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dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style>"4th Time Around" (also listed as "Fourth Time Around")<a href="#cite_note-FOOTNOTETrager2004195-2">[2]</a> is a song by American singer-songwriter <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>, which was released as the 12th track on his seventh studio album <a href="/wiki/Blonde_on_Blonde" title="Blonde on Blonde">Blonde on Blonde</a> on June 20, 1966. The song was written by Dylan and produced by <a href="/wiki/Bob_Johnston" title="Bob Johnston">Bob Johnston</a>. Commentators often interpret it as a parody of <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>' 1965 song "<a href="/wiki/Norwegian_Wood_(This_Bird_Has_Flown)" title="Norwegian Wood (This Bird Has Flown)">Norwegian Wood (This Bird Has Flown)</a>". <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a><a href="#cite_note-NW-3">[a]</a> composed "Norwegian Wood" after being influenced by the introspective lyrics of Dylan. Lennon later reflected on his feelings of paranoia when Dylan first played him "4th Time Around". <table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="color: #202122;background-color: #E6E8FA; font-size: 125%;">"4th Time Around"</th></tr><tr class="description"><th colspan="2" class="infobox-header description" style="color: #202122;background-color: #E6E8FA;"><a href="/wiki/Song" title="Song">Song</a> by <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a></th></tr><tr class="description"><th colspan="2" class="infobox-header description" style="color: #202122;background-color: #E6E8FA;">from the album <a href="/wiki/Blonde_on_Blonde" title="Blonde on Blonde">Blonde on Blonde</a> </th></tr><tr><th scope="row" class="infobox-label">Released</th><td class="infobox-data plainlist">June 20, 1966 (1966-06-20)</td></tr><tr><th scope="row" class="infobox-label">Recorded</th><td class="infobox-data plainlist">February 14, 1966</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Recording_studio" title="Recording studio">Studio</a></th><td class="infobox-data plainlist"><a href="/wiki/Bradley_Studios#Columbia_Studios" class="mw-redirect" title="Bradley Studios">Columbia Studio A</a> (Nashville, Tennessee)</td></tr><tr><th scope="row" class="infobox-label">Length</th><td class="infobox-data plainlist">4:35<a href="#cite_note-FOOTNOTEMargotinGuesdon2022237-1">[1]</a></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_label" title="Record label">Label</a></th><td class="infobox-data hlist"><a href="/wiki/Columbia_Records" title="Columbia Records">Columbia</a></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Songwriter" title="Songwriter">Songwriter(s)</a></th><td class="infobox-data hlist">Bob Dylan</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_producer" title="Record producer">Producer(s)</a></th><td class="infobox-data hlist"><a href="/wiki/Bob_Johnston" title="Bob Johnston">Bob Johnston</a></td></tr><tr><td colspan="2" class="infobox-below"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th colspan="2" class="infobox-header" style="background: #E6E8FA">Audio</th></tr><tr><td colspan="2" class="infobox-full-data"><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=7wSIboHqtXY">"4th Time Around"</a> on <a href="/wiki/YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a></td></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table> Twenty takes of "4th Time Around", most of them incomplete, were recorded at Columbia Studio A, Nashville, on February 14, 1966. The last of these was used for the album. "4th Time Around" has received critical acclaim, despite being identified as one of the lesser tracks on Blonde on Blonde. <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><label class="toctogglelabel" for="toctogglecheckbox"></label></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Background_and_recording">1 Background and recording</a></li> <li class="toclevel-1 tocsection-2"><a href="#Composition_and_lyrical_interpretation">2 Composition and lyrical interpretation</a></li> <li class="toclevel-1 tocsection-3"><a href="#Critical_reception">3 Critical reception</a></li> <li class="toclevel-1 tocsection-4"><a href="#Live_performances">4 Live performances</a></li> <li class="toclevel-1 tocsection-5"><a href="#Personnel">5 Personnel</a></li> <li class="toclevel-1 tocsection-6"><a href="#Notes">6 Notes</a></li> <li class="toclevel-1 tocsection-7"><a href="#References">7 References</a></li> <li class="toclevel-1 tocsection-8"><a href="#External_links">8 External links</a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><h2 id="Background_and_recording">Background and recording</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=1" title="Edit section: Background and recording" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-1 collapsible-block" id="mf-section-1"> A few weeks after the release of his sixth studio album <a href="/wiki/Highway_61_Revisited" title="Highway 61 Revisited">Highway 61 Revisited</a> (1965), <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>'s first recording session for his next album was on October 5, 1965, at <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia Studio A</a>, New York City. The producer was <a href="/wiki/Bob_Johnston" title="Bob Johnston">Bob Johnston</a> who had supervised from the third, to the concluding sixth, recording session for Highway 61 Revisited at the same studio.