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Middlemarch - Open Book Publishers

<!DOCTYPE html> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta charset="utf-8" /> <meta name="viewport" content="width=device-width, initial-scale=1" /> <link rel="icon" type="image/x-icon" href="/assets/images/favicon.ico" /> <link rel="shortcut icon" type="image/x-icon" href="/assets/images/favicon.ico" /> <title> Middlemarch - Open Book Publishers </title> <meta name="keywords" xml:lang="fr" lang="fr" content="Littératures, Îles Britanniques et Irlandaises" /> <meta name="citation_keywords" content="Littératures ; Îles Britanniques et Irlandaises" /> <meta name="keywords" xml:lang="en" lang="en" content="Middlemarch, George Eliot, epigraph, Casaubon, Adam Roberts" /> <meta name="citation_keywords" content="Middlemarch ; George Eliot ; epigraph ; Casaubon ; Adam Roberts" /> <link rel="stylesheet" href="/assets/front/css/front.28c1b253.css" /> <link rel="alternate" type="application/rss+xml" title="RSS" href="https://books.openedition.org/oep/backend/?format=rss" /> <link rel="schema.DC" href="http://purl.org/dc/elements/1.1/"/> <meta name="DC.format" content="text/html"/> <meta name="generator" content="Lodel 2.0" /> <meta name="DC.identifier" content="https://books.openedition.org/obp/21470" /> <meta name="url" content="https://books.openedition.org/obp/21470" /> <link rel="alternate" hreflang="x-default" href="https://books.openedition.org/obp/21470" /> <link rel="alternate" hreflang="en" href="https://books.openedition.org/obp/21470?lang=en" /> <link rel="alternate" hreflang="fr" href="https://books.openedition.org/obp/21470?lang=fr" /> <link rel="canonical" href="https://books.openedition.org/obp/21470" /> <meta property="og:url" content="https://books.openedition.org/obp/21470" /> <meta name="citation_title" content="Middlemarch" /> <meta property="og:title" content="Middlemarch" /> <meta name="description" xml:lang="en" lang="en" content=" In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel - both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch. " /> <meta name="citation_abstract" content=" In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel - both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch. " lang="en" /> <meta property="og:description" content=" In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel - both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch. 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class="modale__content__header modale__header"> <div class="modale__content__header__title"> <p class="modale--review__title">Middlemarch</p> </div> <button type="button" class="modale__close modale__content__header__close tabindex--reviewedby" aria-label="Fermer" tabindex="-1"> <i class="fas fa-times"></i> </button> </div> <div class="modale__content__body mt-4"> <p class="modale__content__body__label"> Ce livre est recensé par </p> <ul class="modale__content__body__list"> <li class="modale__content__body__list__item"> Stéphanie Drouet-Richet, <i>Miranda</i>, mis en ligne le 29 octobre 2021. URL&nbsp;: <a href="https://journals.openedition.org/miranda/41874">https://journals.openedition.org/miranda/41874</a> ; DOI&nbsp;: https://doi.org/10.4000/miranda.41874 </li> </ul> </div> </div> </div> <div class="column--content analyze_external_links"> <h1 class="content__list__item__title--content skiplink__parent"> Middlemarch <span id="skiplink-main" class="skiplink__parent__anchor"></span> </h1> <p class="content__list__item__subtitle content__list__item__subtitle--content">Epigraphs and Mirrors</p> <div class="content__list__item__authors content__list__item__authors--content"> <a href="/obp/person/21500">Adam Roberts</a> </div> <div class="resume_text"> <div class="twintab__values twintab-1__values"> <div class="twintab__values__value twintab-1__values__value notes_text twintab__values__value--active " data-twin-value-index="1" lang="en" xml:lang="en"> <p> In <em>Middlemarch</em>, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that.</p> <p> Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this ...