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<li id="toc-Todd-AO_process" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Todd-AO_process"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Todd-AO process</span> </div> </a> <ul id="toc-Todd-AO_process-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Curved_screen_vs._flat" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Curved_screen_vs._flat"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>Curved screen vs. flat</span> </div> </a> <ul id="toc-Curved_screen_vs._flat-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Todd-AO_and_roadshows" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Todd-AO_and_roadshows"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>Todd-AO and roadshows</span> </div> </a> <ul id="toc-Todd-AO_and_roadshows-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Todd-AO_35" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Todd-AO_35"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Todd-AO 35</span> </div> </a> <ul id="toc-Todd-AO_35-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Timeline" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Timeline"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Timeline</span> </div> </a> <ul id="toc-Timeline-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Films_produced_in_70_mm_Todd-AO" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Films_produced_in_70_mm_Todd-AO"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Films produced in 70 mm Todd-AO</span> </div> </a> <ul id="toc-Films_produced_in_70_mm_Todd-AO-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Awards" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Awards"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Awards</span> </div> </a> <button aria-controls="toc-Awards-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Awards subsection</span> </button> <ul id="toc-Awards-sublist" class="vector-toc-list"> <li id="toc-Feature_film" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Feature_film"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Feature film</span> </div> </a> <ul id="toc-Feature_film-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Television" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Television"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Television</span> </div> </a> <ul id="toc-Television-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div 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German" lang="de" hreflang="de" data-title="Todd-AO" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Todd-AO" title="Todd-AO – Spanish" lang="es" hreflang="es" data-title="Todd-AO" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Todd-AO" title="Todd-AO – French" lang="fr" hreflang="fr" data-title="Todd-AO" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Todd-AO" title="Todd-AO – Italian" lang="it" hreflang="it" data-title="Todd-AO" 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– Thai" lang="th" hreflang="th" data-title="ทอดด์-เอโอ" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target"><span>ไทย</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q359612#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="Namespaces"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-nstab-main" class="selected vector-tab-noicon mw-list-item"><a href="/wiki/Todd-AO" title="View the content page [c]" accesskey="c"><span>Article</span></a></li><li id="ca-talk" 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The company retains one facility, in the <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a> area. </p><p>Todd-AO is also the name of the widescreen, <a href="/wiki/70_mm_film" title="70 mm film">70 mm film</a> format that was developed by Mike Todd and the Naify brothers, owners of <a href="/wiki/United_Artists_Theaters" class="mw-redirect" title="United Artists Theaters">United Artists Theaters</a> in partnership with the <a href="/wiki/American_Optical_Company" title="American Optical Company">American Optical Company</a> in the mid-1950s. Todd-AO had been founded to promote and distribute this system. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Todd-AO began as a high resolution <a href="/wiki/Widescreen" title="Widescreen">widescreen</a> <a href="/wiki/Film" title="Film">film</a> format. It was co-developed in the early 1950s by <a href="/wiki/Mike_Todd" title="Mike Todd">Mike Todd</a>, a <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> producer, and <a href="/wiki/Robert_Naify" title="Robert Naify">United Artists Theaters</a> in partnership with the American Optical Company in <a href="/wiki/Buffalo,_New_York" title="Buffalo, New York">Buffalo, New York</a>.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> It was developed to provide a high definition single camera widescreen process to compete with <a href="/wiki/Cinerama" title="Cinerama">Cinerama</a>, or as characterized by its creator, "Cinerama outta one hole". Where Cinerama used a complicated setup of three separate strips of film photographed simultaneously, Todd-AO required only a single <a href="/wiki/Camera" title="Camera">camera</a> and <a href="/wiki/Photographic_lens" class="mw-redirect" title="Photographic lens">lens</a>. </p><p>The company's focus began to shift after Mike Todd's sudden death in an airplane accident in 1958.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The 70 mm Todd-AO process was adopted by Panavision, Cinerama and others. As the production and exhibition markets became saturated with Todd-AO System hardware, the focus of the company gradually began to narrow down to the audio post-production side of the business, and Todd-AO became an independent sound mixing facility for commercial motion picture films and television after acquiring <a href="/wiki/Glen_Glenn_Sound" title="Glen Glenn Sound">Glen Glenn Sound</a> in 1986. </p><p>In May 2014, Todd-AO's parent company, <a href="/wiki/Todd_Soundelux" title="Todd Soundelux">Todd Soundelux</a>, filed for <a href="/wiki/Chapter_11" class="mw-redirect" title="Chapter 11">Chapter 11</a> bankruptcy protection.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> As part of the bankruptcy proceedings, the company closed its Hollywood and Santa Monica facilities, leaving only their Burbank location operational.<sup id="cite_ref-StudioDaily_4-0" class="reference"><a href="#cite_note-StudioDaily-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>On November 17, 2014, <a href="/wiki/Sounddogs" title="Sounddogs">Sounddogs</a> acquired the Todd-Soundelux Trademarks (Todd AO and Soundelux) and Copyrights (Sound Effects Library) through Federal Bankruptcy Court (Central District Case No. 2:14-bk-19980)<sup id="cite_ref-robb_5-0" class="reference"><a href="#cite_note-robb-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Todd-AO_process">Todd-AO process <span class="anchor" id="process"></span></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=2" title="Edit section: Todd-AO process"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:ToddAoNegativePositive.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c5/ToddAoNegativePositive.jpg/380px-ToddAoNegativePositive.jpg" decoding="async" width="380" height="238" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c5/ToddAoNegativePositive.jpg/570px-ToddAoNegativePositive.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c5/ToddAoNegativePositive.jpg/760px-ToddAoNegativePositive.jpg 2x" data-file-width="2420" data-file-height="1517" /></a><figcaption>Figure 1. Todd-AO: 65 mm negative and 70 mm positive</figcaption></figure> <p>The Todd-AO process uses two separate film stocks; a 65 mm <a href="/wiki/Negative_(photography)" title="Negative (photography)">negative</a> is used during production and then used to produce the <a href="/wiki/70_mm_film" title="70 mm film">70 mm</a> positives for distribution. The sprocket hole <a href="/wiki/Film_perforations" title="Film perforations">perforations</a> on the two are the same, and the positives are printed using contact printing with the negatives centered on the larger 70 mm film. Contact printing was used on prints that were to be "double system," using a separate, synchronized 35 mm full-coat magnetic film for the 6 sound tracks, in addition to the 70 mm film for the picture. The much more common 70 mm release prints used a slightly optically reduced picture, and placed four of the soundtracks on either edge outside of the perforations, and two more soundtracks inside the perforations, providing a total of six soundtracks, on a 7.5 mm magnetic surface. It is a common error to suppose that only 5 mm of space was devoted to the soundtracks, perhaps because writers do the math and find that 70 - 65 = 5, not allowing for a slightly reduced picture area to accommodate two tracks inside the sprocket holes, as well as four outside, and perhaps because the souvenir program for <i><a href="/wiki/Around_the_World_in_Eighty_Days_(1956_film)" class="mw-redirect" title="Around the World in Eighty Days (1956 film)">Around the World in Eighty Days</a></i> made the same error. Anyone with a release print in front of them would immediately see the tracks between the picture and the holes, as well as the wider tracks (to hold two tracks each) outside the holes. They can be seen in Figure 1 of this article, above the caption "positive 70 mm". Todd-AO soundtracks were very high fidelity, and could still compete with modern digital tracks above 40 kHz. Even though there were no subwoofers in theaters in those days, Todd-AO delivered high-impact bass using crisp-sounding horn-loaded speakers. Four lens options covered a 128, 64, 48 or 37 degree field of view. The <a href="/wiki/Aspect_ratio_(image)" title="Aspect ratio (image)">aspect ratio</a> of this format was 2.20:1. </p><p>Both film sizes had been used in the past, in the <a href="/wiki/70_mm_Grandeur_film" title="70 mm Grandeur film">70 mm Fox Grandeur</a> process in 1929–1930, however Todd-AO's physical format was not compatible with this format. The use of 65 mm photography and 70 mm printing became the standard adopted by others: <a href="/wiki/Super_Panavision_70" title="Super Panavision 70">Super Panavision 70</a> (essentially the Panavision company's version of Todd-AO) and <a href="/wiki/Ultra_Panavision_70" title="Ultra Panavision 70">Ultra Panavision 70</a> (the same mechanically, but with a slight 1.25:1 <a href="/wiki/Anamorphic" class="mw-redirect" title="Anamorphic">anamorphic</a> squeeze to accommodate extremely wide aspect ratio images) are both 65/70 processes. The Soviet film industry also copied Todd-AO with their own Sovscope 70 process, identical, except that both the camera and print stock were 70 mm wide. </p><p>The <a href="/wiki/IMAX" title="IMAX">IMAX</a> format also uses 65 mm camera and lab film to create 70 mm prints for projection (also known as the 65/70 mm process); conforming to the pitch and perforation standard for 70 mm Todd-AO film. However, the IMAX frame is 15-perfs long and runs horizontally through the projector, whereas the Todd-AO frame is only 5-perfs high and runs vertically through the projector.