The End of the World - Open Book Publishers

<!DOCTYPE html> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta charset="utf-8" /> <meta name="viewport" content="width=device-width, initial-scale=1" /> <link rel="icon" type="image/x-icon" href="/assets/images/favicon.ico" /> <link rel="shortcut icon" type="image/x-icon" href="/assets/images/favicon.ico" /> <title> The End of the World - Open Book Publishers </title> <meta name="keywords" xml:lang="fr" lang="fr" content="Représentations, Histoire culturelle, Histoire de l'Art" /> <meta name="citation_keywords" content="Représentations ; Histoire culturelle ; Histoire de l'Art" /> <meta name="keywords" xml:lang="en" lang="en" content="Western culture, multidisciplinary study, Apocalypse, Holocaust, utopia, imaginary scenarios" /> <meta name="citation_keywords" content="Western culture ; multidisciplinary study ; Apocalypse ; Holocaust ; utopia ; imaginary scenarios" /> <meta name="keywords" xml:lang="fr" lang="fr" content="Language and Literature" /> <meta name="citation_keywords" content="Language and Literature" /> <meta name="keywords" xml:lang="fr" lang="fr" content="Aldous Huxley, George Orwell, Margaret Atwood, René Magritte, William Blake, John Guillermin, Peter Paul Rubens, John Martin, Gustave Doré, Albrecht Dürer" /> <meta name="citation_keywords" content="Aldous Huxley ; George Orwell ; Margaret Atwood ; René Magritte ; William Blake ; John Guillermin ; Peter Paul Rubens ; John Martin ; Gustave Doré ; Albrecht Dürer" /> <link rel="stylesheet" href="/assets/front/css/front.28c1b253.css" /> <link rel="alternate" type="application/rss+xml" title="RSS" href="https://books.openedition.org/oep/backend/?format=rss" /> <link rel="schema.DC" href="http://purl.org/dc/elements/1.1/"/> <meta name="DC.format" content="text/html"/> <meta name="generator" content="Lodel 2.0" /> <meta name="DC.identifier" content="https://books.openedition.org/obp/276" /> <meta name="url" content="https://books.openedition.org/obp/276" /> <link rel="alternate" hreflang="x-default" href="https://books.openedition.org/obp/276" /> <link rel="alternate" hreflang="en" href="https://books.openedition.org/obp/276?lang=en" /> <link rel="alternate" hreflang="fr" href="https://books.openedition.org/obp/276?lang=fr" /> <link rel="canonical" href="https://books.openedition.org/obp/276" /> <meta property="og:url" content="https://books.openedition.org/obp/276" /> <meta name="citation_title" content="The End of the World" /> <meta property="og:title" content="The End of the World" /> <meta name="description" xml:lang="en" lang="en" content=" This book is dedicated to our planet, with best wishes for many happy returns. In memory of my mother-in-law, Winifred Brick and my uncle, Ilídio Lisboa. This World is not Conclusion. A Species stands beyond—Invisible, as Music—But positive, as Sound—It beckons, and it baffles—Philosophy—don’t know—And through a Riddle, at the last—Sagacity, must go—To guess it, puzzles scholars—To gain it, Men have borne Contempt of Generations And Crucifixion […]. Emily Dickinson Where have all the flowers gone? Long time passing Where have all the flowers gone? Long time ago Where have all the flowers gone? Girls have picked them every one When will they ever learn? When will they ever learn? Where have all the young girls gone? Long time passing Where have all the young girls gone? Long time ago Where have all the young girls gone? Taken husbands every one When will they ever learn? When will they ever learn? Where have all the young men gone? Long time passing Where have all the young men gone? Long time ago Where have all the young men gone? Gone for soldiers every one When will they ever learn? When will they ever learn? Where have all the soldiers gone? Long time passing Where have all the soldiers gone? Long time ago Where have all the soldiers gone? Gone to graveyards every one When will they ever learn? When will they ever learn? Where have all the graveyards gone? Long time passing Where have all the graveyards gone? Long time ago Where have all the graveyards gone? Covered with flowers every one When will we ever learn? When will we ever learn? Pete Seeger " /> <meta name="citation_abstract" content=" This book is dedicated to our planet, with best wishes for many happy returns. In memory of my mother-in-law, Winifred Brick and my uncle, Ilídio Lisboa. This World is not Conclusion. A Species stands beyond—Invisible, as Music—But positive, as Sound—It beckons, and it baffles—Philosophy—don’t know—And through a Riddle, at the last—Sagacity, must go—To guess it, puzzles scholars—To gain it, Men have borne Contempt of Generations And Crucifixion […]. Emily