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Edvard Munch, The Scream – Nasjonalmuseet – Collection

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src="https://ms01.nasjonalmuseet.no/iip/?iiif=/tif/NG.M.00939.tif/full/512,/0/default.jpg" alt="The Scream"/> </div> </noscript> </div> <div class="section--collection-header"> <div class="container"> <div class="row"> <div class="col-lg-8 offset-lg-2"> <h1 class="h2"> <span>The Scream</span> </h1> <ul class="list--unstyled collection-header__info"> <li> <span class="sr-only">Artist: </span> Edvard Munch </li> <li> <span class="sr-only">Creation date: </span> 1893 </li> <li> <span class="sr-only">Object type: </span> Painting </li> </ul> <div class="collection-header__actions"> <div class="collection-header__action d-flex align-items-center"> <div class="text-and-icon text-and-icon--large"> <span class="icon icon--location-pin" aria-hidden="true"></span> <p>On display: Room 060 The Collection Exhibition - Edvard Munch</p> </div> </div> <div class="collection-header__action"> <download-images-modal-button 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use – no known copyright restrictions.&lt;/p&gt;\n&lt;p&gt;Photo file license: Free use (Creative Commons - Attribution &lt;a href=\&quot;https://creativecommons.org/licenses/by/4.0/\&quot; target=\&quot;_blank\&quot; rel=\&quot;noopener\&quot;&gt;CC-BY&lt;/a&gt;).&lt;/p&gt;&quot;}}"></download-images-modal-button> </div> <div class="collection-header__action"> <collection-special-links-modal-button :model="{&quot;linkText&quot;:&quot;Extras&quot;,&quot;modalTitle&quot;:&quot;Extras&quot;,&quot;modalBody&quot;:&quot;&lt;p&gt;Import works from the collection to the Nintendo Switch game Animal Crossing: New Horizons!&lt;/p&gt;&quot;,&quot;modalLinks&quot;:[{&quot;imageUrl&quot;:&quot;/contentassets/6db9fbe90a3e4c1eb3f1e74006b282a2/nh-character-blathers-tilpasset.png&quot;,&quot;title&quot;:&quot;Animal Crossing QR code&quot;,&quot;text&quot;:&quot;Generates a QR code for Animal Crossing&quot;,&quot;linkUrl&quot;:&quot;https://ms01.nasjonalmuseet.no/animalcrossing/qrcode_en?objectid=NG.M.00939&quot;,&quot;linkText&quot;:&quot;Click here (opens in new window)&quot;}],&quot;close&quot;:&quot;Close&quot;}"></collection-special-links-modal-button> </div> </div> </div> </div> </div> </div> </div> <div class="section--collection-page"> <div class="container"> <div class="row"> <div class="col-lg-8 offset-lg-2"> <section class="block"> <div class="main-body"> <h2>About</h2> <div class="main-body__text"> <div class="epi-editor"> <p><p><em>The Scream</em> is one of the most well-known pictures in the history of art, and has become a popular icon of our time. The figure in the picture has been used in many different contexts, and appears in everything from political posters to horror films. It even has its own emoji. The motif Edvard Munch created 130 years ago has now become a symbol we use to convey emotions.</p></p> </div> </div> <div class="collapse" id="main-body-NGM00939"> <div class="collapse__content collapse__content--main-body"> <div class="epi-editor"> <p><strong>From despair to a scream</strong></p> <p>In 1892 Munch painted the picture <em>Sick Mood at Sunset</em>. <em>Despair</em>, a motif that bears many similarities to<em> The Scream</em>. The colours, the format and size, the landscape and background figures – all are the same. Nevertheless,<em> The Scream</em> is radically different, because the main figure has been changed. In the first picture we see a clearly defined male figure wearing a hat and coat. In <em>The Scream</em> this figure has become a mysterious presence that is difficult to define. Is the figure we see a woman or a man? Is it wearing a black coat, or a dress? Is it a skull or a face we are looking at? Why doesn’t the figure have hair? These difficult and indistinct features of the figure make <em>The Scream</em> into a visual enigma.