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class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Production subsection </button> <ul id="toc-Production-sublist" class="vector-toc-list"> <li id="toc-Development" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Development"> <div class="vector-toc-text"> 3.1 Development </div> </a> <ul id="toc-Development-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Screenplay" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Screenplay"> <div class="vector-toc-text"> 3.2 Screenplay </div> </a> <ul id="toc-Screenplay-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Casting" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Casting"> <div class="vector-toc-text"> 3.3 Casting </div> </a> <ul id="toc-Casting-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filming" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Filming"> <div class="vector-toc-text"> 3.4 Filming </div> </a> <ul id="toc-Filming-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Post-production" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Post-production"> <div class="vector-toc-text"> 3.5 Post-production </div> </a> <ul id="toc-Post-production-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Style" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Style"> <div class="vector-toc-text"> 4 Style </div> </a> <button aria-controls="toc-Style-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Style subsection </button> <ul id="toc-Style-sublist" class="vector-toc-list"> <li id="toc-Storytelling_techniques" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Storytelling_techniques"> <div class="vector-toc-text"> 4.1 Storytelling techniques </div> </a> <ul id="toc-Storytelling_techniques-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Cinematography" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Cinematography"> <div class="vector-toc-text"> 4.2 Cinematography </div> </a> <ul id="toc-Cinematography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sound" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sound"> <div class="vector-toc-text"> 4.3 Sound </div> </a> <ul id="toc-Sound-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Make-up" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Make-up"> <div class="vector-toc-text"> 4.4 Make-up </div> </a> <ul id="toc-Make-up-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sets" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sets"> <div class="vector-toc-text"> 4.5 Sets </div> </a> <ul id="toc-Sets-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Special_effects" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Special_effects"> <div class="vector-toc-text"> 4.6 Special effects </div> </a> <ul id="toc-Special_effects-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Music" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Music"> <div class="vector-toc-text"> 4.7 Music </div> </a> <ul id="toc-Music-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Editing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Editing"> <div class="vector-toc-text"> 4.8 Editing </div> </a> <ul id="toc-Editing-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> 5 Sources </div> </a> <ul id="toc-Sources-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Political_themes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Political_themes"> <div class="vector-toc-text"> 6 Political themes </div> </a> <ul id="toc-Political_themes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Pre-release_controversy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Pre-release_controversy"> <div class="vector-toc-text"> 7 Pre-release controversy </div> </a> <ul id="toc-Pre-release_controversy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Trailer" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Trailer"> <div class="vector-toc-text"> 8 Trailer </div> </a> <ul id="toc-Trailer-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Release" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Release"> <div class="vector-toc-text"> 9 Release </div> </a> <button aria-controls="toc-Release-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Release subsection </button> <ul id="toc-Release-sublist" class="vector-toc-list"> <li id="toc-Response_at_the_time_of_release" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Response_at_the_time_of_release"> <div class="vector-toc-text"> 9.1 Response at the time of release </div> </a> <ul id="toc-Response_at_the_time_of_release-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Reception_from_the_public" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Reception_from_the_public"> <div class="vector-toc-text"> 9.2 Reception from the public </div> </a> <ul id="toc-Reception_from_the_public-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Hearst's_response" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Hearst's_response"> <div class="vector-toc-text"> 9.3 Hearst's response </div> </a> <ul id="toc-Hearst's_response-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Contemporary_response" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Contemporary_response"> <div class="vector-toc-text"> 10 Contemporary response </div> </a> <button aria-controls="toc-Contemporary_response-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Contemporary response subsection </button> <ul id="toc-Contemporary_response-sublist" class="vector-toc-list"> <li id="toc-Accolades" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Accolades"> <div class="vector-toc-text"> 10.1 Accolades </div> </a> <ul id="toc-Accolades-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> 11 Legacy </div> </a> <ul id="toc-Legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Rights_and_home_media" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Rights_and_home_media"> <div class="vector-toc-text"> 12 Rights and home media </div> </a> <button aria-controls="toc-Rights_and_home_media-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Rights and home media subsection </button> <ul id="toc-Rights_and_home_media-sublist" class="vector-toc-list"> <li id="toc-Colorization_controversy" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Colorization_controversy"> <div class="vector-toc-text"> 12.1 Colorization controversy </div> </a> <ul id="toc-Colorization_controversy-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> 13 Bibliography </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> 14 Notes </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 15 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 16 External links </div> </a> <button aria-controls="toc-External_links-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle External links subsection </button> <ul id="toc-External_links-sublist" class="vector-toc-list"> <li id="toc-Database" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Database"> <div class="vector-toc-text"> 16.1 Database </div> </a> <ul id="toc-Database-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Other" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Other"> <div class="vector-toc-text"> 16.2 Other </div> </a> <ul id="toc-Other-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Citizen Kane</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 67 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-67" aria-hidden="true" > 67 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A7%D9%84%D9%85%D9%88%D8%A7%D8%B7%D9%86_%D9%83%D9%8A%D9%86" title="المواطن كين – Arabic" lang="ar" hreflang="ar" data-title="المواطن كين" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Asturian" lang="ast" hreflang="ast" data-title="Citizen Kane" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/V%C9%99t%C9%99nda%C5%9F_Keyn" title="Vətəndaş Keyn – Azerbaijani" lang="az" hreflang="az" data-title="Vətəndaş Keyn" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target">Azərbaycanca</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D9%88%D8%B7%D9%86%D8%AF%D8%A7%D8%B4_%DA%A9%D8%A7%D9%86%D9%87" title="وطنداش کانه – South Azerbaijani" lang="azb" hreflang="azb" data-title="وطنداش کانه" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%B8%E0%A6%BF%E0%A6%9F%E0%A6%BF%E0%A6%9C%E0%A7%87%E0%A6%A8_%E0%A6%95%E0%A7%87%E0%A6%87%E0%A6%A8" title="সিটিজেন কেইন – Bangla" lang="bn" hreflang="bn" data-title="সিটিজেন কেইন" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%93%D1%80%D0%B0%D0%BC%D0%B0%D0%B4%D0%B7%D1%8F%D0%BD%D1%96%D0%BD_%D0%9A%D0%B5%D0%B9%D0%BD" title="Грамадзянін Кейн – Belarusian" lang="be" hreflang="be" data-title="Грамадзянін Кейн" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%93%D1%80%D0%B0%D0%BC%D0%B0%D0%B4%D0%B7%D1%8F%D0%BD%D1%96%D0%BD_%D0%9A%D0%B5%D0%B9%D0%BD" title="Грамадзянін Кейн – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Грамадзянін Кейн" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%93%D1%80%D0%B0%D0%B6%D0%B4%D0%B0%D0%BD%D0%B8%D0%BD%D1%8A%D1%82_%D0%9A%D0%B5%D0%B9%D0%BD" title="Гражданинът Кейн – Bulgarian" lang="bg" hreflang="bg" data-title="Гражданинът Кейн" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Gra%C4%91anin_Kane" title="Građanin Kane – Bosnian" lang="bs" hreflang="bs" data-title="Građanin Kane" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target">Bosanski</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Ciutad%C3%A0_Kane" title="Ciutadà Kane – Catalan" lang="ca" hreflang="ca" data-title="Ciutadà Kane" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Ob%C4%8Dan_Kane" title="Občan Kane – Czech" lang="cs" hreflang="cs" data-title="Občan Kane" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Welsh" lang="cy" hreflang="cy" data-title="Citizen Kane" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target">Cymraeg</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Danish" lang="da" hreflang="da" data-title="Citizen Kane" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – German" lang="de" hreflang="de" data-title="Citizen Kane" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%A0%CE%BF%CE%BB%CE%AF%CF%84%CE%B7%CF%82_%CE%9A%CE%AD%CE%B9%CE%BD" title="Πολίτης Κέιν – Greek" lang="el" hreflang="el" data-title="Πολίτης Κέιν" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://es.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Spanish" lang="es" hreflang="es" data-title="Citizen Kane" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Esperanto" lang="eo" hreflang="eo" data-title="Citizen Kane" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Basque" lang="eu" hreflang="eu" data-title="Citizen Kane" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%87%D9%85%D8%B4%D9%87%D8%B1%DB%8C_%DA%A9%DB%8C%D9%86" title="همشهری کین – Persian" lang="fa" hreflang="fa" data-title="همشهری کین" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – French" lang="fr" hreflang="fr" data-title="Citizen Kane" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Cidad%C3%A1n_Kane" title="Cidadán Kane – Galician" lang="gl" hreflang="gl" data-title="Cidadán Kane" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%8B%9C%EB%AF%BC_%EC%BC%80%EC%9D%B8" title="시민 케인 – Korean" lang="ko" hreflang="ko" data-title="시민 케인" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%94%D5%A1%D5%B2%D5%A1%D6%84%D5%A1%D6%81%D5%AB_%D5%94%D5%A5%D5%B5%D5%B6%D5%A8" title="Քաղաքացի Քեյնը – Armenian" lang="hy" hreflang="hy" data-title="Քաղաքացի Քեյնը" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%B8%E0%A4%BF%E0%A4%9F%E0%A4%BF%E0%A4%9C%E0%A4%A8_%E0%A4%95%E0%A5%87%E0%A4%A8" title="सिटिजन केन – Hindi" lang="hi" hreflang="hi" data-title="सिटिजन केन" data-language-autonym="हिन्दी" data-language-local-name="Hindi" class="interlanguage-link-target">हिन्दी</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Gra%C4%91anin_Kane" title="Građanin Kane – Croatian" lang="hr" hreflang="hr" data-title="Građanin Kane" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Indonesian" lang="id" hreflang="id" data-title="Citizen Kane" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Quarto_potere" title="Quarto potere – Italian" lang="it" hreflang="it" data-title="Quarto potere" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%94%D7%90%D7%96%D7%A8%D7%97_%D7%A7%D7%99%D7%99%D7%9F" title="האזרח קיין – Hebrew" lang="he" hreflang="he" data-title="האזרח קיין" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-jv mw-list-item"><a href="https://jv.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Javanese" lang="jv" hreflang="jv" data-title="Citizen Kane" data-language-autonym="Jawa" data-language-local-name="Javanese" class="interlanguage-link-target">Jawa</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%9B%E1%83%9D%E1%83%A5%E1%83%90%E1%83%9A%E1%83%90%E1%83%A5%E1%83%94_%E1%83%99%E1%83%94%E1%83%98%E1%83%9C%E1%83%98" title="მოქალაქე კეინი – Georgian" lang="ka" hreflang="ka" data-title="მოქალაქე კეინი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D0%90%D0%B7%D0%B0%D0%BC%D0%B0%D1%82_%D0%9A%D0%B5%D0%B9%D0%BD" title="Азамат Кейн – Kazakh" lang="kk" hreflang="kk" data-title="Азамат Кейн" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target">Қазақша</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Latin" lang="la" hreflang="la" data-title="Citizen Kane" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Pilsonis_Keins" title="Pilsonis Keins – Latvian" lang="lv" hreflang="lv" data-title="Pilsonis Keins" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Pilietis_Keinas_(1941_m._filmas)" title="Pilietis Keinas (1941 m. filmas) – Lithuanian" lang="lt" hreflang="lt" data-title="Pilietis Keinas (1941 m. filmas)" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target">Lietuvių</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Aranypolg%C3%A1r" title="Aranypolgár – Hungarian" lang="hu" hreflang="hu" data-title="Aranypolgár" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%B8%E0%B4%BF%E0%B4%B1%E0%B5%8D%E0%B4%B1%E0%B4%BF%E0%B4%B8%E0%B5%BB_%E0%B4%95%E0%B5%86%E0%B4%AF%E0%B5%8D%E0%B5%BB" title="സിറ്റിസൻ കെയ്ൻ – Malayalam" lang="ml" hreflang="ml" data-title="സിറ്റിസൻ കെയ്ൻ" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D9%85%D9%88%D8%A7%D8%B7%D9%86_%D9%83%D9%8A%D9%86" title="المواطن كين – Egyptian Arabic" lang="arz" hreflang="arz" data-title="المواطن كين" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Malay" lang="ms" hreflang="ms" data-title="Citizen Kane" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Dutch" lang="nl" hreflang="nl" data-title="Citizen Kane" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E5%B8%82%E6%B0%91%E3%82%B1%E3%83%BC%E3%83%B3" title="市民ケーン – Japanese" lang="ja" hreflang="ja" data-title="市民ケーン" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Citizen Kane" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Occitan" lang="oc" hreflang="oc" data-title="Citizen Kane" data-language-autonym="Occitan" data-language-local-name="Occitan" class="interlanguage-link-target">Occitan</a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Fuqaro_Keyn" title="Fuqaro Keyn – Uzbek" lang="uz" hreflang="uz" data-title="Fuqaro Keyn" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target">Oʻzbekcha / ўзбекча</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Obywatel_Kane" title="Obywatel Kane – Polish" lang="pl" hreflang="pl" data-title="Obywatel Kane" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Portuguese" lang="pt" hreflang="pt" data-title="Citizen Kane" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Cet%C4%83%C8%9Beanul_Kane" title="Cetățeanul Kane – Romanian" lang="ro" hreflang="ro" data-title="Cetățeanul Kane" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Llaqtayuq_Kane" title="Llaqtayuq Kane – Quechua" lang="qu" hreflang="qu" data-title="Llaqtayuq Kane" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target">Runa Simi</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%93%D1%80%D0%B0%D0%B6%D0%B4%D0%B0%D0%BD%D0%B8%D0%BD_%D0%9A%D0%B5%D0%B9%D0%BD" title="Гражданин Кейн – Russian" lang="ru" hreflang="ru" data-title="Гражданин Кейн" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sco mw-list-item"><a href="https://sco.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Scots" lang="sco" hreflang="sco" data-title="Citizen Kane" data-language-autonym="Scots" data-language-local-name="Scots" class="interlanguage-link-target">Scots</a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Albanian" lang="sq" hreflang="sq" data-title="Citizen Kane" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target">Shqip</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Simple English" lang="en-simple" hreflang="en-simple" data-title="Citizen Kane" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Ob%C4%8Dan_Kane" title="Občan Kane – Slovak" lang="sk" hreflang="sk" data-title="Občan Kane" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target">Slovenčina</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Dr%C5%BEavljan_Kane" title="Državljan Kane – Slovenian" lang="sl" hreflang="sl" data-title="Državljan Kane" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%93%D1%80%D0%B0%D1%92%D0%B0%D0%BD%D0%B8%D0%BD_%D0%9A%D0%B5%D1%98%D0%BD" title="Грађанин Кејн – Serbian" lang="sr" hreflang="sr" data-title="Грађанин Кејн" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Citizen Kane" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Finnish" lang="fi" hreflang="fi" data-title="Citizen Kane" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Swedish" lang="sv" hreflang="sv" data-title="Citizen Kane" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%9A%E0%AE%BF%E0%AE%9F%E0%AF%8D%E0%AE%9F%E0%AE%BF%E0%AE%9A%E0%AE%A9%E0%AF%8D_%E0%AE%95%E0%AF%87%E0%AE%A9%E0%AF%8D" title="சிட்டிசன் கேன் – Tamil" lang="ta" hreflang="ta" data-title="சிட்டிசன் கேன்" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target">தமிழ்</a></li><li class="interlanguage-link interwiki-te mw-list-item"><a href="https://te.wikipedia.org/wiki/%E0%B0%B8%E0%B0%BF%E0%B0%9F%E0%B0%BF%E0%B0%9C%E0%B0%A8%E0%B1%8D_%E0%B0%95%E0%B1%87%E0%B0%A8%E0%B1%8D" title="సిటిజన్ కేన్ – Telugu" lang="te" hreflang="te" data-title="సిటిజన్ కేన్" data-language-autonym="తెలుగు" data-language-local-name="Telugu" class="interlanguage-link-target">తెలుగు</a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%8B%E0%B8%B4%E0%B8%95%E0%B8%B4%E0%B9%80%E0%B8%8B%E0%B8%99%E0%B9%80%E0%B8%84%E0%B8%99" title="ซิติเซนเคน – Thai" lang="th" hreflang="th" data-title="ซิติเซนเคน" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target">ไทย</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Yurtta%C5%9F_Kane" title="Yurttaş Kane – Turkish" lang="tr" hreflang="tr" data-title="Yurttaş Kane" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%93%D1%80%D0%BE%D0%BC%D0%B0%D0%B4%D1%8F%D0%BD%D0%B8%D0%BD_%D0%9A%D0%B5%D0%B9%D0%BD" title="Громадянин Кейн – Ukrainian" lang="uk" hreflang="uk" data-title="Громадянин Кейн" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/C%C3%B4ng_d%C3%A2n_Kane" title="Công dân Kane – Vietnamese" lang="vi" hreflang="vi" data-title="Công dân Kane" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Citizen_Kane" title="Citizen Kane – Waray" lang="war" hreflang="war" data-title="Citizen Kane" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target">Winaray</a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E5%85%AC%E6%B0%91%E5%87%AF%E6%81%A9" title="公民凯恩 – Wu" lang="wuu" hreflang="wuu" data-title="公民凯恩" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target">吴语</a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E5%A4%A7%E5%9C%8B%E6%B0%91_(%E9%9B%BB%E5%BD%B1)" title="大國民 (電影) – Cantonese" lang="yue" hreflang="yue" data-title="大國民 (電影)" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target">粵語</a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E5%85%AC%E6%B0%91%E5%87%AF%E6%81%A9" title="公民凯恩 – Chinese" lang="zh" hreflang="zh" data-title="公民凯恩" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target">中文</a></li> </ul> <div class="after-portlet after-portlet-lang"><a 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Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1941 drama film by Orson Welles</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">For the hip hop duo, see <a href="/wiki/Citizen_Kane_(band)" title="Citizen Kane (band)">Citizen Kane (band)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Citizen Kane</th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Citizen_Kane_poster,_1941_(Style_B,_unrestored).jpg" class="mw-file-description" title="Poster showing two women in the bottom left of the picture looking up towards a man in a white suit in the top right of the picture. "Everybody's talking about it. It's terrific!" appears in the top left of the picture. "Orson Welles" appears in block letters between the women and the man in the white suit. "Citizen Kane" appears in red and yellow block letters tipped 60° to the right. The remaining credits are listed in fine print in the bottom right."><img alt="Poster showing two women in the bottom left of the picture looking up towards a man in a white suit in the top right of the picture. "Everybody's talking about it. It's terrific!" appears in the top left of the picture. "Orson Welles" appears in block letters between the women and the man in the white suit. "Citizen Kane" appears in red and yellow block letters tipped 60° to the right. The remaining credits are listed in fine print in the bottom right." src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg/220px-Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg" decoding="async" width="220" height="331" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg/330px-Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg/440px-Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg 2x" data-file-width="2117" data-file-height="3181" /></a><div class="infobox-caption">Theatrical release poster (Style B) by <a href="/wiki/William_Rose_(illustrator)" title="William Rose (illustrator)">William Rose</a></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Screenplay by</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li><a href="/wiki/Herman_J._Mankiewicz" title="Herman J. Mankiewicz">Herman J. Mankiewicz</a></li> <li>Orson Welles</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data">Orson Welles</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li>Orson Welles</li> <li><a href="/wiki/Joseph_Cotten" title="Joseph Cotten">Joseph Cotten</a></li> <li><a href="/wiki/Dorothy_Comingore" title="Dorothy Comingore">Dorothy Comingore</a></li> <li><a href="/wiki/Everett_Sloane" title="Everett Sloane">Everett Sloane</a></li> <li><a href="/wiki/Ray_Collins_(actor)" title="Ray Collins (actor)">Ray Collins</a></li> <li><a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a></li> <li><a href="/wiki/Agnes_Moorehead" title="Agnes Moorehead">Agnes Moorehead</a></li> <li><a href="/wiki/Paul_Stewart_(actor)" title="Paul Stewart (actor)">Paul Stewart</a></li> <li><a href="/wiki/Ruth_Warrick" title="Ruth Warrick">Ruth Warrick</a></li> <li><a href="/wiki/Erskine_Sanford" title="Erskine Sanford">Erskine Sanford</a></li> <li><a href="/wiki/William_Alland" title="William Alland">William Alland</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/Gregg_Toland" title="Gregg Toland">Gregg Toland</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data"><a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><a href="/wiki/Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production companies</div></th><td class="infobox-data"><div style="vertical-align: middle;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/RKO_Radio_Pictures" class="mw-redirect" title="RKO Radio Pictures">RKO Radio Pictures</a></li> <li><a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Productions</a></li></ul> </div></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data">RKO Radio Pictures</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release dates</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist film-date"> <ul><li>May 1, 1941 (1941-05-01) (<a href="/wiki/Palace_Theatre_(New_York_City)" title="Palace Theatre (New York City)">Palace Theatre</a>)</li> <li>September 5, 1941 (1941-09-05) (United States)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">119 minutes<a href="#cite_note-1">[1]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Country</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">$839,727<a href="#cite_note-2">[2]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$1.8 million (re-release)<a href="#cite_note-Paducah-3">[3]</a><a href="#cite_note-BOM-4">[4]</a></td></tr></tbody></table> Citizen Kane is a 1941 American <a href="/wiki/Drama_film" class="mw-redirect" title="Drama film">drama film</a> directed by, produced by, and starring <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a>. Welles and <a href="/wiki/Herman_J._Mankiewicz" title="Herman J. Mankiewicz">Herman J. Mankiewicz</a> wrote the screenplay. The picture was Welles's <a href="/wiki/List_of_directorial_debuts" title="List of directorial debuts">first feature film</a>. Citizen Kane is frequently cited as <a href="/wiki/List_of_films_considered_the_best" class="mw-redirect" title="List of films considered the best">the greatest film ever made.</a><a href="#cite_note-all_time-5">[5]</a> For 40 years (5 decennial polls: 1962, 1972, 1982, 1992 and 2002), it stood at number 1 in the <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>'s <a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight & Sound">Sight & Sound</a> decennial poll of critics,<a href="#cite_note-6">[6]</a> and it topped the <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a>'s <a href="/wiki/AFI%27s_100_Years...100_Movies" title="AFI's 100 Years...100 Movies">100 Years ... 100 Movies</a> list in 1998, as well as its <a href="/wiki/AFI%27s_100_Years...100_Movies_(10th_Anniversary_Edition)" title="AFI's 100 Years...100 Movies (10th Anniversary Edition)">2007 update</a>. The film was nominated for <a href="/wiki/14th_Academy_Awards" title="14th Academy Awards">Academy Awards</a> in nine categories and it won for <a href="/wiki/Academy_Award_for_Best_Original_Screenplay" title="Academy Award for Best Original Screenplay">Best Writing (Original Screenplay)</a> by Mankiewicz and Welles. Citizen Kane is praised for <a href="/wiki/Gregg_Toland" title="Gregg Toland">Gregg Toland</a>'s cinematography, <a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a>'s editing, <a href="/wiki/Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a>'s music, and its narrative structure, all of which have been considered innovative and precedent-setting. The <a href="/wiki/Film_%C3%A0_clef" title="Film à clef">quasi-biographical film</a> examines the life and legacy of <a href="/wiki/Charles_Foster_Kane" title="Charles Foster Kane">Charles Foster Kane</a>, played by Welles, a <a href="/wiki/Composite_character" title="Composite character">composite character</a> based on American <a href="/wiki/Media_proprietor" title="Media proprietor">media barons</a> <a href="/wiki/William_Randolph_Hearst" title="William Randolph Hearst">William Randolph Hearst</a> and <a href="/wiki/Joseph_Pulitzer" title="Joseph Pulitzer">Joseph Pulitzer</a>, <a href="/wiki/Chicago" title="Chicago">Chicago</a> tycoons <a href="/wiki/Samuel_Insull" title="Samuel Insull">Samuel Insull</a> and <a href="/wiki/Harold_Fowler_McCormick" title="Harold Fowler McCormick">Harold McCormick</a>, as well as aspects of the screenwriters' own lives. Upon its release, Hearst prohibited any mention of the film in his newspapers.<a href="#cite_note-7">[7]</a> After the <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> success of Welles's <a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Theatre</a> and the controversial 1938 radio broadcast "<a href="/wiki/The_War_of_the_Worlds_(1938_radio_drama)" title="The War of the Worlds (1938 radio drama)">The War of the Worlds</a>" on <a href="/wiki/The_Mercury_Theatre_on_the_Air" title="The Mercury Theatre on the Air">The Mercury Theatre on the Air</a>, Welles was courted by Hollywood. He signed a contract with <a href="/wiki/RKO_Pictures" title="RKO Pictures">RKO Pictures</a> in 1939. Although it was unusual for an untried director, he was given freedom to develop his own story, to use his own cast and crew, and to have <a href="/wiki/Final_cut_privilege" title="Final cut privilege">final cut privilege</a>. Following two abortive attempts to get a project off the ground, he wrote the <a href="/wiki/Screenplay_for_Citizen_Kane" title="Screenplay for Citizen Kane">screenplay for Citizen Kane</a>, collaborating with Herman J. Mankiewicz. Principal photography took place in 1940, the same year <a href="/wiki/Citizen_Kane_trailer" title="Citizen Kane trailer">its innovative trailer</a> was shown, and the film was released in 1941. Although it was a critical success, Citizen Kane failed to recoup its costs at the box office. The film faded from view after its release, but it returned to public attention when it was praised by French critics such as <a href="/wiki/Andr%C3%A9_Bazin" title="André Bazin">André Bazin</a> and re-released in 1956. In 1958, the film was voted number 9 on the prestigious <a href="/wiki/Expo_58#International_film_poll" title="Expo 58">Brussels 12</a> list at the 1958 World Expo. The <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a> selected Citizen Kane as an inductee of the 1989 inaugural group of 25 films for preservation in the United States <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> for being "culturally, historically, or aesthetically significant".<a href="#cite_note-8">[8]</a><a href="#cite_note-9">[9]</a><a href="#cite_note-10">[10]</a> <a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> wrote of it: "Its surface is as much fun as any movie ever made. Its depths surpass understanding. I have analyzed it a shot at a time with more than 30 groups, and together we have seen, I believe, pretty much everything that is there on the screen. The more clearly I can see its physical manifestation, the more I am stirred by its mystery."<a href="#cite_note-11">[11]</a> <style data-mw-deduplicate="TemplateStyles:r886046785">.mw-parser-output .toclimit-2 .toclevel-1 ul,.mw-parser-output .toclimit-3 .toclevel-2 ul,.mw-parser-output .toclimit-4 .toclevel-3 ul,.mw-parser-output .toclimit-5 .toclevel-4 ul,.mw-parser-output .toclimit-6 .toclevel-5 ul,.mw-parser-output .toclimit-7 .toclevel-6 ul{display:none}</style><div class="toclimit-4"><meta property="mw:PageProp/toc" /></div> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=1" title="Edit section: Plot">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1237032888/mw-parser-output/.tmulti">.mw-parser-output .tmulti .multiimageinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .tmulti .multiimageinner img{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .tmulti .multiimageinner img{background-color:white}}</style><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:224px;max-width:224px"><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Welles-Podium.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/34/Citizen-Kane-Welles-Podium.jpg/220px-Citizen-Kane-Welles-Podium.jpg" decoding="async" width="220" height="275" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/34/Citizen-Kane-Welles-Podium.jpg/330px-Citizen-Kane-Welles-Podium.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/34/Citizen-Kane-Welles-Podium.jpg/440px-Citizen-Kane-Welles-Podium.jpg 2x" data-file-width="984" data-file-height="1230" /></a></div><div class="thumbcaption">Favored to win election as governor, Kane makes a campaign speech at <a href="/wiki/Madison_Square_Garden_(1925)" title="Madison Square Garden (1925)">Madison Square Garden</a></div></div></div><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Comingore-Welles-Collins.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Citizen-Kane-Comingore-Welles-Collins.jpg/220px-Citizen-Kane-Comingore-Welles-Collins.jpg" decoding="async" width="220" height="176" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Citizen-Kane-Comingore-Welles-Collins.jpg/330px-Citizen-Kane-Comingore-Welles-Collins.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Citizen-Kane-Comingore-Welles-Collins.jpg/440px-Citizen-Kane-Comingore-Welles-Collins.jpg 2x" data-file-width="5500" data-file-height="4408" /></a></div><div class="thumbcaption">The affair between Kane and Susan Alexander (<a href="/wiki/Dorothy_Comingore" title="Dorothy Comingore">Dorothy Comingore</a>) is exposed by his political opponent, Boss Jim W. Gettys (<a href="/wiki/Ray_Collins_(actor)" title="Ray Collins (actor)">Ray Collins</a>)</div></div></div></div></div> In a mansion called <a href="/wiki/Xanadu_(Citizen_Kane)" title="Xanadu (Citizen Kane)">Xanadu</a>, part of a vast palatial estate in <a href="/wiki/Florida" title="Florida">Florida</a>, the elderly <a href="/wiki/Charles_Foster_Kane" title="Charles Foster Kane">Charles Foster Kane</a> is on his deathbed. Holding a <a href="/wiki/Snow_globe" title="Snow globe">snow globe</a>, he utters his last word, "Rosebud", and dies. A <a href="/wiki/Newsreel" title="Newsreel">newsreel</a> obituary tells the life story of Kane, an enormously wealthy newspaper publisher and industry magnate. Kane's death becomes sensational news around the world, and the newsreel's producer tasks reporter Jerry Thompson with discovering the meaning of "Rosebud". Thompson sets out to interview Kane's friends and associates. He tries to approach Kane's second wife, Susan Alexander Kane, now an <a href="/wiki/Alcoholic" class="mw-redirect" title="Alcoholic">alcoholic</a> who runs her nightclub, but she refuses to talk to him. Thompson goes to the private archive of the late banker Walter Parks Thatcher. Through Thatcher's written memoirs, Thompson learns about Kane's rise from a Colorado boarding house and the decline of his fortune. In 1871, gold was discovered through a mining deed belonging to Kane's mother, Mary Kane. She hired Thatcher to establish a trust that would provide for Kane's education and assume guardianship of him. While the parents and Thatcher discussed arrangements inside the boarding house, the young Kane played happily with a <a href="/wiki/Sled" title="Sled">sled</a> in the snow outside. When Kane's parents introduced him to Thatcher, the boy struck Thatcher with his sled and attempted to run away. By the time Kane gained control of his trust at the age of 25, the mine's productivity and Thatcher's prudent investing had made Kane one of the richest men in the world. Kane took control of the New York Inquirer newspaper and embarked on a career of <a href="/wiki/Yellow_journalism" title="Yellow journalism">yellow journalism</a>, publishing scandalous articles that attacked Thatcher's (and his own) business interests. Kane sold his newspaper empire to Thatcher after the <a href="/wiki/1929_stock_market_crash" class="mw-redirect" title="1929 stock market crash">1929 stock market crash</a> left him short of cash. Thompson interviews Kane's personal business manager, Mr. Bernstein. Bernstein recalls that Kane hired the best journalists available to build the Inquirer's circulation. Kane rose to power by successfully manipulating <a href="/wiki/Public_opinion" title="Public opinion">public opinion</a> regarding the <a href="/wiki/Spanish%E2%80%93American_War" title="Spanish–American War">Spanish–American War</a> and marrying Emily Norton, the niece of the President of the United States. Thompson interviews Kane's estranged best friend, Jedediah Leland, in a <a href="/wiki/Retirement_home" title="Retirement home">retirement home</a>. Leland says that Kane's marriage to Emily disintegrated over the years, and he began an affair with amateur singer Susan Alexander while running for <a href="/wiki/Governor_of_New_York" title="Governor of New York">Governor of New York</a>. Both his wife and his political opponent discovered the affair, and the <a href="/wiki/Political_scandal" title="Political scandal">public scandal</a> ended his political career. Kane married Susan and forced her into a humiliating career as an <a href="/wiki/Opera" title="Opera">opera</a> singer (for which she had neither the talent nor the ambition). Kane arranged for a large <a href="/wiki/Opera_house" title="Opera house">opera house</a> to be built in <a href="/wiki/Chicago" title="Chicago">Chicago</a> for Susan to perform in. After Leland began to write a negative review of Susan's disastrous opera debut, Kane fired him but finished the negative review and printed it. Susan protested that she never wanted the opera career anyway, but Kane forced her to continue the season. Susan consents to an interview with Thompson and describes the aftermath of her opera career. She attempted suicide, and Kane finally allowed her to abandon singing. After many unhappy years living at Xanadu with Kane, the two had an argument that culminated in Kane slapping Susan. Susan decided to leave Kane. Kane's butler Raymond recounts that, after Susan moved out of Xanadu, Kane began violently destroying the contents of her former bedroom. When Kane discovered a snow globe, he calmed down and tearfully said "Rosebud". Thompson concludes that he cannot solve the mystery and that the meaning of Kane's last word will remain unknown. At Xanadu, Kane's belongings are cataloged or discarded by the mansion's staff. They find a sled, the one on which eight-year-old Kane was playing on the day that he was taken from his home in Colorado, and throw it into a furnace with other items. Unknown to the staff, the sled's trade name, printed on top, becomes visible through the flames: "Rosebud". <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=2" title="Edit section: Cast">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237032888/mw-parser-output/.tmulti"><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:224px;max-width:224px"><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Moorehead.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Citizen-Kane-Moorehead.jpg/220px-Citizen-Kane-Moorehead.jpg" decoding="async" width="220" height="151" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Citizen-Kane-Moorehead.jpg/330px-Citizen-Kane-Moorehead.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/Citizen-Kane-Moorehead.jpg/440px-Citizen-Kane-Moorehead.jpg 2x" data-file-width="6000" data-file-height="4129" /></a></div><div class="thumbcaption"><a href="/wiki/Harry_Shannon_(actor)" title="Harry Shannon (actor)">Harry Shannon</a>, <a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a> and <a href="/wiki/Agnes_Moorehead" title="Agnes Moorehead">Agnes Moorehead</a></div></div></div><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Inquirer-Window.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Citizen-Kane-Inquirer-Window.jpg/220px-Citizen-Kane-Inquirer-Window.jpg" decoding="async" width="220" height="177" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Citizen-Kane-Inquirer-Window.jpg/330px-Citizen-Kane-Inquirer-Window.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Citizen-Kane-Inquirer-Window.jpg/440px-Citizen-Kane-Inquirer-Window.jpg 2x" data-file-width="768" data-file-height="618" /></a></div><div class="thumbcaption"><a href="/wiki/Joseph_Cotten" title="Joseph Cotten">Joseph Cotten</a>, <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> and <a href="/wiki/Everett_Sloane" title="Everett Sloane">Everett Sloane</a></div></div></div><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Comingore-Welles.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Citizen-Kane-Comingore-Welles.jpg/220px-Citizen-Kane-Comingore-Welles.jpg" decoding="async" width="220" height="166" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Citizen-Kane-Comingore-Welles.jpg/330px-Citizen-Kane-Comingore-Welles.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Citizen-Kane-Comingore-Welles.jpg/440px-Citizen-Kane-Comingore-Welles.jpg 2x" data-file-width="1200" data-file-height="903" /></a></div><div class="thumbcaption">Dorothy Comingore and Orson Welles</div></div></div><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Collins-Welles.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Citizen-Kane-Collins-Welles.jpg/220px-Citizen-Kane-Collins-Welles.jpg" decoding="async" width="220" height="176" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Citizen-Kane-Collins-Welles.jpg/330px-Citizen-Kane-Collins-Welles.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Citizen-Kane-Collins-Welles.jpg/440px-Citizen-Kane-Collins-Welles.jpg 2x" data-file-width="1286" data-file-height="1030" /></a></div><div class="thumbcaption">Ray Collins, Dorothy Comingore, Orson Welles and <a href="/wiki/Ruth_Warrick" title="Ruth Warrick">Ruth Warrick</a></div></div></div></div></div> The beginning of the film's ending credits states that "Most of the principal actors in Citizen Kane are new to motion pictures. The <a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Theatre</a> is proud to introduce them."<a href="#cite_note-Aus_DVD-12">[12]</a> The cast is then listed in the following order, with <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a>' credit for playing Charles Foster Kane appearing last:<a href="#cite_note-Aus_DVD-12">[12]</a> <ul><li><a href="/wiki/Joseph_Cotten" title="Joseph Cotten">Joseph Cotten</a> as <a href="/wiki/Sources_for_Citizen_Kane#Jedediah_Leland" title="Sources for Citizen Kane">Jedediah Leland</a>, Kane's best friend and a reporter for The Inquirer. Cotten also appears (hidden in darkness) in the News on the March screening room.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Dorothy_Comingore" title="Dorothy Comingore">Dorothy Comingore</a> as <a href="/wiki/Sources_for_Citizen_Kane#Susan_Alexander_Kane" title="Sources for Citizen Kane">Susan Alexander Kane</a>, Kane's mistress and second wife.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Agnes_Moorehead" title="Agnes Moorehead">Agnes Moorehead</a> as Mary Kane, Kane's mother.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Ruth_Warrick" title="Ruth Warrick">Ruth Warrick</a> as Emily Monroe Norton Kane, Kane's first wife.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Ray_Collins_(actor)" title="Ray Collins (actor)">Ray Collins</a> as <a href="/wiki/Sources_for_Citizen_Kane#Jim_W._Gettys" title="Sources for Citizen Kane">Jim W. Gettys</a>, Kane's political rival for the post of Governor of New York.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Erskine_Sanford" title="Erskine Sanford">Erskine Sanford</a> as Herbert Carter, editor of The Inquirer. Sanford also appears (hidden in darkness) in the News on the March screening room.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Everett_Sloane" title="Everett Sloane">Everett Sloane</a> as Mr. Bernstein, Kane's friend and employee at The Inquirer.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/William_Alland" title="William Alland">William Alland</a> as Jerry Thompson, a reporter for News on the March. Alland also voices the narrator of the News on the March newsreel.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Paul_Stewart_(actor)" title="Paul Stewart (actor)">Paul Stewart</a> as Raymond, Kane's butler.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a> as Walter Parks Thatcher, a banker who becomes Kane's legal guardian.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Fortunio_Bonanova" title="Fortunio Bonanova">Fortunio Bonanova</a> as Signor Matiste, vocal coach of Susan Alexander Kane.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Gus_Schilling" title="Gus Schilling">Gus Schilling</a> as John, headwaiter at the El Rancho nightclub. Schilling also appears (hidden in darkness) in the News on the March screening room.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Philip_Van_Zandt" title="Philip Van Zandt">Philip Van Zandt</a> as Mr. Rawlston, News on the March open at the producer.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Georgia_Backus" title="Georgia Backus">Georgia Backus</a> as Bertha Anderson, attendant at the library of Walter Parks Thatcher.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Harry_Shannon_(actor)" title="Harry Shannon (actor)">Harry Shannon</a> as Jim Kane, Kane's father.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Sonny_Bupp" title="Sonny Bupp">Sonny Bupp</a> as Charles Foster Kane III, Kane's son.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Buddy_Swan" title="Buddy Swan">Buddy Swan</a> as Charles Foster Kane, age eight.<a href="#cite_note-AFIcat-13">[13]</a></li> <li><a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> as <a href="/wiki/Charles_Foster_Kane" title="Charles Foster Kane">Charles Foster Kane</a>, a wealthy newspaper publisher.<a href="#cite_note-AFIcat-13">[13]</a></li></ul> Additionally, <a href="/wiki/Charles_Bennett_(actor)" title="Charles Bennett (actor)">Charles Bennett</a> appears as the entertainer at the head of the chorus line in the Inquirer party sequence,<a href="#cite_note-Naremore_Magic-14">[14]</a>: 40–41  and cinematographer <a href="/wiki/Gregg_Toland" title="Gregg Toland">Gregg Toland</a> makes a <a href="/wiki/Cameo_appearance" title="Cameo appearance">cameo appearance</a> as an interviewer depicted in part of the News on the March newsreel.<a href="#cite_note-15">[15]</a><a href="#cite_note-16">[16]</a> Actor <a href="/wiki/Alan_Ladd" title="Alan Ladd">Alan Ladd</a>, still unknown at that time, makes a small appearance as a reporter smoking a pipe at the end of the film.<a href="#cite_note-Aus_DVD_comm-17">[17]</a> <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=3" title="Edit section: Production">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Development">Development</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=4" title="Edit section: Development">edit</a>]</div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Orson_Welles_Billboard.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Orson_Welles_Billboard.jpg/170px-Orson_Welles_Billboard.jpg" decoding="async" width="170" height="227" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Orson_Welles_Billboard.jpg/255px-Orson_Welles_Billboard.