Dickinson Where have all the flowers gone? Long time passing Where have all the flowers gone? Long time ago Where have all the flowers gone? Girls have picked them every one When will they ever learn? When will they ever learn? Where have all the young girls gone? Long time passing Where have all the young girls gone? Long time ago Where have all the young girls gone? Taken husbands every one When will they ever learn? When will they ever learn? Where have all the young men gone? Long time passing Where have all the young men gone? Long time ago Where have all the young men gone? Gone for soldiers every one When will they ever learn? When will they ever learn? Where have all the soldiers gone? Long time passing Where have all the soldiers gone? Long time ago Where have all the soldiers gone? Gone to graveyards every one When will they ever learn? When will they ever learn? Where have all the graveyards gone? Long time passing Where have all the graveyards gone? Long time ago Where have all the graveyards gone? Covered with flowers every one When will we ever learn? When will we ever learn? Pete Seeger " lang="en" /> <meta property="og:description" content=" This book is dedicated to our planet, with best wishes for many happy returns. In memory of my mother-in-law, Winifred Brick and my uncle, Ilídio Lisboa. This World is not Conclusion. A Species stands beyond—Invisible, as Music—But positive, as Sound—It beckons, and it baffles—Philosophy—don’t know—And through a Riddle, at the last—Sagacity, must go—To guess it, puzzles scholars—To gain it, Men have borne Contempt of Generations And Crucifixion […]. Emily Dickinson Where have all the flowers gone? Long time passing Where have all the flowers gone? Long time ago Where have all the flowers gone? Girls have picked them every one When will they ever learn? When will they ever learn? Where have all the young girls gone? Long time passing Where have all the young girls gone? Long time ago Where have all the young girls gone? Taken husbands every one When will they ever learn? When will they ever learn? Where have all the young men gone? Long time passing Where have all the young men gone? Long time ago Where have all the young men gone? Gone for soldiers every one When will they ever learn? When will they ever learn? Where have all the soldiers gone? Long time passing Where have all the soldiers gone? Long time ago Where have all the soldiers gone? Gone to graveyards every one When will they ever learn? When will they ever learn? Where have all the graveyards gone? Long time passing Where have all the graveyards gone? Long time ago Where have all the graveyards gone? Covered with flowers every one When will we ever learn? When will we ever learn? Pete Seeger " /> <meta name="DC.type" content="Book" /> <meta name="thumbnail" content="/obp/file/307/cover/obp014-img01.jpg/download/200" /> <meta name="og:image" content="/obp/file/307/cover/obp014-img01.jpg/download/200" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/296" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/297" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/298" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/299" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/300" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/301" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/302" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/303" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/304" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/305" /> <meta name="DC.relation.hasPart" content="https://books.openedition.org/obp/306" /> <meta name="citation_reference" content=" citation_title=The End of the World; citation_author=Aldous Huxley; citation_author=George Orwell; citation_author=Margaret Atwood; citation_author=René Magritte; citation_author=William Blake; citation_author=John Guillermin; citation_author=Peter Paul Rubens; citation_author=John Martin; citation_author=Gustave Doré; citation_author=Albrecht Dürer; citation_author=Maria Manuel Lisboa; citation_publisher=Open Book Publishers; citation_publication_date=2011/01; citation_isbn=978-1-906924-52-2; " /> <meta name="citation_publication_date" content="2011/01"/> <meta name="citation_isbn" content="978-1-906924-52-2" /> <link rel="Start" href="https://books.openedition.org/obp/296" title="List of Illustrations" /> <meta name="author" content="Huxley, Aldous" /> <meta name="citation_author" content="Aldous Huxley" /> <meta name="author" content="Orwell, George" /> <meta name="citation_author" content="George Orwell" /> <meta name="author" content="Atwood, Margaret" /> <meta name="citation_author" content="Margaret