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Ler, Ver, Ouvir – Fundação Calouste Gulbenkian
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class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" fetchpriority="high" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/11/TOUTINEGRA-DE-BARRETE-1200x900-1-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Educative / </li> <li class="fcg-card-v2__meta-item"> 5 min </li> </ul> <h3 class="fcg-card-v2__title"> Learn to identify bird songs </h3> <p class="fcg-card-v2__description"> Each bird has its own melody – an important clue for identifying them when they are hidden among trees and bushes. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">Gardens for wildlife</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/there-is-no-island-participative-art-and-the-challenge-of-getting-out-into-the-territory/" target="_self" class="tw-no-underline hover:tw-text-black" title="‘There is no island’: participative art and the challenge of getting out into the territory" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/01_016_ATOS_by_Carlos_Porfirio_4x3.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 17 min </li> </ul> <h3 class="fcg-card-v2__title"> ‘There is no island’: participative art and the challenge of getting out into the territory </h3> <p class="fcg-card-v2__description"> Marcus Faustini brought his experience in participatory art in the favelas of Rio de Janeiro to the conference Acts for cultural democracy, based on the ‘Atos’ programme developed by the D. Maria II National Theatre and the Calouste Gulbenkian Foundation. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/marcus-faustini/" target="_self" class="tw-no-underline hover:tw-text-black" title="Marcus Faustini" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/10/MarcusFaustini_1200x900.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 3 min </li> </ul> <h3 class="fcg-card-v2__title"> Marcus Faustini </h3> <p class="fcg-card-v2__description"> Marcus Faustini founded the Agência de Redes para Juventude 13 years ago in the favelas of Rio de Janeiro, Brazil. His work has inspired initiatives in other countries, including Portugal. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/wainting-for-pina-bausch/" target="_self" class="tw-no-underline hover:tw-text-black" title="Waiting for Pina Bausch" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/00-456225-CafeMuller_800x600-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/00-456225-CafeMuller_800x600-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/00-456225-CafeMuller_800x600-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/00-456225-CafeMuller_800x600-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/00-456225-CafeMuller_800x600-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/00-456225-CafeMuller_800x600-1.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 8 min </li> </ul> <h3 class="fcg-card-v2__title"> Waiting for Pina Bausch </h3> <p class="fcg-card-v2__description"> In the year marking the 35th anniversary of the first appearance at the Encontros ACARTE of the Tanztheater Wuppertal Company, directed by Pina Bausch, we look back at the participation and influence of this internationally celebrated dancer and choreographer, in and on the Calouste Gulbenkian Foundation's programming. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From the Archives</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/we-need-global-perinatal-mental-health-literacy/" target="_self" class="tw-no-underline hover:tw-text-black" title="“We need global perinatal mental health literacy”" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/09/TeresaAlvesReis_1200x900.jpg 1167w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 14 min </li> </ul> <h3 class="fcg-card-v2__title"> “We need global perinatal mental health literacy” </h3> <p class="fcg-card-v2__description"> "The investment made in the perinatal period has a very significant benefit", says Teresa Reis, who believes that in addition to working with mothers, we’re also promoting the children’s mental health, ensuring that they grow up to be happy and more capable adults. