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href="https://www.thenewslens.com/tag/2195">台積電</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/23031">地緣政治</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/61388">全球供應鏈</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/224931">矽盾</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/264023">晶片法案</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="250762"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/250762"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/f90858fa-48b0-43c8-bd36-9eb37153428b.jpg" loading="lazy" srcset=" 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這場爭議暴露出部分自稱「台派」人士對台語的理解有限,且缺乏基本查證精神,他們迅速將亞亞老公的台語腔調視為可疑之處,卻忽略了台語的多樣性和區域差異。更何況相較於背後的藏鏡人,亞亞老公講的台語根本不是事件重點。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/1572">言論自由</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/4982">台語</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/5551">多元文化</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/20312">台灣認同</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/84259">政治操作</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/377634">亞亞在台灣</a></li> <li><a class="small fw-normal hashtag 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從金秀賢風波到麥當勞性侵案,這些事件表面上是個人之間的悲劇,實質上卻反映了權力不對等如何導致弱勢者遭受壓迫、暴力甚至死亡。本篇將透過檢視這些事件,深入探討受害者的處境與加害者的權力結構,並思考社會如何避免再度陷入這種,以受害者為焦點的錯置討論。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/6565">金秀賢</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/23564">性侵犯</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/33754">網路霸凌</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/147626">權力不對等</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/163655">權力失衡</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/375046">金賽綸</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/378559">麥當勞性侵案</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="249890"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/249890"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/8e75f7cc-4267-4a19-b269-6b8c6affd78e.jpg" loading="lazy" srcset=" https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/8e75f7cc-4267-4a19-b269-6b8c6affd78e.jpg 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2025/03/8e75f7cc-4267-4a19-b269-6b8c6affd78e.jpg 640w, " class="img-cover" alt="5.《青春末世物語》劇照"> </a> <div class="item-info-wrapper flex-grow-1"> <div class="item-info"> <h3 class="item-title h5 mb-2"> <a class="multiline-ellipsis-2 text-link" href="https://www.thenewslens.com/article/249890"> 【影評】《青春末世物語》:地震隱喻及圖像重構,空音央碰撞出的日本青春碎石 </a> </h3> <div class="item-froms"> <time class="small time" datetime="2025/03/21">2025/03/21</time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/movie-tv">影劇</a> <span class="dot">•</span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/contact">讀者投書</a> </small> </small> </div> <p class="description multiline-ellipsis-3 small my-2 fw-normal"> 坂本龍一的兒子,空音央橫空出世,以他的天賦和才華製作了《青春末世物語》這傑作。其實,《青春末世物語》最初的片名並不是Happyend,而空音央接受訪問透露,原本的戲名為《地震》(Earthquake),但後來覺得這部電影不一定要處理地震的創傷,而地震在故事中是「作爲背景和關鍵隱喻」。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/2355">影評</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/33937">坂本龍一</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/82301">日本電影</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/337370">2024威尼斯影展</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/377048">青春末世物語</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/377049">空音央</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="250397"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/250397"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/b58e41ac-4e71-4353-bf28-59c45657e325.jpg" loading="lazy" srcset=" https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/b58e41ac-4e71-4353-bf28-59c45657e325.jpg 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2025/03/b58e41ac-4e71-4353-bf28-59c45657e325.jpg 640w, " class="img-cover" alt="shutterstock_1099940828"> </a> <div class="item-info-wrapper flex-grow-1"> <div class="item-info"> <h3 class="item-title h5 mb-2"> <a class="multiline-ellipsis-2 text-link" href="https://www.thenewslens.com/article/250397"> 網路手遊世界潛藏私密影像詐騙危機:想要遊戲道具,用女童內褲照來換? </a> </h3> <div class="item-froms"> <time class="small time" datetime="2025/03/21">2025/03/21</time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/gender">性別</a> <span class="dot">•</span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/contact">讀者投書</a> </small> </small> </div> <p class="description multiline-ellipsis-3 small my-2 fw-normal"> 近幾年手遊兒少性剝削案件不斷出現,包括要求拍攝私密影像、視訊裸聊,進一步恐嚇散佈、勒索詐財,甚至約出來見面侵犯。