<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a><a href="#cite_note-OLOF65-5">[4]</a> After this session, Dylan toured the United States and Canada; there was a second recording session in New York on November 30, during the tour.<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a> Three recording sessions in January (on the 21st, 25th and 27th) were not productive.<a href="#cite_note-OLOF66-6">[5]</a> At Johnston's suggestion, the location for the sessions was changed to <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville, Tennessee</a>.<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a> After two further concerts,<a href="#cite_note-OLOF66-6">[5]</a> the fifth album session took place at <a href="/wiki/Bradley_Studios#Columbia_Studios" class="mw-redirect" title="Bradley Studios">Columbia Studio A</a>, Nashville.<a href="#cite_note-FOOTNOTESanders202099-7">[6]</a><a href="#cite_note-OLOF66-6">[5]</a> Johnston organized for experienced session musicians including <a href="/wiki/Charlie_McCoy" title="Charlie McCoy">Charlie McCoy</a>, <a href="/wiki/Wayne_Moss" title="Wayne Moss">Wayne Moss</a>, <a href="/wiki/Kenneth_Buttrey" class="mw-redirect" title="Kenneth Buttrey">Kenneth Buttrey</a> and <a href="/wiki/Joe_South" title="Joe South">Joe South</a> to play with Dylan.<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a> They were joined by <a href="/wiki/Robbie_Robertson" title="Robbie Robertson">Robbie Robertson</a> and <a href="/wiki/Al_Kooper" title="Al Kooper">Al Kooper</a> who had both played at earlier sessions.<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a> Twenty takes of "4th Time Around", most of them incomplete, were recorded at the start of the first Nashville session, on February 14, 1966.<a href="#cite_note-OLOF66-6">[5]</a> The twentieth take was used on <a href="/wiki/Blonde_on_Blonde" title="Blonde on Blonde">Blonde on Blonde</a>,<a href="#cite_note-OLOF66-6">[5]</a> with <a href="/wiki/Overdubbing" title="Overdubbing">overdubs</a> recorded in June.<a href="#cite_note-FOOTNOTEHeylin2011264-8">[7]</a> The album was released on June 20, 1966.<a href="#cite_note-FOOTNOTEHeylin2017288-9">[8]</a> Dylan biographer <a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Robert Shelton</a> wrote that "the guitar figure repeats a rippling, romantic Mexican cadence".<a href="#cite_note-FOOTNOTEShelton1987324-10">[9]</a> He related that Dylan told him that he had always been "hip to" <a href="/wiki/Tejano_music" title="Tejano music">Tejano music</a> and a type of Mexican <a href="/wiki/Folk-pop" title="Folk-pop">folk-pop</a> music known as "cangacero", and that these had influenced his songs "<a href="/wiki/It%27s_All_Over_Now,_Baby_Blue" title="It's All Over Now, Baby Blue">It's All Over Now, Baby Blue</a>" and "<a href="/wiki/Just_Like_Tom_Thumb%27s_Blues" title="Just Like Tom Thumb's Blues">Just Like Tom Thumb's Blues</a>" as well as "4th Time Around".<a href="#cite_note-FOOTNOTEShelton1987324-10">[9]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><h2 id="Composition_and_lyrical_interpretation">Composition and lyrical interpretation</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=2" title="Edit section: Composition and lyrical interpretation" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-2 collapsible-block" id="mf-section-2"> Dylan biographer <a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Clinton Heylin</a> speculated that "4th Time Around" was written either hours or days before the Nashville recording session.<a href="#cite_note-FOOTNOTEHeylin2010357-11">[10]</a> The song has five verses, each with nine lines.<a href="#cite_note-FOOTNOTERodgers201221-12">[11]</a> The lyrics appear to address a <a href="/wiki/Love_triangle" title="Love triangle">love triangle</a>, and the narrator's memories of a separation from a former lover.<a href="#cite_note-FOOTNOTERodgers201221-12">[11]</a> Scholar of English literature Michael Rodgers wrote that "the song is notable for its vitriol and how much the speaker acts the clown".<a href="#cite_note-FOOTNOTERodgers201221-12">[11]</a> In the first verse, a woman that the narrator has been arguing with says "Everybody must give something back/For something they get".<a href="#cite_note-FOOTNOTERodgers201221-12">[11]</a> The narrator questions why, and in the second verse, responds immaturely as he relates that he "gallantly handed her/My very last piece of gum".<a href="#cite_note-FOOTNOTERodgers201221-12">[11]</a> Critic <a href="/wiki/Michael_Gray_(author)" title="Michael Gray (author)">Michael Gray</a> refers to the start of the track as a "cold, mocking put-down of a woman and a relationship untouched by love".<a href="#cite_note-FOOTNOTEGray2002147-13">[12]</a> He writes that the song contains instances of sexual <a href="/wiki/Innuendo" title="Innuendo">innuendo</a> that highlight "Dylan's skill in pursuing the suggestive".