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>The original version of the Todd-AO process used a frame rate of 30 frames per second, faster than the 24 frames per second that was (and is) the standard. The difference does not seem great, but the sensitivity of the human eye to flickering declines steeply with frame rate and the small adjustment gave the film noticeably less flicker, and made it steadier and smoother than standard processes. The original system generated an image that was "almost twice as intense as any ever seen onscreen before, and so hot that the film has to be cooled as it passes through the <a href="/wiki/Philips_DP70" title="Philips DP70">Todd-AO projector</a>".<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>Only the first two Todd-AO films, <i><a href="/wiki/Oklahoma!_(1955_film)" title="Oklahoma! (1955 film)">Oklahoma!</a></i> and <i><a href="/wiki/Around_the_World_in_Eighty_Days_(1956_film)" class="mw-redirect" title="Around the World in Eighty Days (1956 film)">Around the World in Eighty Days</a></i>, employed 30 frames per second photography. Because of the need for conventional versions at 24 frames per second, every scene of the former film was shot twice in succession: once in Todd-AO and once in 35 mm CinemaScope. The latter film was shot with two 65 mm Todd-AO cameras simultaneously, the speed of the second camera was 24 frames per second for wide release as optical reduction prints. All subsequent Todd-AO films were shot at 24 frames per second on a 65 mm negative and optically printed to 35 mm film as needed for standard distribution.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> In all, around 16 feature films were shot in Todd-AO. </p><p>Todd-AO was developed and tested in Buffalo, New York at the Regent Theatre. <a href="/wiki/Richard_Rodgers" title="Richard Rodgers">Richard Rodgers</a> and <a href="/wiki/Oscar_Hammerstein_II" title="Oscar Hammerstein II">Oscar Hammerstein II</a> went there to see Todd-AO test footage, which led them to approve its use for <i>Oklahoma!</i>. <a href="/wiki/Ampex" title="Ampex">Ampex</a> Corporation engineers were in charge of developing the Todd-AO sound system. Ampex would later go on to manufacture the sound system, including selectable four-track composite (CinemaScope), six-track composite (Todd-AO), four-track interlocked, six-track interlocked or optical sound sources. </p><p>The Todd-AO Company also offered a 35 mm anamorphic process technically similar to 35 mm Panavision or CinemaScope. This may cause some confusion if a Todd-AO credit (not necessarily the more specific Todd-AO 35 credit) appears in some widescreen films made in the 1970s and 1980s. It becomes even more confusing as 70 mm prints were made for films which, unlike earlier pictures made in the process, were shown in multiplexes, like <i><a href="/wiki/Dune_(1984_film)" title="Dune (1984 film)">Dune</a></i> and <i><a href="/wiki/Logan%27s_Run_(1976_film)" class="mw-redirect" title="Logan's Run (1976 film)">Logan's Run</a></i>. </p><p>During the late 1970s through the early 1990s 65 mm photography such as that used in processes like Todd-AO or Super Panavision became rare. However, some major films had 70 mm prints made by blowup from 35 mm negatives mostly for the benefit of six-track sound. These prints would typically play only in a few theatres in a few large cities while everyone else viewed the film in 35 mm. The advent of multichannel digital sound in the 1990s obviated these very expensive prints. "Blow-up" 70 mm prints also followed the Todd-AO layout, although in the case of films made with a 1.85:1 aspect ratio, it was retained in the 70 mm version, with the sides of the 70 mm frame left black. </p> <div class="mw-heading mw-heading3"><h3 id="Curved_screen_vs._flat">Curved screen vs. flat</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=3" title="Edit section: Curved screen vs. flat"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>While Todd-AO was intended to be "Cinerama out of one hole", the extreme wide-angle photography and projection onto a very deeply curved screen (which is what that would imply) saw little use. Most Todd-AO theatre installations had only moderately curved screens and the extreme wide-angle camera lenses were used only on a few shots here and there. Todd-AO films made after 1958 used a conventional flat widescreen, and resembled ordinary films, except for their greater clarity and six-track stereo sound. A variation on Todd-AO called Dimension 150 did, however, make use of Cinerama-like deeply curved screens. Only two films were made in Dimension 150 – <i><a href="/wiki/The_Bible:_In_the_Beginning..." title="The Bible: In the Beginning...">The Bible: In the Beginning...</a></i>, directed by <a href="/wiki/John_Huston" title="John Huston">John Huston</a>, and <i><a href="/wiki/Patton_(film)" title="Patton (film)">Patton</a></i>, starring <a href="/wiki/George_C._Scott" title="George C. Scott">George C. Scott</a>. In some venues, however, Todd-AO and Dimension 150 films received their first run in Cinerama theatres in order that they be shown on a deeply curved screen – such as the first <a href="/wiki/Atlanta" title="Atlanta">Atlanta</a> showings of <i><a href="/wiki/The_Sound_of_Music_(film)" title="The Sound of Music (film)">The Sound of Music</a></i>.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Todd-AO_and_roadshows">Todd-AO and roadshows</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=4" title="Edit section: Todd-AO and roadshows"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Todd-AO films were closely associated with what was called <a href="/wiki/Roadshow_theatrical_release" title="Roadshow theatrical release">roadshow</a> exhibition. At the time, before multiplex theatres became common, most films opened at a large single screen theatre in the downtown area of each large city before eventually moving on to neighborhood theatres. With the roadshow concept, a film would play, often in 70 mm at a <a href="/wiki/Movie_palace" title="Movie palace">movie palace</a> downtown theatre exclusively, sometimes for a year or more. Often a "hard ticket" policy was in effect, with tickets sold for specific numbered seats, and limited showings per day. Most Todd-AO films through the late 1960s, including <i><a href="/wiki/Those_Magnificent_Men_in_Their_Flying_Machines" title="Those Magnificent Men in Their Flying Machines">Those Magnificent Men in Their Flying Machines</a></i> and <i><a href="/wiki/The_Sound_of_Music_(film)" title="The Sound of Music (film)">The Sound of Music</a></i>, were initially shown on a roadshow basis. </p><p>In some US cities, individual theaters were converted for use in the 1950s as dedicated Todd-AO "Cinestage" showplaces. These theaters showed exclusive roadshow engagements of Todd-AO and other 70 mm films on large, deeply curved screens. They included the Rivoli Theatre in New York City,<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> the <a href="/wiki/Harris_and_Selwyn_Theaters" title="Harris and Selwyn Theaters">Cinestage</a> Theatre in Chicago<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> and Hunt's Cinestage Theatre in <a href="/wiki/Columbus,_Ohio" title="Columbus, Ohio">Columbus, Ohio</a>.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p>The roadshow era ended in the early 1970s, although a very few films (among them <i><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a></i>) were shown in roadshow format after that. </p> <div class="mw-heading mw-heading3"><h3 id="Todd-AO_35">Todd-AO 35</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=5" title="Edit section: Todd-AO 35"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the 1970s, under the leadership of Dr. Richard Vetter, Todd-AO made an attempt to compete with <a href="/wiki/Panavision" title="Panavision">Panavision</a> in the <a href="/wiki/35mm_movie_film" class="mw-redirect" title="35mm movie film">35 mm</a> motion picture camera rental market. The company built a series of anamorphic lenses in the 2.35:1 scope format, and owned several camera bodies (Mitchell and Arriflex) that they would provide with the lens package. Films produced in Todd-AO 35 include <i><a href="/wiki/Conquest_of_the_Planet_of_the_Apes" title="Conquest of the Planet of the Apes">Conquest of the Planet of the Apes</a></i>, <i><a href="/wiki/Conan_the_Barbarian_(1982_film)" title="Conan the Barbarian (1982 film)">Conan the Barbarian</a></i>, <i><a href="/wiki/Mad_Max_(film)" title="Mad Max (film)">Mad Max</a></i>, <i><a href="/wiki/Dune_(1984_film)" title="Dune (1984 film)">Dune</a></i> and <i><a href="/wiki/Logan%27s_Run_(film)" title="Logan's Run (film)">Logan's Run</a></i>.