Actualité culturelle - Nouvelles et critiques artistiques

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<div class="red-violet"> <div class="category-articles"> <article class="article has-img"> <a href="/culture/arts-visuels/855691/arts-visuels-occuper-espaces-art-souterrain" class="card-click"> <span class="img"> <img src="https://media2.ledevoir.com/images_galerie/nwl_1976437_1524151/image.jpg?width=728" data-src="" alt="À gauche : Caroline Monnet, «collection Echoes - Rose», 2024. À droite : Andrew Rovenko, «The Rocketgirl Chronicles – Backyard Space Travel», 2021-2022." width="226" height="134" class="img-responsive" > </span> <h2> Occuper les espaces avec Art souterrain </h2> <p> Le Montréal souterrain devient la caisse de résonance de la notion d’habitat pour la 17e édition du festival. </p> <div class="specs lowercase"> <time datetime="2025-03-15T04:00:00Z" class="clair"> Publié hier à 0h00 </time> </div> </a> </article> </div> </div> </div> <div class="col-md-3"> <div class="red-violet"> <div class="category-articles"> <article class="article has-img"> <a href="/culture/855664/culture-ecole-mais-pas-universite" class="card-click"> <span class="img"> <img src="https://media1.ledevoir.com/images_galerie/nwl_1976797_1524394/image.jpg?width=728" data-src="" alt="Les élèves du primaire bénéficient du programme des sorties scolaires en milieu culturel." width="226" height="134" class="img-responsive" > </span> <h2> «La culture à l’école», mais pas à l’université </h2> <p> Le programme La culture à l’école pourrait-il s’étendre au cégep et à l’université? </p> <div class="specs lowercase"> <time datetime="2025-03-15T04:00:00Z" class="clair"> Publié hier à 0h00 </time> </div> </a> </article> <div class="visible-xs">  <div id="M1" class="pub"> <div align="center"> <div data-m32-ad data-options='{ "sizes":"[[300,125],[300,250],[300,600]]", "sizeMapping":[ {"viewport":{ "min_width":0, "min_height":0}, "sizes":[[300,125],[300,250],[300,600]] }, { "viewport": {"min_width":768, "min_height":0}, "sizes":[[0,0]] } ], "dfpId":"21658289790,340432006", "dfpAdUnitPath":"le.devoir/culture", "kv":{"zone":"M1"}}'></div> </div> </div> <br/> </div> </div> </div> </div> <div class="col-md-5"> <div class="red-violet"> <div class="category-articles"> <article class="article smaller"> <a href="/culture/musique/855325/bunker-ciel-ouvert-ou-risque-vital-beaux-airs-grand-air" class="card-click"> <h2> «Bunker à ciel ouvert », ou le risque vital de beaux airs au grand air </h2> <p> Dix-sept ans après le coup de foudre, Catherine Major et Jeff Moran fusionnent enfin sur disque. </p> <div class="specs lowercase"> <time datetime="2025-03-15T04:00:00Z" class="clair"> Publié hier à 0h00 </time> </div> </a> </article> </div> </div> <div class="red-violet"> <div class="category-articles"> <article class="article smaller"> <a href="/culture/theatre/855319/planches" class="card-click"> <h2> Sur les planches </h2> <p> À surveiller à La Bordée, à La Petite Licorne, à La Risée, au Rideau vert et à Premier Acte. </p> <div class="specs lowercase"> <time datetime="2025-03-15T04:00:00Z" class="clair"> Publié hier à 0h00 </time> </div> </a> </article> </div> </div> </div> </div> </div> </div> <div class="container"> <div class="row visible-sm visible-md visible-lg"> <div class="col-sm-14 col-md-9"> <div class="pub e1 mb30"> </div> </div> </div> </div> <div class="latest"> <div class="container"> <div class="row"> <div class="col-md-7"> <h2 class="title"> Actualités | Culture </h2> </div> <div class="col-md-7"> <form action="/recherche" class="search-form" method="GET" novalidate> <div class="form-group"> <label for="header-search" class="sr-only">Chercher dans cette section</label> <span class="input-group-addon"><svg xmlns="http://www.w3.org/2000/svg" width="14.354" height="14.354" viewBox="0 0 14.354 14.354"><path d="M5.5 11C2.462 11 0 8.537 0 5.5 0 2.462 2.462 0 5.5 0 8.537 0 11 2.462 11 5.5 11 8.537 8.537 11 5.5 11zm3.646-1.146l.707-.707 4.5 4.5-.707.707-4.5-4.5zM5.5 10C7.985 10 10 7.985 10 5.5S7.985 1 5.5 1 1 3.015 1 5.5 3.015 10 5.5 10z"/></svg></span> <input type="text" name="expression" id="header-search" placeholder="Chercher dans cette section" class="form-control"> <input type="hidden" name="section_id" value="48"> </div> <div class="actions"> <button type="submit" name="footer-search-submit" class="btn btn-default"><span class="hidden-xs">Rechercher</span><span class="chevron-right"><svg xmlns="http://www.w3.org/2000/svg" width="5.577" height="10.014" viewBox=".001 -.015 5.577 10.014"><path d="M0 9.34l4.357-4.353L0 .627l.636-.64 4.942 5L.635 10"/></svg></span></button> </div> </form> </div> </div> <div class="row flex-sm flex-row">  <div class="col-sm-7 col-md-9 col-lg-10"> <div class="red-violet"> <article class="article has-img article-horizontal"> <a href="/culture/ecrans/855190/stimuler-creation-televisuelle-francais" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1972036_1520767/image.jpg?width=728" alt="Dans la websérie « La Terre appelle Mathilde », d’Anthony Coveney, une jeune adulte passionnée d’astrophysique perd l’usage d’un bras et doit redéfinir sa vie." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Stimuler la création télévisuelle en français </h2> <p> Le programme Créateurs en série accompagne la relève franco-canadienne. </p> </a> <div class="specs "> <time datetime="2025-03-15T04:00:00Z" > Publié hier à 0h00 </time> <span>| Marie-Josée R. Roy</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/theatre/855769/mr-burns-pie-ce-post-e-lectrique-ou-simpson-apres-apocalypse" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1977223_1524721/image.jpg?width=728" alt="Un extrait de la pièce «Mr. Burns, une pièce post-électrique», d'Anne Burns, mise en scène de Marie-Ève Groulx au théâtre Prospero jusqu'au 2 avril 2025" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Mr. Burns, une pièce post-électrique», ou les Simpson après l’apocalypse </h2> <p> <strong class="article-type">Critique</strong> «Mr. Burns, une pièce post-électrique» utilise la cultissime émission animée pour illustrer notre rapport aux récits. </p> </a> <div class="specs "> <time datetime="2025-03-15T21:49:55Z"> Mis à jour hier à 17h49 </time> <span>| <a href="/auteur/marie-labrecque">Marie Labrecque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/ecrans/855619/ted-lasso-sera-retour-quatrieme-saison" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1975411_1523164/image.jpg?width=728" alt="Brendan Hunt (à gauche), Cristo Fernández (au centre) et Jason Sudeikis (à droite) dans la série «Ted Lasso»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Ted Lasso» sera de retour pour une quatrième saison </h2> <p> Apple TV+ n’a pas précisé quand les nouveaux épisodes seraient disponibles. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| Alicia Rancilio - Associated Press</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/ecrans/855352/ecrans" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1973074_1521475/image.jpg?width=728" alt="Une image tirée de la minisérie documentaire «Drogues: vérités et conséquences»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> Sur vos écrans </h2> <p> À voir sur Radio-Canada, Netflix, Disney+ et TV5. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| Amélie Revert</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855349/critique-cinema-marcello-mio-retrouver-nom-propre" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1972987_1521403/image.jpg?width=728" alt="Chiara Mastroianni dans le long-métrage «Marcello Mi » réalisé par Christophe Honoré" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Marcello Mio»: retrouver son nom propre </h2> <p> <strong class="article-type">Critique</strong> Chiara Mastroianni devient acteur dans la dernière réalisation de Christophe Honoré. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/sarah-louise-pelletier-morin">Sarah-Louise Pelletier-Morin</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855346/critique-cinema-fantomes-jeune-homme-mort" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1972948_1521376/image.jpg?width=728" alt="L’acteur Adam Bessa, qui joue Hamid dans le film «Les fantômes»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Les fantômes»: le jeune homme et la mort </h2> <p> <strong class="article-type">Critique</strong> Avec ce récit contant la traque d’un criminel de guerre, Jonathan Millet propose un thriller d’un calme trompeur. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855343/critique-cinema-black-bag-espion-aimait" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1972906_1521343/image.jpg?width=728" alt="Cate Blanchett dans le long-métrage «Black Bag» réalisé par Steven Soderbergh" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Black Bag»: l’espion qui m’aimait </h2> <p> <strong class="article-type">Critique</strong> Steven Soderbergh offre une savoureuse comédie d’espionnage où brillent Michael Fassbender et Cate Blanchett. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855334/cinema-can-i-get-witness-mort-ce-jardin" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1972867_1521313/image.jpg?width=728" alt="La réalisatrice Ann Marie Fleming et l’actrice Sandra Oh sur le plateau de tournage du long métrage «Can I Get a Witness?»