</p> <p><strong>A ground-breaking artwork </strong></p> <p><em>The Scream</em> is both simple and complex. It is complex because it lends itself to so many different interpretations. Its simplicity has to do with the actual execution of the picture. We know that Munch drew sketches and worked with the motif over a long period of time, but the painting technique and lack of detail give the impression that it was painted quickly and spontaneously. This approach, along with the vibrant, non-realistic colours, signified a new way of creating art. <em>The Scream</em> marks a decisive point in art history where form and content are closely interrelated and are meant to express the same subject matter. The work is a key turning point from the symbolism movement in art to the expressionism of the 1900s.  </p> <p><strong>An image of anxiety </strong></p> <p>Before painting<em> The Scream</em>, Munch wrote a text that relates to the content of the picture:  </p> <p><em>I was walking along the road with two </em><br /><em>friends – then the sun went {I went} down </em><br /><em>Suddenly the sky turned blood-red </em><br /><em>– and I felt </em><br /><em>a breath of melancholy </em><br /><em>– an exhausting pain </em><br /><em>under my heart – I paused, leaning against the fence, tired to death – above the blue-black fjord and city there was blood ‹in› tongues of fire <br /></em><em>My friends went on and I stood<br />there trembling<br />with anxiety – <br />and I felt that a gre{a}t infinit\e/ scre{a}m went through nature</em></p> <p><a href="https://emunch.no/HYBRIDNo-MM_T2367.xhtml#ENo-MM_T2367_01" target="_blank" rel="noopener">(1892, MM T 2367) </a></p> <p>The landscape we see in the picture is recognisable through this description, and shows the Kristiania fjord (Oslo fjord) seen from Ekeberg hill. Two men, who are referred to as two friends in the poem, are walking in the background on the left. <em>The Scream</em> is often interpreted as a universal expression of anxiety and alienation, which is the subject of the poem he wrote. </p> </div> </div> </div> <div class="main-body__button"> <button data-target="#main-body-NGM00939" class="link link--show-hide-toggle btn--collapse a" type="button" data-toggle="collapse" aria-expanded="false" aria-controls="main-body-NGM00939"> <span class="link__text--hidden">Show more</span> <span class="link__text--shown">Show less</span> </button> </div> </div> </section> </div> </div> </div> <div class="container"> <div class="row"> <div class="col-lg-8 offset-lg-2"> <section class="block"> <h2>Artist/producer</h2> <div class="collection-producer"> <div class="collection-producer__text"> <h3> <a href="/en/collection/producer/56154/edvard-munch"> <span>Edvard Munch</span> </a> </h3> <p class="small">Visual artist, Painter, Graphic artist, Photographer, Drawing artist</p> <p class="small">Born 12.12.1863 in L&#248;ten, Hedmark, death 23.01.1944 in Oslo</p> </div> <section class="block"> <div class="main-body"> <div class="main-body__text"> <div class="epi-editor"> <p><p>Edvard Munch worked as an artist for over sixty years. He was creative, ambitious and hardworking. He produced nearly two thousand paintings, hundreds of graphic motifs and thousands of drawings. In addition, he wrote poems, prose and diaries. <em>The Scream</em>, <em>Madonna</em>, <em>Death in the Sickroom</em> and the other symbolist works from the 1890s have made him one of the most famous artists of our time.