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data-dom-id="ProfileCheckPaperUpdate-react-component-d40ef7ec-6bdf-4fa7-b61a-17f066b71f9c"></div> <div id="ProfileCheckPaperUpdate-react-component-d40ef7ec-6bdf-4fa7-b61a-17f066b71f9c"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Andrés Romero</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://wayne.academia.edu/">Wayne State University</a>, <a class="u-tcGrayDarker" 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Andrés Romero and Toby Austin Locke: In this article, you work through a genealogy of thought on affective relations that diverges from the usual line from Baruch Spinoza to Gilles Deleuze that we are accustomed to tracing in the scholarship on affect. It is instead, David Hume and Adam Smith who draw you into rethinking the intersections of affect and ethics, as well as what you call " communicative representation and immersed sensuous participation. " What is it about this set of interlocutors, and more particularly, Smith's development of the notion of sympathy that you found pertinent for this line of inquiry? William Mazzarella: It's true that most of what's been done in what is now known as affect theory has been a development of the Spinozian-Deleuzian tradition. And there's a lot to admire in that line of work. But I come to the question of affect with another set of concerns, concerns having to do with the peculiar split that arose in the twentieth century between, broadly speaking, vitalist Francophone critical theory (culminating in Deleuze and his inheritors) on the one hand and Germanic dialectical theory (culminating in the Frankfurt School and their inheritors) on the other. I say " split, " but there's actually something more like a highly cathected phobia going on there: just take a look at the way the word dialectic functions as a focus of rabid disgust in the Deleuzian tradition. This always seemed like an interesting symptom to me. What is the anxiety embedded in this need on the part of Deleuzians, again and again, to abject (what they, often quite tendentiously, understood as) dialectics? I won't rehearse my argument about this here— various versions of it show up in my essays " Affect: What is it Good For? " (Mazzarella 2009) and " The Myth of the Multitude " (Mazzarella 2010), and in my books Censorium (Mazzarella 2013) and, especially, The Mana of Mass Society (Mazzarella, forthcoming). The important point, in regard to your question, is that I felt that thinking the vitalist tradition and the dialectical tradition together—bringing them into dialectical tension, if you like—would allow us to understand the restless co-constitution of the immanent potentialities that affect theory identifies and their actualization in determinate social forms. (Georg Simmel's work is a semisecret inspiration for me here; I sense, as well, relatively untapped possibilities in thinking more about the influence of Henri Bergson on Walter Benjamin.) My own work has, all along, been preoccupied with how we might understand the relation between affect and institutional mediation, specifically with regard to mass-mediated publicness. That's where Smith seems especially significant to me. His attempts to theorize sympathy are, I think, impossible to understand without reference to the distinctively modern forms of mass publicity that are taking form around him in the mid-eighteenth century. This is something that isn't directly addressed in Theory of Moral Sentiments, but one feels its fingerprints everywhere in the text—not least in its ambivalence about the very meanings of public and private, as well as the way in which Smith's famous notion of the impartial spectator is so clearly oriented toward what we would now understand as an impersonal mass public. AR and TAL: Hume and Smith begin to diverge around the question of how, precisely, affective intensities are transmitted between people. Unlike Hume, Smith argues that the intersubjective transmission of sentiments is premised on our imaginative capacities. Could you say more about the relationship between affect, imagination, and sensuous experience? WM: The way I'd like to answer this question is to propose thinking Hume and Smith on empathy alongside another philosophical discourse that takes shape in the eighteenth century: our modern philosophical conception of aesthetic experience. The philosophy of aesthetics, as formalized by Immanuel Kant (2009) in his Critique of Judgment, is preoccupied with some of the same questions that interested Hume and Smith. For example: To what extent can our spontaneous sensuous capacities be understood in ethical terms? How can we tell the difference between affective responses that reproduce ideological prejudice and those that open us up to the possibility of transcendent ethical judgment? Is it possible to imagine spontaneous corporeal capacities as disinterested? Whereas the discourse on sympathy is largely concerned with resonances or intuitions between human beings, the philosophy of aesthetics broadens the field of inquiry into problems of imagination/creativity and relations between humans and (ostensibly) inanimate objects. Another thing that links the debates on sympathy with those on aesthetics is the problem of how to understand the sensorium of modern life, a problem that lurches back and forth between claims about natural/innate human capacities and historically specific modes of sensuous life. The discourse on sympathy retains a strongly ethical orientation; it remains focused on the question of how to move from spontaneous, embodied responses to