Sundance Film Festival film reviews

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</div> <div id="columns" class="container"> <div id="colwrapper" class="inner-sleeve"> <div id="colmain"> <div id="content"> <div id="content_sleeve"> <div id="main" class="area"> <div class="grid"> <div class="oneColumn"> <div class="columnContainer"> <div class="column columnOne"> <div id="latest_45562" class="spinBlock colour1 hastitle"><div class="sleeve"><div class="sectionhead"><h2>Latest</h2></div><div class="spinLayout thumb onecol left item-first"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/third-act-sundance-review/5201612.article" class="image"><img alt="Third Act" class="lazyloaded" loading="eager" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/0/8/1442808_thirdact2_76807.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/0/8/1442808_thirdact2_76807.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/8/0/8/1442808_thirdact2_76807.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/third-act-sundance-review/5201612.article">‘Third Act’: Sundance Review</a></h2><p class="intro">Portrait of Asian American filmmaker Robert M Nakamura by his son, Tadashi</p></div></div></div><div class="spinLayout thumb onecol right item-second"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/ricky-sundance-review/5201550.article" class="image"><img alt="Ricky" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/3/7/1442637_ricky_304003.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/3/7/1442637_ricky_304003.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/3/7/1442637_ricky_304003.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/ricky-sundance-review/5201550.article">‘Ricky’: Sundance Review</a></h2><p class="intro">Stephan James is powerful as an ex-con struggling to adjust</p></div></div></div><div class="spinLayout thumb onecol left item-third"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/atropia-sundance-review/5201455.article" class="image"><img alt="ATROPIA" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/2/2/5/1442225_atropia_950967.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/2/2/5/1442225_atropia_950967.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/2/2/5/1442225_atropia_950967.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/atropia-sundance-review/5201455.article">‘Atropia’: Sundance Review</a></h2><p class="intro">Sundance US dramatic prize-winner is a grab-bag of gags set in an army training village</p></div></div></div><div class="spinLayout thumb onecol right item-fourth"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/coexistence-my-ass-sundance-review/5201322.article" class="image"><img alt="Coexistence, My Ass!" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/6/2/1441862_coexistencemyass_884468.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/6/2/1441862_coexistencemyass_884468.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/8/6/2/1441862_coexistencemyass_884468.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/coexistence-my-ass-sundance-review/5201322.article">‘Coexistence, My Ass!’: Sundance Review</a></h2><p class="intro">Doc finds humour and heartbreak in Israeli comedian Noam Shuster Eliassi’s attempts to bridge the divide</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/the-alabama-solution-sundance-review/5201286.article" class="image"><img alt="The_Alabama_Solution courtesy Sundance Institute" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/8/8/1441788_the_alabama_solutioncourtesysundanceinstitute_574298_crop.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/8/8/1441788_the_alabama_solutioncourtesysundanceinstitute_574298_crop.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/7/8/8/1441788_the_alabama_solutioncourtesysundanceinstitute_574298_crop.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/the-alabama-solution-sundance-review/5201286.article">‘The Alabama Solution’: Sundance Review</a></h2><p class="intro">Smuggled smartphones provide a shocking insider’s perspective on Alabama’s prison system</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/last-days-sundance-review/5201285.article" class="image"><img alt="Last Days" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/8/7/1441787_lastdays_212876.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/8/7/1441787_lastdays_212876.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/7/8/7/1441787_lastdays_212876.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/last-days-sundance-review/5201285.article">‘Last Days’: Sundance Review</a></h2><p class="intro">Murdered Sentinel Island missionary John Allen Chau is the subject of Justin Lin’s disappointing drama</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/lurker-sundance-review/5201075.article" class="image"><img alt="Lurker-Still_1" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/3/0/9/1441309_lurkerstill_1_920000.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/3/0/9/1441309_lurkerstill_1_920000.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/3/0/9/1441309_lurkerstill_1_920000.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/lurker-sundance-review/5201075.article">‘Lurker’: Sundance Review</a></h2><p class="intro">Archie Madekwe’s ascendant pop star becomes an obsession for a troubled young fan</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/predators-sundance-review/5201278.article" class="image"><img alt="Predators-Still_1" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/7/8/1441778_predatorsstill_1_91511.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/7/8/1441778_predatorsstill_1_91511.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/7/7/8/1441778_predatorsstill_1_91511.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/predators-sundance-review/5201278.article">‘Predators’: Sundance Review</a></h2><p class="intro">TV’s brand of vigilante justice comes under the spotlight of hindsight</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/seeds-sundance-review/5201233.article" class="image"><img alt="Seeds" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/7/3/1441673_seeds_363629.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/7/3/1441673_seeds_363629.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/7/3/1441673_seeds_363629.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/seeds-sundance-review/5201233.article">‘Seeds’: Sundance Review</a></h2><p class="intro">The precarious reality of Black farmers in America’s deep south</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/sorry-baby-sundance-review/5201208.article" class="image"><img alt="Sorry Baby" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/2/0/1441620_sorrybaby_306602.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/2/0/1441620_sorrybaby_306602.