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class="term-page-header__content"> <a href="https://observer.com/entertainment/" class="term-parent-title"> Entertainment </a> <div class="term-heading"> <h1 class="term-title"> Music </h1> <div class="term-primary-menu-container"><ul id="menu-music" class="term-primary-menu"><li id="menu-item-1444430" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444430"><a href="https://observer.com/tag/rap-music/">Rap</a></li> <li id="menu-item-1444429" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444429"><a href="https://observer.com/tag/rock-music/">Rock</a></li> <li id="menu-item-1444433" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444433"><a href="https://observer.com/tag/pop-music/">Pop</a></li> <li id="menu-item-1444439" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444439"><a href="https://observer.com/tag/punk-music/">Punk</a></li> <li id="menu-item-1444489" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444489"><a href="https://observer.com/tag/jazz-music/">Jazz</a></li> <li id="menu-item-1444494" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444494"><a href="https://observer.com/tag/blues-music/">Blues</a></li> <li id="menu-item-1444518" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444518"><a href="https://observer.com/tag/funk-music/">Funk</a></li> </ul></div> </div> <div class="term-secondary-menu-container"><ul id="menu-music-2" class="term-secondary-menu"><li id="menu-item-1444517" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444517"><a href="https://observer.com/tag/djs/">DJs</a></li> <li id="menu-item-1444484" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444484"><a href="https://observer.com/tag/hip-hop/">Hip-Hop</a></li> <li id="menu-item-1444485" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444485"><a href="https://observer.com/tag/classical-music/">Classical</a></li> <li id="menu-item-1444487" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444487"><a href="https://observer.com/tag/electronic-music/">Electronic</a></li> <li id="menu-item-1444495" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444495"><a href="https://observer.com/tag/ambient-music/">Ambient</a></li> <li id="menu-item-1444503" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444503"><a href="https://observer.com/tag/edm/">EDM</a></li> <li id="menu-item-1444490" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1444490"><a href="https://observer.com/tag/experimental-music/">Experimental</a></li> </ul></div> <p class="term-description add-read-more"> A comprehensive hub for music lovers and industry insiders alike. Sharp, well-rounded reviews exploring the artistry, production and cultural impact of new releases across genres. In-depth profiles, interviews and analysis highlighting the leaders and innovators shaping the music industry, revealing the strategies and vision behind their success. Expect a mix of thoughtful critique, trend analysis and behind-the-scenes insights. </p> </div> </div> </header> <div class="headliner-with-border taxonomy-outer-headline"> <div class="section-header channel-content__top"> <h2 class="channel-content__title"> News About Music </h2> <span class="channel-content__separator"></span> </div> </div> <section class="featured-content__container featured-content--reduced" id="featured-content"> <div class="featured-content__main"> <article class="post-card post-card__post post-1526826 channel--entertainment"> <a class="post-card__image" href="https://observer.com/2025/01/opera-review-prototype-festival-2025/" aria-hidden="true" tabindex="-1" > <img src="https://observer.com/wp-content/uploads/sites/2/2025/01/Black-Lodge-1.jpg?quality=80&w=635" alt="A multimedia performance setup with musicians in the foreground and a large screen showing a close-up of a man's face in an ominous setting, accompanied by superimposed subtitles like "Attach electric drills to the teeth!"" loading="eager" > </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/opera-review-prototype-festival-2025/" > Prototype, the New York Festival of Avant-Garde Opera, Turns 12 </a> </h2> <div class="post-card__excerpt"> There was a dizzyingly diverse spectrum of performances this year, with wildly divergent highs and lows. </div> <div class="post-card__byline"> By <a href="https://observer.com/author/annie-levin/">Annie Levin</a> </div> </div> </article> </div> <div class="featured-content__secondary"> <article class="post-card post-card__post post-1524265 channel--entertainment"> <a class="post-card__image" href="https://observer.com/2025/01/review-hansel-and-gretel-royal-opera-house-london-2025/" aria-hidden="true" tabindex="-1" > <img src="https://observer.com/wp-content/uploads/sites/2/2025/01/Production-image-of-Hansel-and-Gretel-The-Royal-Opera-©2024-Tristram-Kenton-1.jpg?quality=80&w=300" alt="A simple wooden cabin interior with three characters interacting—one sitting at a table, one standing