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Letramentos visuais / Visual Literacies (2024)

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data-entity-id="121660967" data-sort-order="default"><p><span>Representações da diversidade social, étnica, racial e cultural e sua relação com o ensino de línguas estrangeiras: uma duoautoetnografia</span></p><div><p><span>Elida Bonifacio</span></p></div><p>Do grafite ao cinema, letramentos visuais e educação linguística dão as mãos, 2023<div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p><div><p><span>View PDFchevron_right</span></p></div></div><div data-collection-position="1" data-entity-id="116955353" data-sort-order="default"><p><span>Escrita imagética na literatura e letramento crítico</span></p><div><p><span>Samara Braga Jorge</span></p></div><p>Do grafite ao cinema, letramentos visuais e educação linguística dão as mãos, 2023</p><div><p><span>View PDFchevron_right</span></p></div></div><div data-collection-position="2" data-entity-id="100662007" data-sort-order="default"><p><span>Do grafite ao cinema, letramentos visuais e educação linguística dão as mãos</span></p><div><p><span>Daniel Ferraz</span><div class="bg-primary-100 rounded-lg my-6 px-2 py-3 font-semibold insert" style="color: rgb(37, 99, 235)"><div class="text-common !leading-common ml-1 insert" style="margin-top: 0.2rem; margin-bottom: 0.2rem">See Also</div><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://jerseygamers.com/article/cultural-theory-the-key-thinkers-routledge-key-guides-pdf-free-download/7582" target="_blank" rel="noopener">Cultural Theory: The Key Thinkers (Routledge Key Guides) - PDF Free Download</a><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://jerseygamers.com/article/a-campaign-won-as-a-public-issue-will-stay-won-using-cartoons-and-comics-to-fight-national-health-care-reform-1940s-and-beyond/7582" target="_blank" rel="noopener">“A Campaign Won as a Public Issue Will Stay Won”: Using Cartoons and Comics to Fight National Health Care Reform, 1940s and Beyond</a><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://jerseygamers.com/article/television-archive-news-search-service/7582" target="_blank" rel="noopener">Television Archive News Search Service</a><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://jerseygamers.com/article/the-collective-memory-of-space-the-architecture-of-remembering-and-forgetting/7582" target="_blank" rel="noopener">The Collective Memory Of Space: The Architecture Of Remembering And Forgetting</a></div></p></div><p>Pimenta Cultural, 2023</p><p>O livro está dividido em duas partes, sendo que na primeira – Letramentos Visuais e Sociedade – apresentamos sete capítulos. Com foco no papel das imagens na sociedade contemporânea, os capítulos problematizam o cinema (a objetificação e a erotização da mulher em Eyes Wide Shut de Stanley Kubrick, os multiletramentos sob vieses semiodiscursivos no filme musical West Side Story, o cabelo da mulher preta e seu poder na série Madam C. J. Walker e a construção visual do Brasil por meio do anime Michiko to Hatchin), as redes sociais e suas imposições imagéticas de padrões ideias de beleza, a psicanálise e as artes, por meio da discussão da obra do autor e fotógrafo espanhol, Joan Fontcuberta e o grafite, por meio da discussão de intervenções visuais urbanas. A segunda parte – Letramentos Visuais e Educação Linguística – nos brinda com oito capítulos que versam sobre a educação linguística e letramentos visuais nas aulas de língua inglesa, língua espanhola e língua portuguesa. Assim, conversamos sobre os papeis dos monumentos históricos discutidos em aula com os discentes, dialogamos sobre formação docente em língua espanhola por meio de relatos autoetnográficos, apresentamos um projeto de ensino de língua inglesa por meio de fotografias no contexto do ensino médio, discorremos sobre as contribuições dos letramentos visuais para os alunos portadores de TDAH, entrecruzamos a escrita imagética, literatura e letramento crítico, apresentamos um trabalho de letramentos visuais com alunos da EJA, adentramos as questões étnico-raciais, culturais e de diversidade e encerramos com uma discussão filosófica a partir de duas atividades realizadas com estudantes de ensino médio.