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Orson_Welles_Billboard.jpg/340px-Orson_Welles_Billboard.jpg 2x" data-file-width="600" data-file-height="802" /></a><figcaption>Welles's 1938 radio broadcast of "<a href="/wiki/The_War_of_the_Worlds_(1938_radio_drama)" title="The War of the Worlds (1938 radio drama)">The War of the Worlds</a>" caught the attention of <a href="/wiki/RKO" class="mw-redirect" title="RKO">RKO</a></figcaption></figure> Hollywood had shown interest in Welles as early as 1936.<a href="#cite_note-18">[18]</a>: 40  He turned down three scripts sent to him by <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> In 1937, he declined offers from <a href="/wiki/David_O._Selznick" title="David O. Selznick">David O. Selznick</a>, who asked him to head his film company's story department, and <a href="/wiki/William_Wyler" title="William Wyler">William Wyler</a>, who wanted him for a supporting role in <a href="/wiki/Wuthering_Heights_(1939_film)" title="Wuthering Heights (1939 film)">Wuthering Heights</a>. "Although the possibility of making huge amounts of money in Hollywood greatly attracted him," wrote biographer Frank Brady, "he was still totally, hopelessly, insanely in love with the theater, and it is there that he had every intention of remaining to make his mark."<a href="#cite_note-Brady-19">[19]</a>: 118–119, 130  Following the 1938 "<a href="/wiki/The_War_of_the_Worlds_(1938_radio_drama)" title="The War of the Worlds (1938 radio drama)">The War of the Worlds</a>" broadcast of his CBS radio series <a href="/wiki/The_Mercury_Theatre_on_the_Air" title="The Mercury Theatre on the Air">The Mercury Theatre on the Air</a>, Welles was lured to Hollywood with a remarkable contract.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 1–2, 153  <a href="/wiki/RKO_Pictures" title="RKO Pictures">RKO Pictures</a> studio head <a href="/wiki/George_Schaefer_(film_producer)" title="George Schaefer (film producer)">George J. Schaefer</a> wanted to work with Welles after the notorious broadcast, believing that Welles had a gift for attracting mass attention.<a href="#cite_note-Leaming_OW-21">[21]</a>: 170  RKO was also uncharacteristically profitable and was entering into a series of independent production contracts that would add more artistically prestigious films to its roster.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 1–2, 153  Throughout the spring and early summer of 1939, Schaefer constantly tried to lure the reluctant Welles to Hollywood.<a href="#cite_note-Leaming_OW-21">[21]</a>: 170  Welles was in financial trouble after failure of his plays <a href="/wiki/Chimes_at_Midnight#Five_Kings_(1939)" title="Chimes at Midnight">Five Kings</a> and <a href="/wiki/The_Green_Goddess_(play)" title="The Green Goddess (play)">The Green Goddess</a>. At first he simply wanted to spend three months in Hollywood and earn enough money to pay his debts and fund his next theatrical season.<a href="#cite_note-Leaming_OW-21">[21]</a>: 170  Welles first arrived on July 20, 1939,<a href="#cite_note-Leaming_OW-21">[21]</a>: 168  and on his first tour, he called the movie studio "the greatest electric train set a boy ever had".<a href="#cite_note-Leaming_OW-21">[21]</a>: 174  Welles signed his contract with RKO on August 21, which stipulated that Welles would act in, direct, produce and write two films. Mercury would get $100,000 for the first film by January 1, 1940, plus 20% of profits after RKO recouped $500,000, and $125,000 for a second film by January 1, 1941, plus 20% of profits after RKO recouped $500,000. The most controversial aspect of the contract was granting Welles complete artistic control of the two films so long as RKO approved both projects' stories<a href="#cite_note-Leaming_OW-21">[21]</a>: 169  and so long as the budget did not exceed $500,000.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 1–2, 153  RKO executives would not be allowed to see any footage until Welles chose to show it to them, and no cuts could be made to either film without Welles's approval.<a href="#cite_note-Leaming_OW-21">[21]</a>: 169  Welles was allowed to develop the story without interference, select his own cast and crew, and have the <a href="/wiki/Final_cut_privilege" title="Final cut privilege">right of final cut</a>. Granting the final cut privilege was unprecedented for a studio because it placed artistic considerations over financial investment. The contract was deeply resented in the film industry, and the Hollywood press took every opportunity to mock RKO and Welles. Schaefer remained a great supporter<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 1–2, 153  and saw the unprecedented contract as good publicity.<a href="#cite_note-Leaming_OW-21">[21]</a>: 170  Film scholar Robert L. Carringer wrote: "The simple fact seems to be that Schaefer believed Welles was going to pull off something really big almost as much as Welles did himself."<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 1–2, 153  <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Orson-Home-1939.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/de/Orson-Home-1939.jpg/220px-Orson-Home-1939.jpg" decoding="async" width="220" height="143" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/de/Orson-Home-1939.jpg/330px-Orson-Home-1939.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/de/Orson-Home-1939.jpg/440px-Orson-Home-1939.jpg 2x" data-file-width="6490" data-file-height="4230" /></a><figcaption>Orson Welles at his Hollywood home in 1939, during the long months it took to launch his first film project</figcaption></figure> Welles spent the first five months of his RKO contract trying to get his first project going, without success. "They are laying bets over on the RKO lot that the Orson Welles deal will end up without Orson ever doing a picture there," wrote <a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a>.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 15  It was agreed that Welles would film <a href="/wiki/Heart_of_Darkness" title="Heart of Darkness">Heart of Darkness</a>, previously adapted for The Mercury Theatre on the Air, which would be presented entirely through a <a href="/wiki/Point-of-view_shot" title="Point-of-view shot">first-person camera</a>. After elaborate pre-production and a day of test shooting with a hand-held camera—unheard of at the time—the project never reached production because Welles was unable to trim $50,000 from its budget.<a href="#cite_note-23">[a]</a><a href="#cite_note-24">[b]</a><a href="#cite_note-Welles_TIOW-22">[22]</a>: 30–31  Schaefer told Welles that the $500,000 budget could not be exceeded; as war loomed, revenue was declining sharply in Europe by the fall of 1939.<a href="#cite_note-Brady-19">[19]</a>: 215–216  He then started work on the idea that became Citizen Kane. Knowing the script would take time to prepare, Welles suggested to RKO that while that was being done—"so the year wouldn't be lost"—he make a humorous political thriller. Welles proposed The Smiler with a Knife, from a novel by <a href="/wiki/Cecil_Day-Lewis" title="Cecil Day-Lewis">Cecil Day-Lewis</a>.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 33–34  When that project stalled in December 1939, Welles began brainstorming other story ideas with screenwriter <a href="/wiki/Herman_J._Mankiewicz" title="Herman J. Mankiewicz">Herman J. Mankiewicz</a>, who had been writing Mercury radio scripts. "Arguing, inventing, discarding, these two powerful, headstrong, dazzlingly articulate personalities thrashed toward Kane", wrote biographer <a href="/wiki/Richard_Meryman" title="Richard Meryman">Richard Meryman</a>.<a href="#cite_note-Meryman-25">[23]</a>: 245–246  <div class="mw-heading mw-heading3"><h3 id="Screenplay">Screenplay</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=5" title="Edit section: Screenplay">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Screenplay_for_Citizen_Kane" title="Screenplay for Citizen Kane">Screenplay for Citizen Kane</a></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237032888/mw-parser-output/.tmulti"><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:174px;max-width:174px"><div class="trow"><div class="tsingle" style="width:172px;max-width:172px"><div class="thumbimage"><a href="/wiki/File:Herman-Mankiewicz.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/26/Herman-Mankiewicz.jpg/170px-Herman-Mankiewicz.jpg" decoding="async" width="170" height="222" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/26/Herman-Mankiewicz.jpg/255px-Herman-Mankiewicz.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/26/Herman-Mankiewicz.jpg/340px-Herman-Mankiewicz.jpg 2x" data-file-width="3690" data-file-height="4810" /></a></div><div class="thumbcaption"><a href="/wiki/Herman_J._Mankiewicz" title="Herman J. Mankiewicz">Herman J. Mankiewicz</a> co-wrote the script in early 1940. He and Welles separately re-wrote and revised each other's work until Welles was satisfied with the finished product.</div></div></div><div class="trow"><div class="tsingle" style="width:172px;max-width:172px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Book-FE.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/60/Citizen-Kane-Book-FE.jpg/170px-Citizen-Kane-Book-FE.jpg" decoding="async" width="170" height="222" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/60/Citizen-Kane-Book-FE.jpg/255px-Citizen-Kane-Book-FE.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/60/Citizen-Kane-Book-FE.jpg/340px-Citizen-Kane-Book-FE.jpg 2x" data-file-width="3000" data-file-height="3913" /></a></div><div class="thumbcaption"><a href="/wiki/Pauline_Kael" title="Pauline Kael">Pauline Kael</a>'s controversial essay "<a href="/wiki/Raising_Kane" title="Raising Kane">Raising Kane</a>" was published in <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> and in The Citizen Kane Book (1971).</div></div></div></div></div> One of the long-standing controversies about Citizen Kane has been the authorship of the screenplay.<a href="#cite_note-Meryman-25">[23]</a>: 237  Welles conceived the project with screenwriter Herman J. Mankiewicz, who was writing radio plays for Welles's CBS Radio series, <a href="/wiki/The_Campbell_Playhouse_(radio_series)" title="The Campbell Playhouse (radio series)">The Campbell Playhouse</a>.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 16  Mankiewicz based the original outline on the life of <a href="/wiki/William_Randolph_Hearst" title="William Randolph Hearst">William Randolph Hearst</a>, whom he knew socially and came to hate after being exiled from Hearst's circle.<a href="#cite_note-Meryman-25">[23]</a>: 231  In February 1940 Welles supplied Mankiewicz with 300 pages of notes and put him under contract to write the first draft screenplay under the supervision of <a href="/wiki/John_Houseman" title="John Houseman">John Houseman</a>, Welles's former partner in the <a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Theatre</a>. Welles later explained, "I left him on his own finally, because we'd started to waste too much time haggling. So, after mutual agreements on storyline and character, Mank went off with Houseman and did his version, while I stayed in Hollywood and wrote mine."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 54  Taking these drafts, Welles drastically condensed and rearranged them, then added scenes of his own. The industry accused Welles of underplaying Mankiewicz's contribution to the script, but Welles countered the attacks by saying, "At the end, naturally, I was the one making the picture, after all—who had to make the decisions. I used what I wanted of Mank's and, rightly or wrongly, kept what I liked of my own."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 54  The terms of the contract stated that Mankiewicz was to receive no credit for his work, as he was hired as a <a href="/wiki/Script_doctor" title="Script doctor">script doctor</a>.<a href="#cite_note-Callow-26">[24]</a>: 487  Before he signed the contract Mankiewicz was particularly advised by his agents that all credit for his work belonged to Welles and the Mercury Theatre, the "author and creator".<a href="#cite_note-Brady-19">[19]</a>: 236–237  As the film neared release, however, Mankiewicz began wanting a writing credit for the film and even threatened to take out full-page advertisements in trade papers and to get his friend <a href="/wiki/Ben_Hecht" title="Ben Hecht">Ben Hecht</a> to write an exposé for <a href="/wiki/The_Saturday_Evening_Post" title="The Saturday Evening Post">The Saturday Evening Post</a>.<a href="#cite_note-27">[25]</a> Mankiewicz also threatened to go to the <a href="/wiki/Screen_Writers_Guild" title="Screen Writers Guild">Screen Writers Guild</a> and claim full credit for writing the entire script by himself.<a href="#cite_note-Leaming_OW-21">[21]</a>: 204  After lodging a protest with the Screen Writers Guild, Mankiewicz withdrew it, then vacillated. The question was resolved in January 1941 when the studio, <a href="/wiki/RKO_Pictures" title="RKO Pictures">RKO Pictures</a>, awarded Mankiewicz credit. The guild credit form listed Welles first, Mankiewicz second. Welles's assistant <a href="/wiki/Richard_Wilson_(director)" title="Richard Wilson (director)">Richard Wilson</a> said that the person who circled Mankiewicz's name in pencil, then drew an arrow that put it in first place, was Welles. The official credit reads, "Screenplay by Herman J. Mankiewicz and Orson Welles".<a href="#cite_note-Meryman-25">[23]</a>: 264–265  Mankiewicz's rancor toward Welles grew over the remaining twelve years of his life.<a href="#cite_note-Whaley-28">[26]</a>: 498  Questions over the authorship of the Citizen Kane screenplay were revived in 1971 by influential film critic <a href="/wiki/Pauline_Kael" title="Pauline Kael">Pauline Kael</a>, whose controversial 50,000-word essay "<a href="/wiki/Raising_Kane" title="Raising Kane">Raising Kane</a>" was commissioned as an introduction to the shooting script in The Citizen Kane Book,<a href="#cite_note-Welles_TIOW-22">[22]</a>: 494  published in October 1971.<a href="#cite_note-CK_Book_Coming-29">[27]</a> The book-length essay first appeared in February 1971, in two consecutive issues of <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> magazine.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 494 <a href="#cite_note-Raising_Kane-30">[28]</a> In the ensuing controversy, Welles was defended by colleagues, critics, biographers and scholars, but his reputation was damaged by its charges.<a href="#cite_note-Whaley-28">[26]</a>: 394  The essay's thesis was later questioned and some of Kael's findings were also contested in later years.<a href="#cite_note-31">[29]</a><a href="#cite_note-32">[30]</a><a href="#cite_note-Rich-33">[31]</a> Questions of authorship continued to come into sharper focus with Carringer's 1978 thoroughly researched essay, "The Scripts of Citizen Kane".<a href="#cite_note-Carringer_Scripts-34">[32]</a><a href="#cite_note-36">[c]</a> Carringer studied the collection of script records—"almost a day-to-day record of the history of the scripting"—that was then still intact at RKO. He reviewed all seven drafts and concluded that "the full evidence reveals that Welles's contribution to the Citizen Kane script was not only substantial but definitive."<a href="#cite_note-Carringer_Scripts-34">[32]</a>: 80  <div class="mw-heading mw-heading3"><h3 id="Casting">Casting</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=6" title="Edit section: Casting">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Mercury.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Citizen-Kane-Mercury.jpg/220px-Citizen-Kane-Mercury.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Citizen-Kane-Mercury.jpg/330px-Citizen-Kane-Mercury.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Citizen-Kane-Mercury.jpg/440px-Citizen-Kane-Mercury.jpg 2x" data-file-width="1280" data-file-height="960" /></a><figcaption>The <a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Theatre</a> was an independent <a href="/wiki/Repertory_theatre" title="Repertory theatre">repertory theatre</a> company founded by Orson Welles and John Houseman in 1937. The company produced theatrical presentations, radio programs, films, <a href="/wiki/Promptbook" class="mw-redirect" title="Promptbook">promptbooks</a> and phonographic recordings.</figcaption></figure> Citizen Kane was a rare film in that its principal roles were played by actors new to motion pictures. Ten were billed as Mercury Actors, members of the skilled repertory company assembled by Welles for the stage and radio performances of the <a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Theatre</a>, an independent theater company he founded with Houseman in 1937.<a href="#cite_note-Brady-19">[19]</a>: 119–120 <a href="#cite_note-NYT_Winged_Mercuries-37">[34]</a> "He loved to use the Mercury players," wrote biographer Charles Higham, "and consequently he launched several of them on movie careers."<a href="#cite_note-Higham-38">[35]</a>: 155  The film represents the feature film debuts of <a href="/wiki/William_Alland" title="William Alland">William Alland</a>, <a href="/wiki/Ray_Collins_(actor)" title="Ray Collins (actor)">Ray Collins</a>, <a href="/wiki/Joseph_Cotten" title="Joseph Cotten">Joseph Cotten</a>, <a href="/wiki/Agnes_Moorehead" title="Agnes Moorehead">Agnes Moorehead</a>, <a href="/wiki/Erskine_Sanford" title="Erskine Sanford">Erskine Sanford</a>, <a href="/wiki/Everett_Sloane" title="Everett Sloane">Everett Sloane</a>, <a href="/wiki/Paul_Stewart_(actor)" title="Paul Stewart (actor)">Paul Stewart</a>, and Welles himself.<a href="#cite_note-AFIcat-13">[13]</a> Despite never having appeared in feature films, some of the cast members were already well known to the public. Cotten had recently become a Broadway star in the hit play <a href="/wiki/The_Philadelphia_Story_(play)" title="The Philadelphia Story (play)">The Philadelphia Story</a> with <a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Katharine Hepburn</a><a href="#cite_note-Leaming_OW-21">[21]</a>: 187  and Sloane was well known for his role on the radio show <a href="/wiki/The_Goldbergs_(broadcast_series)" title="The Goldbergs (broadcast series)">The Goldbergs</a>.<a href="#cite_note-Leaming_OW-21">[21]</a>: 187  <a href="#cite_note-39">[d]</a> Mercury actor <a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a> was a star of the stage in New York and London.<a href="#cite_note-NYT_Winged_Mercuries-37">[34]</a> Not all of the cast came from the Mercury Players. Welles cast <a href="/wiki/Dorothy_Comingore" title="Dorothy Comingore">Dorothy Comingore</a>, an actress who played supporting parts in films since 1934 using the name "Linda Winters",<a href="#cite_note-40">[36]</a> as Susan Alexander Kane. A discovery of <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a>, Comingore was recommended to Welles by Chaplin,<a href="#cite_note-Lunches-41">[37]</a>: 170  who then met Comingore at a party in Los Angeles and immediately cast her.<a href="#cite_note-Howard-42">[38]</a>: 44  Welles had met stage actress <a href="/wiki/Ruth_Warrick" title="Ruth Warrick">Ruth Warrick</a> while visiting New York on a break from Hollywood and remembered her as a good fit for Emily Norton Kane,<a href="#cite_note-Leaming_OW-21">[21]</a>: 188  later saying that she looked the part.<a href="#cite_note-Lunches-41">[37]</a>: 169  Warrick told Carringer that she was struck by the extraordinary resemblance between herself and Welles's mother when she saw a photograph of Beatrice Ives Welles. She characterized her own personal relationship with Welles as motherly.<a href="#cite_note-43">[39]</a>: 14  "He trained us for films at the same time that he was training himself," recalled Agnes Moorehead. "Orson believed in good acting, and he realized that rehearsals were needed to get the most from his actors. That was something new in Hollywood: nobody seemed interested in bringing in a group to rehearse before scenes were shot. But Orson knew it was necessary, and we rehearsed every sequence before it was shot."<a href="#cite_note-Directors_in_Action-44">[40]</a>: 9  When The March of Time narrator <a href="/wiki/Westbrook_Van_Voorhis" title="Westbrook Van Voorhis">Westbrook Van Voorhis</a> asked for $25,000 to narrate the News on the March sequence, Alland demonstrated his ability to imitate Van Voorhis, and Welles cast him.<a href="#cite_note-BBC_Complete-45">[41]</a> Welles later said that casting character actor <a href="/wiki/Gino_Corrado" title="Gino Corrado">Gino Corrado</a> in the small part of the waiter at the El Rancho broke his heart. Corrado had appeared in many Hollywood films, often as a waiter, and Welles wanted all of the actors to be new to films.<a href="#cite_note-Lunches-41">[37]</a>: 171  Other uncredited roles went to <a href="/wiki/Thomas_A._Curran" title="Thomas A. Curran">Thomas A. Curran</a> as <a href="/wiki/Teddy_Roosevelt" class="mw-redirect" title="Teddy Roosevelt">Teddy Roosevelt</a> in the faux newsreel; <a href="/wiki/Richard_Barr" title="Richard Barr">Richard Baer</a> as Hillman, a man at Madison Square Garden, and a man in the News on the March screening room; and <a href="/wiki/Alan_Ladd" title="Alan Ladd">Alan Ladd</a>, <a href="/wiki/Arthur_O%27Connell" title="Arthur O'Connell">Arthur O'Connell</a> and <a href="/wiki/Louise_Currie" title="Louise Currie">Louise Currie</a> as reporters at Xanadu.<a href="#cite_note-AFIcat-13">[13]</a> Ruth Warrick (died 2005) was the last surviving member of the principal cast. <a href="/wiki/Sonny_Bupp" title="Sonny Bupp">Sonny Bupp</a> (died 2007), who played Kane's young son, was the last surviving credited cast member.<a href="#cite_note-Wellesnet_Currie-46">[42]</a> Kathryn Trosper Popper (died March 6, 2016) was reported to have been the last surviving actor to have appeared in Citizen Kane.<a href="#cite_note-47">[43]</a> Jean Forward (died September 2016), a soprano who dubbed the singing voice of Susan Alexander, was the last surviving performer from the film.<a href="#cite_note-48">[44]</a> <div class="mw-heading mw-heading3"><h3 id="Filming">Filming</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=7" title="Edit section: Filming">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Soundstage.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/da/Citizen-Kane-Soundstage.jpg/220px-Citizen-Kane-Soundstage.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/da/Citizen-Kane-Soundstage.jpg/330px-Citizen-Kane-Soundstage.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/da/Citizen-Kane-Soundstage.jpg/440px-Citizen-Kane-Soundstage.jpg 2x" data-file-width="2000" data-file-height="1500" /></a><figcaption>Sound stage entrance, as seen in the <a href="/wiki/Citizen_Kane_trailer" title="Citizen Kane trailer">Citizen Kane trailer</a></figcaption></figure> Production advisor Miriam Geiger quickly compiled a handmade film textbook for Welles, a practical reference book of film techniques that he studied carefully. He then taught himself filmmaking by matching its visual vocabulary to <a href="/wiki/The_Cabinet_of_Dr._Caligari" title="The Cabinet of Dr. Caligari">The Cabinet of Dr. Caligari</a>, which he ordered from the Museum of Modern Art,<a href="#cite_note-Leaming_OW-21">[21]</a>: 173  and films by <a href="/wiki/Frank_Capra" title="Frank Capra">Frank Capra</a>, <a href="/wiki/Ren%C3%A9_Clair" title="René Clair">René Clair</a>, <a href="/wiki/Fritz_Lang" title="Fritz Lang">Fritz Lang</a>, <a href="/wiki/King_Vidor" title="King Vidor">King Vidor</a><a href="#cite_note-Wakeman-49">[45]</a>: 1172 : 1171  and <a href="/wiki/Jean_Renoir" title="Jean Renoir">Jean Renoir</a>.<a href="#cite_note-Brady-19">[19]</a>: 209  The one film he genuinely studied was <a href="/wiki/John_Ford" title="John Ford">John Ford</a>'s <a href="/wiki/Stagecoach_(1939_film)" title="Stagecoach (1939 film)">Stagecoach</a>,<a href="#cite_note-Welles_TIOW-22">[22]</a>: 29  which he watched 40 times.<a href="#cite_note-50">[46]</a> "As it turned out, the first day I ever walked onto a set was my first day as a director," Welles said. "I'd learned whatever I knew in the projection room—from Ford. After dinner every night for about a month, I'd run Stagecoach, often with some different technician or department head from the studio, and ask questions. 'How was this done?' 'Why was this done?' It was like going to school."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 29  Welles's cinematographer for the film was <a href="/wiki/Gregg_Toland" title="Gregg Toland">Gregg Toland</a>, described by Welles as "just then, the number-one cameraman in the world." To Welles's astonishment, Toland visited him at his office and said, "I want you to use me on your picture." He had seen some of the Mercury stage productions (including <a href="/wiki/Caesar_(Mercury_Theatre)" title="Caesar (Mercury Theatre)">Caesar</a><a href="#cite_note-Whaley-28">[26]</a>: 66 ) and said he wanted to work with someone who had never made a movie.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 59  RKO hired Toland on loan from <a href="/wiki/Samuel_Goldwyn_Productions" title="Samuel Goldwyn Productions">Samuel Goldwyn Productions</a><a href="#cite_note-Mulvey-51">[47]</a>: 10  in the first week of June 1940.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 40  "And he never tried to impress us that he was doing any miracles," Welles recalled. "I was calling for things only a beginner would have been ignorant enough to think anybody could ever do, and there he was, doing them."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 60  Toland later explained that he wanted to work with Welles because he anticipated the first-time director's inexperience and reputation for audacious experimentation in the theater would allow the cinematographer to try new and innovative camera techniques that typical Hollywood films would never have allowed him to do.<a href="#cite_note-Leaming_OW-21">[21]</a>: 186  Unaware of filmmaking protocol, Welles adjusted the lights on set as he was accustomed to doing in the theater; Toland quietly re-balanced them, and was angry when one of the crew informed Welles that he was infringing on Toland's responsibilities.<a href="#cite_note-Welles_TIOW_1A-52">[48]</a>: 5:33–6:06  During the first few weeks of June, Welles had lengthy discussions about the film with Toland and art director Perry Ferguson in the morning, and in the afternoon and evening he worked with actors and revised the script.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 69  <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Gregg_Toland.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Gregg_Toland.jpg/170px-Gregg_Toland.jpg" decoding="async" width="170" height="215" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Gregg_Toland.jpg/255px-Gregg_Toland.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Gregg_Toland.jpg/340px-Gregg_Toland.jpg 2x" data-file-width="732" data-file-height="925" /></a><figcaption>Cinematographer <a href="/wiki/Gregg_Toland" title="Gregg Toland">Gregg Toland</a> wanted to work with Welles for the opportunity of trying experimental camera techniques that other films did not allow.<a href="#cite_note-theasc/realism-citizen-kane-53">[49]</a></figcaption></figure> On June 29, 1940—a Saturday morning when few inquisitive studio executives would be around—Welles began filming Citizen Kane.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 69 <a href="#cite_note-Whaley-28">[26]</a>: 107  After the disappointment of having Heart of Darkness canceled,<a href="#cite_note-Welles_TIOW-22">[22]</a>: 30–31  Welles followed Ferguson's suggestion<a href="#cite_note-54">[e]</a><a href="#cite_note-Welles_TIOW-22">[22]</a>: 57  and deceived RKO into believing that he was simply shooting <a href="/wiki/Screen_test" title="Screen test">camera tests</a>. "But we were shooting the picture," Welles said, "because we wanted to get started and be already into it before anybody knew about it."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 57  At the time RKO executives were pressuring him to agree to direct a film called The Men from Mars, to capitalize on "The War of the Worlds" radio broadcast. Welles said that he would consider making the project but wanted to make a different film first. At this time he did not inform them that he had already begun filming Citizen Kane.<a href="#cite_note-Leaming_OW-21">[21]</a>: 186  The early footage was called "Orson Welles Tests" on all paperwork.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 69  The first "test" shot was the News on the March projection room scene, economically filmed in a real studio projection room in darkness that masked many actors who appeared in other roles later in the film.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 69 <a href="#cite_note-Welles_TIOW-22">[22]</a>: 77–78 <a href="#cite_note-55">[f]</a> "At $809 Orson did run substantially beyond the test budget of $528—to create one of the most famous scenes in movie history," wrote Barton Whaley.<a href="#cite_note-Whaley-28">[26]</a>: 107  The next scenes were the El Rancho nightclub scenes and the scene in which Susan attempts suicide.<a href="#cite_note-57">[g]</a><a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 69  Welles later said that the nightclub set was available after another film had wrapped and that filming took 10 to 12 days to complete. For these scenes Welles had Comingore's throat sprayed with chemicals to give her voice a harsh, raspy tone.<a href="#cite_note-Lunches-41">[37]</a>: 170–171  Other scenes shot in secret included those in which Thompson interviews Leland and Bernstein, which were also shot on sets built for other films.<a href="#cite_note-BBC_Complete-45">[41]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Oheka_Castle.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Oheka_Castle.jpg/220px-Oheka_Castle.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Oheka_Castle.jpg/330px-Oheka_Castle.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Oheka_Castle.jpg/440px-Oheka_Castle.jpg 2x" data-file-width="3264" data-file-height="2448" /></a><figcaption>Aerial view of <a href="/wiki/Otto_Hermann_Kahn" title="Otto Hermann Kahn">Otto Hermann Kahn</a>'s <a href="/wiki/Oheka_Castle" title="Oheka Castle">Oheka Castle</a> that portrays the fictional Xanadu</figcaption></figure> During production, the film was referred to as RKO 281. Most of the filming took place in what is now Stage 19 on the <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a> lot in Hollywood.<a href="#cite_note-58">[51]</a> There was some location filming at <a href="/wiki/Balboa_Park_(San_Diego)" title="Balboa Park (San Diego)">Balboa Park</a> in San Diego and the <a href="/wiki/San_Diego_Zoo" title="San Diego Zoo">San Diego Zoo</a>.<a href="#cite_note-59">[52]</a> Photographs of German-Jewish investment banker <a href="/wiki/Otto_Hermann_Kahn" title="Otto Hermann Kahn">Otto Hermann Kahn</a>'s real-life estate <a href="/wiki/Oheka_Castle" title="Oheka Castle">Oheka Castle</a> were used to portray the fictional <a href="/wiki/Xanadu_(Citizen_Kane)" title="Xanadu (Citizen Kane)">Xanadu</a>.<a href="#cite_note-60">[53]</a><a href="#cite_note-61">[54]</a> In the end of July, RKO approved the film and Welles was allowed to officially begin shooting, despite having already been filming "tests" for several weeks. Welles leaked stories to newspaper reporters that the "tests" had been so good that there was no need to re-shoot them. The first "official" scene to be shot was the breakfast montage sequence between Kane and his first wife Emily. To strategically save money and appease the RKO executives who opposed him, Welles rehearsed scenes extensively before actually shooting and filmed very few takes of each shot set-up.<a href="#cite_note-Leaming_OW-21">[21]</a>: 193  Welles never shot <a href="/wiki/Master_shot" title="Master shot">master shots</a> for any scene after Toland told him that Ford never shot them.<a href="#cite_note-Lunches-41">[37]</a>: 169  To appease the increasingly curious press, Welles threw a cocktail party for selected reporters, promising that they could watch a scene being filmed. When the journalists arrived Welles told them they had "just finished" shooting for the day but still had the party.<a href="#cite_note-Leaming_OW-21">[21]</a>: 193  Welles told the press that he was ahead of schedule (without factoring in the month of "test shooting"), thus discrediting claims that after a year in Hollywood without making a film he was a failure in the film industry.<a href="#cite_note-Leaming_OW-21">[21]</a>: 194  <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Welles-Collins.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Citizen-Kane-Welles-Collins.jpg/220px-Citizen-Kane-Welles-Collins.jpg" decoding="async" width="220" height="276" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Citizen-Kane-Welles-Collins.jpg/330px-Citizen-Kane-Welles-Collins.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Citizen-Kane-Welles-Collins.jpg/440px-Citizen-Kane-Welles-Collins.jpg 2x" data-file-width="1790" data-file-height="2247" /></a><figcaption>Welles fell ten feet (3 m) while shooting the scene in which Kane shouts at the departing Boss Jim W. Gettys; his injuries required him to direct from a wheelchair for two weeks.</figcaption></figure> Welles usually worked 16 to 18 hours a day on the film. He often began work at 4 a.m. since the special effects make-up used to age him for certain scenes took up to four hours to apply. Welles used this time to discuss the day's shooting with Toland and other crew members. The special contact lenses used to make Welles look elderly proved very painful, and a doctor was employed to place them into Welles's eyes. Welles had difficulty seeing clearly while wearing them, which caused him to badly cut his wrist when shooting the scene in which Kane breaks up the furniture in Susan's bedroom. While shooting the scene in which Kane shouts at Gettys on the stairs of Susan Alexander's apartment building, Welles fell ten feet; an X-ray revealed two bone chips in his ankle.<a href="#cite_note-Leaming_OW-21">[21]</a>: 194  The injury required him to direct the film from a wheelchair for two weeks.<a href="#cite_note-cinephiliabeyond/citizen-kane-62">[55]</a><a href="#cite_note-Leaming_OW-21">[21]</a>: 194–195  He eventually wore a steel brace to resume performing on camera; it is visible in the low-angle scene between Kane and Leland after Kane loses the election.<a href="#cite_note-63">[h]</a><a href="#cite_note-Welles_TIOW-22">[22]</a>: 61  For the final scene, a stage at the Selznick studio was equipped with a working furnace, and multiple takes were required to show the sled being put into the fire and the word "Rosebud" consumed. Paul Stewart recalled that on the ninth take the Culver City Fire Department arrived in full gear because the furnace had grown so hot the flue caught fire. "Orson was delighted with the commotion", he said.<a href="#cite_note-Directors_in_Action-44">[40]</a>: 8–9 <a href="#cite_note-64">[56]</a> When "Rosebud" was burned, Welles <a href="/wiki/Blocking_(stage)" title="Blocking (stage)">choreographed</a>[<a href="/wiki/Wikipedia:Please_clarify" title="Wikipedia:Please clarify">clarification needed</a>] the scene while he had composer <a href="/wiki/Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a>'s cue playing on the set.<a href="#cite_note-alexross-65">[57]</a> Unlike Schaefer, many members of RKO's board of governors did not like Welles or the control that his contract gave him.<a href="#cite_note-Leaming_OW-21">[21]</a>: 186  However such board members as <a href="/wiki/Nelson_Rockefeller" title="Nelson Rockefeller">Nelson Rockefeller</a> and NBC chief <a href="/wiki/David_Sarnoff" title="David Sarnoff">David Sarnoff</a><a href="#cite_note-Wakeman-49">[45]</a>: 1170  were sympathetic to Welles.<a href="#cite_note-Wellesnet_Memos-66">[58]</a> Throughout production Welles had problems with these executives not respecting his contract's stipulation of non-interference and several spies arrived on set to report what they saw to the executives. When the executives would sometimes arrive on set unannounced the entire cast and crew would suddenly start playing softball until they left. Before official shooting began the executives intercepted all copies of the script and delayed their delivery to Welles. They had one copy sent to their office in New York, resulting in it being leaked to press.<a href="#cite_note-Leaming_OW-21">[21]</a>: 195  <a href="/wiki/Principal_shooting" class="mw-redirect" title="Principal shooting">Principal shooting</a> wrapped October 24. Welles then took several weeks away from the film for a lecture tour, during which he also scouted additional locations with Toland and Ferguson. Filming resumed November 15<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 87  with some re-shoots. Toland had to leave due to a commitment to shoot <a href="/wiki/Howard_Hughes" title="Howard Hughes">Howard Hughes</a>' <a href="/wiki/The_Outlaw" title="The Outlaw">The Outlaw</a>, but Toland's camera crew continued working on the film and Toland was replaced by RKO cinematographer <a href="/wiki/Harry_J._Wild" title="Harry J. Wild">Harry J. Wild</a>. The final day of shooting on November 30 was Kane's death scene.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 85  Welles boasted that he only went 21 days over his official shooting schedule, without factoring in the month of "camera tests".<a href="#cite_note-Leaming_OW-21">[21]</a>: 195  According to RKO records, the film cost $839,727. Its estimated budget had been $723,800.<a href="#cite_note-AFIcat-13">[13]</a> <div class="mw-heading mw-heading3"><h3 id="Post-production">Post-production</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=8" title="Edit section: Post-production">edit</a>]</div> Citizen Kane was edited by <a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> and assistant editor <a href="/wiki/Mark_Robson_(film_director)" title="Mark Robson (film director)">Mark Robson</a>.<a href="#cite_note-Mulvey-51">[47]</a>: 85  Both would become successful film directors. Wise was hired after Welles finished shooting the "camera tests" and began officially making the film. Wise said that Welles "had an older editor assigned to him for those tests and evidently he was not too happy and asked to have somebody else. I was roughly Orson's age and had several good credits." Wise and Robson began editing the film while it was still shooting and said that they "could tell certainly that we were getting something very special. It was outstanding film day in and day out."<a href="#cite_note-Wakeman-49">[45]</a>: 1210  Welles gave Wise detailed instructions and was usually not present during the film's editing.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 109  The film was very well planned out and intentionally shot for such post-production techniques as slow <a href="/wiki/Dissolve_(filmmaking)" title="Dissolve (filmmaking)">dissolves</a>.<a href="#cite_note-BBC_Complete-45">[41]</a> The lack of coverage made editing easy since Welles and Toland edited the film "in camera" by leaving few options of how it could be put together.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 110  Wise said the breakfast table sequence took weeks to edit and get the correct "timing" and "rhythm" for the <a href="/wiki/Whip_pan" title="Whip pan">whip pans</a> and overlapping dialogue.<a href="#cite_note-BBC_Complete-45">[41]</a> The News on the March sequence was edited by RKO's newsreel division to give it authenticity.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 110  They used <a href="/wiki/Stock_footage" title="Stock footage">stock footage</a> from <a href="/wiki/Path%C3%A9_News" title="Pathé News">Pathé News</a> and the General Film Library.<a href="#cite_note-AFIcat-13">[13]</a> During post-production Welles and special effects artist <a href="/wiki/Linwood_G._Dunn" title="Linwood G. Dunn">Linwood G. Dunn</a> experimented with an <a href="/wiki/Optical_printer" title="Optical printer">optical printer</a> to improve certain scenes that Welles found unsatisfactory from the footage.<a href="#cite_note-BBC_Complete-45">[41]</a> Whereas Welles was often immediately pleased with Wise's work, he would require Dunn and post-production audio engineer James G. Stewart to re-do their work several times until he was satisfied.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 109  Welles hired Bernard Herrmann to compose the film's score. Where most Hollywood film scores were written quickly, in as few as two or three weeks after filming was completed, Herrmann was given 12 weeks to write the music. He had sufficient time to do his own orchestrations and conducting, and worked on the film reel by reel as it was shot and cut. He wrote complete musical pieces for some of the montages, and Welles edited many of the scenes to match their length.<a href="#cite_note-NYT_Herrmann-67">[59]</a> <div class="mw-heading mw-heading2"><h2 id="Style">Style</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=9" title="Edit section: Style">edit</a>]</div> Film scholars and historians view Citizen Kane as Welles's attempt to create a new style of filmmaking by studying various forms of it and combining them into one. However, Welles stated that his love for cinema began only when he started working on the film. When asked where he got the confidence as a first-time director to direct a film so radically different from contemporary cinema, he responded, "Ignorance, ignorance, sheer ignorance—you know there's no confidence to equal it. It's only when you know something about a profession, I think, that you're timid or careful."<a href="#cite_note-Estrin-68">[60]</a>: 80  <a href="/wiki/David_Bordwell" title="David Bordwell">David Bordwell</a> wrote that "The best way to understand Citizen Kane is to stop worshipping it as a triumph of technique." Bordwell argues that the film did not invent any of its famous techniques such as deep focus cinematography, shots of the ceilings, chiaroscuro lighting and temporal jump-cuts, and that many of these stylistics had been used in <a href="/wiki/German_expressionist_cinema" title="German expressionist cinema">German Expressionist films</a> of the 1920s, such as The Cabinet of Dr. Caligari. But Bordwell asserts that the film did put them all together for the first time and perfected the medium in one single film.<a href="#cite_note-Wakeman-49">[45]</a>: 1171  In a 1948 interview, <a href="/wiki/D._W._Griffith" title="D. W. Griffith">D. W. Griffith</a> said, "I loved Citizen Kane and particularly loved the ideas he took from me."<a href="#cite_note-69">[61]</a> Arguments against the film's cinematic innovations were made as early as 1946 when French historian <a href="/wiki/Georges_Sadoul" title="Georges Sadoul">Georges Sadoul</a> wrote, "The film is an encyclopedia of old techniques." He pointed out such examples as compositions that used both the foreground and the background in the films of <a href="/wiki/Auguste_and_Louis_Lumi%C3%A8re" title="Auguste and Louis Lumière">Auguste and Louis Lumière</a>, special effects used in the films of <a href="/wiki/Georges_M%C3%A9li%C3%A8s" title="Georges Méliès">Georges Méliès</a>, shots of the ceiling in <a href="/wiki/Erich_von_Stroheim" title="Erich von Stroheim">Erich von Stroheim</a>'s <a href="/wiki/Greed_(1924_film)" title="Greed (1924 film)">Greed</a> and newsreel montages in the films of <a href="/wiki/Dziga_Vertov" title="Dziga Vertov">Dziga Vertov</a>.<a href="#cite_note-70">[62]</a> French film critic André Bazin defended the film, writing: "In this respect, the accusation of plagiarism could very well be extended to the film's use of panchromatic film or its exploitation of the properties of gelatinous silver halide." Bazin disagreed with Sadoul's comparison to Lumière's cinematography since Citizen Kane used more sophisticated lenses,<a href="#cite_note-BazinatWork-71">[63]</a>: 232  but acknowledged that it had similarities to such previous works as <a href="/wiki/The_Power_and_the_Glory_(1933_film)" title="The Power and the Glory (1933 film)">The Power and the Glory</a>. Bazin stated that "even if Welles did not invent the cinematic devices employed in Citizen Kane, one should nevertheless credit him with the invention of their meaning."<a href="#cite_note-BazinatWork-71">[63]</a>: 233  Bazin championed the techniques in the film for its depiction of heightened reality, but Bordwell believed that the film's use of special effects contradicted some of Bazin's theories.<a href="#cite_note-Minding-72">[64]</a>: 75  <div class="mw-heading mw-heading3"><h3 id="Storytelling_techniques">Storytelling techniques</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=10" title="Edit section: Storytelling techniques">edit</a>]</div> Citizen Kane rejects the traditional linear, chronological narrative and tells Kane's story entirely in flashbacks using different points of view, many of them from Kane's aged and forgetful associates, the cinematic equivalent of the <a href="/wiki/Unreliable_narrator" title="Unreliable narrator">unreliable narrator</a> in literature.<a href="#cite_note-watched-73">[65]</a>: 83  Welles also dispenses with the idea of a single storyteller and uses multiple narrators to recount Kane's life, a technique not used previously in Hollywood films.<a href="#cite_note-watched-73">[65]</a>: 81  Each narrator recounts a different part of Kane's life, with each story overlapping another.<a href="#cite_note-politics-74">[66]</a> The film depicts Kane as an enigma, a complicated man who leaves viewers with more questions than answers as to his character, such as the newsreel footage where he is attacked for being both a communist and a fascist.