</p></p> </div> </div> <div class="collapse" id="main-body-56154"> <div class="collapse__content collapse__content--main-body"> <div class="epi-editor"> <h3>"Don't become an artist!"</h3> <p>Edvard wanted to become an artist early on, and there was no doubt that he had talent. But his father refused to allow him to follow his dream, so Edvard began studying engineering. But already after one year he chose to defy his father, and switched from engineering college to the Norwegian National Academy of Craft and Art Industry in Kristiania, now Oslo.</p> <h3>A talented and provocative bohemian</h3> <p>It was obvious to everyone in the Norwegian art community that the young man showed rare talent. In 1883, at the age of 20, he debuted at Høstutstillingen (The Autumn Exhibition). In 1886, Munch became acquainted with author and anarchist Hans Jæger, a leading figure in the Kristiania bohemian community. The bohemian community convinced Munch that the arts had to renew themselves to reach people and to have relevance in their lives. In the same year he exhibited the painting <em>The Sick Child</em>. This generated debate!</p> <h3>Courage led to breakthrough</h3> <p>Some acclaimed The Sick Child a work of genius, while others deemed it unfinished and unworthy of exhibition. Today it is considered to mark Munch's breakthrough. It was here that demonstrated the independence and willingness to break fresh ground.</p> <p>From this point until his final brush strokes, his artistic practice can be summed up in just word: experimentation. Munch did not care about established "rules" for so-called good art. His techniques in both painting and graphics were innovative.</p> <h3>From people's emotional life to agriculture and landscape</h3> <p>Henrik Ibsen's plays about humanity's existential challenges inspired Munch. Themes such as death, love, sexuality, jealousy and anxiety were central to his early images. Some themes sprang from personal experience. For example, <em>Death in the Sickroom</em> and <em>The Sick Child</em> are linked to his memory of his mother and sister's illnesses and early deaths.</p> <p>After 1910, Munch chose a quieter and secluded life. At his own farms at Ekely in Oslo and in Hvitsten, he found entirely new motifs, such as agriculture, working life and landscapes. <em>Man in the Cabbage Field</em> is a typical example from this period.</p> </div> </div> </div> <div class="main-body__button"> <button data-target="#main-body-56154" class="link link--show-hide-toggle btn--collapse a" type="button" data-toggle="collapse" aria-expanded="false" aria-controls="main-body-56154"> <span class="link__text--hidden">Show more</span> <span class="link__text--shown">Show less</span> </button> </div> </div> </section> </div> </section> </div> </div> </div> <section> <div class="container"> <div class="row"> <div class="col-lg-8 offset-lg-2"> <div class="block block--no-mb"> <h2>Work info</h2> </div> </div> </div> </div> <div class="container container-fluid--mobile"> <div class="row"> <div class="col-lg-8 offset-lg-2"> <div class="block"> <dl class="list--meta"> <div> <dt> <span>Creation date:</span> </dt> <dd> <span>1893</span> </dd> </div> <div> <dt> <span>Other titles:</span> </dt> <dd> <span>Skrik (NOR)</span> </dd> </div> <div> <dt> <span>Object type:</span> </dt> <dd> <ul class="facet-list"> <li> <a href="/en/collection/search/term/object-name/painting" class="facet">Painting</a> </li> </ul> </dd> </div> <div> <dt> <span>Materials and techniques:</span> </dt> <dd> <span>Tempera og fettstift på papplate</span> </dd> </div> <div> <dt> <span>Material:</span> </dt> <dd> <ul class="facet-list"> <li> <a