Atwood" /> <meta name="author" content="Magritte, René" /> <meta name="citation_author" content="René Magritte" /> <meta name="author" content="Blake, William" /> <meta name="citation_author" content="William Blake" /> <meta name="author" content="Guillermin, John" /> <meta name="citation_author" content="John Guillermin" /> <meta name="author" content="Rubens, Peter Paul" /> <meta name="citation_author" content="Peter Paul Rubens" /> <meta name="author" content="Martin, John" /> <meta name="citation_author" content="John Martin" /> <meta name="author" content="Doré, Gustave" /> <meta name="citation_author" content="Gustave Doré" /> <meta name="author" content="Dürer, Albrecht" /> <meta name="citation_author" content="Albrecht Dürer" /> <meta name="author" 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analyze_external_links"> <h1 class="content__list__item__title--content skiplink__parent"> The End of the World <span id="skiplink-main" class="skiplink__parent__anchor"></span> </h1> <p class="content__list__item__subtitle content__list__item__subtitle--content">Apocalypse and its Aftermath in Western Culture</p> <div class="content__list__item__authors content__list__item__authors--content"> <a href="/obp/person/1098">Maria Manuel Lisboa</a> </div> <div class="resume_text"> <div class="twintab__values twintab-1__values"> <div class="twintab__values__value twintab-1__values__value notes_text twintab__values__value--active " data-twin-value-index="1" lang="en" xml:lang="en"> <p> Our fear of the world ending, like our fear of the dark, is ancient, deep-seated<span style="text-decoration: none;"> and</span> perennial. It crosses boundaries of space and time, rec<span style="text-decoration: none;">urs in all human communities and<span style="text-decoration: none;"> finds</span></span> expression in every aspect of cultural production – from pr<span style="text-decoration: none;">e-historic cave paintings to </span>high-tech computer games.<br/> This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapes<span style="text-decoration: none;"> <span style="text-decoration: none;">in the aftermath of <span style="text-decoration: none;">global destruction<span style="text-decoration: none;">.<span style="text-decoration: none;"> Its <span style="text-decoration: none;">discussion<span style="text-decoration: none;"> moves effort<span style="text-decoration: none;">lessly...</span></span></span></span></span></span></span></span></p> <div class="read_more_link w-100"> <a class="read_more_anchor" href="#anchor-resume"><i class="fas fa-arrow-right me-2"></i>Lire plus</a> </div> </div> </div> </div> <hr class="separator" /> <div class="mb-4"> <p class="column--info"> <strong>Éditeur : </strong> Open Book Publishers </p> <p class="column--info"> <strong> Lieu d’édition : </strong> Cambridge </p> <p class="column--info"> <strong>Publication sur OpenEdition Books : </strong> 20 décembre 2012 </p> <p class="column--info"><strong>ISBN numérique : </strong>978-1-906924-52-2</p> <p class="column--info"> <strong>Collection : </strong> <a href="/obp/113"> OBP collection </a> </p> <p class="column--info"><strong>Année d’édition : </strong>2011</p> <p class="column--info"><strong>ISBN (Édition imprimée) : </strong>978-1-906924-51-5</p> <p class="column--info"><strong>Nombre de pages : </strong>219</p> </div> <div class="tab tab--large" id="tab-2"> <div class="anchor anchor--small" id="anchor-resume"></div> <button class="tab__item--large tab__item--large--active" data-index="1" id="summary-tab"> <h2> Sommaire </h2> </button> <button class="tab__item--large " data-index="2" id="resume-tab"> <h2> Résumé </h2> </button> <button class="tab__item--large " data-index="3"> <h2> Auteur </h2> </button> </div> <div class="tab__values" id="tab-2-values"> <div class="tab__values__value tab__values__value--active" id="tab-2-value-1"> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/296" title="List of Illustrations"> List of Illustrations </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/297" title="Acknowledgements"> Acknowledgements </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/298" title="Prologue"> Prologue </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/299" title="1. Apocalypse Now and Again"> <span xml:lang="en" lang="en">1. Apocalypse Now and Again</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/300" title="2. The World Gone M.A.D."> <span xml:lang="en" lang="en">2. The World Gone M.A.D.</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/301" title="3. And Then There Was Nothing: Is the End Ever Really the End?"> <span xml:lang="en" lang="en">3. And Then There Was Nothing: Is the End Ever Really the End?