<a href="#cite_note-watched-73">[65]</a>: 82–84  The technique of flashbacks had been used in earlier films, notably <a href="/wiki/The_Power_and_the_Glory_(1933_film)" title="The Power and the Glory (1933 film)">The Power and the Glory</a> (1933),<a href="#cite_note-Robbin_Coons-75">[67]</a> but no film was as immersed in it as Citizen Kane. Thompson the reporter acts as a surrogate for the audience, questioning Kane's associates and piecing together his life.<a href="#cite_note-politics-74">[66]</a> Films typically had an "omniscient perspective" at the time, which Marilyn Fabe says give the audience the "illusion that we are looking with impunity into a world which is unaware of our gaze". Citizen Kane also begins in that fashion until the News on the March sequence, after which we the audience see the film through the perspectives of others.<a href="#cite_note-watched-73">[65]</a>: 81  The News on the March sequence gives an overview of Kane's entire life (and the film's entire story) at the beginning of the film, leaving the audience without the typical suspense of wondering how it will end. Instead, the film's repetitions of events compels the audience to analyze and wonder why Kane's life happened the way that it did, under the pretext of finding out what "Rosebud" means. The film then returns to the omniscient perspective in the final scene, when only the audience discovers what "Rosebud" is.<a href="#cite_note-watched-73">[65]</a>: 82–83  <div class="mw-heading mw-heading3"><h3 id="Cinematography">Cinematography</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=11" title="Edit section: Cinematography">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237032888/mw-parser-output/.tmulti"><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:224px;max-width:224px"><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Citizen-Kane-Filming-Low-Angle.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4b/Citizen-Kane-Filming-Low-Angle.jpg/220px-Citizen-Kane-Filming-Low-Angle.jpg" decoding="async" width="220" height="173" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4b/Citizen-Kane-Filming-Low-Angle.jpg/330px-Citizen-Kane-Filming-Low-Angle.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4b/Citizen-Kane-Filming-Low-Angle.jpg/440px-Citizen-Kane-Filming-Low-Angle.jpg 2x" data-file-width="786" data-file-height="619" /></a></div><div class="thumbcaption">Welles and cinematographer Gregg Toland prepare to film the post-election confrontation between Kane and Leland, shot from an extremely low angle that required cutting into the set floor.</div></div></div><div class="trow"><div class="tsingle" style="width:222px;max-width:222px"><div class="thumbimage"><a href="/wiki/File:Title_Card_for_Citizen_Kane.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/7/74/Title_Card_for_Citizen_Kane.jpg/220px-Title_Card_for_Citizen_Kane.jpg" decoding="async" width="220" height="164" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/7/74/Title_Card_for_Citizen_Kane.jpg/330px-Title_Card_for_Citizen_Kane.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/7/74/Title_Card_for_Citizen_Kane.jpg 2x" data-file-width="360" data-file-height="269" /></a></div><div class="thumbcaption">Welles placed Toland's credit with his own to acknowledge the cinematographer's contributions.</div></div></div></div></div> The most innovative technical aspect of Citizen Kane is the extended use of <a href="/wiki/Deep_focus" title="Deep focus">deep focus</a>,<a href="#cite_note-Ogle-76">[68]</a> where the foreground, background, and everything in between are all in sharp focus. Cinematographer Toland did this through his experimentation with lenses and lighting. Toland described the achievement in an article for Theatre Arts magazine, made possible by the sensitivity of modern speed film: <blockquote>New developments in the science of motion picture photography are not abundant at this advanced stage of the game but periodically one is perfected to make this a greater art. Of these I am in an excellent position to discuss what is termed "Pan-focus", as I have been active for two years in its development and used it for the first time in Citizen Kane. Through its use, it is possible to photograph action from a range of eighteen inches from the camera lens to over two hundred feet away, with extreme foreground and background figures and action both recorded in sharp relief. Hitherto, the camera had to be focused either for a close or a distant shot, all efforts to encompass both at the same time resulting in one or the other being out of focus. This handicap necessitated the breaking up of a scene into long and short angles, with much consequent loss of realism. With pan-focus, the camera, like the human eye, sees an entire panorama at once, with everything clear and lifelike.<a href="#cite_note-Wellesnet_Toland-77">[69]</a></blockquote> Another unorthodox method used in the film was the low-angle shots facing upwards, thus allowing ceilings to be shown in the background of several scenes. Every set was built with a ceiling<a href="#cite_note-Wellesnet_Toland-77">[69]</a> which broke with studio convention, and many were constructed of fabric that concealed microphones.<a href="#cite_note-Ebert_Viewer's_Companion-78">[70]</a> Welles felt that the camera should show what the eye sees, and that it was a bad theatrical convention to pretend that there was no ceiling—"a big lie in order to get all those terrible lights up there," he said. He became fascinated with the look of low angles, which made even dull interiors look interesting. One extremely low angle is used to photograph the encounter between Kane and Leland after Kane loses the election. A hole was dug for the camera, which required drilling into the concrete floor.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 61–62  Welles credited Toland on the same title card as himself. "It's impossible to say how much I owe to Gregg," he said. "He was superb."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 59 <a href="#cite_note-79">[71]</a> He called Toland "the best director of photography that ever existed."<a href="#cite_note-Cahiers_65-80">[72]</a> <div class="mw-heading mw-heading3"><h3 id="Sound">Sound</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=12" title="Edit section: Sound">edit</a>]</div> Citizen Kane's sound was recorded by Bailey Fesler and re-recorded in post-production by audio engineer <a href="/wiki/James_G._Stewart" title="James G. Stewart">James G. Stewart</a>,<a href="#cite_note-Mulvey-51">[47]</a>: 85  both of whom had worked in radio.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 102  Stewart said that Hollywood films never deviated from a basic pattern of how sound could be recorded or used, but with Welles "deviation from the pattern was possible because he demanded it."<a href="#cite_note-BBC_Complete-45">[41]</a> Although the film is known for its complex soundtrack, much of the audio is heard as it was recorded by Fesler and without manipulation.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 102  Welles used techniques from radio like overlapping dialogue. The scene in which characters sing "Oh, Mr. Kane" was especially complicated and required mixing several soundtracks together.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 104  He also used different "sound perspectives" to create the illusion of distances,<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 101  such as in scenes at Xanadu where characters speak to each other at far distances.<a href="#cite_note-BBC_Complete-45">[41]</a> Welles experimented with sound in post-production, creating audio montages,<a href="#cite_note-Schatz-81">[73]</a>: 94  and chose to create all of the sound effects for the film instead of using RKO's library of sound effects.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 100  Welles used an aural technique from radio called the "lightning-mix". Welles used this technique to link complex <a href="/wiki/Film_editing" title="Film editing">montage</a> sequences via a series of related sounds or phrases. For example, Kane grows from a child into a young man in just two shots. As Thatcher hands eight-year-old Kane a sled and wishes him a Merry Christmas, the sequence suddenly jumps to a shot of Thatcher fifteen years later, completing the sentence he began in both the previous shot and the chronological past. Other radio techniques include using a number of voices, each saying a sentence or sometimes merely a fragment of a sentence, and splicing the dialogue together in quick succession, such as the projection room scene.<a href="#cite_note-Cook-82">[74]</a>: 413–412  The film's sound cost $16,996, but was originally budgeted at $7,288.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 105  Film critic and director <a href="/wiki/Fran%C3%A7ois_Truffaut" title="François Truffaut">François Truffaut</a> wrote that "Before Kane, nobody in Hollywood knew how to set music properly in movies. Kane was the first, in fact the only, great film that uses radio techniques. ... A lot of filmmakers know enough to follow <a href="/wiki/Auguste_Renoir" class="mw-redirect" title="Auguste Renoir">Auguste Renoir</a>'s advice to fill the eyes with images at all costs, but only Orson Welles understood that the sound track had to be filled in the same way."<a href="#cite_note-83">[75]</a> <a href="/wiki/Cedric_Belfrage" title="Cedric Belfrage">Cedric Belfrage</a> of The Clipper wrote "of all of the delectable flavours that linger on the palate after seeing Kane, the use of sound is the strongest."<a href="#cite_note-Wakeman-49">[45]</a>: 1171  <div class="mw-heading mw-heading3"><h3 id="Make-up">Make-up</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=13" title="Edit section: Make-up">edit</a>]</div> The make-up for Citizen Kane was created and applied by Maurice Seiderman (1907–1989), a junior member of the RKO make-up department.<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 19  He had not been accepted into the union, which recognized him as only an apprentice, but RKO nevertheless used him to make up principal actors.<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 19  "Apprentices were not supposed to make up any principals, only extras, and an apprentice could not be on a set without a journeyman present," wrote make-up artist <a href="/wiki/Dick_Smith_(make-up_artist)" title="Dick Smith (make-up artist)">Dick Smith</a>, who became friends with Seiderman in 1979. "During his years at RKO I suspect these rules were probably overlooked often."<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 19  "Seiderman had gained a reputation as one of the most inventive and creatively precise up-and-coming makeup men in Hollywood," wrote biographer Frank Brady.<a href="#cite_note-Brady-19">[19]</a>: 253  On an early tour of RKO, Welles met Seiderman in the small make-up lab that he created for himself in an unused dressing room.<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 19  "Welles fastened on to him at once," wrote biographer Charles Higham, as Seiderman had developed his own makeup methods "that ensured complete naturalness of expression—a naturalness unrivaled in Hollywood."<a href="#cite_note-Higham-38">[35]</a>: 157  Seiderman developed a thorough plan for aging the principal characters, first making a plaster cast of the face of each of the actors who aged. He made a plaster mold of Welles's body down to the hips.<a href="#cite_note-Gambill-85">[77]</a>: 46  "My sculptural techniques for the characters' aging were handled by adding pieces of white modeling clay, which matched the plaster, onto the surface of each bust," Seiderman told Norman Gambill. When Seiderman achieved the desired effect, he cast the clay pieces in a soft plastic material<a href="#cite_note-Gambill-85">[77]</a>: 46  that he formulated himself.<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 20  These appliances were then placed onto the plaster bust and a four-piece mold was made for each phase of aging. The castings were then fully painted and paired with the appropriate wig for evaluation.<a href="#cite_note-Gambill-85">[77]</a>: 46–47  Before the actors went before the cameras each day, the pliable pieces were applied directly to their faces to recreate Seiderman's sculptural image. The facial surface was underpainted in a flexible red plastic compound;<a href="#cite_note-Gambill-85">[77]</a>: 43  The red ground resulted in a warmth of tone that was picked up by the <a href="/wiki/Panchromatic_film" title="Panchromatic film">panchromatic film</a>. Over that was applied liquid grease paint, and finally a colorless translucent talcum.<a href="#cite_note-Gambill-85">[77]</a>: 42–43  Seiderman created the effect of skin pores on Kane's face by stippling the surface with a negative cast made from an orange peel.<a href="#cite_note-Gambill-85">[77]</a>: 42, 47  Welles often arrived on the set at 2:30 am,<a href="#cite_note-Welles_TIOW-22">[22]</a>: 69  as application of the sculptural make-up took 3½ hours for the oldest incarnation of Kane. The make-up included appliances to age Welles's shoulders, breast, and stomach.<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 19–20  "In the film and production photographs, you can see that Kane had a belly that overhung," Seiderman said. "That was not a costume, it was the rubber sculpture that created the image. You could see how Kane's silk shirt clung wetly to the character's body. It could not have been done any other way."<a href="#cite_note-Gambill-85">[77]</a>: 46  Seiderman worked with Charles Wright on the wigs. These went over a flexible skull cover that Seiderman created and sewed into place with elastic thread. When he found the wigs too full, he untied one hair at a time to alter their shape. Kane's mustache was inserted into the makeup surface a few hairs at a time, to realistically vary the color and texture.<a href="#cite_note-Gambill-85">[77]</a>: 43, 47  He also made <a href="/wiki/Scleral_lens" title="Scleral lens">scleral lenses</a> for Welles, Dorothy Comingore, George Coulouris, and Everett Sloane to dull the brightness of their young eyes. The lenses took a long time to fit properly, and Seiderman began work on them before devising any of the other makeup. "I painted them to age in phases, ending with the blood vessels and the <a href="/wiki/Arcus_senilis" title="Arcus senilis">arcus senilis</a> of old age."<a href="#cite_note-Gambill-85">[77]</a>: 47  Seiderman's tour de force was the breakfast montage, shot all in one day. "Twelve years, two years shot at each scene," he said.<a href="#cite_note-Gambill-85">[77]</a>: 47  <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Welles-Breakfast.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Citizen-Kane-Welles-Breakfast.jpg/220px-Citizen-Kane-Welles-Breakfast.jpg" decoding="async" width="220" height="168" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Citizen-Kane-Welles-Breakfast.jpg/330px-Citizen-Kane-Welles-Breakfast.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Citizen-Kane-Welles-Breakfast.jpg/440px-Citizen-Kane-Welles-Breakfast.jpg 2x" data-file-width="1616" data-file-height="1237" /></a><figcaption>Kane ages convincingly in the breakfast montage, make-up artist Maurice Seiderman's tour de force</figcaption></figure> The major studios gave screen credit for make-up only to the department head. When RKO make-up department head <a href="/wiki/Mel_Berns" title="Mel Berns">Mel Berns</a> refused to share credit with Seiderman, who was only an apprentice, Welles told Berns that there would be no make-up credit. Welles signed a large advertisement in the Los Angeles newspaper:<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 22 <a href="#cite_note-Gambill-85">[77]</a>: 48  <blockquote>THANKS TO EVERYBODY WHO GETS SCREEN CREDIT FOR "CITIZEN KANE" AND THANKS TO THOSE WHO DON'T TO ALL THE ACTORS, THE CREW, THE OFFICE, THE MUSICIANS, EVERYBODY AND PARTICULARLY TO MAURICE SEIDERMAN, THE BEST MAKE-UP MAN IN THE WORLD<a href="#cite_note-Citizen_Seiderman-84">[76]</a>: 20 </blockquote> <div class="mw-heading mw-heading3"><h3 id="Sets">Sets</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=14" title="Edit section: Sets">edit</a>]</div> Although credited as an assistant, the film's art direction was done by <a href="/wiki/Perry_Ferguson" title="Perry Ferguson">Perry Ferguson</a>.<a href="#cite_note-Mulvey-51">[47]</a>: 85  Welles and Ferguson got along during their collaboration.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 37  In the weeks before production began Welles, Toland and Ferguson met regularly to discuss the film and plan every shot, set design and prop. Ferguson would take notes during these discussions and create rough designs of the sets and story boards for individual shots. After Welles approved the rough sketches, Ferguson made miniature models for Welles and Toland to experiment on with a <a href="/wiki/Periscope" title="Periscope">periscope</a> in order to rehearse and perfect each shot. Ferguson then had detailed drawings made for the set design, including the film's lighting design. The set design was an integral part of the film's overall look and Toland's cinematography.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 42  In the original script the Great Hall at Xanadu was modeled after the Great Hall in Hearst Castle and its design included a mixture of <a href="/wiki/Renaissance_architecture" title="Renaissance architecture">Renaissance</a> and <a href="/wiki/Gothic_architecture" title="Gothic architecture">Gothic</a> styles.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 50–51  "The Hearstian element is brought out in the almost perverse juxtaposition of incongruous architectural styles and motifs," wrote Carringer.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 54  Before RKO cut the film's budget, Ferguson's designs were more elaborate and resembled the production designs of early <a href="/wiki/Cecil_B._DeMille" title="Cecil B. DeMille">Cecil B. DeMille</a> films and <a href="/wiki/Intolerance_(film)" title="Intolerance (film)">Intolerance</a>.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 55  The budget cuts reduced Ferguson's budget by 33 percent and his work cost $58,775 total,<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 65  which was below average at that time.<a href="#cite_note-Schatz-81">[73]</a>: 93  To save costs Ferguson and Welles re-wrote scenes in Xanadu's living room and transported them to the Great Hall. A large staircase from another film was found and used at no additional cost.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 56–57  When asked about the limited budget, Ferguson said "Very often—as in that much-discussed 'Xanadu' set in Citizen Kane—we can make a foreground piece, a background piece, and imaginative lighting suggests a great deal more on the screen than actually exists on the stage."<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 65–66  According to the film's official budget there were 81 sets built, but Ferguson said there were between 106 and 116.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 64  Still photographs of <a href="/wiki/Oheka_Castle" title="Oheka Castle">Oheka Castle</a> in <a href="/wiki/Huntington,_New_York" title="Huntington, New York">Huntington, New York</a>, were used in the opening montage, representing Kane's Xanadu estate.<a href="#cite_note-86">[78]</a><a href="#cite_note-87">[79]</a> Ferguson also designed statues from Kane's collection with styles ranging from <a href="/wiki/Ancient_Greek_sculpture" title="Ancient Greek sculpture">Greek</a> to <a href="/wiki/Gothic_art" title="Gothic art">German Gothic</a>.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 61  The sets were also built to accommodate Toland's camera movements. Walls were built to fold and furniture could quickly be moved. The film's famous ceilings were made out of <a href="/wiki/Muslin" title="Muslin">muslin</a> fabric and camera boxes were built into the floors for low angle shots.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 64–65  Welles later said that he was proud that the film production value looked much more expensive than the film's budget. Although neither worked with Welles again, Toland and Ferguson collaborated in several films in the 1940s.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 65  <div class="mw-heading mw-heading3"><h3 id="Special_effects">Special effects</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=15" title="Edit section: Special effects">edit</a>]</div> The film's special effects were supervised by RKO department head <a href="/wiki/Vernon_L._Walker" title="Vernon L. Walker">Vernon L. Walker</a>.<a href="#cite_note-Mulvey-51">[47]</a>: 85  Welles pioneered several visual effects to cheaply shoot things like crowd scenes and large interior spaces. For example, the scene in which the camera in the opera house rises dramatically to the rafters, to show the workmen showing a lack of appreciation for Susan Alexander Kane's performance, was shot by a camera <a href="/wiki/Crane_shot" title="Crane shot">craning</a> upwards over the performance scene, then a <a href="/wiki/Wipe_(transition)" title="Wipe (transition)">curtain wipe</a> to a miniature of the upper regions of the house, and then another curtain wipe matching it again with the scene of the workmen. Other scenes effectively employed miniatures to make the film look much more expensive than it truly was, such as various shots of Xanadu.<a href="#cite_note-88">[80]</a> Some shots included <a href="/wiki/Rear_projection_effect" class="mw-redirect" title="Rear projection effect">rear screen projection</a> in the background, such as Thompson's interview of Leland and some of the ocean backgrounds at Xanadu.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 88  Bordwell claims that the scene where Thatcher agrees to be Kane's guardian used rear screen projection to depict young Kane in the background, despite this scene being cited as a prime example of Toland's deep focus cinematography.<a href="#cite_note-Minding-72">[64]</a>: 74  A special effects camera crew from Walker's department was required for the <a href="/wiki/Close-up#Types_of_close-up" title="Close-up">extreme close-up</a> shots such as Kane's lips when he says "Rosebud" and the shot of the typewriter typing Susan's bad review.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 88  Optical effects artist Dunn claimed that "up to 80 percent of some reels was optically printed." These shots were traditionally attributed to Toland for years.<a href="#cite_note-89">[81]</a>: 110  The <a href="/wiki/Optical_printer" title="Optical printer">optical printer</a> improved some of the deep focus shots.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 92  One problem with the optical printer was that it sometimes created excessive <a href="/wiki/Graininess" class="mw-redirect" title="Graininess">graininess</a>, such as the optical zoom out of the snow globe. Welles decided to superimpose snow falling to mask the graininess in these shots.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 94  Toland said that he disliked the results of the optical printer,<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 92  but acknowledged that "RKO special effects expert Vernon Walker, ASC, and his staff handled their part of the production—a by no means inconsiderable assignment—with ability and fine understanding."<a href="#cite_note-Minding-72">[64]</a>: 74–75  Any time deep focus was impossible—as in the scene in which Kane finishes a negative review of Susan's opera while at the same time firing the person who began writing the review—an optical printer was used to make the whole screen appear in focus, visually layering one piece of film onto another.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 92  However, some apparently deep-focus shots were the result of <a href="/wiki/In-camera_effect" title="In-camera effect">in-camera effects</a>, as in the famous scene in which Kane breaks into Susan's room after her suicide attempt. In the background, Kane and another man break into the room, while simultaneously the medicine bottle and a glass with a spoon in it are in closeup in the foreground. The shot was an in-camera <a href="/wiki/Matte_(filmmaking)" title="Matte (filmmaking)">matte</a> shot. The foreground was shot first, with the background dark. Then the background was lit, the foreground darkened, the film rewound, and the scene re-shot with the background action.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 82  <div class="mw-heading mw-heading3"><h3 id="Music">Music</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=16" title="Edit section: Music">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Welles-Showgirls.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Citizen-Kane-Welles-Showgirls.jpg/220px-Citizen-Kane-Welles-Showgirls.jpg" decoding="async" width="220" height="161" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Citizen-Kane-Welles-Showgirls.jpg/330px-Citizen-Kane-Welles-Showgirls.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/21/Citizen-Kane-Welles-Showgirls.jpg/440px-Citizen-Kane-Welles-Showgirls.jpg 2x" data-file-width="1200" data-file-height="877" /></a><figcaption>Incidental music includes the publisher's theme, "Oh, Mr. Kane", a tune by <a href="/wiki/Pepe_Gu%C3%ADzar" title="Pepe Guízar">Pepe Guízar</a> with special lyrics by Herman Ruby.</figcaption></figure> The <a href="/wiki/Film_score" title="Film score">film's music</a> was composed by <a href="/wiki/Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a>.<a href="#cite_note-stephensmith-90">[82]</a>: 72  Herrmann had composed for Welles for his Mercury Theatre radio broadcasts.<a href="#cite_note-stephensmith-90">[82]</a>: 63  Because it was Herrmann's first motion picture score, RKO wanted to pay him only a small fee, but Welles insisted he be paid at the same rate as <a href="/wiki/Max_Steiner" title="Max Steiner">Max Steiner</a>.<a href="#cite_note-stephensmith-90">[82]</a>: 72  The score established Herrmann as an important new composer of film soundtracks<a href="#cite_note-americancomposers-91">[83]</a> and eschewed the typical Hollywood practice of scoring a film with virtually non-stop music. Instead Herrmann used what he later described as "radio scoring", musical cues typically 5–15 seconds in length that bridge the action or suggest a different emotional response.<a href="#cite_note-stephensmith-90">[82]</a>: 77–78  The breakfast montage sequence begins with a graceful waltz theme and gets darker with each variation on that theme as the passage of time leads to the hardening of Kane's personality and the breakdown of his first marriage.<a href="#cite_note-92">[84]</a><a href="#cite_note-93">[85]</a> Herrmann realized that musicians slated to play his music were hired for individual unique sessions; there was no need to write for existing ensembles. This meant that he was free to score for unusual combinations of instruments, even instruments that are not commonly heard. In the opening sequence, for example, the tour of Kane's estate Xanadu, Herrmann introduces a recurring <a href="/wiki/Leitmotif" title="Leitmotif">leitmotif</a> played by low woodwinds, including a quartet of <a href="/wiki/Alto_flute" title="Alto flute">alto flutes</a>.<a href="#cite_note-94">[86]</a> For Susan Alexander Kane's operatic sequence, Welles suggested that Herrmann compose a witty parody of a <a href="/wiki/Mary_Garden" title="Mary Garden">Mary Garden</a> vehicle, an aria from <a href="/wiki/Salammb%C3%B4" title="Salammbô">Salammbô</a>.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 57  "Our problem was to create something that would give the audience the feeling of the quicksand into which this simple little girl, having a charming but small voice, is suddenly thrown," Herrmann said.<a href="#cite_note-stephensmith-90">[82]</a>: 79  Writing in the style of a 19th-century French Oriental opera,<a href="#cite_note-NYT_Herrmann-67">[59]</a> Herrmann put the aria in a key that would force the singer to strain to reach the high notes, culminating in a high D, well outside the range of Susan Alexander.<a href="#cite_note-stephensmith-90">[82]</a>: 79–80  Soprano Jean Forward dubbed the vocal part for Comingore.<a href="#cite_note-americancomposers-91">[83]</a> Houseman claimed to have written the libretto, based on <a href="/wiki/Jean_Racine" title="Jean Racine">Jean Racine</a>'s <a href="/wiki/Athalie" title="Athalie">Athalie</a> and <a href="/wiki/Phedre" class="mw-redirect" title="Phedre">Phedre</a>,<a href="#cite_note-Houseman_RT-95">[87]</a>: 460–461  although some confusion remains since <a href="/wiki/Lucille_Fletcher" title="Lucille Fletcher">Lucille Fletcher</a> remembered preparing the lyrics.<a href="#cite_note-stephensmith-90">[82]</a>: 80  Fletcher, then Herrmann's wife, wrote the libretto for his opera <a href="/wiki/Wuthering_Heights_(Herrmann)" title="Wuthering Heights (Herrmann)">Wuthering Heights</a>.<a href="#cite_note-stephensmith-90">[82]</a>: 11  Music enthusiasts consider the scene in which Susan Alexander Kane attempts to sing the famous cavatina "Una voce poco fa" from <a href="/wiki/Il_barbiere_di_Siviglia" class="mw-redirect" title="Il barbiere di Siviglia">Il barbiere di Siviglia</a> by <a href="/wiki/Gioachino_Rossini" title="Gioachino Rossini">Gioachino Rossini</a> with vocal coach Signor Matiste as especially memorable for depicting the horrors of learning music through mistakes.<a href="#cite_note-96">[88]</a> In 1972, Herrmann said, "I was fortunate to start my career with a film like Citizen Kane, it's been a downhill run ever since!" Welles loved Herrmann's score and told director <a href="/wiki/Henry_Jaglom" title="Henry Jaglom">Henry Jaglom</a> that it was 50 percent responsible for the film's artistic success.<a href="#cite_note-stephensmith-90">[82]</a>: 84  Some incidental music came from other sources. Welles heard the tune used for the publisher's theme, "Oh, Mr. Kane", in Mexico.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 57  Called "A Poco No", the song was written by <a href="/wiki/Pepe_Gu%C3%ADzar" title="Pepe Guízar">Pepe Guízar</a> and special lyrics were written by Herman Ruby.<a href="#cite_note-Herrmann_Cues-97">[89]</a> "In a Mizz", a 1939 jazz song by <a href="/wiki/Charlie_Barnet" title="Charlie Barnet">Charlie Barnet</a> and Haven Johnson, bookends Thompson's second interview of Susan Alexander Kane.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 108 <a href="#cite_note-Herrmann_Cues-97">[89]</a> "I kind of based the whole scene around that song," Welles said. "The music is by <a href="/wiki/Nat_Cole" class="mw-redirect" title="Nat Cole">Nat Cole</a>—it's his trio."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 56  Later—beginning with the lyrics, "It can't be love"—"In a Mizz" is performed at the Everglades picnic, framing the fight in the tent between Susan and Kane.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 108  Musicians including bandleader <a href="/wiki/Cee_Pee_Johnson" title="Cee Pee Johnson">Cee Pee Johnson</a> (drums), Alton Redd (vocals), Raymond Tate (trumpet), <a href="/wiki/Buddy_Collette" title="Buddy Collette">Buddy Collette</a> (alto sax) and <a href="/wiki/Buddy_Banks_(saxophonist)" title="Buddy Banks (saxophonist)">Buddy Banks</a> (tenor sax) are featured.<a href="#cite_note-Meeker-98">[90]</a> All of the music used in the newsreel came from the RKO music library, edited at Welles's request by the newsreel department to achieve what Herrmann called "their own crazy way of cutting". The News on the March theme that accompanies the newsreel titles is "Belgian March" by <a href="/wiki/Anthony_Vincent_Collins" class="mw-redirect" title="Anthony Vincent Collins">Anthony Collins</a>, from the film <a href="/wiki/Nurse_Edith_Cavell" title="Nurse Edith Cavell">Nurse Edith Cavell</a>. Other examples are an excerpt from <a href="/wiki/Alfred_Newman" title="Alfred Newman">Alfred Newman</a>'s score for <a href="/wiki/Gunga_Din_(film)" title="Gunga Din (film)">Gunga Din</a> (the exploration of Xanadu), <a href="/wiki/Roy_Webb" title="Roy Webb">Roy Webb</a>'s theme for the film <a href="/wiki/Reno_(1939_film)" title="Reno (1939 film)">Reno</a> (the growth of Kane's empire), and bits of Webb's score for <a href="/wiki/Five_Came_Back" title="Five Came Back">Five Came Back</a> (introducing Walter Parks Thatcher).<a href="#cite_note-stephensmith-90">[82]</a>: 79 <a href="#cite_note-Herrmann_Cues-97">[89]</a> <div class="mw-heading mw-heading3"><h3 id="Editing">Editing</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=17" title="Edit section: Editing">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Welles-Warrick-Breakfast.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/02/Citizen-Kane-Welles-Warrick-Breakfast.jpg/220px-Citizen-Kane-Welles-Warrick-Breakfast.jpg" decoding="async" width="220" height="179" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/02/Citizen-Kane-Welles-Warrick-Breakfast.jpg/330px-Citizen-Kane-Welles-Warrick-Breakfast.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/02/Citizen-Kane-Welles-Warrick-Breakfast.jpg/440px-Citizen-Kane-Welles-Warrick-Breakfast.jpg 2x" data-file-width="5320" data-file-height="4328" /></a><figcaption>Orson Welles and Ruth Warrick in the breakfast montage</figcaption></figure> One of the editing techniques used in Citizen Kane was the use of montage to collapse time and space, using an episodic sequence on the same set while the characters changed costume and make-up between cuts so that the scene following each cut would look as if it took place in the same location, but at a time long after the previous cut. In the breakfast montage, Welles chronicles the breakdown of Kane's first marriage in five vignettes that condense 16 years of story time into two minutes of screen time.<a href="#cite_note-99">[91]</a> Welles said that the idea for the breakfast scene "was stolen from <a href="/wiki/The_Long_Christmas_Dinner" title="The Long Christmas Dinner">The Long Christmas Dinner</a> by <a href="/wiki/Thornton_Wilder" title="Thornton Wilder">Thornton Wilder</a> ... a one-act play, which is a long Christmas dinner that takes you through something like 60 years of a family's life."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 51  The film often uses long dissolves to signify the passage of time and its psychological effect of the characters, such as the scene in which the abandoned sled is covered with snow after the young Kane is sent away with Thatcher.<a href="#cite_note-watched-73">[65]</a>: 90–91  Welles was influenced by the editing theories of <a href="/wiki/Sergei_Eisenstein" title="Sergei Eisenstein">Sergei Eisenstein</a> by using jarring cuts that caused "sudden graphic or associative contrasts", such as the cut from Kane's deathbed to the beginning of the News on the March sequence and a sudden shot of a shrieking <a href="/wiki/Cockatoo" title="Cockatoo">cockatoo</a> at the beginning of Raymond's flashback.<a href="#cite_note-watched-73">[65]</a>: 88–89  Although the film typically favors mise-en-scène over montage, the scene in which Kane goes to Susan Alexander's apartment after first meeting her is the only one that is primarily cut as close-ups with shots and counter shots between Kane and Susan.<a href="#cite_note-Mulvey-51">[47]</a>: 68  Fabe says that "by using a standard Hollywood technique sparingly, [Welles] revitalizes its psychological expressiveness."<a href="#cite_note-watched-73">[65]</a>: 88  <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=18" title="Edit section: Sources">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Sources_for_Citizen_Kane" title="Sources for Citizen Kane">Sources for Citizen Kane</a></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237032888/mw-parser-output/.tmulti"><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:174px;max-width:174px"><div class="trow"><div class="tsingle" style="width:172px;max-width:172px"><div class="thumbimage"><a href="/wiki/File:WilliamRandolphHearst.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/59/WilliamRandolphHearst.jpg/170px-WilliamRandolphHearst.jpg" decoding="async" width="170" height="214" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/59/WilliamRandolphHearst.jpg/255px-WilliamRandolphHearst.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/59/WilliamRandolphHearst.jpg/340px-WilliamRandolphHearst.jpg 2x" data-file-width="1274" data-file-height="1600" /></a></div><div class="thumbcaption">Although various sources were used as a model for Kane, <a href="/wiki/William_Randolph_Hearst" title="William Randolph Hearst">William Randolph Hearst</a> was the primary inspiration.</div></div></div><div class="trow"><div class="tsingle" style="width:172px;max-width:172px"><div class="thumbimage"><a href="/wiki/File:Marion_Davies_-_Emerald_Green.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Marion_Davies_-_Emerald_Green.jpg/170px-Marion_Davies_-_Emerald_Green.jpg" decoding="async" width="170" height="217" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Marion_Davies_-_Emerald_Green.jpg/255px-Marion_Davies_-_Emerald_Green.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Marion_Davies_-_Emerald_Green.jpg/340px-Marion_Davies_-_Emerald_Green.jpg 2x" data-file-width="2175" data-file-height="2780" /></a></div><div class="thumbcaption">Hearst was disturbed by the film's supposed depiction of <a href="/wiki/Marion_Davies" title="Marion Davies">Marion Davies</a>, but Welles always denied that Susan Alexander Kane was based on Davies.</div></div></div></div></div> Welles never confirmed a principal source for the character of <a href="/wiki/Charles_Foster_Kane" title="Charles Foster Kane">Charles Foster Kane</a>. Houseman wrote that Kane is a <a href="/wiki/Composite_character" title="Composite character">synthesis</a> of different personalities, with Hearst's life used as the main source. Some events and details were invented,<a href="#cite_note-Houseman_RT-95">[87]</a>: 444  and Houseman wrote that he and Mankiewicz also "grafted anecdotes from other giants of journalism, including <a href="/wiki/Joseph_Pulitzer" title="Joseph Pulitzer">Pulitzer</a>, <a href="/wiki/Alfred_Harmsworth,_1st_Viscount_Northcliffe" title="Alfred Harmsworth, 1st Viscount Northcliffe">Northcliffe</a> and Mank's first boss, <a href="/wiki/Herbert_Bayard_Swope" title="Herbert Bayard Swope">Herbert Bayard Swope</a>."<a href="#cite_note-Houseman_RT-95">[87]</a>: 444  Welles said, "Mr. Hearst was quite a bit like Kane, although Kane isn't really founded on Hearst in particular. Many people sat for it, so to speak".<a href="#cite_note-Estrin-68">[60]</a>: 78  He specifically acknowledged that aspects of Kane were drawn from the lives of two business tycoons familiar from his youth in Chicago—<a href="/wiki/Samuel_Insull" title="Samuel Insull">Samuel Insull</a> and <a href="/wiki/Harold_Fowler_McCormick" title="Harold Fowler McCormick">Harold Fowler McCormick</a>.<a href="#cite_note-100">[i]</a><a href="#cite_note-Welles_TIOW-22">[22]</a>: 49  The character of Jedediah Leland was based on drama critic <a href="/wiki/Ashton_Stevens" title="Ashton Stevens">Ashton Stevens</a>, <a href="/wiki/George_Stevens" title="George Stevens">George Stevens</a>'s uncle and Welles's close boyhood friend.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 66  Some detail came from Mankiewicz's own experience as a drama critic in New York.<a href="#cite_note-Meryman-25">[23]</a>: 77–78  Many assumed that the character of Susan Alexander Kane was based on Marion Davies, Hearst's mistress whose career he managed and whom Hearst promoted as a motion picture actress. This assumption was a major reason Hearst tried to destroy Citizen Kane.<a href="#cite_note-PBS-101">[92]</a><a href="#cite_note-103">[j]</a> Welles denied that the character was based on Davies,<a href="#cite_note-Davies,_Marion_1975-104">[94]</a> whom he called "an extraordinary woman—nothing like the character <a href="/wiki/Dorothy_Comingore" title="Dorothy Comingore">Dorothy Comingore</a> played in the movie."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 49  He cited Insull's building of the <a href="/wiki/Civic_Opera_House_(Chicago)" title="Civic Opera House (Chicago)">Chicago Opera House</a>, and McCormick's lavish promotion of the opera career of his second wife, <a href="/wiki/Ganna_Walska" title="Ganna Walska">Ganna Walska</a>, as direct influences on the screenplay.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 49  The character of <a href="/wiki/Political_boss" title="Political boss">political boss</a> Jim W. Gettys is based on <a href="/wiki/Charles_F._Murphy" class="mw-redirect" title="Charles F. Murphy">Charles F. Murphy</a>, a leader in New York City's infamous <a href="/wiki/Tammany_Hall" title="Tammany Hall">Tammany Hall</a> political machine.<a href="#cite_note-Raising_Kane-30">[28]</a>: 61  Welles credited "Rosebud" to Mankiewicz.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 53  Biographer <a href="/wiki/Richard_Meryman" title="Richard Meryman">Richard Meryman</a> wrote that the symbol of Mankiewicz's own damaged childhood was a treasured bicycle, stolen while he visited the public library and not replaced by his family as punishment. He regarded it as the prototype of Charles Foster Kane's sled.<a href="#cite_note-Meryman-25">[23]</a>: 300  In his 2015 Welles biography, <a href="/wiki/Patrick_McGilligan_(biographer)" title="Patrick McGilligan (biographer)">Patrick McGilligan</a> reported that Mankiewicz himself stated that the word "Rosebud" was taken from the name of a famous racehorse, <a href="/wiki/Old_Rosebud" title="Old Rosebud">Old Rosebud</a>. Mankiewicz had a bet on the horse in the <a href="/wiki/1914_Kentucky_Derby" title="1914 Kentucky Derby">1914 Kentucky Derby</a>, which he won, and McGilligan wrote that "Old Rosebud symbolized his lost youth, and the break with his family". In testimony for a copyright infringement suit brought by Hearst biographer <a href="/wiki/Ferdinand_Lundberg" title="Ferdinand Lundberg">Ferdinand Lundberg</a>, Mankiewicz said, "I had undergone psycho-analysis, and Rosebud, under circumstances slightly resembling the circumstances in [Citizen Kane], played a prominent part."<a href="#cite_note-105">[95]</a> <a href="/wiki/Gore_Vidal" title="Gore Vidal">Gore Vidal</a> has argued in the <a href="/wiki/New_York_Review_of_Books" class="mw-redirect" title="New York Review of Books">New York Review of Books</a> that "Rosebud was what Hearst called his friend Marion Davies's clitoris".<a href="#cite_note-106">[96]</a> The News on the March sequence that begins the film satirizes the journalistic style of <a href="/wiki/The_March_of_Time" title="The March of Time">The March of Time</a>, the news documentary and dramatization series presented in movie theaters by <a href="/wiki/Time_Inc." title="Time Inc.">Time Inc.</a><a href="#cite_note-Ebert_Journal-107">[97]</a><a href="#cite_note-108">[98]</a> From 1935 to 1938<a href="#cite_note-MOB-109">[99]</a>: 47  Welles was a member of the uncredited company of actors that presented the original <a href="/wiki/The_March_of_Time_(radio_program)" title="The March of Time (radio program)">radio version</a>.<a href="#cite_note-Bret_Wood-110">[100]</a>: 77  Houseman claimed that banker Walter P. Thatcher was loosely based on <a href="/wiki/J._P._Morgan" title="J. P. Morgan">J. P. Morgan</a>.<a href="#cite_note-Mulvey-51">[47]</a>: 55  Bernstein was named for Dr. Maurice Bernstein, appointed Welles's guardian;<a href="#cite_note-Welles_TIOW-22">[22]</a>: 65–66  Sloane's portrayal was said to be based on Bernard Herrmann.<a href="#cite_note-americancomposers-91">[83]</a> Herbert Carter, editor of The Inquirer, was named for actor <a href="/wiki/Jack_Carter_(actor)" title="Jack Carter (actor)">Jack Carter</a>.<a href="#cite_note-Higham-38">[35]</a>: 155  <div class="mw-heading mw-heading2"><h2 id="Political_themes">Political themes</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=19" title="Edit section: Political themes">edit</a>]</div> Laura Mulvey explored the anti-fascist themes of Citizen Kane in her 1992 monograph for the <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. The News on the March newsreel presents Kane keeping company with Hitler and other dictators while he smugly assures the public that there will be no war.<a href="#cite_note-McBride-111">[101]</a>: 44  She wrote that the film reflects "the battle between intervention and isolationism" then being waged in the United States; the film was released six months before the attack on Pearl Harbor, while President <a href="/wiki/Franklin_D._Roosevelt" title="Franklin D. Roosevelt">Franklin D. Roosevelt</a> was laboring to win public opinion for entering World War II. "In the rhetoric of Citizen Kane," Mulvey writes, "the destiny of isolationism is realised in metaphor: in Kane's own fate, dying wealthy and lonely, surrounded by the detritus of European culture and history."<a href="#cite_note-Mulvey-51">[47]</a>: 15  Journalist <a href="/wiki/Ignacio_Ramonet" title="Ignacio Ramonet">Ignacio Ramonet</a> has cited the film as an early example of <a href="/wiki/Mass_media" title="Mass media">mass</a> <a href="/wiki/Media_manipulation" title="Media manipulation">media manipulation</a> of public opinion and the power that media conglomerates have on influencing the democratic process. He believes that this early example of a media mogul influencing politics is outdated and that today "there are media groups with the power of a thousand Citizen Kanes."<a href="#cite_note-112">[102]</a><a href="#cite_note-113">[103]</a> Media mogul <a href="/wiki/Rupert_Murdoch" title="Rupert Murdoch">Rupert Murdoch</a> is sometimes labeled as a latter-day Citizen Kane.<a href="#cite_note-114">[104]</a><a href="#cite_note-115">[105]</a> Comparisons have also been made between the career and character of <a href="/wiki/Donald_Trump" title="Donald Trump">Donald Trump</a> and Charles Foster Kane.<a href="#cite_note-116">[106]</a><a href="#cite_note-117">[107]</a><a href="#cite_note-118">[108]</a> Citizen Kane is reported to be one of Trump's favorite films, and his biographer <a href="/wiki/Timothy_L._O%27Brien" title="Timothy L. O'Brien">Tim O'Brien</a> has said that Trump is fascinated by and identifies with Kane.