<a href="#cite_note-FOOTNOTEGray2002147-13">[12]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:John_Lennon_in_1966_(cropped).jpg" class="mw-file-description"><noscript><img alt="A head and shoulders picture of John Lennon, wearing sunglasses" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9c/John_Lennon_in_1966_%28cropped%29.jpg/220px-John_Lennon_in_1966_%28cropped%29.jpg" decoding="async" width="220" height="282" class="mw-file-element" data-file-width="257" data-file-height="329"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 282px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9c/John_Lennon_in_1966_%28cropped%29.jpg/220px-John_Lennon_in_1966_%28cropped%29.jpg" data-alt="A head and shoulders picture of John Lennon, wearing sunglasses" data-width="220" data-height="282" data-srcset="//upload.wikimedia.org/wikipedia/commons/9/9c/John_Lennon_in_1966_%28cropped%29.jpg 1.5x" data-class="mw-file-element"> </a><figcaption><a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> in October 1966</figcaption></figure> Commentators often interpret "4th Time Around" as a response to <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>' song "<a href="/wiki/Norwegian_Wood_(This_Bird_Has_Flown)" title="Norwegian Wood (This Bird Has Flown)">Norwegian Wood (This Bird Has Flown)</a>",<a href="#cite_note-FOOTNOTETrager2004195-2">[2]</a> written by <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> for the 1965 album <a href="/wiki/Rubber_Soul" title="Rubber Soul">Rubber Soul</a>.<a href="#cite_note-FOOTNOTEInglis199666%E2%80%9367-14">[13]</a><a href="#cite_note-NW-3">[a]</a> "Norwegian Wood" obliquely addresses Lennon's romantic affair with a journalist.<a href="#cite_note-FOOTNOTEMacDonald2008165-16">[15]</a> Dylan and the Beatles first met each other in August 1964, in New York.<a href="#cite_note-FOOTNOTEInglis199661-17">[16]</a> They were appreciative of each other's work,<a href="#cite_note-FOOTNOTEInglis199663-18">[17]</a> and some commentators have identified Dylan, whose lyrics contained "honest self-scrutiny and melancholy" as an influence on Lennon's writing in particular, first evidenced in "<a href="/wiki/I%27m_a_Loser" title="I'm a Loser">I'm a Loser</a>" (1964).<a href="#cite_note-FOOTNOTEInglis199663-18">[17]</a> Heylin has suggested that Dylan, having noticed his influence on Rubber Soul, wrote "4th Time Around" as "a way of showing that he could raise the bar lyrically on Lennon".<a href="#cite_note-FOOTNOTEHeylin2010356-19">[18]</a> Both songs share a similar melody, although their orchestrations differ.<a href="#cite_note-FOOTNOTEMargotinGuesdon2022237-1">[1]</a> Scholar of English Charles O. Hartman wrote that the song is "made of <a href="/wiki/Stanza" title="Stanza">stanzas</a> each of which is an <a href="/wiki/Thirty-two-bar_form" title="Thirty-two-bar form">AABA</a> structure, placing the song among Dylan's most baroque concoctions".<a href="#cite_note-FOOTNOTEHartman2015749-20">[19]</a> Lennon was asked about the track in a 1968 <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> interview, in which he stated:<style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">I was very paranoid about that. I remember he played it to me when he was in London. He said, what do you think? I said, I don't like it. I didn't like it. I was very paranoid. I just didn't like what I felt I was feeling – I thought it was an out and out skit, you know, but it wasn't. It was great. I mean he wasn't playing any tricks on me. I was just going through the bit.<a href="#cite_note-21">[20]</a></blockquote> Gray comments that "it says something ... that Dylan was suspected (not least by Lennon) of parodying rather than copying".<a href="#cite_note-FOOTNOTEGray2002147-13">[12]</a> Heylin regards Dylan's song as "altogether darker, more disturbing".<a href="#cite_note-FOOTNOTEHeylin2010356-19">[18]</a> <a href="/wiki/Classics" title="Classics">Classics</a> scholar <a href="/wiki/Richard_F._Thomas" title="Richard F. Thomas">Richard F. Thomas</a> considers that the Beatles track "sounds coy, almost innocent in comparison to the sophistication of Dylan's voice and lyrics".<a href="#cite_note-FOOTNOTEThomas2017146-22">[21]</a> Thomas argued that if indeed "4th Time Around" is addressed to the Beatles, then its closing couplet, "I never asked for your crutch/Now don't ask for mine", is "devastating", and a message to the Beatles to "[s]tay away from what I'm doing".<a href="#cite_note-FOOTNOTEThomas2017147-23">[22]</a> He believes that it rings true to hear that Lennon was "unhappy at what must have seemed like mockery and parody",<a href="#cite_note-FOOTNOTEThomas2017146-22">[21]</a> and that Dylan does in fact "parody the simple rhyme of the Beatles song".<a href="#cite_note-FOOTNOTEThomas2017146%E2%80%93147-24">[23]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><h2 id="Critical_reception">Critical reception</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=3" title="Edit section: Critical reception" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <a href="/wiki/Ralph_J._Gleason" title="Ralph J. Gleason">Ralph J. Gleason</a> of the <a href="/wiki/San_Francisco_Examiner" title="San Francisco Examiner">San Francisco Examiner</a> praised the song for "some great, grotesque and funny lines that dip into reality".