儘管兒少權益受到高度重視,該如何保護孩童免於網路私密影像外流的迫害,仍是台灣社會需要需要思考的議題。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/2266">性教育</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/2643">性剝削</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/4151">數位原住民</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/8180">網路安全</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/9589">兒少法</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/13635">網路犯罪</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/23290">私密照</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/32303">性觀念</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/79758">手遊</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/195098">私密影像</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/226186">外流</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/378356">鍾孟儒</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/378407">乘風少年</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/378409">私密影像外流</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="250304"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/250304"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/76bd1650-d56e-4997-bad2-2cceacf7fc0f.jpg" loading="lazy" srcset=" https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/76bd1650-d56e-4997-bad2-2cceacf7fc0f.jpg 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2025/03/76bd1650-d56e-4997-bad2-2cceacf7fc0f.jpg 640w, " class="img-cover" alt="看我今天怎麼說劇照"> </a> <div class="item-info-wrapper flex-grow-1"> <div class="item-info"> <h3 class="item-title h5 mb-2"> <a class="multiline-ellipsis-2 text-link" href="https://www.thenewslens.com/article/250304"> 【影評】《看我今天怎麼說》的殘障符號——在香港的成功也代表了從來沒有關注到的現實 </a> </h3> <div class="item-froms"> <time class="small time" datetime="2025/03/18">2025/03/18</time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/movie-tv">影劇</a> <span class="dot">•</span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/contact">讀者投書</a> </small> </small> </div> <p class="description multiline-ellipsis-3 small my-2 fw-normal"> 導演黃修平以青春片的敘事風格,將聾人文化置於大眾較易接觸的語境中,並試圖突破主流電影對邊緣社群的刻板描寫,使得《看我今天怎麼說》在香港觀眾中引起了廣泛的共鳴。而《看我今天怎麼說》一片的成功,除證明了殘障符號,原來在今日的港產片中可以充滿魅力,但片中對於聾人文化的關注,其實只是揭示了,對大部份香港電影觀眾來說,原來都是他們的日常生活裡,從來直沒有關注到的現實。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/2359">金馬獎</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/17510">手語</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/31085">聾人</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/68799">聾人文化</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/74222">香港電影</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/81121">游學修</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/86818">黃修平</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/319571">鍾雪瑩</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/349249">2024金馬獎</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/364258">看我今天怎麼說</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/378089">吳祉昊</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="250028"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/250028"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/0b611c42-459e-44b5-be27-cffb0272639d.jpg" loading="lazy" srcset=" https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/0b611c42-459e-44b5-be27-cffb0272639d.jpg 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2025/03/0b611c42-459e-44b5-be27-cffb0272639d.jpg 640w, " class="img-cover" alt="《漂流:序曲》展場照"> </a> <div class="item-info-wrapper flex-grow-1"> <div class="item-info"> <h3 class="item-title h5 mb-2"> <a class="multiline-ellipsis-2 text-link" href="https://www.thenewslens.com/article/250028"> 【展覽】沈昭良攝影展《漂流:序曲》:體現攝影家觀察到的——台灣當今的未定之處境 </a> </h3> <div class="item-froms"> <time class="small time" datetime="2025/03/17">2025/03/17</time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/exhibition">展覽</a> <span class="dot">•</span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/contact">讀者投書</a> </small> </small> </div> <p class="description multiline-ellipsis-3 small my-2 fw-normal"> 作為海島型國家的台灣,其歷史因其地理面貌,如海岸港口、洋流潮汐等進而影響著貿易與移民、物種與生態系等複雜與多元性。