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/the-carnation-revolution-in-five-works-from-cams-collection-chosen-by-the-youth-advisory-group/" target="_self" class="tw-no-underline hover:tw-text-black" title="The Carnation Revolution in five works from CAM’s Collection chosen by the Youth Advisory Group" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/29793_ana-hatherly_-91P742-1-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 6 min </li> </ul> <h3 class="fcg-card-v2__title"> The Carnation Revolution in five works from CAM’s Collection chosen by the Youth Advisory Group </h3> <p class="fcg-card-v2__description"> On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">25 April</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/calouste-gulbenkian-armenians-and-the-political-status-of-jerusalem/" target="_self" class="tw-no-underline hover:tw-text-black" title="Calouste Gulbenkian, Armenians and the political status of Jerusalem" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/00-F02-03471_800x600-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/00-F02-03471_800x600-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/00-F02-03471_800x600-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/00-F02-03471_800x600-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/00-F02-03471_800x600-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/08/00-F02-03471_800x600-1.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 9 min </li> </ul> <h3 class="fcg-card-v2__title"> Calouste Gulbenkian, Armenians and the political status of Jerusalem </h3> <p class="fcg-card-v2__description"> In the late 1940s, Calouste Gulbenkian, then resident in Portugal, paid special attention to the deep tensions generated in the Middle East, particularly those following the foundation of the new State of Israel, the discussion of the political status of Jerusalem and the consequences for the Armenian community in the Holy City. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From the Archives</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/books-of-hours-in-the-gulbenkian-collection/" target="_self" class="tw-no-underline hover:tw-text-black" title="Books of Hours in the Gulbenkian Collection" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="324" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-576x324.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-576x324.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-300x169.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-1024x576.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-768x432.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-1536x864.jpg 1536w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-288x162.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-992x558.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1-1200x675.jpg 1200w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/livro-de-horas-1.jpg 1600w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 3 min </li> </ul> <h3 class="fcg-card-v2__title"> Books of Hours in the Gulbenkian Collection </h3> <p class="fcg-card-v2__description"> What is a Book of Hours? What is its function? What is written in its pages? Find the answer to these questions in this text by curator Ana Maria Campino. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From parchment to paper</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/the-instituto-gulbenkian-de-ciencia-architectural-complex/" target="_self" class="tw-no-underline hover:tw-text-black" title="The Instituto Gulbenkian de Ciência architectural complex" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00-SCCF-08006_800x600-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00-SCCF-08006_800x600-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00-SCCF-08006_800x600-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00-SCCF-08006_800x600-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00-SCCF-08006_800x600-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00-SCCF-08006_800x600-1.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 4 min </li> </ul> <h3 class="fcg-card-v2__title"> The Instituto Gulbenkian de Ciência architectural complex </h3> <p class="fcg-card-v2__description"> Read about the different stages in the building of the Instituto de Investigação Científica Gulbenkian, later known as the Instituto Gulbenkian de Ciência. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From the Archives</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/evacuation-of-gulbenkians-collection-of-paintings-during-world-war/" target="_self" class="tw-no-underline hover:tw-text-black" title="Evacuation of Gulbenkian’s collection of paintings during World War" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00_F03-03005_800x600-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00_F03-03005_800x600-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00_F03-03005_800x600-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00_F03-03005_800x600-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00_F03-03005_800x600-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/07/00_F03-03005_800x600-1.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 4 min </li> </ul> <h3 class="fcg-card-v2__title"> Evacuation of Gulbenkian’s collection of paintings during World War </h3> <p class="fcg-card-v2__description"> The evacuation to Wales of a few paintings belonging to Calouste Gulbenkian's collection, on loan to the National Gallery in London, is a little-known episode in the history of the collection now housed in the Calouste Gulbenkian Museum in Lisbon. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From the Archives</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/hicham-khalidi-the-climate-crisis-can-only-be-tackled-from-a-multiplicity-of-thinking/" target="_self" class="tw-no-underline hover:tw-text-black" title="Hicham Khalidi: ‘The climate crisis can only be tackled from a multiplicity of thinking’" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/C6A2874-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 12 min </li> </ul> <h3 class="fcg-card-v2__title"> Hicham Khalidi: ‘The climate crisis can only be tackled from a multiplicity of thinking’ </h3> <p class="fcg-card-v2__description"> Curator Hicham Khalidi, director of the Jan Van Eyck Academie in Maastricht, discusses the responsibilities of cultural institutions, both outside and within organizational structures, in the scope of his participation in the programme ‘Cultural Institutions in Change’. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/coletivo-landra-institutions-are-always-shaped-by-the-vision-of-what-society-is/" target="_self" class="tw-no-underline hover:tw-text-black" title="Coletivo Landra: ‘Institutions are always shaped by the vision of what society is’" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/DSC_6191-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 18 min </li> </ul> <h3 class="fcg-card-v2__title"> Coletivo Landra: ‘Institutions are always shaped by the vision of what society is’ </h3> <p class="fcg-card-v2__description"> CAM interviewed Sara Rodrigues and Rodrigo B. Camacho, who together form the artistic collective Landra. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/the-building-of-a-world-where-we-will-never-live-in-its-a-form-of-spirituality/" target="_self" class="tw-no-underline hover:tw-text-black" title="‘The building of a world where we will never live in it’s a form of spirituality’" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/06/9-My-Bodily-Remains-02-CARD.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 17 min </li> </ul> <h3 class="fcg-card-v2__title"> ‘The building of a world where we will never live in it’s a form of spirituality’ </h3> <p class="fcg-card-v2__description"> After presenting her film 'My Bodily Remains' at the Gulbenkian Foundation, we spoke to Tai Shani about her trajectory, what inspires her, and how politics and love are inseparable in her work. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/the-carnation-revolution-in-one-work-from-cams-collection-chosen-by-writer-bruno-vieira-amaral/" target="_self" class="tw-no-underline hover:tw-text-black" title="The Carnation Revolution in one work from CAM’s Collection chosen by writer Bruno Vieira Amaral" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/Vieira-do-Amaral-CARD.