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A Trip to Bavaria and Piano Music for One Hand Only | by E. Reisinger | Performers as Patrons of New Music

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href="https://ppnm.hypotheses.org/credits">Impressum/Contact</a></li> </ul></div> </nav><!-- #site-navigation --> </header><!-- #masthead --> <div id="main" class="wrapper"> <div id="primary" class="site-content"> <div id="content" role="main"> <article id="post-664" class="post-664 post type-post status-publish format-standard has-post-thumbnail hentry category-case-studies tag-commission tag-paul-wittgenstein tag-piano tag-richard-strauss"> <header class="entry-header"> <img width="624" height="248" src="https://ppnm.hypotheses.org/files/2022/04/20220412_075835-624x248.jpg" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="" decoding="async" fetchpriority="high" srcset="https://ppnm.hypotheses.org/files/2022/04/20220412_075835-624x248.jpg 624w, https://ppnm.hypotheses.org/files/2022/04/20220412_075835-300x119.jpg 300w, https://ppnm.hypotheses.org/files/2022/04/20220412_075835-500x199.jpg 500w, https://ppnm.hypotheses.org/files/2022/04/20220412_075835-768x305.jpg 768w, https://ppnm.hypotheses.org/files/2022/04/20220412_075835-1536x610.jpg 1536w, https://ppnm.hypotheses.org/files/2022/04/20220412_075835-2048x814.jpg 2048w" sizes="(max-width: 624px) 100vw, 624px" /> <h1 class="entry-title">A Trip to Bavaria and Piano Music for One Hand Only | by E. Reisinger</h1> <div class="comments-link"> <a href="https://ppnm.hypotheses.org/664#comments">1 Reply</a> </div><!-- .comments-link --> </header><!-- .entry-header --> <div class="entry-content"> <p>Again on the train, and again heading west. This time it&#8217;s Paul Wittgenstein (1887-1961) I follow. As briefly described <a href="https://ppnm.hypotheses.org/604" data-type="URL" data-id="https://ppnm.hypotheses.org/604">earlier</a>, Wittgenstein was a Vienna-born pianist. He was the offspring of one of the richest Austrian families and among his siblings were, for instance, Margarethe Stonborough-Wittgenstein, known for her commitment to promoting the arts, and philosopher Ludwig Wittgenstein. The habitus of patronizing the arts, especially music, was certainly a trait Paul inherited from this background. But he also wanted to be on stage himself. Although his father originally intended otherwise, Paul followed his ambition to become a professional pianist and began giving successful concerts shortly before the outbreak of World War I.</p> <span id="more-664"></span> <p>Alas, Wittgenstein enlisted in the Austrian army and sustained a serious injury that resulted in his right arm having to be amputated. After returning home, however, he did not give up his musical career. He collected all the left-hand repertoire he encountered; he arranged compositions by Brahms, Liszt, and others to suit his needs; and he asked the famous composers of his time to write new pieces for him, among them Hindemith, Prokofiev, Ravel, and Richard Strauss (1864-1949) &#8211; the reason why I spent a few days in Garmisch-Partenkirchen, Bavaria, where the composer had owned a beautiful villa, first for the summers and eventually as his main residence.</p> <p>Strauss and Wittgenstein had known each other since the latter&#8217;s childhood, when Strauss was a frequent guest at the legendary Wittgenstein Palais on (former) Alleegasse (now Argentinierstra脽e) in Vienna. Allegedly, they even regularly played piano four-hands together.</p> <div class="wp-block-group"><div class="wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow"><div class="wp-block-image"> <figure class="alignleft size-full is-resized"><img decoding="async" width="237" height="315" src="https://ppnm.hypotheses.org/files/2022/04/445px-Portret_van_Richard_Strauss_RP-P-1981-183.jpg" alt="" class="wp-image-675" style="width:246px;height:327px" srcset="https://ppnm.hypotheses.org/files/2022/04/445px-Portret_van_Richard_Strauss_RP-P-1981-183.jpg 237w, https://ppnm.hypotheses.org/files/2022/04/445px-Portret_van_Richard_Strauss_RP-P-1981-183-226x300.jpg 226w" sizes="(max-width: 237px) 100vw, 237px" /><figcaption class="wp-element-caption">Richard Strauss (1917, by Emil Orlik; public domain &#8211; <a rel="noreferrer