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Bunlar, Âsik, Masuk, Mecnun, Leyla, Saki, Dervis gibi tahayyuli ve tasavvuri tipler ile" /> <title>(PDF) Münîrî’Ni̇n Gülşen-İ Ebrâr Ve Maden- İ Esrâr Mesnevi̇si̇’Ndeki̇ Ti̇pler Ve Ki̇şi̇li̇kler</title> <link rel="canonical" href="https://www.academia.edu/109687636/M%C3%BCn%C3%AEr%C3%AE_Ni_n_G%C3%BCl%C5%9Fen_%C4%B0_Ebr%C3%A2r_Ve_Maden_%C4%B0_Esr%C3%A2r_Mesnevi_si_Ndeki_Ti_pler_Ve_Ki_%C5%9Fi_li_kler" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '36283f9270c47679b6a504bb9bccc4fa68c86c1e'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1741364442000); window.Aedu.timeDifference = new Date().getTime() - 1741364442000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"Tip, toplumun suregelen yasantisi icinde kendini gosteren belirgin davranislari temsil eder. Divan siirinde belirgin davranislari temsil eden pek cok tip vardir. Bunlar, Âsik, Masuk, Mecnun, Leyla, Saki, Dervis gibi tahayyuli ve tasavvuri tipler ile Bulbul, Gul, Gunes, Pervane, Zuhre gibi temsili tiplerdir. Kisilik, kisinin kendi gorus, dusunus ve davranislariyla sekillenir. Kisilik, basmakalip davranislar yerine degisken davranislar sergiler. Divan siirinde kisilikler, Dini, Tarihi (Destani-Mitolojik), Edebi ve Sanatkâr, Mutasavvif ve Bilgin seklinde tasnif edilebilir. Tipler ve kisilikler, Klasik Turk Edebiyatinin onemli kaynaklari arasinda yer alir. Bu kaynaklarin mustakil eserler incelenerek ortaya cikarilmasi gerekmektedir. Ayrica, bir milletin kendi deger yargilarini ogrenmesi kulturel ve sanatsal acidan cok onemlidir. Toplumun davranis ve yapisini temsil eden tipler ve kisilikler de bu dusunceden hareketle ele alinmalidir. Boylece hem edebi eserlerin anlasilmasi kolaylasmis o...","author":[{"@context":"https://schema.org","@type":"Person","name":"Meheddin İSPİR","url":"https://erzurum.academia.edu/Meheddin%C4%B0SP%C4%B0R","image":"https://0.academia-photos.com/28960326/26076392/35675672/s200_meheddin.i_spi_r.jpg","sameAs":[]}],"contributor":[],"dateCreated":"2023-11-23","datePublished":"2017-01-01","headline":"Münîrî’Ni̇n Gülşen-İ Ebrâr Ve Maden- İ Esrâr Mesnevi̇si̇’Ndeki̇ Ti̇pler Ve 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{"work":{"id":109687636,"created_at":"2023-11-23T14:33:20.034-08:00","from_world_paper_id":243827208,"updated_at":"2024-03-26T00:33:02.166-07:00","_data":{"abstract":"Tip, toplumun suregelen yasantisi icinde kendini gosteren belirgin davranislari temsil eder. Divan siirinde belirgin davranislari temsil eden pek cok tip vardir. Bunlar, Âsik, Masuk, Mecnun, Leyla, Saki, Dervis gibi tahayyuli ve tasavvuri tipler ile Bulbul, Gul, Gunes, Pervane, Zuhre gibi temsili tiplerdir. Kisilik, kisinin kendi gorus, dusunus ve davranislariyla sekillenir. Kisilik, basmakalip davranislar yerine degisken davranislar sergiler. Divan siirinde kisilikler, Dini, Tarihi (Destani-Mitolojik), Edebi ve Sanatkâr, Mutasavvif ve Bilgin seklinde tasnif edilebilir. Tipler ve kisilikler, Klasik Turk Edebiyatinin onemli kaynaklari arasinda yer alir. Bu kaynaklarin mustakil eserler incelenerek ortaya cikarilmasi gerekmektedir. Ayrica, bir milletin kendi deger yargilarini ogrenmesi kulturel ve sanatsal acidan cok