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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - Tintinnabula, cloches et clochettes</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" 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href="search.html?primary=fdate&fyear=2025&fmonth=07">jui</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2025">2025</a></div> </div> </div> </div> <div id="listcategories"> <h2>Catégories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=303">Préhistoire et Antiquité</a></li> <li><a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a></li> <li><a href="search?primary=fsubject&fsubject=309">Moyen Âge</a></li> <li><a href="search?primary=fsubject&fsubject=264">Psychisme</a></li> <li><a href="search?primary=fsubject&fsubject=312">Époque moderne</a></li> <li><a href="search?primary=fsubject&fsubject=276">Représentations</a></li> <li><a href="search?primary=fsubject&fsubject=286">Épistémologie et méthodes</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1134553">Tintinnabula, cloches et clochettes</a></h1> <h2 class="origt">Tintinnabula, bells et small bells</h2> <p class="origd">Actualités de la campanologie, de l’Antiquité au XXIe siècle</p> <p class="origd altertitle"> News of campanology, from Antiquity to the XXIth century</p> </div> <div class="mapuce2">* * *</div> <p id="pubdate"> Publié le lundi 12 février 2024 </p> <div id="texte"> <div id="resume"> <p class="intitule">Résumé</p> <div class="tabMenu"><a href="#resume-1134553-fr" hreflang="fr" class="active">Français</a> <a href="#resume-1134553-en" hreflang="en">English</a> </div> <div id="resume-1134553-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Objet phare de la culture chrétienne occidentale et des paysages sonores parcourus par Alain Corbin dans son ouvrage sur la France du XIX<sup>e</sup> siècle, la cloche a connu une histoire multiforme et complexe, mais toujours très riche. Objet sonore ou instrument de musique, elle est aussi un objet hautement identitaire et symbolique dont le tintement ou la sonnerie font écho à une variété de constructions sociales et politiques. Si ce colloque propose de concentrer son attention sur l’objet « cloche », compris dans une acception la plus large possible afin de saisir cette complexité de sens, il fait également le choix de le voir sous un angle totalement diachronique, sans restriction chronologique, géographique ou culturelle.</p> </div> <div id="resume-1134553-en" class="tabContent hidden" lang="en" xml:lang="en"> <p style="text-align: left;">A flagship object of Western Christian culture and the soundscapes covered by Alain Corbin in his work on 19th century France, the bell has had a multifaceted and complex history, but always very rich. Sound object or musical instrument, it is also a highly identity and symbolic object whose tinkling or ringing echoes a variety of social and political constructions. If this conference proposes to concentrate its attention on the object “bell”, understood in the broadest possible sense in order to grasp this complexity of meaning, it also chooses to see it from a totally diachronic angle, without chronological restriction, geographical or cultural.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1134553-fr" hreflang="fr" class="active">Français</a> <a href="#annonce-1134553-en" hreflang="en">English</a> </div> <div id="annonce-1134553-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1>Argumentaire</h1> <p style="text-align: left;">Objet phare de la culture chrétienne occidentale et des paysages sonores parcourus par Alain Corbin dans son ouvrage sur la France du XIX<sup>e</sup> siècle, la cloche a connu une histoire multiforme et complexe, mais toujours très riche. Objet sonore ou instrument de musique, elle est aussi un objet hautement identitaire et symbolique dont le tintement ou la sonnerie font écho à une variété de constructions sociales et politiques. La désignation même de l’objet évolue largement au cours du temps, de l’Antiquité la plus archaïque aux usages les plus contemporains. Outre la terminologie servant à la désigner, la cloche devient, d’un petit objet sonore de bronze à l’usage agricole, domestique et cultuel, un artefact monumental pouvant même, lorsqu’il est mis en série, former des carillons polyphoniques. Cette transition entre la fin de l’Antiquité et le Moyen‑Âge a questionné précocement de nombreux érudits et théologiens, ce dès le VIII<sup>e</sup> siècle de notre ère. La