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>By the mid 1980s the venture was moribund, and was abandoned. Eventually all of the Todd-AO cameras and lenses, both 35 mm and 65 mm (70 mm), were sold to Cinema Products in Los Angeles. The 35mm anamorphic lenses are now in the rental inventory of Keslow Camera. </p> <div class="mw-heading mw-heading2"><h2 id="Timeline">Timeline</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=6" title="Edit section: Timeline"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>1953: <a href="/wiki/Mike_Todd" title="Mike Todd">Mike Todd</a>, the <a href="/wiki/Robert_Naify" title="Robert Naify">Naify brothers</a> and the American Optical Company form a joint venture called Todd-AO for the purpose of developing and distributing a large film format presentation system which incorporates a wide, curved screen with multi-channel sound.</li> <li>1955 & 56: Mike Todd produced two films which feature the new Todd-AO system.</li> <li>1958: Mike Todd is killed in a plane crash.</li> <li>1960s and 1970s: Although several blockbuster films were produced using the Todd-AO or Panavision versions of the 5-perf 70 mm format, market penetration of the Todd-AO system lost momentum, and is overtaken by the development of IMAX in the 1970s.</li> <li>1986: Acquired <a href="/wiki/Glen_Glenn_Sound" title="Glen Glenn Sound">Glen Glenn Sound</a>.</li> <li>1987: Acquired the Trans/Audio sound studio in New York City</li> <li>1994: Acquired Film-Video Masters, Inc.</li> <li>1995: Acquired <a href="/wiki/Skywalker_Sound" title="Skywalker Sound">Skywalker Sound</a> South studios from <a href="/wiki/George_Lucas" title="George Lucas">George Lucas</a> in Santa Monica</li> <li>1995: Purchased Chrysalis Television Facilities and its satellite transmission from the <a href="/wiki/Chrysalis_Group" title="Chrysalis Group">Chrysalis Group</a></li> <li>1996: Acquired <a href="/wiki/Pacific_Title_and_Art" class="mw-redirect" title="Pacific Title and Art">Pacific Title and Art</a> which brought specialization in the production of film, title, and optical special effects as well as digital services for motion pictures</li> <li>1996: Acquired Editworks, which specialized in commercial advertising in Atlanta, expanded Todd-AO’s geographic connections</li> <li>1997: Acquired International Video Conversions in Burbank</li> <li>1997: Purchased Hollywood Digital Company</li> <li>1998: Acquired Pascal Video to address the potential market in Digital Versatile Disk (DVD) technology. Todd-AO Video Services DVD, Inc. was created for the conversion of film and video content to DVD format</li> <li>1999: Acquired SoundOne Corporation in New York City</li> <li>1999: Purchased 50% of 103 Estudio in Barcelona</li> <li>1999: Todd-AO acquired by Liberty Media Group, a division of <a href="/wiki/AT%26T" title="AT&T">AT&T</a>, and became part of its Liberty Livewire entity.</li> <li>2002: Liberty Livewire renamed Ascent Media Group.</li> <li>2005: Ascent Media Group spun-off from owner, Liberty Media, into <a href="/wiki/Discovery_Holding_Company" title="Discovery Holding Company">Discovery Holding Company</a>.</li> <li>2007: Discovery Holding Company announced a restructuring plan where it intended to spin off its interest in Ascent Media and combine Discovery Communications with Advance/Newhouse Communications into a new holding company.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The reorganization was completed on September 17, 2008.</li> <li>2007: The Todd-AO Scoring Stage closed.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup></li> <li>2008: "Creative Sound Services" division of Ascent Media Group was spun-off from Discovery Holding Company to create CSS Studios, LLC, to become a wholly owned subsidiary of <a href="/wiki/Discovery_Communications" class="mw-redirect" title="Discovery Communications">Discovery Communications</a>. This transaction included the assets of Todd-AO, Soundelux, Sound One, POP Sound, Modern Music, Soundelux Design Music Group and The Hollywood Edge.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup></li> <li>2012: CSS Studios, LLC is acquired by Empire InvestmentHoldings, which files bankruptcy for Todd Soundelux in May 2014.</li> <li>2014: (May) Todd Soundelux files for bankruptcy, closing its Hollywood and Santa Monica facilities.<sup id="cite_ref-StudioDaily_4-1" class="reference"><a href="#cite_note-StudioDaily-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup></li> <li>2014: (November) Sounddogs acquires the Todd-Soundelux Trademarks (Todd AO and Soundelux) and Copyrights (Sound Effects Library)<sup id="cite_ref-robb_5-1" class="reference"><a href="#cite_note-robb-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Films_produced_in_70_mm_Todd-AO">Films produced in 70 mm Todd-AO</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=7" title="Edit section: Films produced in 70 mm Todd-AO"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>(films photographed in Todd-AO 35 not included) </p> <ul><li><i><a href="/wiki/Oklahoma!_(1955_film)" title="Oklahoma! (1955 film)">Oklahoma!</a></i> (1955) – 30 frame/s (also photographed in CinemaScope for conventional distribution)</li> <li><i><a href="/wiki/Around_the_World_in_Eighty_Days_(1956_film)" class="mw-redirect" title="Around the World in Eighty Days (1956 film)">Around the World in Eighty Days</a></i> (1956) – 30 frame/s (also photographed in Todd-AO 24 frames/s and reduction-printed for conventional CinemaScope distribution)</li> <li><i>The Miracle of Todd-AO</i> (1956) – 30 frame/s; short subject</li> <li><i><a href="/wiki/South_Pacific_(1958_film)" title="South Pacific (1958 film)">South Pacific</a></i> (1958) – this and all subsequent were 24 frame/s</li> <li><i>The March of Todd-AO</i> (1958) – short subject</li> <li><i><a href="/wiki/Porgy_and_Bess_(film)" title="Porgy and Bess (film)">Porgy and Bess</a></i> (1959)</li> <li><i><a href="/wiki/Can-Can_(film)" title="Can-Can (film)">Can-Can</a></i> (1960)</li> <li><i><a href="/wiki/The_Alamo_(1960_film)" title="The Alamo (1960 film)">The Alamo</a></i> (1960)</li> <li><i><a href="/wiki/Scent_of_Mystery" title="Scent of Mystery">Scent of Mystery</a></i> (1960) – credited as Todd 70</li> <li><i><a href="/wiki/Cleopatra_(1963_film)" title="Cleopatra (1963 film)">Cleopatra</a></i> (1963)</li> <li><i><a href="/wiki/Man_in_the_5th_Dimension" title="Man in the 5th Dimension">Man in the 5th Dimension</a></i> (1964) – NYC World's Fair short subject</li> <li><i><a href="/wiki/The_Sound_of_Music_(film)" title="The Sound of Music (film)">The Sound of Music</a></i> (1965)</li> <li><i><a href="/wiki/Those_Magnificent_Men_in_Their_Flying_Machines" title="Those Magnificent Men in Their Flying Machines">Those Magnificent Men in Their Flying Machines</a></i> (1965)</li> <li><i><a href="/wiki/The_Agony_and_the_Ecstasy_(film)" title="The Agony and the Ecstasy (film)">The Agony and the Ecstasy</a></i> (1965)</li> <li><i><a href="/wiki/The_Bible:_In_the_Beginning" class="mw-redirect" title="The Bible: In the Beginning">The Bible: In the Beginning</a></i> (1966) – Dimension 150 variant</li> <li><i><a href="/wiki/Doctor_Dolittle_(film)" class="mw-redirect" title="Doctor Dolittle (film)">Doctor Dolittle</a></i> (1967)</li> <li><i><a href="/wiki/Star!_(film)" title="Star! (film)">Star!</a></i> (1968)</li> <li><i><a href="/wiki/Hello,_Dolly!_(film)" title="Hello, Dolly! (film)">Hello, Dolly!</a></i> (1969)</li> <li><i><a href="/wiki/Krakatoa,_East_of_Java" title="Krakatoa, East of Java">Krakatoa, East of Java</a></i> (1969) – selected scenes (see <a href="/wiki/Super_Panavision_70" title="Super Panavision 70">Super Panavision 70</a>) – presented in 70 mm <a href="/wiki/Cinerama" title="Cinerama">Cinerama</a></li> <li><i><a href="/wiki/Airport_(1970_film)" title="Airport (1970 film)">Airport</a></i> (1970)</li> <li><i><a href="/wiki/Patton_(film)" title="Patton (film)">Patton</a></i> (1970) – Dimension 150 variant</li> <li><i><a href="/wiki/The_Last_Valley_(film)" title="The Last Valley (film)">The Last Valley</a></i> (1971)</li> <li><i><a href="/wiki/Moonwalk_One" title="Moonwalk One">Moonwalk One</a></i> (1971)<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Baraka_(film)" title="Baraka (film)">Baraka</a></i> (1992)</li></ul> <div class="mw-heading mw-heading2"><h2 id="Awards">Awards</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=8" title="Edit section: Awards"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Feature_film">Feature film</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=9" title="Edit section: Feature film"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable"> <tbody><tr> <th>Year </th> <th>Award </th> <th>Category </th> <th>Type </th> <th>Title </th> <th>Honorees </th></tr> <tr> <td>2013 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Django_Unchained" title="Django Unchained">Django Unchained</a></i> </td> <td><a href="/wiki/Wylie_Stateman" title="Wylie Stateman">Wylie Stateman</a>, <a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, Tony Lamberti, <br />Mark Ulano </td></tr> <tr> <td><a href="/wiki/82nd_Academy_Awards" title="82nd Academy Awards">2009</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound Mixing</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Inglourious_Basterds" title="Inglourious Basterds">Inglourious Basterds</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <a href="/wiki/Tony_Lamberti" title="Tony Lamberti">Tony Lamberti</a> and <a href="/wiki/Mark_Ulano" title="Mark Ulano">Mark Ulano</a> </td></tr> <tr> <td><a href="/wiki/80th_Academy_Awards" title="80th Academy Awards">2007</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound Mixing</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/The_Bourne_Ultimatum_(film)" title="The Bourne Ultimatum (film)">The Bourne Ultimatum</a></i> </td> <td><a href="/wiki/Scott_Millan" title="Scott Millan">Scott Millan</a>, David Parker and <a href="/wiki/Kirk_Francis" title="Kirk Francis">Kirk Francis</a> </td></tr> <tr> <td><a href="/wiki/79th_Academy_Awards" title="79th Academy Awards">2006</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound Mixing</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Dreamgirls_(film)" title="Dreamgirls (film)">Dreamgirls</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <a href="/wiki/Bob_Beemer" title="Bob Beemer">Bob Beemer</a> and <a href="/wiki/Willie_D._Burton" title="Willie D. Burton">Willie D. Burton</a> </td></tr> <tr> <td>2006 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Babel_(film)" title="Babel (film)">Babel</a></i> </td> <td>José Antonio García, Jon Taylor, Christian P. Minkler, <br />Martín Hernández </td></tr> <tr> <td>2006 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Crash_(2004_film)" title="Crash (2004 film)">Crash</a></i> </td> <td>Richard Van Dyke, Sandy Gendler, Adam Jenkins, <br />Marc Fishman </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Collateral_(film)" title="Collateral (film)">Collateral</a></i> </td> <td>Elliott Koretz, Lee Orloff, <a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <br />Myron Nettinga </td></tr> <tr> <td>2004 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Kill_Bill:_Volume_1" title="Kill Bill: Volume 1">Kill Bill: Volume 1</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, Myron Nettinga, <a href="/wiki/Wylie_Stateman" title="Wylie Stateman">Wylie Stateman</a>, Mark Ulano </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Chicago_(2002_film)" title="Chicago (2002 film)">Chicago</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <a href="/wiki/Dominick_Tavella" title="Dominick Tavella">Dominick Tavella</a>, David Lee </td></tr> <tr> <td><a href="/wiki/75th_Academy_Awards" title="75th Academy Awards">2002</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Chicago_(2002_film)" title="Chicago (2002 film)">Chicago</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <a href="/wiki/Dominick_Tavella" title="Dominick Tavella">Dominick Tavella</a> and David Lee </td></tr> <tr> <td>2002 </td> <td><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">BAFTA Award</a> </td> <td><a href="/wiki/BAFTA_Award_for_Best_Sound" title="BAFTA Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Black_Hawk_Down_(film)" title="Black Hawk Down (film)">Black Hawk Down</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <a href="/wiki/Myron_Nettinga" title="Myron Nettinga">Myron Nettinga</a>, <a href="/wiki/Chris_Munro" title="Chris Munro">Chris Munro</a> </td></tr> <tr> <td><a href="/wiki/74th_Academy_Awards" title="74th Academy Awards">2001</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Black_Hawk_Down_(film)" title="Black Hawk Down (film)">Black Hawk Down</a></i> </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, <a href="/wiki/Myron_Nettinga" title="Myron Nettinga">Myron Nettinga</a> and <a href="/wiki/Chris_Munro" title="Chris Munro">Chris Munro</a> </td></tr> <tr> <td><a href="/wiki/73rd_Academy_Awards" title="73rd Academy Awards">2000</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Gladiator_(2000_film)" title="Gladiator (2000 film)">Gladiator</a></i> </td> <td><a href="/wiki/Scott_Millan" title="Scott Millan">Scott Millan</a>, <a href="/wiki/Bob_Beemer" title="Bob Beemer">Bob Beemer</a> and <a href="/wiki/Ken_Weston" title="Ken Weston">Ken Weston</a> </td></tr> <tr> <td><a href="/wiki/71st_Academy_Awards" title="71st Academy Awards">1998</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a></i> </td> <td><a href="/wiki/Gary_Rydstrom" title="Gary Rydstrom">Gary Rydstrom</a>, <a href="/wiki/Tom_Johnson_(sound_engineer)" title="Tom Johnson (sound engineer)">Tom Johnson</a>, <a href="/wiki/Gary_Summers" title="Gary Summers">Gary Summers</a> and <a href="/wiki/Ron_Judkins" title="Ron Judkins">Ron Judkins</a> </td></tr> <tr> <td><a href="/wiki/70th_Academy_Awards" title="70th Academy Awards">1997</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a></i> </td> <td><a href="/wiki/Andy_Nelson_(sound_engineer)" title="Andy Nelson (sound engineer)">Andy Nelson</a>, <a href="/wiki/Anna_Behlmer" title="Anna Behlmer">Anna Behlmer</a> and <a href="/wiki/Kirk_Francis" title="Kirk Francis">Kirk Francis</a> </td></tr> <tr> <td><a href="/wiki/69th_Academy_Awards" title="69th Academy Awards">1996</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Evita_(1996_film)" title="Evita (1996 film)">Evita</a></i> </td> <td><a href="/wiki/Andy_Nelson_(sound_engineer)" title="Andy Nelson (sound engineer)">Andy Nelson</a>, <a href="/wiki/Anna_Behlmer" title="Anna Behlmer">Anna Behlmer</a> and <a href="/wiki/Ken_Weston" title="Ken Weston">Ken Weston</a> </td></tr> <tr> <td><a href="/wiki/68th_Academy_Awards" title="68th Academy Awards">1995</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Apollo_13_(film)" title="Apollo 13 (film)">Apollo 13</a></i> </td> <td><a href="/wiki/Rick_Dior" title="Rick Dior">Rick Dior</a>, <a href="/wiki/Steve_Pederson_(sound_engineer)" title="Steve Pederson (sound engineer)">Steve Pederson</a>, <a href="/wiki/Scott_Millan" title="Scott Millan">Scott Millan</a> and <a href="/wiki/David_MacMillan_(sound_engineer)" title="David MacMillan (sound engineer)">David MacMillan</a> </td></tr> <tr> <td><a href="/wiki/68th_Academy_Awards" title="68th Academy Awards">1995</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Braveheart" title="Braveheart">Braveheart</a></i> </td> <td><a href="/wiki/Andy_Nelson_(sound_engineer)" title="Andy Nelson (sound engineer)">Andy Nelson</a>, <a href="/wiki/Scott_Millan" title="Scott Millan">Scott Millan</a>, <a href="/wiki/Anna_Behlmer" title="Anna Behlmer">Anna Behlmer</a> and Brian Simmons </td></tr> <tr> <td><a href="/wiki/67th_Academy_Awards" title="67th Academy Awards">1994</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Legends_of_the_Fall" title="Legends of the Fall">Legends of the Fall</a></i> </td> <td><a href="/wiki/Paul_Massey_(sound_engineer)" title="Paul Massey (sound engineer)">Paul Massey</a>, David Campbell, Christopher David and <a href="/wiki/Douglas_Ganton" title="Douglas Ganton">Douglas Ganton</a> </td></tr> <tr> <td><a href="/wiki/67th_Academy_Awards" title="67th Academy Awards">1994</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Speed_(1994_film)" title="Speed (1994 film)">Speed</a></i> </td> <td><a href="/wiki/Gregg_Landaker" title="Gregg Landaker">Gregg Landaker</a>, <a href="/wiki/Steve_Maslow" title="Steve Maslow">Steve Maslow</a>, <a href="/wiki/Bob_Beemer" title="Bob Beemer">Bob Beemer</a> and <a href="/wiki/David_MacMillan_(sound_engineer)" title="David MacMillan (sound engineer)">David MacMillan</a> </td></tr> <tr> <td><a href="/wiki/66th_Academy_Awards" title="66th Academy Awards">1993</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a></i> </td> <td><a href="/wiki/Andy_Nelson_(sound_engineer)" title="Andy Nelson (sound engineer)">Andy Nelson</a>, <a href="/wiki/Steve_Pederson_(sound_engineer)" title="Steve Pederson (sound engineer)">Steve Pederson</a>, <a href="/wiki/Scott_Millan" title="Scott Millan">Scott Millan</a> and <a href="/wiki/Ron_Judkins" title="Ron Judkins">Ron Judkins</a> </td></tr> <tr> <td><a href="/wiki/65th_Academy_Awards" title="65th Academy Awards">1992</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/The_Last_of_the_Mohicans_(1992_film)" title="The Last of the Mohicans (1992 film)">The Last of the Mohicans</a></i> </td> <td><a href="/wiki/Chris_Jenkins_(sound_engineer)" title="Chris Jenkins (sound engineer)">Chris Jenkins</a>, <a href="/wiki/Doug_Hemphill" title="Doug Hemphill">Doug Hemphill</a>, Mark Smith and <a href="/wiki/Simon_Kaye" title="Simon Kaye">Simon Kaye</a> </td></tr> <tr> <td><a href="/wiki/63rd_Academy_Awards" title="63rd Academy Awards">1990</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Dick_Tracy_(1990_film)" title="Dick Tracy (1990 film)">Dick Tracy</a></i> </td> <td><a href="/wiki/Chris_Jenkins_(sound_engineer)" title="Chris Jenkins (sound engineer)">Chris Jenkins</a>, <a href="/wiki/David_E._Campbell_(sound)" class="mw-redirect" title="David E. Campbell (sound)">David E. Campbell</a>, D.M. Hemphill and <a href="/wiki/Thomas_Causey" title="Thomas Causey">Thomas Causey</a> </td></tr> <tr> <td><a href="/wiki/61st_Academy_Awards" title="61st Academy Awards">1988</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Who_Framed_Roger_Rabbit" title="Who Framed Roger Rabbit">Who Framed Roger Rabbit</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, John Boyd, <a href="/wiki/Don_Digirolamo" title="Don Digirolamo">Don Digirolamo</a> and <a href="/wiki/Tony_Dawe" title="Tony Dawe">Tony Dawe</a> </td></tr> <tr> <td><a href="/wiki/60th_Academy_Awards" title="60th Academy Awards">1987</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Empire_of_the_Sun_(film)" title="Empire of the Sun (film)">Empire of the Sun</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Don_Digirolamo" title="Don Digirolamo">Don Digirolamo</a>, John Boyd and <a href="/wiki/Tony_Dawe" title="Tony Dawe">Tony Dawe</a> </td></tr> <tr> <td><a href="/wiki/58th_Academy_Awards" title="58th Academy Awards">1985</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Out_of_Africa_(film)" title="Out of Africa (film)">Out of Africa</a></i> </td> <td><a href="/wiki/Chris_Jenkins_(sound_engineer)" title="Chris Jenkins (sound engineer)">Chris Jenkins</a>, <a href="/wiki/Gary_Alexander_(sound_engineer)" title="Gary Alexander (sound engineer)">Gary Alexander</a>, <a href="/wiki/Larry_Stensvold" title="Larry Stensvold">Larry Stensvold</a> and <a href="/wiki/Peter_Handford" title="Peter