<a href="#cite_note-119">[109]</a> In an interview with filmmaker <a href="/wiki/Errol_Morris" title="Errol Morris">Errol Morris</a>, Trump explained his own interpretation of the film's themes, saying "You learn in 'Kane' maybe wealth isn't everything, because he had the wealth but he didn't have the happiness. In real life I believe that wealth does in fact isolate you from other people. It's a protective mechanism — you have your guard up much more so [than] if you didn't have wealth...Perhaps I can understand that."<a href="#cite_note-120">[110]</a> <div class="mw-heading mw-heading2"><h2 id="Pre-release_controversy">Pre-release controversy</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=20" title="Edit section: Pre-release controversy">edit</a>]</div> To ensure that Hearst's life's influence on Citizen Kane was a secret, Welles limited access to <a href="/wiki/Dailies" title="Dailies">dailies</a> and managed the film's publicity. A December 1940 feature story in Stage magazine compared the film's narrative to <a href="/wiki/Faust" title="Faust">Faust</a> and made no mention of Hearst.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111  The film was scheduled to premiere at RKO's flagship theater <a href="/wiki/Radio_City_Music_Hall" title="Radio City Music Hall">Radio City Music Hall</a> on February 14, but in early January 1941 Welles was not finished with post-production work and told RKO that it still needed its musical score.<a href="#cite_note-Leaming_OW-21">[21]</a>: 205  Writers for national magazines had early deadlines and so a rough cut was previewed for a select few on January 3, 1941<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111  for such magazines as <a href="/wiki/Life_(magazine)" title="Life (magazine)">Life</a>, <a href="/wiki/Look_(American_magazine)" title="Look (American magazine)">Look</a> and <a href="/wiki/Redbook" title="Redbook">Redbook</a>. Gossip columnist <a href="/wiki/Hedda_Hopper" title="Hedda Hopper">Hedda Hopper</a> (an arch-rival of <a href="/wiki/Louella_Parsons" title="Louella Parsons">Louella Parsons</a>, the Hollywood correspondent for Hearst papers) showed up to the screening uninvited. Most of the critics at the preview said that they liked the film and gave it good advanced reviews. Hopper wrote negatively about it, calling the film a "vicious and irresponsible attack on a great man" and criticizing its corny writing and old fashioned photography.<a href="#cite_note-Leaming_OW-21">[21]</a>: 205  Friday magazine ran an article drawing point-by-point comparisons between Kane and Hearst and documented how Welles had led on Parsons.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111  Up until this Welles had been friendly with Parsons. The magazine quoted Welles as saying that he could not understand why she was so nice to him and that she should "wait until the woman finds out that the picture's about her boss." Welles immediately denied making the statement and the editor of Friday admitted that it might be false. Welles apologized to Parsons and assured her that he had never made that remark.<a href="#cite_note-Leaming_OW-21">[21]</a>: 205  <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Louella-Parsons-1937.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Louella-Parsons-1937.jpg/170px-Louella-Parsons-1937.jpg" decoding="async" width="170" height="234" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Louella-Parsons-1937.jpg/255px-Louella-Parsons-1937.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/98/Louella-Parsons-1937.jpg/340px-Louella-Parsons-1937.jpg 2x" data-file-width="2000" data-file-height="2754" /></a><figcaption>Film columnist and Hearst employee <a href="/wiki/Louella_Parsons" title="Louella Parsons">Louella Parsons</a> was humiliated by Citizen Kane and made numerous threats to prevent the film's release.</figcaption></figure> Shortly after Friday's article, Hearst sent Parsons an angry letter complaining that he had learned about Citizen Kane from Hopper and not her. The incident made a fool of Parsons and compelled her to start attacking Welles and the film. Parsons demanded a private screening of the film and personally threatened Schaefer on Hearst's behalf, first with a lawsuit and then with a vague threat of consequences for everyone in Hollywood. On January 10 Parsons and two lawyers working for Hearst were given a private screening of the film.<a href="#cite_note-Leaming_OW-21">[21]</a>: 206  James G. Stewart was present at the screening and said that she walked out of the film.<a href="#cite_note-Directors_in_Action-44">[40]</a>: 11  Soon after, Parsons called Schaefer and threatened RKO with a lawsuit if they released Kane.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111  She also contacted the management of Radio City Music Hall and demanded that they should not screen it.<a href="#cite_note-Leaming_OW-21">[21]</a>: 206  The next day, the front page headline in Daily Variety read, "HEARST BANS RKO FROM PAPERS."<a href="#cite_note-dailyvariety-121">[111]</a> Hearst began this ban by suppressing promotion of RKO's <a href="/wiki/Kitty_Foyle_(film)" title="Kitty Foyle (film)">Kitty Foyle</a>,<a href="#cite_note-Schatz-81">[73]</a>: 94  but in two weeks the ban was lifted for everything except Kane.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111  When Schaefer did not submit to Parsons she called other studio heads and made more threats on behalf of Hearst to expose the private lives of people throughout the entire film industry.<a href="#cite_note-Leaming_OW-21">[21]</a>: 206  Welles was then threatened with an exposé about his romance with the married actress <a href="/wiki/Dolores_del_R%C3%ADo" title="Dolores del Río">Dolores del Río</a>, who wanted the affair kept secret until her divorce was finalized.<a href="#cite_note-Leaming_OW-21">[21]</a>: 207  In a statement to journalists Welles denied that the film was about Hearst. Hearst began preparing an injunction against the film for libel and invasion of privacy, but Welles's lawyer told him that he doubted Hearst would proceed due to the negative publicity and required testimony that an injunction would bring.<a href="#cite_note-Leaming_OW-21">[21]</a>: 209  <a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a> ran a front-page story on January 13 that Hearst papers were about to run a series of editorials attacking Hollywood's practice of hiring refugees and immigrants for jobs that could be done by Americans. The goal was to put pressure on the other studios to force RKO to shelve Kane.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111  Many of those immigrants had fled Europe after the rise of fascism and feared losing the haven of the United States.<a href="#cite_note-Leaming_OW-21">[21]</a>: 209  Soon afterwards, Schaefer was approached by <a href="/wiki/Nicholas_Schenck" title="Nicholas Schenck">Nicholas Schenck</a>, head of <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a>'s parent company, with an offer on the behalf of <a href="/wiki/Louis_B._Mayer" title="Louis B. Mayer">Louis B. Mayer</a> and other Hollywood executives to RKO Pictures of $805,000 to destroy all prints of the film and burn the negative.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 111–112 <a href="#cite_note-thomson2001-122">[112]</a> Once RKO's legal team reassured Schaefer, the studio announced on January 21 that Kane would be released as scheduled, and with one of the largest promotional campaigns in the studio's history. Schaefer brought Welles to New York City for a private screening of the film with the New York corporate heads of the studios and their lawyers.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 112  There was no objection to its release provided that certain changes, including the removal or softening of specific references that might offend Hearst, were made.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 112–113  Welles agreed and cut the running time from 122 minutes to 119 minutes. The cuts satisfied the corporate lawyers.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 113  <div class="mw-heading mw-heading2"><h2 id="Trailer">Trailer</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=21" title="Edit section: Trailer">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Citizen_Kane_trailer" title="Citizen Kane trailer">Citizen Kane trailer</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><video id="mwe_player_0" poster="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/Citizen_Kane_Trailer_%281940%29.webm/220px--Citizen_Kane_Trailer_%281940%29.webm.jpg" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="220" height="161" data-durationhint="226" data-mwtitle="Citizen_Kane_Trailer_(1940).webm" data-mwprovider="wikimediacommons" resource="/wiki/File:Citizen_Kane_Trailer_(1940).webm"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/be/Citizen_Kane_Trailer_%281940%29.webm/Citizen_Kane_Trailer_%281940%29.webm.480p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="480p.vp9.webm" data-width="654" data-height="480" /><source src="//upload.wikimedia.org/wikipedia/commons/b/be/Citizen_Kane_Trailer_%281940%29.webm" type="video/webm; codecs="vp9, opus"" data-width="654" data-height="480" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/be/Citizen_Kane_Trailer_%281940%29.webm/Citizen_Kane_Trailer_%281940%29.webm.144p.mjpeg.mov" type="video/quicktime" data-transcodekey="144p.mjpeg.mov" data-width="196" data-height="144" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/be/Citizen_Kane_Trailer_%281940%29.webm/Citizen_Kane_Trailer_%281940%29.webm.240p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="240p.vp9.webm" data-width="328" data-height="240" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/be/Citizen_Kane_Trailer_%281940%29.webm/Citizen_Kane_Trailer_%281940%29.webm.360p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="360p.vp9.webm" data-width="490" data-height="360" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/be/Citizen_Kane_Trailer_%281940%29.webm/Citizen_Kane_Trailer_%281940%29.webm.360p.webm" type="video/webm; codecs="vp8, vorbis"" data-transcodekey="360p.webm" data-width="490" data-height="360" /><track src="https://commons.wikimedia.org/w/api.php?action=timedtext&title=File%3ACitizen_Kane_Trailer_%281940%29.webm&lang=en&trackformat=vtt&origin=%2A" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr" /></video><figcaption>The film's trailer</figcaption></figure> Now that the film was completed, RKO had to sell it to moviegoers. The usual method was for a studio film editor to compile a montage of highlights for a coming-attractions <a href="/wiki/Trailer_(promotion)" title="Trailer (promotion)">trailer</a>, which would be shown to audiences shortly before the film came to their local theater. The trailer for Citizen Kane was something special, and like the feature itself was radically different from the general run. It was really a pioneer of what is now known as a <a href="/wiki/Teaser_trailer" title="Teaser trailer">teaser trailer</a>, which piqued viewers' curiosity about the film without actually revealing any of the content. Written and directed by Welles at Toland's suggestion, the Citizen Kane trailer does not feature a single second of footage of the actual film itself, but acts as a wholly original, <a href="/wiki/Tongue-in-cheek" title="Tongue-in-cheek">tongue-in-cheek</a>, <a href="/wiki/Mockumentary" title="Mockumentary">pseudo-documentary</a> piece on the film's production.<a href="#cite_note-Lunches-41">[37]</a>: 230  Filmed at the same time as Citizen Kane itself, it offers the only existing behind-the-scenes footage of the film. The trailer, shot by staff cameraman Harry Wild instead of Toland, follows an unseen Welles as he provides narration for a tour around the film set, introductions to the film's core cast members, and a brief overview of Kane's character.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 360  The trailer also contains a number of trick shots, including one of <a href="/wiki/Everett_Sloane" title="Everett Sloane">Everett Sloane</a> appearing at first to be running into the camera, which turns out to be the reflection of the camera in a mirror.<a href="#cite_note-Aus_DVD_trailer-123">[113]</a> At the time, it was almost unprecedented for a film trailer to not actually feature anything of the film itself; and while Citizen Kane is frequently cited as a groundbreaking, influential film, <a href="/wiki/Simon_Callow" title="Simon Callow">Simon Callow</a> argues its trailer was no less original in its approach. Callow writes that it has "great playful charm ... it is a miniature <a href="/wiki/Documentary" class="mw-redirect" title="Documentary">documentary</a>, almost an introduction to the cinema ... Teasing, charming, completely original, it is a sort of conjuring trick: Without his face appearing once on the screen, Welles entirely dominates its five [sic] minutes' duration."<a href="#cite_note-Callow-26">[24]</a>: 558–9  <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=22" title="Edit section: Release">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen_Kane_poster,_1941_(Style_A).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Citizen_Kane_poster%2C_1941_%28Style_A%29.jpg/170px-Citizen_Kane_poster%2C_1941_%28Style_A%29.jpg" decoding="async" width="170" height="256" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Citizen_Kane_poster%2C_1941_%28Style_A%29.jpg/255px-Citizen_Kane_poster%2C_1941_%28Style_A%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Citizen_Kane_poster%2C_1941_%28Style_A%29.jpg/340px-Citizen_Kane_poster%2C_1941_%28Style_A%29.jpg 2x" data-file-width="1950" data-file-height="2937" /></a><figcaption>Theatrical release poster (Style A)</figcaption></figure> <a href="/wiki/Radio_City_Music_Hall" title="Radio City Music Hall">Radio City Music Hall</a>'s management refused to screen Citizen Kane for its premiere. A possible factor was Parsons's threat that <a href="/wiki/The_American_Weekly" title="The American Weekly">The American Weekly</a> would run a defamatory story on the grandfather of major RKO stockholder Nelson Rockefeller.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 115  Other exhibitors feared being sued for libel by Hearst and refused to show the film.<a href="#cite_note-Leaming_OW-21">[21]</a>: 216  In March Welles threatened the RKO board of governors with a lawsuit if they did not release the film. Schaefer stood by Welles and opposed the board of governors.<a href="#cite_note-Leaming_OW-21">[21]</a>: 210  When RKO still delayed the film's release Welles offered to buy the film for $1 million and the studio finally agreed to release the film on May 1.<a href="#cite_note-Leaming_OW-21">[21]</a>: 215  Schaefer managed to book a few theaters willing to show the film. Hearst papers refused to accept advertising.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 115  RKO's publicity advertisements for the film erroneously promoted it as a love story.<a href="#cite_note-Leaming_OW-21">[21]</a>: 217  Kane opened at the <a href="/wiki/RKO_Palace_Theatre" class="mw-redirect" title="RKO Palace Theatre">RKO Palace Theatre</a> on <a href="/wiki/Broadway_(Manhattan)" title="Broadway (Manhattan)">Broadway</a> in New York on May 1, 1941,<a href="#cite_note-AFIcat-13">[13]</a> in Chicago on May 6, and in Los Angeles on May 8.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 115  Welles said that at the Chicago premiere that he attended the theater was almost empty.<a href="#cite_note-Leaming_OW-21">[21]</a>: 216  <div class="mw-heading mw-heading3"><h3 id="Response_at_the_time_of_release">Response at the time of release</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=23" title="Edit section: Response at the time of release">edit</a>]</div> Critical reviews fell into three types: great, mixed, and negative. Most were in the first category. The day following the premiere of Citizen Kane, <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> critic <a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Bosley Crowther</a> wrote that "it comes close to being the most sensational film ever made in Hollywood... Count on Mr. Welles: he doesn't do things by halves. ... Upon the screen he discovered an area large enough for his expansive whims to have free play. And the consequence is that he has made a picture of tremendous and overpowering scope, not in physical extent so much as in its rapid and graphic rotation of thoughts. Mr. Welles has put upon the screen a motion picture that really moves".<a href="#cite_note-crowther19410502-124">[114]</a> <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a> called it "one of the most important films in the history" of filmmaking.<a href="#cite_note-125">[115]</a> <a href="/wiki/The_Washington_Evening_Star" class="mw-redirect" title="The Washington Evening Star">The Washington Evening Star</a> said Welles was a genius who created "a superbly dramatic biography of another genius" and "a picture that is revolutionary".<a href="#cite_note-126">[116]</a> <a href="/wiki/New_York_Daily_News" title="New York Daily News">New York Daily News</a> critic Kate Cameron called it "one of the most interesting and technically superior films that has ever come out of a Hollywood studio".<a href="#cite_note-Cameron-127">[117]</a> <a href="/wiki/New_York_World-Telegram" title="New York World-Telegram">New York World-Telegram</a> critic William Boehnel said that the film was "staggering and belongs at once among the greatest screen achievements".<a href="#cite_note-Boehnel-128">[118]</a> Time magazine wrote that "it has found important new techniques in picture-making and story-telling."<a href="#cite_note-Leaming_OW-21">[21]</a>: 211  <a href="/wiki/Life_(magazine)" title="Life (magazine)">Life</a> magazine's review said that "few movies have ever come from Hollywood with such powerful narrative, such original technique, such exciting photography."<a href="#cite_note-Leaming_OW-21">[21]</a>: 211  <a href="/wiki/John_Mosher_(writer)" title="John Mosher (writer)">John C. Mosher</a> of The New Yorker called the film's style "like fresh air" and raved "Something new has come to the movie world at last."<a href="#cite_note-Roberts-129">[119]</a>: 68  Anthony Bower of <a href="/wiki/The_Nation" title="The Nation">The Nation</a> called it "brilliant" and praised the cinematography and performances by Welles, Comingore and Cotten.<a href="#cite_note-130">[120]</a> <a href="/wiki/John_O%27Hara" title="John O'Hara">John O'Hara</a>'s <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a> review called it the best picture he'd ever seen and said Welles was "the best actor in the history of acting."<a href="#cite_note-Leaming_OW-21">[21]</a>: 211  Welles called O'Hara's review "the greatest review that anybody ever had."<a href="#cite_note-Lunches-41">[37]</a>: 100  In the UK <a href="/wiki/C._A._Lejeune" title="C. A. Lejeune">C. A. Lejeune</a> of <a href="/wiki/The_Observer" title="The Observer">The Observer</a> called it "The most exciting film that has come out of Hollywood in twenty-five years"<a href="#cite_note-131">[121]</a> and <a href="/wiki/Dilys_Powell" title="Dilys Powell">Dilys Powell</a> of <a href="/wiki/The_Sunday_Times" title="The Sunday Times">The Sunday Times</a> said the film's style was made "with the ease and boldness and resource of one who controls and is not controlled by his medium."<a href="#cite_note-Heylin-132">[122]</a>: 63  <a href="/wiki/Edward_Tangye_Lean" class="mw-redirect" title="Edward Tangye Lean">Edward Tangye Lean</a> of <a href="/wiki/Horizon_(British_magazine)" title="Horizon (British magazine)">Horizon</a> praised the film's technical style, calling it "perhaps a decade ahead of its contemporaries."<a href="#cite_note-133">[123]</a><a href="#cite_note-135">[k]</a> Other reviews were mixed. Edwin Schallert of the <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a> said it was brilliant and skillful at times, but had an ending that "rather fizzled".<a href="#cite_note-schallert19410509-136">[125]</a> The <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a> called the film interesting and different but "its sacrifice of simplicity to eccentricity robs it of distinction and general entertainment value".<a href="#cite_note-137">[126]</a> <a href="/wiki/Otis_Ferguson" title="Otis Ferguson">Otis Ferguson</a> of <a href="/wiki/The_New_Republic" title="The New Republic">The New Republic</a> said it was "the boldest free-hand stroke in major screen production since <a href="/wiki/D._W._Griffith" title="D. W. Griffith">Griffith</a> and <a href="/wiki/Billy_Bitzer" title="Billy Bitzer">Bitzer</a> were running wild to unshackle the camera", but also criticized its style, calling it a "retrogression in film technique" and stating that "it holds no great place" in film history.<a href="#cite_note-Ferguson-138">[127]</a> Ferguson reacted to some of the film's celebrated visual techniques by calling them "just willful dabbling" and "the old shell game." In a rare film review, filmmaker <a href="/wiki/Erich_von_Stroheim" title="Erich von Stroheim">Erich von Stroheim</a> criticized the film's story and non-linear structure, but praised the technical style and performances, and wrote "Whatever the truth may be about it, Citizen Kane is a great picture and will go down in screen history. More power to Welles!"<a href="#cite_note-139">[128]</a> Some prominent critics wrote negative reviews. None of them dismissed the film as being altogether bad, noting the film's undeniable technical effects, but they did find fault with the narrative. Eileen Creelman of <a href="/wiki/The_Sun_(New_York)" class="mw-redirect" title="The Sun (New York)">The New York Sun</a> called it "a cold picture, unemotional, a puzzle rather than a drama".<a href="#cite_note-Higham-38">[35]</a>: 178  In his 1941 review for <a href="/wiki/Sur_(magazine)" title="Sur (magazine)">Sur</a>, <a href="/wiki/Jorge_Luis_Borges" title="Jorge Luis Borges">Jorge Luis Borges</a> famously called the film "a labyrinth with no center" and predicted that its legacy would be a film "whose historical value is undeniable but which no one cares to see again."<a href="#cite_note-Borges-140">[129]</a> <a href="/wiki/The_Argus_(Australia)" class="mw-redirect" title="The Argus (Australia)">The Argus Weekend Magazine</a> critic Erle Cox called the film "amazing" but thought that Welles's break with Hollywood traditions was "overdone".<a href="#cite_note-141">[130]</a> <a href="/wiki/Tatler" title="Tatler">Tatler</a>'s <a href="/wiki/James_Agate" title="James Agate">James Agate</a> called it "the well-intentioned, muddled, amateurish thing one expects from high-brows";<a href="#cite_note-142">[131]</a> he admitted that it was "a quite good film" but insisted that it "tries to run the psychological essay in harness with your detective thriller, and doesn't quite succeed."<a href="#cite_note-143">[132]</a> Other people who disliked the film were <a href="/wiki/W._H._Auden" title="W. H. Auden">W. H. Auden</a><a href="#cite_note-Lunches-41">[37]</a>: 98  and <a href="/wiki/James_Agee" title="James Agee">James Agee</a>.<a href="#cite_note-Lunches-41">[37]</a>: 99  After watching the film on January 29, 1942, future British star <a href="/wiki/Kenneth_Williams" title="Kenneth Williams">Kenneth Williams</a>, then aged 15, curtly described the film in his first diary as "boshey rot".<a href="#cite_note-144">[133]</a> <div class="mw-heading mw-heading3"><h3 id="Reception_from_the_public">Reception from the public</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=24" title="Edit section: Reception from the public">edit</a>]</div> The film did well in cities and larger towns, but it fared poorly in more remote areas. RKO still had problems getting exhibitors to show the film. For example, one chain controlling more than 500 theaters got Welles's film as part of a package but refused to play it, reportedly out of fear of Hearst.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 117  Hearst's disruption of the film's release damaged its box office performance and, as a result, it lost $160,000 during its initial run.<a href="#cite_note-Jewell-145">[134]</a>: 164 <a href="#cite_note-rko-146">[135]</a> The film earned $23,878 during its first week in New York. By the ninth week it only made $7,279. Overall it lost money in New York, Boston, Chicago, Los Angeles, San Francisco and Washington, D.C., but made a profit in Seattle.<a href="#cite_note-Leaming_OW-21">[21]</a>: 216  Moviegoers who saw the picture generally spread negative word of mouth among their neighbors, and exhibitors in the United States and Canada weren't shy about voicing their reactions, as published in Motion Picture Herald. A few theater owners were discerning, recognizing the startling new techniques but conceding bad box office: "Is likely to make your auditorium resound from vacuousness like the giant stone walls in Kane's incredible castle. Box office or no box office, this unusual film is without doubt a step toward elevating the artistic plane of the motion picture in general."<a href="#cite_note-147">[136]</a> A college-town exhibitor reported, "I thought it was fine, as did the majority of people who attended the performances. However, there were some who either did not like it or did not get it. Business was just average."<a href="#cite_note-148">[137]</a> "Don't try to tell me Orson Welles isn't a genius; herein he has produced a mighty fine picture, and herewith he has established for me the lowest gross that I have ever, ever experienced. I would have sworn that such ridiculous receipts were utterly impossible. If you cater to film connoisseurs, this picture is made for you. But me, I hurt all over."<a href="#cite_note-149">[138]</a> Others were more blunt: "Nobody liked this and said so. We took in just enough to pay for it so considered ourselves very lucky."<a href="#cite_note-150">[139]</a> "One day after showing this we still feel hesitant about walking abroad without an escort. Half of the few dozen that paid to see this masterpiece walked out, and the other half remained only to think up new dirty cracks to cast in our direction on the way out."<a href="#cite_note-151">[140]</a> "High priced picture. But I made a little money on my help. They took off three days because they were afraid of being all alone in the theatre."<a href="#cite_note-152">[141]</a> "You can stand in front of a mirror and call yourself 'sucker' when you play this one. It does not have one redeeming feature. It will not draw; those that do come will not know what it is all about."<a href="#cite_note-153">[142]</a> A Minnesota exhibitor summed up the situation for rural areas: "My patrons still don't know what it was all about. Too long and too deep. No box office value to small towns."<a href="#cite_note-154">[143]</a> <div class="mw-heading mw-heading3"><h3 id="Hearst's_response">Hearst's response</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=25" title="Edit section: Hearst's response">edit</a>]</div> Hearing about Citizen Kane enraged Hearst so much that he banned any advertising, reviewing, or mentioning of it in his papers, and had his journalists <a href="/wiki/Libel" class="mw-redirect" title="Libel">libel</a> Welles.<a href="#cite_note-thomson2001-122">[112]</a> Welles used Hearst's opposition as a pretext for previewing the film in several opinion-making screenings in Los Angeles, lobbying for its artistic worth against the hostile campaign that Hearst was waging.<a href="#cite_note-thomson2001-122">[112]</a> A special press screening took place in early March. Henry Luce was in attendance and reportedly wanted to buy the film from RKO for $1 million to distribute it himself. The reviews for this screening were positive. A Hollywood Review headline read, "Mr. Genius Comes Through; 'Kane' Astonishing Picture". The Motion Picture Herald reported about the screening and Hearst's intention to sue RKO. Time magazine wrote that "The objection of Mr. Hearst, who founded a publishing empire on sensationalism, is ironic. For to most of the several hundred people who have seen the film at private screenings, Citizen Kane is the most sensational product of the U.S. movie industry." A second press screening occurred in April.<a href="#cite_note-Schatz-81">[73]</a>: 94  When Schaefer rejected Hearst's offer to suppress the film, Hearst banned every newspaper and station in his media <a href="/wiki/Conglomerate_(company)" title="Conglomerate (company)">conglomerate</a> from reviewing—or even mentioning—the film. He also had many movie theaters ban it, and many did not show it through fear of being socially exposed by his massive newspaper empire.<a href="#cite_note-Street,_Sarah_1996-155">[144]</a> The Oscar-nominated documentary <a href="/wiki/The_Battle_Over_Citizen_Kane" title="The Battle Over Citizen Kane">The Battle Over Citizen Kane</a> lays the blame for the film's relative failure squarely at the feet of Hearst. The film did decent business at the box office; it went on to be the sixth highest grossing film in its year of release, a modest success its backers found acceptable. Nevertheless, the film's commercial performance fell short of its creators' expectations.<a href="#cite_note-PBS-101">[92]</a> Hearst's biographer David Nasaw points out that Hearst's actions were not the only reason Kane failed, however: the innovations Welles made with narrative, as well as the dark message at the heart of the film (that the pursuit of success is ultimately futile) meant that a popular audience could not appreciate its merits.<a href="#cite_note-Nasaw-156">[145]</a>: 572–573  Hearst's attacks against Welles went beyond attempting to suppress the film. Welles said that while he was on his post-filming lecture tour a police detective approached him at a restaurant and advised him not to go back to his hotel. A 14-year-old girl had reportedly been hidden in the closet of his room, and two photographers were waiting for him to walk in. Knowing he would be jailed after the resulting publicity, Welles did not return to the hotel but waited until the train left town the following morning. "But that wasn't Hearst," Welles said, "that was a hatchet man from the local Hearst paper who thought he would advance himself by doing it."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 85–86  In March 1941, Welles directed a Broadway version of <a href="/wiki/Richard_Wright_(author)" title="Richard Wright (author)">Richard Wright</a>'s <a href="/wiki/Native_Son" title="Native Son">Native Son</a> (and, for luck, used a "Rosebud" sled as a prop). <a href="/wiki/Native_Son_(play)" title="Native Son (play)">Native Son</a> received positive reviews, but Hearst-owned papers used the opportunity to attack Welles as a communist.<a href="#cite_note-Leaming_OW-21">[21]</a>: 213  The Hearst papers vociferously attacked Welles after his April 1941 radio play, "His Honor, the Mayor",<a href="#cite_note-157">[146]</a> produced for The Free Company radio series on CBS.<a href="#cite_note-Bret_Wood-110">[100]</a>: 113 <a href="#cite_note-Wellesnet_His_Honor-158">[147]</a> Welles described his chance encounter with Hearst in an elevator at the <a href="/wiki/Fairmont_San_Francisco" title="Fairmont San Francisco">Fairmont Hotel</a> on the night Citizen Kane opened in San Francisco. Hearst and Welles's father were acquaintances, so Welles introduced himself and asked Hearst if he would like to come to the opening. Hearst did not respond. "As he was getting off at his floor, I said, 'Charles Foster Kane would have accepted.' No reply", recalled Welles. "And Kane would have, you know. That was his style—just as he finished Jed Leland's bad review of Susan as an opera singer."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 49–50 <a href="#cite_note-chawkins20120123-159">[148]</a> In 1945, Hearst journalist Robert Shaw wrote that the film got "a full tide of insensate fury" from Hearst papers, "then it ebbed suddenly. With one brain cell working, the chief realized that such hysterical barking by the trained seals would attract too much attention to the picture. But to this day the name of Orson Welles is on the official son-of-a-bitch list of every Hearst newspaper".<a href="#cite_note-Roberts-129">[119]</a>: 102  Despite Hearst's attempts to destroy the film, since 1941 references to his life and career have usually included a reference to Citizen Kane, such as the headline 'Son of Citizen Kane Dies' for the obituary of Hearst's son.<a href="#cite_note-160">[149]</a> In 2012, the Hearst estate agreed to screen the film at Hearst Castle in San Simeon, breaking Hearst's ban on the film.<a href="#cite_note-chawkins20120123-159">[148]</a> <div class="mw-heading mw-heading2"><h2 id="Contemporary_response">Contemporary response</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=26" title="Edit section: Contemporary response">edit</a>]</div> Modern critics have given Citizen Kane an even more positive response. Review aggregation website <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a> reports that 99% of 125 critics gave the film a positive review, with an average rating of 9.70/10. The site's critical consensus reads: "Orson Welles's epic tale of a publishing tycoon's rise and fall is entertaining, poignant, and inventive in its storytelling, earning its reputation as a landmark achievement in film."<a href="#cite_note-Rotten_Tomatoes-161">[150]</a> In April 2021, it was noted that the addition of an 80-year-old negative review from the <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a> reduced the film's rating from 100% to 99% on the site; Citizen Kane held its 100% rating until early 2021.<a href="#cite_note-162">[151]</a> On <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>, however, the film still has a rare weighted average score of 100 out of 100 based on 19 critics, indicating "universal acclaim".<a href="#cite_note-Metacritic-163">[152]</a> The film was included by the Vatican in <a href="/wiki/Vatican%27s_list_of_films" title="Vatican's list of films">a list of important films</a> compiled in 1995, under the category of "Art".<a href="#cite_note-164">[153]</a> <div class="mw-heading mw-heading3"><h3 id="Accolades">Accolades</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=27" title="Edit section: Accolades">edit</a>]</div> <table class="wikitable plainrowheaders"> <tbody><tr> <th>Award </th> <th>Category </th> <th>Nominee(s) </th> <th>Result </th></tr> <tr> <td rowspan="9"><a href="/wiki/14th_Academy_Awards" title="14th Academy Awards">Academy Awards</a><a href="#cite_note-Oscars1942-165">[154]</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Outstanding Motion Picture</a> </td> <td><a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Best Director</a> </td> <td rowspan="2"><a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Actor" title="Academy Award for Best Actor">Best Actor</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Best_Original_Screenplay" class="mw-redirect" title="Best Original Screenplay">Best Original Screenplay</a> </td> <td><a href="/wiki/Herman_J._Mankiewicz" title="Herman J. Mankiewicz">Herman J. Mankiewicz</a> and Orson Welles </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Production_Design" title="Academy Award for Best Production Design">Best Art Direction–Interior Decoration – Black-and-White</a> </td> <td><a href="/wiki/Perry_Ferguson" title="Perry Ferguson">Perry Ferguson</a>, <a href="/wiki/Van_Nest_Polglase" title="Van Nest Polglase">Van Nest Polglase</a>, <a href="/wiki/Al_Fields" class="mw-redirect" title="Al Fields">Al Fields</a> and <a href="/wiki/Darrell_Silvera" title="Darrell Silvera">Darrell Silvera</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Cinematography" title="Academy Award for Best Cinematography">Best Cinematography – Black-and-White</a> </td> <td><a href="/wiki/Gregg_Toland" title="Gregg Toland">Gregg Toland</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Film_Editing" title="Academy Award for Best Film Editing">Best Film Editing</a> </td> <td><a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Original_Score" title="Academy Award for Best Original Score">Best Scoring of a Dramatic Picture</a> </td> <td><a href="/wiki/Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound Recording</a> </td> <td><a href="/wiki/John_Aalberg" class="mw-redirect" title="John Aalberg">John Aalberg</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/DVD_Exclusive_Awards" title="DVD Exclusive Awards">DVD Exclusive Awards</a> </td> <td>Best Audio Commentary </td> <td><a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td rowspan="4"><a href="/wiki/National_Board_of_Review_Awards_1941" title="National Board of Review Awards 1941">National Board of Review Awards</a><a href="#cite_note-166">[155]</a><a href="#cite_note-167">[156]</a> </td> <td colspan="2"><a href="/wiki/National_Board_of_Review_Award_for_Best_Film" title="National Board of Review Award for Best Film">Best Film</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td colspan="2"><a href="/wiki/National_Board_of_Review:_Top_Ten_Films" title="National Board of Review: Top Ten Films">Top Ten Films</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td rowspan="2">Best Acting </td> <td><a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td>Orson Welles </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/National_Film_Preservation_Board" title="National Film Preservation Board">National Film Preservation Board</a> </td> <td colspan="2"><a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Inducted </td></tr> <tr> <td rowspan="3"><a href="/wiki/1941_New_York_Film_Critics_Circle_Awards" title="1941 New York Film Critics Circle Awards">New York Film Critics Circle Awards</a><a href="#cite_note-168">[157]</a> </td> <td colspan="2"><a href="/wiki/New_York_Film_Critics_Circle_Award_for_Best_Film" title="New York Film Critics Circle Award for Best Film">Best Film</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/New_York_Film_Critics_Circle_Award_for_Best_Director" title="New York Film Critics Circle Award for Best Director">Best Director</a> </td> <td rowspan="2">Orson Welles </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/New_York_Film_Critics_Circle_Award_for_Best_Actor" title="New York Film Critics Circle Award for Best Actor">Best Actor</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>Online Film & Television Association Awards </td> <td colspan="2">Hall of Fame – Motion Picture </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/Online_Film_Critics_Society_Awards_2001" title="Online Film Critics Society Awards 2001">Online Film Critics Society Awards</a> </td> <td colspan="2">Best Overall DVD </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/16th_Satellite_Awards" title="16th Satellite Awards">Satellite Awards</a> </td> <td><a href="/wiki/Satellite_Award_for_Best_Classic_DVD" title="Satellite Award for Best Classic DVD">Best Classic DVD</a> </td> <td>Citizen Kane: Ultimate Collector's Edition </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/38th_Saturn_Awards" title="38th Saturn Awards">Saturn Awards</a> </td> <td><a href="/wiki/Saturn_Award_for_Best_Special_Edition_DVD_Release" class="mw-redirect" title="Saturn Award for Best Special Edition DVD Release">Best DVD/Blu-Ray Special Edition Release</a> </td> <td>Citizen Kane: 70th Anniversary Ultimate Collector's Edition </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Village_Voice_Film_Poll" title="Village Voice Film Poll">Village Voice Film Poll</a> </td> <td colspan="2">Best Film of the Century </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr></tbody></table> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Citizen-Kane-Welles-Coulouris.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Citizen-Kane-Welles-Coulouris.jpg/220px-Citizen-Kane-Welles-Coulouris.jpg" decoding="async" width="220" height="168" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Citizen-Kane-Welles-Coulouris.jpg/330px-Citizen-Kane-Welles-Coulouris.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Citizen-Kane-Welles-Coulouris.jpg/440px-Citizen-Kane-Welles-Coulouris.jpg 2x" data-file-width="5516" data-file-height="4220" /></a><figcaption>The <a href="/wiki/National_Board_of_Review" title="National Board of Review">National Board of Review</a> recognized both Welles and <a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a> for their performances in Citizen Kane, which was also voted the best film of 1941.</figcaption></figure> It was widely believed the film would win most of its <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> nominations, but it received only the award for <a href="/wiki/Best_Original_Screenplay" class="mw-redirect" title="Best Original Screenplay">Best Original Screenplay</a>. Variety reported that block voting by screen extras deprived Citizen Kane of <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Best Picture</a> and <a href="/wiki/Academy_Award_for_Best_Actor" title="Academy Award for Best Actor">Best Actor</a>, and similar prejudices were likely to have been responsible for the film receiving no technical awards.<a href="#cite_note-Carringer_TMOCK-20">[20]</a>: 117 <a href="#cite_note-169">[158]</a> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=28" title="Edit section: Legacy">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Legacy_of_Citizen_Kane" title="Legacy of Citizen Kane">Legacy of Citizen Kane</a></div> Citizen Kane was the only film made under Welles's original contract with RKO Pictures, which gave him complete creative control.<a href="#cite_note-Leaming_OW-21">[21]</a>: 223  Welles's new business manager and attorney permitted the contract to lapse. In July 1941,<a href="#cite_note-170">[159]</a><a href="#cite_note-171">[160]</a> Welles reluctantly signed a new and less favorable deal with RKO<a href="#cite_note-Leaming_OW-21">[21]</a>: 223  under which he produced and directed <a href="/wiki/The_Magnificent_Ambersons_(film)" title="The Magnificent Ambersons (film)">The Magnificent Ambersons</a> (1942), produced <a href="/wiki/Journey_into_Fear_(1943_film)" title="Journey into Fear (1943 film)">Journey into Fear</a> (1943), and began <a href="/wiki/It%27s_All_True_(film)" title="It's All True (film)">It's All True</a>, a film he agreed to do without payment. In the new contract Welles was an employee of the studio<a href="#cite_note-172">[161]</a> and lost the right to final cut, which later allowed RKO to modify and re-cut The Magnificent Ambersons over his objections.<a href="#cite_note-Leaming_OW-21">[21]</a>: 223  In June 1942, Schaefer resigned the presidency of RKO Pictures and Welles's contract was terminated by <a href="/wiki/Charles_Koerner" title="Charles Koerner">his successor</a>.<a href="#cite_note-Wellesnet_Memos-66">[58]</a> The European release of Kane was delayed until after World War II, premiering in Paris in 1946. Initial reception by French critics was influenced by negative views from <a href="/wiki/Jean-Paul_Sartre" title="Jean-Paul Sartre">Jean-Paul Sartre</a> and <a href="/wiki/Georges_Sadoul" title="Georges Sadoul">Georges Sadoul</a>, who criticized Hollywood's cultural sophistication and the film's nostalgic use of flashbacks. However, critic <a href="/wiki/Andr%C3%A9_Bazin" title="André Bazin">André Bazin</a> delivered a transformative speech in 1946 that shifted public opinion. Bazin praised the film for its innovative use of mise-en-scène and deep focus <a href="/wiki/Cinematography" title="Cinematography">cinematography</a>, advocating for a filmic realism that allows audiences to engage more actively with the narrative. Bazin's essays, especially "The Technique of Citizen Kane," played a crucial role in enhancing the film's reputation, arguing it revolutionized film language and aesthetics. His defense of "Citizen Kane" as a work of art influenced other critics and contributed to a broader re-evaluation of the film in Europe and the United States.<a href="#cite_note-WIC-173">[162]</a>: 37  In the U.S., the film was initially neglected until it began appearing on television in the 1950s and was re-released in theaters. American film critic <a href="/wiki/Andrew_Sarris" title="Andrew Sarris">Andrew Sarris</a> was significant in reviving its reputation, describing it as a profoundly influential American film. Over the decades, "Citizen Kane" has been consistently ranked highly in critical surveys and polls, often cited as the greatest film ever made.<a href="#cite_note-all_time-5">[5]</a> The film's narrative structure, cinematography, and themes have influenced countless filmmakers and films worldwide, asserting its place as a cornerstone in the <a href="/wiki/History_of_cinema" class="mw-redirect" title="History of cinema">history of cinema</a>. Notable film directors and critics have acknowledged its impact on their work and the broader film landscape, underscoring its enduring legacy in both theory and practice.<a href="#cite_note-174">[163]</a> <div class="mw-heading mw-heading2"><h2 id="Rights_and_home_media">Rights and home media</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=29" title="Edit section: Rights and home media">edit</a>]</div> The composited camera negative of Citizen Kane is believed to be lost forever. The most commonly reported explanation is that it was destroyed in a New Jersey film laboratory fire in the 1970s. However, in 2021, <a href="/wiki/Nicolas_Falacci" title="Nicolas Falacci">Nicolas Falacci</a> revealed that he had been told "the real story" by a colleague, when he was one of two employees in the film restoration lab which assembled the 1991 "restoration" from the best available elements. Falacci noted that throughout the process he had daily visits in 1990-91 from an unnamed "older RKO executive showing up every day – nervous and sweating". According to Falacci's colleague, this elderly man was keen to cover up a clerical error he had made decades earlier when in charge of the studio's inventory, which had resulted in the original camera negatives being sent to a silver reclamation plant, destroying the <a href="/wiki/Nitrate_film" class="mw-redirect" title="Nitrate film">nitrate film</a> to extract its valuable silver content. Falacci's account is impossible to verify, but it would have been fully in keeping with industry standard practice for many decades, which was to destroy prints and negatives of countless older films deemed non-commercially viable, to extract the silver.