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A Perfect Circle - Wikipedia
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Circle</span></h1> <div class="tagline"></div> </div> <ul id="p-associated-pages" class="minerva__tab-container"> <li class="minerva__tab selected"> <a class="minerva__tab-text" href="/wiki/A_Perfect_Circle" rel="" data-event-name="tabs.subject">Article</a> </li> <li class="minerva__tab "> <a class="minerva__tab-text" href="/wiki/Talk:A_Perfect_Circle" rel="discussion" data-event-name="tabs.talk">Talk</a> </li> </ul> <nav class="page-actions-menu"> <ul id="p-views" class="page-actions-menu__list"> <li id="language-selector" class="page-actions-menu__list-item"> <a role="button" href="#p-lang" data-mw="interface" data-event-name="menu.languages" title="Language" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet language-selector"> <span class="minerva-icon minerva-icon--language"></span> <span>Language</span> </a> </li> <li id="page-actions-watch" class="page-actions-menu__list-item"> <a 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class="content"> <div id="mw-content-text" class="mw-body-content"><script>function mfTempOpenSection(id){var block=document.getElementById("mf-section-"+id);block.className+=" open-block";block.previousSibling.className+=" open-block";}</script><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><section class="mf-section-0" id="mf-section-0"> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><p><b>A Perfect Circle</b> is an American <a href="/wiki/Rock_music" title="Rock music">rock</a> band formed in <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, <a href="/wiki/California" title="California">California</a> in 1999 by guitarist <a href="/wiki/Billy_Howerdel" title="Billy Howerdel">Billy Howerdel</a> and <a href="/wiki/Tool_(band)" title="Tool (band)">Tool</a> vocalist <a href="/wiki/Maynard_James_Keenan" title="Maynard James Keenan">Maynard James Keenan</a>. A Perfect Circle released three of their four studio albums in the early 2000s: their debut <i><a href="/wiki/Mer_de_Noms" title="Mer de Noms">Mer de Noms</a></i> in 2000, a follow-up, <i><a href="/wiki/Thirteenth_Step" title="Thirteenth Step">Thirteenth Step</a></i> in 2003; and an album of radically re-worked <a href="/wiki/Cover_songs" class="mw-redirect" title="Cover songs">cover songs</a>, <i><a href="/wiki/Emotive_(album)" title="Emotive (album)">Emotive</a></i>, in 2004. Shortly after <i>Emotive</i><span class="nowrap" style="padding-left:0.1em;">'</span>s release, the band went on hiatus; Keenan returned to Tool and started up solo work under the band name <a href="/wiki/Puscifer" title="Puscifer">Puscifer</a>, while Howerdel released a solo album, <i><a href="/wiki/Keep_Telling_Myself_It%27s_Alright" title="Keep Telling Myself It's Alright">Keep Telling Myself It's Alright</a></i>, under the moniker <a href="/wiki/Ashes_Divide" class="mw-redirect" title="Ashes Divide">Ashes Divide</a>. Band activity was sporadic in the following years; the band reformed in 2010, and played live shows on and off between 2010 and 2013, but fell into inactivity after the release of their <a href="/wiki/Greatest_hits" class="mw-redirect" title="Greatest hits">greatest hits</a> album, <i><a href="/wiki/Three_Sixty" title="Three Sixty">Three Sixty</a></i>, and a <a href="/wiki/Live_album" class="mw-redirect" title="Live album">live album</a> <a href="/wiki/Box_set" title="Box set">box set</a>, <i><a href="/wiki/A_Perfect_Circle_Live:_Featuring_Stone_and_Echo" title="A Perfect Circle Live: Featuring Stone and Echo">A Perfect Circle Live: Featuring Stone and Echo</a></i> in late 2013. The band reformed in 2017 to record a fourth album, <i><a href="/wiki/Eat_the_Elephant" title="Eat the Elephant">Eat the Elephant</a></i>, which was released in 2018. After spending the rest of the year touring in support of the album, the band fell into inactivity until 2024 for a brief tour and one-off song "<a href="/wiki/Kindred_(song)" title="Kindred (song)">Kindred</a>". </p><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="">A Perfect Circle</div></th></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"><a href="/wiki/File:A_Perfect_Circle_Lollapalooza_Chile_2013.jpg" class="mw-file-description" title="A Perfect Circle performing at Lollapalooza Chile in 2013"><img alt="A Perfect Circle performing at Lollapalooza Chile in 2013" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/A_Perfect_Circle_Lollapalooza_Chile_2013.jpg/300px-A_Perfect_Circle_Lollapalooza_Chile_2013.jpg" decoding="async" width="300" height="169" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/A_Perfect_Circle_Lollapalooza_Chile_2013.jpg/450px-A_Perfect_Circle_Lollapalooza_Chile_2013.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/A_Perfect_Circle_Lollapalooza_Chile_2013.jpg/600px-A_Perfect_Circle_Lollapalooza_Chile_2013.jpg 2x" data-file-width="5184" data-file-height="2912"></a></span><div class="infobox-caption">A Perfect Circle performing at <a href="/wiki/Lollapalooza_Chile" title="Lollapalooza Chile">Lollapalooza Chile</a> in 2013</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label">Origin</th><td class="infobox-data"><a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, <a href="/wiki/California" title="California">California</a>, U.S.</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"> <ul><li><a href="/wiki/Alternative_rock" title="Alternative rock">Alternative rock</a></li> <li><span class="nowrap"><a href="/wiki/Alternative_metal" title="Alternative metal">alternative metal</a></span></li> <li><a href="/wiki/Hard_rock" title="Hard rock">hard rock</a></li> <li><span class="nowrap"><a href="/wiki/Art_rock" title="Art rock">art rock</a></span></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>1999–2004</li> <li>2010–present</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Virgin_Records" title="Virgin Records">Virgin</a></li> <li><a href="/wiki/BMG_Rights_Management" title="BMG Rights Management">BMG</a></li></ul> </div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Members</th><td class="infobox-data"> <ul><li><a href="/wiki/Maynard_James_Keenan" title="Maynard James Keenan">Maynard James Keenan</a></li> <li><a href="/wiki/Billy_Howerdel" title="Billy Howerdel">Billy Howerdel</a></li> <li><a href="/wiki/Josh_Freese" title="Josh Freese">Josh Freese</a></li> <li><a href="/wiki/James_Iha" title="James Iha">James Iha</a></li> <li><a href="/wiki/Matt_McJunkins" title="Matt McJunkins">Matt McJunkins</a></li></ul> </td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Past members</span></th><td class="infobox-data"> <ul><li><a href="/wiki/Tim_Alexander" title="Tim Alexander">Tim Alexander</a></li> <li><a href="/wiki/Troy_Van_Leeuwen" title="Troy Van Leeuwen">Troy Van Leeuwen</a></li> <li><a href="/wiki/Paz_Lenchantin" title="Paz Lenchantin">Paz Lenchantin</a></li> <li><a href="/wiki/Danny_Lohner" title="Danny Lohner">Danny Lohner</a></li> <li><a href="/wiki/Jeordie_White" class="mw-redirect" title="Jeordie White">Jeordie White</a></li> <li>Jeff Friedl</li></ul> </td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://aperfectcircle.com">aperfectcircle<wbr></wbr>.com</a></span></td></tr></tbody></table> <p>Prone to downtime due to Keenan's other musical commitments, the band has featured a variety of musicians throughout alternating periods of activity and inactivity, and has changed line-ups on each album, leaving Keenan and Howerdel the only constant members. The original incarnation of the band included <a href="/wiki/Paz_Lenchantin" title="Paz Lenchantin">Paz Lenchantin</a> on bass, <a href="/wiki/Troy_Van_Leeuwen" title="Troy Van Leeuwen">Troy Van Leeuwen</a> on guitar, and <a href="/wiki/Tim_Alexander" title="Tim Alexander">Tim Alexander</a> on drums. Alexander, however, only performed a handful of live shows and appeared on one song on the group's debut album before being replaced by <a href="/wiki/Josh_Freese" title="Josh Freese">Josh Freese</a>. Band collaborator and producer <a href="/wiki/Danny_Lohner" title="Danny Lohner">Danny Lohner</a> and bassist <a href="/wiki/Jeordie_White" class="mw-redirect" title="Jeordie White">Jeordie White</a> were also members for a short period in the early 2000s. The band's current lineup features <a href="/wiki/Smashing_Pumpkins" class="mw-redirect" title="Smashing Pumpkins">Smashing Pumpkins</a> guitarist <a href="/wiki/James_Iha" title="James Iha">James Iha</a>, bassist <a href="/wiki/Matt_McJunkins" title="Matt McJunkins">Matt McJunkins</a>, and drummer Jeff Friedl, the latter two also being contributors to the related Puscifer and Ashes Divide projects. Despite the varied cast and numerous lineup changes, the primary roles of creating <a href="/wiki/List_of_songs_recorded_by_A_Perfect_Circle" title="List of songs recorded by A Perfect Circle">A Perfect Circle's songs</a> has remained consistent with Howerdel as music composer, and Keenan writing lyrics and vocal melodies. The band's studio albums have been generally well received critically and commercially, with their first three studio albums selling 4 million copies collectively as of 2005.<sup id="cite_ref-altpress.com_1-0" class="reference"><a href="#cite_note-altpress.com-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#History"><span class="tocnumber">1</span> <span class="toctext">History</span></a> <ul> <li class="toclevel-2 tocsection-2"><a href="#Formation_and_Mer_de_Noms_(1999%E2%80%932000)"><span class="tocnumber">1.1</span> <span class="toctext">Formation and <i>Mer de Noms</i> (1999–2000)</span></a></li> <li class="toclevel-2 tocsection-3"><a href="#Thirteenth_Step_(2001%E2%80%932003)"><span class="tocnumber">1.2</span> <span class="toctext"><i>Thirteenth Step</i> (2001–2003)</span></a></li> <li class="toclevel-2 tocsection-4"><a href="#Emotive_(2004)"><span class="tocnumber">1.3</span> <span class="toctext"><i>Emotive</i> (2004)</span></a></li> <li class="toclevel-2 tocsection-5"><a href="#Hiatus_and_other_projects_(2005%E2%80%932009)"><span class="tocnumber">1.4</span> <span class="toctext">Hiatus and other projects (2005–2009)</span></a></li> <li class="toclevel-2 tocsection-6"><a href="#Reformation,_touring,_compilation_releases_(2010%E2%80%932016)"><span class="tocnumber">1.5</span> <span class="toctext">Reformation, touring, compilation releases (2010–2016)</span></a></li> <li class="toclevel-2 tocsection-7"><a href="#Eat_the_Elephant_(2017%E2%80%932018)"><span class="tocnumber">1.6</span> <span class="toctext"><i>Eat the Elephant</i> (2017–2018)</span></a></li> <li class="toclevel-2 tocsection-8"><a href="#Future_(2019%E2%80%93present)"><span class="tocnumber">1.7</span> <span class="toctext">Future (2019–present)</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-9"><a href="#Musical_style,_influences,_and_legacy"><span class="tocnumber">2</span> <span class="toctext">Musical style, influences, and legacy</span></a></li> <li class="toclevel-1 tocsection-10"><a href="#Band_members"><span class="tocnumber">3</span> <span class="toctext">Band members</span></a> <ul> <li class="toclevel-2 tocsection-11"><a href="#Timeline"><span class="tocnumber">3.1</span> <span class="toctext">Timeline</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-12"><a href="#Discography"><span class="tocnumber">4</span> <span class="toctext">Discography</span></a></li> <li class="toclevel-1 tocsection-13"><a href="#References"><span class="tocnumber">5</span> <span class="toctext">References</span></a></li> <li class="toclevel-1 tocsection-14"><a href="#External_links"><span class="tocnumber">6</span> <span class="toctext">External links</span></a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="History">History</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=1" title="Edit section: History" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <div class="mw-heading mw-heading3"><h3 id="Formation_and_Mer_de_Noms_(1999–2000)"><span id="Formation_and_Mer_de_Noms_.281999.E2.80.932000.29"></span>Formation and <i>Mer de Noms</i> (1999–2000)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=2" title="Edit section: Formation and Mer de Noms (1999–2000)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:A_Perfect_Circle_Logo_2011_-_Michael_John_Stinsman_InvisibleStudio_Productions.png" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b6/A_Perfect_Circle_Logo_2011_-_Michael_John_Stinsman_InvisibleStudio_Productions.png/200px-A_Perfect_Circle_Logo_2011_-_Michael_John_Stinsman_InvisibleStudio_Productions.png" decoding="async" width="200" height="160" class="mw-file-element" data-file-width="250" data-file-height="200"></noscript><span class="lazy-image-placeholder" style="width: 200px;height: 160px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b6/A_Perfect_Circle_Logo_2011_-_Michael_John_Stinsman_InvisibleStudio_Productions.png/200px-A_Perfect_Circle_Logo_2011_-_Michael_John_Stinsman_InvisibleStudio_Productions.png" data-width="200" data-height="160" data-srcset="//upload.wikimedia.org/wikipedia/commons/b/b6/A_Perfect_Circle_Logo_2011_-_Michael_John_Stinsman_InvisibleStudio_Productions.png 1.5x" data-class="mw-file-element"> </span></a><figcaption>A Perfect Circle logo</figcaption></figure> <p>A Perfect Circle was originally conceived by <a href="/wiki/Billy_Howerdel" title="Billy Howerdel">Billy Howerdel</a>, a former <a href="/wiki/Guitar_technician" class="mw-redirect" title="Guitar technician">guitar technician</a> for <a href="/wiki/Nine_Inch_Nails" title="Nine Inch Nails">Nine Inch Nails</a>, <a href="/wiki/The_Smashing_Pumpkins" title="The Smashing Pumpkins">The Smashing Pumpkins</a>, <a href="/wiki/Fishbone" title="Fishbone">Fishbone</a> and <a href="/wiki/Tool_(band)" title="Tool (band)">Tool</a>.