</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/302" title="4. Falling out with Hal and Hester"> <span xml:lang="en" lang="en">4. Falling out with Hal and Hester</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/303" title="5. Dying of Happiness: Utopia at the End of this World"> <span xml:lang="en" lang="en">5. Dying of Happiness: Utopia at the End of this World</span> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/304" title="Afterword: Libera Me, Domine, De Vita Æterna"> Afterword: <em>Libera Me, Domine, De Vita Æterna</em> </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/305" title="Bibliography"> Bibliography </a> </div> <div class="d-flex flex-column summary "> <a class="summary__link" href="/obp/306" title="Index"> Index </a> </div> </div> <div class="tab__values__value pt-3 " id="tab-2-value-2"> <div class="twintab__values twintab-1__values"> <div class="twintab__values__value twintab-1__values__value twintab__values__value--active " data-twin-value-index="1" lang="en" xml:lang="en"> <p> Our fear of the world ending, like our fear of the dark, is ancient, deep-seated<span style="text-decoration: none;"> and</span> perennial. It crosses boundaries of space and time, rec<span style="text-decoration: none;">urs in all human communities and<span style="text-decoration: none;"> finds</span></span> expression in every aspect of cultural production – from pr<span style="text-decoration: none;">e-historic cave paintings to </span>high-tech computer games.<br/> This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapes<span style="text-decoration: none;"> <span style="text-decoration: none;">in the aftermath of <span style="text-decoration: none;">global destruction<span style="text-decoration: none;">.<span style="text-decoration: none;"> Its <span style="text-decoration: none;">discussion<span style="text-decoration: none;"> moves effort<span style="text-decoration: none;">lessly <span style="text-decoration: none;">from<span style="text-decoration: none;"> classic novels including <span style="text-decoration: none;">Aldous <span style="text-decoration: none;">Huxley’s </span></span></span></span></span></span></span></span></span></span></span></span><span style="font-style: italic;">Brave New World</span>, <span style="text-decoration: none;">George <span style="text-decoration: none;">Orwell’s </span></span><span style="font-style: italic;">Nineteen Eighty-Four</span> and Margaret Atwood’s <span style="font-style: italic;">Oryx and Crake</span>, to <span style="text-decoration: none;">blockbuster films <span style="text-decoration: none;">such as<span style="text-decoration: none;"> </span></span></span><span style="font-style: italic;">Blade Runner</span>, <span style="font-style: italic;">Armageddon </span>and <span style="font-style: italic;">The Terminator</span>. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-<span style="text-decoration: none;">disciplinary<span style="text-decoration: none;"> <span style="text-decoration: none;">study that provides profound insight into one of Western culture’s darkest and most <span style="text-decoration: none;">enduring<span style="text-decoration: none;"> preoccupations<span style="text-decoration: none;">.</span></span></span></span></span></span></p> </div> </div> </div> <div class="tab__values__value pt-3 " id="tab-2-value-3"> <div class="tab__values__value__person"> <div class="tab__values__value__person__link"> <a href="/obp/person/1098">Maria Manuel Lisboa</a> </div> <div class="tab__values__value__person__value tab__values__value__person__value__description"> <p> Maria Manuel Lisboa is Professor of Portuguese Literature and Culture at the University of Cambridge, and a Fellow of St John‛s College, Cambridge. She specialises in nineteenth- and twentieth-century Portuguese and Brazilian literature, focusing on gender and national identity. She has written four monographs, including one on the renowned Portuguese artist Paula Rego. Maria Manuel Lisboa received the 2008 <i>Prémio do Grémio Literário.</i></p> </div> </div> </div> </div> <hr class="separator" /> <div class="mb-3"> <a class="license__logo" href="https://creativecommons.org/licenses/by-nc-nd/4.0/"> <img class="license__logo__img" src="/assets/images/by-nc-nd.png" alt="Creative Commons - Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International - CC BY-NC-ND 4.0" loading="lazy" /> </a> <p> Le texte seul est utilisable sous licence <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons - Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International - CC BY-NC-ND 4.0</a>. 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