noopener" href="https://www.rijksmuseum.nl/nl/collectie/RP-P-1981-183" data-type="URL" data-id="https://www.rijksmuseum.nl/nl/collectie/RP-P-1981-183" target="_blank">retrieved from Amsterdam Rijksmuseum</a>)</figcaption></figure></div> <div class="wp-block-image"> <figure class="alignright size-large is-resized"><img decoding="async" width="398" height="500" src="https://ppnm.hypotheses.org/files/2022/01/493px-Paul_Wittgenstein_3_c_BFMI-e1641820661429-398x500.jpg" alt="" class="wp-image-607" style="width:261px;height:328px" srcset="https://ppnm.hypotheses.org/files/2022/01/493px-Paul_Wittgenstein_3_c_BFMI-e1641820661429-398x500.jpg 398w, https://ppnm.hypotheses.org/files/2022/01/493px-Paul_Wittgenstein_3_c_BFMI-e1641820661429-239x300.jpg 239w, https://ppnm.hypotheses.org/files/2022/01/493px-Paul_Wittgenstein_3_c_BFMI-e1641820661429.jpg 446w" sizes="(max-width: 398px) 100vw, 398px" /><figcaption class="wp-element-caption"> Paul Wittgenstein at the piano, date unknown (retrieved from <a href="https://commons.wikimedia.org/wiki/File:Paul_Wittgenstein_3_(c)_BFMI.jpg" data-type="URL" data-id="https://commons.wikimedia.org/wiki/File:Paul_Wittgenstein_3_(c)_BFMI.jpg" target="_blank" rel="noreferrer noopener">Wikimedia Commons</a>) </figcaption></figure></div></div></div> <p></p> <p></p> <p></p> <p></p> <p></p> <div style="height:1px" class="wp-block-spacer"></div> <p>In 1924, Wittgenstein approached the composer with a request for a piano concerto for the left hand only. At that time, Strauss had just completed his autobiographical opera <em>Intermezzo</em>, and his own life also provided the musical idea for the piano concerto now to be written. With the title of the new piece, <em>Parergon zur Symphonia domestica</em> (op. 73), he referred to his op. 53, in which in 1902/03 he had depicted his family life, father, mother, and son each represented by their own musical theme. More than twenty years later, now it was the son&#8217;s theme around which this &#8220;addition&#8221; or &#8220;supplement&#8221; to the symphony centered. Strauss&#8217; son Franz had just recovered from typhus &#8211; from illness to recovery is the central narrative of <em>Parergon</em>. Strauss dated the score 27 January 1925, and Wittgenstein (although himself not entirely pleased with the outcome of his commission) successfully premiered the piece on 10 June the same year in Dresden with Fritz Busch and the Berlin Philharmonic.</p> <p>About a year later, in spring 1926, Strauss again took on the challenge of writing a large-scale piano piece for left hand only and offered this idea to Wittgenstein, who gladly accepted this opportunity. <em>Panathen盲enzug </em>(op. 74) was completed on 14 February 1927 and for the first time performed by Wittgenstein with Bruno Walter and again the Berlin Philharmonic in Berlin in January the following year. For this composition, Strauss, who at the same time was working on the opera <em>Die 脛gyptische Helena</em>, took on an ancient Greek subject: the festive procession depicted on the frieze surrounding the Parthenon in Athens.</p> <p>After its unsuccessful premiere, <em>Panathen盲enzug</em> was largely forgotten until the performances by the German pianist Kurt Leimer in the 1940s. As musicologist Antonio Baldassarre (2011) points out, Strauss was tremendously enthusiastic about Leimer&#8217;s playing. <a rel="noreferrer noopener" href="https://youtu.be/uPklCucMm7w" data-type="URL" data-id="https://youtu.be/uPklCucMm7w" target="_blank">A recording of Leimer playing <em>Panathen盲enzug</em> is available on YouTube.</a></p> <p>Strauss&#8217; autograph scores, sketches, and correspondence (and much more&#8230;) are still in his family&#8217;s possession today and indeed kept in his impressive villa in Garmisch-Partenkirchen. The colleagues at the <a rel="noreferrer noopener" href="http://www.richard-strauss-institut.de/" data-type="URL" data-id="http://www.richard-strauss-institut.de/" target="_blank">Richard Strauss Institute</a> are gradually working through these documents and support research on Strauss and his music. With permission of the Strauss family, I not only gained insight into Strauss&#8217; Garmisch residence (a true time capsule), but also access to a number of primary sources, such as letters from Wittgenstein and manuscripts of the two compositions. The institute also has an extensive and well-stocked library specializing in Strauss and related topics. My stay there was a great opportunity to delve deeply into the subject matter, with a panoramic view over the Bavarian mountains.