{"title":"A Study on Fantasy Images Represented on the Films: Focused on Mise-en-Sc\u00e8ne Element","authors":"Somi Nah","volume":66,"journal":"International Journal of Humanities and Social Sciences","pagesStart":1545,"pagesEnd":1555,"ISSN":"1307-6892","URL":"https:\/\/publications.waset.org\/pdf\/12645","abstract":"<p>The genre of fantasy depicts a world of imagine that triggers popular interest from a created view of world, and a fantasy is defined as a story that illustrates a world of imagine where scientific or horror elements are stand in its center. This study is not focused on the narrative of the fantasy, i.e. not on the adventurous story, but is concentrated on the image of the fantasy to work on its relationship with intended themes and differences among cultures due to meanings of materials. As for films, we have selected some films in the 2000&#39;s that are internationally recognized as expressing unique images of fantasy containing the theme of love in them. The selected films are 5 pieces including two European films, Amelie from Montmartre (2001) and The Science of Sleep (2005) and three Asian films, Citizen Dog from Thailand (2004), Memories of Matsuko from Japan (2006), and I&#39;m a Cyborg, but That&#39;s OK from Korea (2006). These films share some common characteristics to the effect that they give tiny lessons and feelings for life with expressions of fantasy images as if they were fairy tales for adults and that they lead the audience to reflect on their days and revive forgotten dreams of childhood. We analyze the images of fantasy in each of the films on the basis of the elements of Mise-en-Sc&egrave;ne (setting and props, costume, hair and make-up, facial expressions and body language, lighting and color, positioning of characters, and objects within a frame).<\/p>\r\n","references":"[1] Kathryn Hume, Fantasy and mimesis: responses to reality in Western\r\nliterature, Methuen in New York, 1984, ISBN-10: 0416380107,\r\n0416380204.\r\n[2] Anton Kaes, Kino-Debatte. Texte zum Verh\u251c\u00f1ltnis von Literatur und Film\r\n1909-1929. T\u00fcbingen, 1978, S.2.\r\n[3] Ibid., (1)\r\n[4] Ibid., (2) p. 26.\r\n[5] Tzvetan Todorov, Th\u00e9orie de la Litt\u00e9rature, French & European Pubns,\r\n1965. ISBN-10: 0320050807, ISBN-13: 978-0320050800. p. 288.\r\n[6] Tzvetan Todorov, Introduction \u00e1 la litt\u00e9rature fantastique, 1970, Essai (en\r\nfran\u00e7ais), ISBN-10: 2020043742, ISBN-13: 978-2020043748, The\r\nfantastic: a structural approach to a literary genre, Press of Case Western\r\nReserve University, 1973, ISBN 0829502459, 9780829502459,\r\nIntroduction \u00e1 la litt\u00e9rature fantastique. English, Cornell University Press,\r\n1975, ISBN 0801491460, 9780801491467.\r\n[7] Ibid., p.166.\r\n[8] Ir\u00e8ne Bessi\u00e8re, Le recit fantastique;: La poetique de l'incertain (Themes et\r\ntextes), Larousse, Paris, 1973. ISBN-10: 2030350230, ISBN-13:\r\n978-2030350232. p.10.\r\n[9] Ibid.\r\n[10] Michael Rabiger. Directing : Film Techniques and Aesthetics, Focal,\r\n1996, ISBN: 9780240802237.\r\n[11] Jacques Aumont, Michel Marie. L'Analyse des Films, Nathan Universit\u00e9\r\n, 1999, ISBN-10: 2091908681, ISBN-13: 978-2091908687\r\n[12] Thomas Morawetz. Making Faces, Playing God: Identity and the Art of\r\nTransformational Makeup, University of Texas Press, 2001. ISBN-10:\r\n0292752474, ISBN-13: 978-0292752474.\r\n[13] Anthony Timpone. Men, Makeup & Monsters: Hollywood's Masters of\r\nIllusion and FX, St. Martin's Griffin, 1996. ISBN-10: 0312146787,\r\nISBN-13: 978-0312146788.\r\n[14] Marilyn J. Horn. The Second Skin: An Interdisciplinary Study of\r\nClothing, Houghton Mifflin Company, 1968. ASIN: B002VD416I.\r\n[15] Ibid., (11)\r\n[16] Fabrice Revault d'Allonnes. La lumiere au cinema (Cahiers du cinema.\r\nCollection Essais) (French Edition), Diffusion, Seuil, 1991, ISBN-10:\r\n2866420764, ISBN-13: 978-2866420765.\r\n[17] Ibid., (11)","publisher":"World Academy of Science, Engineering and Technology","index":"Open Science Index 66, 2012"}