Handford">Peter Handford</a> </td></tr> <tr> <td><a href="/wiki/55th_Academy_Awards" title="55th Academy Awards">1982</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/E.T._the_Extra-Terrestrial" title="E.T. the Extra-Terrestrial">E.T. the Extra-Terrestrial</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Robert_Glass_(sound_engineer)" title="Robert Glass (sound engineer)">Robert Glass</a>, <a href="/wiki/Don_Digirolamo" title="Don Digirolamo">Don Digirolamo</a> and <a href="/wiki/Gene_S._Cantamessa" class="mw-redirect" title="Gene S. Cantamessa">Gene S. Cantamessa</a> </td></tr> <tr> <td><a href="/wiki/52nd_Academy_Awards" title="52nd Academy Awards">1979</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/1941_(film)" title="1941 (film)">1941</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Robert_Glass_(sound_engineer)" title="Robert Glass (sound engineer)">Robert Glass</a>, <a href="/wiki/Don_MacDougall" title="Don MacDougall">Don MacDougall</a> and <a href="/wiki/Gene_S._Cantamessa" class="mw-redirect" title="Gene S. Cantamessa">Gene S. Cantamessa</a> </td></tr> <tr> <td><a href="/wiki/51st_Academy_Awards" title="51st Academy Awards">1978</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Hooper_(film)" title="Hooper (film)">Hooper</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Robert_Glass_(sound_engineer)" title="Robert Glass (sound engineer)">Robert Glass</a>, <a href="/wiki/Don_MacDougall" title="Don MacDougall">Don MacDougall</a> and <a href="/wiki/Jack_Solomon_(sound_engineer)" class="mw-redirect" title="Jack Solomon (sound engineer)">Jack Solomon</a> </td></tr> <tr> <td><a href="/wiki/50th_Academy_Awards" title="50th Academy Awards">1977</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Sorcerer_(film)" title="Sorcerer (film)">Sorcerer</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Robert_Glass_(sound_engineer)" title="Robert Glass (sound engineer)">Robert Glass</a>, <a href="/wiki/Richard_Tyler_(sound_engineer)" title="Richard Tyler (sound engineer)">Richard Tyler</a> and <a href="/wiki/Jean-Louis_Ducarme" title="Jean-Louis Ducarme">Jean-Louis Ducarme</a> </td></tr> <tr> <td><a href="/wiki/50th_Academy_Awards" title="50th Academy Awards">1977</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Close_Encounters_of_the_Third_Kind" title="Close Encounters of the Third Kind">Close Encounters of the Third Kind</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Robert_Glass_(sound_engineer)" title="Robert Glass (sound engineer)">Robert Glass</a>, <a href="/wiki/Don_MacDougall" title="Don MacDougall">Don MacDougall</a> and <a href="/wiki/Gene_S._Cantamessa" class="mw-redirect" title="Gene S. Cantamessa">Gene S. Cantamessa</a> </td></tr> <tr> <td><a href="/wiki/49th_Academy_Awards" title="49th Academy Awards">1976</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/A_Star_Is_Born_(1976_film)" title="A Star Is Born (1976 film)">A Star is Born</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a>, <a href="/wiki/Dan_Wallin" title="Dan Wallin">Dan Wallin</a>, <a href="/wiki/Robert_Glass_(sound_engineer)" title="Robert Glass (sound engineer)">Robert Glass</a> and <a href="/wiki/Tom_Overton" title="Tom Overton">Tom Overton</a> </td></tr> <tr> <td><a href="/wiki/46th_Academy_Awards" title="46th Academy Awards">1973</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/The_Exorcist_(film)" class="mw-redirect" title="The Exorcist (film)">The Exorcist</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a> and <a href="/wiki/Chris_Newman_(sound_engineer)" title="Chris Newman (sound engineer)">Chris Newman</a> </td></tr> <tr> <td><a href="/wiki/45th_Academy_Awards" title="45th Academy Awards">1972</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Cabaret_(1972_film)" title="Cabaret (1972 film)">Cabaret</a></i> </td> <td><a href="/wiki/Robert_Knudson" title="Robert Knudson">Robert Knudson</a> and <a href="/wiki/David_Hildyard" title="David Hildyard">David Hildyard</a> </td></tr> <tr> <td><a href="/wiki/38th_Academy_Awards" title="38th Academy Awards">1965</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/The_Sound_of_Music_(film)" title="The Sound of Music (film)">The Sound of Music</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr> <tr> <td><a href="/wiki/36th_Academy_Awards" title="36th Academy Awards">1963</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Cleopatra_(1963_film)" title="Cleopatra (1963 film)">Cleopatra</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr> <tr> <td><a href="/wiki/34th_Academy_Awards" title="34th Academy Awards">1961</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/West_Side_Story_(1961_film)" title="West Side Story (1961 film)">West Side Story</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr> <tr> <td><a href="/wiki/33rd_Academy_Awards" title="33rd Academy Awards">1960</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/The_Alamo_(1960_film)" title="The Alamo (1960 film)">The Alamo</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr> <tr> <td><a href="/wiki/32nd_Academy_Awards" title="32nd Academy Awards">1959</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/Porgy_and_Bess_(film)" title="Porgy and Bess (film)">Porgy and Bess</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr> <tr> <td><a href="/wiki/31st_Academy_Awards" title="31st Academy Awards">1958</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/South_Pacific_(1958_film)" title="South Pacific (1958 film)">South Pacific</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr> <tr> <td><a href="/wiki/30th_Academy_Awards" title="30th Academy Awards">1957</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Scientific_and_Technical_Award" title="Academy Scientific and Technical Award">Academy Scientific and Technical Award</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td>Todd-AO System </td> <td>Todd-AO Corp <br /> Westrex Corp </td></tr> <tr> <td><a href="/wiki/28th_Academy_Awards" title="28th Academy Awards">1955</a> </td> <td><a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> </td> <td><a href="/wiki/Academy_Award_for_Best_Sound" title="Academy Award for Best Sound">Best Sound Recording</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Oklahoma!_(1955_film)" title="Oklahoma! (1955 film)">Oklahoma!</a></i> </td> <td><a href="/wiki/Fred_Hynes" title="Fred Hynes">Fred Hynes</a> </td></tr></tbody></table> <div class="mw-heading mw-heading3"><h3 id="Television">Television</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=10" title="Edit section: Television"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable"> <tbody><tr> <th>Year </th> <th>Award </th> <th>Category </th> <th>Type </th> <th>Title </th> <th>Honorees </th></tr> <tr> <td><a href="/wiki/65th_Primetime_Creative_Arts_Emmy_Awards" title="65th Primetime Creative Arts Emmy Awards">2013</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Game_of_Thrones" title="Game of Thrones">Game of Thrones</a>: <a href="/wiki/And_Now_His_Watch_Is_Ended" title="And Now His Watch Is Ended">And Now His Watch Is Ended</a> </td> <td>Mathew Waters, Onnalee Blank, Ronan Hill </td></tr> <tr> <td><a href="/wiki/65th_Primetime_Creative_Arts_Emmy_Awards" title="65th Primetime Creative Arts Emmy Awards">2013</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Game_of_Thrones" title="Game of Thrones">Game of Thrones</a>: <a href="/wiki/And_Now_His_Watch_Is_Ended" title="And Now His Watch Is Ended">And Now His Watch Is Ended</a> </td> <td>Tim Kimmel, Paula Fairfield, Jed M. Dodge, Bradley C. Katona, David Klotz, Brett Voss, Jeffrey Wilhoit, James Moriana </td></tr> <tr> <td><a href="/wiki/65th_Primetime_Creative_Arts_Emmy_Awards" title="65th Primetime Creative Arts Emmy Awards">2013</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Mad_Men" title="Mad Men">Mad Men</a>: The Flood </td> <td>Ken Teaney, Alec St. John, Peter Bentley </td></tr> <tr> <td><a href="/wiki/65th_Primetime_Creative_Arts_Emmy_Awards" title="65th Primetime Creative Arts Emmy Awards">2013</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Nikita_(TV_series)" title="Nikita (TV series)">Nikita</a>: Aftermath </td> <td>George Haddad, Ruth Adelman, Chad J. Hughes,<br />Steve Papagiannis, Dale Chaloukian, Ashley Revell,<br />James M. Bailey </td></tr> <tr> <td>2013 </td> <td><a href="/wiki/Cinema_Audio_Society_Awards" title="Cinema Audio Society Awards">CAS Award</a> </td> <td>Sound Mixing - Television Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Game_of_Thrones" title="Game of Thrones">Game of Thrones</a>: <a href="/wiki/Blackwater_(Game_of_Thrones)" title="Blackwater (Game of Thrones)">Blackwater</a> </td> <td>Onnalee Blank, Mathew Waters, Ronan Hill and Brett Voss </td></tr> <tr> <td>2013 </td> <td><a href="/wiki/Cinema_Audio_Society_Awards" title="Cinema Audio Society Awards">CAS Award</a> </td> <td>Sound Mixing - Television Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Mad_Men" title="Mad Men">Mad Men</a>: Commissions and Fees </td> <td>Ken Teaney, Alec St. John, Peter Bentley </td></tr> <tr> <td><a href="/wiki/64th_Primetime_Creative_Arts_Emmy_Awards" title="64th Primetime Creative Arts Emmy Awards">2012</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Miami" title="CSI: Miami">CSI: Miami</a>: Blown Away </td> <td>Timothy I. Kimmel, Brad Katona, Ruth Adelman, Todd Niesen, Skye Lewin, Joseph Sabella and James Bailey </td></tr> <tr> <td><a href="/wiki/64th_Primetime_Creative_Arts_Emmy_Awards" title="64th Primetime Creative Arts Emmy Awards">2012</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Game_of_Thrones" title="Game of Thrones">Game of Thrones</a>: <a href="/wiki/Blackwater_(Game_of_Thrones)" title="Blackwater (Game of Thrones)">Blackwater</a> </td> <td>Peter Brown, Kira Roessler, Tim Hands, Paul Aulicino, Stephen P. Robinson, Vanessa Lapato,<br /> Brett Voss, James