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<span>Marilyn Monroe</span> </div> </a> <ul id="toc-Marilyn_Monroe-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Late_career_and_legacy" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Late_career_and_legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Late career and legacy</span> </div> </a> <ul id="toc-Late_career_and_legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Books" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Books"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Books</span> </div> </a> <ul id="toc-Books-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Selected_articles_illustrated_by_Ed_Feingersh" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Selected_articles_illustrated_by_Ed_Feingersh"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Selected articles illustrated by Ed Feingersh</span> </div> </a> <ul id="toc-Selected_articles_illustrated_by_Ed_Feingersh-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Bibliography</span> </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div 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</div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">American photographer (1925 - 1961)</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Ed Feingersh</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Ed_Feingersh_photographed_by_Julia_Scully,_late_1950s.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/1/16/Ed_Feingersh_photographed_by_Julia_Scully%2C_late_1950s.jpg/220px-Ed_Feingersh_photographed_by_Julia_Scully%2C_late_1950s.jpg" decoding="async" width="220" height="340" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/1/16/Ed_Feingersh_photographed_by_Julia_Scully%2C_late_1950s.jpg 1.5x" data-file-width="254" data-file-height="393" /></a></span><div class="infobox-caption">Ed Feingersh photographed by ©<a href="/wiki/Julia_Scully" title="Julia Scully">Julia Scully</a> in NYC, 1952</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Edwin Feingersh</div><br />April 21, 1925<br /><div style="display:inline" class="birthplace"><a href="/wiki/Brooklyn" title="Brooklyn">Brooklyn</a>, New York City, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">June 21, 1961, aged 36<br /><div style="display:inline" class="deathplace"><a href="/wiki/Manhattan" title="Manhattan">Manhattan</a>, New York City, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Other names</th><td class="infobox-data nickname">Edward, Eddie</td></tr><tr><th scope="row" class="infobox-label">Education</th><td class="infobox-data">New School of Social Research</td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role">Photojournalist</td></tr><tr><th scope="row" class="infobox-label">Agent</th><td class="infobox-data agent"><a href="/wiki/PIX_Publishing" title="PIX Publishing">PIX Publishing</a></td></tr><tr><th scope="row" class="infobox-label">Spouse(s)</th><td class="infobox-data">Miriam Sakol (b.1933), m.1957, annulled 1957</td></tr></tbody></table> <p><b>Ed Feingersh</b> (1925–1961) studied photography under <a href="/wiki/Alexey_Brodovitch" title="Alexey Brodovitch">Alexey Brodovitch</a> at the <a href="/wiki/The_New_School" title="The New School">New School of Social Research</a>. He later worked as a <a href="/wiki/Photojournalism" title="Photojournalism">photojournalist</a> for the <a href="/wiki/PIX_Publishing" title="PIX Publishing">Pix Publishing</a> agency. His talent for <a href="/wiki/Available_light" title="Available light">available light</a> photography under seemingly impossible conditions was well recognised.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> His pictures of Marilyn Monroe are his best known, but he was a prolific photojournalist throughout the 1950s. Two of his moody photographs of jazz performers were selected by <a href="/wiki/Edward_Steichen" title="Edward Steichen">Edward Steichen</a> for <a href="/wiki/MoMA" class="mw-redirect" title="MoMA">MoMA</a>’s world-touring <a href="/wiki/The_Family_of_Man" title="The Family of Man">The Family of Man</a> exhibition. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Career">Career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=1" title="Edit section: Career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Ed_Feingersh,_Combat_Photo,_Korea,_1953.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/d/d9/Ed_Feingersh%2C_Combat_Photo%2C_Korea%2C_1953.jpg/150px-Ed_Feingersh%2C_Combat_Photo%2C_Korea%2C_1953.jpg" decoding="async" width="150" height="236" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/d/d9/Ed_Feingersh%2C_Combat_Photo%2C_Korea%2C_1953.jpg/225px-Ed_Feingersh%2C_Combat_Photo%2C_Korea%2C_1953.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/d/d9/Ed_Feingersh%2C_Combat_Photo%2C_Korea%2C_1953.jpg 2x" data-file-width="251" data-file-height="395" /></a><figcaption>Ed Feingersh, Combat Photo, Korea, 1953</figcaption></figure><p> Edwin (a.k.a. Edward, commonly 'Ed' or 'Eddie') Feingersh was born in Brooklyn on April 21, 1925, the second of three sons of Harry Feingersh, a women's fashion designer and Rae Feingersh (née Press). His Jewish grandfather Abraham, a tailor, migrated to America from <a href="/wiki/Moldavia" title="Moldavia">Moldavia</a> in 1913 to escape the <a href="/wiki/Pogrom" title="Pogrom">pogroms</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Ed Feingersh majored in art at Manhattan's <a href="/wiki/Haaren_High_School" title="Haaren High School">Haaren High School</a>. </p><p>He took up photography during while serving in Germany in the Army, where he bought an inexpensive <a href="/wiki/35mm_format" class="mw-redirect" title="35mm format">35-mm camera</a>. After the war, with the assistance of the <a href="/wiki/G.I._Bill" title="G.I. Bill">G.I. Bill</a>, he first attended New York University, where he joined the camera club, and later enrolled in Alexey Brodovitch's photography course at the New School for Social Research.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> He worked during this period as assistant to <a href="/wiki/Gjon_Mili" title="Gjon Mili">Gjon Mili</a>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> This experience, and photographs he took for the course secured work as a 22-year-old <a href="/wiki/Stringer_(journalism)" title="Stringer (journalism)">stringer</a> with <a href="/wiki/PIX_Publishing" title="PIX Publishing"><i>Pix Publishing</i></a> photo agency in 1948. For them he produced stories for major magazines including a day in the life of a woman doctor for <a href="/wiki/McCall%27s" title="McCall's">McCall's</a>, moody and revealing scenes from a Tokyo night club for <a href="/wiki/Argosy_(magazine)" title="Argosy (magazine)"><i>Argosy</i></a> men's magazine, a report on German war orphans for <i>Redbook</i>, a study of a disturbed boy's psychological rehabilitation and the story "The Great Rock 'n' Roll Controversy', both for <a href="/wiki/Look_(American_magazine)" title="Look (American magazine)"><i>Look</i></a>,<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> in addition to making a portrait series of <a href="/wiki/Albert_Schweitzer" title="Albert Schweitzer">Albert Schweitzer</a> in New York and covering a night <a href="/wiki/Squadron_(aviation)" title="Squadron (aviation)">fighter squadron's</a> mission over <a href="/wiki/Greenland" title="Greenland">Greenland</a>.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>His coverage of the <a href="/wiki/Korean_War" title="Korean War">Korean War</a>, particularly the <a href="/wiki/Battle_of_Pork_Chop_Hill" title="Battle of Pork Chop Hill">Battle of Pork Chop Hill</a> (1953), involved Feingersh carrying in addition to his cameras, the gun, pack, and other standard G.I. equipment, nevertheless, he produced imagery with his <a href="/wiki/Wide-angle_lens" title="Wide-angle lens">wide-angle lens</a> that conveyed a charged, <a href="/wiki/First-person_narrative" title="First-person narrative">first-person</a> perspective.