<sup id="cite_ref-MTVorigins_2-0" class="reference"><a href="#cite_note-MTVorigins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Howerdel met singer <a href="/wiki/Maynard_James_Keenan" title="Maynard James Keenan">Maynard James Keenan</a> in 1992, when Tool was opening for Fishbone, and the two became friends.<sup id="cite_ref-AllMBio_3-0" class="reference"><a href="#cite_note-AllMBio-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Three years later, Keenan offered Howerdel, who was looking for lodging, a room in his <a href="/wiki/North_Hollywood,_Los_Angeles,_California" class="mw-redirect" title="North Hollywood, Los Angeles, California">North Hollywood</a> home. This provided Howerdel the opportunity to play demos of his music for Keenan. Pleased with what he heard, Keenan remarked, "I can hear myself singing [those songs]."<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Howerdel originally wanted <a href="/wiki/Cocteau_Twins" title="Cocteau Twins">Cocteau Twins</a> lead singer <a href="/wiki/Elizabeth_Fraser" title="Elizabeth Fraser">Elizabeth Fraser</a> to be A Perfect Circle's vocalist, but she was unavailable.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Howerdel agreed that Keenan would be a good fit, and A Perfect Circle was formed a short time later.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> The two rounded out the band's initial lineup with bassist and violinist <a href="/wiki/Paz_Lenchantin" title="Paz Lenchantin">Paz Lenchantin</a>, former <a href="/wiki/Failure_(band)" title="Failure (band)">Failure</a> guitarist <a href="/wiki/Troy_Van_Leeuwen" title="Troy Van Leeuwen">Troy Van Leeuwen</a>, and <a href="/wiki/Primus_(band)" title="Primus (band)">Primus</a> drummer <a href="/wiki/Tim_Alexander" title="Tim Alexander">Tim Alexander</a>.<sup id="cite_ref-AllMBio_3-1" class="reference"><a href="#cite_note-AllMBio-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-BlabAlex_7-0" class="reference"><a href="#cite_note-BlabAlex-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The band played their first show in Los Angeles at the Viper Club Reception in August 1999 followed by a performance at the Coachella Festival that October, by which time Alexander had been replaced by <a href="/wiki/Josh_Freese" title="Josh Freese">Josh Freese</a>,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> who worked with Howerdel on Guns N' Roses recording sessions that would later lead to the album <i><a href="/wiki/Chinese_Democracy" title="Chinese Democracy">Chinese Democracy</a></i>.<sup id="cite_ref-MTVorigins_2-1" class="reference"><a href="#cite_note-MTVorigins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> While initially in talks to release the album on <a href="/wiki/Volcano_Records" class="mw-redirect" title="Volcano Records">Volcano Records</a><sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> – Tool's <a href="/wiki/Record_label" title="Record label">record label</a> – Keenan stated that they instead chose to go with <a href="/wiki/Virgin_Records" title="Virgin Records">Virgin Records</a>, who Keenan felt better understood that Keenan meant for the band to be an equally important band to Tool, not a minor side project.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> After the initial shows and securing a record deal, the band entered the studio to begin work on their first album.<sup id="cite_ref-mciver_11-0" class="reference"><a href="#cite_note-mciver-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:20%; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>I designed the original logo of a symbol, which outwardly looks like a larger and smaller crescent, but actually holds two perfect circles. I designed the logo purposefully to represent <a href="/wiki/Maynard_James_Keenan" title="Maynard James Keenan">Maynard [James Keenan]</a> and me. I thought the logo represented "<a href="/wiki/3_Libras" title="3 Libras">3 Libras</a>" with its line, "You don't see me at all." I related to the song – feeling like there's a lot to offer, but invisible. Millions suffer with that feeling every day. You can stare at something for so long before you see it in a new light. The insight from something you discover on your own always means more ... the APC logo has two perfect circles in there; they're just hard to see.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style=""><a href="/wiki/Billy_Howerdel" title="Billy Howerdel">Billy Howerdel</a>, on the band's logo.</cite></div> </div> <p>The band's debut album, <i><a href="/wiki/Mer_de_Noms" title="Mer de Noms">Mer de Noms</a></i> (French for "Sea of Names"), was released on May 23, 2000.<sup id="cite_ref-MTVorigins_2-2" class="reference"><a href="#cite_note-MTVorigins-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The album was well-received commercially and critically. It debuted at number four on the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>, selling 188,000 copies in its first week and making it the highest-selling debut album for a rock band.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> <i>Mer de Noms</i> was later certified platinum by the <a href="/wiki/RIAA" class="mw-redirect" title="RIAA">RIAA</a>, indicating 1 million copies sold, on October 31, 2000.<sup id="cite_ref-RIAAAPC_14-0" class="reference"><a href="#cite_note-RIAAAPC-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The release earned the band the "Best Debut Album" award from the California Music Awards.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> In the album review by <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>, Pat Blashill wrote that Keenan "added an almost operatic angst to Howerdel's songs" and concluded that "A Perfect Circle sound like a desperate dream of what rock used to be. Maybe that's the point."<sup id="cite_ref-RSMDN_16-0" class="reference"><a href="#cite_note-RSMDN-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>'s review expressed that "there's little question that the addicting combination of Keenan's aching voice and Howerdel's accomplished songs and production skills made for one of 2000's best splashes in whatever was left of 'modern rock'."<sup id="cite_ref-AMMDN_17-0" class="reference"><a href="#cite_note-AMMDN-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>Promotions began shortly after recording for the album was finished.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Initially, they served as the opening act for Nine Inch Nails on the 2000 <i>Fragility v2.0</i> tour, but subsequently embarked on a number of headlining tours all over the world,<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> touring for around eight months straight.<sup id="cite_ref-Howerdel2010_20-0" class="reference"><a href="#cite_note-Howerdel2010-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> In public appearances with the group, Keenan often wore wigs, carrying over a practice begun with Tool of wearing costumes in order to maintain anonymity in his private life.<sup id="cite_ref-legend_21-0" class="reference"><a href="#cite_note-legend-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> The album produced three singles as well: "<a href="/wiki/Judith_(A_Perfect_Circle_song)" title="Judith (A Perfect Circle song)">Judith</a>", "<a href="/wiki/3_Libras" title="3 Libras">3 Libras</a>", and "The Hollow", the latter of which featured Alexander's sole studio contribution to the band.<sup id="cite_ref-BlabAlex_7-1" class="reference"><a href="#cite_note-BlabAlex-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> All three performed well commercially; peaking at fourth, twelfth, and fourteenth on the <i>Billboard</i> <a href="/wiki/Mainstream_Rock_(chart)" title="Mainstream Rock (chart)">Mainstream Rock</a> chart respectively.<sup id="cite_ref-billboard.com_25-0" class="reference"><a href="#cite_note-billboard.com-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Thirteenth_Step_(2001–2003)"><span id="Thirteenth_Step_.282001.E2.80.932003.29"></span><i>Thirteenth Step</i> (2001–2003)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=3" title="Edit section: Thirteenth Step (2001–2003)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>Activity began slowing down for the band by late 2000, with Keenan returning to Tool to finish the recording of what would be their next album, <i><a href="/wiki/Lateralus" title="Lateralus">Lateralus</a></i>.<sup id="cite_ref-MTVTAPC_26-0" class="reference"><a href="#cite_note-MTVTAPC-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Keenan returned to A Perfect Circle to tour from January to March 2001,<sup id="cite_ref-MTVEnemy_27-0" class="reference"><a href="#cite_note-MTVEnemy-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> until returning to Tool again for the rest of 2001 to release and tour in support of <i>Lateralus</i>.<sup id="cite_ref-MTVTAPC_26-1" class="reference"><a href="#cite_note-MTVTAPC-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Initial plans were for Howerdel to collaborate long-distance on writing new A Perfect Circle material with Keenan while he toured with Tool, by sending ideas back and forth to one another, though Keenan found it too difficult to balance both, eventually lessening his role while he focused on Tool.<sup id="cite_ref-MTVTAPC_26-2" class="reference"><a href="#cite_note-MTVTAPC-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Efforts continued through mid-2002, with Howerdel primarily focusing on writing new material while sporadically working with Van Leeuwen, Lenchantin, and Freese.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2002sessions_30-0" class="reference"><a href="#cite_note-2002sessions-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> By June 2002, Van Leeuwen estimated that about 80% of the instrumental material was completed while they waited for Keenan's return.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> However, lineup changes and disagreements on the album's direction would lead to the album not being released for over a year. Both Lenchantin and Van Leeuwen had been working on solo material during the band's downtime, and then moved on to join other bands.<sup id="cite_ref-MTVEnemy_27-1" class="reference"><a href="#cite_note-MTVEnemy-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Lenchantin would leave to join <a href="/wiki/Billy_Corgan" title="Billy Corgan">Billy Corgan</a>'s new start-up band <a href="/wiki/Zwan" title="Zwan">Zwan</a> in April 2002,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> while Van Leeuwen began touring with <a href="/wiki/Queens_of_the_Stone_Age" title="Queens of the Stone Age">Queens of the Stone Age</a> shortly after.