onemlidir. Toplumun davranis ve yapisini temsil eden tipler ve kisilikler de bu dusunceden hareketle ele alinmalidir. Boylece hem edebi eserlerin anlasilmasi kolaylasmis o...","publication_date":"2017,,"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"tr","title":"Münîrî’Ni̇n Gülşen-İ Ebrâr Ve Maden- İ Esrâr Mesnevi̇si̇’Ndeki̇ Ti̇pler Ve Ki̇şi̇li̇kler","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true,"seo_quality":null}}["work"]; window.loswp.workCoauthors = [28960326]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":107737384,"attachmentType":"pdf"}"><img alt="First page of “Münîrî’Ni̇n Gülşen-İ Ebrâr Ve Maden- İ Esrâr Mesnevi̇si̇’Ndeki̇ Ti̇pler Ve Ki̇şi̇li̇kler”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/107737384/mini_magick20231123-1-xn0x42.png?1700778918" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Münîrî’Ni̇n Gülşen-İ Ebrâr Ve Maden- İ Esrâr Mesnevi̇si̇’Ndeki̇ Ti̇pler Ve Ki̇şi̇li̇kler</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="28960326" href="https://erzurum.academia.edu/Meheddin%C4%B0SP%C4%B0R"><img alt="Profile image of Meheddin İSPİR" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/28960326/26076392/35675672/s65_meheddin.i_spi_r.jpg" />Meheddin İSPİR</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2017</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">32 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 109687636; 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Divan siirinde belirgin davranislari temsil eden pek cok tip vardir. Bunlar, Âsik, Masuk, Mecnun, Leyla, Saki, Dervis gibi tahayyuli ve tasavvuri tipler ile Bulbul, Gul, Gunes, Pervane, Zuhre gibi temsili tiplerdir. Kisilik, kisinin kendi gorus, dusunus ve davranislariyla sekillenir. Kisilik, basmakalip davranislar yerine degisken davranislar sergiler. Divan siirinde kisilikler, Dini, Tarihi (Destani-Mitolojik), Edebi ve Sanatkâr, Mutasavvif ve Bilgin seklinde tasnif edilebilir. Tipler ve kisilikler, Klasik Turk Edebiyatinin onemli kaynaklari arasinda yer alir. Bu kaynaklarin mustakil eserler incelenerek ortaya cikarilmasi gerekmektedir. Ayrica, bir milletin kendi deger yargilarini ogrenmesi kulturel ve sanatsal acidan cok onemlidir. Toplumun davranis ve yapisini temsil eden tipler ve kisilikler de bu dusunceden hareketle ele alinmalidir. Boylece hem edebi eserlerin anlasilmasi kolaylasmis o...</p><div class="ds-work-card--button-container"><div class="primary-buttons "><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":107737384,"attachmentType":"pdf","workUrl":"https://www.academia.edu/109687636/M%C3%BCn%C3%AEr%C3%AE_Ni_n_G%C3%BCl%C5%9Fen_%C4%B0_Ebr%C3%A2r_Ve_Maden_%C4%B0_Esr%C3%A2r_Mesnevi_si_Ndeki_Ti_pler_Ve_Ki_%C5%9Fi_li_kler"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span>See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":107737384,"attachmentType":"pdf","workUrl":"https://www.academia.edu/109687636/M%C3%BCn%C3%AEr%C3%AE_Ni_n_G%C3%BCl%C5%9Fen_%C4%B0_Ebr%C3%A2r_Ve_Maden_%C4%B0_Esr%C3%A2r_Mesnevi_si_Ndeki_Ti_pler_Ve_Ki_%C5%9Fi_li_kler"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas" data-impression-entity-id="109687636" data-impression-entity-type="2" data-impression-source="signup-banner"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Hüseyin