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> The work was published in <a href="/wiki/Pageant_(magazine)" title="Pageant (magazine)"><i>Pageant</i></a> and <i>Argosy</i>. He developed a reputation for putting himself at risk to get the eye-catching shot the magazine editors craved; parachuting with <a href="/wiki/Paratrooper" title="Paratrooper">paratroopers</a>, lying right in the path of stunt cars<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> and having himself tied to the periscope to photograph a submarine diving.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>At <i>PIX</i> he worked alongside the agency photographers <a href="/wiki/Alfred_Eisenstaedt" title="Alfred Eisenstaedt">Alfred Eisenstaedt</a>, George Karger, <a href="/wiki/Jerry_Cooke_(photographer)" title="Jerry Cooke (photographer)">Jerry Cooke</a>, <a href="/wiki/Eileen_Darby" title="Eileen Darby">Eileen Darby</a> (Lester), <a href="/wiki/Robert_Capa" title="Robert Capa">Robert</a> and <a href="/wiki/Cornell_Capa" title="Cornell Capa">Cornell Capa</a>, <a href="/wiki/George_S._Zimbel" title="George S. Zimbel">George Zimbel</a>, Bob Schwalberg, <a href="/wiki/Lawrence_Fried" title="Lawrence Fried">Lawrence Fried</a>, Bob Henriquez, and <a href="/wiki/Garry_Winogrand" title="Garry Winogrand">Garry Winogrand</a> whom Feingersh introduced to the photo agency.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Marilyn_Monroe">Marilyn Monroe</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=2" title="Edit section: Marilyn Monroe"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ed_Feingersh,_Self-Portrait_with_Marilyn_Monroe_1955.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/a/ac/Ed_Feingersh%2C_Self-Portrait_with_Marilyn_Monroe_1955.jpg/220px-Ed_Feingersh%2C_Self-Portrait_with_Marilyn_Monroe_1955.jpg" decoding="async" width="220" height="144" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/a/ac/Ed_Feingersh%2C_Self-Portrait_with_Marilyn_Monroe_1955.jpg/330px-Ed_Feingersh%2C_Self-Portrait_with_Marilyn_Monroe_1955.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/a/ac/Ed_Feingersh%2C_Self-Portrait_with_Marilyn_Monroe_1955.jpg 2x" data-file-width="390" data-file-height="255" /></a><figcaption>Ed Feingersh, Self-Portrait with Marilyn Monroe 1955</figcaption></figure><p>Ed Feingersh photographed <a href="/wiki/Marilyn_Monroe" title="Marilyn Monroe">Marilyn Monroe</a> for <a href="/wiki/Redbook_magazine" class="mw-redirect" title="Redbook magazine"><i>Redbook</i> magazine</a> in March 1955 for a story which would follow Monroe through her daily routine, the photography to be <a href="/wiki/Candid_photography" title="Candid photography">candid</a> and shot without flash in available light.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> The actress and her new production-company partner <a href="/wiki/Milton_H._Greene" title="Milton H. Greene">Milton Greene</a> recommended him to the magazine as their choice. </p><p>The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of <a href="/wiki/Cat_on_a_Hot_Tin_Roof" title="Cat on a Hot Tin Roof">Cat on a Hot Tin Roof</a> at the <a href="/wiki/Morosco_Theatre" title="Morosco Theatre">Morosco Theatre</a>, and being fitted with a <a href="/wiki/Burlesque" title="Burlesque">burlesque</a> <a href="/wiki/Corset" title="Corset">corset</a> for her ride on a pink elephant at a charity event at <a href="/wiki/Madison_Square_Garden" title="Madison Square Garden">Madison Square Garden</a>,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> were the only candid images of the actress made specifically for publication.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> An example is a wide angle shot of the corseted Monroe reflected in a mirror contains an out-of-focus self-portrait of the photographer holding a <a href="/wiki/Nikon" title="Nikon">Nikon</a> S2 fitted with 35mm lens, the <a href="/wiki/Rangefinder_camera" title="Rangefinder camera">rangefinder camera</a> he customarily used and which was starting then to be adopted by picture magazines in America previously wary of Japanese equipment.