \u003cb\u003earchitects\u003c/b\u003e who designed country houses 190 \u003cb\u003earchitecture\u003c/b\u003e in the natural world."},{"page_id":"PA191","page_number":"191","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e Inigo Jones made a careful study of his \u003cb\u003earchitecture\u003c/b\u003e with Palladio\u0026#39;s own treatise as a guide to his visits [ 149 ] .11 \u003cb\u003eArchitects\u003c/b\u003e to the present day have continued a fascination with Palladio\u0026#39;s \u003cb\u003ebuildings\u003c/b\u003e , especially his\u0026nbsp;..."},{"page_id":"PA196","page_number":"196","snippet_text":"... \u003cb\u003earchitect\u003c/b\u003e, asserting their own personality directly into the project as con- structed. Often, this sort of direct \u003cb\u003earchitectural\u003c/b\u003e involvement, for both male and female patrons, took place with \u003cb\u003earchitecture\u003c/b\u003e in the country. Away from the\u0026nbsp;..."},{"page_id":"PA197","page_number":"197","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e from sources both classical and French . Bess of Hardwick Through a series of four strategic marriages and great political savvy , Elizabeth , Countess of Shrewsbury ( 1521-1608 ) , became the second most powerful woman in\u0026nbsp;..."},{"page_id":"PA205","page_number":"205","snippet_text":"... architecture, the power of national difference and local custom in the creation of not one style of \u003cb\u003eRenaissance architecture\u003c/b\u003e but a series of Renaissance practices. Yet this is not enough. What is needed now is a book that encompasses\u0026nbsp;..."},{"page_id":"PA210","page_number":"210","snippet_text":"... \u003cb\u003earchitects\u003c/b\u003e and patrons who never travelled, \u003cb\u003earchitectural\u003c/b\u003e treatises allowed them to study ancient \u003cb\u003earchitecture\u003c/b\u003e and modern designs. A growing audience emerged in the sixteenth century, eager for each new book that appeared on ornament\u0026nbsp;..."},{"page_id":"PA211","page_number":"211","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e. In the \u003cb\u003earchitecture\u003c/b\u003e and engineering projects of the seventeenth century, the scientific principles of \u003cb\u003eRenaissance\u003c/b\u003e building encouraged construction on a larger scale, with ever more ambitious schemes pro- jecting out into\u0026nbsp;..."},{"page_id":"PA212","page_number":"212","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e\u0026#39;: its implied exclusion of the merchant and labouring classes and concomitant focus on elite cul- ture ... \u003cb\u003earchitecture\u003c/b\u003e and \u003cb\u003earchitectural\u003c/b\u003e history, this certainly has advantages. Alberti marks out, in his De re\u0026nbsp;..."},{"page_id":"PA213","page_number":"213","snippet_text":"... architecture through the lens of current issues in twentieth- century architecture. In the simple geometries and formal rigour of \u003cb\u003eRenaissance buildings\u003c/b\u003e they found the origins of modern architectural values [151]. For both, Renaissance\u0026nbsp;..."},{"page_id":"PA216","page_number":"216","snippet_text":"... \u003cb\u003eArchitectural\u003c/b\u003e Masterpiece ( Florence , 2004 ) . 4. Paul Davies , \u0026#39; The Madonna delle Carceri in Prato and Italian \u003cb\u003eRenaissance\u003c/b\u003e Pilgrimage \u003cb\u003eArchitecture\u003c/b\u003e \u0026#39; , \u003cb\u003eArchitectural\u003c/b\u003e History 36 ( 1993 ) , 1–18 . 5. Rudolf Wittkower , \u003cb\u003eArchitectural\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA217","page_number":"217","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e Treatises on Military \u003cb\u003eArchitecture\u003c/b\u003e and the Science of Mechanics \u0026#39; , in J. Guillaume , ed . , Les Traités d\u0026#39;\u003cb\u003earchitecture\u003c/b\u003e de la \u003cb\u003eRenaissance\u003c/b\u003e , actes du colloque tenu à Tours , 1–11 July 1981 ( Paris , 1988 ) . 7. Olga\u0026nbsp;..."},{"page_id":"PA218","page_number":"218","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e , actes des quatrième Rencontres d\u0026#39;\u003cb\u003earchitecture\u003c/b\u003e européenne Paris , 12–16 June 2007 ( Paris , 2011 ) , 149–72 . 