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0.15);--yds-color-tietaja-background-variant-2:#e8e9eb;--yds-color-tietaja-text-score:#009cb5;--yds-color-tietaja-border-highlight:#009cb5;--yds-infographic-weather-icon-cloud-light:#d8d9db;--yds-infographic-weather-icon-cloud-mid:#878a8b;--yds-infographic-weather-icon-cloud-dark:#4a4f54;--yds-infographic-weather-icon-moon:#95c6ff;--yds-infographic-weather-icon-droplet:#2684ff;--yds-infographic-weather-icon-sun:#ffc400;--yds-infographic-text-default:#131415;--yds-infographic-background:#ffffff;--yds-infographic-tooltip-background:#131415;--yds-infographic-gridline:#b4b6b7;--yds-infographic-text-negative:#f8f9fa;--yds-infographic-text-secondary:#4a4f54;--yds-infographic-text-dark:#131415;--yds-infographic-text-light:#f8f9fa;--yds-infographic-text-plus:#00809c;--yds-infographic-text-minus:#b83c35;--yds-infographic-news-default-1:#7c59fa;--yds-infographic-news-default-2:#009cb5;--yds-infographic-news-default-3:#0b54b4;--yds-infographic-news-default-4:#f56a1b;--yds-infographic-news-default-5:#80259f;--yds-infographic-news-default-6:#2f2372;--yds-infographic-news-monochrome-1:#1e1753;--yds-infographic-news-monochrome-2:#413091;--yds-infographic-news-monochrome-3:#694bd7;--yds-infographic-news-monochrome-4:#9479fb;--yds-infographic-news-monochrome-5:#b7a8fa;--yds-infographic-news-monochrome-6:#d3cbfb;--yds-infographic-sports-default-1:#5541ed;--yds-infographic-sports-default-2:#ea3e85;--yds-infographic-sports-default-3:#618515;--yds-infographic-sports-default-4:#8578f2;--yds-infographic-sports-default-5:#f273a8;--yds-infographic-sports-default-6:#2c4d01;--yds-infographic-sports-monochrome-1:#1a1476;--yds-infographic-sports-monochrome-2:#372bb1;--yds-infographic-sports-monochrome-3:#5541ed;--yds-infographic-sports-monochrome-4:#8578f2;--yds-infographic-sports-monochrome-5:#b3abf7;--yds-infographic-sports-monochrome-6:#ddd9fc;--yds-infographic-accent-news:#f26659;--yds-infographic-political-party-fi-kok-primary:#0357a5;--yds-infographic-political-party-fi-kok-secondary:#8eb4d7;--yds-infographic-political-party-fi-ps-primary:#159af0;--yds-infographic-political-party-fi-ps-secondary:#96d2f8;--yds-infographic-political-party-fi-sdp-primary:#e01515;--yds-infographic-political-party-fi-sdp-secondary:#ef9897;--yds-infographic-political-party-fi-vihr-primary:#769f20;--yds-infographic-political-party-fi-vihr-secondary:#bccf95;--yds-infographic-political-party-fi-kesk-primary:#096900;--yds-infographic-political-party-fi-kesk-secondary:#90bc8c;--yds-infographic-political-party-fi-vas-primary:#bb1054;--yds-infographic-political-party-fi-vas-secondary:#e094b2;--yds-infographic-political-party-fi-rkp-primary:#c97b2d;--yds-infographic-political-party-fi-rkp-secondary:#deb186;--yds-infographic-political-party-fi-kd-primary:#923de8;--yds-infographic-political-party-fi-kd-secondary:#cea8f5;--yds-infographic-political-party-fi-liik-primary:#c262b8;--yds-infographic-political-party-fi-liik-secondary:#e4b8df;--yds-infographic-political-party-fi-others-primary:#8d8e8f;--yds-infographic-political-party-fi-others-secondary:#cccccd;--yds-infographic-scale-strongly-agree:#009cb5;--yds-infographic-scale-agree:#5ddbe9;--yds-infographic-scale-neutral:#b4b6b7;--yds-infographic-scale-disagree:#f79c94;--yds-infographic-scale-strongly-disagree:#f26659;--yds-infographic-survey-yes:#009cb5;--yds-infographic-survey-no:#f26659;--yds-infographic-survey-empty:#d8d9db;--yds-infographic-survey-neutral:#878a8b;--yds-shadow-sm:0 0 8px 0 rgba(0, 0, 0, 0.15);--yds-shadow-md:0 0 16px 0 rgba(0, 0, 0, 0.15);--yds-shadow-lg:0 0 24px 0 rgba(0, 0, 0, 0.41);--ukko-background:#ffffff;--ukko-background-contrast:#131415;--feature-story-background:#000000;--ukko-grey-background:#f1f2f4;--ukko-navigation-background:#ffffff;--ukko-navigation-shadow:linear-gradient(0deg,rgba(19,20,21,0%),rgba(19,20,21,5%));--ukko-news-briefly-background:#ffffff;--ukko-default-item-background:#ffffff;--ukko-dark-item-background:#131415;--selko-footer-background:#e8e9eb;--ukko-overlay-background:#131415;--ukko-group-header-emphasis-background:#e90e43;--ukko-pulsating-dot:#e90e43;--ukko-link:#0a3276;--ukko-visited-link:#878a8b;--ukko-default-text:#131415;--ukko-dark-text:#f8f9fa;--ukko-text-contrast:#f8f9fa;--ukko-feature-story-text:#f8f9fa;--ukko-separator:rgba(0, 0, 0, 0.09);--ukko-dark-group-separator:rgba(255, 255, 255, 0.13);--ukko-alert:#e90e43;--ukko-focus:var(--yds-color-border-primary-focus);--ukko-location-select-option-hover:#f1f2f4;--ukko-location-select-option-focus:#ffffff;--ukko-location-select-scrollbar-background:#878a8b;--ukko-byline-background-color:#3d5483;--ukko-byline-journalistic-background-color:#ffffff;--ukko-byline-text-color:#f8f9fa;--ukko-kicker-journalistic-background:#4b075b;--ukko-live-udpates-separator:#d8d9db;--ukko-default-play-button-background:#ffffff;--ukko-default-play-button-icon-color:#000000;--ukko-default-play-button-text-color:#f8f9fa;--ukko-inverse-play-button-background:#000000;--ukko-inverse-play-button-icon-color:#ffffff;--ukko-inverse-play-button-text-color:#000000;--ukko-weather-warnings-background:#f8f9fa;--ukko-pollen-even-row-background:#f8f9fa;--ukko-playlist-header:#131415;--ukko-playlist-button-background:#f1f2f4;--ukko-playlist-button-color:#131415;--ukko-placeholder-gradient-color-1:#ecedef;--ukko-placeholder-gradient-color-2:#e0e1e3;-webkit-print-color-scheme:light dark;color-scheme:light dark;}/*!sc*/ @media (prefers-color-scheme:dark){.auto-detect-ukko-theme{--yds-color-background:#131415;--yds-color-background-variant:#1f2123;--yds-color-background-negative:#ffffff;--yds-color-background-navigation:#000000;--yds-color-background-control:rgba(255, 