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class="event-info"> <h1>Talk | Notes in the Margins: “Why I Don’t Talk About ‘The Body'”</h1><h2><span>October 05, 2024</span><span>2:00 pm - 3:30 pm</span></h2><div class="links"><a class="button-blk" href="https://experience.mcachicago.org/6789/6790">Get Tickets</a><div class="venues"><a href="https://mcachicago.org/about/locations/edlis-neeson-theater">Edlis Neeson Theater</a></div></div><div class="ticket-notice"><p>ASL and English CART captioning provided</p> </div> </header> <div id="row-0" class="row-section row-gallery " data-title="" > <div class="gallery-wrapper"><div class="swiper"><div class="swiper-wrapper"><div class="swiper-slide" data-caption="Gordon Hall. Photo: Jacob Gordon."><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/Gordon-Hall-Photo-Credit-Jacob-Gordon-approved.webp" alt="Three-quarter portrait of a person with a shaved head against a black background"></div><div class="swiper-slide" data-caption="B. Ingrid Olson. Image courtesy of the artist."><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/Courtesy-of-B.-Ingrid-Olson.webp" alt="A person with medium length hair stands in front of a white wall hung with three artworks"></div><div class="swiper-slide" data-caption="Aliza Shvarts. Photo: Sophie Elgort."><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/Aliza-Shvarts-by-Sophie-Elgort.webp" alt="Portrait of a female-presenting person in a black shawl against a grey backdrop"></div><div class="swiper-slide" data-caption="Mariana Fernandez."><img src="https://visit.mcachicago.org/wp-content/uploads/2024/06/Mariana-Fernandez_Headshot.webp" alt="Mariana Fernandez. 2024/06/Mariana-Fernandez_Headshot.jpg "></div></div></div><div class="swiper-button-prev"></div><div class="swiper-button-next"></div><div class="caption"></div><div class="thumbnails"><div class="swiper-wrapper"><div class="swiper-slide"><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/Gordon-Hall-Photo-Credit-Jacob-Gordon-approved.webp" alt="Three-quarter portrait of a person with a shaved head against a black background"></div><div class="swiper-slide"><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/Courtesy-of-B.-Ingrid-Olson.webp" alt="A person with medium length hair stands in front of a white wall hung with three artworks"></div><div class="swiper-slide"><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/Aliza-Shvarts-by-Sophie-Elgort.webp" alt="Portrait of a female-presenting person in a black shawl against a grey backdrop"></div><div class="swiper-slide"><img src="https://visit.mcachicago.org/wp-content/uploads/2024/06/Mariana-Fernandez_Headshot.webp" alt="Mariana Fernandez. 2024/06/Mariana-Fernandez_Headshot.jpg "></div></div></div></div> </div> <div id="row-1" class="row-section row-wysiwyg " data-title="About the Event" > <div class="wysiwyg-section std-content"><div class="wrap"><h2>About the Event</h2> <p>Artists Gordon Hall, B. Ingrid Olson, and Aliza Shvarts collaborate with MCA Associate Curator Jadine Collingwood and visiting curator Mariana Fernández on an expanded performance-lecture drawing from themes in <a href="https://visit.mcachicago.org/exhibitions/descending-the-staircase/"><em>Descending the Staircase</em></a>. In a departure from the standard form of the public lecture, participants engage in a live response to issues around visibility and difference prompted by Hall’s 2020 essay “Why I Don’t Talk About ‘The Body’: A Polemic.” Hall shares their original text with interruptions and interjections from the respondents, treating the essay as an invitation for collaborative thinking around uses of “the body” in contemporary art. </p> <p>This talk is organized by visiting curator Mariana Fernández as part of the <a href="https://visit.mcachicago.org/introducing-the-mca-dna-research-initiative/">MCA DNA Research Initiative</a>, which supports new short-term research projects examining the MCA Collection.</p> <p>ASL interpretation and English CART captioning are provided for this talk.</p> </div></div> </div> <div id="row-2" class="row-section row-image_row divider" data-title="" > <div class="wrap"><img src="https://visit.mcachicago.org/wp-content/uploads/2023/02/ASL_72x72.webp" alt="ASL provided."