4. Krista De Jonge , “ “ Anticse Werken \u0026quot; : \u003cb\u003eArchitecture\u003c/b\u003e in the Ancient Manner 1500-1530 \u0026#39; , in Krista De\u0026nbsp;..."},{"page_id":"PA219","page_number":"219","snippet_text":"Christy Anderson. 10. Eunice Howe , \u0026#39; The \u003cb\u003eArchitecture\u003c/b\u003e of Institutionalism : Women\u0026#39;s Spaces in \u003cb\u003eRenaissance\u003c/b\u003e Hospitals \u0026#39; , in Helen Hills , ed . , \u003cb\u003eArchitecture\u003c/b\u003e and the Politics of Gender in Early Modern Europe ( Aldershot , 2003 ) , 63-82\u0026nbsp;..."},{"page_id":"PA220","page_number":"220","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e dans l\u0026#39;\u003cb\u003earchitecture\u003c/b\u003e ragusaine des XVe et XVIe siècles \u0026#39; , in Monique Chatenet et al . , eds . , Le Gothique de la \u003cb\u003eRenaissance\u003c/b\u003e , actes des quatrièmes Rencontres d\u0026#39;\u003cb\u003earchitecture\u003c/b\u003e européenne Paris , 12-16 June 2007 ( Paris\u0026nbsp;..."},{"page_id":"PA227","page_number":"227","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e. 1561 : Philibert de l\u0026#39;Orme publishes his Nouvelles Inventions pour bien bastir et à petits ... Architecture ( London ) 1566 : Villa Capra 1567 : Juan de Herrera becomes architect at El Escorial 1569 : Work\u0026nbsp;..."},{"page_id":"PA229","page_number":"229","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e has primarily been a history of Italian buildings and their architects. And still today, the majority of new scholarship is on central Italy. Therefore, the literature on those places and people is larger and\u0026nbsp;..."},{"page_id":"PA231","page_number":"231","snippet_text":"... \u003cb\u003eArchitecture\u003c/b\u003e of the \u003cb\u003eRenaissance\u003c/b\u003e , trans . J. Landry , 2 vols . ( Boulder , Colo . , 1978 ) . Burckhardt , Jacob , The \u003cb\u003eArchitecture\u003c/b\u003e of the \u003cb\u003eRenaissance\u003c/b\u003e , ed . P. Murray ( London , 1985 ) . Busch , Harald , and Lohse , Bernd , eds . ,\u0026nbsp;..."},{"page_id":"PA232","page_number":"232","snippet_text":"Christy Anderson. Hitchcock , Henry - Russell , German \u003cb\u003eRenaissance Architecture\u003c/b\u003e ( Princeton , 1981 ) . Kaufmann , Thomas DaCosta , Court , Cloister \u0026amp; City : The Art and Culture of Central Europe 1450-1800 ( Chicago , 1995 ) . Knox\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA232\u0026vq=renaissance+architecture"},{"page_id":"PA233","page_number":"233","snippet_text":"... \u003cb\u003eArchitecture\u003c/b\u003e of Michelangelo ( Chicago , 1986 ) . Elam , Caroline , “ “ Tuscan dispositions \u0026quot; : Michelangelo\u0026#39;s Florentine \u003cb\u003eArchitectural\u003c/b\u003e Vocabulary and its Reception \u0026#39; , \u003cb\u003eRenaissance\u003c/b\u003e ... \u003cb\u003earchitecture\u003c/b\u003e , writings , and reception . The Centro\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA233\u0026vq=renaissance+architecture"},{"page_id":"PA234","page_number":"234","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e ( Oxford , 2000 ) , 77-107 . Kamen , Henry , The Escorial : Art and Power in the \u003cb\u003eRenaissance\u003c/b\u003e ( New Haven , 2010 ) . Kubler , George , Portuguese Plain \u003cb\u003eArchitecture\u003c/b\u003e : Between Spices and Diamonds ( Middletown , Conn . , 1972 )\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA234\u0026vq=renaissance+architecture"},{"page_id":"PA235","page_number":"235","snippet_text":"... \u003cb\u003eArchitecture\u003c/b\u003e religieuse européenne au temps des Réformes : héritage de la \u003cb\u003eRenaissance\u003c/b\u003e et nouvelles problématiques , actes des deuxièmes Rencontres d\u0026#39;\u003cb\u003earchitecture\u003c/b\u003e européenne Château de Maisons - sur - Seine , 8-11 June 2005 ( Paris\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA235\u0026vq=renaissance+architecture"},{"page_id":"PA236","page_number":"236","snippet_text":"... Architecture and Literary Theory\u0026#39;, in Georgia Clarke and Paul Crossley, eds., Architecture and Language: Constructing