reliable</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a8c11de6d4359aafbb78b257ced0f6a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53822834,"asset_id":33840953,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53822834/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33840953"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33840953"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33840953; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33840953]").text(description); $(".js-view-count[data-work-id=33840953]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33840953; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33840953']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="15943568"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/15943568/Image_as_Method_Conversations_on_Anthropology_Through_the_Image"><img alt="Research paper thumbnail of Image as Method: Conversations on Anthropology Through the Image" class="work-thumbnail" src="https://attachments.academia-assets.com/38832413/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15943568/Image_as_Method_Conversations_on_Anthropology_Through_the_Image">Image as Method: Conversations on Anthropology Through the Image</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">What follows is a series of conversations conducted after the recent Image as Method symposium, w...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">What follows is a series of conversations conducted after the recent Image as Method symposium, which took place on May 4 th and 5 th , 2015, at Columbia University's Heyman Center for the Humanities, organized by Brian Goldstone. The symposium featured numerous presenters and commentators: Rather than summarizing the event or attempting to reproduce every presentation and commentary, below I follow a few conceptual paths made at the symposium through conversations with Brian Goldstone, Stuart McLean, Anand Pandian, and Robert Desjarlais, who, each in his own way, describes an alternate way of thinking through the use of the image in all of its forms (visual, literary, photographic, phantasmagoric, etc.), as an invitation, a marking out of some "elsewhere" within anthropology itself.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25ba93d9651fe18be45bfc825e4cc62f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38832413,"asset_id":15943568,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38832413/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15943568"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15943568"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15943568; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Blogs etc." id="Blogs etc."><h3 class="profile--tab_heading_container">Blogs etc. by Andrés Romero</h3></div><div class="js-work-strip profile--work_container" data-work-id="34185264"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/34185264/Words_in_Worlds_An_Interview_with_Kathleen_Stewart"><img alt="Research paper thumbnail of Words in Worlds: An Interview with Kathleen Stewart" class="work-thumbnail" src="https://attachments.academia-assets.com/55209623/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/34185264/Words_in_Worlds_An_Interview_with_Kathleen_Stewart">Words in Worlds: An Interview with Kathleen Stewart</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucl.academia.edu/TobyAustinLocke">Toby Austin Locke</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The May 2017 issue of Cultural Anthropology included a Retrospectives collection on “Affect” edit...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The May 2017 issue of Cultural Anthropology included a Retrospectives collection on “Affect” edited by Daniel White. This collection included the article “In the World that Affect Proposed,” by Kathleen Stewart, who is Professor of Anthropology at the University of Texas at Austin. What follows is a lightly edited transcript of an interview that contributing editors Andrés Romero and Toby Austin Locke conducted with Stewart about the article’s arguments and her approach to teaching affect and ethnographic writing.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2efc1f703157f04aab3e49dfb08ff4e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55209623,"asset_id":34185264,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55209623/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34185264"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34185264"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34185264; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Interviews / Talks / Reviews of Work" id="Interviews / Talks / Reviews of Work"><h3 class="profile--tab_heading_container">Interviews / Talks / Reviews of Work by Andrés Romero</h3></div><div class="js-work-strip profile--work_container" data-work-id="38335550"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/38335550/Book_Forum_Violences_Fabled_Experiment"><img alt="Research paper thumbnail of Book Forum: Violence's Fabled Experiment" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/38335550/Book_Forum_Violences_Fabled_Experiment">Book Forum: Violence's Fabled Experiment</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://edinburgh.academia.edu/RichardBaxstrom">Richard Baxstrom</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/NikolajLubecker">Nikolaj Lubecker</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/AidanSealeFeldman">Aidan Seale-Feldman</a></span></div><div class="wp-workCard_item"><span>Cultural Anthropology </span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Richard Baxstrom and Todd Meyers’s Violence’s Fabled Experiment (2018) is a superb account of the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Richard Baxstrom and Todd Meyers’s Violence’s Fabled Experiment (2018) is a superb account of the relationship between images, violence, and history. It is also an anthropological engagement—an engagement with how certain currents of thought are posited imagistically—with three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. The book moves through an in-between space where creative thought and the moving image meet, where cinematic experiments are forged. Baxstrom and Meyers dwell with and assess these experiments as they pull us into a quest for human origins, enfold us in historical reenactments, and turn us into receptors of planetary crisis.