vision médiévale puis moderne de la cloche, souvent construite à partir des seules données littéraires mais aussi iconographiques, a longtemps conditionné et conditionne encore notre vision de l’objet, chez les Anciens polythéistes comme chez les Juifs et les premiers Chrétiens. Aux époques modernes et contemporaines, la cloche, dans le monde occidental mais aussi dans d’autres aires culturelles, s’enrichit de sens supplémentaires qui s’ajoutent à cette polysémie préexistante. Le recul, dans le paysage français du moins, des sonneries religieuses face à l’occupation du paysage sonore par le pouvoir civique et de ses sonneries propres a encore modifié le sens de l’objet, tantôt vu comme élément de résistance, élément identitaire ou au contraire archaïsant. Si ce colloque propose de concentrer son attention sur l’objet “cloche”, compris dans une acception la plus large possible afin de saisir cette complexité de sens, il fait également le choix de le voir sous un angle totalement diachronique, sans restriction chronologique, géographique ou culturelle. Plusieurs axes seront ainsi définis :</p> <h3 style="text-align: left;">Un axe littéraire et archéologique (facture, usages, représentations)</h3> <p>Dans quels contextes sont retrouvés les clochettes et les cloches, comment l’objet évolue-t-il à certaines périodes (IIIe-Ve siècle, VIIIe siècle, XIX-XXI<sup>e</sup> siècles) et comment est-il représenté dans différentes sources (iconographique, littérature, symbolique) ?</p> <h3>Un axe historiographique</h3> <p>Comment la cloche est-elle nommée, désignée, identifiée dans les sources anciennes, médiévales, modernes ou contemporaines ? Comment les érudits de l’époque médiévale et moderne traitent-il de cet objet au regard de leurs propres questionnements et des données dont ils disposent à propos de l’Antiquité ?</p> <h3>Un axe de réception</h3> <p>Il questionnera les représentations et évocations actuelles de la cloche à travers sa patrimonialisation (identification, conservation, muséographie), sa présence dans des médias contemporains (cinéma, littérature jeunesse, expositions, etc.) ou encore sa présence dans les imaginaires collectifs (agentivité, psychologie, ethnologie, etc.).</p> <p style="text-align: left;">Ce colloque s’adresse aussi bien à des chercheurs confirmés qu’à de jeunes chercheurs doctorants ou docteurs, dont la proposition de communication peut s’inscrire dans l’un ou dans plusieurs des champs disciplinaires suivants : histoire, histoire de l’art, archéologie, littérature, théologie, anthropologie, musicologie, muséologie, fonderie sans que cette liste soit restrictive.</p> <h1>Modalités de soumission</h1> <p style="text-align: left;">Elles devront obligatoirement comporter : </p> <ul> <li aria-level="1">un titre et un résumé de 1500 signes maximum, espaces compris.</li> <li aria-level="1">une courte notice biographique présentant le ou les auteurs.</li> </ul> <p style="text-align: left;">Après réunion du comité scientifique, une réponse sera donnée à chaque auteur d’une proposition le 16 septembre 2024 par retour de mail.</p> <p style="text-align: left;">Les propositions de communication seront à faire parvenir à <strong>arnaud.saura-ziegelmeyer@ict-toulouse.fr</strong></p> <h3>avant le 15 juillet 2024.</h3> <p>Le colloque aura lieu les<strong> 6 et 7 mars 2025.</strong></p> <h1>Information complémentaire</h1> <p style="text-align: left;">Le Musée Européen d’Art Campanaire de l’Isle-Jourdain, inauguré en 1994 sous le patronage de François Mitterrand et de Jean-Paul II, abrite aujourd’hui la plus grande collection européenne d’art campanaire, couvrant ainsi une histoire allant de l’Antiquité au XX<sup>e</sup> siècle, avec des éléments provenant de différents continents et de différentes aires culturelles. Il accueillera l’ensemble des activités du colloque, mais également des activités de médiation et d’exposition le temps de ce dernier, à destination des intervenants comme du grand public.</p> <h1>Organisation</h1> <ul> <li>Arnaud Saura-Ziegelmeyer, Maître de Conférences en Histoire ancienne, Institut Catholique de Toulouse.