Identity in European ... Renaissance \u0026#39; , in his Studies in Italian \u003cb\u003eRenaissance Architecture\u003c/b\u003e 236 further reading.","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA236\u0026vq=renaissance+architecture"},{"page_id":"PA237","page_number":"237","snippet_text":"... \u003cb\u003earchitecture\u003c/b\u003e de la \u003cb\u003eRenaissance\u003c/b\u003e , actes des colloques tenus à Tours , 9–14 July 1986 ( Paris , 1992 ) . Hersey , George L. , The Lost Meaning of Classical \u003cb\u003eArchitecture\u003c/b\u003e : Speculations on Ornament from Vitruvius to Venturi ( Cambridge\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA237\u0026vq=renaissance+architecture"},{"page_id":"PA238","page_number":"238","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e ( New York , 1964 ) . Bosman , Lex , The Power of Tradition : Spolia in the \u003cb\u003eArchitecture\u003c/b\u003e of St. Peter\u0026#39;s in the Vatican ( Hilversum , 2004 ) . Brilliant , Richard , and Kinney , Dale , eds . , Reuse Value : Spolia and\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA238\u0026vq=renaissance+architecture"},{"page_id":"PA239","page_number":"239","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e Europe ( Binghamton , NY , 1985 ) . Wojciehowski , Hannah Chapelle , Group Identity in the \u003cb\u003eRenaissance\u003c/b\u003e ... \u003cb\u003eArchitecture\u003c/b\u003e in a Fifteenth- Century Almshouse ( Aldershot , 2001 ) . Henderson , John , The \u003cb\u003eRenaissance\u003c/b\u003e\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA239\u0026vq=renaissance+architecture"},{"page_id":"PA242","page_number":"242","snippet_text":"... \u003cb\u003eArchitecture\u003c/b\u003e \u0026#39; , American Historical Review 77 ( 1972 ) , 977-1012 . Goy , Richard J. , The House of Gold : Building ... \u003cb\u003eRenaissance\u003c/b\u003e Palace in Florence : Magnificence and Splendour in Fifteenth - Century Italy ( Aldershot , 2007 )\u0026nbsp;..."},{"page_id":"PA251","page_number":"251","snippet_text":"... \u003cb\u003earchitects\u003c/b\u003e contemporary practice and the \u003cb\u003eRenaissance\u003c/b\u003e 212-13 localisation of styles 10 master masons \u0026#39; roles compared ... \u003cb\u003earchitectural\u003c/b\u003e models and drawing 31 development of 77 , 78–84 , 79 Munich city 150 , 150 St Peter\u0026#39;s , Rome 76\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA251\u0026vq=renaissance+architecture"},{"page_id":"PA252","page_number":"252","snippet_text":"... \u003cb\u003eRenaissance\u003c/b\u003e 141-75 benefits of luxury trades 159-62 cleanliness 156-7 , 164 festivals , pageants and Saint\u0026#39;s days 140 , 152-4 , 154 flow of goods 151–2 gates 145-6 meat and ... \u003cb\u003earchitecture\u003c/b\u003e Allegory of the Good \u003cb\u003eArchitect\u003c/b\u003e 252 INDEX C D.","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA252\u0026vq=renaissance+architecture"},{"page_id":"PA255","page_number":"255","snippet_text":"... \u003cb\u003eRenaissance architecture\u003c/b\u003e 28 orders , architectural 59–60 , 67–73 , 70 , 72 , 151 Øresund Sound Dues 102 , 103 orthogonal x , 45 , 78 Ospedale degli Innocenti , Florence 126–7 , 127 Ospedale Maggiore , Milan 127-8 , 128 Palazzo Te\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA255\u0026vq=renaissance+architecture"},{"page_id":"PA256","page_number":"256","snippet_text":"... Architecture ( Palladio ) 39 , 45 , 68 , 68 , 72 , 164 , 190 , 198 , 210 Paludanus , Willem 151 Pantheon , Rome 28 ... \u003cb\u003eRenaissance buildings\u003c/b\u003e 15-16 Forum Of Augustus 194 Forum Romanum 76 Pantheon 28 , 29 , 44–5 , 62 , 75 Temple of\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=70m1KbuD5YoC\u0026pg=PA256\u0026vq=renaissance+architecture"}],"search_query_escaped":"renaissance architecture"},{});</script></div></div></div><script>(function() {var href = window.location.href;if (href.indexOf('?') !== -1) {var parameters = href.split('?')[1].split('&');for (var i = 0; i < parameters.length; i++) {var param = parameters[i].split('=');if (param[0] == 'focus') {var elem = document.getElementById(param[1]);if (elem) {elem.focus();}}}}})();</script>