<sup id="cite_ref-blabbermouth.net_33-0" class="reference"><a href="#cite_note-blabbermouth.net-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-MTVLineUp_34-0" class="reference"><a href="#cite_note-MTVLineUp-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> Ex-<a href="/wiki/Marilyn_Manson_(band)" title="Marilyn Manson (band)">Marilyn Manson</a> bassist <a href="/wiki/Jeordie_White" class="mw-redirect" title="Jeordie White">Jeordie White</a>, formerly known as Twiggy Ramirez, replaced Lenchantin on bass in January 2003.<sup id="cite_ref-TwigMTV_35-0" class="reference"><a href="#cite_note-TwigMTV-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Shortly after, Van Leeuwen permanently left the band, and long-time band collaborator <a href="/wiki/Danny_Lohner" title="Danny Lohner">Danny Lohner</a> filled in temporarily as the second guitarist for wrapping up the album.<sup id="cite_ref-MTVLineUp_34-1" class="reference"><a href="#cite_note-MTVLineUp-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>Keenan rejoined the sessions in early 2003, and the music began taking a different direction with the new lineup and Keenan's influence.<sup id="cite_ref-blabbermouth.net_33-1" class="reference"><a href="#cite_note-blabbermouth.net-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Beyond the new personnel, the dynamic had changed: With <i>Mer de Noms</i>, Howerdel had already written and finalized all of the music, with Keenan just contributing the lyrics and vocals.<sup id="cite_ref-MTVTAPC_26-3" class="reference"><a href="#cite_note-MTVTAPC-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> This time around, Keenan was more active in vetoing or altering musical ideas,<sup id="cite_ref-2002sessions_30-1" class="reference"><a href="#cite_note-2002sessions-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> determined to make something different than just another <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> album, in fear of it being redundant.<sup id="cite_ref-MTVTAPC_26-4" class="reference"><a href="#cite_note-MTVTAPC-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> Sessions became tense, with Howerdel preferring the heavier compositions written while waiting for Keenan to return to the band, and sometimes taking offense to Keenan's suggested mellower rearrangements.<sup id="cite_ref-MTVBlue_37-0" class="reference"><a href="#cite_note-MTVBlue-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> White would play the role of a mediator between the two; being newer to the band helped him provide an outsider's perspective, helping them to find common ground.<sup id="cite_ref-MTVBlue_37-1" class="reference"><a href="#cite_note-MTVBlue-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> The band released their second album, <i><a href="/wiki/Thirteenth_Step" title="Thirteenth Step">Thirteenth Step</a></i>, on September 16, 2003.<sup id="cite_ref-RIAAAPC_14-1" class="reference"><a href="#cite_note-RIAAAPC-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The album debuted even higher than <i>Mer de Noms</i>, charting at number 2 in its opening week and selling over 233,000 copies.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> The album, and its accompanying new sound, fared well critically as well.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a> review praised the band's new sound, describing it as "moodier, tenser, and more atmospheric (if that is possible) recording than its predecessor ... The wide dynamic swathes that were so prominent on the band's debut are all but absent here. The squalling guitars have taken a backseat to carefully crafted melodies where atmospherics are maximized and pulled taut over the listener. While not a radical departure from <i>Mer de Noms</i>, there is a real progression here.... Lyrically, musically, sonically, the <i>Thirteenth Step</i> is proof positive that mainstream rock has plenty of life and vision left in it."<sup id="cite_ref-AM13S_40-0" class="reference"><a href="#cite_note-AM13S-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> </p><p>Touring in support of the album started in the U.S. in July 2003,<sup id="cite_ref-TwigMTV_35-1" class="reference"><a href="#cite_note-TwigMTV-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> and ran through the end of the year,<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> with a brief European leg of the tour extending out to Europe with the <a href="/wiki/Deftones" title="Deftones">Deftones</a> in September.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Lohner, who could not commit to touring on a full-time permanent basis, was replaced by former <a href="/wiki/The_Smashing_Pumpkins" title="The Smashing Pumpkins">The Smashing Pumpkins</a> guitarist <a href="/wiki/James_Iha" title="James Iha">James Iha</a>.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> In January 2004, the group left the country to play shows in Europe, Australia, New Zealand and Japan.<sup id="cite_ref-13STour_44-0" class="reference"><a href="#cite_note-13STour-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> They headed back to the U.S. in March and wrapped up touring in June,<sup id="cite_ref-13STour_44-1" class="reference"><a href="#cite_note-13STour-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> totaling to about a year straight of touring.<sup id="cite_ref-Howerdel2010_20-1" class="reference"><a href="#cite_note-Howerdel2010-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-billboard.com_25-1" class="reference"><a href="#cite_note-billboard.com-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Meanwhile, three singles were released from the album: "<a href="/wiki/Weak_and_Powerless" title="Weak and Powerless">Weak and Powerless</a>", "<a href="/wiki/The_Outsider_(A_Perfect_Circle_song)" class="mw-redirect" title="The Outsider (A Perfect Circle song)">The Outsider</a>" and "<a href="/wiki/Blue_(A_Perfect_Circle_song)" title="Blue (A Perfect Circle song)">Blue</a>". "Weak and Powerless" managed to top the <i>Billboard</i> <a href="/wiki/Modern_Rock_Tracks" class="mw-redirect" title="Modern Rock Tracks">Modern Rock Tracks</a> and <a href="/wiki/Mainstream_Rock_Songs" class="mw-redirect" title="Mainstream Rock Songs">Mainstream Rock Songs</a>, while "The Outsider" later peaked in the top 5 of both as well.<sup id="cite_ref-billboard.com_25-2" class="reference"><a href="#cite_note-billboard.com-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> "Weak and Powerless" and "The Outsider" were also the band's only songs to have substantial cross-over success, charting on the <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100"><i>Billboard</i> Hot 100</a> all-format chart, at 61 and 79 respectively.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Emotive_(2004)"><span id="Emotive_.282004.29"></span><i>Emotive</i> (2004)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=4" title="Edit section: Emotive (2004)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>After wrapping up the touring in support of <i>Thirteenth Step</i> in the first half of 2004, the band had announced it planned to enter a long <a href="https://en.wiktionary.org/wiki/hiatus" class="extiw" title="wikt:hiatus">hiatus</a> while Keenan returned to Tool and Howerdel pursued a solo career.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> In July 2004, Keenan performed at <a href="/wiki/Serj_Tankian" title="Serj Tankian">Serj Tankian</a>'s (<a href="/wiki/System_of_a_Down" title="System of a Down">System of a Down</a>) and <a href="/wiki/Tom_Morello" title="Tom Morello">Tom Morello</a>'s (<a href="/wiki/Rage_Against_the_Machine" title="Rage Against the Machine">Rage Against the Machine</a>) <a href="/wiki/Axis_of_Justice" title="Axis of Justice">Axis of Justice</a> concert – an event for musicians to advocate for political and social causes.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> At the performance, Keenan announced that A Perfect Circle would be releasing a collection of political cover songs.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> During the beginning of the touring cycle for <i>Thirteenth Step</i>, Howerdel and Keenan discussed potential ideas for a third studio album.<sup id="cite_ref-MTVEMOT_49-0" class="reference"><a href="#cite_note-MTVEMOT-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> An early idea was to record an album of <a href="/wiki/Cover_songs" class="mw-redirect" title="Cover songs">cover songs</a>, though they were initially hesitant, feeling they needed a meaningful reason to warrant doing it.<sup id="cite_ref-MTVEMOT_49-1" class="reference"><a href="#cite_note-MTVEMOT-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Keenan, who had been very critical of <a href="/wiki/President_George_W._Bush" class="mw-redirect" title="President George W. Bush">President George W. Bush</a> during the touring cycle, proposed tying the concept together as a political-themed covers album, with Howerdel, while generally <a href="/wiki/Apolitical" class="mw-redirect" title="Apolitical">apolitical</a> publicly, felt was worth pursuing in their post-<a href="/wiki/September_11th_attacks" class="mw-redirect" title="September 11th attacks">September 11th attacks</a> political and social climate.<sup id="cite_ref-MTVEMOT_49-2" class="reference"><a href="#cite_note-MTVEMOT-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> The two put their plans on hold temporarily and decided to move forward on the project as the band's third studio album.<sup id="cite_ref-June-Sept_50-0" class="reference"><a href="#cite_note-June-Sept-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Keenan emphasized that, despite his personal feelings on Bush, the album was less of an "anti-Bush" album, and more of an "anti-<a href="/wiki/Political_apathy" title="Political apathy">political apathy</a>" – encouraging people to research things and become more involved.<sup id="cite_ref-BlabEmot_51-0" class="reference"><a href="#cite_note-BlabEmot-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p><p>The band rushed to complete the album in time to release it prior to the <a href="/wiki/2004_U.S._Presidential_Elections" class="mw-redirect" title="2004 U.S. Presidential Elections">2004 U.S. Presidential Elections</a> in November, just barely a year after their prior release.<sup id="cite_ref-June-Sept_50-1" class="reference"><a href="#cite_note-June-Sept-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Howerdel2010pg2_52-0" class="reference"><a href="#cite_note-Howerdel2010pg2-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Recording sessions ran from late June to early September.<sup id="cite_ref-June-Sept_50-2" class="reference"><a href="#cite_note-June-Sept-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> The sessions, largely the work of Howerdel, Keenan, and Freese, contained contributions from past and present members of the band, including Lenchantin, Lohner, White, and Iha.<sup id="cite_ref-EmotAlb_53-0" class="reference"><a href="#cite_note-EmotAlb-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> Keenan, aware of the time constraints and Howerdel's future intentions on doing solo albums, also encouraged Howerdel to contribute <a href="/wiki/Lead_vocals" class="mw-redirect" title="Lead vocals">lead vocals</a> to about a third of the album.<sup id="cite_ref-EmotAlb_53-1" class="reference"><a href="#cite_note-EmotAlb-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> A wide variety of different songs were chosen to be recorded, from <a href="/wiki/Marvin_Gaye" title="Marvin Gaye">Marvin Gaye</a>'s "<a href="/wiki/What%27s_Going_On_(song)" title="What's Going On (song)">What's Going On</a>" to <a href="/wiki/Led_Zeppelin" title="Led Zeppelin">Led Zeppelin</a>'s "<a href="/wiki/When_the_Levee_Breaks" title="When the Levee Breaks">When the Levee Breaks</a>".<sup id="cite_ref-AllMEmot_56-0" class="reference"><a href="#cite_note-AllMEmot-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Most songs were radical reinterpretations of the original, sometimes unrecognizable compared to the originals.<sup id="cite_ref-AllMEmot_56-1" class="reference"><a href="#cite_note-AllMEmot-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Howerdel explained that it was done on purpose, to make the songs their own, and conceded that he, as of 2010, still had not even once ever heard the original version of <a href="/wiki/Crucifix_(band)" title="Crucifix (band)">Crucifix</a>'s "<a href="/wiki/Dehumanization_(album)" title="Dehumanization (album)">Annihilation</a>", another song re-recorded for the album.