href="/en/collection/search/term/material/papplate" class="facet">Papplate</a> </li> </ul> </dd> </div> <div> <dt> <span>Dimensions:</span> </dt> <dd> <ul class="list--unstyled"> <li> <span class="small">Width: </span> <span class="small">73.5 cm</span> </li> <li> <span class="small">Height: </span> <span class="small">91 cm</span> </li> </ul> </dd> </div> <div> <dt> <span>Keywords:</span> </dt> <dd> <ul class="facet-list"> <li> <a href="/en/collection/search/term/name/visual%20art" class="facet">Visual art</a> </li> </ul> </dd> </div> <div> <dt> <span>Classification:</span> </dt> <dd> <ul class="facet-list"> <li> <a href="/en/collection/search/term/classification/532%20-%20bildende%20kunst" class="facet">532 - Bildende kunst</a> </li> </ul> </dd> </div> <div> <dt> <span>Motif - type:</span> </dt> <dd> <ul class="facet-list"> <li> <a href="/en/collection/search/term/subject-type/landscape" class="facet">Landscape</a> </li> <li> <a href="/en/collection/search/term/subject-type/portrait" class="facet">Portrait</a> </li> </ul> </dd> </div> <div> <dt> <span>Acquisition:</span> </dt> <dd> <span>Gift from Olaf Schou 1910</span> </dd> </div> <div> <dt> <span>Inventory no.:</span> </dt> <dd> <span>NG.M.00939</span> </dd> </div> <div> <dt> <span>Part of exhibition:</span> </dt> <dd> <a href="/en/collection/exhibition/no0006359028">Livets dans. Samlingen fra antikken til 1950, 2011 - 2019</a><br /> <a href="/en/collection/exhibition/54055">Edvard Munchs utst&#228;llning, 1894</a><br /> <a href="/en/collection/exhibition/104092">Edouard Munch, 1896</a><br /> <a href="/en/collection/exhibition/104061">Eduard Munch, 1898</a><br /> <a href="/en/collection/exhibition/104064">Edvard Munch udstilling, 1904</a><br /> <a href="/en/collection/exhibition/104059">Edvard Munch - Maleriudstilling, 1897</a><br /> <a href="/en/collection/exhibition/105053">Ausstellung Edvard Munch, 1954</a><br /> <a href="/en/collection/exhibition/106105">Art nouveau. Art and design at the turn of the century, 1961</a><br /> <a href="/en/collection/exhibition/104103">100 &#229;rs norsk kunst, 1963</a><br /> <a href="/en/collection/exhibition/53053">Edvard Munch, 1965 - 1966</a><br /> <a href="/en/collection/exhibition/104108">Signale - Manifeste - Proteste im 20. Jahrhundert, 1965</a><br /> <a href="/en/collection/exhibition/106069">Edvard Munch 1863-1944, 1974</a><br /> <a href="/en/collection/exhibition/105057">Edvard Munch 1863-1944, 1973</a><br /> <a href="/en/collection/exhibition/107064">Edvard Munch, 1970</a><br /> <a href="/en/collection/exhibition/48059">Edvard Munch, 1983 - 1984</a><br /> <a href="/en/collection/exhibition/105071">Edvard Munch. Symbols &amp; Images, 1978 - 1979</a><br /> <a href="/en/collection/exhibition/105068">Centenaire de la Soci&#233;t&#233; des artistes ind&#233;pendants, 1984</a><br /> <a href="/en/collection/exhibition/107059">Munch exhibition, 1982</a><br /> <a href="/en/collection/exhibition/106120">Munch exhibition, 1981</a><br /> <a href="/en/collection/exhibition/125050">Edvard Munch, 1895</a><br /> <a href="/en/collection/exhibition/104091">Edvard Munch, 1905</a><br /> <a href="/en/collection/exhibition/104088">Edvard Munchs Maleriudstilling, 1901</a><br /> <a href="/en/collection/exhibition/106068">Fyns Stiftsmuseums Edvard Munch udstilling, 1955</a><br /> <a href="/en/collection/exhibition/106056">Ausstellung Edvard Munch, 1955</a><br /> <a href="/en/collection/exhibition/104104">Zeugnisse der Angst in der moderne Kunst, 1963</a><br /> <a href="/en/collection/exhibition/104095">Edvard Munch og den tsjekkiske kunst, 1971</a><br /> <a href="/en/collection/exhibition/107065">Edvard Munch, 1970</a><br /> <a href="/en/collection/exhibition/107060">Munch exhibition, 1982</a><br /> <a href="/en/collection/exhibition/486">Edvard