</p><div><p><span>View PDFchevron_right</span></p></div><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div><div data-collection-position="3" data-entity-id="92787559" data-sort-order="default"><p><span>Representações Violentas Do Outro No Cinema: Perspectivas Étnicas e Educacionais No Espaço Imagético</span></p><div><p><span>Andréa Cotrim</span></p><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div><p>Polifonia, 2014</p><div><p><span>View PDFchevron_right</span></p></div></div><div data-collection-position="4" data-entity-id="39696121" data-sort-order="default"><p><span>Por um letramento visual ético e responsável</span></p><div><p><span>Daniel Ferraz</span></p></div><p>FERRAZ e KAWACHI, 2019</p><p>Neste capítulo, respondemos ao bate-papo proposto por nosso aluno de IC João Alves Neto. Iniciamos a conversa com as brilhantes interpretações do quadro Las meninas, realizadas por Foucault, e prosseguimos com uma breve discussão sobre a importância de revisitarmos o letramento visual nas aulas de línguas. Por fim, apresentamos e discutimos a pesquisa de IC de Sarah Rosário, sobre letramento visual e as representações visuais de professores de inglês em relação à sua profissão.<div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p><div><p><span>View PDFchevron_right</span><div class="bg-primary-100 rounded-lg my-6 px-2 py-3 font-semibold insert" style="color: rgb(37, 99, 235)"><div class="text-common !leading-common ml-1 insert" style="margin-top: 0.2rem; margin-bottom: 0.2rem">See Also</div><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://jerseygamers.com/article/the-49-best-museums-in-riga/7582" target="_blank" rel="noopener">The 49 best museums in Riga</a></div></p></div></div><div data-collection-position="5" data-entity-id="39695003" data-sort-order="default"><p><span>Gêneros e sexualidades no ensino de línguas estrangeiras e na formação de professoras/es</span></p><div><p><span>Rosane Rocha Pessoa</span></p></div><p>Bate-papo com educadores linguísticos: letramentos, formação docente e criticidade, 2019</p><p>O texto responde a três perguntas colocadas por Ana Luisa Coan, Lorena Corteletti e Ângela Calvi: 1) Como abordar os temas gêneros e sexualidades na formação inicial de professores de línguas? 2) Como colaborar com a formação continuada de profes- soras/es que não obtiveram uma formação adequada no que diz respeito aos estudos de gêneros e sexualidades? 3) Até que ponto as/os professoras/es podem abordar o assunto gêneros e sexualidades em sala de aula, sendo que alguns pais não permitem tais assuntos, devido às suas orientações religiosas ou outros motivos?</p><div><p><span>View PDFchevron_right</span><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p></div></div><div data-collection-position="6" data-entity-id="43640489" data-sort-order="default"><p><span>Bate-papo com educadores linguísticos: letramentos, formação docente e criticidade</span></p><div><p><span>Daniel de Ferraz</span><span>, </span><span>Pimenta Cultural</span></p></div><p>Bate-papo com educadores linguísticos: letramentos, formação docente e criticidade, 2019</p><p>Organizadores: Daniel de Mello Ferraz e Claudia Jotto Kawachi-Furlan Autores(as): Ana Paula Duboc, Andrea Machado de Almeida Mattos, Brian Morgan, Clarissa Menezes Jordão, Cláudia Jotto Kawachi-Furlan, Daniel Ferraz, Diógenes Cândido de Lima, Fabrício Ono, Lívia Fortes, Lynn Mário Menezes, Nara Hiroko Takaki, Rosane Rocha Pessoa, Sandra Regina Buttros Gattolin e Souzana Mizan. Editora: Pimenta Cultural (2019) ISBN: 978-85-7221-024-9 (eBook) 978-85-7221-025-6 (brochura) DOI: 10.31560/pimentacultural/2019.249</p><div><p><span>View PDFchevron_right</span></p></div></div><div data-collection-position="7" data-entity-id="96357619" data-sort-order="default"><p><span>O Letramento Visual Em Aulas De Inglês Instrumental: Interpretando Linguagens No Filme Crash</span><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p><div><p><span>Erika Caetano</span></p></div><p>e-Hum: Revista das Áreas de Humanidade do Centro Universitário de Belo Horizonte, 2015</p><p>Resumo: O presente trabalho procura analisar a forma pela qual o filme Crash pode ser trabalhado com alunos de graduacao em Letras na disciplina Seminario de Leitura em