<sup id="cite_ref-Howerdel2010pg2_52-1" class="reference"><a href="#cite_note-Howerdel2010pg2-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> He also stated that some songs had started as original A Perfect Circle songs musically, until the band decided to use the lyrics of other songs over the compositions, in turn converting them into cover songs.<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> </p><p>The band's third album, <i><a href="/wiki/Emotive_(album)" title="Emotive (album)">Emotive</a></i>, was released on November 2, 2004 – the actual U.S. Presidential Election Day.<sup id="cite_ref-MTVRev_58-0" class="reference"><a href="#cite_note-MTVRev-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> However, the album received a much more polarizing reception than the prior two albums, with some critics and fans not appreciating the band's move into more political content,<sup id="cite_ref-BlabEmot_51-1" class="reference"><a href="#cite_note-BlabEmot-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Howerdel2010pg2_52-2" class="reference"><a href="#cite_note-Howerdel2010pg2-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> or the radical liberties they had taken with the album's cover versions.<sup id="cite_ref-Howerdel2010pg2_52-3" class="reference"><a href="#cite_note-Howerdel2010pg2-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AllMEmot_56-2" class="reference"><a href="#cite_note-AllMEmot-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Others accused the band of rushing out a third album in order to fulfill the band's three album contractual obligation to Virgin Records, a claim refuted as false by Howerdel.<sup id="cite_ref-Howerdel2010pg2_52-4" class="reference"><a href="#cite_note-Howerdel2010pg2-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> The album still managed to receive a generally positive reception from critics.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> Sales were similarly positive, but less so than prior albums. The album debuted at number 2 on the <i>Billboard</i> 200 charts, selling 142,000 copies in its first week – matching <i>Thirteenth Step's</i> peak chart placement, but selling almost 90,000 fewer copies.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> The album was certified Gold by the RIAA, indicating 500,000 units sold.<sup id="cite_ref-RIAAAPC_14-2" class="reference"><a href="#cite_note-RIAAAPC-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>The band did not tour in support of the release, instead entering a hiatus shortly after its completion.<sup id="cite_ref-AllMBio_3-2" class="reference"><a href="#cite_note-AllMBio-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Two singles were released in support of the album, the first of which was a somber cover of <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>'s "<a href="/wiki/Imagine_(John_Lennon_song)" class="mw-redirect" title="Imagine (John Lennon song)">Imagine</a>"<sup id="cite_ref-MTVRev_58-1" class="reference"><a href="#cite_note-MTVRev-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> The second single, "<a href="/wiki/Passive_(song)" title="Passive (song)">Passive</a>", was one of just two original songs on the album, tracing back to writing sessions for <a href="/wiki/Trent_Reznor" title="Trent Reznor">Trent Reznor</a>'s unreleased <a href="/wiki/Tapeworm_(band)" title="Tapeworm (band)">Tapeworm</a> project.<sup id="cite_ref-passiveblab_62-0" class="reference"><a href="#cite_note-passiveblab-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> In the late 1990s, Reznor started the project for songs that did not fit <a href="/wiki/Nine_Inch_Nails" title="Nine Inch Nails">Nine Inch Nails</a>, which eventually grew into a collaborative project with a number of other musicians.<sup id="cite_ref-passiveblab_62-1" class="reference"><a href="#cite_note-passiveblab-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> One track, "Vacant", featured contributions from Keenan and Lohner in 1999, but with the project hitting <a href="/wiki/Development_hell" title="Development hell">development hell</a> due to creative and legal hurdles of many of the participants in the early 2000s, A Perfect Circle began playing the track at live shows.<sup id="cite_ref-passiveblab_62-2" class="reference"><a href="#cite_note-passiveblab-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> With the project being shelved completely by 2004, Keenan decided to rework the track as "Passive" for <i>Emotive</i>.<sup id="cite_ref-passiveblab_62-3" class="reference"><a href="#cite_note-passiveblab-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> Additionally, two weeks after the release of the album, on November 16, 2004, the band released the CD/DVD compilation set entitled <i><a href="/wiki/Amotion" title="Amotion">Amotion</a></i>. The DVD part contained the music videos for band six singles; while the CD is composed entirely of remixes of the singles from <i>Mer de Noms</i> and <i>Thirteenth Step</i>.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Hiatus_and_other_projects_(2005–2009)"><span id="Hiatus_and_other_projects_.282005.E2.80.932009.29"></span>Hiatus and other projects (2005–2009)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=5" title="Edit section: Hiatus and other projects (2005–2009)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>The band entered a hiatus in January 2005, with members turning to their own separate projects.<sup id="cite_ref-altpress.com_1-1" class="reference"><a href="#cite_note-altpress.com-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-BlabJan05_66-0" class="reference"><a href="#cite_note-BlabJan05-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> Keenan rejoined Tool to record what would be 2006's <i><a href="/wiki/10,000_Days_(Tool_album)" title="10,000 Days (Tool album)">10,000 Days</a></i>, Howerdel began pursuing a solo career, and the rest joined various other touring or sessions recording roles.<sup id="cite_ref-BlabJan05_66-1" class="reference"><a href="#cite_note-BlabJan05-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> The band's fate remained uncertain in the following years. It was referred to as "hiatus or done until further notice" by Howerdel in October 2005, on "life-support" by Keenan in April 2006,<sup id="cite_ref-done_for_now_68-0" class="reference"><a href="#cite_note-done_for_now-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> and "done for now" by Howerdel in May 2006.<sup id="cite_ref-done_for_now_68-1" class="reference"><a href="#cite_note-done_for_now-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> Towards the end of 2007, Keenan spoke more optimistically about the band reforming someday, but felt that it would probably be in a more limited capacity – for a tour or a new single release, not another full-length studio album.<sup id="cite_ref-McKibbin_69-0" class="reference"><a href="#cite_note-McKibbin-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> Keenan explained: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>The real problem with running Tool and A Perfect Circle at the same time was they both operate the same way. They're both live touring bands with a label, still working under the old contract mentality. So I thought it was time to let A Perfect Circle go for now and let Billy explore himself. It's tough for a guy who went from being a guitar tech [for Tool] to being in a band with a pretentious, famous singer and having to live in that shadow. It was important for Billy to go and do his own thing and really explore his own sound and let people hear what he has to say and how he would do it on his own, and then we'll get back and do some A Perfect Circle stuff.</p><div class="templatequotecite">— <cite>Maynard James Keenan, <i>Revolver</i>, December 2007<sup id="cite_ref-revolver_70-0" class="reference"><a href="#cite_note-revolver-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup></cite></div></blockquote> <p>During the time, Howerdel continued to work on projects with various past A Perfect Circle members. In 2005, he wrote and composed the soundtrack to <i><a href="/wiki/Jak_X:_Combat_Racing" title="Jak X: Combat Racing">Jak X: Combat Racing</a></i>, collaborating with Van Leeuwen, Lenchantin, and Freese on a number of tracks.<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> Howerdel continued to work on recording a solo album from 2005 through 2007; the sessions were difficult, so he eventually began collaborating with past A Perfect Circle members, including Lohner as a producer, Freese as a drummer, and Lenchantin as a co-writer for a track.<sup id="cite_ref-done_for_now_68-2" class="reference"><a href="#cite_note-done_for_now-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> The material was eventually released under the name <a href="/wiki/Ashes_Divide" class="mw-redirect" title="Ashes Divide">Ashes Divide</a> on the album <i><a href="/wiki/Keep_Telling_Myself_It%27s_Alright" title="Keep Telling Myself It's Alright">Keep Telling Myself It's Alright</a></i> in early 2008.<sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> Meanwhile, Keenan had moved on from working with Tool, and started up a solo-project of sorts on his own, called <a href="/wiki/Puscifer" title="Puscifer">Puscifer</a>, of which he began releasing studio albums for in 2007.<sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> Despite both projects going, both Keenan and Howerdel released statements in 2008 that the band was not dead.<sup id="cite_ref-newsletter_76-0" class="reference"><a href="#cite_note-newsletter-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Reformation,_touring,_compilation_releases_(2010–2016)"><span id="Reformation.2C_touring.2C_compilation_releases_.282010.E2.80.932016.29"></span>Reformation, touring, compilation releases (2010–2016)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=6" title="Edit section: Reformation, touring, compilation releases (2010–2016)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:A_Perfect_Circle_@_lollapalooza_2011_(6013282431).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/93/A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg/220px-A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg" decoding="async" width="220" height="165" class="mw-file-element" data-file-width="4000" data-file-height="3000"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 165px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/93/A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg/220px-A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg" data-width="220" data-height="165" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/93/A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg/330px-A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/93/A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg/440px-A_Perfect_Circle_%40_lollapalooza_2011_%286013282431%29.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Keenan and Howerdel in 2011.</figcaption></figure> <p>As early as December 2008, Keenan had mentioned that he and Howerdel had passively and separately been writing new material for A Perfect Circle,<sup id="cite_ref-roadrunnerrecords.com_78-0" class="reference"><a href="#cite_note-roadrunnerrecords.com-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> although the band would officially remain in hiatus and largely out of the view of the public through mid-2010.<sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> The turning point was an unexpected collaboration between Keenan and Howerdel; Keenan was scheduled to perform a rendition of "<a href="/wiki/Bohemian_Rhapsody" title="Bohemian Rhapsody">Bohemian Rhapsody</a>" with <a href="/wiki/Queen_(band)" title="Queen (band)">Queen</a> guitarist <a href="/wiki/Brian_May" title="Brian May">Brian May</a> in June at <a href="/wiki/E3_2010" title="E3 2010">E3 2010</a>, but May had to cancel at the last minute.<sup id="cite_ref-Revolver2013_80-0" class="reference"><a href="#cite_note-Revolver2013-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> In need of a guitarist, and knowing Howerdel was in the area, Keenan reached out, and had Howerdel play guitar for the performance at the last minute.