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p><i>Redbook</i> asked him to repeat the exercise in 1957, and he accepted their assignment to photograph <a href="/wiki/Audrey_Hepburn" title="Audrey Hepburn">Audrey Hepburn</a> and Mel Ferrier in Paris, again candidly, capturing their actions in dance rehearsals under difficult <a href="/wiki/Night_photography" title="Night photography">low-light</a> conditions requiring <a href="/wiki/Shutter_speed" title="Shutter speed">shutter speeds</a> of 1/15 sec. and lower.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>In 2013 <a href="/wiki/Chanel" title="Chanel">Chanel</a> ran an advertising campaign using a recorded interview with Monroe in which she is asked about her use of <a href="/wiki/Chanel_No._5" title="Chanel No. 5">Chanel No.5</a> fragrance. It featured Feingersh's photograph of the actress splashing herself with a bottle of the perfume.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Late_career_and_legacy">Late career and legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=3" title="Edit section: Late career and legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Robert Stein, then editor of <i>Redbook</i> magazine and later, president of the <a href="/wiki/American_Society_of_Magazine_Editors" title="American Society of Magazine Editors">American Society of Magazine Editors</a>, was a close friend of the photographer. He reports (in 2005) that Feingersh suffered <a href="/wiki/Major_depressive_disorder" title="Major depressive disorder">depression</a> between his bouts of frenetic activity, and in the years immediately after the Monroe shoot, and after a brief, failed marriage (1957) to Miriam (Mimi) Sakol (b.1933), he gave up photography. </p><p>Stein subsequently invited him to join him at <i>Redbook</i> as <a href="/wiki/Picture_editor" title="Picture editor">picture editor</a>, but Feingersh soon succumbed to alcoholism, poor mental and physical health, neglected his work and died 'in his sleep' on the morning of June 21, 1961, at the home of friends in New York.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> He was buried in the family plot at <a href="/wiki/Prospect_Park_(Brooklyn)" title="Prospect Park (Brooklyn)">Prospect Park</a> in Brooklyn. </p><p>Full of praise for his colleague's photography, Stein says that though many want to see 'Eddie's' work in public collections of 'museums to give him the recognition he deserves'.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> His collection is now in the archives of Life Magazine and Getty Images and in the process of being edited and scanned, many of which can be found on gettyimages.com. </p><p>In 1987, 26 years after Ed Feingersh died, photography collector <a href="/wiki/Michael_Ochs" title="Michael Ochs">Michael Ochs</a> uncovered a cache of several rolls of <a href="/wiki/Negative_(photography)" title="Negative (photography)">negatives</a> and <a href="/wiki/Contact_print" title="Contact print">proofs</a> that revealed the unpublished images from the Monroe series.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> This collection is held by <a href="/wiki/Getty_Images" title="Getty Images">Getty Images</a> and consequently they are the most seen of Feingersh's photojournalistic output, accessed via countless Monroe <a href="/wiki/Fansite" title="Fansite">fansites</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Books">Books</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=4" title="Edit section: Books"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFFeingersh,_EdLaBrasca,_BobMichael_Ochs_Archives1990" class="citation cs2">Feingersh, Ed; LaBrasca, Bob; Michael Ochs Archives (1990), <i>Marilyn : March 