Lingua Inglesa. Para tanto, serao apresentadas ao longo desta proposta breves consideracoes sobre o que vem a ser letramento visual, alem de reflexoes sobre as perspectivas para o uso de filmes em sala de aula; por ultimo, o filme Crash sera abordado como ferramenta para a insercao do letramento visual em uma disciplina de ingles instrumental no curso de Letras. O objetivo desse trabalho e, por conseguinte, analisar as possibilidades de utilizacao do filme Crash enquanto recurso textual. Buscando-se por meio da interpretacao de suas multiplas linguagens, oferecer aos alunos oportunidades de interagirem criticamente com a midia proposta e, como consequencia, proporem interacoes semelhantes em suas aulas. Palavras-chave: Letramento Visual – ingles instrumental – filme Crash – interacao critica. Abstract: The present pa...</p><div><p><span>View PDFchevron_right</span></p></div></div><div data-collection-position="8" data-entity-id="80081302" data-sort-order="default"><p><span>Os estudos de Kress em foco: gramática visual, construção de sentidos e design</span></p><div><p><span>Walkyria Monte Mor</span><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p></div><p>2021</p><p>In this text, I focus on works with images, resorting to academic research and theoretical studies related to visual literacies, which were then introduced in some of the subjects of the Language and Culture courses at universities in which I have had / have the opportunity to develop research. To this end, I highlight (1) research on images within the literacies area, prioritizing (2) the studies carried out by Gunter Kress, as a tribute to this author and his legacy, in this publication dedicated to him.</p><div><p><span>View PDFchevron_right</span></p></div></div><div data-collection-position="9" data-entity-id="93354164" data-sort-order="default"><p><span>Os estudos de Kress em foco</span></p><div><p><span>Walkyria Monte Mor</span></p></div><p>Cadernos de Linguagem e Sociedade, 2021</p><p>Neste texto, concentro-me nos trabalhos com imagens, retomando pesquisas acadêmicas realizadas e os estudos teóricos referentes aos letramentos visuais que, então, foram introduzidos em algumas das disciplinas dos cursos de Letras das universidades nas quais tive / tenho a oportunidade de desenvolver pesquisas. Para tal, saliento (1) as pesquisas sobre imagens dentro da área de letramentos, priorizando (2) os estudos realizados por Gunter Kress, como um tributo a esse autor e seu legado, nesta publicação dedicada a ele.<div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="2246212396" data-ad-client="ca-pub-9137371106135127" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p><div><p><span>View PDFchevron_right</span></p></div></div></div></div></section> <img class="lazyload" data-src="https://ts2.mm.bing.net/th?q=Letramentos visuais / Visual Literacies (2024)" alt="Letramentos visuais / Visual Literacies (2024)" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mP8/h8AAvMB+NzmkbcAAAAASUVORK5CYII="/> <section> </section> </article> <h2 id="references" class="text-xl font-semibold mt-3 mb-3">References</h2> <ul class="ml-5 list-disc"> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://www.academia.edu/125917654/Letramentos_visuais_Visual_Literacies">https://www.academia.edu/125917654/Letramentos_visuais_Visual_Literacies</a> </li> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://archive.org/details/tvnews?=&amp;sort=titleSorter&amp;and[]=subject%3A%22XXI+%D0%A2%D0%BE%D1%80%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%B0%D1%8F+%D1%86%D0%B5%D1%80%D0%B5%D0%BC%D0%BE%D0%BD%D0%B8%D1%8F+%D0%B2%D1%80%D1%83%D1%87%D0%B5%D0%BD%D0%B8%D">https://archive.org/details/tvnews?=&amp;sort=titleSorter&amp;and[]=subject%3A%22XXI+%D0%A2%D0%BE%D1%80%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%B0%D1%8F+%D1%86%D0%B5%D1%80%D0%B5%D0%BC%D0%BE%D0%BD%D0%B8%D1%8F+%D0%B2%D1%80%D1%83%D1%87%D0%B5%D0%BD%D0%B8%D</a> </li> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://wanderlog.com/list/geoCategory/142460/les-meilleurs-musées-de-riga">https://wanderlog.com/list/geoCategory/142460/les-meilleurs-musées-de-riga</a> </li> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" 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