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 4 min </li> </ul> <h3 class="fcg-card-v2__title"> The Carnation Revolution in one work from CAM’s Collection chosen by writer Bruno Vieira Amaral </h3> <p class="fcg-card-v2__description"> On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">25 April</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/the-carnation-revolution-in-one-work-from-cams-collection-chosen-by-actress-isabel-ruth/" target="_self" class="tw-no-underline hover:tw-text-black" title="The Carnation Revolution in one work from CAM’s Collection chosen by actress Isabel Ruth" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/27422_vieira-da-silva_PE110-CARD-1-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 3 min </li> </ul> <h3 class="fcg-card-v2__title"> The Carnation Revolution in one work from CAM’s Collection chosen by actress Isabel Ruth </h3> <p class="fcg-card-v2__description"> On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">25 April</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/i-think-young-people-are-looking-for-representation-they-want-to-see-themselves-in-the-museum/" target="_self" class="tw-no-underline hover:tw-text-black" title="‘I think young people are looking for representation. They want to see themselves in the museum.’" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Cons-Jovem-75-20231017.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 18 min </li> </ul> <h3 class="fcg-card-v2__title"> ‘I think young people are looking for representation. They want to see themselves in the museum.’ </h3> <p class="fcg-card-v2__description"> Yeri Varela shares her experience of working with the Youth Advisory Group and the various CAM teams. In this interview, Yeri reflects on what young people are looking for in cultural institutions and tells us about her passion for participatory art and the power it has to save us. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">Youth Advisory Group</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/an-essential-guide-to-swallows-and-swifts/" target="_self" class="tw-no-underline hover:tw-text-black" title="An essential guide to swallows and swifts" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="576" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-576x576.jpeg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-576x576.jpeg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-300x300.jpeg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-1024x1024.jpeg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-150x150.jpeg 150w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-768x768.jpeg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-1536x1536.jpeg 1536w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-288x288.jpeg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-992x992.jpeg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1-1200x1200.jpeg 1200w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/andorinha-dos-beirais-1600x1600-min-1.jpeg 1600w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Educative / </li> <li class="fcg-card-v2__meta-item"> 4 min </li> </ul> <h3 class="fcg-card-v2__title"> An essential guide to swallows and swifts </h3> <p class="fcg-card-v2__description"> Swallows and swifts are iconic birds in Portugal and, for many, harbingers of spring. Find out more about these birds, their migration paths, their sources of food, and how to help them. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">Gardens for wildlife</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/isabel-murta-costa-changing-the-world-doesnt-necessarily-mean-winning-nobel-prizes/" target="_self" class="tw-no-underline hover:tw-text-black" title="Isabel Costa: “Changing the world doesn’t necessarily mean winning Nobel prizes”" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/05/RLO-Isabel-Costa_1200x900.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> Interview / </li> <li class="fcg-card-v2__meta-item"> 7 min </li> </ul> <h3 class="fcg-card-v2__title"> Isabel Costa: “Changing the world doesn’t necessarily mean winning Nobel prizes” </h3> <p class="fcg-card-v2__description"> Isabel Lundbo Murta Costa came from a village in Faro to study law at the Nova School of Law on a Gulbenkian Merit Scholarship. In this interview, she tells us about her unique love for bureaucracy and her plans to change the world with love and joy, one day at a time. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">Fellows’ Stories</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/how-international-connections-and-creativity-can-inspire-social-change/" target="_self" class="tw-no-underline hover:tw-text-black" title="How international connections and creativity can inspire social change" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/Agency-panel-12x9-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 4 min </li> </ul> <h3 class="fcg-card-v2__title"> How international connections and creativity can inspire social change </h3> <p class="fcg-card-v2__description"> Learn how the Foundation is supporting young people in Portugal and the UK to lead creative projects and transform communities. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/poetry-is-in-the-street/" target="_self" class="tw-no-underline hover:tw-text-black" title="“Poetry is in the Street”" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/00-27422-VieiraSilvaPE110_800x600-1-2-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/00-27422-VieiraSilvaPE110_800x600-1-2-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/00-27422-VieiraSilvaPE110_800x600-1-2-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/00-27422-VieiraSilvaPE110_800x600-1-2-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/00-27422-VieiraSilvaPE110_800x600-1-2-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/04/00-27422-VieiraSilvaPE110_800x600-1-2.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 13 min </li> </ul> <h3 class="fcg-card-v2__title"> “Poetry is in the Street” </h3> <p class="fcg-card-v2__description"> In the year marking the 50th anniversary of the Revolution of 25 April 1974, the Art Library and Archives remembers the posters with the slogan “A poesia está na rua” – Poetry is in the Street – by the painter Maria Helena Vieira da Silva. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From the Archives</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/climate-funding-for-indigenous-communities/" target="_self" class="tw-no-underline hover:tw-text-black" title="Climate Funding for Indigenous Communities" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/Yani-article_ceremony-4x3-3.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 7 min </li> </ul> <h3 class="fcg-card-v2__title"> Climate Funding for Indigenous Communities </h3> <p class="fcg-card-v2__description"> Read how the Gulbenkian Prize for Humanity funding is supporting forest restoration and Indigenous communities in Borneo. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/participatory-art-a-summer-love-in-bloom/" target="_self" class="tw-no-underline hover:tw-text-black" title="Participatory art: a “summer love” in bloom" > <article class="fcg-card-v2 fcg-card-v2--empty-footer fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-1024x768.jpg 1024w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900-992x744.jpg 992w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/EncontroAtos_1200x900.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 6 min </li> </ul> <h3 class="fcg-card-v2__title"> Participatory art: a “summer love” in bloom </h3> <p class="fcg-card-v2__description"> Over two days, 14 artistic structures from all over the country gathered at the Gulbenkian Foundation to talk about the challenges and lessons learnt from the Atos programme, developed by the D. Maria II National Theatre in partnership with the Foundation. </p> </div> </div> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/gulbenkian-and-the-elections-after-the-1974-revolution/" target="_self" class="tw-no-underline hover:tw-text-black" title="Gulbenkian and the elections after the 1974 revolution" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-COM_H05-00001_800x600-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-COM_H05-00001_800x600-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-COM_H05-00001_800x600-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-COM_H05-00001_800x600-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-COM_H05-00001_800x600-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-COM_H05-00001_800x600-1.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 6 min </li> </ul> <h3 class="fcg-card-v2__title"> Gulbenkian and the elections after the 1974 revolution </h3> <p class="fcg-card-v2__description"> Elections were held on 24 April 1975 to the Constituent Assembly, the first elections after the 1974 Revolution. The Calouste Gulbenkian Foundation played an important role. </p> </div> </div> <footer class="fcg-card-v2__footer"> <span class="fcg-tag">From the Archives</span> </footer> </article> </a> <a href="https://gulbenkian.pt/en/read-watch-listen/lisbon-cinemas/" target="_self" class="tw-no-underline hover:tw-text-black" title="Lisbon cinemas" > <article class="fcg-card-v2 fcg-card-v2--2by3 fcg-card-v2--with-link" > <figure class="fcg-figure"> <div class="fcg-figure__ratio fcg-figure__ratio--4by3"> <img width="576" height="432" src="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-00_CFT164.160880_800x600-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-00_CFT164.160880_800x600-1-576x432.jpg 576w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-00_CFT164.160880_800x600-1-300x225.jpg 300w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-00_CFT164.160880_800x600-1-768x576.jpg 768w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-00_CFT164.160880_800x600-1-288x216.jpg 288w, https://cdn.gulbenkian.pt/wp-content/uploads/2024/03/00-00_CFT164.160880_800x600-1.jpg 800w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Article / </li> <li class="fcg-card-v2__meta-item"> 9 min </li> </ul> <h3 class="fcg-card-v2__title"> Lisbon cinemas </h3> <p class="fcg-card-v2__description"> Discover some of the capital's cinemas built in the 1930s to 1950s. 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You can change your cookie settings at any time through the link at the bottom of the page. </p> </div> </form> </div> <!-- Begin FCG Schema. --> <script type="application/ld+json"> {"@context":"https:\/\/schema.org","@graph":[{"@context":"https:\/\/schema.org","@type":"ImageObject","@id":"https:\/\/gulbenkian.pt\/ImageObject\/279292","url":"https:\/\/gulbenkian.pt\/en\/toutinegra-de-barrete-1200x900-1-1\/","contentUrl":"https:\/\/gulbenkian.pt\/wp-content\/uploads\/2024\/11\/TOUTINEGRA-DE-BARRETE-1200x900-1-1-150x150.jpg"},{"@context":"https:\/\/schema.org","@type":"ImageObject","@id":"https:\/\/gulbenkian.pt\/ImageObject\/278683","url":"https:\/\/gulbenkian.pt\/en\/01_016_atos_by_carlos_porfirio_4x3\/","contentUrl":"https:\/\/gulbenkian.pt\/wp-content\/uploads\/2024\/10\/01_016_ATOS_by_Carlos_Porfirio_4x3-150x150.jpg"},{"@context":"https:\/\/schema.org","@type":"ImageObject","@id":"https:\/\/gulbenkian.pt\/ImageObject\/277341","url":"https:\/\/gulbenkian.pt\/en\/marcusfaustini_1200x900\/","contentUrl":"https:\/\/gulbenkian.pt\/wp-content\/uploads\/2024\/10\/MarcusFaustini_1200x900-150x150.jpg"},{"@context":"https:\/\/schema.org","@type":"ImageObject","@id":"https:\/\/gulbenkian.pt\/ImageObject\/275739","url":"https:\/\/gulbenkian.pt\/en\/00-456225-cafemuller_800x600-1\/","description":"Caf\u00e9 M\u00fcller. 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CFT164.160880\n<p> <\/p>\n<p><a href=\"https:\/\/gulbenkian.pt\/biblioteca-arte\/en\/services\/reproduction-of-documents\/\" target=\"_blank\" rel=\"noopener\">Terms of use<\/a><\/p>\n","contentUrl":"https:\/\/gulbenkian.pt\/wp-content\/uploads\/2024\/03\/00-00_CFT164.160880_800x600-1-150x150.jpg"},{"@context":"https:\/\/schema.org","@type":"Article","@id":"https:\/\/gulbenkian.pt\/Article\/279290","name":"Learn to identify bird songs","url":"https:\/\/gulbenkian.pt\/en\/read-watch-listen\/learn-to-identify-bird-songs\/","author":[{"@type":"Person","name":"Wilder"}],"articleBody":"<p>It's usually the males who sing, both to mark and to defend their territory, explains Jo\u00e3o E. Raba\u00e7a, professor at the University of \u00c9vora and coordinator of LabOr-Laborat\u00f3rio de Ornitologia. \u2018When a blackbird sings, it is sending a signal to its neighbours of the same species, the meaning of which is similar to saying \u201cthis is my space.\u201d And its fellow blackbirds not only understand the message, they can respond to it,\u2019 he explains.<\/p>\r\n<p>Singing also serves to attract a mate or to show vitality to a predator, adds Magnus Robb, a British ornithologist who specialises in recording bird sounds. This is the case for skylarks, for example, which often do this to escape from merlin falcons when these birds of prey chase them.<\/p>\r\n<p>On the other hand, it's not all about singing, as many vocalisations are actually calls, as in the case of young in the nest begging for food or of cries of alarm when a predator approaches. Jo\u00e3o E. Raba\u00e7a describes calls as very simple sounds without a melodic structure, emitted equally by males and females.