255, 255, 0.53);--yds-color-background-control-disabled:rgba(255, 255, 255, 0.21);--yds-color-background-input:#131415;--yds-color-background-highlight:#0b3f4b;--yds-color-background-interactive:#292b2d;--yds-color-background-dialog:#1f2123;--yds-color-background-dialog-overlay:rgba(0, 0, 0, 0.7);--yds-color-background-info-primary:#d8d9db;--yds-color-background-info-secondary:#292b2d;--yds-color-background-success:#33d59b;--yds-color-background-warning:#feb054;--yds-color-background-error:#f5517a;--yds-color-background-opinion-article:#3d5483;--yds-color-background-story:#1f2123;--yds-color-background-list:#131415;--yds-color-text-default:#f8f9fa;--yds-color-text-negative:#131415;--yds-color-text-input-placeholder:#878a8b;--yds-color-text-high-emphasis:rgba(255, 255, 255, 0.85);--yds-color-text-medium-emphasis:rgba(255, 255, 255, 0.71);--yds-color-text-disabled:rgba(255, 255, 255, 0.3);--yds-color-text-light:#f8f9fa;--yds-color-text-dark:#131415;--yds-color-text-light-high-contrast:#ffffff;--yds-color-action-primary:#f8f9fa;--yds-color-action-primary-variant:rgba(255, 255, 255, 0.71);--yds-color-action-secondary:rgba(255, 255, 255, 0.08);--yds-color-action-secondary-variant:rgba(255, 255, 255, 0.17);--yds-color-action-disabled:rgba(255, 255, 255, 0.21);--yds-color-action-danger-primary:#f77898;--yds-color-action-danger-primary-variant:#f5517a;--yds-color-border:#f8f9fa;--yds-color-border-disabled:rgba(255, 255, 255, 0.3);--yds-color-border-primary-focus:#29ccde;--yds-color-border-secondary-focus:#f8f9fa;--yds-color-border-separator:rgba(255, 255, 255, 0.13);--yds-color-illustrative-icons-icon-primary:#f8f9fa;--yds-color-illustrative-icons-icon-secondary:#009cb5;--yds-color-player-progress-bar:rgba(255, 255, 255, 0.3);--yds-color-player-progress-indicator:#29ccde;--yds-color-spinner-default:#ffffff;--yds-color-spinner-negative:#131415;--yds-color-spinner-highlight-default:#29ccde;--yds-color-spinner-highlight-negative:#009cb5;--yds-color-spinner-background-default:#292b2d;--yds-color-spinner-background-negative:#d8d9db;--yds-color-feedback-highlight:#29ccde;--yds-color-feedback-error:#f5517a;--yds-color-feedback-warning:#ff9c31;--yds-color-feedback-success:#03e592;--yds-color-feedback-live:#e90e43;--yds-color-logo-yle-background-brand:#f8f9fa;--yds-color-logo-tv1:#3311aa;--yds-color-logo-tv-2:#cb0fd0;--yds-color-logo-yle-teema:#fe8300;--yds-color-logo-yle-fem:#a3bd2f;--yds-color-logo-lastenareena:#feb500;--yds-color-logo-yle-radio-1:#dc006a;--yds-color-logo-yle-radio-suomi:#00b9eb;--yds-color-logo-yle-x:#fd2b77;--yds-color-logo-yle-x3m:#ff4c20;--yds-color-logo-yle-vega:#169bd4;--yds-color-logo-yle-klassinen:#0f7b87;--yds-color-logo-yle-sami-radio:#0049bf;--yds-color-logo-areena:#29ccde;--yds-color-logo-yle-background-default:#f8f9fa;--yds-color-logo-yle-text:#131415;--yds-color-logo-background:#ffffff;--yds-color-logo-nega:#ffffff;--yds-color-logo-text:#000000;--yds-color-logo-yle:#f8f9fa;--yds-color-brand-yle:#00b4c8;--yds-color-tag-live:#e90e43;--yds-color-tag-default:#ffffff;--yds-color-tag-opinion:#3d5483;--yds-color-tag-yle-corporate:#00809c;--yds-color-tag-primary-action:#f8f9fa;--yds-color-tag-primary-action-variant:rgba(255, 255, 255, 0.71);--yds-color-tag-secondary-action:rgba(255, 255, 255, 0.13);--yds-color-tag-secondary-action-variant:rgba(255, 255, 255, 0.08);--yds-color-shadow-s:rgba(0, 0, 0, 0.7);--yds-color-shadow-m:rgba(0, 0, 0, 0.7);--yds-color-shadow-l:rgba(0, 0, 0, 0.87);--yds-color-tietaja-background-player-card:rgba(0, 0, 0, 0.29);--yds-color-tietaja-background-variant-2:#292b2d;--yds-color-tietaja-text-score:#29ccde;--yds-color-tietaja-border-highlight:#29ccde;--yds-infographic-weather-icon-cloud-light:#d8d9db;--yds-infographic-weather-icon-cloud-mid:#878a8b;--yds-infographic-weather-icon-cloud-dark:#4a4f54;--yds-infographic-weather-icon-moon:#95c6ff;--yds-infographic-weather-icon-droplet:#ffffff;--yds-infographic-weather-icon-sun:#ffc400;--yds-infographic-text-default:#f8f9fa;--yds-infographic-background:#131415;--yds-infographic-tooltip-background:#ffffff;--yds-infographic-gridline:#4a4f54;--yds-infographic-text-negative:#131415;--yds-infographic-text-secondary:#b4b6b7;--yds-infographic-text-dark:#131415;--yds-infographic-text-light:#f8f9fa;--yds-infographic-text-plus:#29ccde;--yds-infographic-text-minus:#f26659;--yds-infographic-news-default-1:#7c59fa;--yds-infographic-news-default-2:#29ccde;--yds-infographic-news-default-3:#ffe387;--yds-infographic-news-default-4:#ff8f33;--yds-infographic-news-default-5:#9436b5;--yds-infographic-news-default-6:#fff3e2;--yds-infographic-news-monochrome-1:#e6e5ff;--yds-infographic-news-monochrome-2:#d3cbfb;--yds-infographic-news-monochrome-3:#b7a8fa;--yds-infographic-news-monochrome-4:#9479fb;--yds-infographic-news-monochrome-5:#694bd7;--yds-infographic-news-monochrome-6:#413091;--yds-infographic-sports-default-1:#5541ed;--yds-infographic-sports-default-2:#ea3e85;--yds-infographic-sports-default-3:#d4ff42;--yds-infographic-sports-default-4:#8578f2;--yds-infographic-sports-default-5:#f7abcb;--yds-infographic-sports-default-6:#ebfe8d;--yds-infographic-sports-monochrome-1:#eeeeff;--yds-infographic-sports-monochrome-2:#ddd9fc;--yds-infographic-sports-monochrome-3:#b3abf7;--yds-infographic-sports-monochrome-4:#8578f2;--yds-infographic-sports-monochrome-5:#5541ed;--yds-infographic-sports-monochrome-6:#372bb1;--yds-infographic-accent-news:#f26659;--yds-infographic-political-party-fi-kok-primary:#096de3;--yds-infographic-political-party-fi-kok-secondary:#0d4e9b;--yds-infographic-political-party-fi-ps-primary:#6fb4fc;--yds-infographic-political-party-fi-ps-secondary:#146498;--yds-infographic-political-party-fi-sdp-primary:#ff5a5a;--yds-infographic-political-party-fi-sdp-secondary:#a13e3f;--yds-infographic-political-party-fi-vihr-primary:#8fce29;--yds-infographic-political-party-fi-vihr-secondary:#5e8421;--yds-infographic-political-party-fi-kesk-primary:#099327;--yds-infographic-political-party-fi-kesk-secondary:#0d6020;--yds-infographic-political-party-fi-vas-primary:#e22a73;--yds-infographic-political-party-fi-vas-secondary:#8f214d;--yds-infographic-political-party-fi-rkp-primary:#ffdc5d;--yds-infographic-political-party-fi-rkp-secondary:#a1914a;--yds-infographic-political-party-fi-kd-primary:#923de8;--yds-infographic-political-party-fi-kd-secondary:#5f2c94;--yds-infographic-political-party-fi-liik-primary:#cf83c8;--yds-infographic-political-party-fi-liik-secondary:#7a5177;--yds-infographic-political-party-fi-others-primary:#aeb0b1;--yds-infographic-political-party-fi-others-secondary:#616263;--yds-infographic-scale-strongly-agree:#29ccde;--yds-infographic-scale-agree:#9cebf4;--yds-infographic-scale-neutral:#e8e9eb;--yds-infographic-scale-disagree:#f79c94;--yds-infographic-scale-strongly-disagree:#f26659;--yds-infographic-survey-yes:#29ccde;--yds-infographic-survey-no:#f26659;--yds-infographic-survey-empty:#e8e9eb;--yds-infographic-survey-neutral:#b4b6b7;--yds-shadow-sm:0 0 8px 0 rgba(0, 0, 0, 0.70);--yds-shadow-md:0 0 16px 0 rgba(0, 0, 0, 0.70);--yds-shadow-lg:0 0 24px 0 rgba(0, 0, 0, 0.87);--ukko-background:#131415;--ukko-background-contrast:#ffffff;--ukko-grey-background:var(--yds-color-background);--ukko-navigation-background:var(--yds-color-background-variant);--ukko-navigation-shadow:linear-gradient(0deg,rgba(0,0,0,0%),rgba(0,0,0,15%));--ukko-news-briefly-background:var(--yds-color-background-variant);--ukko-default-item-background:var(--yds-color-background-variant);--ukko-dark-item-background:var(--yds-color-background-variant);--selko-footer-background:#1f2123;--ukko-link:#ccdef5;--ukko-focus:var(--yds-color-border-primary-focus);--ukko-visited-link:#b4b6b7;--ukko-default-text:#f8f9fa;--ukko-text-contrast:#131415;--ukko-separator:rgba(255, 255, 255, 0.13);--ukko-alert:#e90e43;--ukko-location-select-option-hover:#292b2d;--ukko-default-play-button-background:#ffffff;--ukko-default-play-button-icon-color:#000000;--ukko-default-play-button-text-color:#f8f9fa;--ukko-inverse-play-button-background:#ffffff;--ukko-inverse-play-button-icon-color:#000000;--ukko-inverse-play-button-text-color:#f8f9fa;--ukko-weather-warnings-background:#323639;--ukko-pollen-even-row-background:#323639;--ukko-byline-journalistic-background-color:var(--yds-color-background);--ukko-placeholder-gradient-color-1:#191b1c;--ukko-placeholder-gradient-color-2:#1f2123;}}/*!sc*/ .dark-ukko-theme{-webkit-print-color-scheme:dark;color-scheme:dark;--yds-color-background:#131415;--yds-color-background-variant:#1f2123;--yds-color-background-negative:#ffffff;--yds-color-background-navigation:#000000;--yds-color-background-control:rgba(255, 255, 255, 0.53);--yds-color-background-control-disabled:rgba(255, 255, 255, 0.21);--yds-color-background-input:#131415;--yds-color-background-highlight:#0b3f4b;--yds-color-background-interactive:#292b2d;--yds-color-background-dialog:#1f2123;--yds-color-background-dialog-overlay:rgba(0, 0, 0, 0.7);--yds-color-background-info-primary:#d8d9db;--yds-color-background-info-secondary:#292b2d;--yds-color-background-success:#33d59b;--yds-color-background-warning:#feb054;--yds-color-background-error:#f5517a;--yds-color-background-opinion-article:#3d5483;--yds-color-background-story:#1f2123;--yds-color-background-list:#131415;--yds-color-text-default:#f8f9fa;--yds-color-text-negative:#131415;--yds-color-text-input-placeholder:#878a8b;--yds-color-text-high-emphasis:rgba(255, 255, 255, 0.85);--yds-color-text-medium-emphasis:rgba(255, 255, 255, 0.71);--yds-color-text-disabled:rgba(255, 255, 255, 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class="GridSystem__GridRow-sc-ba778139-1 ArticlePage__ArticleRow-sc-836a176-2 lwGaE kDULiB"><main class="ArticlePage__ArticlePageMainColumn-sc-836a176-0 helrqU"><div class="GridSystem__GridCell-sc-ba778139-0 ArticlePage__ArticleGridCell-sc-836a176-1 iIMSvN dqsioZ"><div data-testid="article-wrapper" class="ArticleWrapper__Wrapper-sc-d98102d9-0 mTJDn"><article class="yle__article arkki-theme-default" data-vrsproduct="uutiset"><header class="yle__article__header"><div class="sc-gnlKGm fNCCZc"><a href="https://yle.fi/t/18-208149/fi" aria-label="Lisää artikkeleita aiheesta Kulttuuri" class="ydscr__sc-w5hh4y-0 ftZGBr">Kulttuuri</a></div><h1 class="sc-gpHbIA gpXski yle__article__heading yle__article__heading--1">Tampereen taidemuseossa on esillä Suomessa harvoin nähtyä hyperrealistista taidetta</h1><p class="sc-cYoYeT sc-ktvNQe bGefQh evEOoO yle__article__paragraph">Tampereen taidemuseon laaja näyttely esittelee hyperrealistista taidetta. Hyperrealismissa ihminen esitetään valokuvantarkasti ja jokaista pienintäkin yksityiskohtaa myöten. </p><figure class="sc-fCSSOr hPmDie yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Sam Jinksin Nainen ja lapsi vuodelta 2010.","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176916690e5dd4363a","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb ePxoUX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176916690e5dd4363a 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176916690e5dd4363a 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176916690e5dd4363a 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176916690e5dd4363a 1x"/><img alt="Sam Jinksin Nainen ja lapsi -teos (2010). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_188/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176916690e5dd4363a" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Sam Jinksin Nainen ja lapsi vuodelta 2010.</span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><div class="sc-dJkDXt cwHXFy"><ul aria-label="Tekijä" class="sc-lkbiLU dqgSED"><li class="sc-dOUtaJ evZve"><span class="sc-jdabBK qEMZr">Jussi Mankkinen</span></li></ul></div><div class="sc-dtckWT eYygKv"><div class="sc-ewMzwg fjutvz yle__article__date"><time class="sc-bCCZMN kVdjPA yle__article__date--published" dateTime="2024-07-19T21:03:37+03:00">19.7.2024 21:03</time><span aria-hidden="true" class="sc-ggPeai fOTnuz">•</span><time class="sc-bCCZMN kVdjPA yle__article__date--modified" dateTime="2024-07-20T06:25:50+03:00">Päivitetty 20.7.2024 6:25</time></div></div><div class="sc-fZBXxM bBqqMx"><button data-testid="default-article-audio-placeholder" class="sc-gZmzTs hgkHyi"><span aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-1 exIoZf huiFxY"><span class="ydscr__sc-17sr1bx-4 ydscr__sc-17sr1bx-6 fVOhsW kTNNhq yds-button__icon"><svg width="24" height="24" fill="none" viewBox="0 0 24 24" aria-hidden="true"><path fill="currentColor" fill-rule="evenodd" d="M5.52 2.122a1 1 0 0 1 1.02.037l14 9a1 1 0 0 1 0 1.682l-14 9A1 1 0 0 1 5 21V3a1 1 0 0 1 .52-.878" clip-rule="evenodd"></path></svg></span></span><span class="sc-dRRvfZ cHsFnL">Kuuntele juttu 5:23</span></button><div aria-hidden="true" class="sc-jhqkJf bnBZMv"><div data-testid="default-article-audio-player"></div></div><div class="sc-hrcKGc kHQIDM"></div></div></header><section class="yle__article__content"><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Iäkäs harmaahiuksinen nainen pitää sylissään pikkuvauvaa. Naisen silmät ovat sulkeutuneet ja hänen ilmeensä on levollinen. Tuntuu siltä, kuin aika olisi pysähtynyt ja nainen ja vauva olisivat jähmettyneet paikoilleen.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Tällaiseltä näyttää australialaistaiteilija <strong class="sc-irDnDc kVBQHf yle__article__strong">Sam Jinksin</strong> <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Nainen ja lapsi</em> -veistos, joka on hyvä esimerkki hyperrealistisesta taiteesta. Teos on valmistettu silikonista ja aidoista hiuksista.</p><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Museonjohtaja Selma Green Zharko Basheskin vuonna 2010 valmistuneen suurikokoisen Ordinary Man -veistoksen vieressä. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176926690e5dd5cad0","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb ePxoUX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176926690e5dd5cad0 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176926690e5dd5cad0 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176926690e5dd5cad0 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176926690e5dd5cad0 1x"/><img alt="Tampereen taidemuseon johtaja Selma Green Zharko Basheskin Ordinary Man -veistoksen vieressä (209-2010). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_41/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773377/39-13176926690e5dd5cad0" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Museonjohtaja Selma Green Zharko Basheskin vuonna 2010 valmistuneen suurikokoisen Ordinary Man -veistoksen vieressä. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Sam Jinksin Istuva nainen -teos vuodelta 2022. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_0.6666666666666666,c_fill,g_faces,h_1150,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176906690e5dcdc134","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb jCaIgX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_1150,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773372/39-13176906690e5dcdc134 2x,https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_1150,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773372/39-13176906690e5dcdc134 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_954,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773372/39-13176906690e5dcdc134 2x,https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_954,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773372/39-13176906690e5dcdc134 1x"/><img alt="Sam Jinksin Istuva nainen -teos (2022). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_720,w_1280,x_0,y_143/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773372/39-13176906690e5dcdc134" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Sam Jinksin Istuva nainen -teos vuodelta 2022. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Aidon ja keinotekoisen ero on toisinaan hyvinkin häilyvää, ja näin on myös <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Nainen ja lapsi</em> -veistoksen sekä Tampereen taidemuseon <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Hyper</em>-näyttelyn kohdalla. Todentuntuiset veistokset kuvaavat ihmiselon kompleksisuutta katkeransuloisesti.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">– Hyperrealistisen taiteen tunnusmerkkeihin kuuluu keskittyminen ihmiseen ja ihmisen tunnetiloihin. Voidaan viitata vaikkapa nykyihmisen yksinäisyyteen ja siihen, kuinka yksilö etsii paikkaansa teollistuvassa ja koneistuvassa maailmassa, Tampereen taidemuseon johtaja <strong class="sc-irDnDc kVBQHf yle__article__strong">Selma Green</strong> toteaa.