Moriana, Jeffrey Wilhoit and David Klotz </td></tr> <tr> <td><a href="/wiki/64th_Primetime_Creative_Arts_Emmy_Awards" title="64th Primetime Creative Arts Emmy Awards">2012</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(One-Hour)" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour)"> Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour)</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Game_of_Thrones" title="Game of Thrones">Game of Thrones</a>: <a href="/wiki/Blackwater_(Game_of_Thrones)" title="Blackwater (Game of Thrones)">Blackwater</a> </td> <td>Mathew Waters, Onnalee Blank, Ronan Hill, Mervyn Moore </td></tr> <tr> <td><a href="/wiki/64th_Primetime_Creative_Arts_Emmy_Awards" title="64th Primetime Creative Arts Emmy Awards">2012</a> </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(Half-Hour)_and_Animation" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation">Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Entourage_(U.S._TV_series)" class="mw-redirect" title="Entourage (U.S. TV series)">Entourage</a>: The End </td> <td>Tom Stasinis, Dennis Kirk, Todd Orr </td></tr> <tr> <td>2011 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(Half-Hour)_and_Animation" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation">Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Family_Guy" title="Family Guy">Family Guy</a>: <a href="/wiki/Road_to_the_North_Pole" title="Road to the North Pole">Road to the North Pole</a> </td> <td>James F. Fitzpatrick and Patrick Clark </td></tr> <tr> <td>2011 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(One-Hour)" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour)"> Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour)</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Mad_Men" title="Mad Men">Mad Men</a>: The Suitcase </td> <td>Ken Teaney, Todd Orr, Peter Bentley </td></tr> <tr> <td>2011 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Nikita_(TV_series)" title="Nikita (TV series)">Nikita</a>: Pandora </td> <td>George Haddad, Dale Chaloukian, Ruth Adelman, Chad J. Hughes, Ashley Revell, James Bailey and Joseph T. Sabella </td></tr> <tr> <td>2011 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_NY" title="CSI: NY">CSI: NY</a>: Life Sentence </td> <td><a href="/wiki/Mark_Relyea" title="Mark Relyea">Mark Relyea</a>, Edmund Lachmann, David Barbee, Ruth Adelman, Kevin McCullough, Joshua Winget, Joseph T. Sabella and James M. Bailey </td></tr> <tr> <td>2010 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/The_Pacific_(TV_miniseries)" class="mw-redirect" title="The Pacific (TV miniseries)">The Pacific</a>: Part Two </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, Daniel Leahy, Andrew Ramage </td></tr> <tr> <td>2010 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Pacific_(TV_miniseries)" class="mw-redirect" title="The Pacific (TV miniseries)">The Pacific</a>: Part Five </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, Daniel Leahy, Craig Mann, Andrew Ramage </td></tr> <tr> <td>2010 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td>'<a href="/wiki/The_Pacific_(TV_miniseries)" class="mw-redirect" title="The Pacific (TV miniseries)">The Pacific</a>: Part Eight </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, Daniel Leahy, Marc Fishman, Gary Wilkins </td></tr> <tr> <td>2010 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Pacific_(TV_miniseries)" class="mw-redirect" title="The Pacific (TV miniseries)">The Pacific</a>: Part Nine </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a>, Daniel Leahy, and Gary Wilkins </td></tr> <tr> <td>2010 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(Half-Hour)_and_Animation" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation">Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Entourage_(U.S._TV_series)" class="mw-redirect" title="Entourage (U.S. TV series)">Entourage</a>: One Car, Two Car, Red Car, Blue Car' </td> <td>Tom Stasinis CAS, Dennis Kirk, Alec St. John and Todd Orr </td></tr> <tr> <td>2010 </td> <td><a href="/wiki/Cinema_Audio_Society_Awards" title="Cinema Audio Society Awards">CAS Award</a> </td> <td>Sound Mixing - Television Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Mad_Men" title="Mad Men">Mad Men</a>: Guy Walks Into an Advertising Agency </td> <td>Ken Teaney, Todd Orr, Peter Bentley </td></tr> <tr> <td>2009 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) And Animation </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Entourage_(U.S._TV_series)" class="mw-redirect" title="Entourage (U.S. TV series)">Entourage</a>: Pie </td> <td>Tom Stasinis CAS, Dennis Kirk and Bill Jackson </td></tr> <tr> <td>2009 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Mascara </td> <td>Mace Matiosian, Ruth Adelman, Jivan Tahmizian, David Van Slyke, Joseph Sabella and James Bailey </td></tr> <tr> <td>2008 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/John_Adams_(TV_miniseries)" class="mw-redirect" title="John Adams (TV miniseries)">John Adams</a>: Don't Tread On Me </td> <td>Marc Fishman and Tony Lamberti </td></tr> <tr> <td>2008 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/John_Adams_(TV_miniseries)" class="mw-redirect" title="John Adams (TV miniseries)">John Adams</a>: Join Or Die </td> <td><a href="/wiki/Michael_Minkler" title="Michael Minkler">Michael Minkler</a> and <a href="/wiki/Bob_Beemer" title="Bob Beemer">Bob Beemer</a> </td></tr> <tr> <td>2008 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Editing_for_a_Comedy_or_Drama_Series_(One-Hour)" title="Primetime Emmy Award for Outstanding Sound Editing for a Comedy or Drama Series (One-Hour)">Outstanding Sound Editing for a Series</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Fight Night </td> <td>Mace Matiosian, Ruth Adelman, Jivan Tahmizian, David Van Slyke, Chad Hughes, Joseph Sabella, Zane Bruce </td></tr> <tr> <td>2008 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Entourage_(U.S._TV_series)" class="mw-redirect" title="Entourage (U.S. TV series)">Entourage</a>: Adios Amigo </td> <td>Dennis Kirk and Bill Jackson </td></tr> <tr> <td>2007 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) And Animation </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Entourage_(U.S._TV_series)" class="mw-redirect" title="Entourage (U.S. TV series)">Entourage</a>: One Day In The Valley </td> <td>Dennis Kirk and Mark Fleming </td></tr> <tr> <td>2007 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Living Doll </td> <td>Yuri Reese and Bill Smith </td></tr> <tr> <td>2007 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour) </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: Stage 5 </td> <td>Kevin Burns and Todd Orr </td></tr> <tr> <td>2007 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Miami" title="CSI: Miami">CSI: Miami</a>: No Man's Land </td> <td>Tim Kimmel, Ruth Adelman, Todd Niesen, Bradley C. Katona, Skye Lewin, Zane Bruce, Joseph Sabella </td></tr> <tr> <td>2006 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Single-Camera Sound Mixing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: A Bullet Runs Through It </td> <td>Yuri Reese and Bill Smith </td></tr> <tr> <td>2006 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: A Bullet Runs Through It: Part 1 </td> <td>Mace Matiosian, Ruth Adelman, Mark Allen, Zane Bruce, Troy Hardy, Joseph Sabella, Jivan Tahmizian, David Van Slyke </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Miniseries, Movie or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/The_Life_and_Death_of_Peter_Sellers" title="The Life and Death of Peter Sellers">The Life and Death of Peter Sellers</a> </td> <td>Anna MacKenzie, Victoria Brazier, Felicity Cottrell, Zack Davis, Richard Ford, Tim Hands, Laura Lovejoy, James Mather, Geoff Rubay, Ruth Sullivan </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Miami" title="CSI: Miami">CSI: Miami</a>: Lost Son </td> <td>Ruth Adelman, Zane Bruce, Ann Hadsell, Bradley C. Katona, Skye Lewin, Todd Nieson, Joseph Sabella </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Down the Drain </td> <td>Mace Matiosian, Ruth Adelman, Zane Bruce, Christine Luethje, Todd Nieson, Joseph Sabella, Jivan Tahmizian, David Van Slyke </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Single-Camera Sound Mixing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Down the Drain </td> <td>Yuri Reese and Bill Smith </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Single-Camera Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Warm_Springs_(film)" title="Warm Springs (film)">Warm Springs</a> </td> <td>Adam Jenkins and Rick Ash </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Single-Camera Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Life_and_Death_of_Peter_Sellers" title="The Life and Death of Peter Sellers">The Life and Death of Peter Sellers</a> </td> <td>Adam Jenkins and Rick Ash </td></tr> <tr> <td>2005 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Limited_or_Anthology_Series_or_Movie" title="Primetime Emmy Award for Outstanding Sound Mixing for a Limited or Anthology Series or Movie">Outstanding Single-Camera Sound Mixing for a Miniseries or a Movie</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Lackawanna_Blues" title="Lackawanna Blues">Lackawanna Blues</a> </td> <td>Adam Jenkins and Rick Ash </td></tr> <tr> <td>2004 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Editing_for_a_Limited_or_Anthology_Series,_Movie_or_Special" title="Primetime Emmy Award for Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special">Outstanding Sound Editing for a Miniseries, Movie or a Special</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/And_Starring_Pancho_Villa_as_Himself" title="And Starring Pancho Villa as Himself">And Starring Pancho Villa as Himself</a> </td> <td>Tony Lamberti, Zack Davis, Lou Kleinman, Michael