<a href="#cite_note-175">[164]</a> Subsequent prints were derived from a master positive (a fine-grain preservation element) made in the 1940s and originally intended for use in overseas distribution.<a href="#cite_note-176">[165]</a> Modern techniques were used to produce a pristine print for a 50th Anniversary theatrical reissue in 1991 which <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a> released for then-owner <a href="/wiki/Turner_Broadcasting_System" title="Turner Broadcasting System">Turner Broadcasting System</a>,<a href="#cite_note-177">[166]</a> which earned $1.6 million in North America<a href="#cite_note-Mojo-178">[167]</a> and $1.8 million worldwide.<a href="#cite_note-Paducah-3">[3]</a> In 1955, RKO sold the American television rights to its film library, including Citizen Kane, to <a href="/wiki/C%26C_Group" title="C&C Group">C&C Television Corp.</a><a href="#cite_note-179">[168]</a> In 1960, television rights to the pre-1959 RKO's live-action library were acquired by <a href="/wiki/United_Artists" title="United Artists">United Artists</a>. RKO kept the non-broadcast television rights to its library.<a href="#cite_note-180">[169]</a> In 1976, when home video was in its infancy, entrepreneur <a href="/wiki/Snuff_Garrett" title="Snuff Garrett">Snuff Garrett</a> bought cassette rights to the RKO library for what <a href="/wiki/United_Press_International" title="United Press International">United Press International</a> termed "a pittance". In 1978 The Nostalgia Merchant released the film through <a href="/wiki/Media_Home_Entertainment" title="Media Home Entertainment">Media Home Entertainment</a>. By 1980 the 800-title library of The Nostalgia Merchant was earning $2.3 million a year. "Nobody wanted cassettes four years ago," Garrett told UPI. "It wasn't the first time people called me crazy. It was a hobby with me which became big business."<a href="#cite_note-181">[170]</a> RKO Home Video released the film on <a href="/wiki/VHS" title="VHS">VHS</a> and <a href="/wiki/Betamax" title="Betamax">Betamax</a> in 1985.<a href="#cite_note-182">[171]</a> On December 3, 1984, <a href="/wiki/The_Criterion_Collection" title="The Criterion Collection">The Criterion Collection</a> released the film as its first <a href="/wiki/LaserDisc" title="LaserDisc">LaserDisc</a>.<a href="#cite_note-183">[172]</a> It was made from a fine grain master positive provided by the <a href="/wiki/UCLA_Film_and_Television_Archive" title="UCLA Film and Television Archive">UCLA Film and Television Archive</a>.<a href="#cite_note-184">[173]</a> When told about the then-new concept of having an <a href="/wiki/Audio_commentary" title="Audio commentary">audio commentary</a> on the disc, Welles was skeptical but said "theoretically, that's good for teaching movies, so long as they don't talk nonsense."<a href="#cite_note-Lunches-41">[37]</a>: 283  In 1992 Criterion released a new 50th Anniversary Edition LaserDisc. This version had an improved transfer and additional special features, including the documentary The Legacy of Citizen Kane and Welles's early short "<a href="/wiki/The_Hearts_of_Age" title="The Hearts of Age">The Hearts of Age</a>".<a href="#cite_note-185">[174]</a> Turner Broadcasting System acquired broadcast television rights to the RKO library in 1986<a href="#cite_note-186">[175]</a> and the full worldwide rights to the library in 1987.<a href="#cite_note-187">[176]</a> The RKO Home Video unit was reorganized into Turner Home Entertainment that year.<a href="#cite_note-188">[177]</a> In 1991 Turner released a 50th Anniversary Edition on VHS and as a collector's edition that includes the film, the documentary Reflections On Citizen Kane, Harlan Lebo's 50th anniversary album, a poster and a copy of the original script.<a href="#cite_note-189">[178]</a> In 1996, <a href="/wiki/Time_Warner" class="mw-redirect" title="Time Warner">Time Warner</a> acquired Turner and <a href="/wiki/Warner_Home_Video" class="mw-redirect" title="Warner Home Video">Warner Home Video</a> absorbed Turner Home Entertainment.<a href="#cite_note-190">[179]</a> In 2011, <a href="/wiki/Time_Warner" class="mw-redirect" title="Time Warner">Time Warner</a>'s <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> unit had distribution rights for the film.<a href="#cite_note-191">[180]</a> In 2001, Warner Home Video released a 60th Anniversary Collectors Edition <a href="/wiki/DVD" title="DVD">DVD</a>. The two-disc DVD included feature-length commentaries by <a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> and <a href="/wiki/Peter_Bogdanovich" title="Peter Bogdanovich">Peter Bogdanovich</a>, as well as a second DVD with the feature-length documentary <a href="/wiki/The_Battle_Over_Citizen_Kane" title="The Battle Over Citizen Kane">The Battle Over Citizen Kane</a> (1999). It was simultaneously released on VHS.<a href="#cite_note-192">[181]</a><a href="#cite_note-193">[182]</a> The DVD was criticized for being "too bright, too clean; the dirt and grime had been cleared away, but so had a good deal of the texture, the depth, and the sense of film grain."<a href="#cite_note-Kaplan-194">[183]</a> In 2003, Welles's daughter Beatrice Welles sued Turner Entertainment, claiming the Welles estate is the legal <a href="/wiki/Copyright" title="Copyright">copyright</a> holder of the film. She claimed that Welles's deal to terminate his contracts with RKO meant that Turner's copyright of the film was null and void. She also claimed that the estate of Orson Welles was owed 20% of the film's profits if her copyright claim was not upheld. In 2007 she was allowed to proceed with the lawsuit, overturning the 2004 decision in favor of Turner Entertainment on the issue of video rights.<a href="#cite_note-195">[184]</a> In 2011, it was released on <a href="/wiki/Blu-ray" title="Blu-ray">Blu-ray</a> and DVD in a 70th Anniversary Edition.<a href="#cite_note-196">[185]</a> The <a href="/wiki/San_Francisco_Chronicle" title="San Francisco Chronicle">San Francisco Chronicle</a> called it "the Blu-ray release of the year."<a href="#cite_note-197">[186]</a> Supplements included everything available on the 2001 Warner Home Video release, including The Battle Over Citizen Kane DVD. A 70th Anniversary Ultimate Collector's Edition added a third DVD with <a href="/wiki/RKO_281" title="RKO 281">RKO 281</a> (1999), an award-winning <a href="/wiki/TV_movie" class="mw-redirect" title="TV movie">TV movie</a> about the making of the film. Its packaging extras included a hardcover book and a folio containing mini reproductions of the original souvenir program, lobby cards, and production memos and correspondence.<a href="#cite_note-198">[187]</a> The transfer for the US releases were scanned as <a href="/wiki/4K_resolution" title="4K resolution">4K resolution</a> from three different 35mm prints and rectified the quality issues of the 2001 DVD.<a href="#cite_note-Kaplan-194">[183]</a> The rest of the world continued to receive home video releases based on the older transfer. This was partially rectified in 2016 with the release of the 75th Anniversary Edition in both the UK and US, which was a straight repackaging of the main disc from the 70th Anniversary Edition.<a href="#cite_note-199">[188]</a><a href="#cite_note-200">[189]</a> On August 11, 2021 Criterion announced their first <a href="/wiki/Ultra_HD_Blu-ray" title="Ultra HD Blu-ray">4K Ultra HD</a> releases, a six-film slate, would include Citizen Kane. Criterion indicated each title was to be available in a combo pack including a 4K UHD disc of the feature film as well as the film and special features on the companion Blu-rays.<a href="#cite_note-201">[190]</a> Citizen Kane was released on November 23, 2021 by the collection as a 4K and 3-Blu-ray-disc package. However, the release was recalled because at the half-hour mark on the regular Blu-ray, the contrast fell sharply, which resulted in a much darker image than what was supposed to occur.<a href="#cite_note-202">[191]</a> However, this issue does not apply to the 4K version itself. <div class="mw-heading mw-heading3"><h3 id="Colorization_controversy">Colorization controversy</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=30" title="Edit section: Colorization controversy">edit</a>]</div> In the 1980s, Citizen Kane became a catalyst in the controversy over the <a href="/wiki/Film_colorization" title="Film colorization">colorization</a> of <a href="/wiki/Black-and-white" title="Black-and-white">black-and-white</a> films. One proponent of film colorization was <a href="/wiki/Ted_Turner" title="Ted Turner">Ted Turner</a>,<a href="#cite_note-203">[192]</a> whose Turner Entertainment Company owned the RKO library.<a href="#cite_note-204">[193]</a> A Turner Entertainment spokesperson initially stated that Citizen Kane would not be colorized,<a href="#cite_note-205">[194]</a> but in July 1988 Turner said, "Citizen Kane? I'm thinking of colorizing it."<a href="#cite_note-206">[195]</a> In early 1989 it was reported that two companies were producing color tests for Turner Entertainment. Criticism increased when filmmaker Henry Jaglom stated that shortly before his death Welles had implored him "don't let Ted Turner deface my movie with his crayons."<a href="#cite_note-207">[196]</a> In February 1989, Turner Entertainment President Roger Mayer announced that work to colorize the film had been stopped due to provisions in Welles's 1939 contract with RKO that "could be read to prohibit colorization without permission of the Welles estate."<a href="#cite_note-208">[197]</a> Mayer added that Welles's contract was "quite unusual" and "other contracts we have checked out are not like this at all."<a href="#cite_note-209">[198]</a> Turner had only colorized the final <a href="/wiki/Reel#Motion_picture_terminology" title="Reel">reel</a> of the film before abandoning the project. In 1991 one minute of the colorized test footage was included in the BBC <a href="/wiki/Arena_(UK_TV_series)" class="mw-redirect" title="Arena (UK TV series)">Arena</a> documentary The Complete Citizen Kane.<a href="#cite_note-210">[l]</a><a href="#cite_note-211">[199]</a> The colorization controversy was a factor in the passage of the <a href="/wiki/National_Film_Preservation_Act" title="National Film Preservation Act">National Film Preservation Act</a> in 1988 which created the National Film Registry the following year. <a href="/wiki/ABC_News_(United_States)" title="ABC News (United States)">ABC News</a> anchor <a href="/wiki/Peter_Jennings" title="Peter Jennings">Peter Jennings</a> reported that "one major reason for doing this is to require people like the broadcaster Ted Turner, who's been adding color to some movies and re-editing others for television, to put notices on those versions saying that the movies have been altered".<a href="#cite_note-212">[200]</a> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=31" title="Edit section: Bibliography">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 45em;"> <ul><li><a href="/wiki/Andr%C3%A9_Bazin" title="André Bazin">Bazin, André</a>. The Technique of Citizen Kane. Paris, France: Les Temps modernes 2, number 17, 1947. pp. 943–949.</li> <li>Biskind, Peter (ed.), Jaglom, Henry and Welles, Orson. My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles. New York: Metropolitan Books, 2013. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8050-9725-2" title="Special:BookSources/978-0-8050-9725-2">978-0-8050-9725-2</a>.</li> <li>Bogdanovich, Peter and Welles, Orson. <a href="/wiki/This_is_Orson_Welles" class="mw-redirect" title="This is Orson Welles">This is Orson Welles</a>. HarperPerennial 1992. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-06-092439-X" title="Special:BookSources/0-06-092439-X">0-06-092439-X</a></li> <li>Bogdanovich, Peter and Welles, Orson (uncredited). "The Kane Mutiny", in Esquire, October 1972.<a href="#cite_note-213">[m]</a><a href="#cite_note-215">[n]</a></li> <li>Brady, Frank. Citizen Welles: A Biography of Orson Welles. New York: Charles Scribner's Sons, 1989. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-385-26759-2" title="Special:BookSources/0-385-26759-2">0-385-26759-2</a>.</li> <li>Callow, Simon. Orson Welles: The Road to Xanadu. London: Jonathan Cape, 1995. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-224-03852-4" title="Special:BookSources/0-224-03852-4">0-224-03852-4</a></li> <li>Carringer, Robert L. The Making of Citizen Kane. Berkeley and Los Angeles: University of California Press, 1985. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-520-05367-2" title="Special:BookSources/0-520-05367-2">0-520-05367-2</a> hardcover; 1996 revised and updated edition <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-520-20567-7" title="Special:BookSources/0-520-20567-7">0-520-20567-7</a> paperback</li> <li>Carringer, Robert L. "The Scripts of Citizen Kane", in <a href="/wiki/Critical_Inquiry" title="Critical Inquiry">Critical Inquiry</a> No. 5, 1978.<a href="#cite_note-216">[o]</a><a href="#cite_note-217">[p]</a></li> <li>Cook, David A. A History of Narrative Film. W.W. Norton Company, 2004. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-393-97868-0" title="Special:BookSources/0-393-97868-0">0-393-97868-0</a></li> <li>Gottesman, Ronald (ed.). Focus on Citizen Kane. Englewood Cliffs, New Jersey: Prentice-Hall, 1976. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-13-949214-3" title="Special:BookSources/0-13-949214-3">0-13-949214-3</a></li> <li>Gottesman, Ronald (ed.). Perspectives on Citizen Kane. New York: G. K. Hall & Co., 1996. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8161-1616-4" title="Special:BookSources/978-0-8161-1616-4">978-0-8161-1616-4</a></li> <li>Heylin, Clinton. Despite the System: Orson Welles Versus the Hollywood Studios, Chicago Review Press, 2005. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-55652-547-8" title="Special:BookSources/1-55652-547-8">1-55652-547-8</a></li> <li>Howard, James. The Complete Films of Orson Welles. New York: Carol Publishing Group, 1991. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8065-1241-5" title="Special:BookSources/0-8065-1241-5">0-8065-1241-5</a>.</li> <li>Kael, Pauline, Welles, Orson and Mankiewicz, Herman J. The Citizen Kane Book. Boston: Little, Brown and Company, 1971.<a href="#cite_note-218">[q]</a></li> <li>Leaming, Barbara. Orson Welles, A Biography. New York: Viking Press, 1985. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-618-15446-3" title="Special:BookSources/978-0-618-15446-3">978-0-618-15446-3</a>.</li> <li>Meryman, Richard. Mank: The Wit, World and Life of Herman Mankiewicz. New York: William Morrow and Company, 1978. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-688-03356-9" title="Special:BookSources/978-0-688-03356-9">978-0-688-03356-9</a>.</li> <li>Mulvey, Laura. Citizen Kane. London: British Film Institute, 1992. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-85170-339-9" title="Special:BookSources/0-85170-339-9">0-85170-339-9</a></li> <li>Naremore, James (ed.). Orson Welles's Citizen Kane: A Casebook in Criticism. Oxford: Oxford University Press, 2004. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-515892-2" title="Special:BookSources/978-0-19-515892-2">978-0-19-515892-2</a></li> <li>Nasaw, David. The Chief: The Life of William Randolph Hearst. New York: Houghton Mifflin, 2000. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-618-15446-3" title="Special:BookSources/978-0-618-15446-3">978-0-618-15446-3</a></li> <li>Rippy, Marguerite H. Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective. Southern Illinois University Press, Illinois, 2009. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8093-2912-0" title="Special:BookSources/978-0-8093-2912-0">978-0-8093-2912-0</a></li> <li>Rosenbaum, Jonathan. "I Missed It at the Movies: Objections to 'Raising Kane'", in <a href="/wiki/Film_Comment" title="Film Comment">Film Comment</a>, Spring 1972.<a href="#cite_note-219">[r]</a></li> <li>Stern, Sydney Ladensohn. The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics. Jackson: University Press of Mississippi, 2019. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1617032677" title="Special:BookSources/978-1617032677">978-1617032677</a></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=32" title="Edit section: Notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width reflist-lower-alpha"> <ol class="references"> <li id="cite_note-23"><a href="#cite_ref-23">^</a> "I did a very elaborate production for [Heart of Darkness], such as I've never done again—never could," Welles said. "I shot my bolt on preproduction on that picture. We designed every camera setup and everything else—did enormous research in aboriginal, Stone Age cultures in order to reproduce what the story called for. I'm sorry not to have got the chance to do it."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 31  </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> Welles later used the subjective camera in The Magnificent Ambersons, in a sequence that was later all but eliminated because it did not work in that picture. "Heart of Darkness is one of the few stories that it's very well adapted to, because it relies so heavily on narration," Welles said. "The camera was going to be Marlow ... He's in the pilot house and he can see himself reflected in the glass through which you see the jungle. So it isn't that business of a hand-held camera mooching around pretending to walk like a man."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 31  </li> <li id="cite_note-36"><a href="#cite_ref-36">^</a> First published in <a href="/wiki/Critical_Inquiry" title="Critical Inquiry">Critical Inquiry</a>, "The Scripts of Citizen Kane" was described by Rosenbaum as "the definitive piece of scholarship on the authorship of Kane—and sadly one of the least well known". He wrote that many biographers may wrongly assume that Carringer included all of its facts in his later book, The Making of Citizen Kane.<a href="#cite_note-Discovering_OW-35">[33]</a>: 18, 247  </li> <li id="cite_note-39"><a href="#cite_ref-39">^</a> According to RKO records, Sloane was paid $2,400 for shaving his head.<a href="#cite_note-AFIcat-13">[13]</a> </li> <li id="cite_note-54"><a href="#cite_ref-54">^</a> Speaking to Bogdanovich, Welles corrects himself when speaking about who suggested the "test" shooting: "That was Toland's idea—no, it was Ferguson's idea, the art director."<a href="#cite_note-Welles_TIOW_1A-52">[48]</a>: 19:25–19:31  </li> <li id="cite_note-55"><a href="#cite_ref-55">^</a> "I used the whole Mercury cast, heavily disguised by darkness," Welles said. "And there they all are—if you look carefully, you can see them. Everybody in the movie is in it. ... Yes, I'm there."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 78  </li> <li id="cite_note-57"><a href="#cite_ref-57">^</a> No figures can be found for the cost of filming Susan's attempted suicide, but filming the nightclub scene was budgeted at $1,038 and cost $1,376.79.<a href="#cite_note-Lebo-56">[50]</a>: 74  </li> <li id="cite_note-63"><a href="#cite_ref-63">^</a> "It took nerve to shoot from down there, with that steel brace right in front of the camera, but I thought rightly that at that point they'd be looking at Leland and not at me."<a href="#cite_note-Welles_TIOW-22">[22]</a>: 61–62  </li> <li id="cite_note-100"><a href="#cite_ref-100">^</a> Welles states, "There's all that stuff about McCormick and the opera. I drew a lot from that from my Chicago days. And Samuel Insull." A known supporter of President Roosevelt, the fact that both McCormick and Hearst were opposed to FDR's successful attempts to control radio and moderate control of print may have been an incentive for Welles to use his film as a smear against both men.<a href="#cite_note-Welles_TIOW-22">[22]</a>: 49  </li> <li id="cite_note-103"><a href="#cite_ref-103">^</a> Charlie Lederer insisted that Hearst and Davies never saw Citizen Kane and condemned it based on the outrage of trusted friends, wrote his stepdaughter (and Welles's daughter) Chris Welles Feder. "In Charlie's view, Hearst was more distressed by the movie's insinuation ... that Marion was a failed and pathetic alcoholic that he was by any unflattering references to himself."<a href="#cite_note-Feder-102">[93]</a> </li> <li id="cite_note-135"><a href="#cite_ref-135">^</a> Kevin Brownlow believes that Lean's brother <a href="/wiki/David_Lean" title="David Lean">David</a> was influential on (if not co-writer of) this review. Years later Welles thanked David Lean for the article.<a href="#cite_note-134">[124]</a>: notes  </li> <li id="cite_note-210"><a href="#cite_ref-210">^</a> The colorized Citizen Kane footage appears at approximately 1:17:00. </li> <li id="cite_note-213"><a href="#cite_ref-213">^</a> Reprinted in Gottesman, Ronald (ed.). Focus on Citizen Kane. Englewood Cliffs, New Jersey: Prentice-Hall, 1976. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-13-949214-3" title="Special:BookSources/0-13-949214-3">0-13-949214-3</a> </li> <li id="cite_note-215"><a href="#cite_ref-215">^</a> Excerpted in "My Orson", Bogdanovich's new introduction to the second edition of This is Orson Welles<a href="#cite_note-Welles_TIOW2-214">[201]</a>: xxiv–xxvii  </li> <li id="cite_note-216"><a href="#cite_ref-216">^</a> Reprinted in Gottesman, Ronald (ed.). Perspectives on Citizen Kane. New York: G. K. Hall & Co., 1996. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8161-1616-4" title="Special:BookSources/978-0-8161-1616-4">978-0-8161-1616-4</a> </li> <li id="cite_note-217"><a href="#cite_ref-217">^</a> Reprinted in Naremore, James (ed.). Orson Welles's Citizen Kane: A Casebook in Criticism. Oxford: Oxford University Press, 2004. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-515892-2" title="Special:BookSources/978-0-19-515892-2">978-0-19-515892-2</a> </li> <li id="cite_note-218"><a href="#cite_ref-218">^</a> Contains Kael's controversial essay "<a href="/wiki/Raising_Kane" title="Raising Kane">Raising Kane</a>", originally printed in The New Yorker (February 20 and 27, 1971), as well as the full script by Mankiewicz and Welles. </li> <li id="cite_note-219"><a href="#cite_ref-219">^</a> Reprinted in Rosenbaum, Jonathan (ed.). Discovering Orson Welles. Berkeley: University of California Press, 2007, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-25123-6" title="Special:BookSources/978-0-520-25123-6">978-0-520-25123-6</a> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=33" title="Edit section: References">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://bbfc.co.uk/releases/citizen-kane-film">"Citizen Kane (A)"</a>. <a href="/wiki/British_Board_of_Film_Classification" title="British Board of Film Classification">British Board of Film Classification</a>. August 1, 1941. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160306060511/http://bbfc.co.uk/releases/citizen-kane-film">Archived</a> from the original on March 6, 2016. Retrieved December 23, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=British+Board+of+Film+Classification&rft.atitle=Citizen+Kane+%28A%29&rft.date=1941-08-01&rft_id=http%3A%2F%2Fbbfc.co.uk%2Freleases%2Fcitizen-kane-film&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-2"><a href="#cite_ref-2">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarringer1996" class="citation book cs1">Carringer, Robert L. (October 24, 1996). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=WEJDyUCS3S4C&pg=PA65">The Making of Citizen Kane, Revised Edition</a>. University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780520205673" title="Special:BookSources/9780520205673"><bdi>9780520205673</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201114035102/https://books.google.com/books?id=WEJDyUCS3S4C&pg=PA65&hl=en">Archived</a> from the original on November 14, 2020. Retrieved May 3, 2020 – via Google Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Making+of+Citizen+Kane%2C+Revised+Edition&rft.pub=University+of+California+Press&rft.date=1996-10-24&rft.isbn=9780520205673&rft.aulast=Carringer&rft.aufirst=Robert+L.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DWEJDyUCS3S4C%26pg%3DPA65&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Paducah-3">^ <a href="#cite_ref-Paducah_3-0">a</a> <a href="#cite_ref-Paducah_3-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas1992" class="citation news cs1">Thomas, Bob (August 3, 1992). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/427330404/">"Treasure trove: Recycling movie classics financial success for film studio"</a>. <a href="/wiki/The_Paducah_Sun" title="The Paducah Sun">The Paducah Sun</a>. p. 58. Retrieved April 21, 2022 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Paducah+Sun&rft.atitle=Treasure+trove%3A+Recycling+movie+classics+financial+success+for+film+studio&rft.pages=58&rft.date=1992-08-03&rft.aulast=Thomas&rft.aufirst=Bob&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F427330404%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-BOM-4"><a href="#cite_ref-BOM_4-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/title/tt0033467/">"Citizen Kane (1941)"</a>. Box Office Mojo. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170902180643/http://www.boxofficemojo.com/movies/?id=citizenkane.htm">Archived</a> from the original on September 2, 2017. Retrieved January 16, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Box+Office+Mojo&rft.atitle=Citizen+Kane+%281941%29&rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Ftitle%2Ftt0033467%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-all_time-5">^ <a href="#cite_ref-all_time_5-0">a</a> <a href="#cite_ref-all_time_5-1">b</a> <a href="/wiki/Sight_%26_Sound#The_Sight_and_Sound_Poll_of_the_Greatest_Films_of_All_Time" class="mw-redirect" title="Sight & Sound">The Sight & Sound Poll of the Greatest Films of All Time</a> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141008052443/http://old.bfi.org.uk/sightandsound/polls/topten/history/1952.html">"1952 Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/1952">the original</a> on October 8, 2014. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1952+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2F1952&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"As the Critics Like It". Sight & Sound. Vol. 22, no. 2. British Film Institute. October–December 1952. p. 58.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+%26+Sound&rft.atitle=As+the+Critics+Like+It&rft.volume=22&rft.issue=2&rft.pages=58&rft.date=1952-10%2F1952-12&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141008051815/http://old.bfi.org.uk/sightandsound/polls/topten/history/1962.html">"1962 Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/1962">the original</a> on October 8, 2014. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1962+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2F1962&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Top Ten". Sight & Sound. Vol. 31, no. 1. British Film Institute. Winter 1961–1962. p. 10.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+%26+Sound&rft.atitle=Top+Ten&rft.ssn=winter&rft.volume=31&rft.issue=1&rft.pages=10&rft.date=1961%2F1962&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141008052122/http://old.bfi.org.uk/sightandsound/polls/topten/history/1972.html">"1972 Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/1972">the original</a> on October 8, 2014. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1972+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2F1972&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Top Ten 72". Sight & Sound. Vol. 41, no. 1. British Film Institute. Winter 1971–1972. pp. 12–13.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+%26+Sound&rft.atitle=Top+Ten+72&rft.ssn=winter&rft.volume=41&rft.issue=1&rft.pages=12-13&rft.date=1971%2F1972&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141008062954/http://old.bfi.org.uk/sightandsound/polls/topten/history/1982.html">"1982 Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/1982">the original</a> on October 8, 2014. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1982+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2F1982&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Top Ten 1982". Sight & Sound. Vol. 51, no. 4. British Film Institute. Autumn 1982. p. 243.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+%26+Sound&rft.atitle=Top+Ten+1982&rft.ssn=fall&rft.volume=51&rft.issue=4&rft.pages=243&rft.date=1982&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20141008052127/http://old.bfi.org.uk/sightandsound/polls/topten/history/1992.html">"1992 Directors' and Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/1992">the original</a> on October 8, 2014. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1992+Directors%27+and+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2F1992&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Top Ten: 250 Verdicts". Sight & Sound. Vol. 2, no. 8. British Film Institute. December 1992. pp. 18–30.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+%26+Sound&rft.atitle=Top+Ten%3A+250+Verdicts&rft.volume=2&rft.issue=8&rft.pages=18-30&rft.date=1992-12&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130716131639/http://old.bfi.org.uk/sightandsound/polls/topten/">"2002 poll introduction"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/introduction">the original</a> on July 16, 2013. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=2002+poll+introduction&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2Fintroduction&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160813112813/http://old.bfi.org.uk/sightandsound/polls/topten/poll/critics-long.html">"2002 Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time">the original</a> on August 13, 2016. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=2002+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fgreatest-films-all-time&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170201155933/http://old.bfi.org.uk/sightandsound/polls/topten/poll/directors-long.html">"2002 Directors' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/directors-100-best">the original</a> on February 1, 2017. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=2002+Directors%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2Fdirectors-100-best&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time">"2012 Critics' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170301135739/http://www.bfi.org.uk/greatest-films-all-time">Archived</a> from the original on March 1, 2017. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=2012+Critics%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fgreatest-films-all-time&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time/directors-100-best">"2012 Directors' poll"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120811100640/http://www.bfi.org.uk/news/sight-sound-2012-directors-top-ten">Archived</a> from the original on August 11, 2012. Retrieved November 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=2012+Directors%27+poll&rft.pub=British+Film+Institute&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Fsight-and-sound%2Fpolls%2Fgreatest-films-all-time%2Fdirectors-100-best&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"></li></ul> </li> <li id="cite_note-6"><a href="#cite_ref-6">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bfi.org.uk/film/f4c92833-af39-5cd6-a41e-8df5933d0dc1/citizen-kane">"Citizen Kane (1941)"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Citizen+Kane+%281941%29&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Ffilm%2Ff4c92833-af39-5cd6-a41e-8df5933d0dc1%2Fcitizen-kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-7"><a href="#cite_ref-7">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlakemore2016" class="citation web cs1">Blakemore, Erin (March 30, 2016). <a rel="nofollow" class="external text" href="https://www.smithsonianmag.com/smart-news/how-hearst-tried-stop-citizen-kane-180958602/">"How Hearst Tried to Stop 'Citizen Kane'"</a>. Smithsonian Magazine. 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October 31, 2016. 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New York: <a href="/wiki/Charles_Scribner%27s_Sons" title="Charles Scribner's Sons">Charles Scribner's Sons</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-385-26759-2" title="Special:BookSources/0-385-26759-2"><bdi>0-385-26759-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Citizen+Welles%3A+A+Biography+of+Orson+Welles&rft.place=New+York&rft.pub=Charles+Scribner%27s+Sons&rft.date=1989&rft.isbn=0-385-26759-2&rft.aulast=Brady&rft.aufirst=Frank&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcitizenwellesbio00brad&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Carringer_TMOCK-20">^ <a href="#cite_ref-Carringer_TMOCK_20-0">a</a> <a href="#cite_ref-Carringer_TMOCK_20-1">b</a> <a href="#cite_ref-Carringer_TMOCK_20-2">c</a> <a href="#cite_ref-Carringer_TMOCK_20-3">d</a> <a href="#cite_ref-Carringer_TMOCK_20-4">e</a> <a href="#cite_ref-Carringer_TMOCK_20-5">f</a> <a href="#cite_ref-Carringer_TMOCK_20-6">g</a> <a href="#cite_ref-Carringer_TMOCK_20-7">h</a> <a href="#cite_ref-Carringer_TMOCK_20-8">i</a> <a href="#cite_ref-Carringer_TMOCK_20-9">j</a> <a href="#cite_ref-Carringer_TMOCK_20-10">k</a> <a href="#cite_ref-Carringer_TMOCK_20-11">l</a> <a href="#cite_ref-Carringer_TMOCK_20-12">m</a> <a href="#cite_ref-Carringer_TMOCK_20-13">n</a> <a href="#cite_ref-Carringer_TMOCK_20-14">o</a> <a href="#cite_ref-Carringer_TMOCK_20-15">p</a> <a href="#cite_ref-Carringer_TMOCK_20-16">q</a> <a href="#cite_ref-Carringer_TMOCK_20-17">r</a> <a href="#cite_ref-Carringer_TMOCK_20-18">s</a> <a href="#cite_ref-Carringer_TMOCK_20-19">t</a> <a href="#cite_ref-Carringer_TMOCK_20-20">u</a> <a href="#cite_ref-Carringer_TMOCK_20-21">v</a> <a href="#cite_ref-Carringer_TMOCK_20-22">w</a> <a href="#cite_ref-Carringer_TMOCK_20-23">x</a> <a href="#cite_ref-Carringer_TMOCK_20-24">y</a> <a href="#cite_ref-Carringer_TMOCK_20-25">z</a> <a href="#cite_ref-Carringer_TMOCK_20-26">aa</a> <a href="#cite_ref-Carringer_TMOCK_20-27">ab</a> <a href="#cite_ref-Carringer_TMOCK_20-28">ac</a> <a href="#cite_ref-Carringer_TMOCK_20-29">ad</a> <a href="#cite_ref-Carringer_TMOCK_20-30">ae</a> <a href="#cite_ref-Carringer_TMOCK_20-31">af</a> <a href="#cite_ref-Carringer_TMOCK_20-32">ag</a> <a href="#cite_ref-Carringer_TMOCK_20-33">ah</a> <a href="#cite_ref-Carringer_TMOCK_20-34">ai</a> <a href="#cite_ref-Carringer_TMOCK_20-35">aj</a> <a href="#cite_ref-Carringer_TMOCK_20-36">ak</a> <a href="#cite_ref-Carringer_TMOCK_20-37">al</a> <a href="#cite_ref-Carringer_TMOCK_20-38">am</a> <a href="#cite_ref-Carringer_TMOCK_20-39">an</a> <a href="#cite_ref-Carringer_TMOCK_20-40">ao</a> <a href="#cite_ref-Carringer_TMOCK_20-41">ap</a> <a href="#cite_ref-Carringer_TMOCK_20-42">aq</a> <a href="#cite_ref-Carringer_TMOCK_20-43">ar</a> <a href="#cite_ref-Carringer_TMOCK_20-44">as</a> <a href="#cite_ref-Carringer_TMOCK_20-45">at</a> <a href="#cite_ref-Carringer_TMOCK_20-46">au</a> <a href="#cite_ref-Carringer_TMOCK_20-47">av</a> <a href="#cite_ref-Carringer_TMOCK_20-48">aw</a> <a href="#cite_ref-Carringer_TMOCK_20-49">ax</a> <a href="#cite_ref-Carringer_TMOCK_20-50">ay</a> <a href="#cite_ref-Carringer_TMOCK_20-51">az</a> <a href="#cite_ref-Carringer_TMOCK_20-52">ba</a> <a href="#cite_ref-Carringer_TMOCK_20-53">bb</a> <a href="#cite_ref-Carringer_TMOCK_20-54">bc</a> <a href="#cite_ref-Carringer_TMOCK_20-55">bd</a> <a href="#cite_ref-Carringer_TMOCK_20-56">be</a> <a href="#cite_ref-Carringer_TMOCK_20-57">bf</a> <a href="#cite_ref-Carringer_TMOCK_20-58">bg</a> <a href="#cite_ref-Carringer_TMOCK_20-59">bh</a> <a href="#cite_ref-Carringer_TMOCK_20-60">bi</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarringer1985" class="citation book cs1">Carringer, Robert L. 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Berkeley and Los Angeles: <a href="/wiki/University_of_California_Press" title="University of California Press">University of California Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-20567-3" title="Special:BookSources/978-0-520-20567-3"><bdi>978-0-520-20567-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Making+of+Citizen+Kane&rft.place=Berkeley+and+Los+Angeles&rft.pub=University+of+California+Press&rft.date=1985&rft.isbn=978-0-520-20567-3&rft.aulast=Carringer&rft.aufirst=Robert+L.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmakingofcitizenk00carr&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Leaming_OW-21">^ <a href="#cite_ref-Leaming_OW_21-0">a</a> <a href="#cite_ref-Leaming_OW_21-1">b</a> <a href="#cite_ref-Leaming_OW_21-2">c</a> <a href="#cite_ref-Leaming_OW_21-3">d</a> <a href="#cite_ref-Leaming_OW_21-4">e</a> <a href="#cite_ref-Leaming_OW_21-5">f</a> <a href="#cite_ref-Leaming_OW_21-6">g</a> <a href="#cite_ref-Leaming_OW_21-7">h</a> <a href="#cite_ref-Leaming_OW_21-8">i</a> <a href="#cite_ref-Leaming_OW_21-9">j</a> <a href="#cite_ref-Leaming_OW_21-10">k</a> <a href="#cite_ref-Leaming_OW_21-11">l</a> <a href="#cite_ref-Leaming_OW_21-12">m</a> <a href="#cite_ref-Leaming_OW_21-13">n</a> <a href="#cite_ref-Leaming_OW_21-14">o</a> <a href="#cite_ref-Leaming_OW_21-15">p</a> <a href="#cite_ref-Leaming_OW_21-16">q</a> <a href="#cite_ref-Leaming_OW_21-17">r</a> <a href="#cite_ref-Leaming_OW_21-18">s</a> <a href="#cite_ref-Leaming_OW_21-19">t</a> <a href="#cite_ref-Leaming_OW_21-20">u</a> <a href="#cite_ref-Leaming_OW_21-21">v</a> <a href="#cite_ref-Leaming_OW_21-22">w</a> <a href="#cite_ref-Leaming_OW_21-23">x</a> <a href="#cite_ref-Leaming_OW_21-24">y</a> <a href="#cite_ref-Leaming_OW_21-25">z</a> <a href="#cite_ref-Leaming_OW_21-26">aa</a> <a href="#cite_ref-Leaming_OW_21-27">ab</a> <a href="#cite_ref-Leaming_OW_21-28">ac</a> <a href="#cite_ref-Leaming_OW_21-29">ad</a> <a href="#cite_ref-Leaming_OW_21-30">ae</a> <a href="#cite_ref-Leaming_OW_21-31">af</a> <a href="#cite_ref-Leaming_OW_21-32">ag</a> <a href="#cite_ref-Leaming_OW_21-33">ah</a> <a href="#cite_ref-Leaming_OW_21-34">ai</a> <a href="#cite_ref-Leaming_OW_21-35">aj</a> <a href="#cite_ref-Leaming_OW_21-36">ak</a> <a href="#cite_ref-Leaming_OW_21-37">al</a> <a href="#cite_ref-Leaming_OW_21-38">am</a> <a href="#cite_ref-Leaming_OW_21-39">an</a> <a href="#cite_ref-Leaming_OW_21-40">ao</a> <a href="#cite_ref-Leaming_OW_21-41">ap</a> <a href="#cite_ref-Leaming_OW_21-42">aq</a> <a href="#cite_ref-Leaming_OW_21-43">ar</a> <a href="#cite_ref-Leaming_OW_21-44">as</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLeaming1985" class="citation book cs1">Leaming, Barbara (1985). <a rel="nofollow" class="external text" href="https://archive.org/details/orsonwellesbiogr00leam">Orson Welles, A Biography</a>. New York: <a href="/wiki/Viking_Press" title="Viking Press">Viking Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-618-15446-3" title="Special:BookSources/978-0-618-15446-3"><bdi>978-0-618-15446-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orson+Welles%2C+A+Biography&rft.place=New+York&rft.pub=Viking+Press&rft.date=1985&rft.isbn=978-0-618-15446-3&rft.aulast=Leaming&rft.aufirst=Barbara&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Forsonwellesbiogr00leam&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Welles_TIOW-22">^ <a href="#cite_ref-Welles_TIOW_22-0">a</a> <a href="#cite_ref-Welles_TIOW_22-1">b</a> <a href="#cite_ref-Welles_TIOW_22-2">c</a> <a href="#cite_ref-Welles_TIOW_22-3">d</a> <a href="#cite_ref-Welles_TIOW_22-4">e</a> <a href="#cite_ref-Welles_TIOW_22-5">f</a> <a href="#cite_ref-Welles_TIOW_22-6">g</a> <a href="#cite_ref-Welles_TIOW_22-7">h</a> <a href="#cite_ref-Welles_TIOW_22-8">i</a> <a href="#cite_ref-Welles_TIOW_22-9">j</a> <a href="#cite_ref-Welles_TIOW_22-10">k</a> <a href="#cite_ref-Welles_TIOW_22-11">l</a> <a href="#cite_ref-Welles_TIOW_22-12">m</a> <a href="#cite_ref-Welles_TIOW_22-13">n</a> <a href="#cite_ref-Welles_TIOW_22-14">o</a> <a href="#cite_ref-Welles_TIOW_22-15">p</a> <a href="#cite_ref-Welles_TIOW_22-16">q</a> <a href="#cite_ref-Welles_TIOW_22-17">r</a> <a href="#cite_ref-Welles_TIOW_22-18">s</a> <a href="#cite_ref-Welles_TIOW_22-19">t</a> <a href="#cite_ref-Welles_TIOW_22-20">u</a> <a href="#cite_ref-Welles_TIOW_22-21">v</a> <a href="#cite_ref-Welles_TIOW_22-22">w</a> <a href="#cite_ref-Welles_TIOW_22-23">x</a> <a href="#cite_ref-Welles_TIOW_22-24">y</a> <a href="#cite_ref-Welles_TIOW_22-25">z</a> <a href="#cite_ref-Welles_TIOW_22-26">aa</a> <a href="#cite_ref-Welles_TIOW_22-27">ab</a> <a href="#cite_ref-Welles_TIOW_22-28">ac</a> <a href="#cite_ref-Welles_TIOW_22-29">ad</a> <a href="#cite_ref-Welles_TIOW_22-30">ae</a> <a href="#cite_ref-Welles_TIOW_22-31">af</a> <a href="#cite_ref-Welles_TIOW_22-32">ag</a> <a href="#cite_ref-Welles_TIOW_22-33">ah</a> <a href="#cite_ref-Welles_TIOW_22-34">ai</a> <a href="#cite_ref-Welles_TIOW_22-35">aj</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWellesBogdanovichRosenbaum1992" class="citation book cs1"><a href="/wiki/Orson_Welles" title="Orson Welles">Welles, Orson</a>; <a href="/wiki/Peter_Bogdanovich" title="Peter Bogdanovich">Bogdanovich, Peter</a>; <a href="/wiki/Jonathan_Rosenbaum" title="Jonathan Rosenbaum">Rosenbaum, Jonathan</a> (1992). <a href="/wiki/This_is_Orson_Welles" class="mw-redirect" title="This is Orson Welles">This is Orson Welles</a>. New York: <a href="/wiki/HarperCollins" title="HarperCollins">HarperCollins</a> Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-06-016616-9" title="Special:BookSources/0-06-016616-9"><bdi>0-06-016616-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=This+is+Orson+Welles&rft.place=New+York&rft.pub=HarperCollins+Publishers&rft.date=1992&rft.isbn=0-06-016616-9&rft.aulast=Welles&rft.aufirst=Orson&rft.au=Bogdanovich%2C+Peter&rft.au=Rosenbaum%2C+Jonathan&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Meryman-25">^ <a href="#cite_ref-Meryman_25-0">a</a> <a href="#cite_ref-Meryman_25-1">b</a> <a href="#cite_ref-Meryman_25-2">c</a> <a href="#cite_ref-Meryman_25-3">d</a> <a href="#cite_ref-Meryman_25-4">e</a> <a href="#cite_ref-Meryman_25-5">f</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMeryman1978" class="citation book cs1"><a href="/wiki/Richard_Meryman" title="Richard Meryman">Meryman, Richard</a> (1978). <a rel="nofollow" class="external text" href="https://archive.org/details/mankwitworldlife00mery">Mank: The Wit, World and Life of Herman Mankiewicz</a>. New York: <a href="/wiki/William_Morrow_and_Company" title="William Morrow and Company">William Morrow and Company</a>, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-688-03356-9" title="Special:BookSources/978-0-688-03356-9"><bdi>978-0-688-03356-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mank%3A+The+Wit%2C+World+and+Life+of+Herman+Mankiewicz&rft.place=New+York&rft.pub=William+Morrow+and+Company%2C+Inc.&rft.date=1978&rft.isbn=978-0-688-03356-9&rft.aulast=Meryman&rft.aufirst=Richard&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmankwitworldlife00mery&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Callow-26">^ <a href="#cite_ref-Callow_26-0">a</a> <a href="#cite_ref-Callow_26-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCallow1996" class="citation book cs1"><a href="/wiki/Simon_Callow" title="Simon Callow">Callow, Simon</a> (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/orsonwellesvolum00simo">Orson Welles: The Road to Xanadu</a>. New York: <a href="/wiki/Viking" class="mw-redirect" title="Viking">Viking</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-670-86722-6" title="Special:BookSources/978-0-670-86722-6"><bdi>978-0-670-86722-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orson+Welles%3A+The+Road+to+Xanadu&rft.place=New+York&rft.pub=Viking&rft.date=1996&rft.isbn=978-0-670-86722-6&rft.aulast=Callow&rft.aufirst=Simon&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Forsonwellesvolum00simo&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStern2019" class="citation book cs1">Stern, Sydney Ladensohn (2019). The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics. Jackson: University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1617032677" title="Special:BookSources/978-1617032677"><bdi>978-1617032677</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Brothers+Mankiewicz%3A+Hope%2C+Heartbreak%2C+and+Hollywood+Classics&rft.place=Jackson&rft.pub=University+Press+of+Mississippi&rft.date=2019&rft.isbn=978-1617032677&rft.aulast=Stern&rft.aufirst=Sydney+Ladensohn&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Whaley-28">^ <a href="#cite_ref-Whaley_28-0">a</a> <a href="#cite_ref-Whaley_28-1">b</a> <a href="#cite_ref-Whaley_28-2">c</a> <a href="#cite_ref-Whaley_28-3">d</a> <a href="#cite_ref-Whaley_28-4">e</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhaley2005" class="citation book cs1">Whaley, Barton (2005). <a rel="nofollow" class="external text" href="https://www.lybrary.com/orson-welles-the-man-who-was-magic-p-400.html">Orson Welles: The Man Who Was Magic</a>. Lybrary.com. <a href="/wiki/ASIN_(identifier)" class="mw-redirect" title="ASIN (identifier)">ASIN</a> <a rel="nofollow" class="external text" href="https://www.amazon.com/dp/B005HEHQ7E">B005HEHQ7E</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171222104859/https://www.lybrary.com/orson-welles-the-man-who-was-magic-p-400.html">Archived</a> from the original on December 22, 2017. Retrieved December 21, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orson+Welles%3A+The+Man+Who+Was+Magic&rft.pub=Lybrary.com&rft.date=2005&rft_id=https%3A%2F%2Fwww.amazon.com%2Fdp%2FB005HEHQ7E%23id-name%3DASIN&rft.aulast=Whaley&rft.aufirst=Barton&rft_id=https%3A%2F%2Fwww.lybrary.com%2Forson-welles-the-man-who-was-magic-p-400.