</p><h2 class="sc-hUAZgl fEvAFG yle__article__heading yle__article__heading--2">Vieraannuttamista ja äärimmilleen vietyjä yksityiskohtia</h2><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Hyperrealistinen taidesuuntaus sai alkunsa 1960-luvulla Yhdysvaltojen yhteiskunnallisisten myllerrysten tuoksinassa. Aikakautta leimasivat kansalaisoikeusliikkeen ja feminismin nousu sekä seksuaalinen vapautuneisuus.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">– Yhteiskunnallisten murrosten ohessa moni taiteilija koki, että tuolloin vallalla ollut abstrakti taide oli ikään kuin antanut sen, mitä sillä oli ollut annettavana, Selma Green sanoo.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Hyperrealistisen suuntauksen pioneereihin kuuluva amerikkalaistaiteilija <strong class="sc-irDnDc kVBQHf yle__article__strong">Duane Hanson</strong> (1925 - 1996) esimerkiksi käsitteli 1960-luvun veistoksisaan laittomia abortteja ja Vietnamin sotaa. Hän teki valoksia elävistä malleista ja käytti materiaaleina epoksihartsia ja lasikuitua.</p><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Duane Hansonin Karjapaimen ja heinää -teos (1984-1989).","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176776690e5d872a0a","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb ePxoUX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176776690e5d872a0a 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176776690e5d872a0a 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176776690e5d872a0a 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176776690e5d872a0a 1x"/><img alt="Duane Hansonin Karjapaimen ja heinää -teos (1984-1989). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_5/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176776690e5d872a0a" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Duane Hansonin Karjapaimen ja heinää -teos (1984-1989).</span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Jamie Salmonin Lily-teos (2013).","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176806690e5d947ece","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb ePxoUX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773345/39-13176806690e5d947ece 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773345/39-13176806690e5d947ece 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773345/39-13176806690e5d947ece 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773345/39-13176806690e5d947ece 1x"/><img alt="Jamie Salmonin Lily-teos (2013). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_169/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773345/39-13176806690e5d947ece" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Jamie Salmonin Lily-teos (2013).</span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"John DeAndrean Kuoleva gallialainen -teos (2010). Duane Hansonin tavoin DeAndrea kuuluu hyperrealismin pioneereihin. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176816690e5d9eb29c","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb gqomnf"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773350/39-13176816690e5d9eb29c 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773350/39-13176816690e5d9eb29c 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773350/39-13176816690e5d9eb29c 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773350/39-13176816690e5d9eb29c 1x"/><img alt="John Deandrean Kuoleva gallialainen -teos (2010). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_92/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773350/39-13176816690e5d9eb29c" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>John DeAndrean Kuoleva gallialainen -teos (2010). Duane Hansonin tavoin DeAndrea kuuluu hyperrealismin pioneereihin. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Alastomuus on kuulunut hyperrealistiseen taiteeseen alusta saakka. Saksan Kasselissa vuonna 1972 järjestetty <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Documenta</em>-näyttely teki hyperrealismia tunnetuksi Euroopassakin. Yleisöä hätkähdytti etenkin <strong class="sc-irDnDc kVBQHf yle__article__strong">John DeAndrean</strong> <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Nora and Arden</em> -veistos, joka esittää alastonta paria heti yhdynnän jälkeen</p><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Marc Sijanin Syleily-teos (2014)....","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176856690e5db268e6","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb ePxoUX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773359/39-13176856690e5db268e6 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_613,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773359/39-13176856690e5db268e6 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773359/39-13176856690e5db268e6 2x,https://images.cdn.yle.fi/image/upload/ar_1.25,c_fill,g_faces,h_508,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773359/39-13176856690e5db268e6 1x"/><img alt="Marc Sijanin Syleily-teos (2014). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_147/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773359/39-13176856690e5db268e6" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Marc Sijanin Syleily-teos (2014)....</span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"...näyttää katsojalle ikääntyneen pariskunnan intiimin hetken. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176936690e5ddb1005","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb gqomnf"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773381/39-13176936690e5ddb1005 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773381/39-13176936690e5ddb1005 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773381/39-13176936690e5ddb1005 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773381/39-13176936690e5ddb1005 1x"/><img alt="Marc Sijanin Syleily -teos (2014). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_104/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773381/39-13176936690e5ddb1005" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>...näyttää katsojalle ikääntyneen pariskunnan intiimin hetken. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Äärimmilleen viedyn yksityiskohtaisuuden ohella hyperrealismin tunnusmerkkehin ovat kuuluneet vieraannuttavat elementit, kuten <strong class="sc-irDnDc kVBQHf yle__article__strong">Marc Sijanin</strong> <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Syleilyssä</em>, jossa toisiaan tiukasti halaava pariskunta tuntuu sulkeneen koko muun maailman ulkopuolelleen.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">– Vieraannuttamisen keinoihin voi toisinaan kuulua kuvaston lainaaminen mainosmaailmasta tai 1960-luvun naistenlehdistä. Toisinaan se voi liittyä mittakaavalla leikittelyyn, Selma Green kertoo.</p><h2 class="sc-hUAZgl fEvAFG yle__article__heading yle__article__heading--2">Suomessa hyperrealismia ei nähdä kovinkaan usein</h2><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Ihmiselon monimutkaisuudesta kumpuavien teemojen ohella hyperrealismista löytyy myös iloittelevampi puoli. Amerikkalainen <strong class="sc-irDnDc kVBQHf yle__article__strong">Mel Ramos</strong> satirisoi mainosten kliseisiä kuvastoja, kun taas <strong class="sc-irDnDc kVBQHf yle__article__strong">Evan Pennyn</strong> vääristyneet ihmishahmot viittaavat digitaalisiin kuvanmuokkausohjelmiin. Aivan oma lukunsa on australialaistaiteilija <strong class="sc-irDnDc kVBQHf yle__article__strong">Patricia Piccinini</strong>, jonka veistosten häiritsevät detaljit viittaavat tulevaisuuden dystopioihin ja esittävät mutantoituneita ihmishahmoja.</p><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Tony Matellin Josh-teos vuodelta 2010...","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176886690e5dc177f8","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb gqomnf"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176886690e5dc177f8 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176886690e5dc177f8 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176886690e5dc177f8 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176886690e5dc177f8 1x"/><img alt="Tony Matellin Josh-teosta (2010). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_94/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176886690e5dc177f8" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Tony Matellin Josh-teos vuodelta 2010...</span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"...ja teoksen yksityiskohta. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176896690e5dc4ff0e","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb gqomnf"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176896690e5dc4ff0e 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176896690e5dc4ff0e 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176896690e5dc4ff0e 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176896690e5dc4ff0e 1x"/><img alt="Tony Matellin Josh-teosta (2010). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_40/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773368/39-13176896690e5dc4ff0e" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>...ja teoksen yksityiskohta. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Patricia Piccininin Lohduttaja-teos vuodelta 2010. Piccinin tuotantoa leimaavat enemmän tai vähemmän häiritseät detaljit. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176876690e5db97586","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb gqomnf"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773363/39-13176876690e5db97586 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773363/39-13176876690e5db97586 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773363/39-13176876690e5db97586 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773363/39-13176876690e5db97586 1x"/><img alt="Patricia Piccinin Lohduttaja-teosta (2010). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_118/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773363/39-13176876690e5db97586" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Patricia Piccininin Lohduttaja-teos vuodelta 2010. Piccinin tuotantoa leimaavat enemmän tai vähemmän häiritseät detaljit. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","video":{"@type":"VideoObject","description":"Katso tästä video näyttelystä. ","name":"Tällaiselta näyttävät hyperrealistiset veistokset","thumbnailUrl":"https://images.cdn.yle.fi/image/upload/c_fill,g_faces,w_1200/q_auto:eco/f_auto/fl_lossy/39-13176796690e5d93b004","uploadDate":"2024-07-12T18:07:50+03:00","embedUrl":"https://player-v2.yle.fi/test.html#1-71420869"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb krHFfh"><div><div data-testid="video-player" class="sc-gIivzS hnSPRU"></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Katso tästä video näyttelystä. </span></figcaption></figure><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph"><strong class="sc-irDnDc kVBQHf yle__article__strong">Glaser/Kunz</strong> -taiteilijakaksikon <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Jonathan</em> luo taitavilla projisoinneillaan illuusion pyörätuolissa istuvasta, puhuvasta toipilaasta ja ainakin Tampereella teos keräsi ympärilleen ihmettelevän yleisöjoukon.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Selma Greenin mukaan hyperrealistinen taide tarjoaakin katsojalle mahdollisuuden samastumiseen.