1955</i>, Delta, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-385-30119-0" title="Special:BookSources/978-0-385-30119-0"><bdi>978-0-385-30119-0</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Marilyn+%3A+March+1955&rft.pub=Delta&rft.date=1990&rft.isbn=978-0-385-30119-0&rft.au=Feingersh%2C+Ed&rft.au=LaBrasca%2C+Bob&rft.au=Michael+Ochs+Archives&rfr_id=info%3Asid%2Fen.wikipedia.org%3AEd+Feingersh" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGombeaud,_Adrien2011" class="citation cs2">Gombeaud, Adrien (2011), <i>Une blonde à Manhattan : Ed Feingersh et Marilyn Monroe</i>, Serpent à plumes; Monaco : Rocher, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-2-268-07129-9" title="Special:BookSources/978-2-268-07129-9"><bdi>978-2-268-07129-9</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Une+blonde+%C3%A0+Manhattan+%3A+Ed+Feingersh+et+Marilyn+Monroe&rft.pub=Serpent+%C3%A0+plumes%3B+Monaco+%3A+Rocher&rft.date=2011&rft.isbn=978-2-268-07129-9&rft.au=Gombeaud%2C+Adrien&rfr_id=info%3Asid%2Fen.wikipedia.org%3AEd+Feingersh" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="Selected_articles_illustrated_by_Ed_Feingersh">Selected articles illustrated by Ed Feingersh</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=5" title="Edit section: Selected articles illustrated by Ed Feingersh"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Argosy's Tips from Photographers, (cl) <i>Argosy</i> Jul 1952 <a rel="nofollow" class="external autonumber" href="http://www.philsp.com/homeville/GFI/t239.htm#A4033">[4]</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160304035246/http://www.philsp.com/homeville/GFI/t239.htm#A4033">Archived</a> March 4, 2016, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li>Argosy's Tips from Photographers: Mistakes That Make Pictures, (cl) <i>Argosy</i> Jul 1953</li> <li>Dave Chambers’ $2,000,000 Worth of Horses, (pi) <i>Argosy</i> Mar 1955</li> <li>The Hot-Seat Drag, (pi) <i>Argosy</i> Jul 1954</li> <li>How Red China Gets Dope to Our GIs, (pi) <i>Argosy</i> Feb 1954</li> <li>Irish Horan's Hell Drivers, (pi) <i>Argosy</i> Jun 1953</li> <li>The Last Patrol, (pi) <i>Argosy</i> Dec 1953</li> <li>Mistakes That Make Pictures, (cl) <i>Argosy</i> Jul 1953</li> <li>Nice Work If You Can Get It, (pi) <i>Argosy</i> May 1954</li> <li>Pictures Tell the Story: The Hot-Seat Drag, (pi) <i>Argosy</i> Jul 1954</li> <li>Pictures Tell the Story: The Last Patrol, (pi) <i>Argosy</i> Dec 1953</li> <li>What will happen to this boy?, produced by George B. Leonard, Jr., <i>Look</i>, v. 19, no. 21 (October 18, 1955), p. 137-144. 15 images.<a rel="nofollow" class="external autonumber" href="https://www.loc.gov/pictures/collection/lmc/item/lmc1999007154/PP/">[5]</a></li> <li>The Private Takes a Wife, (pi) <i>Redbook</i> Dec 1955</li> <li>Vice Squad, (pi) <i>Adventure</i> Dec 1954</li> <li>The great rock 'n' roll controversy, <i>Look</i>, v. 20, no. 13 (June 26, 1956), p. 40-41, 42, 45, 47. 12 images <a rel="nofollow" class="external autonumber" href="https://www.loc.gov/pictures/collection/lmc/item/lmc1995000245/PP/">[6]</a></li> <li>Mike Wallace, <i>Look</i>, March 21, 1957</li> <li>You Can't Miss! (with Robert Bridgeport), (ar) <i>Argosy</i> Mar 1959</li></ul> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=6" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Russel, J. (1989). <i>Marilyn Monroe and the camera</i>. Bulfinch P. Books.</li> <li>Greer, H. (2001). <i>Immortalizing the ephemeral</i>. The World & I, 16(6), 84.</li> <li>Zoom (NL) 1990, I/1, p. 38-45 (NFM)</li> <li>Van Ham Kunstauktionen: Photographie 254. Auktion, 11. Mai 2007 (2007) (NFM)</li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ed_Feingersh&action=edit&section=7" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Desfor, I. (November 13, 1956). Light and photography. The Christian Science Monitor</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Popular Photography, November 1951 Vol. 29, No. 5</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGombeaud,_Adrien2011" class="citation cs2">Gombeaud, Adrien (2011), <i>Une blonde à Manhattan : Ed Feingersh et Marilyn