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-CK_Book_Coming-29"><a href="#cite_ref-CK_Book_Coming_29-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Citizen Kane Film Book Due in Fall". <a href="/wiki/The_Bakersfield_Californian" title="The Bakersfield Californian">The Bakersfield Californian</a>. June 6, 1971. <q>On Oct. 28, Atlantic–Little, Brown will publish The Citizen Kane Book, an outsize volume that will include not only 'Raising Kane' but also, as Miss Kael had always intended, the complete, original text of the Mankiewicz–Welles shooting script, published here for the first time.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Bakersfield+Californian&rft.atitle=Citizen+Kane+Film+Book+Due+in+Fall&rft.date=1971-06-06&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Raising_Kane-30">^ <a href="#cite_ref-Raising_Kane_30-0">a</a> <a href="#cite_ref-Raising_Kane_30-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKaelWellesMankiewicz1971" class="citation book cs1"><a href="/wiki/Pauline_Kael" title="Pauline Kael">Kael, Pauline</a>; <a href="/wiki/Orson_Welles" title="Orson Welles">Welles, Orson</a>; <a href="/wiki/Herman_J._Mankiewicz" title="Herman J. Mankiewicz">Mankiewicz, Herman J.</a> (1971). <a rel="nofollow" class="external text" href="http://www.paulrossen.com/paulinekael/raisingkane.html">"Raising Kane by Pauline Kael"</a>. The Citizen Kane Book. Boston: <a href="/wiki/Little,_Brown_and_Company" title="Little, Brown and Company">Little, Brown and Company</a>. pp. 1–84. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/209252">209252</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20060620060353/http://www.paulrossen.com/paulinekael/raisingkane.html">Archived</a> from the original on June 20, 2006. Retrieved August 18, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Raising+Kane+by+Pauline+Kael&rft.btitle=The+Citizen+Kane+Book&rft.place=Boston&rft.pages=1-84&rft.pub=Little%2C+Brown+and+Company&rft.date=1971&rft_id=info%3Aoclcnum%2F209252&rft.aulast=Kael&rft.aufirst=Pauline&rft.au=Welles%2C+Orson&rft.au=Mankiewicz%2C+Herman+J.&rft_id=http%3A%2F%2Fwww.paulrossen.com%2Fpaulinekael%2Fraisingkane.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-31"><a href="#cite_ref-31">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCarthy1997" class="citation news cs1"><a href="/wiki/Todd_McCarthy" title="Todd McCarthy">McCarthy, Todd</a> (August 22, 1997). <a rel="nofollow" class="external text" href="https://variety.com/1997/voices/columns/welles-pic-script-scrambles-h-wood-history-1116678396/">"Welles pic script scrambles H'wood history"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150112143336/http://variety.com/1997/voices/columns/welles-pic-script-scrambles-h-wood-history-1116678396/">Archived</a> from the original on January 12, 2015. Retrieved January 7, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Welles+pic+script+scrambles+H%27wood+history&rft.date=1997-08-22&rft.aulast=McCarthy&rft.aufirst=Todd&rft_id=https%3A%2F%2Fvariety.com%2F1997%2Fvoices%2Fcolumns%2Fwelles-pic-script-scrambles-h-wood-history-1116678396%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-32"><a href="#cite_ref-32">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPatterson2001" class="citation news cs1">Patterson, John (September 6, 2001). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2001/sep/07/artsfeatures">"Exit the hatchet woman: Why Pauline Kael was bad for world cinema"</a>. <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150107222152/http://www.theguardian.com/film/2001/sep/07/artsfeatures">Archived</a> from the original on January 7, 2015. Retrieved January 6, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Exit+the+hatchet+woman%3A+Why+Pauline+Kael+was+bad+for+world+cinema&rft.date=2001-09-06&rft.aulast=Patterson&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2001%2Fsep%2F07%2Fartsfeatures&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Rich-33"><a href="#cite_ref-Rich_33-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRich2011" class="citation news cs1"><a href="/wiki/Frank_Rich" title="Frank Rich">Rich, Frank</a> (October 27, 2011). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2011/10/30/books/review/roaring-at-the-screen-with-pauline-kael.html">"Roaring at the Screen with Pauline Kael"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150825010419/http://www.nytimes.com/2011/10/30/books/review/roaring-at-the-screen-with-pauline-kael.html">Archived</a> from the original on August 25, 2015. Retrieved August 18, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Roaring+at+the+Screen+with+Pauline+Kael&rft.date=2011-10-27&rft.aulast=Rich&rft.aufirst=Frank&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2011%2F10%2F30%2Fbooks%2Freview%2Froaring-at-the-screen-with-pauline-kael.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Carringer_Scripts-34">^ <a href="#cite_ref-Carringer_Scripts_34-0">a</a> <a href="#cite_ref-Carringer_Scripts_34-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarringer2004" class="citation book cs1">Carringer, Robert L. (2004) [first published 1978]. "The Scripts of Citizen Kane". In Naremore, James (ed.). <a rel="nofollow" class="external text" href="https://archive.org/details/orsonwellessciti00nare">Orson Welles's Citizen Kane: A Casebook</a>. <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/orsonwellessciti00nare/page/n89">79</a>–121. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-515892-2" title="Special:BookSources/978-0-19-515892-2"><bdi>978-0-19-515892-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Scripts+of+Citizen+Kane&rft.btitle=Orson+Welles%27s+Citizen+Kane%3A+A+Casebook&rft.pages=79-121&rft.pub=Oxford+University+Press&rft.date=2004&rft.isbn=978-0-19-515892-2&rft.aulast=Carringer&rft.aufirst=Robert+L.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Forsonwellessciti00nare&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Discovering_OW-35"><a href="#cite_ref-Discovering_OW_35-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRosenbaum2007" class="citation book cs1">Rosenbaum, Jonathan, ed. (2007). Discovering Orson Welles. Berkeley, California: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-25123-6" title="Special:BookSources/978-0-520-25123-6"><bdi>978-0-520-25123-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Discovering+Orson+Welles&rft.place=Berkeley%2C+California&rft.pub=University+of+California+Press&rft.date=2007&rft.isbn=978-0-520-25123-6&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-NYT_Winged_Mercuries-37">^ <a href="#cite_ref-NYT_Winged_Mercuries_37-0">a</a> <a href="#cite_ref-NYT_Winged_Mercuries_37-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Ten Little Winged Mercuries; Introducing the Band of Lads and Lassies in 'Citizen Kane'". The New York Times. May 4, 1941.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Ten+Little+Winged+Mercuries%3B+Introducing+the+Band+of+Lads+and+Lassies+in+%27Citizen+Kane%27&rft.date=1941-05-04&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Higham-38">^ <a href="#cite_ref-Higham_38-0">a</a> <a href="#cite_ref-Higham_38-1">b</a> <a href="#cite_ref-Higham_38-2">c</a> <a href="#cite_ref-Higham_38-3">d</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHigham1985" class="citation book cs1"><a href="/wiki/Charles_Higham_(biographer)" title="Charles Higham (biographer)">Higham, Charles</a> (1985). <a rel="nofollow" class="external text" href="https://archive.org/details/orsonwellesrisea00high">Orson Welles: The Rise and Fall of an American Genius</a>. New York: <a href="/wiki/St._Martin%27s_Press" title="St. Martin's Press">St. Martin's Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-312-31280-6" title="Special:BookSources/0-312-31280-6"><bdi>0-312-31280-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orson+Welles%3A+The+Rise+and+Fall+of+an+American+Genius&rft.place=New+York&rft.pub=St.+Martin%27s+Press&rft.date=1985&rft.isbn=0-312-31280-6&rft.aulast=Higham&rft.aufirst=Charles&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Forsonwellesrisea00high&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-40"><a href="#cite_ref-40">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLowrance1942" class="citation news cs1">Lowrance, Dee (July 19, 1942). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/4052098/the_san_bernardino_county_sun/">"Lady Luck: Movieland's Best Talent Scout"</a>. The San Bernardino County Sun. The San Bernardino County Sun. The San Bernardino County Sun. p. 24. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160911063432/https://www.newspapers.com/clip/4052098/the_san_bernardino_county_sun/">Archived</a> from the original on September 11, 2016. Retrieved January 16, 2016 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+San+Bernardino+County+Sun&rft.atitle=Lady+Luck%3A+Movieland%27s+Best+Talent+Scout&rft.pages=24&rft.date=1942-07-19&rft.aulast=Lowrance&rft.aufirst=Dee&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F4052098%2Fthe_san_bernardino_county_sun%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> <a href="/wiki/Open_access" title="open access publication – free to read"><img alt="Open access icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Open_Access_logo_PLoS_transparent.svg/9px-Open_Access_logo_PLoS_transparent.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Open_Access_logo_PLoS_transparent.svg/14px-Open_Access_logo_PLoS_transparent.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/77/Open_Access_logo_PLoS_transparent.svg/18px-Open_Access_logo_PLoS_transparent.svg.png 2x" data-file-width="640" data-file-height="1000" /></a> </li> <li id="cite_note-Lunches-41">^ <a href="#cite_ref-Lunches_41-0">a</a> <a href="#cite_ref-Lunches_41-1">b</a> <a href="#cite_ref-Lunches_41-2">c</a> <a href="#cite_ref-Lunches_41-3">d</a> <a href="#cite_ref-Lunches_41-4">e</a> <a href="#cite_ref-Lunches_41-5">f</a> <a href="#cite_ref-Lunches_41-6">g</a> <a href="#cite_ref-Lunches_41-7">h</a> <a href="#cite_ref-Lunches_41-8">i</a> <a href="#cite_ref-Lunches_41-9">j</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBiskindJaglomWelles2013" class="citation book cs1"><a href="/wiki/Peter_Biskind" title="Peter Biskind">Biskind, Peter</a>; <a href="/wiki/Henry_Jaglom" title="Henry Jaglom">Jaglom, Henry</a>; Welles, Orson (2013). My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles. New York: <a href="/wiki/Metropolitan_Books" class="mw-redirect" title="Metropolitan Books">Metropolitan Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8050-9725-2" title="Special:BookSources/978-0-8050-9725-2"><bdi>978-0-8050-9725-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=My+Lunches+with+Orson%3A+Conversations+between+Henry+Jaglom+and+Orson+Welles&rft.place=New+York&rft.pub=Metropolitan+Books&rft.date=2013&rft.isbn=978-0-8050-9725-2&rft.aulast=Biskind&rft.aufirst=Peter&rft.au=Jaglom%2C+Henry&rft.au=Welles%2C+Orson&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Howard-42"><a href="#cite_ref-Howard_42-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoward1991" class="citation book cs1">Howard, James (1991). The Complete Films of Orson Welles. New York: Carol Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8065-1241-5" title="Special:BookSources/0-8065-1241-5"><bdi>0-8065-1241-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+Films+of+Orson+Welles&rft.place=New+York&rft.pub=Carol+Publishing+Group&rft.date=1991&rft.isbn=0-8065-1241-5&rft.aulast=Howard&rft.aufirst=James&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarringer1993" class="citation book cs1">Carringer, Robert L. (1993). The Magnificent Ambersons: A Reconstruction. Berkeley and Los Angeles: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-520-07857-8" title="Special:BookSources/0-520-07857-8"><bdi>0-520-07857-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Magnificent+Ambersons%3A+A+Reconstruction&rft.place=Berkeley+and+Los+Angeles&rft.pub=University+of+California+Press&rft.date=1993&rft.isbn=0-520-07857-8&rft.aulast=Carringer&rft.aufirst=Robert+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Directors_in_Action-44">^ <a href="#cite_ref-Directors_in_Action_44-0">a</a> <a href="#cite_ref-Directors_in_Action_44-1">b</a> <a href="#cite_ref-Directors_in_Action_44-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas1973" class="citation book cs1">Thomas, Bob, ed. (1973). <a rel="nofollow" class="external text" href="http://www.dga.org/Craft/DGAQ/All-Articles/0601-Spring-2006/Features-Raising-Kane.aspx">"Citizen Kane Remembered [May–June 1969]"</a>. <a rel="nofollow" class="external text" href="https://archive.org/details/directorsinactio00thom/page/1">Directors in Action: Selections from Action, The Official Magazine of the Directors Guild of America</a>. Indianapolis: The Bobbs Merrill Company, Inc. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/directorsinactio00thom/page/1">1–11</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-672-51715-9" title="Special:BookSources/0-672-51715-9"><bdi>0-672-51715-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Citizen+Kane+Remembered+%5BMay%E2%80%93June+1969%5D&rft.btitle=Directors+in+Action%3A+Selections+from+Action%2C+The+Official+Magazine+of+the+Directors+Guild+of+America&rft.place=Indianapolis&rft.pages=1-11&rft.pub=The+Bobbs+Merrill+Company%2C+Inc.&rft.date=1973&rft.isbn=0-672-51715-9&rft_id=http%3A%2F%2Fwww.dga.org%2FCraft%2FDGAQ%2FAll-Articles%2F0601-Spring-2006%2FFeatures-Raising-Kane.aspx&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-BBC_Complete-45">^ <a href="#cite_ref-BBC_Complete_45-0">a</a> <a href="#cite_ref-BBC_Complete_45-1">b</a> <a href="#cite_ref-BBC_Complete_45-2">c</a> <a href="#cite_ref-BBC_Complete_45-3">d</a> <a href="#cite_ref-BBC_Complete_45-4">e</a> <a href="#cite_ref-BBC_Complete_45-5">f</a> <a href="#cite_ref-BBC_Complete_45-6">g</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBBC_Arena1991" class="citation audio-visual cs1"><a href="/wiki/Arena_(UK_TV_series)" class="mw-redirect" title="Arena (UK TV series)">BBC Arena</a> (October 13, 1991). The Complete Citizen Kane. <a href="/wiki/BBC_Two" title="BBC Two">BBC Two</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Complete+Citizen+Kane&rft.pub=BBC+Two&rft.date=1991-10-13&rft.au=BBC+Arena&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Wellesnet_Currie-46"><a href="#cite_ref-Wellesnet_Currie_46-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.wellesnet.com/?p=7578">"'Citizen Kane' actress Louise Currie dead at 100"</a>. Wellesnet: The Orson Welles Web Resource. September 15, 2013. <a rel="nofollow" class="external text" href="https://archive.today/20130917024903/http://www.wellesnet.com/?p=7578">Archived</a> from the original on September 17, 2013. Retrieved September 16, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Wellesnet%3A+The+Orson+Welles+Web+Resource&rft.atitle=%27Citizen+Kane%27+actress+Louise+Currie+dead+at+100&rft.date=2013-09-15&rft_id=http%3A%2F%2Fwww.wellesnet.com%2F%3Fp%3D7578&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-47"><a href="#cite_ref-47">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCheng2016" class="citation web cs1">Cheng, Cheryl (March 8, 2016). <a rel="nofollow" class="external text" href="http://www.hollywoodreporter.com/news/kathryn-trosper-popper-dead-last-873587">"Kathryn Trosper Popper, Last Living 'Citizen Kane' Castmember, Dies at 100"</a>. The Hollywood Reporter. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160309093311/http://www.hollywoodreporter.com/news/kathryn-trosper-popper-dead-last-873587">Archived</a> from the original on March 9, 2016. Retrieved March 10, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=Kathryn+Trosper+Popper%2C+Last+Living+%27Citizen+Kane%27+Castmember%2C+Dies+at+100&rft.date=2016-03-08&rft.aulast=Cheng&rft.aufirst=Cheryl&rft_id=http%3A%2F%2Fwww.hollywoodreporter.com%2Fnews%2Fkathryn-trosper-popper-dead-last-873587&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-48"><a href="#cite_ref-48">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts2016" class="citation news cs1">Roberts, Sam (March 8, 2016). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2016/03/09/movies/kathryn-popper-who-had-tiny-role-in-citizen-kane-dies-at-100.html">"Kathryn Popper, Last Surviving Actor in 'Citizen Kane,' Dies at 100"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160330083140/http://www.nytimes.com/2016/03/09/movies/kathryn-popper-who-had-tiny-role-in-citizen-kane-dies-at-100.html">Archived</a> from the original on March 30, 2016. Retrieved August 31, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Kathryn+Popper%2C+Last+Surviving+Actor+in+%27Citizen+Kane%2C%27+Dies+at+100&rft.date=2016-03-08&rft.aulast=Roberts&rft.aufirst=Sam&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2016%2F03%2F09%2Fmovies%2Fkathryn-popper-who-had-tiny-role-in-citizen-kane-dies-at-100.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Wakeman-49">^ <a href="#cite_ref-Wakeman_49-0">a</a> <a href="#cite_ref-Wakeman_49-1">b</a> <a href="#cite_ref-Wakeman_49-2">c</a> <a href="#cite_ref-Wakeman_49-3">d</a> <a href="#cite_ref-Wakeman_49-4">e</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWakeman1987" class="citation book cs1">Wakeman, John (1987). <a rel="nofollow" class="external text" href="https://archive.org/details/worldfilmdirecto0000unse">World Film Directors, Volume 1</a>. New York: The H. W. Wilson Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8242-0757-1" title="Special:BookSources/978-0-8242-0757-1"><bdi>978-0-8242-0757-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=World+Film+Directors%2C+Volume+1&rft.place=New+York&rft.pub=The+H.+W.+Wilson+Company&rft.date=1987&rft.isbn=978-0-8242-0757-1&rft.aulast=Wakeman&rft.aufirst=John&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fworldfilmdirecto0000unse&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-50"><a href="#cite_ref-50">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcBride2003" class="citation book cs1"><a href="/wiki/Joseph_McBride_(writer)" title="Joseph McBride (writer)">McBride, Joseph</a> (2003). Searching for John Ford: A Life. New York: <a href="/wiki/Macmillan_Publishers_(United_States)" class="mw-redirect" title="Macmillan Publishers (United States)">Macmillan Publishers</a>. pp. 299–300. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-31011-0" title="Special:BookSources/978-0-312-31011-0"><bdi>978-0-312-31011-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Searching+for+John+Ford%3A+A+Life&rft.place=New+York&rft.pages=299-300&rft.pub=Macmillan+Publishers&rft.date=2003&rft.isbn=978-0-312-31011-0&rft.aulast=McBride&rft.aufirst=Joseph&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Mulvey-51">^ <a href="#cite_ref-Mulvey_51-0">a</a> <a href="#cite_ref-Mulvey_51-1">b</a> <a href="#cite_ref-Mulvey_51-2">c</a> <a href="#cite_ref-Mulvey_51-3">d</a> <a href="#cite_ref-Mulvey_51-4">e</a> <a href="#cite_ref-Mulvey_51-5">f</a> <a href="#cite_ref-Mulvey_51-6">g</a> <a href="#cite_ref-Mulvey_51-7">h</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMulvey1992" class="citation book cs1"><a href="/wiki/Laura_Mulvey" title="Laura Mulvey">Mulvey, Laura</a> (1992). <a rel="nofollow" class="external text" href="https://archive.org/details/citizenkane00mulv">Citizen Kane</a>. London, UK: BFI Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84457-497-1" title="Special:BookSources/978-1-84457-497-1"><bdi>978-1-84457-497-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Citizen+Kane&rft.place=London%2C+UK&rft.pub=BFI+Publishing&rft.date=1992&rft.isbn=978-1-84457-497-1&rft.aulast=Mulvey&rft.aufirst=Laura&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcitizenkane00mulv&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Welles_TIOW_1A-52">^ <a href="#cite_ref-Welles_TIOW_1A_52-0">a</a> <a href="#cite_ref-Welles_TIOW_1A_52-1">b</a> Welles, Orson, and Peter Bogdanovich, <a href="/wiki/This_is_Orson_Welles" class="mw-redirect" title="This is Orson Welles">This is Orson Welles</a>. HarperAudio, September 30, 1992. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-55994-680-6" title="Special:BookSources/1-55994-680-6">1-55994-680-6</a> Audiotape 1A. </li> <li id="cite_note-theasc/realism-citizen-kane-53"><a href="#cite_ref-theasc/realism-citizen-kane_53-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFToland1941" class="citation news cs1"><a href="/wiki/Gregg_Toland" title="Gregg Toland">Toland, Gregg</a> (February 1941). <a rel="nofollow" class="external text" href="https://theasc.com/articles/realism-for-citizen-kane">"Realism for Citizen Kane"</a>. <a href="/wiki/American_Society_of_Cinematographers" title="American Society of Cinematographers">American Society of Cinematographers</a>. Retrieved July 7, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=American+Society+of+Cinematographers&rft.atitle=Realism+for+Citizen+Kane&rft.date=1941-02&rft.aulast=Toland&rft.aufirst=Gregg&rft_id=https%3A%2F%2Ftheasc.com%2Farticles%2Frealism-for-citizen-kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Lebo-56"><a href="#cite_ref-Lebo_56-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLebo1990" class="citation book cs1">Lebo, Harlan (1990). Citizen Kane: The Fiftieth Anniversary Album. New York: <a href="/wiki/Doubleday_(publisher)" title="Doubleday (publisher)">Doubleday</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-385-41473-9" title="Special:BookSources/978-0-385-41473-9"><bdi>978-0-385-41473-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Citizen+Kane%3A+The+Fiftieth+Anniversary+Album&rft.place=New+York&rft.pub=Doubleday&rft.date=1990&rft.isbn=978-0-385-41473-9&rft.aulast=Lebo&rft.aufirst=Harlan&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-58"><a href="#cite_ref-58">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140812062236/http://www.paramountstudios.com/stages-backlots/stages/stage-19.html">"The Studios – Paramount"</a>. <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a>. Archived from <a rel="nofollow" class="external text" href="http://www.paramountstudios.com/stages-backlots/stages/stage-19.html">the original</a> on August 12, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Studios+%E2%80%93+Paramount&rft.pub=Paramount+Pictures&rft_id=http%3A%2F%2Fwww.paramountstudios.com%2Fstages-backlots%2Fstages%2Fstage-19.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-59"><a href="#cite_ref-59">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams" class="citation web cs1">Williams, Gregory L. <a rel="nofollow" class="external text" href="http://www.sandiegohistory.org/journal/2002-2/filming.htm">"Filming San Diego"</a>. San Diego History Center. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110521030941/http://www.sandiegohistory.org/journal/2002-2/filming.htm">Archived</a> from the original on May 21, 2011. Retrieved April 6, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Filming+San+Diego&rft.pub=San+Diego+History+Center&rft.aulast=Williams&rft.aufirst=Gregory+L.&rft_id=http%3A%2F%2Fwww.sandiegohistory.org%2Fjournal%2F2002-2%2Ffilming.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-60"><a href="#cite_ref-60">^</a> Levin, Eric. <a rel="nofollow" class="external text" href="http://www.travelandleisure.com/articles/the-open-island/1">"The Open Island"</a>, <a href="/wiki/Travel_%2B_Leisure" title="Travel + Leisure">Travel + Leisure</a>, May 2002 </li> <li id="cite_note-61"><a href="#cite_ref-61">^</a> <a rel="nofollow" class="external text" href="https://www.nytimes.com/1989/02/19/nyregion/follow-up-on-the-news-citizen-kane-site-changing-hands.html">"'Citizen Kane' Site Changing Hands"</a> <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> (February 19, 1989, corrected April 6, 1989) </li> <li id="cite_note-cinephiliabeyond/citizen-kane-62"><a href="#cite_ref-cinephiliabeyond/citizen-kane_62-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160303221450/https://cinephiliabeyond.org/citizen-kane-the-astonishing-debut-of-hollywoods-greatest-wunderkind/">"'Citizen Kane': The Astonishing Debut of Hollywood's Greatest Wunderkind"</a>. Cinephilia & Beyond. March 3, 2016. Archived from <a rel="nofollow" class="external text" href="https://cinephiliabeyond.org/citizen-kane-the-astonishing-debut-of-hollywoods-greatest-wunderkind/">the original</a> on March 3, 2016. Retrieved July 7, 2024. <q>Orson Welles (seated by the giant megaphone) directs a scene from 1941′s 'Citizen Kane' while laid up with a broken ankle he suffered during the shoot. The visor-adorned gentleman next to the camera is cinematographer Gregg Toland. Production still photographer: Alexander Kahle</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cinephilia+%26+Beyond&rft.atitle=%27Citizen+Kane%27%3A+The+Astonishing+Debut+of+Hollywood%27s+Greatest+Wunderkind&rft.date=2016-03-03&rft_id=https%3A%2F%2Fcinephiliabeyond.org%2Fcitizen-kane-the-astonishing-debut-of-hollywoods-greatest-wunderkind%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-64"><a href="#cite_ref-64">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.dga.org/Craft/DGAQ/All-Articles/0601-Spring-2006/Features-Raising-Kane.aspx">"Raising Kane"</a>. Spring 2006. 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Retrieved December 18, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=Sound+and+Vision%3A+Glass%27s+%27Koyaanisqatsi%27+and+the+art+of+film+scoring&rft.date=2005-06-27&rft.aulast=Ross&rft.aufirst=Alex&rft_id=http%3A%2F%2Fwww.newyorker.com%2Farchive%2F2005%2F06%2F27%2F050627crmu_music&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Wellesnet_Memos-66">^ <a href="#cite_ref-Wellesnet_Memos_66-0">a</a> <a href="#cite_ref-Wellesnet_Memos_66-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.wellesnet.com/?p=1585">"The Memos Part X: George Schaefer resigns as RKO president ..."</a> Wellesnet.com. 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The New York Times.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Score+for+a+Film&rft.date=1941-05-25&rft.aulast=Herrmann&rft.aufirst=Bernard&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Estrin-68">^ <a href="#cite_ref-Estrin_68-0">a</a> <a href="#cite_ref-Estrin_68-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEstrin2002" class="citation book cs1">Estrin, Mark W., ed. (2002). Orson Welles: Interviews. Jackson, Mississippi: <a href="/wiki/University_Press_of_Mississippi" title="University Press of Mississippi">University Press of Mississippi</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57806-209-6" title="Special:BookSources/978-1-57806-209-6"><bdi>978-1-57806-209-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orson+Welles%3A+Interviews&rft.place=Jackson%2C+Mississippi&rft.pub=University+Press+of+Mississippi&rft.date=2002&rft.isbn=978-1-57806-209-6&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-69"><a href="#cite_ref-69">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoodman1948" class="citation news cs1">Goodman, Ezra (May 19, 1948). "Flash-Back to Griffith". 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Paris, France: <a href="/wiki/Les_Lettres_Fran%C3%A7aises" title="Les Lettres Françaises">Les Lettres Françaises</a>, number 115. p. 9.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Le+Cin%C3%A9ma%3A+Hypertrophie+ducerveau+%CC%84+Review+of+Citizen+Kane&rft.pages=9&rft.date=1946-07-05&rft.aulast=Sadoul&rft.aufirst=Georges&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-BazinatWork-71">^ <a href="#cite_ref-BazinatWork_71-0">a</a> <a href="#cite_ref-BazinatWork_71-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBazin1997" class="citation book cs1"><a href="/wiki/Andr%C3%A9_Bazin" title="André Bazin">Bazin, André</a> (1997). Cardullo, Bert (ed.). Bazin at Work: Major Essays & Reviews From the Forties & Fifties. New York & London: Rutledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-90018-8" title="Special:BookSources/978-0-415-90018-8"><bdi>978-0-415-90018-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bazin+at+Work%3A+Major+Essays+%26+Reviews+From+the+Forties+%26+Fifties&rft.place=New+York+%26+London&rft.pub=Rutledge&rft.date=1997&rft.isbn=978-0-415-90018-8&rft.aulast=Bazin&rft.aufirst=Andr%C3%A9&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Minding-72">^ <a href="#cite_ref-Minding_72-0">a</a> <a href="#cite_ref-Minding_72-1">b</a> <a href="#cite_ref-Minding_72-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBordwellThompson2011" class="citation book cs1">Bordwell, David; Thompson, Kristin (2011). Minding Movies. Observations on the Art, Craft, and Business of Filmmaking. 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Oakland, California: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-23891-6" title="Special:BookSources/978-0-520-23891-6"><bdi>978-0-520-23891-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Closely+Watched+Films%3A+an+introduction+to+the+art+of+narrative+film+technique&rft.place=Oakland%2C+California&rft.pub=University+of+California+Press&rft.date=2004&rft.isbn=978-0-520-23891-6&rft.aulast=Fabe&rft.aufirst=Marilyn&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcloselywatchedfi00fabe_0&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-politics-74">^ <a href="#cite_ref-politics_74-0">a</a> <a href="#cite_ref-politics_74-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGianos1999" class="citation book cs1">Gianos, Phillip (1999). Politics and politicians in American film. Santa Barbara, California: <a href="/wiki/Greenwood_Publishing_Group" title="Greenwood Publishing Group">Greenwood Publishing Group</a>. pp. 170–184. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-275-96766-6" title="Special:BookSources/978-0-275-96766-6"><bdi>978-0-275-96766-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Politics+and+politicians+in+American+film&rft.place=Santa+Barbara%2C+California&rft.pages=170-184&rft.pub=Greenwood+Publishing+Group&rft.date=1999&rft.isbn=978-0-275-96766-6&rft.aulast=Gianos&rft.aufirst=Phillip&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Robbin_Coons-75"><a href="#cite_ref-Robbin_Coons_75-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCoons1941" class="citation news cs1">Coons, Robbin (May 1, 1941). <a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1755&dat=19410501&id=yOIcAAAAIBAJ&pg=3353,2902994">"Hollywood Sights and Sounds"</a>. <a href="/wiki/Sarasota_Herald-Tribune" title="Sarasota Herald-Tribune">Sarasota Herald-Tribune</a>. <a href="/wiki/Associated_Press" title="Associated Press">Associated Press</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201022121934/https://news.google.com/newspapers?nid=1755&dat=19410501&id=yOIcAAAAIBAJ&pg=3353,2902994">Archived</a> from the original on October 22, 2020. 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University of California Press. p. 73.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Technological+and+Aesthetic+Influences+Upon+the+Development+of+Deep+Focus+Cinematography+in+the+United+States&rft.pages=73&rft.date=1985&rft.aulast=Ogle&rft.aufirst=Patrick+L.&rft.au=Nichols%2C+Bill&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Wellesnet_Toland-77">^ <a href="#cite_ref-Wellesnet_Toland_77-0">a</a> <a href="#cite_ref-Wellesnet_Toland_77-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFToland1941" class="citation web cs1"><a href="/wiki/Gregg_Toland" title="Gregg Toland">Toland, Gregg</a> (September 1941). <a rel="nofollow" class="external text" href="http://www.wellesnet.com/?p=178">"The Motion Picture Cameraman"</a>. Theatre Arts, Wellesnet: The Orson Welles Web Resource. pp. 646–654. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130121044956/http://www.wellesnet.com/?p=178">Archived</a> from the original on January 21, 2013. Retrieved September 21, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Motion+Picture+Cameraman&rft.pages=646-654&rft.pub=Theatre+Arts%2C+Wellesnet%3A+The+Orson+Welles+Web+Resource&rft.date=1941-09&rft.aulast=Toland&rft.aufirst=Gregg&rft_id=http%3A%2F%2Fwww.wellesnet.com%2F%3Fp%3D178&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Ebert_Viewer's_Companion-78"><a href="#cite_ref-Ebert_Viewer's_Companion_78-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEbert2004" class="citation web cs1">Ebert, Roger (January 1, 2004). <a rel="nofollow" class="external text" href="http://www.rogerebert.com/rogers-journal/a-viewers-companion-to-citizen-kane">"A Viewer's Companion to Citizen Kane"</a>. Roger Ebert's Journal. RogerEbert.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141216072938/http://www.rogerebert.com/rogers-journal/a-viewers-companion-to-citizen-kane">Archived</a> from the original on December 16, 2014. Retrieved December 1, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Roger+Ebert%27s+Journal&rft.atitle=A+Viewer%27s+Companion+to+Citizen+Kane&rft.date=2004-01-01&rft.aulast=Ebert&rft.aufirst=Roger&rft_id=http%3A%2F%2Fwww.rogerebert.com%2Frogers-journal%2Fa-viewers-companion-to-citizen-kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-79"><a href="#cite_ref-79">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEymanDuncan2004" class="citation book cs1">Eyman, Scott; Duncan, Paul (2004). John Ford, The Complete Films. 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"Making Up Kane". <a href="/wiki/Film_Comment" title="Film Comment">Film Comment</a>. 14 (6): 42–48.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Film+Comment&rft.atitle=Making+Up+Kane&rft.volume=14&rft.issue=6&rft.pages=42-48&rft.date=1978-11%2F1978-12&rft.aulast=Gambill&rft.aufirst=Norman&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-86"><a href="#cite_ref-86">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.oheka.com/film-photo-shoots.htm">"Oheka Castle – Film, Television and Photography Productions"</a>. Oheka.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150403203423/http://www.oheka.com/film-photo-shoots.htm">Archived</a> from the original on April 3, 2015. Retrieved May 29, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Oheka+Castle+%E2%80%93+Film%2C+Television+and+Photography+Productions&rft.pub=Oheka.com&rft_id=http%3A%2F%2Fwww.oheka.com%2Ffilm-photo-shoots.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-87"><a href="#cite_ref-87">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.nytimes.com/1989/04/06/nyregion/c-corrections-910389.html">"Corrections"</a>. The New York Times. April 6, 1989. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171219230154/http://www.nytimes.com/1989/04/06/nyregion/c-corrections-910389.html">Archived</a> from the original on December 19, 2017. Retrieved February 6, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Corrections&rft.date=1989-04-06&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1989%2F04%2F06%2Fnyregion%2Fc-corrections-910389.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-88"><a href="#cite_ref-88">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas2004" class="citation book cs1">Thomas, François (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=KzCH4UgSUr8C&pg=PA173">"Citizen Kane: The Sound Track"</a>. In Naremore, James (ed.). Orson Welles's Citizen Kane: A Casebook. Oxford, UK and New York: Oxford University Press. p. 173. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-515891-5" title="Special:BookSources/978-0-19-515891-5"><bdi>978-0-19-515891-5</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111226021819/http://books.google.com/books?id=KzCH4UgSUr8C&pg=PA173">Archived</a> from the original on December 26, 2011. Retrieved November 10, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Citizen+Kane%3A+The+Sound+Track&rft.btitle=Orson+Welles%27s+Citizen+Kane%3A+A+Casebook&rft.place=Oxford%2C+UK+and+New+York&rft.pages=173&rft.pub=Oxford+University+Press&rft.date=2004&rft.isbn=978-0-19-515891-5&rft.aulast=Thomas&rft.aufirst=Fran%C3%A7ois&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DKzCH4UgSUr8C%26pg%3DPA173&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-89"><a href="#cite_ref-89">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJewell2007" class="citation book cs1">Jewell, Richard B. (2007). The Golden Age of Cinema. Hollywood 1929–1945. Oxford, UK: Blackwell Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4051-6373-6" title="Special:BookSources/978-1-4051-6373-6"><bdi>978-1-4051-6373-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Golden+Age+of+Cinema.+Hollywood+1929%E2%80%931945&rft.place=Oxford%2C+UK&rft.pub=Blackwell+Publishing&rft.date=2007&rft.isbn=978-1-4051-6373-6&rft.aulast=Jewell&rft.aufirst=Richard+B.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-stephensmith-90">^ <a href="#cite_ref-stephensmith_90-0">a</a> <a href="#cite_ref-stephensmith_90-1">b</a> <a href="#cite_ref-stephensmith_90-2">c</a> <a href="#cite_ref-stephensmith_90-3">d</a> <a href="#cite_ref-stephensmith_90-4">e</a> <a href="#cite_ref-stephensmith_90-5">f</a> <a href="#cite_ref-stephensmith_90-6">g</a> <a href="#cite_ref-stephensmith_90-7">h</a> <a href="#cite_ref-stephensmith_90-8">i</a> <a href="#cite_ref-stephensmith_90-9">j</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmith2002" class="citation book cs1">Smith, Steven C. (2002). A Heart at Fire's Center: The Life and Music of Bernard Herrmann. Oakland, California: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-22939-6" title="Special:BookSources/978-0-520-22939-6"><bdi>978-0-520-22939-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Heart+at+Fire%27s+Center%3A+The+Life+and+Music+of+Bernard+Herrmann&rft.place=Oakland%2C+California&rft.pub=University+of+California+Press&rft.date=2002&rft.isbn=978-0-520-22939-6&rft.aulast=Smith&rft.aufirst=Steven+C.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-americancomposers-91">^ <a href="#cite_ref-americancomposers_91-0">a</a> <a href="#cite_ref-americancomposers_91-1">b</a> <a href="#cite_ref-americancomposers_91-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.americancomposers.org/raksin_herrmann.htm">"American Composers Orchestra – David Raksin remembers his colleagues"</a>. Americancomposers.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081209041005/http://www.americancomposers.org/raksin_herrmann.htm">Archived</a> from the original on December 9, 2008. Retrieved January 22, 2009.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=American+Composers+Orchestra+%E2%80%93+David+Raksin+remembers+his+colleagues&rft.pub=Americancomposers.org&rft_id=http%3A%2F%2Fwww.americancomposers.org%2Fraksin_herrmann.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-92"><a href="#cite_ref-92">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.americanmusicpreservation.com/CitizenKanefilmscore.htm">"70th anniversary of Citizen Kane and Bernard Herrmann's film score"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110718223803/http://www.americanmusicpreservation.com/CitizenKanefilmscore.htm">Archived</a> from the original on July 18, 2011. Retrieved April 27, 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=70th+anniversary+of+Citizen+Kane+and+Bernard+Herrmann%27s+film+score&rft_id=http%3A%2F%2Fwww.americanmusicpreservation.com%2FCitizenKanefilmscore.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-93"><a href="#cite_ref-93">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDirks" class="citation web cs1">Dirks, Tim. <a rel="nofollow" class="external text" href="http://www.filmsite.org/citi4.html">"Citizen Kane, page 4"</a>. filmsite.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141205054250/http://www.filmsite.org/citi4.html">Archived</a> from the original on December 5, 2014. Retrieved November 29, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Citizen+Kane%2C+page+4&rft.pub=filmsite.org&rft.aulast=Dirks&rft.aufirst=Tim&rft_id=http%3A%2F%2Fwww.filmsite.org%2Fciti4.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-94"><a href="#cite_ref-94">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWrobel2001" class="citation web cs1">Wrobel, Bill (November 4, 2001). <a rel="nofollow" class="external text" href="http://www.filmscorerundowns.net/herrmann/citizenkane.pdf">"Herrmann's "Citizen Kane""</a> (PDF). p. 2. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120412125013/http://www.filmscorerundowns.net/herrmann/citizenkane.pdf">Archived</a> (PDF) from the original on April 12, 2012. Retrieved July 31, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Herrmann%27s+%22Citizen+Kane%22&rft.pages=2&rft.date=2001-11-04&rft.aulast=Wrobel&rft.aufirst=Bill&rft_id=http%3A%2F%2Fwww.filmscorerundowns.net%2Fherrmann%2Fcitizenkane.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Houseman_RT-95">^ <a href="#cite_ref-Houseman_RT_95-0">a</a> <a href="#cite_ref-Houseman_RT_95-1">b</a> <a href="#cite_ref-Houseman_RT_95-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHouseman1972" class="citation book cs1"><a href="/wiki/John_Houseman" title="John Houseman">Houseman, John</a> (1972). <a rel="nofollow" class="external text" href="https://archive.org/details/runthroughmemoir00hous">Run-Through: A Memoir</a>. New York: <a href="/wiki/Simon_%26_Schuster" title="Simon & Schuster">Simon & Schuster</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-671-21034-3" title="Special:BookSources/0-671-21034-3"><bdi>0-671-21034-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Run-Through%3A+A+Memoir&rft.place=New+York&rft.pub=Simon+%26+Schuster&rft.date=1972&rft.isbn=0-671-21034-3&rft.aulast=Houseman&rft.aufirst=John&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frunthroughmemoir00hous&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-96"><a href="#cite_ref-96">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKirshnit2004" class="citation web cs1">Kirshnit, Frederick L. (December 31, 2004). <a rel="nofollow" class="external text" href="http://www.concertonet.com/scripts/review.php?ID_review=2748">"Champagne and Pomade"</a>. Paris, France: ConcertoNet.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150923210138/http://www.concertonet.com/scripts/review.php?ID_review=2748">Archived</a> from the original on September 23, 2015. Retrieved December 11, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Champagne+and+Pomade&rft.place=Paris%2C+France&rft.pub=ConcertoNet.com&rft.date=2004-12-31&rft.aulast=Kirshnit&rft.aufirst=Frederick+L.&rft_id=http%3A%2F%2Fwww.concertonet.com%2Fscripts%2Freview.php%3FID_review%3D2748&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Herrmann_Cues-97">^ <a href="#cite_ref-Herrmann_Cues_97-0">a</a> <a href="#cite_ref-Herrmann_Cues_97-1">b</a> <a href="#cite_ref-Herrmann_Cues_97-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://folk.uib.no/smkgg/midi/soundtrackweb/herrmann/db/cuesheets/film_citizenkane.html">"Cue Sheet: Citizen Kane"</a>. The Bernard Herrmann Society. April 22, 1941. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141226211724/http://folk.uib.no/smkgg/midi/soundtrackweb/herrmann/db/cuesheets/film_citizenkane.html">Archived</a> from the original on December 26, 2014. Retrieved December 26, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Cue+Sheet%3A+Citizen+Kane&rft.pub=The+Bernard+Herrmann+Society&rft.date=1941-04-22&rft_id=http%3A%2F%2Ffolk.uib.no%2Fsmkgg%2Fmidi%2Fsoundtrackweb%2Fherrmann%2Fdb%2Fcuesheets%2Ffilm_citizenkane.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Meeker-98"><a href="#cite_ref-Meeker_98-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://lcweb2.loc.gov/diglib/ihas/loc.natlib.jots.200014490/default.html">"Jazz on the Screen: A jazz and blues filmography by David Meeker"</a>. <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140228215909/http://lcweb2.loc.gov/diglib/ihas/loc.natlib.jots.200014490/default.html">Archived</a> from the original on February 28, 2014. Retrieved February 21, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Jazz+on+the+Screen%3A+A+jazz+and+blues+filmography+by+David+Meeker&rft.pub=Library+of+Congress&rft_id=http%3A%2F%2Flcweb2.loc.gov%2Fdiglib%2Fihas%2Floc.natlib.jots.200014490%2Fdefault.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-99"><a href="#cite_ref-99">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostanzo_Cahir2006" class="citation book cs1">Costanzo Cahir, Linda (2006). Literature into film: theory and practical approaches. Jefferson, North Carolina: <a href="/wiki/McFarland_%26_Company" title="McFarland & Company">McFarland & Company</a>. pp. 59–60. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-2597-6" title="Special:BookSources/978-0-7864-2597-6"><bdi>978-0-7864-2597-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Literature+into+film%3A+theory+and+practical+approaches&rft.place=Jefferson%2C+North+Carolina&rft.pages=59-60&rft.pub=McFarland+%26+Company&rft.date=2006&rft.isbn=978-0-7864-2597-6&rft.aulast=Costanzo+Cahir&rft.aufirst=Linda&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-PBS-101">^ <a href="#cite_ref-PBS_101-0">a</a> <a href="#cite_ref-PBS_101-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEpsteinLennon1996" class="citation web cs1">Epstein, Michael; Lennon, Thomas (1996). <a rel="nofollow" class="external text" href="https://www.pbs.org/wgbh/amex/kane2/kane2ts.html">"The Battle Over Citizen Kane"</a>. <a href="/wiki/PBS" title="PBS">PBS</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071216132713/http://www.pbs.org/wgbh/amex/kane2/kane2ts.html">Archived</a> from the original on December 16, 2007. Retrieved January 14, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Battle+Over+Citizen+Kane&rft.pub=PBS&rft.date=1996&rft.aulast=Epstein&rft.aufirst=Michael&rft.au=Lennon%2C+Thomas&rft_id=https%3A%2F%2Fwww.pbs.org%2Fwgbh%2Famex%2Fkane2%2Fkane2ts.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Feder-102"><a href="#cite_ref-Feder_102-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFeder2009" class="citation book cs1">Feder, Chris Welles (2009). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9781565125995/page/44">In My Father's Shadow: A Daughter Remembers Orson Welles</a>. Chapel Hill, North Carolina: Algonquin Books. p. <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9781565125995/page/44">44</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-56512-599-5" title="Special:BookSources/978-1-56512-599-5"><bdi>978-1-56512-599-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=In+My+Father%27s+Shadow%3A+A+Daughter+Remembers+Orson+Welles&rft.place=Chapel+Hill%2C+North+Carolina&rft.pages=44&rft.pub=Algonquin+Books&rft.date=2009&rft.isbn=978-1-56512-599-5&rft.aulast=Feder&rft.aufirst=Chris+Welles&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9781565125995%2Fpage%2F44&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Davies,_Marion_1975-104"><a href="#cite_ref-Davies,_Marion_1975_104-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavies1975" class="citation book cs1"><a href="/wiki/Marion_Davies" title="Marion Davies">Davies, Marion</a> (1975). Pfau, Pamela; Marx, Kenneth S. (eds.). <a rel="nofollow" class="external text" href="https://archive.org/details/timeswehadlivewi00davirich">The Times We Had: Life with William Randolph Hearst. Foreword by Orson Welles (two pages preceding unpaginated chapter index)</a>. 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Retrieved March 2, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Chicago+Sun-Times&rft.atitle=A+Viewer%27s+Companion+to+%27Citizen+Kane%27&rft.date=2004-01-01&rft.aulast=Ebert&rft.aufirst=Roger&rft_id=https%3A%2F%2Fwww.rogerebert.com%2Froger-ebert%2Fa-viewers-companion-to-citizen-kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-108"><a href="#cite_ref-108">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGilling1989" class="citation news cs1">Gilling, Ted (May 7, 1989). 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Westport, Connecticut: Greenwood Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-313-26538-0" title="Special:BookSources/0-313-26538-0"><bdi>0-313-26538-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orson+Welles%3A+A+Bio-Bibliography&rft.place=Westport%2C+Connecticut&rft.pub=Greenwood+Press&rft.date=1990&rft.isbn=0-313-26538-0&rft.aulast=Wood&rft.aufirst=Bret&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-McBride-111"><a href="#cite_ref-McBride_111-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcBride2006" class="citation book cs1">McBride, Joseph (2006). <a rel="nofollow" class="external text" href="https://archive.org/details/whateverhappened00jose">What Ever Happened to Orson Welles? A Portrait of an Independent Career</a>. 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Washington D.C.: Beard Books. p. xiv. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58798-224-8" title="Special:BookSources/978-1-58798-224-8"><bdi>978-1-58798-224-8</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160507051931/https://books.google.com/books?id=2mj1FcArTE8C&pg=PR14">Archived</a> from the original on May 7, 2016. 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Retrieved December 26, 2009.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Independent&rft.atitle=The+greatest+story+ever+told%3A+Sixty+years+of+Citizen+Kane&rft.date=2001-04-28&rft.aulast=Thomson&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.independent.co.uk%2Farts-entertainment%2Ffilms%2Ffeatures%2Fthe-greatest-story-ever-told-sixty-years-of-citizen-kane-682857.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Aus_DVD_trailer-123"><a href="#cite_ref-Aus_DVD_trailer_123-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">Citizen Kane (Theatrical Trailer) (DVD). <a href="/wiki/Warner_Bros._Home_Entertainment" class="mw-redirect" title="Warner Bros. Home Entertainment">Warner Bros. Home Entertainment</a>. 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The New York Times. p. 25.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Orson+Welles%27s+Controversial+%27Citizen+Kane%27+Proves+a+Sensational+Film+at+Palace&rft.pages=25&rft.date=1941-05-02&rft.aulast=Crowther&rft.aufirst=Bosley&rft_id=https%3A%2F%2Fwww.proquest.com%2Fdocview%2F106087578%2F22FE7A725A824D3BPQ%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-125"><a href="#cite_ref-125">^</a> Bell, Nelson B. (May 17, 1941).<a rel="nofollow" class="external text" href="https://www.proquest.com/docview/151465622/22FE7A725A824D3BPQ/">Citizen Kane, at Keith's, Stamps Welles a Genius: Simple Biographical Story Distinguished By Productional Values That Makes It a Revolutionary Contribution to the Cinema</a>". <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>. p. 14. </li> <li id="cite_note-126"><a href="#cite_ref-126">^</a> Carmody, Jay. "Mr Welles' Citizen Kane Was Well Worth the Wait: His Portrait of a Spectacular Eccentric Is Superbly Made Screen Entertainment, And a Striking One-Man Exploit", <a href="/wiki/The_Washington_Evening_Star" class="mw-redirect" title="The Washington Evening Star">The Washington Evening Star</a>, May 17, 1941, p. B16. </li> <li id="cite_note-Cameron-127"><a href="#cite_ref-Cameron_127-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCameron1941" class="citation news cs1">Cameron, Kate (May 2, 1941). "Citizen Kane". <a href="/wiki/Daily_News_(New_York)" class="mw-redirect" title="Daily News (New York)">New York Daily-News</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+York+Daily-News&rft.atitle=Citizen+Kane&rft.date=1941-05-02&rft.aulast=Cameron&rft.aufirst=Kate&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Boehnel-128"><a href="#cite_ref-Boehnel_128-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBoehnel1941" class="citation news cs1">Boehnel, William (May 2, 1941). "Citizen Kane". <a href="/wiki/New_York_World-Telegram" title="New York World-Telegram">New York World-Telegram</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Citizen+Kane&rft.date=1941-05-02&rft.aulast=Boehnel&rft.aufirst=William&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Roberts-129">^ <a href="#cite_ref-Roberts_129-0">a</a> <a href="#cite_ref-Roberts_129-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts2010" class="citation book cs1">Roberts, Jerry (2010). The Complete History of American Film Criticism. Santa Monica, California: Santa Monica Press LLC. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59580-049-7" title="Special:BookSources/978-1-59580-049-7"><bdi>978-1-59580-049-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+History+of+American+Film+Criticism&rft.place=Santa+Monica%2C+California&rft.pub=Santa+Monica+Press+LLC&rft.date=2010&rft.isbn=978-1-59580-049-7&rft.aulast=Roberts&rft.aufirst=Jerry&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-130"><a href="#cite_ref-130">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBower1941" class="citation magazine cs1">Bower, Anthony (April 26, 1941). "Citizen Kane". <a href="/wiki/The_Nation" title="The Nation">The Nation</a>. New York.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Nation&rft.atitle=Citizen+Kane&rft.date=1941-04-26&rft.aulast=Bower&rft.aufirst=Anthony&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-131"><a href="#cite_ref-131">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLejeune1941" class="citation news cs1"><a href="/wiki/C._A._Lejeune" title="C. A. Lejeune">Lejeune, C. A.</a> (October 12, 1941). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/1941/oct/12/derekmalcolmscenturyoffilm">"The most exciting film that has come out of Hollywood in twenty-five years"</a>. <a href="/wiki/The_Observer" title="The Observer">The Observer</a>. London, UK. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141215003710/http://www.theguardian.com/film/1941/oct/12/derekmalcolmscenturyoffilm">Archived</a> from the original on December 15, 2014. Retrieved December 11, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=The+most+exciting+film+that+has+come+out+of+Hollywood+in+twenty-five+years&rft.date=1941-10-12&rft.aulast=Lejeune&rft.aufirst=C.+A.&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F1941%2Foct%2F12%2Fderekmalcolmscenturyoffilm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Heylin-132"><a href="#cite_ref-Heylin_132-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2006" class="citation book cs1"><a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Heylin, Clinton</a> (2006). <a rel="nofollow" class="external text" href="https://archive.org/details/despitesystemors00heyl">Despite the System: Orson Welles Versus the Hollywood Studios</a>. Chicago, Illinois: <a href="/wiki/Chicago_Review_Press" title="Chicago Review Press">Chicago Review Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-547-6" title="Special:BookSources/978-1-55652-547-6"><bdi>978-1-55652-547-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Despite+the+System%3A+Orson+Welles+Versus+the+Hollywood+Studios&rft.place=Chicago%2C+Illinois&rft.pub=Chicago+Review+Press&rft.date=2006&rft.isbn=978-1-55652-547-6&rft.aulast=Heylin&rft.aufirst=Clinton&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdespitesystemors00heyl&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-133"><a href="#cite_ref-133">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLean1941" class="citation news cs1"><a href="/wiki/Edward_Tangye_Lean" class="mw-redirect" title="Edward Tangye Lean">Lean, Tangye</a> (November 1941). "Pre-War Citizen". London, UK: <a href="/wiki/Horizon_(British_magazine)" title="Horizon (British magazine)">Horizon</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Pre-War+Citizen&rft.date=1941-11&rft.aulast=Lean&rft.aufirst=Tangye&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-134"><a href="#cite_ref-134">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrownlow1996" class="citation book cs1"><a href="/wiki/Kevin_Brownlow" title="Kevin Brownlow">Brownlow, Kevin</a> (1996). David Lean: A Biography. London, UK: <a href="/wiki/Macmillan_Publishers" title="Macmillan Publishers">Macmillan Publishers</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4668-3237-4" title="Special:BookSources/978-1-4668-3237-4"><bdi>978-1-4668-3237-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=David+Lean%3A+A+Biography&rft.place=London%2C+UK&rft.pub=Macmillan+Publishers&rft.date=1996&rft.isbn=978-1-4668-3237-4&rft.aulast=Brownlow&rft.aufirst=Kevin&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-schallert19410509-136"><a href="#cite_ref-schallert19410509_136-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchallert1941" class="citation news cs1">Schallert, Edwin (May 9, 1941). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/380773599/">"Welles' Citizen Kane Revolutionary Film"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. p. 18. Retrieved April 11, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Welles%27+Citizen+Kane+Revolutionary+Film&rft.pages=18&rft.date=1941-05-09&rft.aulast=Schallert&rft.aufirst=Edwin&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F380773599%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-137"><a href="#cite_ref-137">^</a> Tinee, Mae (May 7, 1941). "<a rel="nofollow" class="external text" href="https://www.newspapers.com/image/372308135/">Citizen Kane Fails to Impress Critis as Greatest Ever Filmed</a>". <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a>. p. 25. </li> <li id="cite_note-Ferguson-138"><a href="#cite_ref-Ferguson_138-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFerguson1941" class="citation magazine cs1"><a href="/wiki/Otis_Ferguson" title="Otis Ferguson">Ferguson, Otis</a> (June 2, 1941). "Citizen Kane". <a href="/wiki/The_New_Republic" title="The New Republic">The New Republic</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Republic&rft.atitle=Citizen+Kane&rft.date=1941-06-02&rft.aulast=Ferguson&rft.aufirst=Otis&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-139"><a href="#cite_ref-139">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFvon_Stroheim1941" class="citation news cs1"><a href="/wiki/Erich_von_Stroheim" title="Erich von Stroheim">von Stroheim, Erich</a> (June 6, 1941). <a rel="nofollow" class="external text" href="http://www.fredcamper.com/M/VonStroheim.html">"Citizen Kane"</a>. Decision, a review of free culture, Volume 1, number 6. pp. 91–93. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141211151919/http://www.fredcamper.com/M/VonStroheim.html">Archived</a> from the original on December 11, 2014. Retrieved December 16, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Citizen+Kane&rft.pages=91-93&rft.date=1941-06-06&rft.aulast=von+Stroheim&rft.aufirst=Erich&rft_id=http%3A%2F%2Fwww.fredcamper.com%2FM%2FVonStroheim.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Borges-140"><a href="#cite_ref-Borges_140-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBorges1941" class="citation magazine cs1"><a href="/wiki/Jorge_Luis_Borges" title="Jorge Luis Borges">Borges, Jorge Luis</a> (August 1941). <a rel="nofollow" class="external text" href="http://www.canaltrans.com/lalinternamagica/005.html">"El Ciudadano"</a>. <a href="/wiki/Sur_(magazine)" title="Sur (magazine)">Sur</a>, Number 83. Buenos Aires, Argentina. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141220192854/http://www.canaltrans.com/lalinternamagica/005.html">Archived</a> from the original on December 20, 2014. Retrieved December 7, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sur%2C+Number+83&rft.atitle=El+Ciudadano&rft.date=1941-08&rft.aulast=Borges&rft.aufirst=Jorge+Luis&rft_id=http%3A%2F%2Fwww.canaltrans.com%2Flalinternamagica%2F005.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-141"><a href="#cite_ref-141">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCox1942" class="citation magazine cs1"><a href="/wiki/Erle_Cox" title="Erle Cox">Cox, Erle</a> (February 7, 1942). <a rel="nofollow" class="external text" href="http://nla.gov.au/nla.news-article8231805">"Screen Realism May Be a Little Too Real"</a>. <a href="/wiki/The_Argus_(Australia)" class="mw-redirect" title="The Argus (Australia)">The Argus Weekend Magazine</a>. Melbourne, Australia. p. 6.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Argus+Weekend+Magazine&rft.atitle=Screen+Realism+May+Be+a+Little+Too+Real&rft.pages=6&rft.date=1942-02-07&rft.aulast=Cox&rft.aufirst=Erle&rft_id=http%3A%2F%2Fnla.gov.au%2Fnla.news-article8231805&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-142"><a href="#cite_ref-142">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAgate1941" class="citation magazine cs1"><a href="/wiki/James_Agate" title="James Agate">Agate, James</a> (October 22, 1941). "Citizen Kane". <a href="/wiki/The_Tatler" class="mw-redirect" title="The Tatler">The Tatler</a>. pp. 227–229</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Tatler&rft.atitle=Citizen+Kane&rft.pages=227-229&rft.date=1941-10-22&rft.aulast=Agate&rft.aufirst=James&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988">, reprinted in Around Cinemas (1946) Home & Van Thal Ltd. </li> <li id="cite_note-143"><a href="#cite_ref-143">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAgate1941" class="citation news cs1">Agate, James (November 5, 1941). "More About Citizen Kane". <a href="/wiki/The_Tatler" class="mw-redirect" title="The Tatler">The Tatler</a>. pp. 229–231</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=More+About+Citizen+Kane&rft.pages=229-231&rft.date=1941-11-05&rft.aulast=Agate&rft.aufirst=James&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988">, reprinted in Around Cinemas (1946) Home & Van Thal Ltd. </li> <li id="cite_note-144"><a href="#cite_ref-144">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavies1993" class="citation book cs1">Davies, Russell (1993). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=z_Xmifzm8cUC&dq=%22boshey+rot%22+%22citizen+Kane%22&pg=PA2">The Kenneth Williams Diaries</a>. Harper Collins. p. 2. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-00-638090-5" title="Special:BookSources/0-00-638090-5"><bdi>0-00-638090-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Kenneth+Williams+Diaries&rft.pages=2&rft.pub=Harper+Collins&rft.date=1993&rft.isbn=0-00-638090-5&rft.aulast=Davies&rft.aufirst=Russell&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dz_Xmifzm8cUC%26dq%3D%2522boshey%2Brot%2522%2B%2522citizen%2BKane%2522%26pg%3DPA2&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Jewell-145"><a href="#cite_ref-Jewell_145-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJewellHarbin1982" class="citation book cs1">Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: <a href="/wiki/Arlington_House_Publishers" title="Arlington House Publishers">Arlington House Publishers</a>/<a href="/wiki/Crown_Publishing_Group" title="Crown Publishing Group">Crown Publishing Group</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-517-54656-7" title="Special:BookSources/978-0-517-54656-7"><bdi>978-0-517-54656-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+RKO+Story&rft.place=New+York&rft.pub=Arlington+House+Publishers%2FCrown+Publishing+Group&rft.date=1982&rft.isbn=978-0-517-54656-7&rft.aulast=Jewell&rft.aufirst=Richard+B.&rft.au=Harbin%2C+Vernon&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-rko-146"><a href="#cite_ref-rko_146-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJewell1994" class="citation news cs1">Jewell, Richard (1994). "RKO Film Grosses: 1931–1951". Historical Journal of Film, Radio and Television, Vol 14 No 1. p. 45.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=RKO+Film+Grosses%3A+1931%E2%80%931951&rft.pages=45&rft.date=1994&rft.aulast=Jewell&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-147"><a href="#cite_ref-147">^</a> C. T. Cooney. Jr., Waldo Theatre, Waldoboro, Maine. </li> <li id="cite_note-148"><a href="#cite_ref-148">^</a> W. Varick Nevins III, Alfred Co-op Theatre, Alfred, N. Y. </li> <li id="cite_note-149"><a href="#cite_ref-149">^</a> Delmare C. Fox, Fox Theatre, Alberta, Canada. </li> <li id="cite_note-150"><a href="#cite_ref-150">^</a> Al Eliasen, Koronis Theatre, Paynesville, Minnesota. </li> <li id="cite_note-151"><a href="#cite_ref-151">^</a> A. C. Edwards, Winema Theatre, Scotia, California. </li> <li id="cite_note-152"><a href="#cite_ref-152">^</a> Saul Korman, Grant Theatre, Detroit, Michigan. </li> <li id="cite_note-153"><a href="#cite_ref-153">^</a> A. E. Andrews, Emporium Theatre, Emporium, Pennsylvania. </li> <li id="cite_note-154"><a href="#cite_ref-154">^</a> E. L. Danielson, Castle Theatre, Mabel, Minnesota. </li> <li id="cite_note-Street,_Sarah_1996-155"><a href="#cite_ref-Street,_Sarah_1996_155-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStreet1996" class="citation magazine cs1">Street, Sarah (March 1996). "Citizen Kane". History Today.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=History+Today&rft.atitle=Citizen+Kane&rft.date=1996-03&rft.aulast=Street&rft.aufirst=Sarah&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Nasaw-156"><a href="#cite_ref-Nasaw_156-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNasaw2000" class="citation book cs1"><a href="/wiki/David_Nasaw" title="David Nasaw">Nasaw, David</a> (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/chieflifeofwilli0000nasa">The Chief: The Life of William Randolph Hearst</a>. Boston, MA: <a href="/wiki/Houghton_Mifflin_Harcourt" title="Houghton Mifflin Harcourt">Houghton Mifflin Harcourt</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-395-82759-0" title="Special:BookSources/0-395-82759-0"><bdi>0-395-82759-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Chief%3A+The+Life+of+William+Randolph+Hearst&rft.place=Boston%2C+MA&rft.pub=Houghton+Mifflin+Harcourt&rft.date=2000&rft.isbn=0-395-82759-0&rft.aulast=Nasaw&rft.aufirst=David&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fchieflifeofwilli0000nasa&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-157"><a href="#cite_ref-157">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.org/details/otr_freecompany">"His Honor, the Mayor"</a>. Internet Archive. April 6, 1941. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151009225441/https://archive.org/details/otr_freecompany">Archived</a> from the original on October 9, 2015. Retrieved February 21, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=His+Honor%2C+the+Mayor&rft.pub=Internet+Archive&rft.date=1941-04-06&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fotr_freecompany&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Wellesnet_His_Honor-158"><a href="#cite_ref-Wellesnet_His_Honor_158-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.wellesnet.com/?p=186">"Orson Welles defends American civil liberties in His Honor the Mayor"</a>. Wellesnet.com. August 4, 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131224030954/http://www.wellesnet.com/?p=186">Archived</a> from the original on December 24, 2013. Retrieved December 26, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Orson+Welles+defends+American+civil+liberties+in+His+Honor+the+Mayor&rft.pub=Wellesnet.com&rft.date=2007-08-04&rft_id=http%3A%2F%2Fwww.wellesnet.com%2F%3Fp%3D186&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-chawkins20120123-159">^ <a href="#cite_ref-chawkins20120123_159-0">a</a> <a href="#cite_ref-chawkins20120123_159-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChawkins2012" class="citation news cs1">Chawkins, Steve (January 23, 2012). <a rel="nofollow" class="external text" href="https://www.latimes.com/local/la-xpm-2012-jan-23-la-me-citizen-kane-20120123-story.html">"Family 'Citizen Kane' gets inside the castle"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141221115331/http://articles.latimes.com/2012/jan/23/local/la-me-citizen-kane-20120123">Archived</a> from the original on December 21, 2014. Retrieved December 11, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Family+%27Citizen+Kane%27+gets+inside+the+castle&rft.date=2012-01-23&rft.aulast=Chawkins&rft.aufirst=Steve&rft_id=https%3A%2F%2Fwww.latimes.com%2Flocal%2Fla-xpm-2012-jan-23-la-me-citizen-kane-20120123-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-160"><a href="#cite_ref-160">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKing1996" class="citation news cs1">King, Susan (January 28, 1996). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-1996-01-28-tv-29475-story.html">"Raising 'Kane' With Hearst : An 'American Experience' Recounts the Attempts of the Publishing Magnate to Quash a Film Masterpiece"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141223030428/http://articles.latimes.com/1996-01-28/news/tv-29475_1_citizen-kane">Archived</a> from the original on December 23, 2014. Retrieved December 11, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Raising+%27Kane%27+With+Hearst+%3A+An+%27American+Experience%27+Recounts+the+Attempts+of+the+Publishing+Magnate+to+Quash+a+Film+Masterpiece&rft.date=1996-01-28&rft.aulast=King&rft.aufirst=Susan&rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-1996-01-28-tv-29475-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Rotten_Tomatoes-161"><a href="#cite_ref-Rotten_Tomatoes_161-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/citizen_kane">"Citizen Kane (1941)"</a>. <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>. <a href="/wiki/Fandango_Media" title="Fandango Media">Fandango Media</a>. May 1941. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190610183403/https://www.rottentomatoes.com/m/citizen_kane/">Archived</a> from the original on June 10, 2019. Retrieved March 25, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Rotten+Tomatoes&rft.atitle=Citizen+Kane+%281941%29&rft.date=1941-05&rft_id=https%3A%2F%2Fwww.rottentomatoes.com%2Fm%2Fcitizen_kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-162"><a href="#cite_ref-162">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPulver2021" class="citation news cs1">Pulver, Andrew (April 28, 2021). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2021/apr/28/80-year-old-review-wrecks-citizen-kanes-100-rating-on-rotten-tomatoes">"80-year-old review wrecks Citizen Kane's 100% rating on Rotten Tomatoes"</a>. The Guardian. Retrieved April 28, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=80-year-old+review+wrecks+Citizen+Kane%27s+100%25+rating+on+Rotten+Tomatoes&rft.date=2021-04-28&rft.aulast=Pulver&rft.aufirst=Andrew&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2021%2Fapr%2F28%2F80-year-old-review-wrecks-citizen-kanes-100-rating-on-rotten-tomatoes&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Metacritic-163"><a href="#cite_ref-Metacritic_163-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/citizen-kane-1941">"Citizen Kane (1941) Reviews"</a>. <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>. <a href="/wiki/Red_Ventures" title="Red Ventures">Red Ventures</a>. Retrieved March 25, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Metacritic&rft.atitle=Citizen+Kane+%281941%29+Reviews&rft_id=https%3A%2F%2Fwww.metacritic.com%2Fmovie%2Fcitizen-kane-1941&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-164"><a href="#cite_ref-164">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120422064928/http://old.usccb.org/movies/vaticanfilms.shtml">"Vatican Best Films List"</a>. Official website of the <a href="/wiki/United_States_Conference_of_Catholic_Bishops" title="United States Conference of Catholic Bishops">U.S. Conference of Catholic Bishops</a>. Archived from <a rel="nofollow" class="external text" href="http://old.usccb.org/movies/vaticanfilms.shtml">the original</a> on April 22, 2012. Retrieved April 20, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Official+website+of+the+U.S.+Conference+of+Catholic+Bishops&rft.atitle=Vatican+Best+Films+List&rft_id=http%3A%2F%2Fold.usccb.org%2Fmovies%2Fvaticanfilms.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Oscars1942-165"><a href="#cite_ref-Oscars1942_165-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.oscars.org/oscars/ceremonies/1942">"The 14th Academy Awards (1942) Nominees and Winners"</a>. Academy of Motion Picture Arts and Science. October 3, 2014. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150402003256/http://www.oscars.org/oscars/ceremonies/1942">Archived</a> from the original on April 2, 2015. Retrieved November 29, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+14th+Academy+Awards+%281942%29+Nominees+and+Winners&rft.pub=Academy+of+Motion+Picture+Arts+and+Science&rft.date=2014-10-03&rft_id=http%3A%2F%2Fwww.oscars.org%2Foscars%2Fceremonies%2F1942&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-166"><a href="#cite_ref-166">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1"><a rel="nofollow" class="external text" href="https://archive.org/stream/nationalboardofr1415nati#page/4/mode/1up">"Ten Best 1941"</a>. National Board of Review Magazine. XVII (1). <a href="/wiki/National_Board_of_Review" title="National Board of Review">National Board of Review</a>: 4. January 1942. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160326141648/http://archive.org/stream/nationalboardofr1415nati#page/4/mode/1up">Archived</a> from the original on March 26, 2016. Retrieved February 23, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=National+Board+of+Review+Magazine&rft.atitle=Ten+Best+1941&rft.volume=XVII&rft.issue=1&rft.pages=4&rft.date=1942-01&rft_id=https%3A%2F%2Farchive.org%2Fstream%2Fnationalboardofr1415nati%23page%2F4%2Fmode%2F1up&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-167"><a href="#cite_ref-167">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1"><a rel="nofollow" class="external text" href="https://archive.org/stream/nationalboardofr1415nati#page/6/mode/1up">"Ten Best 1941"</a>. National Board of Review Magazine. XVII (1). <a href="/wiki/National_Board_of_Review" title="National Board of Review">National Board of Review</a>: 6. January 1942. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160326141648/http://archive.org/stream/nationalboardofr1415nati#page/6/mode/1up">Archived</a> from the original on March 26, 2016. Retrieved February 23, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=National+Board+of+Review+Magazine&rft.atitle=Ten+Best+1941&rft.volume=XVII&rft.issue=1&rft.pages=6&rft.date=1942-01&rft_id=https%3A%2F%2Farchive.org%2Fstream%2Fnationalboardofr1415nati%23page%2F6%2Fmode%2F1up&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-168"><a href="#cite_ref-168">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.nyfcc.com/awards/?awardyear=1941">"1941 Awards"</a>. <a href="/wiki/New_York_Film_Critics_Circle" title="New York Film Critics Circle">New York Film Critics Circle</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160304093319/http://www.nyfcc.com/awards/?awardyear=1941">Archived</a> from the original on March 4, 2016. Retrieved February 23, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1941+Awards&rft.pub=New+York+Film+Critics+Circle&rft_id=http%3A%2F%2Fwww.nyfcc.com%2Fawards%2F%3Fawardyear%3D1941&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-169"><a href="#cite_ref-169">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1"><a rel="nofollow" class="external text" href="https://archive.org/stream/variety145-1942-03#page/n3/mode/1up">"Extras Scuttled Welles"</a>. Variety. March 4, 1942. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170317171257/http://www.archive.org/stream/variety145-1942-03#page/n3/mode/1up">Archived</a> from the original on March 17, 2017. Retrieved February 23, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Extras+Scuttled+Welles&rft.date=1942-03-04&rft_id=https%3A%2F%2Farchive.org%2Fstream%2Fvariety145-1942-03%23page%2Fn3%2Fmode%2F1up&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-170"><a href="#cite_ref-170">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilson2006" class="citation web cs1">Wilson, Jeff (November 29, 2006). <a rel="nofollow" class="external text" href="http://www.wellesnet.com/jack-moss-the-man-who-ruined-welles/">"Jack Moss: The Man Who Ruined Welles?"</a>. Wellesnet. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160630155335/http://www.wellesnet.com/jack-moss-the-man-who-ruined-welles/">Archived</a> from the original on June 30, 2016. Retrieved April 12, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Wellesnet&rft.atitle=Jack+Moss%3A+The+Man+Who+Ruined+Welles%3F&rft.date=2006-11-29&rft.aulast=Wilson&rft.aufirst=Jeff&rft_id=http%3A%2F%2Fwww.wellesnet.com%2Fjack-moss-the-man-who-ruined-welles%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-171"><a href="#cite_ref-171">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrench2012" class="citation web cs1">French, Lawrence (March 2, 2012). <a rel="nofollow" class="external text" href="http://www.wellesnet.com/orson-welless-the-magnificent-ambersons-turns-70-triumph-or-tragedy/">"The Memos—Orson Welles' The Magnificent Ambersons turns 70: Triumph or Tragedy?"</a>. Wellesnet. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160313035207/http://www.wellesnet.com/orson-welless-the-magnificent-ambersons-turns-70-triumph-or-tragedy/">Archived</a> from the original on March 13, 2016. Retrieved April 12, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Wellesnet&rft.atitle=The+Memos%E2%80%94Orson+Welles%27+The+Magnificent+Ambersons+turns+70%3A+Triumph+or+Tragedy%3F&rft.date=2012-03-02&rft.aulast=French&rft.aufirst=Lawrence&rft_id=http%3A%2F%2Fwww.wellesnet.com%2Forson-welless-the-magnificent-ambersons-turns-70-triumph-or-tragedy%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-172"><a href="#cite_ref-172">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrady1941" class="citation news cs1">Brady, Thomas (November 16, 1941). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1941/11/16/archives/spending-rkos-money-worries-orson-welles-four-on-the-road-back.html">"Genius Under Stress: Spending RKO's Money Worries Orson Welles"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180729051833/https://www.nytimes.com/1941/11/16/archives/spending-rkos-money-worries-orson-welles-four-on-the-road-back.html">Archived</a> from the original on July 29, 2018. Retrieved April 12, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Genius+Under+Stress%3A+Spending+RKO%27s+Money+Worries+Orson+Welles&rft.date=1941-11-16&rft.aulast=Brady&rft.aufirst=Thomas&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1941%2F11%2F16%2Farchives%2Fspending-rkos-money-worries-orson-welles-four-on-the-road-back.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-WIC-173"><a href="#cite_ref-WIC_173-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBazin1950" class="citation book cs1"><a href="/wiki/Andr%C3%A9_Bazin" title="André Bazin">Bazin, André</a> (1950). <a rel="nofollow" class="external text" href="https://archive.org/stream/Bazin_Andre_What_Is_Cinema_Volume_1#page/n32/mode/1up">"The Evolution of the Language of Cinema"</a>. What is Cinema?. Translated by Gray, Hugh. Oakland, California: University of California Press (published 1967). pp. 23–40. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-24227-2" title="Special:BookSources/978-0-520-24227-2"><bdi>978-0-520-24227-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Evolution+of+the+Language+of+Cinema&rft.btitle=What+is+Cinema%3F&rft.place=Oakland%2C+California&rft.pages=23-40&rft.pub=University+of+California+Press&rft.date=1950&rft.isbn=978-0-520-24227-2&rft.aulast=Bazin&rft.aufirst=Andr%C3%A9&rft_id=https%3A%2F%2Farchive.org%2Fstream%2FBazin_Andre_What_Is_Cinema_Volume_1%23page%2Fn32%2Fmode%2F1up&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-174"><a href="#cite_ref-174">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFQuandt2014" class="citation web cs1">Quandt, James (2014). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150107075132/http://tiff.net/cinematheque/orsonwelleslostandfound/citizen-kane">"Citizen Kane"</a>. Toronto, Ontario, Canada: <a href="/wiki/Toronto_International_Film_Festival" title="Toronto International Film Festival">Toronto International Film Festival</a>. Archived from <a rel="nofollow" class="external text" href="http://tiff.net/cinematheque/orsonwelleslostandfound/citizen-kane">the original</a> on January 7, 2015. Retrieved May 29, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Citizen+Kane&rft.place=Toronto%2C+Ontario%2C+Canada&rft.pub=Toronto+International+Film+Festival&rft.date=2014&rft.aulast=Quandt&rft.aufirst=James&rft_id=http%3A%2F%2Ftiff.net%2Fcinematheque%2Forsonwelleslostandfound%2Fcitizen-kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-175"><a href="#cite_ref-175">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFalacci2021" class="citation news cs1"><a href="/wiki/Nicolas_Falacci" title="Nicolas Falacci">Falacci, Nicolas</a> (February 27, 2021). <a rel="nofollow" class="external text" href="https://www.wellesnet.com/citizen-kane-negative/">"Negative for 'Citizen Kane' may be lost forever"</a>. Wellesnet. Retrieved February 28, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Wellesnet&rft.atitle=Negative+for+%27Citizen+Kane%27+may+be+lost+forever&rft.date=2021-02-27&rft.aulast=Falacci&rft.aufirst=Nicolas&rft_id=https%3A%2F%2Fwww.wellesnet.com%2Fcitizen-kane-negative%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-176"><a href="#cite_ref-176">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcGreeveyYeck1997" class="citation book cs1">McGreevey, Tom; Yeck, Joanne L. (1997). <a rel="nofollow" class="external text" href="https://archive.org/details/ourmovieheritage0000mcgr/page/135">Our Movie Heritage</a>. New Brunswick, New Jersey: <a href="/wiki/Rutgers_University_Press" title="Rutgers University Press">Rutgers University Press</a>. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/ourmovieheritage0000mcgr/page/135">135–36</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8135-2431-8" title="Special:BookSources/0-8135-2431-8"><bdi>0-8135-2431-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Our+Movie+Heritage&rft.place=New+Brunswick%2C+New+Jersey&rft.pages=135-36&rft.pub=Rutgers+University+Press&rft.date=1997&rft.isbn=0-8135-2431-8&rft.aulast=McGreevey&rft.aufirst=Tom&rft.au=Yeck%2C+Joanne+L.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fourmovieheritage0000mcgr%2Fpage%2F135&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-177"><a href="#cite_ref-177">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRohter1991" class="citation news cs1"><a href="/wiki/Larry_Rohter" title="Larry Rohter">Rohter, Larry</a> (February 20, 1991). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1991/02/20/movies/for-citizen-kane-a-fresh-start-at-50.html">"For 'Citizen Kane,' a Fresh Start at 50"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170611053838/http://www.nytimes.com/1991/02/20/movies/for-citizen-kane-a-fresh-start-at-50.html">Archived</a> from the original on June 11, 2017. Retrieved February 6, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=For+%27Citizen+Kane%2C%27+a+Fresh+Start+at+50&rft.date=1991-02-20&rft.aulast=Rohter&rft.aufirst=Larry&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1991%2F02%2F20%2Fmovies%2Ffor-citizen-kane-a-fresh-start-at-50.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Mojo-178"><a href="#cite_ref-Mojo_178-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.boxofficemojo.com/movies/?id=citizenkane.htm">"Citizen Kane (1941)"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141006101036/http://www.boxofficemojo.com/movies/?id=citizenkane.htm">Archived</a> from the original on October 6, 2014. Retrieved December 8, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Box+Office+Mojo&rft.atitle=Citizen+Kane+%281941%29&rft_id=http%3A%2F%2Fwww.boxofficemojo.com%2Fmovies%2F%3Fid%3Dcitizenkane.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-179"><a href="#cite_ref-179">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBoddy1993" class="citation book cs1">Boddy, William (1993). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=sWjhCESKy4AC&q=c%26c%20%2B%20rko%20%2B%201955&pg=PA138">Fifties Television: The Industry and Its Critics</a>. Champaign, Illinois: <a href="/wiki/University_of_Illinois_Press" title="University of Illinois Press">University of Illinois Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-06299-5" title="Special:BookSources/978-0-252-06299-5"><bdi>978-0-252-06299-5</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201114035151/https://books.google.com/books?id=sWjhCESKy4AC&pg=PA138&q=c%26c+%2B+rko+%2B+1955&hl=en">Archived</a> from the original on November 14, 2020. Retrieved November 29, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fifties+Television%3A+The+Industry+and+Its+Critics&rft.place=Champaign%2C+Illinois&rft.pub=University+of+Illinois+Press&rft.date=1993&rft.isbn=978-0-252-06299-5&rft.aulast=Boddy&rft.aufirst=William&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsWjhCESKy4AC%26q%3Dc%2526c%2520%252B%2520rko%2520%252B%25201955%26pg%3DPA138&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-180"><a href="#cite_ref-180">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCormick1986" class="citation magazine cs1">McCormick, Moira (August 23, 1986). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=UiQEAAAAMBAJ&q=%22rko%20home%20video%22%2B%20%22citizen%20kane%22%2B%201984&pg=PT75">"RKO Focuses On Upscale Market for Classic Films"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 64. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201114035140/https://books.google.com/books?id=UiQEAAAAMBAJ&pg=PT75&sqi=2&q=%22rko+home+video%22%2B+%22citizen+kane%22%2B+1984">Archived</a> from the original on November 14, 2020. Retrieved October 5, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=RKO+Focuses+On+Upscale+Market+for+Classic+Films&rft.pages=64&rft.date=1986-08-23&rft.aulast=McCormick&rft.aufirst=Moira&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DUiQEAAAAMBAJ%26q%3D%2522rko%2520home%2520video%2522%252B%2520%2522citizen%2520kane%2522%252B%25201984%26pg%3DPT75&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-181"><a href="#cite_ref-181">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScott1980" class="citation news cs1">Scott, Vernon (October 11, 1980). "Nostalgia King". United Press International.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Nostalgia+King&rft.date=1980-10-11&rft.aulast=Scott&rft.aufirst=Vernon&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-182"><a href="#cite_ref-182">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Citizen Kane (Film, 1985). <a href="/wiki/WorldCat" title="WorldCat">WorldCat</a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/016396308">016396308</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Citizen+Kane+%28Film%2C+1985%29&rft.pub=WorldCat&rft_id=info%3Aoclcnum%2F016396308&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-183"><a href="#cite_ref-183">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCriterion_Collection2015" class="citation web cs1"><a href="/wiki/The_Criterion_Collection" title="The Criterion Collection">Criterion Collection [@Criterion]</a> (December 3, 2015). <a rel="nofollow" class="external text" href="https://x.com/Criterion/status/672452401195040771">"On this day in 1984, we released our first laserdisc: Orson Welles' CITIZEN KANE"</a> (<a href="/wiki/Tweet_(social_media)" title="Tweet (social media)">Tweet</a>). Retrieved April 18, 2023 – via <a href="/wiki/Twitter" title="Twitter">Twitter</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=On+this+day+in+1984%2C+we+released+our+first+laserdisc%3A+Orson+Welles%27+CITIZEN+KANE.&rft.date=2015-12-03&rft.au=Criterion+Collection&rft_id=https%3A%2F%2Fx.com%2FCriterion%2Fstatus%2F672452401195040771&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-184"><a href="#cite_ref-184">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmith" class="citation web cs1">Smith, Roger P. <a rel="nofollow" class="external text" href="http://www.criterion.com/current/posts/840-citizen-kane">"From the Current – Citizen Kane"</a>. <a href="/wiki/The_Criterion_Collection" title="The Criterion Collection">The Criterion Collection</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120603064847/http://www.criterion.com/current/posts/840-citizen-kane">Archived</a> from the original on June 3, 2012. Retrieved March 29, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=From+the+Current+%E2%80%93+Citizen+Kane&rft.pub=The+Criterion+Collection&rft.aulast=Smith&rft.aufirst=Roger+P.&rft_id=http%3A%2F%2Fwww.criterion.com%2Fcurrent%2Fposts%2F840-citizen-kane&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-185"><a href="#cite_ref-185">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.dvduell.de/criterion_website/criterion/catalogpage-58.html">"Criterion: Citizen Kane: 50th Anniversary Edition"</a>. The Criterion Collection. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150923221011/http://www.dvduell.de/criterion_website/criterion/catalogpage-58.html">Archived</a> from the original on September 23, 2015. Retrieved July 31, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Criterion%3A+Citizen+Kane%3A+50th+Anniversary+Edition&rft.pub=The+Criterion+Collection&rft_id=http%3A%2F%2Fwww.dvduell.de%2Fcriterion_website%2Fcriterion%2Fcatalogpage-58.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-186"><a href="#cite_ref-186">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120129121208/http://articles.chicagotribune.com/1986-03-26/business/8601220602_1_turner-broadcasting-system-ua-mgm">"Turner Acquires MGM/UA"</a>. <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a>. March 26, 1986. Archived from <a rel="nofollow" class="external text" href="http://articles.chicagotribune.com/1986-03-26/business/8601220602_1_turner-broadcasting-system-ua-mgm">the original</a> on January 29, 2012. 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November 14, 1996. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120130234600/http://articles.chicagotribune.com/1996-11-14/news/9611150315_1_turner-broadcasting-system-turner-pictures-time-warner">Archived</a> from the original on January 30, 2012. Retrieved December 28, 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Chicago+Tribune&rft.atitle=Time+Warner+phasing+out+Turner+Pictures%3A+Time+Warner+Inc&rft.date=1996-11-14&rft_id=https%3A%2F%2Fwww.chicagotribune.com%2F1996%2F11%2F14%2Ftime-warner-phasing-out-turner-pictures-time%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-191"><a href="#cite_ref-191">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www2.warnerbros.com/citizenkane/">"Citizen Kane"</a>. 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Retrieved December 7, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Buy+the+Citizen+Kane+Blu-ray&rft.pub=slate.com&rft.date=2011-09-13&rft.aulast=Kaplan&rft.aufirst=Fred&rft_id=http%3A%2F%2Fwww.slate.com%2Farticles%2Farts%2Fdvdextras%2F2011%2F09%2Fbuy_the_citizen_kane_bluray.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-195"><a href="#cite_ref-195">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFriedman" class="citation news cs1">Friedman, Josh. <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-2007-may-31-fi-kane31-story.html">"Welles' daughter could get profit from 'Kane'"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111225143835/http://articles.latimes.com/2007/may/31/business/fi-kane31">Archived</a> from the original on December 25, 2011. Retrieved August 8, 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Welles%27+daughter+could+get+profit+from+%27Kane%27&rft.aulast=Friedman&rft.aufirst=Josh&rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-2007-may-31-fi-kane31-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-196"><a href="#cite_ref-196">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTaylor2011" class="citation news cs1">Taylor, Charles (September 16, 2011). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2011/09/18/movies/new-dvds-citizen-kane-going-places-birth-of-a-nation.html">"The New Season DVDs: Movies That Said, 'Look What I Can Do'"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180513224203/https://www.nytimes.com/2011/09/18/movies/new-dvds-citizen-kane-going-places-birth-of-a-nation.html">Archived</a> from the original on May 13, 2018. 