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Can I Get a Witness?»: la mort en ce jardin </h2> <p> Sandra Oh tient la vedette d’une fable futuriste où les gens acceptent de mourir à 50 ans pour le bien commun. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855331/lecon-architecture-je-suis-architecte-japonais" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1972813_1521268/image.jpg?width=728" alt="L’architecte Guillaume Pelletier a vécu huit ans au Japon où il a achevé sa maîtrise, en plus de travailler pour deux firmes, s’imprégnant des us et coutumes de ce pays." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Je suis un architecte japonais </h2> <p> Les voyages forment la jeunesse et transforment le regard: Guillaume Pelletier peut en témoigner. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| André Lavoie</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/musique/855277/coeur-est-reveur-tout-tour-marie-annick-lepine-depuis" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1973521_1521796/image.jpg?width=728" alt="Marie-Annick Lépine sort un nouvel album intitulé Le coeur est un rêveur." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Le cœur est un rêveur»: tout le tour de Marie-Annick Lépine depuis… </h2> <p> Les étapes d’un deuil inadmissible et porteur d’espoir au présent des chansons. Retrouvailles pour en parler. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/sylvain-cormier">Sylvain Cormier</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/855274/novocaine-grands-maux-grands-moyens" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1973608_1521862/image.jpg?width=728" alt="Jack Quaid joue Nathan Caine dans «Novocaïne»." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Novocaïne»: aux grands maux les grands moyens </h2> <p> <strong class="article-type">Critique</strong> Une comédie d’action où la violence outrancière est livrée en surenchère et en humour. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/sonia-sarfati">Sonia Sarfati</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855271/opus-john-malkovich-gourou-glam" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1973866_1522072/image.jpg?width=728" alt="John Malkovich dans le long-métrage «Opus», du réalisateur Mark Anthony Green" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Opus»: John Malkovich en gourou glam </h2> <p> <strong class="article-type">Critique</strong> L’acteur rehausse une satire horrifique décousue et «sous influences» à propos du culte de la célébrité. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/musique/854830/passionnant-tchaikovski-tianyi-lu" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1973473_1521757/image.jpg?width=728" alt="La jeune cheffe d’orchestre néo-zélandaise Tianyi Lu" width="226" height="134" class="img-responsive lazyload" > </span> <h2> Le passionnant Tchaïkovski de Tianyi Lu </h2> <p> <strong class="article-type">Critique</strong> Tianyi Lu ne se donne pas en spectacle ; elle est là pour accompagner les élans et les soupirs de Tchaïkovski. </p> </a> <div class="specs "> <time datetime="2025-03-14T04:00:00Z" > Publié le 14 mars </time> <span>| <a href="/auteur/christophe-huss">Christophe Huss</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/855196/the-electric-state-courant-ne-passe-pas" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1975348_1523113/image.jpg?width=728" alt="Chris Pratt et Millie Bobby Brown dans «The Electric State»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «The Electric State»: le courant ne passe pas </h2> <p> <strong class="article-type">Critique</strong> Millie Bobby Brown et Chris Pratt s’embourbent dans une superproduction pas très super. </p> </a> <div class="specs "> <time datetime="2025-03-13T20:17:00Z" > Publié le 13 mars </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/arts-visuels/855169/premiere-entente-collective-arts-visuels-quebec" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1974265_1522396/image.jpg?width=728" alt="De gauche à droite : Louis-Yves Nolin, directeur général adjoint du Musée de la civilisation du Québec, Stéphan La Roche, directeur général du Musée d’art contemporain de Montréal, Gaëtane Dion, artiste en arts visuels et présidente du RAAV, Mathieu Lacombe, ministre de la Culture et des Communications, Jean-Luc Murray, directeur général du Musée des beaux-arts du Québec, Yves Théoret, directeur général adjoint du Musée des beaux-arts de Montréal, et Marc Douesnard, forgeron d’art et président du