</p> <div class="read_more_link w-100"> <a class="read_more_anchor" href="#anchor-resume"><i class="fas fa-arrow-right me-2"></i>Lire plus</a> </div> </div> </div> </div> <hr class="separator" /> <div class="mb-4"> <p class="column--info"> <strong>Éditeur&nbsp;: </strong> Open Book Publishers </p> <p class="column--info"> <strong> Lieu d’édition&nbsp;: </strong> Cambridge </p> <p class="column--info"> <strong>Publication sur OpenEdition Books&nbsp;: </strong> 16 septembre 2021 </p> <p class="column--info"><strong>ISBN numérique&nbsp;: </strong>979-10-365-7054-4</p> <p class="column--info"> <strong>Collection&nbsp;: </strong> <a href="/obp/113"> OBP collection </a> </p> <p class="column--info"><strong>Année d’édition&nbsp;: </strong>2021</p> <p class="column--info"><strong>ISBN (Édition imprimée)&nbsp;: </strong>978-1-80064-158-7</p> <p class="column--info"><strong>Nombre de pages&nbsp;: </strong>160</p> </div> <div class="tab tab--large" id="tab-2"> <div class="anchor anchor--small" id="anchor-resume"></div> <button class="tab__item--large tab__item--large--active" data-index="1" id="summary-tab"> <h2> Sommaire </h2> </button> <button class="tab__item--large " data-index="2" id="resume-tab"> <h2> Résumé </h2> </button> <button class="tab__item--large " data-index="3"> <h2> Auteur </h2> </button> </div> <div class="tab__values" id="tab-2-values"> <div class="tab__values__value tab__values__value--active" id="tab-2-value-1"> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21530" title="Introduction"> Introduction </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21540" title="1. Eliot’s Double Mirror"> 1. Eliot’s Double Mirror </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21550" title="2. Sappho’s Apple"> <span xml:lang="en" lang="en">2. Sappho’s Apple</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21560" title="3. Lydgate Winces : Character and Realism"> <span xml:lang="en" lang="en">3. Lydgate Winces : Character and Realism</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21570" title="4. Hypocrisy and the Judgment of Men"> <span xml:lang="en" lang="en">4. Hypocrisy and the Judgment of Men</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/22214" title="5. Ladislaw"> <span xml:lang="en" lang="en">5. Ladislaw</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21585" title="6. Myth, Middlemarch and the Mill. 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Epigraphy : Beginnings and Ends</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21610" title="Postscript. the Flute inside the Bell"> <span xml:lang="en" lang="en">Postscript. the Flute inside the Bell</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21615" title="Bibliography"> Bibliography </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21625" title="List of Illustrations"> List of Illustrations </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21635" title="Index"> Index </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/21645" title="About the Team"> About the Team </a> </div> </div> <div class="tab__values__value pt-3 " id="tab-2-value-2"> <div class="twintab__values twintab-1__values"> <div class="twintab__values__value twintab-1__values__value twintab__values__value--active " data-twin-value-index="1" lang="en" xml:lang="en"> <p> In <em>Middlemarch</em>, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that.</p> <p> Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel - both this novel, and the novel form itself.</p> <p> <em>Middlemarch: Epigraphs and Mirrors</em> is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in <em>Middlemarch</em>.</p> </div> </div> </div> <div class="tab__values__value pt-3 " id="tab-2-value-3"> <div class="tab__values__value__person"> <div class="tab__values__value__person__link"> <a href="/obp/person/21500">Adam Roberts</a> </div> <div class="tab__values__value__person__value tab__values__value__person__value__description"> <p> Adam Roberts is a British science fiction and fantasy novelist.</p> </div> </div> </div> </div> <hr class="separator" /> <div class="mb-3"> <a class="license__logo" href="https://creativecommons.org/licenses/by/4.0/"> <img class="license__logo__img" src="/assets/images/by.png" alt="Creative Commons - Attribution 4.0 International - CC BY 4.0" loading="lazy" /> </a> <p> Le texte seul est utilisable sous licence <a href="https://creativecommons.org/licenses/by/4.0/">Creative Commons - Attribution 4.0 International - CC BY 4.0</a>. 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