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Retrieved March 27, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Citizen+Kane+%28Blu-ray%29&rft.pub=DVD+Talk&rft.date=2011-09-07&rft.aulast=McQuain&rft.aufirst=Christopher&rft_id=http%3A%2F%2Fwww.dvdtalk.com%2Freviews%2F50668%2Fcitizen-kane%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-199"><a href="#cite_ref-199">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.dvdcompare.net/comparisons/film.php?fid=1145">"DVDCompare.net: Citizen Kane (1941) DVD"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180324223856/http://www.dvdcompare.net/comparisons/film.php?fid=1145">Archived</a> from the original on March 24, 2018. 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"Colorful Turner sees Citizen Kane in a different light". <a href="/wiki/Toronto_Star" title="Toronto Star">Toronto Star</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Toronto+Star&rft.atitle=Colorful+Turner+sees+Citizen+Kane+in+a+different+light&rft.date=1988-07-28&rft.aulast=Bawden&rft.aufirst=James&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-207"><a href="#cite_ref-207">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://apnews.com/4c23402df90437fb0816882f7e22ff27">"Turner Says It's Testing To Colorize 'Citizen Kane'"</a>. Associated Press. 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Retrieved January 5, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Turner+Says+It%27s+Testing+To+Colorize+%27Citizen+Kane%27&rft.pub=Associated+Press&rft.date=1989-01-30&rft_id=https%3A%2F%2Fapnews.com%2F4c23402df90437fb0816882f7e22ff27&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-208"><a href="#cite_ref-208">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAntczyk1989" class="citation web cs1">Antczyk, John (February 14, 1989). <a rel="nofollow" class="external text" href="https://apnews.com/3da27b3969212eb7885db3dbd81b597e">"We'll Never Know If Rosebud Was Red"</a>. Associated Press. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140106042152/http://www.apnewsarchive.com/1989/We-ll-Never-Know-If-Rosebud-Was-Red/id-3da27b3969212eb7885db3dbd81b597e">Archived</a> from the original on January 6, 2014. Retrieved January 5, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=We%27ll+Never+Know+If+Rosebud+Was+Red&rft.pub=Associated+Press&rft.date=1989-02-14&rft.aulast=Antczyk&rft.aufirst=John&rft_id=https%3A%2F%2Fapnews.com%2F3da27b3969212eb7885db3dbd81b597e&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-209"><a href="#cite_ref-209">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Turner won't colorize 'Kane'". <a href="/wiki/United_Press_International" title="United Press International">United Press International</a>. February 14, 1989.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Turner+won%27t+colorize+%27Kane%27&rft.date=1989-02-14&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-211"><a href="#cite_ref-211">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.wellesnet.com/the-complete-citizen-kane-is-now-online/">"The Complete Citizen Kane' documentary is now online"</a>. Wellesnet. May 13, 2013. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150101213935/http://www.wellesnet.com/the-complete-citizen-kane-is-now-online/">Archived</a> from the original on January 1, 2015. Retrieved January 1, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Complete+Citizen+Kane%27+documentary+is+now+online&rft.pub=Wellesnet&rft.date=2013-05-13&rft_id=http%3A%2F%2Fwww.wellesnet.com%2Fthe-complete-citizen-kane-is-now-online%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-212"><a href="#cite_ref-212">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJennings1989" class="citation news cs1"><a href="/wiki/Peter_Jennings" title="Peter Jennings">Jennings, Peter</a> (September 19, 1989). <a href="/wiki/ABC_World_News" class="mw-redirect" title="ABC World News">"World News Tonight"</a>. <a href="/wiki/ABC_News_(United_States)" title="ABC News (United States)">ABC News</a> Transcripts, <a href="/wiki/American_Broadcasting_Company" title="American Broadcasting Company">American Broadcasting Company</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=World+News+Tonight&rft.date=1989-09-19&rft.aulast=Jennings&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> <li id="cite_note-Welles_TIOW2-214"><a href="#cite_ref-Welles_TIOW2_214-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWellesBogdanovichRosenbaum1998" class="citation book cs1"><a href="/wiki/Orson_Welles" title="Orson Welles">Welles, Orson</a>; <a href="/wiki/Peter_Bogdanovich" title="Peter Bogdanovich">Bogdanovich, Peter</a>; <a href="/wiki/Jonathan_Rosenbaum" title="Jonathan Rosenbaum">Rosenbaum, Jonathan</a> (1998). "My Orson [new introduction by Peter Bogdanovich]". <a href="/wiki/This_is_Orson_Welles" class="mw-redirect" title="This is Orson Welles">This is Orson Welles</a> (2nd ed.). Cambridge, Massachusetts: <a href="/wiki/Da_Capo_Press" title="Da Capo Press">Da Capo Press</a>. pp. vii–xxxix. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-306-80834-0" title="Special:BookSources/978-0-306-80834-0"><bdi>978-0-306-80834-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=My+Orson+%5Bnew+introduction+by+Peter+Bogdanovich%5D&rft.btitle=This+is+Orson+Welles&rft.place=Cambridge%2C+Massachusetts&rft.pages=vii-xxxix&rft.edition=2nd&rft.pub=Da+Capo+Press&rft.date=1998&rft.isbn=978-0-306-80834-0&rft.aulast=Welles&rft.aufirst=Orson&rft.au=Bogdanovich%2C+Peter&rft.au=Rosenbaum%2C+Jonathan&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACitizen+Kane" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=34" title="Edit section: External links">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1250146164">.mw-parser-output .sister-box .side-box-abovebelow{padding:0.75em 0;text-align:center}.mw-parser-output .sister-box .side-box-abovebelow>b{display:block}.mw-parser-output .sister-box .side-box-text>ul{border-top:1px solid #aaa;padding:0.75em 0;width:217px;margin:0 auto}.mw-parser-output .sister-box .side-box-text>ul>li{min-height:31px}.mw-parser-output .sister-logo{display:inline-block;width:31px;line-height:31px;vertical-align:middle;text-align:center}.mw-parser-output .sister-link{display:inline-block;margin-left:4px;width:182px;vertical-align:middle}@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}</style><div role="navigation" aria-labelledby="sister-projects" class="side-box metadata side-box-right sister-box sistersitebox plainlinks"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-abovebelow"> Citizen Kane at Wikipedia's <a href="/wiki/Wikipedia:Wikimedia_sister_projects" title="Wikipedia:Wikimedia sister projects">sister projects</a></div> <div class="side-box-flex"> <div class="side-box-text plainlist"><ul><li><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/20px-Commons-logo.svg.png" decoding="async" width="20" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/40px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /><a href="https://commons.wikimedia.org/wiki/category:Citizen_Kane" class="extiw" title="c:category:Citizen Kane">Media</a> from Commons</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/23px-Wikiquote-logo.svg.png" decoding="async" width="23" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/35px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/46px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /><a href="https://en.wikiquote.org/wiki/Citizen_Kane" class="extiw" title="q:Citizen Kane">Quotations</a> from Wikiquote</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/27px-Wikidata-logo.svg.png" decoding="async" width="27" height="15" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/41px-Wikidata-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/54px-Wikidata-logo.svg.png 2x" data-file-width="1050" data-file-height="590" /><a href="https://www.wikidata.org/wiki/Q24815" class="extiw" title="d:Q24815">Data</a> from Wikidata</li></ul></div></div> </div> <div class="mw-heading mw-heading3"><h3 id="Database">Database</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=35" title="Edit section: Database">edit</a>]</div> <ul><li><a rel="nofollow" class="external text" href="http://www2.warnerbros.com/citizenkane/">Official website</a></li> <li><a rel="nofollow" class="external text" href="https://www.allmovie.com/movie/v9737">Citizen Kane</a> at <a href="/wiki/AllMovie" title="AllMovie">AllMovie</a></li> <li><a rel="nofollow" class="external text" href="https://catalog.afi.com/Catalog/moviedetails/27624">Citizen Kane</a> at the <a href="/wiki/AFI_Catalog_of_Feature_Films" title="AFI Catalog of Feature Films">AFI Catalog of Feature Films</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0033467/">Citizen Kane</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/citizen-kane">Citizen Kane</a> at <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a> <a href="https://www.wikidata.org/wiki/Q24815#P1712" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/citizen_kane">Citizen Kane</a> at <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a></li> <li><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/title/89/enwp">Citizen Kane</a> at the <a href="/wiki/Turner_Classic_Movies" title="Turner Classic Movies">TCM Movie Database</a></li> <li><a rel="nofollow" class="external text" href="https://data.cinemabelgica.be/film/36023">Citizen Kane</a> at <a rel="nofollow" class="external text" href="https://www.cinemabelgica.be/s/cinemabelgica/page/database">Cinema Belgica</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Other">Other</h3>[<a href="/w/index.php?title=Citizen_Kane&action=edit&section=36" title="Edit section: Other">edit</a>]</div> <ul><li><a rel="nofollow" class="external text" href="https://www.criterion.com/current/posts/7613-citizen-kane-the-once-and-future-kane">"Citizen Kane: The Once and Future Kane"</a>, essay by <a href="/wiki/Bilge_Ebiri" title="Bilge Ebiri">Bilge Ebiri</a> on <a href="/wiki/The_Criterion_Collection" title="The Criterion Collection">The Criterion Collection</a></li> <li><a rel="nofollow" class="external text" href="https://www.loc.gov/static/programs/national-film-preservation-board/documents/kane.pdf">Citizen Kane essay</a> by <a href="/wiki/Godfrey_Cheshire" title="Godfrey Cheshire">Godfrey Cheshire</a> on the National Film Registry website</li> <li>Citizen Kane essay by Daniel Eagan in <a rel="nofollow" class="external text" href="https://books.google.com/books?id=deq3xI8OmCkC">America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry</a>, A&C Black, 2010 <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0826429777" title="Special:BookSources/0826429777">0826429777</a>, pp. 735–737</li> <li><a rel="nofollow" class="external text" href="http://www.lib.berkeley.edu/MRC/wellesbib.html#kane">Citizen Kane bibliography</a> via the UC Berkeley Media Resources Center</li> <li><a rel="nofollow" class="external text" href="http://www.afi.com/100years/movies10.aspx">The American Film Institute's "100 Greatest Movies" list</a></li> <li><a rel="nofollow" class="external text" href="http://www.americanmusicpreservation.com/CitizenKanefilmscore.htm">Citizen Kane and Bernard Herrmann's film score</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170103131720/http://www.pbs.org/wgbh/amex/kane2/">PBS: Citizen Kane</a> (Archived)</li> <li><a rel="nofollow" class="external text" href="http://arquivo.pt/wayback/20090713051923/http://www.brightlightsfilm.com/45/kane.htm">Bright Lights Film Journal Essay</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120711082553/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19980524%2FREVIEWS08%2F401010334%2F1023">Roger Ebert: Citizen Kane</a></li> <li><a rel="nofollow" class="external text" href="http://hem.bredband.net/b139242">The Unofficial Citizen Kane Page</a></li> <li><a rel="nofollow" class="external text" href="https://entertainment.time.com/2005/02/12/all-time-100-movies/slide/citizen-kane-1941-2/">Time Magazine Top 100</a></li> <li><a rel="nofollow" class="external text" href="http://www.filmsite.org/citi.html">Greatest films</a></li> <li><a rel="nofollow" class="external text" href="http://www.dvdjournal.com/reviews/c/citizenkane.shtml">DVD review</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120422005046/http://www.moviemoviesite.com/Films/1941/citizen_kane/secret_life/contents.htm">"Scene-by-scene analysis"</a> at Movie Movie</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist 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.navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Citizen_Kane" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" 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abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Citizen_Kane" title="Template:Citizen Kane"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Citizen_Kane" title="Template talk:Citizen Kane"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Citizen_Kane" title="Special:EditPage/Template:Citizen Kane"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Citizen_Kane" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Citizen Kane</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Production</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Screenplay_for_Citizen_Kane" title="Screenplay for Citizen Kane">Screenplay</a></li> <li><a href="/wiki/Sources_for_Citizen_Kane" title="Sources for Citizen Kane">Sources</a></li> <li><a href="/wiki/Citizen_Kane_trailer" title="Citizen Kane trailer">Trailer</a></li> <li><a href="/wiki/Legacy_of_Citizen_Kane" title="Legacy of Citizen Kane">Legacy</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Universe</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Charles_Foster_Kane" title="Charles Foster Kane">Charles Foster Kane</a></li> <li><a href="/wiki/Xanadu_(Citizen_Kane)" title="Xanadu (Citizen Kane)">Xanadu</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related works</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Raising_Kane" title="Raising Kane">Raising Kane</a>"</li> <li><a href="/wiki/The_Battle_Over_Citizen_Kane" title="The Battle Over Citizen Kane">The Battle Over Citizen Kane</a></li> <li><a href="/wiki/RKO_281" title="RKO 281">RKO 281</a></li> <li><a href="/wiki/Citizen_Kane:_A_Filmmaker%27s_Journey" title="Citizen Kane: A Filmmaker's Journey">Citizen Kane: A Filmmaker's Journey</a></li> <li><a href="/wiki/Mank" title="Mank">Mank</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Orson_Welles" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Orson_Welles" title="Template:Orson Welles"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Orson_Welles" title="Template talk:Orson Welles"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Orson_Welles" title="Special:EditPage/Template:Orson Welles"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Orson_Welles" style="font-size:114%;margin:0 4em"><a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/Orson_Welles_filmography" title="Orson Welles filmography">Filmography</a></li> <li><a href="/wiki/Orson_Welles_radio_credits" title="Orson Welles radio credits">Radio credits</a></li> <li><a href="/wiki/Orson_Welles_theatre_credits" title="Orson Welles theatre credits">Theatre credits</a></li> <li><a href="/wiki/Orson_Welles_discography" title="Orson Welles discography">Discography</a></li> <li><a href="/wiki/Orson_Welles_bibliography" class="mw-redirect" title="Orson Welles bibliography">Bibliography</a></li> <li><a href="/wiki/Orson_Welles%27s_unrealized_projects" title="Orson Welles's unrealized projects">Unrealized projects</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Feature films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Citizen Kane</a> (1941)</li> <li><a href="/wiki/The_Magnificent_Ambersons_(film)" title="The Magnificent Ambersons (film)">The Magnificent Ambersons</a> (1942)</li> <li><a href="/wiki/The_Stranger_(1946_film)" title="The Stranger (1946 film)">The Stranger</a> (1946)</li> <li><a href="/wiki/The_Lady_from_Shanghai" title="The Lady from Shanghai">The Lady from Shanghai</a> (1947)</li> <li><a href="/wiki/Macbeth_(1948_film)" title="Macbeth (1948 film)">Macbeth</a> (1948)</li> <li><a href="/wiki/Othello_(1951_film)" title="Othello (1951 film)">Othello</a> (1951)</li> <li><a href="/wiki/Mr._Arkadin" title="Mr. Arkadin">Mr. Arkadin</a> (1955)</li> <li><a href="/wiki/Touch_of_Evil" title="Touch of Evil">Touch of Evil</a> (1958)</li> <li><a href="/wiki/The_Trial_(1962_film)" title="The Trial (1962 film)">The Trial</a> (1962)</li> <li><a href="/wiki/Chimes_at_Midnight" title="Chimes at Midnight">Chimes at Midnight</a> (1965)</li> <li><a href="/wiki/The_Immortal_Story" title="The Immortal Story">The Immortal Story</a> (1968)</li> <li><a href="/wiki/F_for_Fake" title="F for Fake">F for Fake</a> (1973)</li> <li><a href="/wiki/Filming_Othello" title="Filming Othello">Filming Othello</a> (1978)</li> <li><a href="/wiki/The_Other_Side_of_the_Wind" title="The Other Side of the Wind">The Other Side of the Wind</a> (2018)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Shorts</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Twelfth_Night_(1933_film)" title="Twelfth Night (1933 film)">Twelfth Night</a> (1933)</li> <li><a href="/wiki/The_Hearts_of_Age" title="The Hearts of Age">The Hearts of Age</a> (1934)</li> <li><a href="/wiki/Citizen_Kane_trailer" title="Citizen Kane trailer">Citizen Kane trailer</a> (1940)</li> <li><a href="/wiki/Around_the_World_(musical)" title="Around the World (musical)">Around the World</a> (1946)</li> <li><a href="/wiki/The_Miracle_of_St._Anne" title="The Miracle of St. Anne">The Miracle of St. Anne</a> (1950)</li> <li><a href="/wiki/Magic_Trick_(film)" title="Magic Trick (film)">Magic Trick</a> (1953)</li> <li><a href="/wiki/Around_the_World_with_Orson_Welles" title="Around the World with Orson Welles">The Dominici Affair</a> (1955)</li> <li><a href="/wiki/Portrait_of_Gina" title="Portrait of Gina">Portrait of Gina</a> (1958)</li> <li><a href="/wiki/An_Evening_with_Orson_Welles" title="An Evening with Orson Welles">An Evening with Orson Welles</a> (1970)</li> <li>Orson's Bag <ul><li><a href="/wiki/Vienna_(film)" title="Vienna (film)">Vienna</a> (1968)</li> <li><a href="/wiki/The_Merchant_of_Venice_(1969_film)" title="The Merchant of Venice (1969 film)">The Merchant of Venice</a> (1969)</li> <li><a href="/wiki/One_Man_Band_(unfinished_film)" title="One Man Band (unfinished film)">One Man Band</a> (1968–1971)</li></ul></li> <li><a href="/wiki/Moby_Dick_(unfinished_film)" title="Moby Dick (unfinished film)">Moby Dick</a> (1971)</li> <li><a href="/wiki/Orson_Welles%27_Magic_Show" title="Orson Welles' Magic Show">Orson Welles' Magic Show</a> (1976–1985)</li> <li><a href="/wiki/The_Spirit_of_Charles_Lindbergh" title="The Spirit of Charles Lindbergh">The Spirit of Charles Lindbergh</a> (1984)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Unfinished films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Too_Much_Johnson_(1938_film)" title="Too Much Johnson (1938 film)">Too Much Johnson</a> (1938)</li> <li><a href="/wiki/It%27s_All_True_(film)" title="It's All True (film)">It's All True</a> (1942)</li> <li><a href="/wiki/Don_Quixote_(unfinished_film)" title="Don Quixote (unfinished film)">Don Quixote</a> (1957–1969)</li> <li><a href="/wiki/The_Heroine_(film)" title="The Heroine (film)">The Heroine</a> (1967)</li> <li><a href="/wiki/The_Deep_(unfinished_film)" title="The Deep (unfinished film)">The Deep</a> (1967–1970)</li> <li><a href="/wiki/Filming_The_Trial" title="Filming The Trial">Filming 'The Trial'</a> (1981)</li> <li><a href="/wiki/The_Dreamers_(unfinished_film)" title="The Dreamers (unfinished film)">The Dreamers</a> (1980–1982)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Partly directed</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Journey_into_Fear_(1943_film)" title="Journey into Fear (1943 film)">Journey into Fear</a> (1943)</li> <li><a href="/wiki/Follow_the_Boys_(1944_film)" title="Follow the Boys (1944 film)">Follow the Boys</a> (1944)</li> <li><a href="/wiki/Black_Magic_(1949_film)" title="Black Magic (1949 film)">Black Magic</a> (1949)</li> <li><a href="/wiki/Three_Cases_of_Murder" title="Three Cases of Murder">Three Cases of Murder</a> (1955)</li> <li><a href="/wiki/David_and_Goliath_(1960_film)" title="David and Goliath (1960 film)">David and Goliath</a> (1960)</li> <li><a href="/wiki/The_Southern_Star_(film)" title="The Southern Star (film)">The Southern Star</a> (1969)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Adaptations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Monsieur_Verdoux" title="Monsieur Verdoux">Monsieur Verdoux</a> (1947)</li> <li><a href="/wiki/Treasure_Island_(1972_film)" title="Treasure Island (1972 film)">Treasure Island</a> (1972)</li> <li><a href="/wiki/Cradle_Will_Rock" title="Cradle Will Rock">Cradle Will Rock</a> (1999)</li> <li><a href="/wiki/The_Big_Brass_Ring" title="The Big Brass Ring">The Big Brass Ring</a> (1999)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Television</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Orson_Welles%27_Sketch_Book" title="Orson Welles' Sketch Book">Orson Welles' Sketch Book</a> (1955)</li> <li><a href="/wiki/Around_the_World_with_Orson_Welles" title="Around the World with Orson Welles">Around the World with Orson Welles</a> (1955)</li> <li><a href="/wiki/Orson_Welles_and_People" title="Orson Welles and People">Orson Welles and People</a> (1956)</li> <li><a href="/wiki/The_Fountain_of_Youth_(film)" title="The Fountain of Youth (film)">The Fountain of Youth</a> (1958)</li> <li><a href="/wiki/In_the_Land_of_Don_Quixote" title="In the Land of Don Quixote">In the Land of Don Quixote</a> (1964)</li> <li><a href="/wiki/The_Orson_Welles_Show" title="The Orson Welles Show">The Orson Welles Show</a> (1979)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Theatre</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Marching_Song_(play)" title="Marching Song (play)">Marching Song</a> (1932)</li> <li><a href="/wiki/Bright_Lucifer" title="Bright Lucifer">Bright Lucifer</a></li> <li><a href="/wiki/Voodoo_Macbeth" title="Voodoo Macbeth">Voodoo Macbeth</a> (1936)</li> <li><a href="/wiki/Horse_Eats_Hat" title="Horse Eats Hat">Horse Eats Hat</a> (1936)</li> <li><a href="/wiki/The_Cradle_Will_Rock" title="The Cradle Will Rock">The Cradle Will Rock</a> (1937)</li> <li><a href="/wiki/Caesar_(Mercury_Theatre)" title="Caesar (Mercury Theatre)">Caesar</a> (1937–1938)</li> <li><a href="/wiki/Too_Much_Johnson_(1938_film)" title="Too Much Johnson (1938 film)">Too Much Johnson</a> (1938)</li> <li><a href="/wiki/Native_Son_(play)" title="Native Son (play)">Native Son</a> (1941)</li> <li><a href="/wiki/The_Mercury_Wonder_Show" title="The Mercury Wonder Show">The Mercury Wonder Show</a> (1943)</li> <li><a href="/wiki/Around_the_World_(musical)" title="Around the World (musical)">Around the World</a> (1946)</li> <li><a href="/wiki/Othello_(Orson_Welles_stage_production)" title="Othello (Orson Welles stage production)">Othello</a> (1951)</li> <li><a href="/wiki/The_Lady_in_the_Ice" title="The Lady in the Ice">The Lady in the Ice</a> (1953)</li> <li><a href="/wiki/Moby_Dick%E2%80%94Rehearsed" title="Moby Dick—Rehearsed">Moby Dick—Rehearsed</a> (1955)</li> <li><a href="/wiki/Rhinoceros_(Orson_Welles_production)" title="Rhinoceros (Orson Welles production)">Rhinoceros</a> (1960)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Radio</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Les_Mis%C3%A9rables_(radio_series)" title="Les Misérables (radio series)">Les Misérables</a> (1937)</li> <li><a href="/wiki/The_Shadow#Radio_drama" title="The Shadow">The Shadow</a> (1937–1938)</li> <li><a href="/wiki/The_Mercury_Theatre_on_the_Air" title="The Mercury Theatre on the Air">The Mercury Theatre on the Air</a> (1938)</li> <li>"<a href="/wiki/Dracula_(radio_drama)" title="Dracula (radio drama)">Dracula</a>" (1938)</li> <li>"<a href="/wiki/The_War_of_the_Worlds_(1938_radio_drama)" title="The War of the Worlds (1938 radio drama)">The War of the Worlds</a>" (1938)</li> <li><a href="/wiki/The_Campbell_Playhouse_(radio_series)" title="The Campbell Playhouse (radio series)">The Campbell Playhouse</a> (1938–1940)</li> <li><a href="/wiki/The_Orson_Welles_Show_(radio_series)" title="The Orson Welles Show (radio series)">The Orson Welles Show</a> (1941–1942)</li> <li><a href="/wiki/Ceiling_Unlimited" title="Ceiling Unlimited">Ceiling Unlimited</a> (1942–1943)</li> <li><a href="/wiki/Hello_Americans" title="Hello Americans">Hello Americans</a> (1942–1943)</li> <li><a href="/wiki/The_Orson_Welles_Almanac" title="The Orson Welles Almanac">The Orson Welles Almanac</a> (1944)</li> <li><a href="/wiki/This_Is_My_Best" title="This Is My Best">This Is My Best</a> (1945)</li> <li><a href="/wiki/Orson_Welles_Commentaries" title="Orson Welles Commentaries">Orson Welles Commentaries</a> (1945–1946)</li> <li><a href="/wiki/The_Mercury_Summer_Theatre_of_the_Air" title="The Mercury Summer Theatre of the Air">The Mercury Summer Theatre of the Air</a> (1946)</li> <li><a href="/wiki/The_Adventures_of_Harry_Lime" title="The Adventures of Harry Lime">The Adventures of Harry Lime</a> (1951–1952)</li> <li><a href="/wiki/The_Black_Museum_(radio_series)" title="The Black Museum (radio series)">The Black Museum</a> (1951–52)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Spoken-word</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Happy_Prince_(Bing_Crosby_and_Orson_Welles_album)" title="The Happy Prince (Bing Crosby and Orson Welles album)">The Happy Prince</a> (1946)</li> <li><a href="/wiki/The_Begatting_of_the_President" title="The Begatting of the President">The Begatting of the President</a> (1970)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Books</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/This_Is_Orson_Welles" title="This Is Orson Welles">This Is Orson Welles</a> (1992)</li> <li><a href="/wiki/Les_Bravades" title="Les Bravades">Les Bravades</a> (1996)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mercury_Theatre" title="Mercury Theatre">Mercury Theatre</a></li> <li><a href="/wiki/Rita_Hayworth" title="Rita Hayworth">Rita Hayworth (second wife)</a></li> <li><a href="/wiki/Paola_Mori" title="Paola Mori">Paola Mori (third wife)</a></li> <li><a href="/wiki/Beatrice_Welles" title="Beatrice Welles">Beatrice Welles (daughter)</a></li> <li><a href="/wiki/Oja_Kodar" title="Oja Kodar">Oja Kodar</a></li> <li><a href="/wiki/Frozen_Peas" title="Frozen Peas">Frozen Peas</a></li> <li><a href="/wiki/Orson_Welles_Paul_Masson_advertisements" title="Orson Welles Paul Masson advertisements">Orson Welles Paul Masson advertisements</a></li> <li><a href="/wiki/It%27s_All_True:_Based_on_an_Unfinished_Film_by_Orson_Welles" title="It's All True: Based on an Unfinished Film by Orson Welles">It's All True: Based on an Unfinished Film by Orson Welles</a> (1993)</li> <li><a href="/wiki/Magician:_The_Astonishing_Life_and_Work_of_Orson_Welles" title="Magician: The Astonishing Life and Work of Orson Welles">Magician: The Astonishing Life and Work of Orson Welles</a> (2014)</li> <li><a href="/wiki/They%27ll_Love_Me_When_I%27m_Dead" title="They'll Love Me When I'm Dead">They'll Love Me When I'm Dead</a> (2018)</li> <li><a href="/wiki/Orson_Welles_(crater)" class="mw-redirect" title="Orson Welles (crater)">Orson Welles (crater)</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Citizen_Kane" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Citizen_Kane" style="font-size:114%;margin:0 4em">Awards for Citizen Kane</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="National_Board_of_Review_Award_for_Best_Film" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:National_Board_of_Review_Award_for_Best_Film" title="Template:National Board of Review Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:National_Board_of_Review_Award_for_Best_Film" title="Template talk:National Board of Review Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:National_Board_of_Review_Award_for_Best_Film" title="Special:EditPage/Template:National Board of Review Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="National_Board_of_Review_Award_for_Best_Film" style="font-size:114%;margin:0 4em"><a href="/wiki/National_Board_of_Review_Award_for_Best_Film" title="National Board of Review Award for Best Film">National Board of Review Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1932–1950</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/I_Am_a_Fugitive_from_a_Chain_Gang" title="I Am a Fugitive from a Chain Gang">I Am a Fugitive from a Chain Gang</a> (1932)</li> <li><a href="/wiki/Topaze_(1933_American_film)" title="Topaze (1933 American film)">Topaze</a> (1933)</li> <li><a href="/wiki/It_Happened_One_Night" title="It Happened One Night">It Happened One Night</a> (1934)</li> <li><a href="/wiki/The_Informer_(1935_film)" title="The Informer (1935 film)">The Informer</a> (1935)</li> <li><a href="/wiki/Mr._Deeds_Goes_to_Town" title="Mr. Deeds Goes to Town">Mr. Deeds Goes to Town</a> (1936)</li> <li><a href="/wiki/Night_Must_Fall_(1937_film)" title="Night Must Fall (1937 film)">Night Must Fall</a> (1937)</li> <li><a href="/wiki/The_Citadel_(1938_film)" title="The Citadel (1938 film)">The Citadel</a> (1938)</li> <li><a href="/wiki/Confessions_of_a_Nazi_Spy" title="Confessions of a Nazi Spy">Confessions of a Nazi Spy</a> (1939)</li> <li><a href="/wiki/The_Grapes_of_Wrath_(film)" title="The Grapes of Wrath (film)">The Grapes of Wrath</a> (1940)</li> <li><a class="mw-selflink selflink">Citizen Kane</a> (1941)</li> <li><a href="/wiki/In_Which_We_Serve" title="In Which We Serve">In Which We Serve</a> (1942)</li> <li><a href="/wiki/The_Ox-Bow_Incident" title="The Ox-Bow Incident">The Ox-Bow Incident</a> (1943)</li> <li><a href="/wiki/None_but_the_Lonely_Heart_(film)" title="None but the Lonely Heart (film)">None But the Lonely Heart</a> (1944)</li> <li><a href="/wiki/The_True_Glory" title="The True Glory">The True Glory</a> (1945)</li> <li><a href="/wiki/Henry_V_(1944_film)" title="Henry V (1944 film)">Henry V</a> (1946)</li> <li><a href="/wiki/Monsieur_Verdoux" title="Monsieur Verdoux">Monsieur Verdoux</a> (1947)</li> <li><a href="/wiki/Paisan" title="Paisan">Paisan</a> (1948)</li> <li><a href="/wiki/Bicycle_Thieves" title="Bicycle Thieves">Bicycle Thieves</a> (1949)</li> <li><a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/A_Place_in_the_Sun_(1951_film)" title="A Place in the Sun (1951 film)">A Place in the Sun</a> (1951)</li> <li><a href="/wiki/The_Quiet_Man" title="The Quiet Man">The Quiet Man</a> (1952)</li> <li><a href="/wiki/Julius_Caesar_(1953_film)" class="mw-redirect" title="Julius Caesar (1953 film)">Julius Caesar</a> (1953)</li> <li><a href="/wiki/On_the_Waterfront" title="On the Waterfront">On the Waterfront</a> (1954)</li> <li><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a> (1955)</li> <li><a href="/wiki/Around_the_World_in_80_Days_(1956_film)" title="Around the World in 80 Days (1956 film)">Around the World in 80 Days</a> (1956)</li> <li><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a> (1957)</li> <li><a href="/wiki/The_Old_Man_and_the_Sea_(1958_film)" title="The Old Man and the Sea (1958 film)">The Old Man and the Sea</a> (1958)</li> <li><a href="/wiki/The_Nun%27s_Story_(film)" title="The Nun's Story (film)">The Nun's Story</a> (1959)</li> <li><a href="/wiki/Sons_and_Lovers_(film)" title="Sons and Lovers (film)">Sons and Lovers</a> (1960)</li> <li><a href="/wiki/Question_7" title="Question 7">Question 7</a> (1961)</li> <li><a href="/wiki/The_Longest_Day_(film)" title="The Longest Day (film)">The Longest Day</a> (1962)</li> <li><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a> (1963)</li> <li><a href="/wiki/Becket_(1964_film)" title="Becket (1964 film)">Becket</a> (1964)</li> <li><a href="/wiki/The_Eleanor_Roosevelt_Story" title="The Eleanor Roosevelt Story">The Eleanor Roosevelt Story</a> (1965)</li> <li><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a> (1966)</li> <li><a href="/wiki/Far_from_the_Madding_Crowd_(1967_film)" title="Far from the Madding Crowd (1967 film)">Far from the Madding Crowd</a> (1967)</li> <li><a href="/wiki/The_Shoes_of_the_Fisherman_(film)" title="The Shoes of the Fisherman (film)">The Shoes of the Fisherman</a> (1968)</li> <li><a href="/wiki/They_Shoot_Horses,_Don%27t_They%3F_(film)" title="They Shoot Horses, Don't They? (film)">They Shoot Horses, Don't They?</a> (1969)</li> <li><a href="/wiki/Patton_(film)" title="Patton (film)">Patton</a> (1970)</li> <li><a href="/wiki/Macbeth_(1971_film)" title="Macbeth (1971 film)">Macbeth</a> (1971)</li> <li><a href="/wiki/Cabaret_(1972_film)" title="Cabaret (1972 film)">Cabaret</a> (1972)</li> <li><a href="/wiki/The_Sting" title="The Sting">The Sting</a> (1973)</li> <li><a href="/wiki/The_Conversation" title="The Conversation">The Conversation</a> (1974)</li> <li><a href="/wiki/Barry_Lyndon" title="Barry Lyndon">Barry Lyndon</a> / <a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President's Men (film)">All the President's Men</a> (1976)</li> <li><a href="/wiki/The_Turning_Point_(1977_film)" title="The Turning Point (1977 film)">The Turning Point</a> (1977)</li> <li><a href="/wiki/Days_of_Heaven" title="Days of Heaven">Days of Heaven</a> (1978)</li> <li><a href="/wiki/Manhattan_(1979_film)" title="Manhattan (1979 film)">Manhattan</a> (1979)</li> <li><a href="/wiki/Ordinary_People" title="Ordinary People">Ordinary People</a> (1980)</li> <li><a href="/wiki/Chariots_of_Fire" title="Chariots of Fire">Chariots of Fire</a> / <a href="/wiki/Reds_(film)" title="Reds (film)">Reds</a> (1981)</li> <li><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a> (1982)</li> <li><a href="/wiki/Betrayal_(1983_film)" title="Betrayal (1983 film)">Betrayal</a> / <a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a> (1983)</li> <li><a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a> (1984)</li> <li><a href="/wiki/The_Color_Purple_(1985_film)" title="The Color Purple (1985 film)">The Color Purple</a> (1985)</li> <li><a href="/wiki/A_Room_with_a_View_(1985_film)" title="A Room with a View (1985 film)">A Room with a View</a> (1986)</li> <li><a href="/wiki/Empire_of_the_Sun_(film)" title="Empire of the Sun (film)">Empire of the Sun</a> (1987)</li> <li><a href="/wiki/Mississippi_Burning" title="Mississippi Burning">Mississippi Burning</a> (1988)</li> <li><a href="/wiki/Driving_Miss_Daisy" title="Driving Miss Daisy">Driving Miss Daisy</a> (1989)</li> <li><a href="/wiki/Dances_With_Wolves" title="Dances With Wolves">Dances With Wolves</a> (1990)</li> <li><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a> (1991)</li> <li><a href="/wiki/Howards_End_(film)" title="Howards End (film)">Howards End</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a href="/wiki/Forrest_Gump" title="Forrest Gump">Forrest Gump</a> / <a href="/wiki/Pulp_Fiction" title="Pulp Fiction">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film)">Sense and Sensibility</a> (1995)</li> <li><a href="/wiki/Shine_(film)" title="Shine (film)">Shine</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Gods_and_Monsters_(film)" title="Gods and Monsters (film)">Gods and Monsters</a> (1998)</li> <li><a href="/wiki/American_Beauty_(1999_film)" title="American Beauty (1999 film)">American Beauty</a> (1999)</li> <li><a href="/wiki/Quills_(film)" title="Quills (film)">Quills</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Moulin_Rouge!" title="Moulin Rouge!">Moulin Rouge!</a> (2001)</li> <li><a href="/wiki/The_Hours_(film)" title="The Hours (film)">The Hours</a> (2002)</li> <li><a href="/wiki/Mystic_River_(film)" title="Mystic River (film)">Mystic River</a> (2003)</li> <li><a href="/wiki/Finding_Neverland_(film)" title="Finding Neverland (film)">Finding Neverland</a> (2004)</li> <li><a href="/wiki/Good_Night,_and_Good_Luck" title="Good Night, and Good Luck">Good Night, and Good Luck</a> (2005)</li> <li><a href="/wiki/Letters_from_Iwo_Jima" title="Letters from Iwo Jima">Letters from Iwo Jima</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/Slumdog_Millionaire" title="Slumdog Millionaire">Slumdog Millionaire</a> (2008)</li> <li><a href="/wiki/Up_in_the_Air_(2009_film)" title="Up in the Air (2009 film)">Up in the Air</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/Hugo_(film)" title="Hugo (film)">Hugo</a> (2011)</li> <li><a href="/wiki/Zero_Dark_Thirty" title="Zero Dark Thirty">Zero Dark Thirty</a> (2012)</li> <li><a href="/wiki/Her_(film)" title="Her (film)">Her</a> (2013)</li> <li><a href="/wiki/A_Most_Violent_Year" title="A Most Violent Year">A Most Violent Year</a> (2014)</li> <li><a href="/wiki/Mad_Max:_Fury_Road" title="Mad Max: Fury Road">Mad Max: Fury Road</a> (2015)</li> <li><a href="/wiki/Manchester_by_the_Sea_(film)" title="Manchester by the Sea (film)">Manchester by the Sea</a> (2016)</li> <li><a href="/wiki/The_Post_(film)" title="The Post (film)">The Post</a> (2017)</li> <li><a href="/wiki/Green_Book_(film)" title="Green Book (film)">Green Book</a> (2018)</li> <li><a href="/wiki/The_Irishman" title="The Irishman">The Irishman</a> (2019)</li> <li><a href="/wiki/Da_5_Bloods" title="Da 5 Bloods">Da 5 Bloods</a> (2020)</li> <li><a href="/wiki/Licorice_Pizza" title="Licorice Pizza">Licorice Pizza</a> (2021)</li> <li><a href="/wiki/Top_Gun:_Maverick" title="Top Gun: Maverick">Top Gun: Maverick</a> (2022)</li> <li><a href="/wiki/Killers_of_the_Flower_Moon_(film)" title="Killers of the Flower Moon (film)">Killers of the Flower Moon</a> (2023)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="New_York_Film_Critics_Circle_Award_for_Best_Film" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Template:New York Film Critics Circle Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Template talk:New York Film Critics Circle Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Special:EditPage/Template:New York Film Critics Circle Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="New_York_Film_Critics_Circle_Award_for_Best_Film" style="font-size:114%;margin:0 4em"><a href="/wiki/New_York_Film_Critics_Circle_Award_for_Best_Film" title="New York Film Critics Circle Award for Best Film">New York Film Critics Circle Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1935–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Informer_(1935_film)" title="The Informer (1935 film)">The Informer</a> (1935)</li> <li><a href="/wiki/Mr._Deeds_Goes_to_Town" title="Mr. Deeds Goes to Town">Mr. Deeds Goes to Town</a> (1936)</li> <li><a href="/wiki/The_Life_of_Emile_Zola" title="The Life of Emile Zola">The Life of Emile Zola</a> (1937)</li> <li><a href="/wiki/The_Citadel_(1938_film)" title="The Citadel (1938 film)">The Citadel</a> (1938)</li> <li><a href="/wiki/Wuthering_Heights_(1939_film)" title="Wuthering Heights (1939 film)">Wuthering Heights</a> (1939)</li> <li><a href="/wiki/The_Grapes_of_Wrath_(film)" title="The Grapes of Wrath (film)">The Grapes of Wrath</a> (1940)</li> <li><a class="mw-selflink selflink">Citizen Kane</a> (1941)</li> <li><a href="/wiki/In_Which_We_Serve" title="In Which We Serve">In Which We Serve</a> (1942)</li> <li><a href="/wiki/Watch_on_the_Rhine" title="Watch on the Rhine">Watch on the Rhine</a> (1943)</li> <li><a href="/wiki/Going_My_Way" title="Going My Way">Going My Way</a> (1944)</li> <li><a href="/wiki/The_Lost_Weekend" title="The Lost Weekend">The Lost Weekend</a> (1945)</li> <li><a href="/wiki/The_Best_Years_of_Our_Lives" title="The Best Years of Our Lives">The Best Years of Our Lives</a> (1946)</li> <li><a href="/wiki/Gentleman%27s_Agreement" title="Gentleman's Agreement">Gentleman's Agreement</a> (1947)</li> <li><a href="/wiki/The_Treasure_of_the_Sierra_Madre_(film)" title="The Treasure of the Sierra Madre (film)">The Treasure of the Sierra Madre</a> (1948)</li> <li><a href="/wiki/All_the_King%27s_Men_(1949_film)" title="All the King's Men (1949 film)">All the King's Men</a> (1949)</li> <li><a href="/wiki/All_About_Eve" title="All About Eve">All About Eve</a> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/A_Streetcar_Named_Desire_(1951_film)" title="A Streetcar Named Desire (1951 film)">A Streetcar Named Desire</a> (1951)</li> <li><a href="/wiki/High_Noon" title="High Noon">High Noon</a> (1952)</li> <li><a href="/wiki/From_Here_to_Eternity" title="From Here to Eternity">From Here to Eternity</a> (1953)</li> <li><a href="/wiki/On_the_Waterfront" title="On the Waterfront">On the Waterfront</a> (1954)</li> <li><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a> (1955)</li> <li><a href="/wiki/Around_the_World_in_80_Days_(1956_film)" title="Around the World in 80 Days (1956 film)">Around the World in 80 Days</a> (1956)</li> <li><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a> (1957)</li> <li><a href="/wiki/The_Defiant_Ones" title="The Defiant Ones">The Defiant Ones</a> (1958)</li> <li><a href="/wiki/Ben-Hur_(1959_film)" title="Ben-Hur (1959 film)">Ben-Hur</a> (1959)</li> <li><a href="/wiki/The_Apartment" title="The Apartment">The Apartment</a> / <a href="/wiki/Sons_and_Lovers_(film)" title="Sons and Lovers (film)">Sons and Lovers</a> (1960)</li> <li><a href="/wiki/West_Side_Story_(1961_film)" title="West Side Story (1961 film)">West Side Story</a> (1961)</li> <li>No Award (1962)</li> <li><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a> (1963)</li> <li><a href="/wiki/My_Fair_Lady_(film)" title="My Fair Lady (film)">My Fair Lady</a> (1964)</li> <li><a href="/wiki/Darling_(1965_film)" title="Darling (1965 film)">Darling</a> (1965)</li> <li><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a> (1966)</li> <li><a href="/wiki/In_the_Heat_of_the_Night_(film)" title="In the Heat of the Night (film)">In the Heat of the Night</a> (1967)</li> <li><a href="/wiki/The_Lion_in_Winter_(1968_film)" title="The Lion in Winter (1968 film)">The Lion in Winter</a> (1968)</li> <li><a href="/wiki/Z_(1969_film)" title="Z (1969 film)">Z</a> (1969)</li> <li><a href="/wiki/Five_Easy_Pieces" title="Five Easy Pieces">Five Easy Pieces</a> (1970)</li> <li><a href="/wiki/A_Clockwork_Orange_(film)" title="A Clockwork Orange (film)">A Clockwork Orange</a> (1971)</li> <li><a href="/wiki/Cries_and_Whispers" title="Cries and Whispers">Cries and Whispers</a> (1972)</li> <li><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a> (1973)</li> <li><a href="/wiki/Amarcord" title="Amarcord">Amarcord</a> (1974)</li> <li><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President's Men (film)">All the President's Men</a> (1976)</li> <li><a href="/wiki/Annie_Hall" title="Annie Hall">Annie Hall</a> (1977)</li> <li><a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a> (1978)</li> <li><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a> (1979)</li> <li><a href="/wiki/Ordinary_People" title="Ordinary People">Ordinary People</a> (1980)</li> <li><a href="/wiki/Reds_(film)" title="Reds (film)">Reds</a> (1981)</li> <li><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a> (1982)</li> <li><a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a> (1983)</li> <li><a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a> (1984)</li> <li><a href="/wiki/Prizzi%27s_Honor" title="Prizzi's Honor">Prizzi's Honor</a> (1985)</li> <li><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a> (1986)</li> <li><a href="/wiki/Broadcast_News_(film)" title="Broadcast News (film)">Broadcast News</a> (1987)</li> <li><a href="/wiki/The_Accidental_Tourist_(film)" title="The Accidental Tourist (film)">The Accidental Tourist</a> (1988)</li> <li><a href="/wiki/My_Left_Foot" title="My Left Foot">My Left Foot</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a> (1991)</li> <li><a href="/wiki/The_Player_(1992_film)" title="The Player (1992 film)">The Player</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a href="/wiki/Quiz_Show_(film)" title="Quiz Show (film)">Quiz Show</a> (1994)</li> <li><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a> (1995)</li> <li><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/Topsy-Turvy" title="Topsy-Turvy">Topsy-Turvy</a> (1999)</li> <li><a href="/wiki/Traffic_(2000_film)" title="Traffic (2000 film)">Traffic</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a> (2001)</li> <li><a href="/wiki/Far_from_Heaven" title="Far from Heaven">Far from Heaven</a> (2002)</li> <li><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/United_93_(film)" title="United 93 (film)">United 93</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/Milk_(2008_American_film)" title="Milk (2008 American film)">Milk</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a> (2011)</li> <li><a href="/wiki/Zero_Dark_Thirty" title="Zero Dark Thirty">Zero Dark Thirty</a> (2012)</li> <li><a href="/wiki/American_Hustle" title="American Hustle">American Hustle</a> (2013)</li> <li><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a> (2014)</li> <li><a href="/wiki/Carol_(film)" title="Carol (film)">Carol</a> (2015)</li> <li><a href="/wiki/La_La_Land" title="La La Land">La La Land</a> (2016)</li> <li><a href="/wiki/Lady_Bird_(film)" title="Lady Bird (film)">Lady Bird</a> (2017)</li> <li><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> (2018)</li> <li><a href="/wiki/The_Irishman" title="The Irishman">The Irishman</a> (2019)</li> <li><a href="/wiki/First_Cow" title="First Cow">First Cow</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a href="/wiki/T%C3%A1r" title="Tár">Tár</a> (2022)</li> <li><a href="/wiki/Killers_of_the_Flower_Moon_(film)" title="Killers of the Flower Moon (film)">Killers of the Flower Moon</a> (2023)</li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" 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href="https://viaf.org/viaf/316753485">VIAF</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/4208625-5">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n50051145">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb121560708">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb121560708">BnF data</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=unn2010570254&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" 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