<\/p>\r\n<h2>When is the best time to listen out for birds?<\/h2>\r\n<p>For singing, the dawn chorus is the best time of day to listen to what Jo\u00e3o E. Raba\u00e7a calls \u2018one of nature's most expressive soundscapes.\u2019 To witness this spectacle, especially in spring and summer, it's important to get up very early, as the first singers are usually heard more than an hour before sunrise, around 5.00am. If you can, look for a quiet spot with good vegetation, such as a garden.<\/p>\r\n<p>\u2018The birds that make up the dawn chorus are species with diurnal habits and, as such, it's important that as soon as the first notes of daylight appear, the males signal their territories, because if they don't, others could occupy them,\u2019 explains Jo\u00e3o E. Raba\u00e7a.<\/p>\r\n<p>The first birds to be active are usually from the Turdidae group, such as the blackbird and the European robin. This is followed by blackcaps and the wren, among other insectivorous birds. A few moments later, we can also hear some granivores, such as goldfinches and chaffinches.<\/p>\r\n<p>Even so, it is possible to hear the songs of many birds throughout the day, albeit with less intensity.<\/p>\r\n<p>Gon\u00e7alo Elias, manager of the Aves de Portugal portal, explains that other species such as the common nightingale or the great reed warbler sing throughout the night and are not part of the dawn choir.<\/p>\r\n<h2>Five birds to get you started<\/h2>\r\n<p>With your ears cocked, when you visit a garden near your home or go for a walk in the countryside, try listening carefully to the melodies and trills that surround you. Start with these five species (to which you can add <a href=\"https:\/\/gulbenkian.pt\/jardim\/en\/?page_id=7028\">another five<\/a>).<\/p>\r\n<h3>The Eurasian blackcap<\/h3>\r\n<h4>(<em>Sylvia atricapilla<\/em>)<\/h4>\r\n<p>[gallery link=\"file\" columns=\"2\" size=\"full\" ids=\"18072,18073\"]<\/p>\r\n<p>The Guide to Birds of Portugal and Europe, by Lars Svensson, describes the song of this warbler as \u2018one of the most beautiful.\u2019 It begins with \u2018a hesitant chirp \u2013 which can be shortened or omitted \u2013 which ultimately ends in clear, somewhat melancholy notes.\u2019 This small insectivore can be recognised by the black cap of the males, which is reddish-brown in females and juveniles. It is common in urban parks and gardens.<\/p>\r\n<p>[playlist ids=\"18208\"]<\/p>\r\n<p class=\"tw-font-sans\" style=\"font-size: 16px;\"><em>[Song of the male the Eurasian blackcap recorded by Uku Paal\/<\/em><a href=\"https:\/\/xeno-canto.org\/656559\" target=\"_blank\" rel=\"noopener\"><em>Xeno-canto<\/em><\/a><em>]<\/em><\/p>\r\n<h3>Eurasian blue tit<\/h3>\r\n<h4>(<em>Cyanistes caeruleus<\/em>)<\/h4>\r\n<p>[gallery link=\"file\" columns=\"1\" size=\"full\" ids=\"18074\"]<\/p>\r\n<p>This small tit jumps restlessly from branch to branch amid the foliage, meaning it is not always easy to spot. Even when hidden, however, we can learn to recognise it by its melody. Lars Svensson, in his guide, gives us some clues: \u2018The song consists of two prolonged high notes followed by a short metallic trill in the lower part (\u2018siiih siiih si-siurrrr\u2019), sometimes in two short \u2018verses\u2019 repeated rapidly (\u2018si-si-siurrr, si-si-siurrr\u2019).\u2019<\/p>\r\n<p>[playlist ids=\"18209\"]<\/p>\r\n<p class=\"tw-font-sans\" style=\"font-size: 16px;\"><em>[Song of the blue tit collected by Antonio Xeira\/<\/em><a href=\"https:\/\/xeno-canto.org\/708187\" target=\"_blank\" rel=\"noopener\"><em>Xeno-canto<\/em><\/a>]<\/p>\r\n<h3>Great tit<\/h3>\r\n<h4>(<em>Parus major<\/em>)<\/h4>\r\n<p>[gallery link=\"file\" columns=\"2\" size=\"full\" ids=\"18116,18114\"]<\/p>\r\n<p>The largest of the tits, the great tit can be seen (and heard) in woodlands, including in city gardens and parks, where it nests in large nest boxes or hollows in trees. Its favourite foods are insects and seeds. The song resembles \u2018a high and low chant with mechanical intonation (\u2018ti-ta ti-ta ti-ta\u2019) or a trisyllabic call at different speeds (\u2018ti-ti-ta ti-ti-ta ti-ti-ta\u2019),\u2019 explains the Guide to Birds of Portugal and Europe. It can be mistaken for the coal tit's melody, but the latter is faster.