<a href="#cite_note-25">[24]</a> Scholar <a href="/wiki/Sean_Wilentz" title="Sean Wilentz">Sean Wilentz</a> wrote that "4th Time Around" sounds "like Bob Dylan impersonating John Lennon impersonating Bob Dylan", and is "slight" in comparison to Dylan's "<a href="/wiki/Visions_of_Johanna" title="Visions of Johanna">Visions of Johanna</a>'".<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a> Shelton described Dylan's voice on the track as that of "a tired, old bluesman" and commented that "The lyric is runaway fantasy, almost incongruous against the soft musical flow".<a href="#cite_note-FOOTNOTEShelton1987324-10">[9]</a> Rodgers finds that the "reprehensible" image presented by the narrator is "heavily distorted by boyish naiveté and Socratic irony and actually works in such a way as to make the whole affair extremely humorous".<a href="#cite_note-FOOTNOTERodgers201221-12">[11]</a> Although he writes positively about the song, Gray considers it one of the lesser tracks on Blonde on Blonde.<a href="#cite_note-FOOTNOTEGray2002149-26">[25]</a> <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> rated the song as 54th in a 2015 ranking of the "100 Greatest Bob Dylan Songs".<a href="#cite_note-27">[26]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><h2 id="Live_performances">Live performances</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=4" title="Edit section: Live performances" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-4 collapsible-block" id="mf-section-4"> According to his official website, Dylan has played the song in concert 37 times.<a href="#cite_note-LIVE-28">[27]</a> The live debut was on February 26, 1966, at <a href="/wiki/Island_Garden" title="Island Garden">Island Garden</a>, <a href="/wiki/West_Hempstead,_New_York" title="West Hempstead, New York">West Hempstead, New York</a>,<a href="#cite_note-LIVE-28">[27]</a> and it featured regularly on setlists until the conclusion of his <a href="/wiki/Bob_Dylan_World_Tour_1966" title="Bob Dylan World Tour 1966">1966 World Tour</a>, on May 26, 1966, at the <a href="/wiki/Royal_Albert_Hall" title="Royal Albert Hall">Royal Albert Hall</a>, London.<a href="#cite_note-FOOTNOTEHeylin2010357%E2%80%93358-29">[28]</a><a href="#cite_note-LIVE-28">[27]</a> One-off acoustic performances in 1974 and 1978 have been criticized as "among Dylan's worst-ever live performances" by Heylin,<a href="#cite_note-FOOTNOTEHeylin2010358-30">[29]</a> who praised the 1966 performances, where he felt Dylan was focused, and a 1975 <a href="/wiki/Rolling_Thunder_Revue" title="Rolling Thunder Revue">Rolling Thunder Revue</a> live rendition that he felt "came caressingly close to [the song's] corrosive core".<a href="#cite_note-FOOTNOTEHeylin2010358-30">[29]</a> The song also featured in Dylan shows in 1999, 2000, and 2002.<a href="#cite_note-LIVE-28">[27]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><h2 id="Personnel">Personnel</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=5" title="Edit section: Personnel" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-5 collapsible-block" id="mf-section-5"> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Joe_South.png" class="mw-file-description"><noscript><img alt="A head and shoulders picture of Joe South" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Joe_South.png/220px-Joe_South.png" decoding="async" width="220" height="214" class="mw-file-element" data-file-width="1251" data-file-height="1216"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 214px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Joe_South.png/220px-Joe_South.png" data-alt="A head and shoulders picture of Joe South" data-width="220" data-height="214" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Joe_South.png/330px-Joe_South.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Joe_South.png/440px-Joe_South.png 2x" data-class="mw-file-element"> </a><figcaption>Joe South (pictured in 1970) played on the track</figcaption></figure> The details of the personnel involved in making Blonde on Blonde are subject to some uncertainty.<a href="#cite_note-FOOTNOTEWilentz2010-4">[3]</a> According to Daryl Sanders, the musicians on "4th Time Around" were as follows:<a href="#cite_note-FOOTNOTESanders2020279-31">[30]</a> Musicians <ul><li><a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> – vocals, acoustic guitar, harmonica</li> <li><a href="/wiki/Wayne_Moss" title="Wayne Moss">Wayne Moss</a> – acoustic guitar</li> <li><a href="/wiki/Charlie_McCoy" title="Charlie McCoy">Charlie McCoy</a> – acoustic guitar</li> <li><a href="/wiki/Joe_South" title="Joe South">Joe South</a> – electric bass</li> <li><a href="/wiki/Al_Kooper" title="Al Kooper">Al Kooper</a> – organ<a href="#cite_note-33">[b]</a></li> <li><a href="/wiki/Kenneth_Buttrey" class="mw-redirect" title="Kenneth Buttrey">Kenneth Buttrey</a> – drums</li></ul> Technical <ul><li><a href="/wiki/Bob_Johnston" title="Bob Johnston">Bob Johnston</a> – record producer<a href="#cite_note-FOOTNOTESanders2020276-34">[32]</a></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><h2 id="Notes">Notes</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=6" title="Edit section: Notes" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-NW-3">^ <a href="#cite_ref-NW_3-0">a</a> <a href="#cite_ref-NW_3-1">b</a> In 1980, Lennon claimed full authorship of the song, but <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> may have co-written the lyrics and/or music.