Monroe</i>, Serpent à plumes; Monaco : Rocher, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-2-268-07129-9" title="Special:BookSources/978-2-268-07129-9"><bdi>978-2-268-07129-9</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Une+blonde+%C3%A0+Manhattan+%3A+Ed+Feingersh+et+Marilyn+Monroe&rft.pub=Serpent+%C3%A0+plumes%3B+Monaco+%3A+Rocher&rft.date=2011&rft.isbn=978-2-268-07129-9&rft.au=Gombeaud%2C+Adrien&rfr_id=info%3Asid%2Fen.wikipedia.org%3AEd+Feingersh" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">For Ed Feingersh and his connection to Brodovitch see U.S.Camera 1950.ed. Tom Maloney (New York: U. S. Camera, 1949), 239.</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Kahn, Marion Jacobs (2008) <i>Child of Madness</i>. Itasca Books p.142.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.loc.gov/pictures/related/?q=Feingersh%2C%20Ed&fi=names&co=lmc">"Search Results: "Feingersh%2C%20Ed" - Prints & Photographs Online Catalog (Library of Congress)"</a>. <i><a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a></i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Library+of+Congress&rft.atitle=Search+Results%3A+%22Feingersh%252C%2520Ed%22+-+Prints+%26+Photographs+Online+Catalog+%28Library+of+Congress%29&rft_id=https%3A%2F%2Fwww.loc.gov%2Fpictures%2Frelated%2F%3Fq%3DFeingersh%252C%2520Ed%26fi%3Dnames%26co%3Dlmc&rfr_id=info%3Asid%2Fen.wikipedia.org%3AEd+Feingersh" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">Durniak, John (1957) 'Ed Feingersh: A Memorial Portfolio'. In <i>Photography (USA) Annual 1957</i> pps.13, 148-157, 247-248</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Photography (USA) Annual 1962 pps. 14-18, 213.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">"One of the most famous of Ed Feingersh's "daredevil" pictures is...of Irish Horan's <a href="/wiki/Hell_Drivers" title="Hell Drivers">Hell Drivers</a>. To take the photograph Feingersh had to crouch at the end of the ramp inches away from the cars which hurtled at a speed of 70 mph past him. The picture was taken on assignment for <i>Argosy</i>. CAMERA: Robot rapid-sequence with 40- mm Xenar f/ 1.9 lens. EXPOSURE: 1/500 second at f/8. page 16 Technical data unavailable." Durniak, John (1957) 'Ed Feingersh: A Memorial Portfolio'. In <i>Photography (USA) Annual 1957</i> pps.13, 148-157, 247-248</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Scully, Julia (1979) Seeing Pictures. In MODERN PHOTOGRAPHY July 1979, U.S.A. pps.29, 150, 152.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">"Winogrand eventually got a job as a stringer for the Pix agency. He gained access to a darkroom and an office where he could talk with other photographers. One of the other photographers, Ed Feingersh introduced Winogrand to the agent Henrietta Brackman, probably because he was tired of Winogrand “borrowing” materials all the time. She got Winogrand commissions shooting various general interest stories for Colliers and Argosy." <a rel="nofollow" class="external autonumber" href="http://pictureyear.blogspot.com.au/2008/09/garry-winogrand-part-1.html">[1]</a></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">"Ed Feingersh, a pioneer in available-light photojournalism..." <i>Popular Photography,</i> Volume 72, 1973, p.83 CBS Magazines</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Miller, Jennifer Jean (2014) Marilyn Monroe & Joe DiMaggio - Love In Japan, Korea & Beyond, J.J. Avenue Productions U.S.A.</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRollyson,_Carl_E._(Carl_Edmund)2014" class="citation cs2">Rollyson, Carl E. (Carl Edmund) (October 16, 2014), <i>Marilyn Monroe day by day : a timeline of people, places, and events</i>, Lanham Rowman & Littlefield (published 2014), <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4422-3080-4" title="Special:BookSources/978-1-4422-3080-4"><bdi>978-1-4422-3080-4</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Marilyn+Monroe+day+by+day+%3A+a+timeline+of+people%2C+places%2C+and+events&rft.pub=Lanham+Rowman+%26+Littlefield&rft.date=2014-10-16&rft.isbn=978-1-4422-3080-4&rft.au=Rollyson%2C+Carl+E.