</li> </ul> <h1>Comité scientifique</h1> <ul> <li>Christophe Balagna, Maître de Conférences en Histoire de l’art médiéval, Institut Catholique de Toulouse</li> <li>Angela Bellia, Chercheuse au Consiglio Nazionale delle Ricerche, Istituto di Scienze del Patrimonio Culturale, Napoli</li> <li>Régis Courtray, Maître de Conférences en Langue et Littérature Latines, Université Toulouse II Jean Jaurès</li> <li>Adeline Grand-Clément, Professeure d’Histoire Grecque, Université Toulouse II Jean Jaurès</li> <li>Arnaud Saura-Ziegelmeyer, Maître de Conférences en Histoire ancienne, Institut Catholique de Toulouse</li> </ul> <h1>Partenaires</h1> <ul> <li>Institut Catholique de Toulouse, UR CERES, <a href="https://www.ict-toulouse.fr/presentation/">https://www.ict-toulouse.fr/presentation/#</a> </li> <li>Conservation départementale du Patrimoine et des Musées du Gers, Musée Campanaire de l’Isle-Jourdain, <a href="https://www.patrimoine-musees-gers.fr/le-reseau/musee-de-lisle-jourdain/">https://www.patrimoine-musees-gers.fr/le-reseau/musee-de-lisle-jourdain/</a> </li> <li>Université Toulouse II Jean Jaurès, EA PLH, <a href="https://plh.univ-tlse2.fr/">https://plh.univ-tlse2.fr/</a></li> </ul> </div> <div id="annonce-1134553-en" class="tabContent hidden" lang="en" xml:lang="en"> <h1>Argument</h1> <p style="text-align: left;">A flagship object of Western Christian culture and the soundscapes covered by Alain Corbin in his work on 19th century France, the bell has had a multifaceted and complex history, but always very rich. Sound object or musical instrument, it is also a highly identity and symbolic object whose tinkling or ringing echoes a variety of social and political constructions. The very designation of the object evolves widely over time, from the most archaic Antiquity to the most contemporary uses. In addition to the terminology used to designate it, the bell becomes, from a small bronze sounding object for agricultural, domestic and religious use, a monumental artifact that can even, when placed in series, form polyphonic chimes. This transition between the end of Antiquity and the Middle Ages questioned many scholars and theologians early on, from the 8th century AD. The medieval and then modern vision of the bell, often constructed from literary but also iconographic data alone, has long conditioned and still conditions our vision of the object, among the ancient polytheists as well as among the Jews and the first Christians. In modern and contemporary times, the bell, in the Western world but also in other cultural areas, is enriched with additional meanings which add to this pre-existing polysemy. The decline, in the French landscape at least, of religious ringtones in the face of the occupation of the soundscape by civic power and its own ringtones has further modified the meaning of the object, sometimes seen as an element of resistance, an element of identity or on the contrary archaic. If this conference proposes to concentrate its attention on the object “bell”, understood in the broadest possible sense in order to grasp this complexity of meaning, it also chooses to see it from a totally diachronic angle, without chronological restriction, geographical or cultural. Several axes will thus be defined:</p> <h3>A literary and archaeological axis (making, uses, representations)</h3> <p>In what contexts are bells found, how does the object evolve in certain periods (3rd-5th century, 8th century, 19th-21st centuries) and how is it represented in different sources (iconographic, literature, symbolic)?</p> <h3>A historiographical axis</h3> <p>How is the bell named, designated, identified in ancient, medieval, modern or contemporary sources? How do scholars of the medieval and modern era treat this object in light of their own questions and the data they have about Antiquity?</p> <h3>An axis of reception</h3> <p>It will question current representations and evocations of the bell through its heritage (identification, conservation, museography), its presence in contemporary media (cinema, children's literature, exhibitions, etc.) or even its presence in the collective imagination (agency, psychology, ethnology, etc.)</p> <p style="text-align: left;">This conference is aimed at both established and young researchers, whose communication proposal may fall into one or more of the following disciplinary fields: history, art history, archaeology, literature, theology, anthropology, musicology, museology, foundry without this list being restrictive.</p> <h1>Submission guidelines</h1> <p style="text-align: left;">They should include:</p> <ul> <li aria-level="1">a title and an abstract (1500 characters, including spaces).</li> <li aria-level="1">a short biographical note of the author or the authors.</li> </ul> <p style="text-align: left;">After the meeting of the Scientific Committee, an answer will be given to each proposal on the 16th September 2024 by mail.