<sup id="cite_ref-Revolver2013_80-1" class="reference"><a href="#cite_note-Revolver2013-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> Despite little time to prepare, the performance was a success, and afterwards, both felt more compelled to perform together again.<sup id="cite_ref-RevolverApril2018_81-0" class="reference"><a href="#cite_note-RevolverApril2018-81"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> </p><p>In September, the band officially announced the end of their hiatus, indicating they would again return to live performances.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> Keenan, Howerdel, Freese, and Iha all returned to their respective roles, though, with Lenchantin and White unavailable, the band recruited <a href="/wiki/Matt_McJunkins" title="Matt McJunkins">Matt McJunkins</a>, touring bassist for Ashes Divide and Puscifer, to join as bassist.<sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> The performances, running through the end of 2010, included traveling to five separate cities for three nights of shows in each city, with each night containing a complete, in-order performance of one of each of their three albums – <i>Mer de Noms</i>, <i>Thirteenth Step</i>, and <i>Emotive</i> – notably being the first time most of the material from the latter had ever been performed live.<sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LoudEmotive_85-0" class="reference"><a href="#cite_note-LoudEmotive-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> Throughout the year the band would discuss the prospect of new material, but with uncertainty. Keenan continued to insist that logistics and industry trends made recording another full album unlikely,<sup id="cite_ref-roadrunnerrecords.com_78-1" class="reference"><a href="#cite_note-roadrunnerrecords.com-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> and that single one-off songs would be more likely.<sup id="cite_ref-fmqb.com_86-0" class="reference"><a href="#cite_note-fmqb.com-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> Howerdel noted that he had been writing material and presenting rough demos to Keenan since 2008, but that much of the material was in a state of flux, some being accepted by Keenan as potential A Perfect Circle material, while other being rejected by Keenan, and/or saved by Howerdel for a prospective Ashes Divide release in the future.<sup id="cite_ref-antiquiet.com_87-0" class="reference"><a href="#cite_note-antiquiet.com-87"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> </p><p>The band continued their live performances into 2011, including a North American tour that spanned May through August.<sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> Notable events included <a href="/wiki/Rock_on_the_Range" title="Rock on the Range">Rock on the Range</a>,<sup id="cite_ref-blabtour2011_89-0" class="reference"><a href="#cite_note-blabtour2011-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Edgefest" title="Edgefest">Edgefest</a>,<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Ottawa_Bluesfest" title="Ottawa Bluesfest">Ottawa Bluesfest</a>,<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> Kanrocksas Music Festival, <a href="/wiki/Lollapalooza" title="Lollapalooza">Lollapalooza</a>,<sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup> a performance at the <a href="/wiki/Red_Rocks_Amphitheatre" title="Red Rocks Amphitheatre">Red Rocks Amphitheatre</a>.<sup id="cite_ref-blabtour2011_89-1" class="reference"><a href="#cite_note-blabtour2011-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> Freese, who had already committed to drumming for <a href="/wiki/Weezer" title="Weezer">Weezer</a> during the same time-frame, was only able to perform at the opening show,<sup id="cite_ref-ANNov_93-0" class="reference"><a href="#cite_note-ANNov-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> and was replaced by Jeff Friedl for the remainder of the shows, who, like McJunkins, had previously worked with both Ashes Divide and Puscifer.<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> Keenan and Howerdel continued to allude to recording new music, but continued to state that the process was slow, the logistics of money and availability made it difficult, and that a full album was still unlikely, in favor of single songs instead.<sup id="cite_ref-BillBAD_95-0" class="reference"><a href="#cite_note-BillBAD-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> Only one new song, "<a href="/wiki/By_and_Down" title="By and Down">By and Down</a>", was performed at the shows.<sup id="cite_ref-BillBAD_95-1" class="reference"><a href="#cite_note-BillBAD-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> By the end of the year, Keenan revealed that none of the material was ready for release, and that moving into 2012, he and Howerdel were moving back into their respective other projects – Puscifer and Ashes Divide.<sup id="cite_ref-LoudEmotive_85-1" class="reference"><a href="#cite_note-LoudEmotive-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> The band was inactive over the course of 2012, outside of a single live show in December.<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> However, just prior to the show, in October 2012, Freese announced he would be permanently leaving the band, with Friedl becoming his permanent replacement.<sup id="cite_ref-freesequitsapc2012_97-0" class="reference"><a href="#cite_note-freesequitsapc2012-97"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> </p><p>The band played a few live shows in early 2013, including <a href="/wiki/Soundwave_(Australian_music_festival)" title="Soundwave (Australian music festival)">Soundwave Music Festival</a> in Australia<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Lollapalooza_Chile" title="Lollapalooza Chile">Lollapalooza Chile</a>,<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup> though Keenan reported that they had still yet to complete any new tracks due to their other commitments.<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> Later in the year, the band announced two separate compilation releases for November 2013. The first, a <a href="/wiki/Greatest_hits" class="mw-redirect" title="Greatest hits">greatest hits</a> album entitled <i><a href="/wiki/Three_Sixty" title="Three Sixty">Three Sixty</a></i>, containing one new studio recording, "<a href="/wiki/By_and_Down" title="By and Down">By and Down</a>", and the second, a <a href="/wiki/Box_set" title="Box set">box set</a> entitled <i><a href="/wiki/A_Perfect_Circle_Live:_Featuring_Stone_and_Echo" title="A Perfect Circle Live: Featuring Stone and Echo">A Perfect Circle Live: Featuring Stone and Echo</a></i>.<sup id="cite_ref-RS2013_103-0" class="reference"><a href="#cite_note-RS2013-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> The box set contained four CDs of live music: one for each of their three entire-album performances of <i>Mer de Noms</i>, <i>Thirteenth Step</i>, and <i>Emotive</i> done in 2010, collectively dubbed <i>Trifecta</i>, and a recording of their 2011 performance at the Red Rocks Amphitheatre, dubbed <i>Stone and Echo</i>.<sup id="cite_ref-liveexclaim_104-0" class="reference"><a href="#cite_note-liveexclaim-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> The set also came with DVD video recording of the 2011 <i>Stone and Echo</i> performance.<sup id="cite_ref-liveexclaim_104-1" class="reference"><a href="#cite_note-liveexclaim-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> In promoting the releases, Howerdel commented on future releases once again, stating that he felt they had "75% of the foundation of [the next] A Perfect Circle record ready", though he conceded that they were still without Keenan's lyrics or vocal melodies, and could still change depending on Keenan's reaction to the material.<sup id="cite_ref-ANNov_93-1" class="reference"><a href="#cite_note-ANNov-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> He also conceded that they still disagreed on the release medium; Keenan preferred smaller releases, while Howerdel preferred the format of a full album.<sup id="cite_ref-ANNov_93-2" class="reference"><a href="#cite_note-ANNov-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> Shortly after, the band again fell into a few years of public inactivity, with little occurring outside of Howerdel's 2015 commentary reiterating his commitment to the band,<sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> and Keenan's early 2016 commentary reiterating he still hoped to return to the band.<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Eat_the_Elephant_(2017–2018)"><span id="Eat_the_Elephant_.282017.E2.80.932018.29"></span><i>Eat the Elephant</i> (2017–2018)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=7" title="Edit section: Eat the Elephant (2017–2018)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Hellfest2018APerfectCircle_01.jpg" class="mw-file-description"><noscript><img alt="A group of musicians performing on stage in front of a crowd." src="//upload.wikimedia.org/wikipedia/commons/thumb/9/96/Hellfest2018APerfectCircle_01.jpg/250px-Hellfest2018APerfectCircle_01.jpg" decoding="async" width="250" height="141" class="mw-file-element" data-file-width="4000" data-file-height="2250"></noscript><span class="lazy-image-placeholder" style="width: 250px;height: 141px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/96/Hellfest2018APerfectCircle_01.jpg/250px-Hellfest2018APerfectCircle_01.jpg" data-alt="A group of musicians performing on stage in front of a crowd." data-width="250" data-height="141" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/96/Hellfest2018APerfectCircle_01.jpg/375px-Hellfest2018APerfectCircle_01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/96/Hellfest2018APerfectCircle_01.jpg/500px-Hellfest2018APerfectCircle_01.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>A Perfect Circle performing at <a href="/wiki/Hellfest" title="Hellfest">Hellfest</a>, <a href="/wiki/France" title="France">France</a> in 2018.</figcaption></figure> <p>The band became active again in 2017, with the announcement that they would reform to embark on a North American tour in April and May 2017,<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> with the intention of using the live performances of new material as motivation to finish recording the album, similar to how they had embarked on their first 1999 tour to inspire the completion of <i>Mer de Noms</i>.<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup> In March, the band announced they had signed a new record contract – their first in thirteen years – to release a fourth full-length studio album through <a href="/wiki/BMG_Rights_Management" title="BMG Rights Management">BMG Rights Management</a>.<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup> Howerdel initially gave a tentative timeframe of between November 2017 to early 2018 for the new album,<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup> while Keenan stated that the album wouldn't be out in 2017.<sup id="cite_ref-112" class="reference"><a href="#cite_note-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup> A second North American tour began in October, and runs through December 2017.<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> The band continued to debut new songs during the tours, including the tracks "Feathers"<sup id="cite_ref-KC2017_115-0" class="reference"><a href="#cite_note-KC2017-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> and "Hourglass".<sup id="cite_ref-KC2017_115-1" class="reference"><a href="#cite_note-KC2017-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> </p><p>The band's fourth studio album, <i><a href="/wiki/Eat_the_Elephant" title="Eat the Elephant">Eat the Elephant</a></i>, was released on April 20, 2018.<sup id="cite_ref-RollingStoneETE_116-0" class="reference"><a href="#cite_note-RollingStoneETE-116"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup> Four singles were released in advance of the album; "<a href="/wiki/The_Doomed" title="The Doomed">The Doomed</a>" in October 2017, "<a href="/wiki/Disillusioned" title="Disillusioned">Disillusioned</a>" in January 2018, "<a href="/wiki/TalkTalk_(A_Perfect_Circle_song)" title="TalkTalk (A Perfect Circle song)">TalkTalk</a>" in February 2018 and "<a href="/wiki/So_Long,_and_Thanks_for_All_the_Fish_(A_Perfect_Circle_song)" title="So Long, and Thanks for All the Fish (A Perfect Circle song)">So Long, and Thanks for All the Fish</a>" in April 2018.