Actualité culturelle - Nouvelles et critiques artistiques

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pour petits et grands. </p> <div class="specs lowercase"> <time datetime="2025-02-17T01:52:49Z" class="clair"> Publié hier à 20h52 </time> </div> </a> </article> </div> </div> </div> </div> </div> </div> <div class="container"> <div class="row visible-sm visible-md visible-lg"> <div class="col-sm-14 col-md-9"> <div class="pub e1 mb30"> </div> </div> </div> </div> <div class="latest"> <div class="container"> <div class="row"> <div class="col-md-7"> <h2 class="title"> Actualités | Culture </h2> </div> <div class="col-md-7"> <form action="/recherche" class="search-form" method="GET" novalidate> <div class="form-group"> <label for="header-search" class="sr-only">Chercher dans cette section</label> <span class="input-group-addon"><svg xmlns="http://www.w3.org/2000/svg" width="14.354" height="14.354" viewBox="0 0 14.354 14.354"><path d="M5.5 11C2.462 11 0 8.537 0 5.5 0 2.462 2.462 0 5.5 0 8.537 0 11 2.462 11 5.5 11 8.537 8.537 11 5.5 11zm3.646-1.146l.707-.707 4.5 4.5-.707.707-4.5-4.5zM5.5 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src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1907428_1475161/image.jpg?width=728" alt="L’acteur américain Adrien Brody pose avec le prix du meilleur acteur principal pour «The Brutalist» lors de la cérémonie des BAFTA (British Academy Film Awards au Royal Festival Hall)." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Conclave» et «The Brutalist», grands vainqueurs des Bafta </h2> <p> Ces deux films ont dominé les Bafta, tandis qu’«Emilia Pérez», au centre de polémiques récentes, a récolté deux prix. </p> </a> <div class="specs "> <time datetime="2025-02-17T00:59:43Z"> Mis à jour hier à 19h59 </time> <span>| Clara Lalanne - Agence France-Presse</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/danse/844774/hamlet-prince-danemark-corps-tragedie" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1906756_1474732/image.jpg?width=728" alt="Le danseur étoile Guillaume Côté dans le spectacle «Hamlet, Prince du Danemark»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Hamlet, Prince du Danemark», corps de tragédie </h2> <p> <strong class="article-type">Critique</strong> Robert Lepage et Guillaume Côté réussissent leur pari en racontant la tragédie de Shakespeare par la danse. </p> </a> <div class="specs "> <time datetime="2025-02-16T22:11:44Z"> Mis à jour hier à 17h11 </time> <span>| <a href="/auteur/lea-villalba">Léa Villalba</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844858/coude-coude-bafta-emilia-perez-tombe-disgrace" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1906276_1474297/image.jpg?width=728" alt="L’actrice espagnole Karla Sofia Gascon arrive à la présentation médiatique du film «Emilia Pérez» à Bogota le 17 janvier 2025." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Un coude-à-coude aux Bafta sans «Emilia Pérez» tombé dans la disgrâce </h2> <p> Les polémiques autour d’«Emilia Pérez» vont-elles plomber ce film, au profit de «Conclave» et du «The Brutalist»? </p> </a> <div class="specs "> <time datetime="2025-02-16T03:28:02Z"> Mis à jour le 15 février </time> <span>| Clara Lalanne - Agence France-Presse</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/danse/844129/silent-legacy-exprimer-grace-krump" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1905817_1473892/image.jpg?width=728" alt="Adeline Kerry Cruz pour le spectacle «Silent Legacy»" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Silent Legacy», s'exprimer grâce au krump </h2> <p> La jeune prodige Adeline Kerry Cruz présente Silent Legacy, coécrit par son mentor, le krumpeur Jr Maddripp. </p> </a> <div class="specs "> <time datetime="2025-02-15T05:00:00Z" > Publié le 15 février </time> <span>| <a href="/auteur/lea-villalba">Léa Villalba</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/arts-visuels/844177/galerie-cache-sort-terrier" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1902934_1471642/image.jpg?width=728" alt="Eric Carlos Bertrand et Tania de la Cruz, de la galerie Cache, présentent l’exposition «Corsi e Recorsi» dans l’édifice Belgo." width="226" height="134" class="img-responsive lazyload" > </span> <h2> La galerie Cache sort de son terrier </h2> <p> L’édifice Belgo accueille la plus rebelle des galeries. </p> </a> <div class="specs "> <time datetime="2025-02-15T05:00:00Z" > Publié le 15 février </time> <span>| <a href="/auteur/jerome-delgado">Jérôme Delgado</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/musique/844162/maxime-goulet-compositeur-entrepreneur" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1901881_1470895/image.jpg?width=728" alt="Maxime Goulet est le compositeur de l'oeuvre «Le carnaval des insectes»." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Maxime Goulet, compositeur entrepreneur </h2> <p> Ancien guitariste, Maxime Goulet est désormais l’un de nos meilleurs compositeurs symphoniques. </p> </a> <div class="specs "> <time datetime="2025-02-15T05:00:00Z" > Publié le 15 février </time> <span>| <a href="/auteur/christophe-huss">Christophe Huss</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/musique/844141/damien-robitaille-cale-kaleidoscope" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1901809_1470868/image.jpg?width=728" alt="L’auteur-compositeur-interprète Damien Robitaille lance son sixième album, «Ultraviolet»." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Damien Robitaille calé dans le kaléidoscope </h2> <p> Manger mille chansons, il en restera toujours du bon, c’est la grande leçon du champion des refontes. </p> </a> <div class="specs "> <time datetime="2025-02-15T05:00:00Z" > Publié le 15 février </time> <span>| <a href="/auteur/sylvain-cormier">Sylvain Cormier</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/theatre/844069/planches" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1901500_1470667/image.jpg?width=728" alt="Fano Maddix dans son spectacle «Conte bright comme un diamond» présenté à La Chapelle Scènes Contemporaines" width="226" height="134" class="img-responsive lazyload" > </span> <h2> Sur les planches </h2> <p> À surveiller au Théâtre d’Aujourd’hui, au Quat’Sous, Aux Écuries, à l’Espace libre et à La Chapelle. </p> </a> <div class="specs "> <time datetime="2025-02-15T05:00:00Z" > Publié le 15 février </time> <span>| <a href="/auteur/marie-labrecque">Marie Labrecque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/theatre/844063/oh-canada-chapitre-1-est-pays-langue-nous" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1902922_1471633/image.jpg?width=728" alt="Danielle Le Saux-Farmer est metteuse en scène de la pièce «Oh! Canada! Chapitre 1: L’Est du pays»." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Oh! Canada - Chapitre 1: L’Est du pays»: la langue de chez nous </h2> <p> La pièce fait l’état des lieux du français et des relations entre les communautés francophones au pays. </p> </a> <div class="specs "> <time datetime="2025-02-15T05:00:00Z" > Publié le 15 février </time> <span>| <a href="/auteur/marie-labrecque">Marie Labrecque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/musique/844750/ceremonies-jo-paris-recompensees-victoires-musique" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1905238_1473415/image.jpg?width=728" alt="Le directeur artistique des cérémonies d’ouverture et de clôture des Jeux olympiques et paralympiques de Paris, Thomas Jolly, reçoit le trophée du Concert de l’année aux 40e Victoires de la musique." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Les cérémonies des JO de Paris récompensées aux Victoires de la musique </h2> <p> Zaho de Sagazan et Gims ont été sacrés artistes de l’année à la grande fête de la chanson française. </p> </a> <div class="specs "> <time datetime="2025-02-15T02:09:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/agence-france-presse">Agence France-Presse </a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/844612/bon-chien-maxim-martin-travaille-fort-lui" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1905073_1473277/image.jpg?width=728" alt="L’humoriste Maxim Martin a présenté jeudi au MTelus son nouveau spectacle, «Bon chien», dans lequel il continue de creuser le sujet du vieillissement." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Bon chien»: Maxim Martin travaille fort sur lui </h2> <p> <strong class="article-type">Critique</strong> L’humoriste apprivoise la colère et le vieillissement avec aplomb, mais peu d’originalité. </p> </a> <div class="specs "> <time datetime="2025-02-14T20:23:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/christian-saint-pierre">Christian Saint-Pierre</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844669/tiff-inquiete-virage-nationaliste-cinema-cause-trump" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1904725_1473031/image.jpg?width=728" alt="Le p.-d.g. du Festival international du film de Toronto (TIFF), Cameron Bailey" width="226" height="134" class="img-responsive lazyload" > </span> <h2> Le TIFF s’inquiète d’un virage nationaliste au cinéma à cause de Trump </h2> <p> Son p.-d.g. croit que l’approche «Canada d’abord» face aux tarifs américains pourrait nuire à terme au cinéma d’ici. </p> </a> <div class="specs "> <time datetime="2025-02-14T23:40:00Z" > Publié le 14 février </time> <span>| Alex Nino Gheciu - La Presse canadienne</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/ecrans/844213/lieux-pouvoir-quebec-petite-histoire" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1904428_1472794/image.jpg?width=728" alt="Dave Noël et Marco Bélair-Cirino au Salon bleu de l'Assemblée nationale" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Les lieux de pouvoir au Québec»: pour la petite histoire </h2> <p> Marco Bélair-Cirino et Dave Noël emmènent les téléspectateurs dans les coulisses de l’exercice du pouvoir. </p> </a> <div class="specs "> <time datetime="2025-02-14T21:06:37Z"> Mis à jour le 14 février </time> <span>| <a href="/auteur/amelie-revert">Amélie Revert</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/ecrans/844219/ecrans" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1902172_1471066/image.jpg?width=728" alt="Visuel de la série documentaire «La fièvre des festivals» du réalisateur Charles Gervais." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Sur vos écrans </h2> <p> À voir sur Télé-Québec, ICI Tou.tv Extra, Crave et Netflix. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/amelie-revert">Amélie Revert</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844210/critique-cinema-fanfare-ami-frere" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1902097_1471000/image.jpg?width=728" alt="Les acteurs Pierre Lottin et Benjamin Lavernhe dans la comédie-dramatique française «En fanfare» du réalisateur Emmanuel Courcol." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «En fanfare»: mon ami mon frère </h2> <p> <strong class="article-type">Critique</strong> Benjamin Lavernhe et Pierre Lottin forment un merveilleux duo fraternel dans un film qui fait beaucoup de bien. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844201/posteriori-cinema-boucher-institutrice-assassin" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1902058_1470979/image.jpg?width=728" alt="Une scène tirée du long métrage «Le boucher», de Claude Chabrol, sorti en 1970, avec les acteurs Jean Yanne et Stéphane Audran." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Le boucher»: l'institutrice et l’assassin </h2> <p> Il y a 55 ans, ce chef-d’œuvre de Claude Chabrol contait la relation trouble entre une enseignante et un tueur en série. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844192/7e-art-4e-pouvoir-entre-fargo-the-godfather" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media1.ledevoir.com/images_galerie/nwl_1902025_1470964/image.jpg?width=728" alt="Des politiciens, des chefs d’entreprise et des acteurs clés de grandes institutions financières sont dans la mire du journaliste Hugo Joncas." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Entre «Fargo» et «The Godfather» </h2> <p> Le quotidien d’Hugo Joncas n’a rien de celui d’un espion de Sa Majesté, mais il a à l’œil les bandits à cravate. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| André Lavoie</span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/musique/844174/marina-orsini-enfin-chanteuse-chansons-elle" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1902706_1471465/image.jpg?width=728" alt="Marina Orsini sort un album intitulé «Reconstruire les saisons»." width="226" height="134" class="img-responsive lazyload" > </span> <h2> Marina Orsini, enfin chanteuse, avec ses chansons à elle </h2> <p> Marina Orsini chante comme une chanteuse chante. Jamais comme une comédienne qui ferait la chanteuse. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/sylvain-cormier">Sylvain Cormier</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844156/critique-cinema-paddington-perou-piquant-marmelade-oranges" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1902661_1471420/image.jpg?width=728" alt="Notre cher ourson britannique, animé par la voix de Ben Whishaw, fait son retour dans «Paddington au Pérou», réalisé par Dougal Wilson." width="226" height="134" class="img-responsive lazyload" > </span> <h2> «Paddington au Pérou»: du piquant dans la marmelade d’oranges </h2> <p> <strong class="article-type">Critique</strong> Paddington et la famille Brown font un voyage mémorable au Pérou pour rendre visite à la tante Lucy. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/amelie-revert">Amélie Revert</a></span> </div> </article> <article class="article has-img article-horizontal"> <a href="/culture/cinema/844153/critique-cinema-the-gorge-creatures-guimauve" class="card-click"> <span class="img"> <img src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABsAAAAQCAYAAADnEwSWAAAAIElEQVR42mNk+P+fiYFOgHHUslHLRi0btWzUslHLaAMAx0UgEZXRa7UAAAAASUVORK5CYII=" data-src="https://media2.ledevoir.com/images_galerie/nwl_1902622_1471393/image.jpg?width=728" alt="Les acteurs Anya Taylor-Joy et Miles Teller dans «The Gorge», de Scott Derrickson" width="226" height="134" class="img-responsive lazyload" > </span> <h2> «The Gorge»: des créatures et de la guimauve </h2> <p> <strong class="article-type">Critique</strong> Miles Teller et Anya Taylor-Joy affrontent des monstres, entre science-fiction, horreur et romance. </p> </a> <div class="specs "> <time datetime="2025-02-14T05:00:00Z" > Publié le 14 février </time> <span>| <a href="/auteur/francois-levesque">François Lévesque</a></span> </div> </article> </div> <nav class="text-center"> <ul class="pagination"> <li class="disabled"><a href="/culture?page=1"><span><svg xmlns="http://www.w3.org/2000/svg" width="5.577" height="10.014" viewBox=".001 -.015 5.577 10.014"><path d="M5.578.644L1.222 4.998l4.356 4.36-.634.64L0 5 4.945-.015"/></svg></span></a></li> <li class="active"><a href="/culture?page=1">1</a></li> <li><a href="/culture?page=2">2</a></li> <li><a href="/culture?page=3">3</a></li> <li><a href="/culture?page=4">4</a></li> <li><a href="/culture?page=5">5</a></li> <li><a href="/culture?page=2" class="suivant">Suivant<span><svg xmlns="http://www.w3.org/2000/svg" width="5.577" height="10.014" viewBox=".001 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