el-Kirmâstî (öl. 900/1494), Bursa’nın Kirmâst (Mustafakemalpaşa) ilçesindendir. II. Bâyezid (1481-1512) dönemi kadılarından olan Kirmâstî, İstanbul’da Kirmâstî adında bir medrese kurmuştur. Sahn-ı Semân başta olmak üzere dönemin farklı medreselerinde müderrislik yaptıktan sonra yargı alanına geçerek Bursa ve İstanbul’da kadılık vazifesini icra etmiştir. Kadılık görevi esnasında aldığı adil kararları ve cesaretli duruşundan dolayı II. Bâyezid’in takdirini kazanmıştır. İstanbul’da bir mescid, bir medrese bir de mektebi olduğu bilinmektedir. Ancak bu yapılar günümüze ulaşmamıştır. Memleketi Kirmâstî’de de bir mektebi olduğu bilinmektedir. Kirmâstî, 900/1494 yılında vefat etmiş ve Fatih Câmii’nde inşa ettiği mektebinin yanına defnedilmiştir. Bu çalışmada belâgat, bedî’, beyân, usûl, fıkıh, münâzara ve akâid gibi dönemin din ve dil ilimlerinde yetkin bir âlim olması hasebiyle Kirmâstî’nin günümüz akademik dünyasına yeni bir perspektifle yeniden takdim edilmesi ve el-Muhtâr fi’l-me‘ânî ve’l-beyân isimli eseri özelinde el-muhassinât el-ma‘neviyye bedî‘î üslupların incelenmesi amaçlanmıştır. Böylece önem arz eden bu Osmanlı âlimi ve eserleri tanıtıldıktan sonra el-Muhtâr fi’l-me‘ânî ve’l-beyân” isimli eseri özelinde el-muhassinât el-ma‘neviyye bedî‘î üsluplar incelenerek ilgililerin dikkatine sunulmuştur.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Kirmâstî’nin “el-Muhtâr fi’l-Me‘ânî ve’l-Beyân” İsimli Eseri Özelinde el-Muhassinât el-Ma‘neviyye Bedî‘î Üsluplar","attachmentId":116475487,"attachmentType":"pdf","work_url":"https://www.academia.edu/121646128/Kirm%C3%A2st%C3%AE_nin_el_Muht%C3%A2r_fi_l_Me_%C3%A2n%C3%AE_ve_l_Bey%C3%A2n_%C4%B0simli_Eseri_%C3%96zelinde_el_Muhassin%C3%A2t_el_Ma_neviyye_Bed%C3%AE_%C3%AE_%C3%9Csluplar","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/121646128/Kirm%C3%A2st%C3%AE_nin_el_Muht%C3%A2r_fi_l_Me_%C3%A2n%C3%AE_ve_l_Bey%C3%A2n_%C4%B0simli_Eseri_%C3%96zelinde_el_Muhassin%C3%A2t_el_Ma_neviyye_Bed%C3%AE_%C3%AE_%C3%9Csluplar"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="113103421" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/113103421/Niy%C3%A2z%C3%AE_i_M%C4%B1sr%C3%AE_nin_%C4%B0zinde_G%C3%BClz%C3%A2r_%C4%B1_M%C4%B1sr%C3%AE">Niyâzî-i Mısrî’nin İzinde: Gülzâr-ı Mısrî</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="48687988" href="https://independent.academia.edu/SerhatGultas">Serhat Gultas</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Turkish Studies-Comparative Religious Studies, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">One of The biography types in the Turkish literature is the sagas written by considering the chronological information. In this study, Golzaar Misry, the work of Niyâzi Mısry, who was the last Postnishin (the Chief Sheikh) of Bursa Misry Dervish Lodge, also the senior dervish of the Misriyye order, to which Shams Al-Din Mısry was also a member, will be introduced to the world of science by considering various aspects. Golzaar Misry is the first work in the triple series, which Shams Al-Din Efendi intended to write. In this context, Yadigar Shamsy, in which many aspects of