<sup id="cite_ref-117" class="reference"><a href="#cite_note-117"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> The album marks the first time the band opted to work with an outside <a href="/wiki/Music_producer" class="mw-redirect" title="Music producer">music producer</a>: <a href="/wiki/Dave_Sardy" title="Dave Sardy">Dave Sardy</a>.<sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> Sardy helped Keenan and Howerdel find common ground in musical ideas in the recording process, helping them find a path to move forward in finishing the album.<sup id="cite_ref-RollingStoneETE_116-1" class="reference"><a href="#cite_note-RollingStoneETE-116"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup> The band toured extensively in 2018 in support of the album, including performances at <a href="/wiki/Rock_on_the_Range" title="Rock on the Range">Rock on the Range</a><sup id="cite_ref-119" class="reference"><a href="#cite_note-119"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Coachella_Festival" class="mw-redirect" title="Coachella Festival">Coachella</a>.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">[</span>120<span class="cite-bracket">]</span></a></sup> In June 2018, the band extended their touring with a new North American leg towards the end of the year, and released a 2D hologram video for the song "<a href="/wiki/The_Contrarian" title="The Contrarian">The Contrarian</a>".<sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span class="cite-bracket">[</span>121<span class="cite-bracket">]</span></a></sup> Iha was unavailable to perform in the April through July performances due to his commitment to the <a href="/wiki/Smashing_Pumpkins#Iha_and_Chamberlin's_return;_Shiny_and_Oh_So_Bright_and_Cyr:_2018%E2%80%93present" class="mw-redirect" title="Smashing Pumpkins">Smashing Pumpkin's 2018 reunion</a>, and was temporarily replaced for the live performances by <a href="/wiki/Greg_Edwards_(musician)" title="Greg Edwards (musician)">Greg Edwards</a> of <a href="/wiki/Failure_(band)" title="Failure (band)">Failure</a>, though Iha still remains a member of the band.<sup id="cite_ref-LoudwireIha_122-0" class="reference"><a href="#cite_note-LoudwireIha-122"><span class="cite-bracket">[</span>122<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Future_(2019–present)"><span id="Future_.282019.E2.80.93present.29"></span>Future (2019–present)</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=8" title="Edit section: Future (2019–present)" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>Howerdel noted that he would like to see the band keep active beyond the <i>Eat the Elephant</i> album cycle, but that future activity, as it had historically been, was dependent on Keenan's limited availability and commitments to his other projects.<sup id="cite_ref-123" class="reference"><a href="#cite_note-123"><span class="cite-bracket">[</span>123<span class="cite-bracket">]</span></a></sup> When asked if there would be further albums after <i>Eat the Elephant</i>, in June 2018, Keenan responded "Yeah, there should be".<sup id="cite_ref-124" class="reference"><a href="#cite_note-124"><span class="cite-bracket">[</span>124<span class="cite-bracket">]</span></a></sup> Howerdel was optimistic as well, agreeing that the band "will move forward for sure".<sup id="cite_ref-125" class="reference"><a href="#cite_note-125"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> In late 2021, Keenan noted that while he still saw a future for A Perfect Circle, that 2022 would be more focused on him working with Puscifer and Howerdel releasing a solo album, <i><a href="/wiki/What_Normal_Was" title="What Normal Was">What Normal Was</a></i>.<sup id="cite_ref-126" class="reference"><a href="#cite_note-126"><span class="cite-bracket">[</span>126<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-127" class="reference"><a href="#cite_note-127"><span class="cite-bracket">[</span>127<span class="cite-bracket">]</span></a></sup> While supporting <i>What Normal Was</i> in 2022, Howerdel reiterated plans to make more A Perfect Circle music someday, noting that it was something he was thinking about and occasionally writing material for, but that there were no concrete plans, nor had he even began talking to Keenan about it yet.<sup id="cite_ref-128" class="reference"><a href="#cite_note-128"><span class="cite-bracket">[</span>128<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span class="cite-bracket">[</span>129<span class="cite-bracket">]</span></a></sup> </p><p>The band is played a series of live performances for the first time since 2018 in April 2024, alongside Puscifer and <a href="/wiki/Primus_(band)" title="Primus (band)">Primus</a>.<sup id="cite_ref-130" class="reference"><a href="#cite_note-130"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> On March 29, 2024, the band released their first new song in 6 years - "<a href="/wiki/Kindred_(song)" title="Kindred (song)">Kindred</a>".<sup id="cite_ref-131" class="reference"><a href="#cite_note-131"><span class="cite-bracket">[</span>131<span class="cite-bracket">]</span></a></sup> The song was released as part of a three-way split EP, <i><a href="/wiki/Sessanta_E.P.P.P." class="mw-redirect" title="Sessanta E.P.P.P.">Sessanta E.P.P.P.</a></i>, which contains one song each from A Perfect Circle, Puscifer, and Primus.<sup id="cite_ref-132" class="reference"><a href="#cite_note-132"><span class="cite-bracket">[</span>132<span class="cite-bracket">]</span></a></sup> Freese returned to the band for the first time in 13 years to record drums for the track, and to perform on some of the tour dates with Gunnar Olsen of Puscifer filling in when Freese had to bow out due to his <a href="/wiki/Foo_Fighters" title="Foo Fighters">Foo Fighters</a> commitments.<sup id="cite_ref-133" class="reference"><a href="#cite_note-133"><span class="cite-bracket">[</span>133<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Musical_style,_influences,_and_legacy"><span id="Musical_style.2C_influences.2C_and_legacy"></span>Musical style, influences, and legacy</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=9" title="Edit section: Musical style, influences, and legacy" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-2 collapsible-block" id="mf-section-2"> <p>The band's music has been described as a number of different genres, though despite the sound changes and lineup changes, the writing process has remained the same for the band; Howerdel primarily writes the band's instrumental music, while Keenan contributes the lyrics and vocal melodies.<sup id="cite_ref-134" class="reference"><a href="#cite_note-134"><span class="cite-bracket">[</span>134<span class="cite-bracket">]</span></a></sup> Keenan, already very well known for his work with fronting the band <a href="/wiki/Tool_(band)" title="Tool (band)">Tool</a> through the 1990s, always strove to keep the sound of two bands different: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>The [A Perfect Circle] music was very different, so I responded differently. The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and <a href="/wiki/Esoteric" class="mw-redirect" title="Esoteric">esoteric</a>. With A Perfect Circle the process is far more mechanical and computer oriented, but at the same time it is also far more emotional and intuitive. Tool is more a <a href="/wiki/Left-brain" class="mw-redirect" title="Left-brain">left-brain</a> <a href="/wiki/Masculine" class="mw-redirect" title="Masculine">masculine</a> result, and [A Perfect Circle] is more a <a href="/wiki/Right-brain" class="mw-redirect" title="Right-brain">right-brain</a> <a href="/wiki/Feminine" class="mw-redirect" title="Feminine">feminine</a> result.</p><div class="templatequotecite">— <cite>Maynard James Keenan, <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>, March 2000<sup id="cite_ref-135" class="reference"><a href="#cite_note-135"><span class="cite-bracket">[</span>135<span class="cite-bracket">]</span></a></sup></cite></div></blockquote> <p>Howerdel has similarly described A Perfect Circle as a more emotional, vulnerable, and feminine approach to music than Tool.<sup id="cite_ref-136" class="reference"><a href="#cite_note-136"><span class="cite-bracket">[</span>136<span class="cite-bracket">]</span></a></sup> He has cited among his influences, several albums that had a strong effect on his way of playing: <a href="/wiki/Adam_Ant" title="Adam Ant">Adam Ant</a>'s <i><a href="/wiki/Kings_of_the_Wild_Frontier" title="Kings of the Wild Frontier">Kings of the Wild Frontier</a></i>, for its "weird hybrid of pirate music and American Indian influence", <a href="/wiki/Siouxsie_and_the_Banshees" title="Siouxsie and the Banshees">Siouxsie and the Banshees</a>' <a href="/wiki/Tinderbox_(Siouxsie_and_the_Banshees_album)" title="Tinderbox (Siouxsie and the Banshees album)"><i>Tinderbox</i></a> as "one of the spookiest records I've ever heard" and for its "dense atmosphere", <a href="/wiki/Ozzy_Osbourne" title="Ozzy Osbourne">Ozzy Osbourne</a>'s <i><a href="/wiki/Diary_of_a_Madman_(album)" title="Diary of a Madman (album)">Diary of a Madman</a></i> as "<a href="/wiki/Randy_Rhoads" title="Randy Rhoads">Randy Rhoads</a> has been a huge influence for me, especially when I was starting out" and finally <a href="/wiki/The_Cure" title="The Cure">the Cure</a>'s <i><a href="/wiki/Pornography_(album)" title="Pornography (album)">Pornography</a></i>, which he described as "another spooky atmospheric record" and "one of the scariest albums I've ever heard".<sup id="cite_ref-137" class="reference"><a href="#cite_note-137"><span class="cite-bracket">[</span>137<span class="cite-bracket">]</span></a></sup> </p><p>Tracy Frey of <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a> described the band's sound as "an extension of the <a href="/wiki/Alt-metal" class="mw-redirect" title="Alt-metal">alt-metal</a>-fused-with-<a href="/wiki/Art_rock" title="Art rock">art rock</a> style popularized by Tool in the early to mid-'90s. While similar to Tool in intensity and melancholy, A Perfect Circle is less dark and more melodic, with a <a href="/wiki/Theatrical_music" class="mw-redirect" title="Theatrical music">theatrical</a>, <a href="/wiki/Ambient_music" title="Ambient music">ambient</a> quality that incorporates occasional strings and unusual instrumentation.<sup id="cite_ref-AllMBio_3-3" class="reference"><a href="#cite_note-AllMBio-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> While Keenan referred to the band first album, <i>Mer de Noms</i>, as more of a <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> album,<sup id="cite_ref-MTVTAPC_26-5" class="reference"><a href="#cite_note-MTVTAPC-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> for subsequent albums, out of fear of redundancy, he often pushed for a more mellow, <a href="/wiki/Atmospheric_rock" class="mw-redirect" title="Atmospheric rock">atmospheric</a> sound, something he and Howerdel did not always see eye to eye on,<sup id="cite_ref-MTVBlue_37-2" class="reference"><a href="#cite_note-MTVBlue-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> creating a sound noted to be similar to merging heavy rock music with <i><a href="/wiki/Disintegration_(The_Cure_album)" title="Disintegration (The Cure album)">Disintegration</a></i>-era <a href="/wiki/The_Cure" title="The Cure">The Cure</a> music.