CMAQ" width="226" height="134" class="img-responsive lazyload" > </span> <h2> Une première entente collective pour les arts visuels au Québec </h2> <p> L’accord conclu avec les musées nationaux prévoit une augmentation des honoraires et redevances pour les créateurs. </p> </a> <div class="specs "> <time datetime="2025-03-14T02:52:42Z"> Mis à jour le 13 mars </time> <span>| <a href="/auteur/catherine-lalonde">Catherine Lalonde</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/855205/quatre-suggestions-culturelles-week-end" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1973512_1521784/image.jpg?width=728" alt="«D’un oeil différent» donne à voir le travail d’artistes amateurs et professionnels." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Quatre suggestions culturelles pour le week-end </h2> <p> «Le Devoir» vous propose quelques sorties culturelles. </p> </a> <div class="specs "> <time datetime="2025-03-14T00:31:49Z"> Mis à jour le 13 mars </time> <span>| <a href="/auteur/amelie-gaudreau">Amélie Gaudreau</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/theatre/854980/impuissance-face-avenir-illustree-dommage-avais-yeux-fermes" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1973590_1521850/image.jpg?width=728" alt="Si la mise en scène regorge d’idées fortes, la surabondance de l’univers visuel kitsch et loufoque finit parfois par distraire le spectateur du texte, ce qui empêche l’alliage entre la farce et la sincérité de bien se faire. On voit ici Maxime-Olivier Potvin, Marie Reid et Clara Prieur, qui jouent Tristan, Mathilde et Clémence." width="226" height="134" class="img-responsive lazyload" > </span> <h2> L’impuissance face à l’avenir illustrée dans «Dommage que t’avais les yeux fermés» </h2> <p> <strong class="article-type">Critique</strong> À travers les expériences de trois amis et colocs, la pièce examine le désir de réussite au détriment du bien-être. </p> </a> <div class="specs "> <time datetime="2025-03-14T00:45:45Z"> Mis à jour le 13 mars </time> <span>| <a href="/auteur/francois-jardon-gomez">François Jardon-Gomez</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/855175/critique-humour-bon-jus-arnaud-soly-bon-cru" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1973557_1521829/image.jpg?width=728" alt="Le thème de la parentalité n’est pas tout à fait neuf, mais Arnaud Soly évite les lieux communs en misant sur son sens de l’observation et, plus encore, sur son incomparable exécution." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Bon jus»: Arnaud Soly, un bon cru </h2> <p> <strong class="article-type">Critique</strong> Avec son deuxième spectacle solo, l’humoriste démontre qu’il vieillit fort bien. </p> </a> <div class="specs "> <time datetime="2025-03-14T00:44:34Z"> Mis à jour le 13 mars </time> <span>| <a href="/auteur/christian-saint-pierre">Christian Saint-Pierre</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/medias/855106/medias-canadiens-commencent-recevoir-fonds-provenant-100-millions-google" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1972960_1521385/image.jpg?width=728" alt="Une femme devant le logo de la multinationale américaine Google, à Paris, le 16 mai 2019." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Les médias canadiens commencent à recevoir les fonds provenant des 100 millions de Google </h2> <p> Cette distribution de fonds intervient après l’adoption par Ottawa de la Loi sur les nouvelles en ligne. </p> </a> <div class="specs "> <time datetime="2025-03-13T18:26:00Z" > Publié le 13 mars </time> <span>| Tara Deschamps - La Presse canadienne</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/arts-visuels/854977/arts-visuels-modernisme-tardif-devoile-exposition-gratte-ciels-racine" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1972786_1521244/image.jpg?width=728" alt="François Dallegret avec Joseph Baker et Pierre Gaboriau, «Palais Métro», 1967" width="226" height="134" class="img-responsive lazyload" > </span> <h2> Le modernisme tardif se dévoile avec l’exposition «Les gratte-ciels par la racine» </h2> <p> <strong class="article-type">Critique</strong> Place Ville Marie insuffle au Musée d’art contemporain une de ses meilleures expositions. </p> </a> <div class="specs "> <time datetime="2025-03-13T19:55:00Z"> Mis à jour le 13 mars </time> <span>| <a href="/auteur/jerome-delgado">Jérôme Delgado</a></span> </div> </article> </div> <nav class="text-center"> <ul class="pagination"> <li class="disabled"><a href="/culture?page=1"><span><svg xmlns="http://www.w3.org/2000/svg" width="5.577" height="10.014" 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