</p> <div class="wp-block-group"><div class="wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow"><div class="wp-block-image"> <figure class="alignleft size-large is-resized"><img loading="lazy" decoding="async" width="500" height="446" src="https://ppnm.hypotheses.org/files/2022/04/20220412_143205-500x446.jpg" alt="" class="wp-image-701" style="width:295px;height:262px" srcset="https://ppnm.hypotheses.org/files/2022/04/20220412_143205-500x446.jpg 500w, https://ppnm.hypotheses.org/files/2022/04/20220412_143205-300x268.jpg 300w, https://ppnm.hypotheses.org/files/2022/04/20220412_143205-768x685.jpg 768w, https://ppnm.hypotheses.org/files/2022/04/20220412_143205-1536x1370.jpg 1536w, https://ppnm.hypotheses.org/files/2022/04/20220412_143205-2048x1827.jpg 2048w, https://ppnm.hypotheses.org/files/2022/04/20220412_143205-624x557.jpg 624w" sizes="auto, (max-width: 500px) 100vw, 500px" /><figcaption class="wp-element-caption">Villa of Richard Strauss in Garmisch-Partenkirchen 漏 private photo, E. Reisinger, 2022</figcaption></figure></div> <div class="wp-block-image"> <figure class="alignright size-large is-resized"><img loading="lazy" decoding="async" width="486" height="500" src="https://ppnm.hypotheses.org/files/2022/04/20220413_090816-486x500.jpg" alt="" class="wp-image-704" style="width:265px;height:274px" srcset="https://ppnm.hypotheses.org/files/2022/04/20220413_090816-486x500.jpg 486w, https://ppnm.hypotheses.org/files/2022/04/20220413_090816-292x300.jpg 292w, https://ppnm.hypotheses.org/files/2022/04/20220413_090816-768x790.jpg 768w, https://ppnm.hypotheses.org/files/2022/04/20220413_090816-1493x1536.jpg 1493w, https://ppnm.hypotheses.org/files/2022/04/20220413_090816-1991x2048.jpg 1991w, https://ppnm.hypotheses.org/files/2022/04/20220413_090816-624x642.jpg 624w" sizes="auto, (max-width: 486px) 100vw, 486px" /><figcaption class="wp-element-caption">Richard Strauss Institute in Garmisch-Partenkirchen 漏 private photo, E. Reisinger, 2022 </figcaption></figure></div></div></div> <p></p> <p></p> <p></p> <div style="height:100px" class="wp-block-spacer"></div> <p>Research on the collaboration between Wittgenstein and Strauss is presented in:</p> <ul class="wp-block-list"> <li>Antonio Baldassarre: &#8220;Ein l盲ngerer Blick ins Rarit盲tenkabinett der Musikgeschichte: Richard Strauss&#8217; Panathen盲enzug op. 75 und Kurt Leimer,&#8221; in: <em>Music &#8211; Space &#8211; Chord &#8211; Image: Festschrift for Dorothea Baumann&#8217;s 65th Birthday</em>, ed. by Idem and Debra Pring, Bern: Peter Lang, 2011, 399-421.</li> <li>Carmen Ottner (ed.): <em>Das Klavierkonzert in 脰sterreich und Deutschland von 1900 &#8211; 1945: (Schwerpunkt: Werke f眉r Paul Wittgenstein); Symposion 2007</em>, Wien: Doblinger, 2009.</li> <li>Irene Suchy, Allan Janik, and Georg Predota (eds.): <em>Empty Sleeve. Der Musiker und M盲zen Paul Wittgenstein</em>, (Edition Brenner-Forum, 3), Innsbruck et al.: StudienVerlag, 2006.</li> <li>Walter Werbeck: &#8220;Richard Strauss und Paul Wittgenstein. Zu den Klavierkonzerten f眉r die linke Hand &#8216;Parergon zur Symphonia domestica&#8217; op. 73 und &#8216;Panathen盲enzug&#8217; op. 74,&#8221; in: <em>脰sterreichische Musikzeitschrift</em> 7-8 (1999), 16-25.</li> </ul> <p>Also, the story of Wittgenstein has inspired some novelists:</p> <ul class="wp-block-list"> <li>John Barchilon: <em>The Crown Prince</em> (1984)</li> <li>Lea Singer: <em>Konzert f眉r die linke Hand</em> (2008)</li> </ul> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div class="wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-3 wp-block-group-is-layout-flex"><div class="post-navigation-link-previous wp-block-post-navigation-link"><a href="https://ppnm.hypotheses.org/604" rel="prev">Previous</a></div> <div class="post-navigation-link-next wp-block-post-navigation-link"><a href="https://ppnm.hypotheses.org/794" rel="next">Next</a></div></div> <hr/><div class="citation"><p><span class="citation-title">OpenEdition suggests that you cite this post as follows:</span><br/>Elisabeth Reisinger (April 22, 2022). 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