+%28Carl+Edmund%29&rfr_id=info%3Asid%2Fen.wikipedia.org%3AEd+Feingersh" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">"The "New York Times" issue on December 10, 1950 carried the following article by Jacob Deschin titled "JAPANESE CAMERA" which said that Nikon and Nikkor were scrutinized by experts and approved for their excellence. <a rel="nofollow" class="external autonumber" href="http://imaging.nikon.com/history/chronicle/history_e/">[2]</a></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">’Ed Feingersh Shoots a Star in Motion’, Popular Photography April 1957 Vol. 40, No. 4. p.76-79</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">"On her first cover of Life magazine in 1957, Marilyn Monroe famously said she only wore Chanel No.5 to bed. Now, a newly found recording of her from 1960 discussing the subject further with Marie Claire's then-editor in chief Georges Belmont is being used in a new advertising campaign for the fragrance set to break this fall. She said people pose questions. "They ask me: 'What do you wear to bed? A pajama top? The bottoms of the pajamas? A nightgown?' So I said, 'Chanel No.5,' because it's the truth....," she explained. "And yet, I don't want to say nude. But it's the truth!" The voice of Monroe who passed away in 1962 is to be accompanied by a photograph of her holding a scent bottle, taken by Ed Feingersh . The ad will run in publications and on television." Karimzadeh, Marc. "Memo Pad." WWD October 18, 2013: 11. Popular Magazines Plus. Web. February 17, 2016.<a rel="nofollow" class="external autonumber" href="http://go.galegroup.com/ps/i.do?id=GALE%7CA346724193&v=2.1&u=61ncgrl&it=r&p=GPS&sw=w&asid=8c27d6aff03925f675bee5d66b57780b">[3]</a></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Durniak, John (1957) 'Ed Feingersh: A Memorial Portfolio'. In Photography (USA) Annual 1957 pps.13, 148-157, 247-248</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Stein, Robert (2005) "Do You Want to See <i>Her</i>?". In <i>American Heritage</i>; Nov/Dec 2005, Vol. 56 Issue 6, p50</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Bird, Nichola Cecelia. "GETTING IN ON THE ACT." (1998) is a Leeds University PhD submission available at <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20151222121414/http://nickybird.com/cms/wp-content/uploads/2013/05/NB_1998.pdf">"Archived copy"</a> <span class="cs1-format">(PDF)</span>. Archived from <a rel="nofollow" class="external text" href="http://nickybird.com/cms/wp-content/uploads/2013/05/NB_1998.pdf">the original</a> <span class="cs1-format">(PDF)</span> on December 22, 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">December 21,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Archived+copy&rft_id=http%3A%2F%2Fnickybird.com%2Fcms%2Fwp-content%2Fuploads%2F2013%2F05%2FNB_1998.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AEd+Feingersh" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_web" title="Template:Cite web">cite web</a>}}</code>: CS1 maint: archived copy as title (<a href="/wiki/Category:CS1_maint:_archived_copy_as_title" title="Category:CS1 maint: archived copy as title">link</a>)</span> which analyses these photographs.</span> </li> </ol></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist 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href="https://www.idref.fr/030403774">IdRef</a></span></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Ed_Feingersh&oldid=1257895287">https://en.wikipedia.org/w/index.php?title=Ed_Feingersh&oldid=1257895287</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:American_photojournalists" title="Category:American photojournalists">American photojournalists</a></li><li><a href="/wiki/Category:Sports_photographers" title="Category:Sports photographers">Sports photographers</a></li><li><a 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