<\/p>\r\n<p>[playlist images=\"false\" ids=\"18205\"]<\/p>\r\n<p class=\"tw-font-sans\" style=\"font-size: 16px;\"><em>[Song of the great tit recorded by Stein O. Nilsen\/<\/em><a href=\"https:\/\/xeno-canto.org\/45953\" target=\"_blank\" rel=\"noopener\"><em>Xeno-canto<\/em><\/a>]<\/p>\r\n<h3>Black redstart<\/h3>\r\n<h4><em>Phoenicurus ochruros<\/em><\/h4>\r\n<p>[gallery link=\"file\" columns=\"1\" size=\"full\" ids=\"18122\"]<\/p>\r\n<p>This small, dark bird with a reddish tail is common in inhabited areas north of the Tagus, but can also be seen in some areas south of the same river \u2013 especially in winter, when many black redstarts arrive in Portugal from other European countries. The black redstart is also known as the Tithys redstart, the blackstart and the black redtail. Jo\u00e3o Eduardo Raba\u00e7a, in his book <em>As Aves do Jardim Gulbenkian<\/em> [The Birds of the Gulbenkian Garden], tells us that their \u2018cadenced song,\u2019 usually emitted from high places, \u2018is quite sonorous and includes some rather unique crackling notes.\u2019<\/p>\r\n<p>[playlist ids=\"18211\"]<\/p>\r\n<p class=\"tw-font-sans\" style=\"font-size: 16px;\"><em>[Song of the black redstart recorded by Jorge Leit\u00e3o\/<\/em><a href=\"https:\/\/xeno-canto.org\/914573\" target=\"_blank\" rel=\"noopener\"><em>Xeno-canto<\/em><\/a>]<\/p>\r\n<h3>Short-toed treecreeper<\/h3>\r\n<h4><em>Certhia brachydactyla<\/em><\/h4>\r\n<p>[gallery link=\"file\" columns=\"1\" size=\"full\" ids=\"18123,\"]<\/p>\r\n<p>This little forest bird with a long curved beak spends its days climbing tree trunks in search of insects and spiders and is quite common in urban parks and gardens. Its song is a short verse with a cheerful rhythm and a constant tone: \u2018tiuut e-to e-tititt.\u2019<\/p>\r\n<p>[playlist ids=\"18210\"]<\/p>\r\n<p class=\"tw-font-sans\" style=\"font-size: 16px;\"><em>[Song of the short-toed treecreeper recorded by Jorge Leit\u00e3o\/<\/em><a href=\"https:\/\/xeno-canto.org\/901386\" target=\"_blank\" rel=\"noopener\"><em>Xeno-canto<\/em><\/a>]<\/p>","about":{"@type":"ItemList","itemListElement":[]},"genre":["Educative"],"image":"https:\/\/gulbenkian.pt\/ImageObject\/279292"}]} </script> <!-- End FCG Schema. --><script type="text/javascript" id="app-js-extra"> /* <![CDATA[ */ var multisite_ajax = {"path":"\/wp-admin\/admin-ajax.php"}; /* ]]> */ </script> <script type="text/javascript" src="https://cdn.gulbenkian.pt/wp-content/themes/fcg-common/public/scripts/app.js?ver=c4d3e055a3c8937da841dda627cc150c58e1e41c" id="app-js"></script> <script type="text/javascript" src="https://cdn.gulbenkian.pt/wp-content/themes/fcg-common/public/scripts/analytics.js?ver=c4d3e055a3c8937da841dda627cc150c58e1e41c" id="analytics-js"></script> <script>(function(){function c(){var b=a.contentDocument||a.contentWindow.document;if(b){var d=b.createElement('script');d.innerHTML="window.__CF$cv$params={r:'8e7f3e398b58ce32',t:'MTczMjUxMjU4OC4wMDAwMDA='};var a=document.createElement('script');a.nonce='';a.src='/cdn-cgi/challenge-platform/scripts/jsd/main.js';document.getElementsByTagName('head')[0].appendChild(a);";b.getElementsByTagName('head')[0].appendChild(d)}}if(document.body){var a=document.createElement('iframe');a.height=1;a.width=1;a.style.position='absolute';a.style.top=0;a.style.left=0;a.style.border='none';a.style.visibility='hidden';document.body.appendChild(a);if('loading'!==document.readyState)c();else if(window.addEventListener)document.addEventListener('DOMContentLoaded',c);else{var e=document.onreadystatechange||function(){};document.onreadystatechange=function(b){e(b);'loading'!==document.readyState&&(document.onreadystatechange=e,c())}}}})();</script></body> </html> <!-- plugin=object-cache-pro client=phpredis metric#hits=8393 metric#misses=114 metric#hit-ratio=98.7 metric#bytes=6490328 metric#prefetches=0 metric#store-reads=355 metric#store-writes=77 metric#store-hits=779 metric#store-misses=110 metric#sql-queries=75 metric#ms-total=473.87 metric#ms-cache=43.00 metric#ms-cache-avg=0.0998 metric#ms-cache-ratio=9.1 sample#redis-hits=2273262659 sample#redis-misses=841318401 sample#redis-hit-ratio=73.0 sample#redis-ops-per-sec=226 sample#redis-evicted-keys=0 sample#redis-used-memory=392951152 sample#redis-used-memory-rss=449683456 sample#redis-memory-fragmentation-ratio=1.1 sample#redis-connected-clients=1 sample#redis-tracking-clients=0 sample#redis-rejected-connections=0 sample#redis-keys=575660 -->