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38335550"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38335550"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38335550; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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</script> <div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Andrés Romero</h3></div><div class="js-work-strip profile--work_container" data-work-id="40029623"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40029623/Presentation_of_BOOK_FORUM_Guerrilla_Marketing_by_Andr%C3%A9s_Romero"><img alt="Research paper thumbnail of Presentation of BOOK FORUM: Guerrilla Marketing by Andrés Romero" class="work-thumbnail" src="https://attachments.academia-assets.com/60226200/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40029623/Presentation_of_BOOK_FORUM_Guerrilla_Marketing_by_Andr%C3%A9s_Romero">Presentation of BOOK FORUM: Guerrilla Marketing by Andrés Romero</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ucsd.academia.edu/AlexFattal">Alex Fattal</a></span></div><div class="wp-workCard_item"><span>Cultural Anthropology, Visual and New Media Review</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Introductory review to the Cultural Anthropology, Visual and New Media Review book forum about Gu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Introductory review to the Cultural Anthropology, Visual and New Media Review book forum about Guerrilla Marketing by Andrés Romero.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a4f491112e976a2ece2ab9c3bc669d0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60226200,"asset_id":40029623,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60226200/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40029623"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40029623"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40029623; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book and Film Reviews" id="Book and Film Reviews"><h3 class="profile--tab_heading_container">Book and Film Reviews by Andrés Romero</h3></div><div class="js-work-strip profile--work_container" data-work-id="44718784"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44718784/Castaway_Man"><img alt="Research paper thumbnail of Castaway Man" class="work-thumbnail" src="https://attachments.academia-assets.com/65200126/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44718784/Castaway_Man">Castaway Man</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/AidanSealeFeldman">Aidan Seale-Feldman</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b1c9545b13dd1bf146cda25258e7a64b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65200126,"asset_id":44718784,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65200126/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44718784"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44718784"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44718784; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44537434"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44537434/Who_Will_Be_a_Gurkha"><img alt="Research paper thumbnail of Who Will Be a Gurkha" class="work-thumbnail" src="https://attachments.academia-assets.com/64984579/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44537434/Who_Will_Be_a_Gurkha">Who Will Be a Gurkha</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/AidanSealeFeldman">Aidan Seale-Feldman</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7010be08a934ed943a38cdc03e68439a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64984579,"asset_id":44537434,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64984579/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44537434"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44537434"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44537434; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Reviews" id="Book Reviews"><h3 class="profile--tab_heading_container">Book Reviews by Andrés Romero</h3></div><div class="js-work-strip profile--work_container" data-work-id="41736634"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41736634/Book_Forum_Life_without_Lead_Contamination_Crisis_and_Hope_in_Uruguay"><img alt="Research paper thumbnail of Book Forum, Life without Lead: Contamination, Crisis, and Hope in Uruguay" class="work-thumbnail" src="https://attachments.academia-assets.com/61893512/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41736634/Book_Forum_Life_without_Lead_Contamination_Crisis_and_Hope_in_Uruguay">Book Forum, Life without Lead: Contamination, Crisis, and Hope in Uruguay</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://wvu.academia.edu/DanielRenfrew">Daniel Renfrew</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://udelar.academia.edu/MarianaAchugar">Mariana Achugar</a></span></div><div class="wp-workCard_item"><span>Somatosphere</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Daniel Renfrew's Life Without Lead: Contamination, Crisis, and Hope in Uruguay (2018) is a master...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Daniel Renfrew's Life Without Lead: Contamination, Crisis, and Hope in Uruguay (2018) is a masterful undertaking on the anthropology of disaster and its everydayness. An ethnographic portrayal that is prismatic in its attention, the book combines numerous elements-place, civic performance, history, political economy-to bear on the lead poisoning epidemic in Montevideo, Uruguay at the turn of the 21 st century. The epidemic disproportionally affected</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="845d760ddf24cc85b1392a10f8df84f6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61893512,"asset_id":41736634,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61893512/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41736634"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41736634"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41736634; 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Gette</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Series on experimental media and writing</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ddc0bc51e1a3f2010402cb414d1f6a1b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61646300,"asset_id":41473627,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61646300/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41473627"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41473627"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41473627; 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An ethnographic portrayal that is prismatic in its attention, the book combines numerous elements-place, civic performance, history, political economy-to bear on the lead poisoning epidemic in Montevideo, Uruguay at the turn of the 21 st century. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41473533"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41473533/Screening_Room_Survivors"><img alt="Research paper thumbnail of Screening Room: Survivors" class="work-thumbnail" src="https://attachments.academia-assets.com/61646187/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41473533/Screening_Room_Survivors">Screening Room: Survivors</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/AidanSealeFeldman">Aidan Seale-Feldman</a></span></div><div class="wp-workCard_item"><span>Survivors</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="792d7a4374f5514076643f31a76146fa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61646187,"asset_id":41473533,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61646187/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41473533"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41473533"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41473533; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="33840953"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33840953/On_Affect_Aesthetics_and_Mass_Mediation_An_Interview_with_William_Mazzarella"><img alt="Research paper thumbnail of On Affect, Aesthetics, and Mass Mediation: An Interview with William Mazzarella" class="work-thumbnail" src="https://attachments.academia-assets.com/53822834/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33840953/On_Affect_Aesthetics_and_Mass_Mediation_An_Interview_with_William_Mazzarella">On Affect, Aesthetics, and Mass Mediation: An Interview with William Mazzarella</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://chicago.academia.edu/WilliamMazzarella">William Mazzarella</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Romero and Toby Austin Locke conducted with Mazzarella about his article's arguments and their re...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Romero and Toby Austin Locke conducted with Mazzarella about his article's arguments and their relationship to his broader research agenda. Andrés Romero and Toby Austin Locke: In this article, you work through a genealogy of thought on affective relations that diverges from the usual line from Baruch Spinoza to Gilles Deleuze that we are accustomed to tracing in the scholarship on affect. It is instead, David Hume and Adam Smith who draw you into rethinking the intersections of affect and ethics, as well as what you call " communicative representation and immersed sensuous participation. " What is it about this set of interlocutors, and more particularly, Smith's development of the notion of sympathy that you found pertinent for this line of inquiry? William Mazzarella: It's true that most of what's been done in what is now known as affect theory has been a development of the Spinozian-Deleuzian tradition. And there's a lot to admire in that line of work. But I come to the question of affect with another set of concerns, concerns having to do with the peculiar split that arose in the twentieth century between, broadly speaking, vitalist Francophone critical theory (culminating in Deleuze and his inheritors) on the one hand and Germanic dialectical theory (culminating in the Frankfurt School and their inheritors) on the other. I say " split, " but there's actually something more like a highly cathected phobia going on there: just take a look at the way the word dialectic functions as a focus of rabid disgust in the Deleuzian tradition. This always seemed like an interesting symptom to me. What is the anxiety embedded in this need on the part of Deleuzians, again and again, to abject (what they, often quite tendentiously, understood as) dialectics? I won't rehearse my argument about this here— various versions of it show up in my essays " Affect: What is it Good For? " (Mazzarella 2009) and " The Myth of the Multitude " (Mazzarella 2010), and in my books Censorium (Mazzarella 2013) and, especially, The Mana of Mass Society (Mazzarella, forthcoming). The important point, in regard to your question, is that I felt that thinking the vitalist tradition and the dialectical tradition together—bringing them into dialectical tension, if you like—would allow us to understand the restless co-constitution of the immanent potentialities that affect theory identifies and their actualization in determinate social forms. (Georg Simmel's work is a semisecret inspiration for me here; I sense, as well, relatively untapped possibilities in thinking more about the influence of Henri Bergson on Walter Benjamin.) My own work has, all along, been preoccupied with how we might understand the relation between affect and institutional mediation, specifically with regard to mass-mediated publicness. That's where Smith seems especially significant to me. His attempts to theorize sympathy are, I think, impossible to understand without reference to the distinctively modern forms of mass publicity that are taking form around him in the mid-eighteenth century. This is something that isn't directly addressed in Theory of Moral Sentiments, but one feels its fingerprints everywhere in the text—not least in its ambivalence about the very meanings of public and private, as well as the