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/2/0/1441620_sorrybaby_306602.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/sorry-baby-sundance-review/5201208.article">‘Sorry, Baby’: Sundance Review</a></h2><p class="intro">Barry Jenkins produces this insightful drama debut from Eva Victor</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/opus-sundance-review/5201220.article" class="image"><img alt="Opus" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/4/1/1441641_opus_862674.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/4/1/1441641_opus_862674.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/4/1/1441641_opus_862674.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/opus-sundance-review/5201220.article">‘Opus’: Sundance Review</a></h2><p class="intro">Ayo Edebiri and John Malkovich face the music in this predictable horror</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/the-wedding-banquet-sundance-review/5201207.article" class="image"><img alt="The Wedding Banquet" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/1/9/1441619_theweddingbanquet_130568.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/1/9/1441619_theweddingbanquet_130568.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/1/9/1441619_theweddingbanquet_130568.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/the-wedding-banquet-sundance-review/5201207.article">‘The Wedding Banquet’: Sundance Review</a></h2><p class="intro">Lily Gladstone and Bowen Yang head this sensitive update of Ang Lee’s Oscar-nominated comedy</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/life-after-sundance-review/5200801.article" class="image"><img alt="Life After" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/2/9/1440729_lifeafter_556698.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/7/2/9/1440729_lifeafter_556698.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/7/2/9/1440729_lifeafter_556698.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/life-after-sundance-review/5200801.article">‘Life After’: Sundance Review</a></h2><p class="intro">Sensitive exploration of assisted dying within the disabled community</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/zodiac-killer-project-sundance-review/5200900.article" class="image"><img alt="Zodiac Killer Project" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/4/4/1440944_zodiackillerproject_978569.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/4/4/1440944_zodiackillerproject_978569.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/9/4/4/1440944_zodiackillerproject_978569.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/zodiac-killer-project-sundance-review/5200900.article">‘Zodiac Killer Project’: Sundance Review</a></h2><p class="intro">A failed film acts as a springboard to examine our fascination with true crime in this unconventional doc</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/sauna-sundance-review/5200714.article" class="image"><img alt="Sauna" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/5/2/6/1440526_sauna_636870.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/5/2/6/1440526_sauna_636870.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/5/2/6/1440526_sauna_636870.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/sauna-sundance-review/5200714.article">‘Sauna’: Sundance Review</a></h2><p class="intro">A queer romance attempts to blossom in this involving Copenhagen-set debut</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/khartoum-sundance-review/5200677.article" class="image"><img alt="Khartoum" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/4/2/5/1440425_khartoum_108024.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/4/2/5/1440425_khartoum_108024.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/4/2/5/1440425_khartoum_108024.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/khartoum-sundance-review/5200677.article">‘Khartoum’: Sundance Review</a></h2><p class="intro">Five displaced Sudanese citizens re-enact their experiences in this immersive documentary</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/cutting-through-rocks-sundance-review/5200937.article" class="image"><img alt="Cutting Through Rocks" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/1/2/1441012_cuttingthroughrocks_791454.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/1/2/1441012_cuttingthroughrocks_791454.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/0/1/2/1441012_cuttingthroughrocks_791454.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/cutting-through-rocks-sundance-review/5200937.article">‘Cutting Through Rocks’: Sundance Review</a></h2><p class="intro">One woman takes on the patriarchy in a small Iranian village</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/peter-hujars-day-sundance-review/5200765.article" class="image"><img alt="Peter Hujar's Day" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/3/7/1440637_peterhujarsday_152892.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/3/7/1440637_peterhujarsday_152892.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/3/7/1440637_peterhujarsday_152892.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/peter-hujars-day-sundance-review/5200765.article">‘Peter Hujar’s Day’: Sundance Review</a></h2><p class="intro">Ben Whishaw and Rebecca Hall play out a day in 1974 Manhattan for director Ira Sachs</p></div></div></div><div class="spinLayout thumb onecol left item-penultimate"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/blknws-terms-and-conditions-sundance-review/5201161.article" class="image"><img alt="BLKNWS: Terms & Conditions" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/5/5/3/1441553_blknwstermsconditions_595491.jpeg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/5/5/3/1441553_blknwstermsconditions_595491.jpeg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/5/5/3/1441553_blknwstermsconditions_595491.jpeg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/blknws-terms-and-conditions-sundance-review/5201161.article">‘BLKNWS: Terms & Conditions’: Sundance Review</a></h2><p class="intro">Kahlil Joseph turns his video art installation into a multi-faceted exploration of the Black experience</p></div></div></div><div class="spinLayout thumb onecol right item-last"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/rebuilding-sundance-review/5201142.article" class="image"><img alt="Rebuilding" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/4/8/1/1441481_rebuilding_40061.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/4/8/1/1441481_rebuilding_40061.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/4/8/1/1441481_rebuilding_40061.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a 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