Bursa Dervish Lodges are examined, takes the second place. The last link of this series is Bahaar-ı Shamsy, which included the biographies of famous people in Bursa belonging to different professional groups like scholars, sheikhs and calligraphists after 1846. Only Yadigar-ı Shamsy, which is one of the above-mentioned works, has been brought into publishing life, and only the names of the other two works in unique form are known, and have not yet been published. It is mostly possible to determine the full works of many authors who lived in the pre-Republican period based on the works written after them. One exception to this situation is Shams Al-Din Efendi. Because Shams Al-Din Efendi both documented his works himself, and gave first-hand information on their contents. In this context, uncommonly, he wrote a brief poem in each line stating the contents of the book and its name in each of his books. In this study, after providing informed on the life of Shams Al-Din Efendi, who is the author of Golzaar Misry, and his poetry and prose works as far as it can be reached, firstly, the sources of Golzaar Misry, which is the subject of the present study, its copies and type characteristics, and its importance for the Miseriyye culture will be dealt with.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Niyâzî-i Mısrî’nin İzinde: Gülzâr-ı Mısrî","attachmentId":110152147,"attachmentType":"pdf","work_url":"https://www.academia.edu/113103421/Niy%C3%A2z%C3%AE_i_M%C4%B1sr%C3%AE_nin_%C4%B0zinde_G%C3%BClz%C3%A2r_%C4%B1_M%C4%B1sr%C3%AE","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/113103421/Niy%C3%A2z%C3%AE_i_M%C4%B1sr%C3%AE_nin_%C4%B0zinde_G%C3%BClz%C3%A2r_%C4%B1_M%C4%B1sr%C3%AE"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="95184651" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/95184651/G%C3%BCl%C5%9Fen_i_%C5%9Euar%C3%A2_Ve_%C3%82d%C3%A2b_%C4%B1_Zuraf%C3%A2da_Bir_%C3%9Csl%C3%BBp_%C3%96zelli%C4%9Fi_Olarak_Mahlasla_%C4%B0lintili_Anlat%C4%B1m">Gülşen-i Şuarâ Ve Âdâb-ı Zurafâ'da Bir Üslûp Özelliği Olarak Mahlasla İlintili Anlatım</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="24527036" href="https://independent.academia.edu/Ay%C5%9FeKorkmaz4">Ayşe Korkmaz</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Turkish Studies, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">In the prose tradition of the tradition of Divan literature, which has remained in the background according to the poetry, the prose style changing according to the subject, is an important feature. When considered from this point of view, the style has an important place in the tradition of tezkire which holds an important position in Divan prose tradition. In tezkires, style is the precaution, due to the relation with the content. On the other hand, the style is varies according to the characteristics of poets and the content. The most important factor affecting the style change in the tezkires is the poet pennames. In Divan poetry there are special reasons for the taking and using of the private names, which are poetic names used by poets. As a natural consequence of these reasons, the pennames are highly relevant to poets inner and outer world. As a reflection of this relation, it is seen that besides the formal effect of the phrases used in the order of the tezkires, the pennames directly has influence on the vocabulary and style in the tezkires. It is an important indicator of the relation of the penname-style that especially the selection of the etymologically or semantically related words in the places where biographical information is found in the tezkires.