<sup id="cite_ref-MTVBlue_37-3" class="reference"><a href="#cite_note-MTVBlue-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-LAW2017_138-0" class="reference"><a href="#cite_note-LAW2017-138"><span class="cite-bracket">[</span>138<span class="cite-bracket">]</span></a></sup> In general, common genre classifications applied to labeling the band's music include <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a>,<sup id="cite_ref-139" class="reference"><a href="#cite_note-139"><span class="cite-bracket">[</span>139<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-140" class="reference"><a href="#cite_note-140"><span class="cite-bracket">[</span>140<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-141" class="reference"><a href="#cite_note-141"><span class="cite-bracket">[</span>141<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-142" class="reference"><a href="#cite_note-142"><span class="cite-bracket">[</span>142<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Alternative_metal" title="Alternative metal">alternative metal</a>,<sup id="cite_ref-143" class="reference"><a href="#cite_note-143"><span class="cite-bracket">[</span>143<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-144" class="reference"><a href="#cite_note-144"><span class="cite-bracket">[</span>144<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-145" class="reference"><a href="#cite_note-145"><span class="cite-bracket">[</span>145<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-146" class="reference"><a href="#cite_note-146"><span class="cite-bracket">[</span>146<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a>,<sup id="cite_ref-147" class="reference"><a href="#cite_note-147"><span class="cite-bracket">[</span>147<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-148" class="reference"><a href="#cite_note-148"><span class="cite-bracket">[</span>148<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-149" class="reference"><a href="#cite_note-149"><span class="cite-bracket">[</span>149<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Art_rock" title="Art rock">art rock</a>,<sup id="cite_ref-150" class="reference"><a href="#cite_note-150"><span class="cite-bracket">[</span>150<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Avant-garde_metal" title="Avant-garde metal">art metal</a>,<sup id="cite_ref-151" class="reference"><a href="#cite_note-151"><span class="cite-bracket">[</span>151<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a><sup id="cite_ref-KC2017_115-2" class="reference"><a href="#cite_note-KC2017-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Progressive_metal" title="Progressive metal">progressive metal</a>.<sup id="cite_ref-152" class="reference"><a href="#cite_note-152"><span class="cite-bracket">[</span>152<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-153" class="reference"><a href="#cite_note-153"><span class="cite-bracket">[</span>153<span class="cite-bracket">]</span></a></sup> The band has also been lumped in with the <a href="/wiki/Nu_metal" title="Nu metal">nu metal</a> genre,<sup id="cite_ref-154" class="reference"><a href="#cite_note-154"><span class="cite-bracket">[</span>154<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-mciver_11-1" class="reference"><a href="#cite_note-mciver-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-155" class="reference"><a href="#cite_note-155"><span class="cite-bracket">[</span>155<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-156" class="reference"><a href="#cite_note-156"><span class="cite-bracket">[</span>156<span class="cite-bracket">]</span></a></sup> a label that is cited due to the band's rise to fame coinciding with the genre's movement towards more melodic heavy material similar to A Perfect Circle's sound,<sup id="cite_ref-Top40Eval_157-0" class="reference"><a href="#cite_note-Top40Eval-157"><span class="cite-bracket">[</span>157<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-158" class="reference"><a href="#cite_note-158"><span class="cite-bracket">[</span>158<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Vulture2018_159-0" class="reference"><a href="#cite_note-Vulture2018-159"><span class="cite-bracket">[</span>159<span class="cite-bracket">]</span></a></sup> and its use was contested by many publications.<sup id="cite_ref-Top40Eval_157-1" class="reference"><a href="#cite_note-Top40Eval-157"><span class="cite-bracket">[</span>157<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Vulture2018_159-1" class="reference"><a href="#cite_note-Vulture2018-159"><span class="cite-bracket">[</span>159<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-160" class="reference"><a href="#cite_note-160"><span class="cite-bracket">[</span>160<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-161" class="reference"><a href="#cite_note-161"><span class="cite-bracket">[</span>161<span class="cite-bracket">]</span></a></sup> </p><p>Both A Perfect Circle and Tool have been widely hailed as major influences on <a href="/wiki/Modern_rock" title="Modern rock">modern rock</a>.<sup id="cite_ref-LAW2017_138-1" class="reference"><a href="#cite_note-LAW2017-138"><span class="cite-bracket">[</span>138<span class="cite-bracket">]</span></a></sup> In a 2015 retrospective, <a href="/wiki/VH1" title="VH1">VH1</a> noted that, "at some point sounding like Tool became a subgenre of rock. Although that is a little misleading as many of these bands were actually ripping off A Perfect Circle, because of its easier-to-grasp melody and simpler rhythms."<sup id="cite_ref-162" class="reference"><a href="#cite_note-162"><span class="cite-bracket">[</span>162<span class="cite-bracket">]</span></a></sup> Reviewers from outlets such as AllMusic and <i>Rolling Stone</i> cited <i>Mer de Noms</i> and <i>Thirteenth Step</i> as rare examples of relevance and quality in contemporary rock music.<sup id="cite_ref-RSMDN_16-1" class="reference"><a href="#cite_note-RSMDN-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AMMDN_17-1" class="reference"><a href="#cite_note-AMMDN-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AM13S_40-1" class="reference"><a href="#cite_note-AM13S-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> Online music magazine <a href="/wiki/MusicOMH" title="MusicOMH">musicOMH</a> asserted the band had "literally defined alternative rock as we know it."<sup id="cite_ref-163" class="reference"><a href="#cite_note-163"><span class="cite-bracket">[</span>163<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Band_members">Band members</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=10" title="Edit section: Band members" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <style data-mw-deduplicate="TemplateStyles:r1216972533">.mw-parser-output .col-begin{border-collapse:collapse;padding:0;color:inherit;width:100%;border:0;margin:0}.mw-parser-output .col-begin-small{font-size:90%}.mw-parser-output .col-break{vertical-align:top;text-align:left}.mw-parser-output .col-break-2{width:50%}.mw-parser-output .col-break-3{width:33.3%}.mw-parser-output .col-break-4{width:25%}.mw-parser-output .col-break-5{width:20%}@media(max-width:720px){.mw-parser-output .col-begin,.mw-parser-output .col-begin>tbody,.mw-parser-output .col-begin>tbody>tr,.mw-parser-output .col-begin>tbody>tr>td{display:block!important;width:100%!important}.mw-parser-output .col-break{padding-left:0!important}}</style><div> <table class="col-begin" role="presentation"> <tbody><tr> <td class="col-break col-break-2"> <p><b>Current members</b> </p> <ul><li><a href="/wiki/Maynard_James_Keenan" title="Maynard James Keenan">Maynard James Keenan</a> – vocals <span style="font-size:85%;">(1999–2004, 2010–present)</span></li> <li><a href="/wiki/Billy_Howerdel" title="Billy Howerdel">Billy Howerdel</a> – lead guitar, keyboards, vocals, bass <span style="font-size:85%;">(studio only)<sup id="cite_ref-MerDeNomsCredits_164-0" class="reference"><a href="#cite_note-MerDeNomsCredits-164"><span class="cite-bracket">[</span>164<span class="cite-bracket">]</span></a></sup> (1999–2004, 2010–present)</span></li> <li><a href="/wiki/Josh_Freese" title="Josh Freese">Josh Freese</a> – drums <span style="font-size:85%;">(1999–2004, 2010–2011, 2024–present)</span></li> <li><a href="/wiki/James_Iha" title="James Iha">James Iha</a> – rhythm guitar, keyboards <span style="font-size:85%;">(2003–2004, 2010–present)</span></li> <li><a href="/wiki/Matt_McJunkins" title="Matt McJunkins">Matt McJunkins</a> – bass <span style="font-size:85%;">(2010–present)</span></li></ul> <p><b>Touring musicians</b> </p> <ul><li><a href="/wiki/Greg_Edwards_(musician)" title="Greg Edwards (musician)">Greg Edwards</a> – rhythm guitar, keyboards <span style="font-size:85%;">(2018, 2024)</span></li> <li>Gunnar Olsen – drums <span style="font-size:85%;">(2024–present)</span></li></ul> </td> <td class="col-break col-break-2"> <p><b>Former members</b> </p> <ul><li><a href="/wiki/Tim_Alexander" title="Tim Alexander">Tim Alexander</a> – drums <span style="font-size:85%;">(1999)</span></li> <li><a href="/wiki/Paz_Lenchantin" title="Paz Lenchantin">Paz Lenchantin</a> – bass, strings, backing vocals, piano <span style="font-size:85%;">(1999–2002, 2004)</span></li> <li><a href="/wiki/Troy_Van_Leeuwen" title="Troy Van Leeuwen">Troy Van Leeuwen</a> – guitars <span style="font-size:85%;">(1999–2002)</span></li> <li><a href="/wiki/Jeordie_White" class="mw-redirect" title="Jeordie White">Jeordie White</a> – bass <span style="font-size:85%;">(2003–2004)</span></li> <li><a href="/wiki/Danny_Lohner" title="Danny Lohner">Danny Lohner</a> – rhythm guitar, bass, keyboards, backing vocals<sup id="cite_ref-165" class="reference"><a href="#cite_note-165"><span class="cite-bracket">[</span>165<span class="cite-bracket">]</span></a></sup> <span style="font-size:85%;">(2003, 2004)</span></li> <li>Jeff Friedl – drums <span style="font-size:85%;">(2011–2024)</span></li></ul> <p> </p> </td></tr></tbody></table></div> <div class="mw-heading mw-heading3"><h3 id="Timeline">Timeline</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=11" title="Edit section: Timeline" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <div class="timeline-wrapper"><map name="timeline_8rt3ra3norchx3jk51cwnfaf8rjaenl"></map><img usemap="#timeline_8rt3ra3norchx3jk51cwnfaf8rjaenl" src="//upload.wikimedia.org/wikipedia/en/timeline/8rt3ra3norchx3jk51cwnfaf8rjaenl.png"></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Discography">Discography</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=12" title="Edit section: Discography" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/A_Perfect_Circle_discography" title="A Perfect Circle discography">A Perfect Circle discography</a> and <a href="/wiki/List_of_songs_recorded_by_A_Perfect_Circle" title="List of songs recorded by A Perfect Circle">list of songs recorded</a></div> <ul><li><i><a href="/wiki/Mer_de_Noms" title="Mer de Noms">Mer de Noms</a></i> (2000)</li> <li><i><a href="/wiki/Thirteenth_Step" title="Thirteenth Step">Thirteenth Step</a></i> (2003)</li> <li><i><a href="/wiki/Emotive_(album)" title="Emotive (album)">Emotive</a></i> (2004)</li> <li><i><a href="/wiki/Eat_the_Elephant" title="Eat the Elephant">Eat the Elephant</a></i> (2018)</li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="References">References</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=13" title="Edit section: References" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-5 collapsible-block" id="mf-section-5"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-altpress.com-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-altpress.com_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-altpress.com_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a 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Retrieved <span class="nowrap">October 13,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMusic&rft.atitle=A+Perfect+Circle+%E2%80%93+Biography+%26+History+%E2%80%93+AllMusic&rft_id=http%3A%2F%2Fwww.allmusic.com%2Fartist%2Fa-perfect-circle-mn0000479149%2Fbiography&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSummers2004" class="citation book cs1">Summers, Jodi (2004). <i>Making and Marketing Music</i>. 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September 14, 2009<span class="reference-accessdate">. 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Retrieved <span class="nowrap">October 13,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=MetalSucks.net&rft.atitle=Spin+Releases+%27The+40+Best+Nu-Metal+Covers+of+Pop+Songs%27+List&rft.date=2016-04-28&rft_id=http%3A%2F%2Fwww.metalsucks.net%2F2016%2F04%2F28%2Fspin-releases-40-best-nu-metal-covers-pop-songs-list%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span></span> </li> <li id="cite_note-161"><span class="mw-cite-backlink"><b><a href="#cite_ref-161">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAccomazzo2015" class="citation web cs1">Accomazzo, David (October 27, 2015). <a rel="nofollow" class="external text" href="http://www.phoenixnewtimes.com/music/maynard-james-keenan-has-two-things-on-his-mind-puscifer-and-wine-tool-fans-will-just-have-to-wait-7775457">"Maynard James Keenan Has Two Things on His Mind: Puscifer and Wine. Tool Fans Will Just Have to Wait"</a>. <i>Phoenixtimes.