《漂流》系列某種程度上,確實體現出攝影家所觀察到的台灣當今的未定之處境。在這種充滿不確定性的海上,面對台灣當今在凝稠的統治殖民史所衍生的認同立場,以及一波未平一波又起的危機存在處境,或許我們只能在這種迴流的復返行動中,才能面向過去地走向未來。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/30">台灣</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/42364">攝影展</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/114871">沈昭良</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/178987">漂流</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/377405">漂流:序曲</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="250163"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/250163"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/368b63c9-2b9b-4cc8-8c48-8cd5c2c3f456.jpg" loading="lazy" srcset=" https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/368b63c9-2b9b-4cc8-8c48-8cd5c2c3f456.jpg 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2025/03/368b63c9-2b9b-4cc8-8c48-8cd5c2c3f456.jpg 640w, " class="img-cover" alt="1 崩潰 shadow"> </a> <div class="item-info-wrapper flex-grow-1"> <div class="item-info"> <h3 class="item-title h5 mb-2"> <a class="multiline-ellipsis-2 text-link" href="https://www.thenewslens.com/article/250163"> 從雲云科技命案看創業者七大心理挑戰:工作永不停歇、事業成敗等於個人成敗 </a> </h3> <div class="item-froms"> <time class="small time" datetime="2025/03/14">2025/03/14</time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/career">職場</a> <span class="dot">•</span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/contact">讀者投書</a> </small> </small> </div> <p class="description multiline-ellipsis-3 small my-2 fw-normal"> 不似一般受僱者可以較輕鬆劃分「公事與私事」,創業者通常會投注個人所有資源,經常面臨高工作負荷、工作時間延長或總時數過長、過度投入工作或是帶病繼續工作等情況,創業壓力會導致「自我危害」行為,並進一步損害心理健康。 </p> <ul class="tags-wrapper list-unstyled d-flex flex-wrap pt-2 mb-0 border-top border-gray-300"> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/269">創業</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/774">壓力</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/2786">心理健康</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/3044">憂鬱症</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/4511">超時工作</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/6871">自我價值</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/11458">恐慌</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/12331">心理諮商</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/98556">孤獨感</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/163363">工作模式</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/377769">創業壓力</a></li> <li><a class="small fw-normal hashtag d-inline-block text-gray-700" href="https://www.thenewslens.com/tag/377773">形象壓力</a></li> </ul> </div> </div> </div> </section> <section class="item-wrapper list-item" data-article-id="249772"> <div class="shadow-sm p-3 bg-white item"> <a class="img-wrapper img-link ratio flex-shrink-0 ratio-320x192" href="https://www.thenewslens.com/article/249772"> <img src="https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/e19e9922-6ca1-4da6-91b4-f4a82ef10ad8.jpg" loading="lazy" srcset=" https://bucket-image.inkmaginecms.com/version/list/1/image/2025/03/e19e9922-6ca1-4da6-91b4-f4a82ef10ad8.jpg 320w, https://bucket-image.inkmaginecms.com/version/mobile/1/image/2025/03/e19e9922-6ca1-4da6-91b4-f4a82ef10ad8.jpg 640w, " class="img-cover" alt="b93668b4-bde4-4772-8193-8cd5e9476cf9"> </a> <div class="item-info-wrapper flex-grow-1"> <div class="item-info"> <h3 class="item-title h5 mb-2"> <a class="multiline-ellipsis-2 text-link" href="https://www.thenewslens.com/article/249772"> 為何台灣越來越多人不再用桶裝瓦斯?傳統瓦斯行該如何轉型? </a> </h3> <div class="item-froms"> <time class="small time" datetime="2025/03/13">2025/03/13</time> <a class="small flex-shrink-0" href="https://www.thenewslens.com/category/business">商業</a> <span class="dot">•</span> <small class="text-truncate"> <small class="author-wrapper"> <a class="author" href="https://www.thenewslens.com/author/contact">讀者投書</a> </small> </small> </div> <p class="description multiline-ellipsis-3 small my-2 fw-normal"> 政府透過天然氣普及政策,加速管線建設,已使天然氣成為主要能源來源——尤其在新建住宅與都會區域逐步取代傳統桶裝瓦斯,已成為不可逆轉的趨勢。面對市場縮減,桶裝瓦斯業者需積極轉型,作者在此列出三大策略。 </p> <ul class="tags-wrapper list-unstyled 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