way in which Smith's famous notion of the impartial spectator is so clearly oriented toward what we would now understand as an impersonal mass public. AR and TAL: Hume and Smith begin to diverge around the question of how, precisely, affective intensities are transmitted between people. Unlike Hume, Smith argues that the intersubjective transmission of sentiments is premised on our imaginative capacities. Could you say more about the relationship between affect, imagination, and sensuous experience? WM: The way I'd like to answer this question is to propose thinking Hume and Smith on empathy alongside another philosophical discourse that takes shape in the eighteenth century: our modern philosophical conception of aesthetic experience. The philosophy of aesthetics, as formalized by Immanuel Kant (2009) in his Critique of Judgment, is preoccupied with some of the same questions that interested Hume and Smith. For example: To what extent can our spontaneous sensuous capacities be understood in ethical terms? How can we tell the difference between affective responses that reproduce ideological prejudice and those that open us up to the possibility of transcendent ethical judgment? Is it possible to imagine spontaneous corporeal capacities as disinterested? Whereas the discourse on sympathy is largely concerned with resonances or intuitions between human beings, the philosophy of aesthetics broadens the field of inquiry into problems of imagination/creativity and relations between humans and (ostensibly) inanimate objects. Another thing that links the debates on sympathy with those on aesthetics is the problem of how to understand the sensorium of modern life, a problem that lurches back and forth between claims about natural/innate human capacities and historically specific modes of sensuous life. The discourse on sympathy retains a strongly ethical orientation; it remains focused on the question of how to move from spontaneous, embodied responses to reliable</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a8c11de6d4359aafbb78b257ced0f6a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53822834,"asset_id":33840953,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53822834/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33840953"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33840953"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33840953; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="15943568"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/15943568/Image_as_Method_Conversations_on_Anthropology_Through_the_Image"><img alt="Research paper thumbnail of Image as Method: Conversations on Anthropology Through the Image" class="work-thumbnail" src="https://attachments.academia-assets.com/38832413/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15943568/Image_as_Method_Conversations_on_Anthropology_Through_the_Image">Image as Method: Conversations on Anthropology Through the Image</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">What follows is a series of conversations conducted after the recent Image as Method symposium, w...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">What follows is a series of conversations conducted after the recent Image as Method symposium, which took place on May 4 th and 5 th , 2015, at Columbia University's Heyman Center for the Humanities, organized by Brian Goldstone. The symposium featured numerous presenters and commentators: Rather than summarizing the event or attempting to reproduce every presentation and commentary, below I follow a few conceptual paths made at the symposium through conversations with Brian Goldstone, Stuart McLean, Anand Pandian, and Robert Desjarlais, who, each in his own way, describes an alternate way of thinking through the use of the image in all of its forms (visual, literary, photographic, phantasmagoric, etc.), as an invitation, a marking out of some "elsewhere" within anthropology itself.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25ba93d9651fe18be45bfc825e4cc62f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38832413,"asset_id":15943568,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38832413/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15943568"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15943568"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15943568; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15943568]").text(description); $(".js-view-count[data-work-id=15943568]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15943568; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15943568']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="7315311" id="blogsetc"><div class="js-work-strip profile--work_container" data-work-id="34185264"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/34185264/Words_in_Worlds_An_Interview_with_Kathleen_Stewart"><img alt="Research paper thumbnail of Words in Worlds: An Interview with Kathleen Stewart" class="work-thumbnail" src="https://attachments.academia-assets.com/55209623/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/34185264/Words_in_Worlds_An_Interview_with_Kathleen_Stewart">Words in Worlds: An Interview with Kathleen Stewart</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucl.academia.edu/TobyAustinLocke">Toby Austin Locke</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The May 2017 issue of Cultural Anthropology included a Retrospectives collection on “Affect” edit...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The May 2017 issue of Cultural Anthropology included a Retrospectives collection on “Affect” edited by Daniel White. This collection included the article “In the World that Affect Proposed,” by Kathleen Stewart, who is Professor of Anthropology at the University of Texas at Austin. What follows is a lightly edited transcript of an interview that contributing editors Andrés Romero and Toby Austin Locke conducted with Stewart about the article’s arguments and her approach to teaching affect and ethnographic writing.