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">October 13,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Phoenixtimes.com&rft.atitle=Maynard+James+Keenan+Has+Two+Things+on+His+Mind%3A+Puscifer+and+Wine.+Tool+Fans+Will+Just+Have+to+Wait&rft.date=2015-10-27&rft.aulast=Accomazzo&rft.aufirst=David&rft_id=http%3A%2F%2Fwww.phoenixnewtimes.com%2Fmusic%2Fmaynard-james-keenan-has-two-things-on-his-mind-puscifer-and-wine-tool-fans-will-just-have-to-wait-7775457&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span></span> </li> <li id="cite_note-162"><span class="mw-cite-backlink"><b><a href="#cite_ref-162">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.vh1.com/news/gy3zmn/underrated-nu-metal-albums">"The 12 Most Underrated Nu Metal Albums"</a>. <i>Vh1.com</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220604163153/https://www.vh1.com/news/gy3zmn/underrated-nu-metal-albums">Archived</a> from the original on June 4, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">October 13,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Vh1.com&rft.atitle=The+12+Most+Underrated+Nu+Metal+Albums&rft_id=https%3A%2F%2Fwww.vh1.com%2Fnews%2Fgy3zmn%2Funderrated-nu-metal-albums&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span></span> </li> <li id="cite_note-163"><span class="mw-cite-backlink"><b><a href="#cite_ref-163">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDay,_Tom2004" class="citation web cs1">Day, Tom (February 4, 2004). <a rel="nofollow" class="external text" href="http://www.musicomh.com/reviews/live/a-perfect-circle-auf-der-maur-hammersmith-apollo-london">"A Perfect Circle + Auf Der Maur @ Hammersmith Apollo, London"</a>. <a href="/wiki/MusicOMH" title="MusicOMH">musicOMH</a><span class="reference-accessdate">. Retrieved <span class="nowrap">March 6,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=A+Perfect+Circle+%2B+Auf+Der+Maur+%40+Hammersmith+Apollo%2C+London&rft.pub=musicOMH&rft.date=2004-02-04&rft.au=Day%2C+Tom&rft_id=http%3A%2F%2Fwww.musicomh.com%2Freviews%2Flive%2Fa-perfect-circle-auf-der-maur-hammersmith-apollo-london&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span></span> </li> <li id="cite_note-MerDeNomsCredits-164"><span class="mw-cite-backlink"><b><a href="#cite_ref-MerDeNomsCredits_164-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation AV-media-notes cs1"><i>Mer de Noms</i> (CD liner notes). A Perfect Circle. Virgin Records. 2000.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Mer+de+Noms&rft.pub=Virgin+Records&rft.date=2000&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_AV_media_notes" title="Template:Cite AV media notes">cite AV media notes</a>}}</code>: CS1 maint: others in cite AV media (notes) (<a href="/wiki/Category:CS1_maint:_others_in_cite_AV_media_(notes)" title="Category:CS1 maint: others in cite AV media (notes)">link</a>)</span></span> </li> <li id="cite_note-165"><span class="mw-cite-backlink"><b><a href="#cite_ref-165">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation AV-media-notes cs1"><i>Emotive</i> (CD liner notes). A Perfect Circle. 2004.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Emotive&rft.date=2004&rfr_id=info%3Asid%2Fen.wikipedia.org%3AA+Perfect+Circle" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_AV_media_notes" title="Template:Cite AV media notes">cite AV media notes</a>}}</code>: CS1 maint: others in cite AV media (notes) (<a href="/wiki/Category:CS1_maint:_others_in_cite_AV_media_(notes)" title="Category:CS1 maint: others in cite AV media (notes)">link</a>)</span></span> </li> </ol></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="External_links">External links</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=A_Perfect_Circle&action=edit&section=14" title="Edit section: External links" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.aperfectcircle.com">Official website</a></span></span></li> <li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/A+Perfect+Circle">A Perfect Circle</a> discography at <a href="/wiki/Discogs" title="Discogs">Discogs</a></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 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screen{.mw-parser-output .navbox-musical-artist-solo .navbox-title{background-color:#f0e68c}.mw-parser-output .navbox-musical-artist-non-vocal .navbox-title{background-color:#f4bf92}.mw-parser-output .navbox-musical-artist-non-perform .navbox-title{background-color:#bfe0bf}.mw-parser-output .navbox-musical-artist-group .navbox-title{background-color:#b0c4de}.mw-parser-output .navbox-musical-artist-cover .navbox-title{background-color:#d8bfd8}.mw-parser-output .navbox-musical-artist-classical .navbox-title{background-color:#b0e0e6}.mw-parser-output .navbox-musical-artist-temp .navbox-title{background-color:#d3d3d3}.mw-parser-output .navbox-musical-artist .navbox-group,.mw-parser-output .navbox-musical-artist .navbox-abovebelow{background-color:var(--background-color-neutral,#eaecf0)}html.skin-theme-clienpref-night .mw-parser-output .navbox-musical-artist .navbox-title{background-color:inherit}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clienpref-os .mw-parser-output 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Rendering was triggered because: api-parse --> </section></div> <!-- MobileFormatter took 0.055 seconds --><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=mobile" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=A_Perfect_Circle&oldid=1258898478">https://en.wikipedia.org/w/index.php?title=A_Perfect_Circle&oldid=1258898478</a>"</div></div> </div> <div class="post-content" id="page-secondary-actions"> </div> </main> <footer class="mw-footer minerva-footer" role="contentinfo"> <a class="last-modified-bar" href="/w/index.php?title=A_Perfect_Circle&action=history"> <div class="post-content last-modified-bar__content"> <span class="minerva-icon minerva-icon-size-medium minerva-icon--modified-history"></span> <span class="last-modified-bar__text modified-enhancement" data-user-name="FlightTime" data-user-gender="male" data-timestamp="1732258479"> <span>Last edited on 22 November 2024, at 06:54</span> </span> <span class="minerva-icon minerva-icon-size-small minerva-icon--expand"></span> </div> </a> <div class="post-content footer-content"> <div id='mw-data-after-content'> <div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Azerbaijani" lang="az" hreflang="az" data-title="A Perfect Circle" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A7_%D9%BE%D8%B1%D9%81%DA%A9%D8%AA_%D8%B3%D8%B1%DA%A9%D9%84" title="ا پرفکت سرکل – South Azerbaijani" lang="azb" hreflang="azb" data-title="ا پرفکت سرکل" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target"><span>تۆرکجه</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9F%D1%8A%D1%80%D1%84%D0%B5%D0%BA%D1%82_%D0%A1%D1%8A%D1%80%D0%BA%D1%8A%D0%BB" title="Пърфект Съркъл – Bulgarian" lang="bg" hreflang="bg" data-title="Пърфект Съркъл" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Czech" lang="cs" hreflang="cs" data-title="A Perfect Circle" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Danish" lang="da" hreflang="da" data-title="A Perfect Circle" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – German" lang="de" hreflang="de" data-title="A Perfect Circle" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Greek" lang="el" hreflang="el" data-title="A Perfect Circle" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-es badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://es.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Spanish" lang="es" hreflang="es" data-title="A Perfect Circle" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A2_%D9%BE%D8%B1%D9%81%DA%A9%D8%AA_%D8%B3%D8%B1%DA%A9%D9%84" title="آ پرفکت سرکل – Persian" lang="fa" hreflang="fa" data-title="آ پرفکت سرکل" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – French" lang="fr" hreflang="fr" data-title="A Perfect Circle" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Galician" lang="gl" hreflang="gl" data-title="A Perfect Circle" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%96%B4_%ED%8D%BC%ED%8E%99%ED%8A%B8_%EC%84%9C%ED%81%B4" title="어 퍼펙트 서클 – Korean" lang="ko" hreflang="ko" data-title="어 퍼펙트 서클" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Croatian" lang="hr" hreflang="hr" data-title="A Perfect Circle" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target"><span>Hrvatski</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Italian" lang="it" hreflang="it" data-title="A Perfect Circle" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%90_%D7%A4%D7%A8%D7%A4%D7%A7%D7%98_%D7%A1%D7%99%D7%A8%D7%A7%D7%9C" title="א פרפקט סירקל – Hebrew" lang="he" hreflang="he" data-title="א פרפקט סירקל" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Georgian" lang="ka" hreflang="ka" data-title="A Perfect Circle" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Latvian" lang="lv" hreflang="lv" data-title="A Perfect Circle" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Lithuanian" lang="lt" hreflang="lt" data-title="A Perfect Circle" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Hungarian" lang="hu" hreflang="hu" data-title="A Perfect Circle" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Macedonian" lang="mk" hreflang="mk" data-title="A Perfect Circle" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Dutch" lang="nl" hreflang="nl" data-title="A Perfect Circle" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A2%E3%83%BB%E3%83%91%E3%83%BC%E3%83%95%E3%82%A7%E3%82%AF%E3%83%88%E3%83%BB%E3%82%B5%E3%83%BC%E3%82%AF%E3%83%AB" title="ア・パーフェクト・サークル – Japanese" lang="ja" hreflang="ja" data-title="ア・パーフェクト・サークル" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="A Perfect Circle" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Uzbek" lang="uz" hreflang="uz" data-title="A Perfect Circle" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target"><span>Oʻzbekcha / ўзбекча</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Polish" lang="pl" hreflang="pl" data-title="A Perfect Circle" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Portuguese" lang="pt" hreflang="pt" data-title="A Perfect Circle" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Romanian" lang="ro" hreflang="ro" data-title="A Perfect Circle" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Quechua" lang="qu" hreflang="qu" data-title="A Perfect Circle" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target"><span>Runa Simi</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Russian" lang="ru" hreflang="ru" data-title="A Perfect Circle" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Albanian" lang="sq" hreflang="sq" data-title="A Perfect Circle" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target"><span>Shqip</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Simple English" lang="en-simple" hreflang="en-simple" data-title="A Perfect Circle" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Serbo-Croatian" lang="sh" hreflang="sh" data-title="A Perfect Circle" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Finnish" lang="fi" hreflang="fi" data-title="A Perfect Circle" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Swedish" lang="sv" hreflang="sv" data-title="A Perfect Circle" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Turkish" lang="tr" hreflang="tr" data-title="A Perfect Circle" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Ukrainian" lang="uk" hreflang="uk" data-title="A Perfect Circle" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-wa mw-list-item"><a href="https://wa.wikipedia.org/wiki/A_Perfect_Circle" title="A Perfect Circle – Walloon" lang="wa" hreflang="wa" data-title="A Perfect Circle" data-language-autonym="Walon" data-language-local-name="Walloon" class="interlanguage-link-target"><span>Walon</span></a></li></ul> </section> </div> <div class="minerva-footer-logo"><img src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" alt="Wikipedia" width="120" height="18" style="width: 7.5em; height: 1.125em;"/> </div> <ul id="footer-info" class="footer-info hlist hlist-separated"> <li id="footer-info-lastmod"> This page was last edited on 22 November 2024, at 06:54<span 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