<a href="#cite_note-FOOTNOTEMacDonald2008164-15">[14]</a> </li> <li id="cite_note-33"><a href="#cite_ref-33">^</a> According to Sanders, Kooper's organ part was included on the mono releases of the album in France and Canada, and on the initial stereo release, but was not included on later stereo releases.<a href="#cite_note-FOOTNOTESanders2020280-32">[31]</a> </li> </ol></div></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(7)"><h2 id="References">References</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=7" title="Edit section: References" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-7 collapsible-block" id="mf-section-7"> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-hanging-indents refbegin-columns references-column-width" style="column-width: 30em"> Books <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFGray2002" class="citation book cs1"><a href="/wiki/Michael_Gray_(author)" title="Michael Gray (author)">Gray, Michael</a> (2002). Song and Dance Man III: The Art of Bob Dylan. London: Continuum International Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8264-6382-1" title="Special:BookSources/978-0-8264-6382-1"><bdi>978-0-8264-6382-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Song+and+Dance+Man+III%3A+The+Art+of+Bob+Dylan&rft.place=London&rft.pub=Continuum+International+Publishing+Group&rft.date=2002&rft.isbn=978-0-8264-6382-1&rft.aulast=Gray&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2010" class="citation book cs1"><a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Heylin, Clinton</a> (2010). Revolution in the Air – the songs of Bob Dylan Vol.1 1957–73. Constable & Robinson. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84901-296-6" title="Special:BookSources/978-1-84901-296-6"><bdi>978-1-84901-296-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+in+the+Air+%E2%80%93+the+songs+of+Bob+Dylan+Vol.1+1957%E2%80%9373&rft.pub=Constable+%26+Robinson&rft.date=2010&rft.isbn=978-1-84901-296-6&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2011" class="citation book cs1">Heylin, Clinton (2011). Behind the Shades: The 20th Anniversary Edition. London: Faber And Faber. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-27240-2" title="Special:BookSources/978-0-571-27240-2"><bdi>978-0-571-27240-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Behind+the+Shades%3A+The+20th+Anniversary+Edition&rft.place=London&rft.pub=Faber+And+Faber&rft.date=2011&rft.isbn=978-0-571-27240-2&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2017" class="citation book cs1">Heylin, Clinton (2017). Judas!. New York: Lesser Gods. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-944713-30-0" title="Special:BookSources/978-1-944713-30-0"><bdi>978-1-944713-30-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Judas%21&rft.place=New+York&rft.pub=Lesser+Gods&rft.date=2017&rft.isbn=978-1-944713-30-0&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacDonald2008" class="citation book cs1"><a href="/wiki/Ian_MacDonald" title="Ian MacDonald">MacDonald, Ian</a> (2008). Revolution in the Head: The Beatles' Records and the Sixties (Third ed.). London: <a href="/wiki/Vintage_Books" title="Vintage Books">Vintage Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84413-828-9" title="Special:BookSources/978-1-84413-828-9"><bdi>978-1-84413-828-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+in+the+Head%3A+The+Beatles%27+Records+and+the+Sixties&rft.place=London&rft.edition=Third&rft.pub=Vintage+Books&rft.date=2008&rft.isbn=978-1-84413-828-9&rft.aulast=MacDonald&rft.aufirst=Ian&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMargotinGuesdon2022" class="citation book cs1">Margotin, Philippe; Guesdon, Jean-Michel (2022). Bob Dylan All the Songs: The Story Behind Every Track (Expanded ed.). New York: Black Dog & Leventhal. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7624-7573-5" title="Special:BookSources/978-0-7624-7573-5"><bdi>978-0-7624-7573-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan+All+the+Songs%3A+The+Story+Behind+Every+Track&rft.place=New+York&rft.edition=Expanded&rft.pub=Black+Dog+%26+Leventhal&rft.date=2022&rft.isbn=978-0-7624-7573-5&rft.aulast=Margotin&rft.aufirst=Philippe&rft.au=Guesdon%2C+Jean-Michel&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSanders2020" class="citation book cs1">Sanders, Daryl (2020). That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde (epub ed.). Chicago: Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61373-550-3" title="Special:BookSources/978-1-61373-550-3"><bdi>978-1-61373-550-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=That+Thin%2C+Wild+Mercury+Sound%3A+Dylan%2C+Nashville%2C+and+the+Making+of+Blonde+on+Blonde&rft.place=Chicago&rft.edition=epub&rft.pub=Chicago+Review+Press&rft.date=2020&rft.isbn=978-1-61373-550-3&rft.aulast=Sanders&rft.aufirst=Daryl&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShelton1987" class="citation book cs1"><a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Shelton, Robert</a> (1987). No direction home: the life and music of Bob Dylan. London: New English Library. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-450-04843-2" title="Special:BookSources/978-0-450-04843-2"><bdi>978-0-450-04843-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=No+direction+home%3A+the+life+and+music+of+Bob+Dylan&rft.place=London&rft.pub=New+English+Library&rft.date=1987&rft.isbn=978-0-450-04843-2&rft.aulast=Shelton&rft.aufirst=Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas2017" class="citation book cs1"><a href="/wiki/Richard_F._Thomas" title="Richard F. Thomas">Thomas, Richard</a> (2017). Why Bob Dylan Matters. New York: Dey Street. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-268573-5" title="Special:BookSources/978-0-06-268573-5"><bdi>978-0-06-268573-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Why+Bob+Dylan+Matters&rft.place=New+York&rft.pub=Dey+Street&rft.date=2017&rft.isbn=978-0-06-268573-5&rft.aulast=Thomas&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTrager2004" class="citation book cs1">Trager, Oliver (2004). Keys to the rain: the definitive Bob Dylan encyclopedia. New York: Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-7974-2" title="Special:BookSources/978-0-8230-7974-2"><bdi>978-0-8230-7974-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Keys+to+the+rain%3A+the+definitive+Bob+Dylan+encyclopedia&rft.place=New+York&rft.pub=Billboard+Books&rft.date=2004&rft.isbn=978-0-8230-7974-2&rft.aulast=Trager&rft.aufirst=Oliver&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilentz2010" class="citation book cs1"><a href="/wiki/Sean_Wilentz" title="Sean Wilentz">Wilentz, Sean</a> (2010). "4: The Sound of 3:00 am: The Making of Blonde on Blonde, New York City and Nashville, October 5, 1965 – March 10 (?), 1966". <a rel="nofollow" class="external text" href="https://www.popmatters.com/131206-bob-dylan-in-america-2496136966.html">Bob Dylan in America</a>. London: Vintage Digital. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4070-7411-5" title="Special:BookSources/978-1-4070-7411-5"><bdi>978-1-4070-7411-5</bdi></a>. Retrieved August 21, 2022 – via Pop Matters.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=4%3A+The+Sound+of+3%3A00+am%3A+The+Making+of+Blonde+on+Blonde%2C+New+York+City+and+Nashville%2C+October+5%2C+1965+%E2%80%93+March+10+%28%3F%29%2C+1966&rft.btitle=Bob+Dylan+in+America&rft.place=London&rft.pub=Vintage+Digital&rft.date=2010&rft.isbn=978-1-4070-7411-5&rft.aulast=Wilentz&rft.aufirst=Sean&rft_id=https%3A%2F%2Fwww.popmatters.com%2F131206-bob-dylan-in-america-2496136966.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li></ul> Journal articles <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHartman2015" class="citation journal cs1">Hartman, Charles O. (2015). "Dylan's Bridges". New Literary History. 46 (4): 737–57. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1353%2Fnlh.2015.0037">10.1353/nlh.2015.0037</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:163223965">163223965</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Literary+History&rft.atitle=Dylan%27s+Bridges&rft.volume=46&rft.issue=4&rft.pages=737-57&rft.date=2015&rft_id=info%3Adoi%2F10.1353%2Fnlh.2015.0037&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A163223965%23id-name%3DS2CID&rft.aulast=Hartman&rft.aufirst=Charles+O.&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFInglis1996" class="citation journal cs1">Inglis, Ian (1996). "Synergies and Reciprocities: The Dynamics of Musical and Professional Interaction between The Beatles and Bob Dylan". Popular Music & Society. 20 (4): 53–79. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F03007769608591644">10.1080/03007769608591644</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Popular+Music+%26+Society&rft.atitle=Synergies+and+Reciprocities%3A+The+Dynamics+of+Musical+and+Professional+Interaction+between+The+Beatles+and+Bob+Dylan&rft.volume=20&rft.issue=4&rft.pages=53-79&rft.date=1996&rft_id=info%3Adoi%2F10.1080%2F03007769608591644&rft.aulast=Inglis&rft.aufirst=Ian&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRodgers2012" class="citation journal cs1">Rodgers, Michael (2012). <a rel="nofollow" class="external text" href="https://doi.org/10.17742%2FIMAGE.stealimage.3-1.5">"Relationships of Ownership: Art and Theft in Bob Dylan's 1960s' Trilogy"</a>. Imaginations Journal. 3 (1): 17–29. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.17742%2FIMAGE.stealimage.3-1.5">10.17742/IMAGE.stealimage.3-1.5</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Imaginations+Journal&rft.atitle=Relationships+of+Ownership%3A+Art+and+Theft+in+Bob+Dylan%27s+1960s%27+Trilogy&rft.volume=3&rft.issue=1&rft.pages=17-29&rft.date=2012&rft_id=info%3Adoi%2F10.17742%2FIMAGE.stealimage.3-1.5&rft.aulast=Rodgers&rft.aufirst=Michael&rft_id=https%3A%2F%2Fdoi.org%2F10.17742%252FIMAGE.stealimage.3-1.5&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"></li></ul> </div> Citations <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-FOOTNOTEMargotinGuesdon2022237-1">^ <a href="#cite_ref-FOOTNOTEMargotinGuesdon2022237_1-0">a</a> <a href="#cite_ref-FOOTNOTEMargotinGuesdon2022237_1-1">b</a> <a href="#CITEREFMargotinGuesdon2022">Margotin & Guesdon 2022</a>, p. 237. </li> <li id="cite_note-FOOTNOTETrager2004195-2">^ <a href="#cite_ref-FOOTNOTETrager2004195_2-0">a</a> <a href="#cite_ref-FOOTNOTETrager2004195_2-1">b</a> <a href="#CITEREFTrager2004">Trager 2004</a>, p. 195. </li> <li id="cite_note-FOOTNOTEWilentz2010-4">^ <a href="#cite_ref-FOOTNOTEWilentz2010_4-0">a</a> <a href="#cite_ref-FOOTNOTEWilentz2010_4-1">b</a> <a href="#cite_ref-FOOTNOTEWilentz2010_4-2">c</a> <a href="#cite_ref-FOOTNOTEWilentz2010_4-3">d</a> <a href="#cite_ref-FOOTNOTEWilentz2010_4-4">e</a> <a href="#cite_ref-FOOTNOTEWilentz2010_4-5">f</a> <a href="#cite_ref-FOOTNOTEWilentz2010_4-6">g</a> <a href="#CITEREFWilentz2010">Wilentz 2010</a>. </li> <li id="cite_note-OLOF65-5"><a href="#cite_ref-OLOF65_5-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBjörner" class="citation web cs1">Björner, Olof. <a rel="nofollow" class="external text" href="https://www.bjorner.com/DSN00785%20(65).htm">"Still on the Road: 1965 Concerts, Interviews and Recording Sessions"</a>. bjorner.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220822153419/https://www.bjorner.com/DSN00785%20%2865%29.htm">Archived</a> from the original on August 22, 2022. Retrieved August 22, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=bjorner.com&rft.atitle=Still+on+the+Road%3A+1965+Concerts%2C+Interviews+and+Recording+Sessions&rft.aulast=Bj%C3%B6rner&rft.aufirst=Olof&rft_id=https%3A%2F%2Fwww.bjorner.com%2FDSN00785%2520%2865%29.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"> </li> <li id="cite_note-OLOF66-6">^ <a href="#cite_ref-OLOF66_6-0">a</a> <a href="#cite_ref-OLOF66_6-1">b</a> <a href="#cite_ref-OLOF66_6-2">c</a> <a href="#cite_ref-OLOF66_6-3">d</a> <a href="#cite_ref-OLOF66_6-4">e</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBjörner" class="citation web cs1">Björner, Olof. <a rel="nofollow" class="external text" href="https://www.bjorner.com/DSN01225%20(66).htm">"Still on the Road: 1966 Blonde on Blonde recording sessions and world tour"</a>. bjorner.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220605143326/http://www.bjorner.com/DSN01225%20%2866%29.htm">Archived</a> from the original on June 5, 2022. Retrieved August 22, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=bjorner.com&rft.atitle=Still+on+the+Road%3A+1966+Blonde+on+Blonde+recording+sessions+and+world+tour&rft.aulast=Bj%C3%B6rner&rft.aufirst=Olof&rft_id=https%3A%2F%2Fwww.bjorner.com%2FDSN01225%2520%2866%29.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"> </li> <li id="cite_note-FOOTNOTESanders202099-7"><a href="#cite_ref-FOOTNOTESanders202099_7-0">^</a> <a href="#CITEREFSanders2020">Sanders 2020</a>, p. 99. </li> <li id="cite_note-FOOTNOTEHeylin2011264-8"><a href="#cite_ref-FOOTNOTEHeylin2011264_8-0">^</a> <a href="#CITEREFHeylin2011">Heylin 2011</a>, p. 264. </li> <li id="cite_note-FOOTNOTEHeylin2017288-9"><a href="#cite_ref-FOOTNOTEHeylin2017288_9-0">^</a> <a href="#CITEREFHeylin2017">Heylin 2017</a>, p. 288. </li> <li id="cite_note-FOOTNOTEShelton1987324-10">^ <a href="#cite_ref-FOOTNOTEShelton1987324_10-0">a</a> <a href="#cite_ref-FOOTNOTEShelton1987324_10-1">b</a> <a href="#cite_ref-FOOTNOTEShelton1987324_10-2">c</a> <a href="#CITEREFShelton1987">Shelton 1987</a>, p. 324. </li> <li id="cite_note-FOOTNOTEHeylin2010357-11"><a href="#cite_ref-FOOTNOTEHeylin2010357_11-0">^</a> <a href="#CITEREFHeylin2010">Heylin 2010</a>, p. 357. </li> <li id="cite_note-FOOTNOTERodgers201221-12">^ <a href="#cite_ref-FOOTNOTERodgers201221_12-0">a</a> <a href="#cite_ref-FOOTNOTERodgers201221_12-1">b</a> <a href="#cite_ref-FOOTNOTERodgers201221_12-2">c</a> <a href="#cite_ref-FOOTNOTERodgers201221_12-3">d</a> <a href="#cite_ref-FOOTNOTERodgers201221_12-4">e</a> <a href="#cite_ref-FOOTNOTERodgers201221_12-5">f</a> <a href="#CITEREFRodgers2012">Rodgers 2012</a>, p. 21. </li> <li id="cite_note-FOOTNOTEGray2002147-13">^ <a href="#cite_ref-FOOTNOTEGray2002147_13-0">a</a> <a href="#cite_ref-FOOTNOTEGray2002147_13-1">b</a> <a href="#cite_ref-FOOTNOTEGray2002147_13-2">c</a> <a href="#CITEREFGray2002">Gray 2002</a>, p. 147. </li> <li id="cite_note-FOOTNOTEInglis199666–67-14"><a href="#cite_ref-FOOTNOTEInglis199666%E2%80%9367_14-0">^</a> <a href="#CITEREFInglis1996">Inglis 1996</a>, pp. 66–67. </li> <li id="cite_note-FOOTNOTEMacDonald2008164-15"><a href="#cite_ref-FOOTNOTEMacDonald2008164_15-0">^</a> <a href="#CITEREFMacDonald2008">MacDonald 2008</a>, p. 164. </li> <li id="cite_note-FOOTNOTEMacDonald2008165-16"><a href="#cite_ref-FOOTNOTEMacDonald2008165_16-0">^</a> <a href="#CITEREFMacDonald2008">MacDonald 2008</a>, p. 165. </li> <li id="cite_note-FOOTNOTEInglis199661-17"><a href="#cite_ref-FOOTNOTEInglis199661_17-0">^</a> <a href="#CITEREFInglis1996">Inglis 1996</a>, p. 61. </li> <li id="cite_note-FOOTNOTEInglis199663-18">^ <a href="#cite_ref-FOOTNOTEInglis199663_18-0">a</a> <a href="#cite_ref-FOOTNOTEInglis199663_18-1">b</a> <a href="#CITEREFInglis1996">Inglis 1996</a>, p. 63. </li> <li id="cite_note-FOOTNOTEHeylin2010356-19">^ <a href="#cite_ref-FOOTNOTEHeylin2010356_19-0">a</a> <a href="#cite_ref-FOOTNOTEHeylin2010356_19-1">b</a> <a href="#CITEREFHeylin2010">Heylin 2010</a>, p. 356. </li> <li id="cite_note-FOOTNOTEHartman2015749-20"><a href="#cite_ref-FOOTNOTEHartman2015749_20-0">^</a> <a href="#CITEREFHartman2015">Hartman 2015</a>, p. 749. </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCott1968" class="citation magazine cs1">Cott, Jonathan (November 23, 1968). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/john-lennon-the-rolling-stone-interview-186264/">"John Lennon: The Rolling Stone Interview"</a>. Rolling Stone. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220824155836/https://www.rollingstone.com/music/music-news/john-lennon-the-rolling-stone-interview-186264/">Archived</a> from the original on August 24, 2022. Retrieved February 14, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=John+Lennon%3A+The+Rolling+Stone+Interview&rft.date=1968-11-23&rft.aulast=Cott&rft.aufirst=Jonathan&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fjohn-lennon-the-rolling-stone-interview-186264%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"> </li> <li id="cite_note-FOOTNOTEThomas2017146-22">^ <a href="#cite_ref-FOOTNOTEThomas2017146_22-0">a</a> <a href="#cite_ref-FOOTNOTEThomas2017146_22-1">b</a> <a href="#CITEREFThomas2017">Thomas 2017</a>, p. 146. </li> <li id="cite_note-FOOTNOTEThomas2017147-23"><a href="#cite_ref-FOOTNOTEThomas2017147_23-0">^</a> <a href="#CITEREFThomas2017">Thomas 2017</a>, p. 147. </li> <li id="cite_note-FOOTNOTEThomas2017146–147-24"><a href="#cite_ref-FOOTNOTEThomas2017146%E2%80%93147_24-0">^</a> <a href="#CITEREFThomas2017">Thomas 2017</a>, pp. 146–147. </li> <li id="cite_note-25"><a href="#cite_ref-25">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Dylan's 'Blonde' broke all the rules". The San Francisco Examiner. July 31, 1966. p. TW.31.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+San+Francisco+Examiner&rft.atitle=Dylan%27s+%27Blonde%27+broke+all+the+rules&rft.pages=TW.31&rft.date=1966-07-31&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"> </li> <li id="cite_note-FOOTNOTEGray2002149-26"><a href="#cite_ref-FOOTNOTEGray2002149_26-0">^</a> <a href="#CITEREFGray2002">Gray 2002</a>, p. 149. </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-lists/100-greatest-bob-dylan-songs-65159/4th-time-around-1966-141191/">"100 Greatest Bob Dylan Songs"</a>. Rolling Stone. 2015. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220824155829/https://www.rollingstone.com/music/music-lists/100-greatest-bob-dylan-songs-65159/4th-time-around-1966-141191/">Archived</a> from the original on August 24, 2022. Retrieved August 23, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=100+Greatest+Bob+Dylan+Songs&rft.date=2015&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2F100-greatest-bob-dylan-songs-65159%2F4th-time-around-1966-141191%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"> </li> <li id="cite_note-LIVE-28">^ <a href="#cite_ref-LIVE_28-0">a</a> <a href="#cite_ref-LIVE_28-1">b</a> <a href="#cite_ref-LIVE_28-2">c</a> <a href="#cite_ref-LIVE_28-3">d</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bobdylan.com/setlists/?id_song=25828">"Setlists that contain Fourth Time Around"</a>. Bob Dylan's official website. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220823192735/https://www.bobdylan.com/setlists/?id_song=25828">Archived</a> from the original on August 23, 2022. Retrieved August 23, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Bob+Dylan%27s+official+website&rft.atitle=Setlists+that+contain+Fourth+Time+Around&rft_id=https%3A%2F%2Fwww.bobdylan.com%2Fsetlists%2F%3Fid_song%3D25828&rfr_id=info%3Asid%2Fen.wikipedia.org%3A4th+Time+Around" class="Z3988"> </li> <li id="cite_note-FOOTNOTEHeylin2010357–358-29"><a href="#cite_ref-FOOTNOTEHeylin2010357%E2%80%93358_29-0">^</a> <a href="#CITEREFHeylin2010">Heylin 2010</a>, pp. 357–358. </li> <li id="cite_note-FOOTNOTEHeylin2010358-30">^ <a href="#cite_ref-FOOTNOTEHeylin2010358_30-0">a</a> <a href="#cite_ref-FOOTNOTEHeylin2010358_30-1">b</a> <a href="#CITEREFHeylin2010">Heylin 2010</a>, p. 358. </li> <li id="cite_note-FOOTNOTESanders2020279-31"><a href="#cite_ref-FOOTNOTESanders2020279_31-0">^</a> <a href="#CITEREFSanders2020">Sanders 2020</a>, p. 279. </li> <li id="cite_note-FOOTNOTESanders2020280-32"><a href="#cite_ref-FOOTNOTESanders2020280_32-0">^</a> <a href="#CITEREFSanders2020">Sanders 2020</a>, p. 280. </li> <li id="cite_note-FOOTNOTESanders2020276-34"><a href="#cite_ref-FOOTNOTESanders2020276_34-0">^</a> <a href="#CITEREFSanders2020">Sanders 2020</a>, p. 276. </li> </ol></div></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(8)"><h2 id="External_links">External links</h2> <a role="button" href="/w/index.php?title=4th_Time_Around&action=edit&section=8" title="Edit section: External links" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-8 collapsible-block" id="mf-section-8"> <ul><li><a rel="nofollow" class="external text" href="http://www.bobdylan.com/us/songs/fourth-time-around">Lyrics</a> from Bob Dylan's official website.</li> <li><a rel="nofollow" class="external text" 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