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Gülşen-i Şuarâ Ve Âdâb-ı Zurafâ'da Bir Üslûp Özelliği Olarak Mahlasla İlintili Anlatım","attachmentId":97436118,"attachmentType":"pdf","work_url":"https://www.academia.edu/95184651/G%C3%BCl%C5%9Fen_i_%C5%9Euar%C3%A2_Ve_%C3%82d%C3%A2b_%C4%B1_Zuraf%C3%A2da_Bir_%C3%9Csl%C3%BBp_%C3%96zelli%C4%9Fi_Olarak_Mahlasla_%C4%B0lintili_Anlat%C4%B1m","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/95184651/G%C3%BCl%C5%9Fen_i_%C5%9Euar%C3%A2_Ve_%C3%82d%C3%A2b_%C4%B1_Zuraf%C3%A2da_Bir_%C3%9Csl%C3%BBp_%C3%96zelli%C4%9Fi_Olarak_Mahlasla_%C4%B0lintili_Anlat%C4%B1m"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="22587818" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/22587818/_%C4%B0br%C3%A2him_Tennur%C3%AE_nin_G%C3%BClz%C3%A2r_%C4%B1_M%C3%A2nevisinde_G%C3%BCl%C5%9Fen_i_R%C3%A2z_%C4%B1n_Tesirleri_%C4%B0brahim_Tennuri_Kayseri_Kayseri_2011_Sempozyumu_Bildiri_Kitab%C4%B1_2011_s_211_220">"İbrâhim Tennurî’nin Gülzâr-ı Mânevisinde Gülşen-i Râz’ın Tesirleri", İbrahim Tennuri/Kayseri: Kayseri 2011 Sempozyumu Bildiri Kitabı, 2011, s. 211-220.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="40058296" href="https://omu.academia.edu/MuammerCengiz">Muammer Cengiz</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"İbrâhim Tennurî’nin Gülzâr-ı Mânevisinde Gülşen-i Râz’ın Tesirleri\", İbrahim Tennuri/Kayseri: Kayseri 2011 Sempozyumu Bildiri Kitabı, 2011, s. 211-220.","attachmentId":43191979,"attachmentType":"pdf","work_url":"https://www.academia.edu/22587818/_%C4%B0br%C3%A2him_Tennur%C3%AE_nin_G%C3%BClz%C3%A2r_%C4%B1_M%C3%A2nevisinde_G%C3%BCl%C5%9Fen_i_R%C3%A2z_%C4%B1n_Tesirleri_%C4%B0brahim_Tennuri_Kayseri_Kayseri_2011_Sempozyumu_Bildiri_Kitab%C4%B1_2011_s_211_220","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/22587818/_%C4%B0br%C3%A2him_Tennur%C3%AE_nin_G%C3%BClz%C3%A2r_%C4%B1_M%C3%A2nevisinde_G%C3%BCl%C5%9Fen_i_R%C3%A2z_%C4%B1n_Tesirleri_%C4%B0brahim_Tennuri_Kayseri_Kayseri_2011_Sempozyumu_Bildiri_Kitab%C4%B1_2011_s_211_220"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="93708279" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/93708279/M%C3%BCl%C3%BBk_%C4%B0_M%C3%BClk_%C4%B0_Suhen_Veya_M%C3%BCfli_s%C3%A2n_I_Ki_my%C3%A2_Fur%C3%BB%C5%9F_Enver%C3%AE_Ve_Nef_%C3%8E">Mülûk-İ Mülk-İ Suhen Veya Müfli̇sân-I Ki̇myâ- Furûş: Enverî Ve Nef’Î</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="83583402" href="https://kparlak.academia.edu/Sad%C4%B1kARMUTLU">Sadık ARMUTLU</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Kaside dendigi zaman Fars edebiyatinda Turk soylu Enveri-i Ebiverdi, klasik Turk edebiyatinda ise 17. asrin dikkat ceken sairi Nef’i-i Erzurumi akla gelir. Her iki sair de kendi donemlerini asarak kendilerine has bir kaside uslubu olusturmuslardir. Bundan dolayi her iki sair de kasidede ustâd olarak kabul gormuslerdir. Her iki sairin de sade, akici ve konusma uslubuyla olusturduklari kasidelerinde muhayyilenin onemli bir yeri oldugu gorulmektedir. Bu calismada Enveri ve Nef’i’nin sultan ve vezir ovgulerinde yazmis oldugu kasidelerinden hareketle usluplari mukayeseli olarak degerlendirilecektir. Bu degerlendirmede sairlerin, vezir ve padisahlari siirlerinde ele alis tarzlari uzerinde durulacaktir.