angrily, and one slumped in a corner—all set against a dark, ominous forest backdrop." loading="eager" > </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/review-hansel-and-gretel-royal-opera-house-london-2025/" > Striking Set Design and Strong Singing Elevate ‘Hansel and Gretel’ at the Royal Opera House </a> </h2> <div class="post-card__excerpt"> Here, the traditional angels are replaced by characters from folklore who frolic as the children sleep: Snow White, Red Riding Hood, a wolf, Cinderella and Rapunzel gambol across the stage. </div> <div class="post-card__byline"> By <a href="https://observer.com/author/frances-forbes-carbines/">Frances Forbes-Carbines</a> </div> </div> </article> <article class="post-card post-card__post post-1524251 channel--entertainment"> <a class="post-card__image" href="https://observer.com/2025/01/handel-messiah-st-thomas-trinity-church-david-geffen-carnegie-hall/" aria-hidden="true" tabindex="-1" > <img src="https://observer.com/wp-content/uploads/sites/2/2025/01/DSC7622.jpg?quality=80&w=300" alt="A brightly lit concert hall filled with an orchestra and choir performing on stage, decorated with red poinsettias along the front, and an audience seated in tiered rows in the background." loading="eager" > </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/handel-messiah-st-thomas-trinity-church-david-geffen-carnegie-hall/" > St. Thomas, Trinity Church, David Geffen and Carnegie Hall: The Many Ways to Handle ‘Messiah’ </a> </h2> <div class="post-card__excerpt"> Four of the city’s best-known productions are remarkably different yet still deeply satisfying in their individual approaches to the perennial masterpiece. </div> <div class="post-card__byline"> By <a href="https://observer.com/author/christopher-corwin/">Christopher Corwin</a> </div> </div> </article> </div> </section> <div class="child-channel-wrapper"> <div id="primary" class="content-area"> <main id="main" class="site-main" role="main"> <section id="loopwrapper" class="channel-content__main channel-content__main--full-width"> <article id="post-1522553" class="post-card post-card__post" data-post="1522553" data-title="‘La Bohème’ at the Royal Opera House Brings 19th-Century Paris to Life in Stunning Detail" data-url="https://observer.com/2024/12/review-la-boheme-at-the-royal-opera-house/"> <a class="post-card__image" href="https://observer.com/2024/12/review-la-boheme-at-the-royal-opera-house/" aria-hidden="true" tabindex="-1"> <div 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Their joyous expressions and colorful costumes contrast with the dark background, suggesting a climactic or celebratory moment." decoding="async" fetchpriority="high" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2024/12/La-boheme-The-Royal-Opera-©2024-Mihaela-Bodlovic-2.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A group of six performers, including a woman in a bright red dress and black fur shawl, celebrate together in dramatic poses, with one man raising a French horn triumphantly. Their joyous expressions and colorful costumes contrast with the dark background, suggesting a climactic or celebratory moment." decoding="async" fetchpriority="high" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2024/12/review-la-boheme-at-the-royal-opera-house/"> ‘La Bohème’ at the Royal Opera House Brings 19th-Century Paris to Life in Stunning Detail </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Frances Forbes-Carbines </div> </div> </div> </article> <article id="post-1522485" class="post-card post-card__post" data-post="1522485" data-title="Asmik Grigorian’s Raw Passion Eclipsed Piotr Beczała’s Quiet Thunder at Carnegie Hall" data-url="https://observer.com/2024/12/review-piotr-beczala-and-asmik-grigorian-at-carnegie-hall/"> <a class="post-card__image" href="https://observer.com/2024/12/review-piotr-beczala-and-asmik-grigorian-at-carnegie-hall/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2024/12/image4.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="Two men in formal attire—one the pianist and the other the tenor—stand hand-in-hand on stage at Carnegie Hall, smiling and bowing to the audience in front of a grand piano." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2024/12/image4.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="Two men in formal attire—one the pianist and the other the tenor—stand hand-in-hand on stage at Carnegie Hall, smiling and bowing to the audience in front of a grand piano." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2024/12/review-piotr-beczala-and-asmik-grigorian-at-carnegie-hall/"> Asmik Grigorian’s Raw Passion Eclipsed Piotr Beczała’s Quiet Thunder at Carnegie Hall </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Gabrielle Ferrari </div> </div> </div> </article> <article id="post-1502170" class="post-card post-card__post" data-post="1502170" data-title="The Experience of Living with Michael J. 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