Munch. The Frieze of Life, 1992 - 1993</a><br /> <a href="/en/collection/exhibition/53052">Edvard Munch, 1987</a><br /> <a href="/en/collection/exhibition/105058">Munch et la France, 1991 - 1992</a><br /> <a href="/en/collection/exhibition/104093">Edvard Munch - tegninger, skisser og studier, 1973</a><br /> <a href="/en/collection/exhibition/105059">Edvard Munch, 1895</a><br /> <a href="/en/collection/exhibition/104057">Edvard Munch und Axel Gall&#233;n, 1895</a><br /> <a href="/en/collection/exhibition/54054">Edvard Munchs udstilling, 1910</a><br /> <a href="/en/collection/exhibition/125054">Edvard Munchs Udstilling, 1909</a><br /> <a href="/en/collection/exhibition/105054">Kunstforeningens Edvard Munch udstilling, 1955</a><br /> <a href="/en/collection/exhibition/230">H&#246;jdpunkter i norsk konst, 1968</a><br /> <a href="/en/collection/exhibition/106104">Art nouveau. Art and design at the turn of the century, 1961</a><br /> <a href="/en/collection/exhibition/107061">[Malerier og grafikk av Edvard Munch], 1982</a><br /> <a href="/en/collection/exhibition/106121">Munch exhibition, 1981</a><br /> <a href="/en/collection/exhibition/229">Edvard Munch. The Frieze of Life, 1993</a><br /> <a href="/en/collection/exhibition/53051">Edvard Munch, 1987 - 1988</a><br /> <a href="/en/collection/exhibition/600">Olaf Schous gaver til Nasjonalgalleriet, 1987 - 1988</a><br /> <a href="/en/collection/exhibition/no0006878695">Munch 150, 2013</a><br /> <a href="/en/collection/exhibition/108076">La biennale di Venezia, 1954</a><br /> <a href="/en/collection/exhibition/125051">Edvard Munch, 1896</a><br /> <a href="/en/collection/exhibition/104055">Eduard Munch Gem&#228;lde-Ausstellung, 1893</a><br /> <a href="/en/collection/exhibition/48058">Edvard Munch, 1927</a><br /> <a href="/en/collection/exhibition/107063">Edvard Munch, 1970</a><br /> <a href="/en/collection/exhibition/107066">Edvard Munch, 1971</a><br /> <a href="/en/collection/exhibition/371">Edvard Munch. The Frieze of Life, 1993</a><br /> <a href="/en/collection/exhibition/104102">Edvard Munch, 1962 - 1963</a><br /> <a href="/en/collection/exhibition/106071">Sonder-Ausstellung von Edvard Munch, 1900</a><br /> <a href="/en/collection/exhibition/104062">F&#252;nfte Kunstausstellung der Berliner Secession, 1902</a><br /> <a href="/en/collection/exhibition/105062">[Edvard Munch], 1903</a><br /> <a href="/en/collection/exhibition/125052">Edv. Munch-Udstilling, 1900</a><br /> <a href="/en/collection/exhibition/106103">Art nouveau. Art and design at the turn of the century, 1960</a><br /> <a href="/en/collection/exhibition/106102">Art nouveau. 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'short--list': null)"> <li v-for="(item, index) in vm.items" :key="item.key || index" :class="vm.colClass"> <content-list-item :item="item" :items="vm.items" :variant="vm.variant" :index="index"></content-list-item> </li> </transition-group> </div> </div> </div> </div> <div class="container"> <div class="row"> <div class="col-12"> <div class="row" v-if="vm.remaining > 0"> <div class="col-sm-12"> <a :class="vm.buttonClass" @click.prevent="vm.onLoadMoreBtnClick" href="#"> <span v-text="' (' + vm.remaining + ')'"></span> </a> </div> </div> </div> </div> </div> </div> <noscript> <div class="container"> <div class="row"> <div class="col-md-4"> <div class="content-list-item content-list-item--article"> <div class="content-list-item__text"> <h3> <a href="/en/collection/object/NG.M.00939VERSO">Skisse til Skrik</a> </h3> </div> </div> </div> <div class="col-md-4"> <div class="content-list-item content-list-item--article"> <div class="content-list-item__text"> <h3> <a 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