</p> <p style="text-align: left;">Paper proposals must be sent to <strong>arnaud.saura-ziegelmeyer@ict-toulouse.fr</strong></p> <h3>before the 15th July 2024.</h3> <p>Conference will be hold on <strong>6 and 7th March 2025.</strong></p> <h1>Additional information</h1> <p style="text-align: left;">The Musée Européen d’Art Campanaire de l’Isle-Jourdain, inaugurated in 1994 under the patronage of François Mitterrand and John Paul II, today houses the largest European collection of campanary art, covering a history ranging from Antiquity to the 20th century, with elements from different continents and different cultural areas. It will host all the activities of the conference, but also mediation and exhibition works during the latter, for speakers and the general public.</p> <h1>Organisation</h1> <ul> <li>Arnaud Saura-Ziegelmeyer, Lecturer in Ancient History, Institut Catholique de Toulouse.</li> </ul> <h1>Scientific Committee</h1> <ul> <li>Christophe Balagna, Lecturer in History of Medieval Art, Institut Catholique de Toulouse</li> <li>Angela Bellia, Researcher at the Consiglio Nazionale delle Ricerche, Istituto di Scienze del Patrimonio Culturale, Napoli</li> <li>Régis Courtray, Lecturer in Latine Language and Literature, Université Toulouse II Jean Jaurès</li> <li>Adeline Grand-Clément, Professor in Ancient Greek History, Université Toulouse II Jean Jaurès</li> <li>Arnaud Saura-Ziegelmeyer, Lecturer in Ancient History, Institut Catholique de Toulouse</li> </ul> <h1>Partners</h1> <ul> <li>Institut Catholique de Toulouse, UR CERES, <a href="https://www.ict-toulouse.fr/presentation/">https://www.ict-toulouse.fr/presentation/#</a> </li> <li>Conservation départementale du Patrimoine et des Musées du Gers, Musée Campanaire de l’Isle-Jourdain, <a href="https://www.patrimoine-musees-gers.fr/le-reseau/musee-de-lisle-jourdain/">https://www.patrimoine-musees-gers.fr/le-reseau/musee-de-lisle-jourdain/</a> </li> <li>Université Toulouse II Jean Jaurès, EA PLH, <a href="https://plh.univ-tlse2.fr/">https://plh.univ-tlse2.fr/</a></li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Catégories</p> <ul> <li><a href="search?primary=fsubject&fsubject=228">Histoire</a> (Catégorie principale)</li> <li><a href="search?primary=fsubject&fsubject=302">Périodes</a> > <a href="search?primary=fsubject&fsubject=303">Préhistoire et Antiquité</a></li> <li><a href="search?primary=fsubject&fsubject=302">Périodes</a> > <a href="search?primary=fsubject&fsubject=309">Moyen Âge</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a></li> <li><a href="search?primary=fsubject&fsubject=302">Périodes</a> > <a href="search?primary=fsubject&fsubject=312">Époque moderne</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=264">Psychisme</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Représentations</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=286">Épistémologie et méthodes</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Place de l'Hôtel de Ville <br/> L'Isle-Jourdain, France (32) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'événement</h2> <p>Événement hybride sur site et en ligne</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>mardi 15 juillet 2025</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attachés</p> <ul> <li><a href="1134568?file=1" target="_blank">Tintinnabula AAC French.pdf</a></li> <li><a href="1134573?file=1" target="_blank">Tintinnabula CFP English.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-clés</p> <ul> <li>campanologie, clochette, tintinnabulum, réception, musicologie, histoire</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Arnaud Saura-Ziegelmeyer<br/><em>courriel :</em> arnaud [dot] saura-ziegelmeyer [at] ict-toulouse [dot] fr<br/></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Arnaud Saura-Ziegelmeyer<br/><em>courriel :</em> arnaud [dot] saura-ziegelmeyer [at] ict-toulouse [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise à disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>« Tintinnabula, cloches et clochettes », <span class="category">Appel à contribution</span>, <em>Calenda</em>, Publié le lundi 12 février 2024, <a class="url" href="https://doi.org/10.58079/vsxx">https://doi.org/10.58079/vsxx</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1134553?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1134553?formatage=print">Imprimer</a> <a id="signaler" 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