Lyle, Carey Milbradt, Allan K. Rosen, Geoffrey G. Rubay, Bruce Tanis, Karen Vassar, Nicholas Viterelli, Dave Williams, Joshua Winget </td></tr> <tr> <td>2004 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Single-Camera Sound Mixing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Grissom vs. The Volcano </td> <td>Yuri Reese and Bill Smith </td></tr> <tr> <td>2004 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Single-Camera Sound Mixing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: Irregular Around The Margins </td> <td>Todd Orr and Kevin Burns </td></tr> <tr> <td>2004 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Traffic_(2004_miniseries)" class="mw-redirect" title="Traffic (2004 miniseries)">Traffic</a>: Part 1 </td> <td>Marc Fishman, Tony Lamberti, Kevin Burns </td></tr> <tr> <td>2004 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Something_the_Lord_Made" title="Something the Lord Made">Something the Lord Made</a> </td> <td>Adam Jenkins and Rick Ash </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Fight Night </td> <td>Mace Matiosian, Ruth Adelman, Zane Bruce, Sheri Ozeki, Joseph Sabella, Jivan Tahmizian, David Van Slyke </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(One-Hour)" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour)">Outstanding Single-Camera Sound Mixing for a Series</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Revenge Is Best Served Cold" </td> <td>Yuri Reese and Bill Smith </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Mixing_for_a_Comedy_or_Drama_Series_(One-Hour)" title="Primetime Emmy Award for Outstanding Sound Mixing for a Comedy or Drama Series (One-Hour)">Outstanding Single-Camera Sound Mixing for a Series</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: Whoever Did This </td> <td>Todd Orr and Kevin Burns </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Live_from_Baghdad_(film)" title="Live from Baghdad (film)">Live From Baghdad</a> </td> <td>Adam Jenkins, Rick Ash, Drew Webster </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Music_Man_(2003_film)" title="The Music Man (2003 film)">The Music Man</a> </td> <td>Todd Orr and Kevin Burns </td></tr> <tr> <td>2003 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><i><a href="/wiki/A_Painted_House" title="A Painted House">A Painted House</a></i> </td> <td>Todd Orr and Kevin Burns </td></tr> <tr> <td>2002 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Chasing the Bus </td> <td>Mace Matiosian, Ruth Adelman, Zane Bruce, Sheri Ozeki, Joe Sabella, Jivan Tahmizian, David Van Slyke </td></tr> <tr> <td>2002 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Single-Camera Sound Mixing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: Another Toothpick </td> <td>Yuri Reese and Bill Smith </td></tr> <tr> <td>2002 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Band_of_Brothers_(TV_miniseries)" class="mw-redirect" title="Band of Brothers (TV miniseries)">Band of Brothers</a>: Carentan </td> <td>Todd Orr and Kevin Burns </td></tr> <tr> <td>2001 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/CSI:_Crime_Scene_Investigation" title="CSI: Crime Scene Investigation">CSI: Crime Scene Investigation</a>: 35K OBO </td> <td>Mace Matiosian, Ruth Adelman, Zane Bruce, <br />Stan Jones, Joe Sabella, Jivan Tahmizian, <br />David Van Slyke </td></tr> <tr> <td>2001 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Single-Camera Sound Mixing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: D-Girl </td> <td>Todd Orr, Kevin Burns, Fred Tator </td></tr> <tr> <td>2001 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/South_Pacific_(2001_film)" title="South Pacific (2001 film)">South Pacific</a> </td> <td>Rick Ash, Joe Earle, Joel Moss </td></tr> <tr> <td>2001 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Dirty_Pictures" title="Dirty Pictures">Dirty Pictures</a> </td> <td>Todd Orr, Kevin Burns, Tom Perry </td></tr> <tr> <td>2000 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Others_(TV_series)" title="The Others (TV series)">The Others</a>: Eyes </td> <td>Mace Matiosian, Harry Cohen, Ruth Adelman, Mike Broomberg, Zane Bruce, Diane Griffen, Jivan Tahmizian and Guy Tsujimoto </td></tr> <tr> <td>2000 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: D-Girl </td> <td>Todd Orr, Kevin Burns, Tom Perry </td></tr> <tr> <td>1999 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Buffy_The_Vampire_Slayer" class="mw-redirect" title="Buffy The Vampire Slayer">Buffy The Vampire Slayer</a>: Lover's Walk </td> <td>Anna MacKenzie, Mike Marchain, William Angarola, Fernand Bos, Zane Bruce, Mark Cleary, Robert Guastini, Rick Hinson, Cindy Rabideau, Joe Sabella and Ray Spiess, Jr. </td></tr> <tr> <td>1999 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: I Dream Of Jeannie Cusamano </td> <td>Anna MacKenzie, Mike Marchain, William Angarola, Benjamin Beardwood, Zane Bruce, Mark, Kathryn Dayak, Robert Guastini, Rick Hinson, Cindy Rabideau, Joe Sabella, Ray Spiess, Jr. and Bruce Swanson </td></tr> <tr> <td>1999 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Sopranos" title="The Sopranos">The Sopranos</a>: A Hit Is A Hit </td> <td>Todd Orr, Ron Evans, Adam Sawelson </td></tr> <tr> <td>1999 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Miniseries, Movie or a Special </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/A_Soldier%27s_Sweetheart" title="A Soldier's Sweetheart">A Soldier's Sweetheart</a> </td> <td>Anna MacKenzie, Mike Marchain, William Angarola, Ron Finn, Robert Guastini, Rick Hinson, Jason Lezama, Chris Moriana, Cindy Rabideau, Catherine Rose, Raymond Spiess III and Ray Spiess Jr. </td></tr> <tr> <td>1999 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td><a href="/wiki/Primetime_Emmy_Award_for_Outstanding_Sound_Editing_for_a_Limited_or_Anthology_Series,_Movie_or_Special" title="Primetime Emmy Award for Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special">Outstanding Sound Editing for a Miniseries, Movie or a Special</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td>Houdini </td> <td>Anna MacKenzie, Mike Marchain, Skip Adams, William Angarola, Zane Bruce, Robert Guastini, Rick Hinson, Cindy Rabideau, Joe Sabella, Ray Spiess, Jr. and Jeanette Surga </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/The_Visitor_(TV_series)" title="The Visitor (TV series)">The Visitor</a>: Pilot </td> <td>Anna MacKenzie, William Angarola, Michael Broomberg, Mark J. Cleary, Robert Guastini, Rick Hinson, Jimmy Moriana, Cindy Rabideau, Jay Richardson, Raymond Spiess III, Ray Spiess Jr. </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/A_Lesson_Before_Dying_(film)" title="A Lesson Before Dying (film)">A Lesson Before Dying</a> </td> <td>Rich Ash and Gary Alexander </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Miniseries, Movie or a Special </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Creature_(TV_film)" class="mw-redirect" title="Creature (TV film)">Creature</a> </td> <td>Anna MacKenzie, Mike Marchain, William Angarola, Steve Bissinger, Mark J. Cleary, Robert Guastini, Ellen Heuer, Rick Hinson, Jason Lezama, Aaron Martin, Craig Ng, Cindy Rabideau, Raymond Spiess III, Ray Spiess Jr. </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Miniseries or a Movie </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/12_Angry_Men_(1997_film)" title="12 Angry Men (1997 film)">12 Angry Men</a> </td> <td>Adam Jenkins and David E. Fluhr </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/From_the_Earth_to_the_Moon_(miniseries)" title="From the Earth to the Moon (miniseries)">From The Earth To The Moon</a>: Le Voyage Dans La Lune </td> <td>Todd Orr and Kevin Burns </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/From_the_Earth_to_the_Moon_(miniseries)" title="From the Earth to the Moon (miniseries)">From The Earth To The Moon</a>: 1968 </td> <td>Scott Millan and Brad Sherman </td></tr> <tr> <td>1998 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Miniseries or a Movie </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/From_the_Earth_to_the_Moon_(miniseries)" title="From the Earth to the Moon (miniseries)">From The Earth To The Moon</a>: That's All There Is </td> <td>Rich Ash and Adam Sawelson </td></tr> <tr> <td>1997 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Miniseries or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Titanic_(1996_TV_miniseries)" class="mw-redirect" title="Titanic (1996 TV miniseries)">Titanic</a> </td> <td>Adam Jenkins, Don Digirolamo, Davide E. Fluhr </td></tr> <tr> <td>1997 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Drama Miniseries or a Special </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td> <td><a href="/wiki/Apollo_11_(1996_film)" title="Apollo 11 (1996 film)">Apollo 11</a> </td> <td>Todd Orr, Kevin Burns, Jon Taylor </td></tr> <tr> <td>1997 </td> <td><a href="/wiki/Daytime_Emmy_Award" class="mw-redirect" title="Daytime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Flipper_(1995_TV_series)" title="Flipper (1995 TV series)">Flipper</a> </td> <td>Jon Taylor, Kevin Burns and Todd Orr </td></tr> <tr> <td>1996 </td> <td><a href="/wiki/Daytime_Emmy_Award" class="mw-redirect" title="Daytime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Flipper_(1995_TV_series)" title="Flipper (1995 TV series)">Flipper</a> </td> <td>Kevin Burns, Jon Taylor and Chris Minkler </td></tr> <tr> <td>1993 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy Series or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Doogie_Howser,_M.D." title="Doogie Howser, M.D.">Doogie Howser, M.D.</a>: Doogie Got a Gun </td> <td>Joe Kenworthy, Mike Getlin, Dean Okrand and Bill Thiederman </td></tr> <tr> <td>1992 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy Series or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Doogie_Howser,_M.D." title="Doogie Howser, M.D.">Doogie Howser, M.D.