></div> </div> <div id="row-3" class="row-section row-wysiwyg divider" data-title="About the Presenters" > <div class="wysiwyg-section std-content"><div class="wrap"><h2>About the Presenters</h2> <p><strong>Mariana Fernández</strong> is a writer and curator. Her essays and reviews have appeared in publications like <em>Artforum</em>, <em>BOMB</em>, <em>e-flux Criticism</em>, <em>frieze</em>, <em>Momus</em>, and <em>X-TRA Contemporary Art Quarterly</em>, and in several exhibition catalogues. She is currently co-editing a bilingual book with Vic Brooks and Jennifer Burris about Alexander Calder’s <em>Acoustic Ceiling</em> (1954) in Caracas, Venezuela, titled <em>Tuning Calder’s Clouds / Sintonizando las nubes de Calder</em>. She has held previous curatorial positions at Performa, the Experimental Media and Performing Arts Center (EMPAC), and the Clark Art Institute.</p> <p><strong>Gordon Hall</strong> is an artist based in New York who makes sculptures and performances. Hall has had solo presentations at the MIT List Visual Arts Center, The Portland Institute for Contemporary Art, The Renaissance Society, EMPAC, and Temple Contemporary, and has been in group exhibitions at The Whitney Museum of American Art, The Brooklyn Museum, The Hessel Museum, Art in General, White Columns, Socrates Sculpture Park, and Dia Art Foundation, among many other venues. They are currently working on a solo exhibition of new work at The Kitchen in 2025. Since 2011, Hall has also directed the Center for Experimental Lectures, an itinerant performance series that engages with the lecture as a creative form. Co-organized with Zoey Lubitz since 2016, the Center for Experimental Lectures has commissioned 46 new lectures from a wide variety of artists and thinkers at venues including Recess, MoMA PS1, Storm King, BAM, Artists Space, RISD Museum, Kunsthaus Glarus, Kunstalle Wein, and Kunstalle Kevin Space, as well as at the Whitney Museum of American Art where they presented <em>Seminars with Artists</em> in conjunction with the 2014 Whitney Biennial.</p> <p>Hall’s writing and interviews have been published widely including in <em>Art Journal</em>, <em>Artforum</em>, <em>Art in America</em>, and <em>BOMB</em>, as well as the Walker Art Center’s Artist Op-Ed Series, <em>What About Power? Inquiries Into Contemporary Sculpture</em> (published by SculptureCenter), <em>Documents of Contemporary Art: Queer</em> (published by Whitechapel and MIT Press), and <em>Theorizing Visual Studies</em> (Routledge). <em>OVER-BELIEFS</em>, a volume of Hall’s collected essays, interviews, and performance scripts was published by Portland Institute for Contemporary Art in 2019. Hall is Assistant Professor of Sculpture at Vassar College and was 2022 resident faculty at the Skowhegan School of Painting and Sculpture. Hall is represented by DOCUMENT (Chicago) and Hua International (Berlin/Beijing).</p> <p><strong>B. Ingrid Olson</strong> is an artist who lives and works in Chicago. She graduated from the School of the Art Institute of Chicago with a BFA in 2010. Olson’s work has been exhibited nationally and internationally at institutions such as the Whitney Museum of American Art, New York; fluent, Santander, Spain; Soccer Club Club, Chicago; The Carpenter Center for the Visual Arts at Harvard University, Cambridge; Secession, Vienna; Aspen Art Museum; The Museum of Contemporary Art Chicago; Albright-Knox Art Gallery, Buffalo; Museum of Modern Art, New York; and The Renaissance Society at the University of Chicago. Her work is represented by i8 Gallery in Reykjavík, Iceland.</p> <p>Olson’s practice engages the reciprocities between photography, sculpture, and architecture, each gesture staging a manifold approach to materiality, gender, plurality, and power. In her studio-based practice the artist works intuitively, often using apertures, thresholds, reflections, transparency, opacity, light, and shadow as layered devices that collapse image, support, and frame. The results—whether captured with a camera, machine carved, cast, or found—are multidimensional image-forms that test the capacities of the artist’s body, viewers’ bodies, and the structuring of the space around them.</p> <p><strong>Aliza Shvarts</strong> is an artist, writer, and scholar who takes a queer and feminist approach to reproductive labor and language. Her artwork has been exhibited internationally at venues including the Tate Modern, Athens Biennale, Centre for Contemporary Art FUTURA, Galeria Municipal do Porto, Galerie Maria Bernheim, the Aldrich Contemporary Art Museum, Leslie-Lohman Museum, Participant Inc, Art in General, and SculptureCenter. Her writing and interviews have appeared in <em>Artforum</em>, <em>Art in America</em>, <em>Art Journal</em>, <em>The Brooklyn Rail</em>, <em>The Cut</em>, <em>e-flux</em>, <em>October</em>, <em>TDR/The Drama Review</em>, <em>Whitechapel Documents in Contemporary Art: Practice</em>, and <em>Women & Performance</em>, among other publications. She was a Helena Rubinstein Fellow in Critical Studies at the Whitney Independent Study Program (ISP), Recess Critical Writing Fellow, A.I.R. Artist Fellow, and Andy Warhol Foundation Arts Writers Grantee.