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2efc1f703157f04aab3e49dfb08ff4e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55209623,"asset_id":34185264,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55209623/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34185264"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34185264"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34185264; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34185264]").text(description); $(".js-view-count[data-work-id=34185264]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34185264; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34185264']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8922357" id="interviewstalksreviewsofwork"><div class="js-work-strip profile--work_container" data-work-id="38335550"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/38335550/Book_Forum_Violences_Fabled_Experiment"><img alt="Research paper thumbnail of Book Forum: Violence's Fabled Experiment" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/38335550/Book_Forum_Violences_Fabled_Experiment">Book Forum: Violence's Fabled Experiment</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://edinburgh.academia.edu/RichardBaxstrom">Richard Baxstrom</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/NikolajLubecker">Nikolaj Lubecker</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/AidanSealeFeldman">Aidan Seale-Feldman</a></span></div><div class="wp-workCard_item"><span>Cultural Anthropology </span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Richard Baxstrom and Todd Meyers’s Violence’s Fabled Experiment (2018) is a superb account of the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Richard Baxstrom and Todd Meyers’s Violence’s Fabled Experiment (2018) is a superb account of the relationship between images, violence, and history. It is also an anthropological engagement—an engagement with how certain currents of thought are posited imagistically—with three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. The book moves through an in-between space where creative thought and the moving image meet, where cinematic experiments are forged. Baxstrom and Meyers dwell with and assess these experiments as they pull us into a quest for human origins, enfold us in historical reenactments, and turn us into receptors of planetary crisis.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38335550"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38335550"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38335550; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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</script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9599631" id="books"><div class="js-work-strip profile--work_container" data-work-id="40029623"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40029623/Presentation_of_BOOK_FORUM_Guerrilla_Marketing_by_Andr%C3%A9s_Romero"><img alt="Research paper thumbnail of Presentation of BOOK FORUM: Guerrilla Marketing by Andrés Romero" class="work-thumbnail" src="https://attachments.academia-assets.com/60226200/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40029623/Presentation_of_BOOK_FORUM_Guerrilla_Marketing_by_Andr%C3%A9s_Romero">Presentation of BOOK FORUM: Guerrilla Marketing by Andrés Romero</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ucsd.academia.edu/AlexFattal">Alex Fattal</a></span></div><div class="wp-workCard_item"><span>Cultural Anthropology, Visual and New Media Review</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Introductory review to the Cultural Anthropology, Visual and New Media Review book forum about Gu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Introductory review to the Cultural Anthropology, Visual and New Media Review book forum about Guerrilla Marketing by Andrés Romero.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a4f491112e976a2ece2ab9c3bc669d0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60226200,"asset_id":40029623,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60226200/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40029623"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40029623"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40029623; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10071493" id="bookreviews"><div class="js-work-strip profile--work_container" data-work-id="41736634"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41736634/Book_Forum_Life_without_Lead_Contamination_Crisis_and_Hope_in_Uruguay"><img alt="Research paper thumbnail of Book Forum, Life without Lead: Contamination, Crisis, and Hope in Uruguay" class="work-thumbnail" src="https://attachments.academia-assets.com/61893512/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41736634/Book_Forum_Life_without_Lead_Contamination_Crisis_and_Hope_in_Uruguay">Book Forum, Life without Lead: Contamination, Crisis, and Hope in Uruguay</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://wvu.academia.edu/DanielRenfrew">Daniel Renfrew</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://wayne.academia.edu/ar04797">Andrés Romero</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://udelar.academia.edu/MarianaAchugar">Mariana Achugar</a></span></div><div class="wp-workCard_item"><span>Somatosphere</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Daniel Renfrew's Life Without Lead: Contamination, Crisis, and Hope in Uruguay (2018) is a master...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Daniel Renfrew's Life Without Lead: Contamination, Crisis, and Hope in Uruguay (2018) is a masterful undertaking on the anthropology of disaster and its everydayness. An ethnographic portrayal that is prismatic in its attention, the book combines numerous elements-place, civic performance, history, political economy-to bear on the lead poisoning epidemic in Montevideo, Uruguay at the turn of the 21 st century. 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