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Mülûk-İ Mülk-İ Suhen Veya Müfli̇sân-I Ki̇myâ- Furûş: Enverî Ve Nef’Î","attachmentId":96371106,"attachmentType":"pdf","work_url":"https://www.academia.edu/93708279/M%C3%BCl%C3%BBk_%C4%B0_M%C3%BClk_%C4%B0_Suhen_Veya_M%C3%BCfli_s%C3%A2n_I_Ki_my%C3%A2_Fur%C3%BB%C5%9F_Enver%C3%AE_Ve_Nef_%C3%8E","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/93708279/M%C3%BCl%C3%BBk_%C4%B0_M%C3%BClk_%C4%B0_Suhen_Veya_M%C3%BCfli_s%C3%A2n_I_Ki_my%C3%A2_Fur%C3%BB%C5%9F_Enver%C3%AE_Ve_Nef_%C3%8E"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="117887213" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/117887213/Mu_%C3%8En%C3%BC_L_M%C3%BCr%C3%AEd_De_Di_n%C8%8B_Teri_mler">Mu’Înü’L-Mürîd’De Di̇nȋ Teri̇mler</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="284328970" href="https://cevrimiciogreniyorum.academia.edu/SunayDeniz">Sunay Deniz</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Littera Turca Journal of Turkish Language and Literature, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">Mu'inü'l-Mürîd Harezm Türkçesiyle yazılmış önemli eserlerden biridir. İslam adlı biri tarafından 1313 yılında kaleme alınmıştır. Dinî-tasavvufî konuları öğretmek amacıyla dörtlükler halinde yazılmış manzum bir eserdir. Eser temel bazı dini bilgileri vermek düşüncesiyle sade ve yalın bir dille yazılmıştır. Eserde dinî açıdan imanın önemi, namaz, oruç, hac, zekât gibi temel bazı ibadetler hakkında bilgi verilir. Dinî bir eser olduğu için eserde dinî terimler çokça yer alır. Bu çalışmada Mu'inü'l-Mürid'de yer alan dinî terimler tespit edilmiş ve bu terimler çeşitli yönleriyle incelenmiştir. Terimler, kökenlerine ve yapılarına göre değerlendirilmiş ve terimlerin sayısal oranları belirlenmiştir. İslamiyetin Türkler arasında yaygın olarak benimsendiği ilk zamanlarda dinî terimler için daha çok Türkçe karşılıklar kullanılmış olmasına rağmen zamanla bunların yerine genellikle Arapça terimlerin tercih edildiği anlaşılmaktadır. Bir kısım terimlerin hem Türkçe kökenli ve hem de Arapça kökenli karşılıklarının bir arada kullanıldığı görülmektedir. Eserde toplam 293 dinî terim bulunmaktadır. Bu terimlerden 32 tanesi Türkçe kökenlidir ve tek kelimeden meydana gelmiştir. Tek kelimeden oluşan bu terimler yüzde 12.5'ini oluşturur. Birden fazla kelimenin bir araya gelerek oluşturduğu terimlerin sayısı ise 35'tir. Kelime grupları şeklinde oluşan bu terimler 293 terimin yüzde 12'sini kapsar. Eserde kullanılan tek kelimeden oluşan dinî terimlerin yüzde 79.5'i Arapça ve yüzde 12.5'i Türkçe kökenlidir. Farsça kökenli terimlerin sayısı ise sadece yüzde 5.4 gibi düşük bir oranı teşkil etmektedir.