</p> <p>In addition to her artistic practice and scholarship, Shvarts has over a decade of leadership experience focused on reimagining artist education and cultural intuitions. She served as Director of Artist Initiatives at Creative Capital, overseeing their grantmaking, educational, and community programs; co-founded the Arts Research Collective (ARC), an incubator for experimental and socially engaged arts education; and developed queer theory curriculum as faculty for the Leslie-Lohman Museum Queer Artist Fellowship. Shvarts has lectured and taught at institutions including Barnard College, Brown University, Columbia University, Harvard University, New York University, Parsons School of Design, Pratt Institute, the Royal Danish Academy of Fine Arts, and Sotheby’s Institute of Art–New York, and was a Joan Tisch Teaching Fellow at the Whitney Museum of American Art. She is currently Director of the Low-Residency MFA Program and Assistant Professor of Performance at School of the Art Institute of Chicago (SAIC).</p> </div></div> </div> <div id="row-4" class="row-section row-wysiwyg divider" data-title="Related Content" > <div class="wysiwyg-section std-content"><div class="wrap"><h2>Related Content</h2> <h3>Video Documentation</h3> <div style="padding:56.25% 0 0 0;position:relative;"><iframe src="https://player.vimeo.com/video/1019528646?badge=0&autopause=0&player_id=0&app_id=58479" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute;top:0;left:0;width:100%;height:100%;" title="Talk | Notes in the Margins: “Why I Don’t Talk About ‘The Body'”"></iframe></div> <p><script src="https://player.vimeo.com/api/player.js"></script><br /> Video produced by the MCA, 2024.</p> </div></div> </div> <div id="row-5" class="row-section row-event_links divider" data-title="Related Exhibition" > <div class="event-links"><div class="wrap"><h2>Related Exhibition</h2><a class="event-preview" href="https://visit.mcachicago.org/exhibitions/descending-the-staircase/" data-program=""><div class="col-1"><div class="image" style="background-image: url(https://visit.mcachicago.org/wp-content/uploads/2023/08/2021_7.webp)"></div></div><div class="col-2"><p class="time">December 16, 2023 - July 6, 2025</p><p class="notes"></p><p class="title"><em>Descending the Staircase</em></p></div></a></div></div> </div> <div id="row-6" class="row-section row-wysiwyg " data-title="Funding" > <div class="wysiwyg-section std-content"><div class="wrap"><h2>Funding</h2> <h3>Talk</h3> <p>Lead support for the 2024–25 season of MCA Performance and Public Programs is provided by Elizabeth A. Liebman.</p> <p>The MCA is a proud member of the Museums in the Park and receives major support from the Chicago Park District.</p> <p>Lead support for the 2024-25 season of MCA Talks is made possible by The Richard and Mary L. Gray Lecture Series through a generous gift to the Chicago Contemporary Campaign.</p> <p>Generous support is provided by The Antje B. and John J. Jelinek Endowed Lecture and Symposium on Contemporary Art; the Kristina Barr Lectures, which were established through a generous gift by The Barr Fund to the Chicago Contemporary Campaign; The Gloria Brackstone Solow and Eugene A. Solow, MD, Memorial Lecture Series; and the Allen M. Turner Tribute Fund, honoring his past leadership as Chair of the Board of Trustees.</p> <h3>Exhibition</h3> <p>Lead support is provided by the Pritzker Traubert Collection Exhibition Fund, Cari and Michael Sacks, and Zell Family Foundation.</p> <h3>MCA DNA Research Initiative</h3> <p>The MCA DNA Research Initiative is supported by the Chanel Culture Fund.</p> </div></div> </div> <div id="row-7" class="row-section row-image_row " data-title="" > <div class="wrap"><img src="https://visit.mcachicago.org/wp-content/uploads/2024/07/2x4_CCF_LOGO_LARGE_BLACK.webp" alt="Chanel Culture Fund logo"></div> </div> </article> </main> <footer class="footer footer-v2"> <section> <h3><a href="https://mcachicago.org/" class="logo"><img src="https://visit.mcachicago.org/wp-content/uploads/2022/03/mca-logo-black.svg" alt=" 2022/03/mca-logo-black.svg "> MCA Contact Information</a></h3> <address>Museum of Contemporary Art Chicago</br></br>220 E Chicago Ave<br /> Chicago IL 60611</address> <br> </section> 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