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">– Ääriesittävässä veistotaiteessa ihminen voi peilata itseään, omaa kehoaan ja omia tunteitaan. Kuvanveisto on siinä mielessä helppo taiteenlaji, että siihen voi orientoitua ihan jokainen: mehän olemme kaikki tällaisia tilassa olevia kolmiulotteisia kappaleita.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Mutta paljastaako hyperrealistinen taide ihmisestä jo vähän liikaakin? Ajan armottomuus, rypyt, juonteet, luomet ja ihon virheet kun lävähtävät suoraan katsojan silmille, kuten vaikkapa <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Syleily</em>-veistoksessa.</p><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">– Ovatko ne virheitä? itse pidän ikääntyvämpiä henkilöitä esittää <em class="sc-fQMTnL ldcFQT yle__article__emphasis">Syleilyä</em> hyvin kauniina teoksena, Selma Green toteaa.</p><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Carole A. Feuermanin Kenraalikaksonen (2009). Huomaa erikoistekniikalla toteutetut vesipisarat. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_0.6666666666666666,c_fill,g_faces,h_1150,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176786690e5d8762b4","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb jCaIgX"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_1150,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176786690e5d8762b4 2x,https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_1150,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176786690e5d8762b4 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_954,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176786690e5d8762b4 2x,https://images.cdn.yle.fi/image/upload/c_crop,h_1920,w_1280,x_0,y_0/ar_0.6666666666666666,c_fill,g_faces,h_954,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176786690e5d8762b4 1x"/><img alt="Carole A. Feuermanin Kenraalikaksonen (2009). " src="https://images.cdn.yle.fi/image/upload/c_crop,h_720,w_1280,x_0,y_26/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773397/39-13176786690e5d8762b4" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Carole A. Feuermanin Kenraalikaksonen (2009). Huomaa erikoistekniikalla toteutetut vesipisarat. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><figure class="sc-fCSSOr iRklJF yle__article__figure"><script type="application/ld+json">{"@id":"74-20096138","@context":"https://schema.org","image":{"@type":"ImageObject","description":"Tom Kueblerin Ethyl-teos (2001). Kueblerin veistoksissa on usein satiirinen ote ja uransa alkuaikoina hän kuvasi etenkin amerikkalaista työväenluokkaa. ","copyrightHolder":"Jussi Mankkinen / Yle","url":"https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/39-13176946690e5ddb95bf","keywords":"nykytaide,Tampereen taidemuseo,hyperrealismi,kuvanveisto"}}</script><div class="sc-kHpCdB sc-jIiDBi lguLeb gqomnf"><div class="sc-eOrxMY ebTTUj"><div class="sc-jHswkR cEPfYZ"><picture><source data-testid="source-for-S" media="(max-width: 767px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773382/39-13176946690e5ddb95bf 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_511,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773382/39-13176946690e5ddb95bf 1x"/><source data-testid="source-for-M" media="(min-width: 768px)" srcSet="https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1720773382/39-13176946690e5ddb95bf 2x,https://images.cdn.yle.fi/image/upload/ar_1.5,c_fill,g_faces,h_424,w_636/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773382/39-13176946690e5ddb95bf 1x"/><img alt="Tom Kueblerin Ethyl-teos (2001)." src="https://images.cdn.yle.fi/image/upload/c_crop,h_1080,w_1920,x_0,y_100/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_1.0/q_auto:eco/f_auto/fl_lossy/v1720773382/39-13176946690e5ddb95bf" loading="lazy" class="sc-cSaEAk cdhOGu"/></picture></div><div class="sc-gtlvkJ bGnPXs"><button aria-disabled="false" class="ydscr__sc-17sr1bx-0 ydscr__sc-17sr1bx-2 hkXxLi eEigQy"><span class="ydscr__sc-17sr1bx-7 evfPYu yds-button__content">Avaa kuvien katselu</span></button></div></div></div><figcaption class="sc-dXYVqG bwfZDm"><span>Tom Kueblerin Ethyl-teos (2001). Kueblerin veistoksissa on usein satiirinen ote ja uransa alkuaikoina hän kuvasi etenkin amerikkalaista työväenluokkaa. </span><span> Kuva: Jussi Mankkinen / Yle</span></figcaption></figure><p class="sc-cYoYeT sc-gkCgsS bGefQh boudIS yle__article__paragraph">Suomessa kokonaisia hyperrealismiin keskittyneitä näyttelyitä on tarjolla varsin harvoin. Vuonna 2016 Sara Hildénin taidemuseossa oli <strong class="sc-irDnDc kVBQHf yle__article__strong">Ron Mueckin</strong> laaja näyttely. 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style="height:1px;overflow:scroll;position:absolute;left:-100%"><div style="height:2px"></div></div></div> <script type="text/javascript">window.__INITIAL__STATE__={"pageData":{"article":{"id":"74-20096138","language":"fi","url":{"full":"https:\u002F\u002Fyle.fi\u002Fa\u002F74-20096138"},"headline":{"image":{"aspect":1.25,"alt":"Sam Jinksin Nainen ja lapsi -teos (2010). 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Hyperrealismissa ihminen esitetään valokuvantarkasti ja jokaista pienintäkin yksityiskohtaa myöten.","type":"text"},{"text":"Iäkäs harmaahiuksinen nainen pitää sylissään pikkuvauvaa. Naisen silmät ovat sulkeutuneet ja hänen ilmeensä on levollinen. Tuntuu siltä, kuin aika olisi pysähtynyt ja nainen ja vauva olisivat jähmettyneet paikoilleen.","type":"text"},{"text":"Tällaiseltä näyttää australialaistaiteilija **Sam Jinksin** *Nainen ja lapsi* -veistos, joka on hyvä esimerkki hyperrealistisesta taiteesta. Teos on valmistettu silikonista ja aidoista hiuksista.","type":"text"},{"displayStyle":"normal","aspect":1.25,"alt":"Tampereen taidemuseon johtaja Selma Green Zharko Basheskin Ordinary Man -veistoksen vieressä (209-2010). ","caption":"Museonjohtaja Selma Green Zharko Basheskin vuonna 2010 valmistuneen suurikokoisen Ordinary Man -veistoksen vieressä. 