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Mu’Înü’L-Mürîd’De Di̇nȋ Teri̇mler","attachmentId":113636822,"attachmentType":"pdf","work_url":"https://www.academia.edu/117887213/Mu_%C3%8En%C3%BC_L_M%C3%BCr%C3%AEd_De_Di_n%C8%8B_Teri_mler","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/117887213/Mu_%C3%8En%C3%BC_L_M%C3%BCr%C3%AEd_De_Di_n%C8%8B_Teri_mler"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="34933199" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34933199/%C4%B0brahim_G%C3%BCl%C5%9Feni_ve_K%C4%B1demn%C3%A2me_Adli_Tasavvufi_Mesnevisi">İbrahim Gülşeni ve Kıdemnâme Adli Tasavvufi Mesnevisi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="96482" href="https://rteu.academia.edu/MehmetSait%C3%87alka">Mehmet Sait Çalka</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"İbrahim Gülşeni ve Kıdemnâme Adli Tasavvufi Mesnevisi","attachmentId":54794784,"attachmentType":"pdf","work_url":"https://www.academia.edu/34933199/%C4%B0brahim_G%C3%BCl%C5%9Feni_ve_K%C4%B1demn%C3%A2me_Adli_Tasavvufi_Mesnevisi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34933199/%C4%B0brahim_G%C3%BCl%C5%9Feni_ve_K%C4%B1demn%C3%A2me_Adli_Tasavvufi_Mesnevisi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="127101269" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/127101269/Meti_n_Ne%C5%9Fri_Ve_Di_van%C3%A7e_%C4%B0_Muhammed_Hul%C3%BBs%C3%AE">Meti̇n Neşri̇ Ve Di̇vançe-İ Muhammed Hulûsî</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="109804833" href="https://kafkas.academia.edu/%C3%96zg%C3%BCrK%C4%B1y%C3%A7ak">Özgür Kıyçak</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Avrasya uluslararası araştırmalar dergisi, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Metin neĢri klasik Türk edebiyatı çalıĢmalarının ilk ve önemli basamaklarından biridir. Metin neĢrinin belli ilkeler çerçevesinde yapılması edebiyatın bilim olarak incelenmesi safhasında hem gerekli hem de belli bir usulün yerleĢmesi bakımından önemlidir. NeĢrin gerçekleĢtirilme süreci metin tespitinden baĢlamak üzere tüm nüshaların tespit edilmesi, bunun için mevcut katalogların taranması, nüsha tavsifi, doğru okuma ve çeviri yazım, metodların doğru uygulanması gibi bir dizi araĢtırmacı faaliyetini gerekli kılmaktadır. Bu husustaki keyfilikler eserin aslî haliyle günümüze ulaĢmasını engellemekte ve bunun neticesinde yanlıĢ ya da eksik bir neĢir ortaya çıkmaktadır. Bu çerçevede Muhammed Hulûsî"nin divançesinin Latin harflerine aktarımının (bir tez çalıĢması) tek bir nüsha üzerinden yapılması pek çok yanlıĢlık ve eksikliğe sebep olmuĢtur. Anılan çeviri yazıda esas alınan nüshanın bazı üstünlükleri bulunmakla beraber diğer nüshalarda bulunan kimi beyit ve manzumeleri ihtiva etmemektedir. Bununla beraber Latin harflerine aktarılan metinde kimi tamirlerin yapıldığı ancak; nüsha karĢılaĢtırması yapıldığında tamir için gerekli görülen unsurların diğer nüshalarda hâlihazırda var olduğu görülmektedir. Çeviri yazısı yapılan divançede neĢrin gerekli basamaklarına uyulmaması, ilmî bir yöntemin takip edilmemiĢ olması, okuma hataları; âyet, hadis ve kelâm-ı kibarların Latin harflerine aktarımındaki tutarsızlıklar, tıpkıbasım ve sözlükte dikkat edilmeyen hususlar, dıĢarıda bırakılmıĢ manzumeler vb. 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