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Todentuntuiset veistokset kuvaavat ihmiselon kompleksisuutta katkeransuloisesti.","type":"text"},{"text":"– Hyperrealistisen taiteen tunnusmerkkeihin kuuluu keskittyminen ihmiseen ja ihmisen tunnetiloihin. Voidaan viitata vaikkapa nykyihmisen yksinäisyyteen ja siihen, kuinka yksilö etsii paikkaansa teollistuvassa ja koneistuvassa maailmassa, Tampereen taidemuseon johtaja **Selma Green** toteaa.","type":"text"},{"level":2,"text":"Vieraannuttamista ja äärimmilleen vietyjä yksityiskohtia","type":"heading"},{"text":"Hyperrealistinen taidesuuntaus sai alkunsa 1960-luvulla Yhdysvaltojen yhteiskunnallisisten myllerrysten tuoksinassa. 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","caption":"John DeAndrean Kuoleva gallialainen -teos (2010). Duane Hansonin tavoin DeAndrea kuuluu hyperrealismin pioneereihin. ","source":"Jussi Mankkinen \u002F Yle","id":"39-13176816690e5d9eb29c","type":"image","alts":[{"language":"fin","value":"John Deandrean Kuoleva gallialainen -teos (2010). 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","caption":"...näyttää katsojalle ikääntyneen pariskunnan intiimin hetken. ","source":"Jussi Mankkinen \u002F Yle","id":"39-13176936690e5ddb1005","type":"image","alts":[{"language":"fin","value":"Marc Sijanin Syleily -teos (2014). 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","id":"1-71420869","type":"video","programResponse":{"description":{"main":{"fin":"Tampereen taidemuseon laaja näyttely esittelee hyperrealistista taidetta. 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Vuonna 2016 Sara Hildénin taidemuseossa oli **Ron Mueckin** laaja näyttely. Genren yksittäisiä teoksia löytyy tällä hetkellä muun muassa Mäntän kuvataideviikoilla, jossa on esillä **Anne Meskanen-Barmanin** hyytävä *Piilossa*-installaatio.","type":"text"},{"text":"Tampereella sijaitsevan Tammerlammen kesäteokseksi taas on valikoitunut **Jarno Vesalan** *Pysähdys*, jossa niin ikään kaksi vanhempaa henkilöä esittäytyy läheisissä tunnelmissa.","type":"text"},{"text":"*Hyper-näyttely Tampereen taidemuseossa 29.9. 2024 saakka.*","type":"text"},{"text":"*Juttua korjattu 20.7. klo 6:25. 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Kultur har kallats \"levnadssättet hos ett helt samhälle\". Som sådant inkluderar det beteendemönster, seder, klädsel, religion, ritualer, lekar, normer för lagar och moraliska system, liksom trossystem och konstarterna. Kultur refererar ofta till en universell mänsklig kapacitet för att klassificera och kommunicera erfarenheter materiellt och symboliskt. 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Tampereen kaupungin väkiluku on 225 319. Tampere ja sen lähinaapurit Kangasala, Lempäälä, Nokia, Pirkkala, Vesilahti, Hämeenkyrö, Orivesi, Pälkäne ja Ylöjärvi muodostavat yhdessä Tampereen seutukunnan.","sv":"stad och kommun belägen i landskapet Birkaland i Finland. Tammerfors, som är den tredje största staden i landet, har 225 274 invånare. 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Suurin osa Kokemäenjoen vesistön järvialueesta sijaitsee Pirkanmaan alueella, joskin Vanajavesi on osittain Kanta-Hämeessä. Pirkanmaan maakuntakeskus on Tampere. Pirkanmaan liitto toimii Pirkanmaan kehityksen edistämiseksi ja hoitaa muun muassa maakuntakaavoitusta.\nPirkanmaan bruttokansantuote oli noin 17 383 miljoonaa euroa vuonna 2013. Ostovoimakorjattuna bruttokansantuote asukasta kohti oli 106,7 % EU:n keskiarvosta. Teollisuuden osuus tuotannosta on Pirkanmaalla Suomen keskiarvoa korkeampi.\n\n","sv":"Birkaland (finska: Pirkanmaa) är ett landskap i det forna Västra Finlands län i Finland. Birkaland består av 22 kommuner (sedan 1 januari 2011), folkmängden uppgick den 1 januari 2013 till 496 568 invånare och landskapets totala areal utgjordes den 1 januari 2012 av 14 613,26 kvadratkilometer . Befolkningstätheten utgjorde den 1 januari 2013 av 39,46 invånare per kvadratkilometer.\nHuvudorten i Birkaland är Tammerfors stad.\nEn del av landskapet befinner sig på det forna Satakundas (Övre Satakunda) och en del på Tavastlands historiska områden. Idag omges landskapet av de nya landskapen Satakunta, Egentliga Tavastland, Päijänne-Tavastland, Södra Österbotten och Mellersta Finland, Egentliga Finland. 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Hanson otti tavallisesti muotit elävistä malleista, ja teki sitten niiden pohjalta valoksia, käyttäen materiaalina muun muassa polyesteriä ja lasikuitua. Hanson maalasi valokset ihonvärillä ja vaatetti veistokset, jolloin syntyi vaikutelma elävistä ihmisistä. Hansonin työt olivat varsinkin 1960-luvulla usein yhteiskunnallisesti kantaa ottavia. Hanson otti töissään kantaa muun muassa sodankäyntiin ja kodittomuuteen.\nHanson opiskeli ensin Macalester Collegessa Minnesotassa, josta hän jatkoi Minnesotan yliopistoon ja edelleen Cranbrook Academy of Art -oppilaitokseen Michiganiin. Opiskelujensa jälkeen Hanson toimi opettajana Saksassa, jossa ollessaan hän tutustui George Grygoon. Grygon aiemmin tekemät polyesteri- ja lasikuituteokset toimivat innoituksena monille Hansonin omista teoksista. Hanson palasi 1960-luvun alussa takaisin Yhdysvaltoihin ja asettui aloilleen Atlantaan. 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