</a>: Lonesome Doog </td> <td>Joe Kenworthy, Bill Thiederman, Dean Okrand and Mike Getlin </td></tr> <tr> <td>1992 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Law_%26_Order" title="Law & Order">Law & Order</a>: Heaven </td> <td>David Hankins, Frank A. Fuller Jr., Peter Bergren, David A. Cohen, Richard Thomas, Barbara Issak, James Hebenstreit, Albert Edmund Lord III and Barbara Schechter </td></tr> <tr> <td>1991 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Mixing for a Comedy Series or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Doogie_Howser,_M.D." title="Doogie Howser, M.D.">Doogie Howser, M.D.</a>: Doogenstein </td> <td>Joe Kenworthy, Dean Okrand, Bill Thiederman and Mike Getlin </td></tr> <tr> <td>1987 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Miniseries or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td>Unnatural Causes </td> <td>Vince Gutierrez, William H. Angarola, Clark Conrad, Doug Gray, Mace Matiosian,Anthony Mazzei, Michael J. Mitchell, Matt Sawelson, Edward F. Suski, Dan Carlin Sr., James Wolvington, Barbara Issak and Jon Johnson </td></tr> <tr> <td>1987 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Sound Editing for a Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Max_Headroom_(TV_series)" title="Max Headroom (TV series)">Max Headroom</a>: Blipverts </td> <td><a href="/wiki/Doug_Grindstaff" title="Doug Grindstaff">Doug Grindstaff</a>, Richard Corwin, Clark Conrad, Brad Sherman, Richard Taylor, James Wolvington and Dick Bernstein </td></tr> <tr> <td>1985 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Live And Tape Sound Mixing And Sound Effects For A Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Cheers" title="Cheers">Cheers</a>: The Executive's Executioner </td> <td>Doug Gray, Michael Ballin, Thomas J. Huth and Sam Black </td></tr> <tr> <td>1985 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing For A Limited Series Or A Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Space_(miniseries)" title="Space (miniseries)">Space</a>: Part 5 </td> <td>Clark King, David J. Hudson, Mel Metcalfe and Terry Porter </td></tr> <tr> <td>1985 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing For A Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Cagney_%26_Lacey" title="Cagney & Lacey">Cagney & Lacey</a>: Heat </td> <td>Maury Harris, John Asman, Bill Nicholson and Ken S. Polk </td></tr> <tr> <td>1984 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Live and Tape Sound Mixin and Sound Effects for a Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Real_People_(TV_program)" title="Real People (TV program)">Real People</a>: Hawaii Show - Sarah's Wedding </td> <td>Mark Hanes, Stu Fox, Dean Okrand and Edward F. Suski </td></tr> <tr> <td>1984 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing for a Limited Series or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/A_Streetcar_Named_Desire_(1984_film)" title="A Streetcar Named Desire (1984 film)">A Streetcar Named Desire</a> </td> <td>Richard Raguse, William L. McCaughey, Mel Metcalfe and Terry Porter </td></tr> <tr> <td>1983 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing for a Limited Series or a Special </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/The_Scarlet_and_the_Black" title="The Scarlet and the Black">The Scarlet and the Black</a> </td> <td>John W. Mitchell, Gordon L. Day, Stan Wetzel and Howard Wilmarth </td></tr> <tr> <td>1983 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Editing for a Series </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Hill_Street_Blues" title="Hill Street Blues">Hill Street Blues</a>: Stan the Man </td> <td>Sam Horta, Donald W. Ernst, Avram D. Gold, Eileen Horta, Constance A. Kazmer and Gary Krivacek </td></tr> <tr> <td>1982 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Hill_Street_Blues" title="Hill Street Blues">Hill Street Blues</a>: Personal Foul </td> <td><a href="/wiki/Bill_Marky" title="Bill Marky">Bill Marky</a>, Robert W. Glass Jr., Bill Nicholson and Howard Wilmarth </td></tr> <tr> <td>1980 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i>The Ordeal of Dr. Mudd</i> </td> <td>Ray Barons, David E. Campbell, Robert Pettis and John T. Reitz </td></tr> <tr> <td>1979 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Editing </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><a href="/wiki/Friendly_Fire_(1979_film)" title="Friendly Fire (1979 film)">Friendly Fire</a> </td> <td>Bill Wistrom </td></tr> <tr> <td>1970 </td> <td><a href="/wiki/Primetime_Emmy_Award" class="mw-redirect" title="Primetime Emmy Award">Emmy Award</a> </td> <td>Outstanding Film Sound Mixing </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td> <td><i><a href="/wiki/Mission:_Impossible_(1966_TV_series)" title="Mission: Impossible (1966 TV series)">Mission: Impossible</a></i> </td> <td>Dominick Gaffey and Gordon L. Day </td></tr></tbody></table> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=11" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/70_mm_film" title="70 mm film">70 mm film</a></li> <li><a href="/wiki/Philips_DP70" title="Philips DP70">Philips DP70</a> (the theater projector developed as part of the Todd-AO system)</li> <li><a href="/wiki/Cinerama" title="Cinerama">Cinerama</a></li> <li><a href="/wiki/Glen_Glenn_Sound" title="Glen Glenn Sound">Glen Glenn Sound</a></li> <li><a href="/wiki/List_of_70_mm_films" title="List of 70 mm films">List of 70 mm films</a></li> <li><a href="/wiki/List_of_film_formats" class="mw-redirect" title="List of film formats">List of film formats</a></li> <li><a href="/wiki/Super_Panavision_70" title="Super Panavision 70">Super Panavision 70</a></li> <li><a href="/wiki/Super_Technirama_70" title="Super Technirama 70">Super Technirama 70</a></li> <li><a href="/wiki/Ultra_Panavision_70" title="Ultra Panavision 70">Ultra Panavision 70</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=12" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.encyclopedia.com/books/politics-and-business-magazines/todd-ao-corporation">"The Todd-AO Corporation"</a>. <i>encyclopedia.com</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=encyclopedia.com&rft.atitle=The+Todd-AO+Corporation&rft_id=https%3A%2F%2Fwww.encyclopedia.com%2Fbooks%2Fpolitics-and-business-magazines%2Ftodd-ao-corporation&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCivil_Aeronautics_Board1958" class="citation cs2">Civil Aeronautics Board, ed. 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October 29, 1956. Archived from <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="http://www.time.com/time/printout/0,8816,867209,00.html">the original</a></span> on January 5, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">2010-10-01</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time&rft.atitle=Cinema%3A+The+New+Pictures&rft.date=1956-10-29&rft_id=http%3A%2F%2Fwww.time.com%2Ftime%2Fprintout%2F0%2C8816%2C867209%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKurtti1996" class="citation book cs1">Kurtti, Jeff (1996). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/greatmoviemusica00kurt"><i>The great movie musical trivia book</i></a></span> (1. print. ed.). New York: Applause. p. <a rel="nofollow" class="external text" href="https://archive.org/details/greatmoviemusica00kurt/page/163">163</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1557832221" title="Special:BookSources/978-1557832221"><bdi>978-1557832221</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">January 6,</span> 2013</span>. <q>oklahoma todd ao.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+great+movie+musical+trivia+book&rft.place=New+York&rft.pages=163&rft.edition=1.+print.&rft.pub=Applause&rft.date=1996&rft.isbn=978-1557832221&rft.aulast=Kurtti&rft.aufirst=Jeff&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fgreatmoviemusica00kurt&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoe" class="citation web cs1">Roe, Ken. <a rel="nofollow" class="external text" href="http://cinematreasures.org/theater/4784">"Columbia Theatre"</a>. <i>Cinema Treasures</i><span class="reference-accessdate">. Retrieved <span class="nowrap">October 9,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cinema+Treasures&rft.atitle=Columbia+Theatre&rft.aulast=Roe&rft.aufirst=Ken&rft_id=http%3A%2F%2Fcinematreasures.org%2Ftheater%2F4784&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://cinematreasures.org/theater/555/">"Rivoli Theatre"</a>. <i>Cinema Treasures</i><span class="reference-accessdate">. Retrieved <span class="nowrap">June 2,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cinema+Treasures&rft.atitle=Rivoli+Theatre&rft_id=http%3A%2F%2Fcinematreasures.org%2Ftheater%2F555%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://cinematreasures.org/theater/1202/">"Cinestage Theatre"</a>. Cinema Treasures<span class="reference-accessdate">. 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Retrieved <span class="nowrap">June 2,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cinema+Treasures&rft.atitle=Hunt%27s+Cinestage+Theatre&rft_id=http%3A%2F%2Fcinematreasures.org%2Ftheater%2F6901%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://shotonwhat.com/camera-aperture/todd-ao-35-camera-aperture">"Todd-AO 35 Camera Aperture"</a>. <i>shotonwhat.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">6 July</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=shotonwhat.com&rft.atitle=Todd-AO+35+Camera+Aperture&rft_id=https%3A%2F%2Fshotonwhat.com%2Fcamera-aperture%2Ftodd-ao-35-camera-aperture&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20071231175522/http://money.cnn.com/news/newsfeeds/articles/newstex/AFX-0013-21647779.htm">"Discovery to combine stakes in Discovery Communications with Advance/Newhouse"</a>. <i><a href="/wiki/CNN_Money" class="mw-redirect" title="CNN Money">CNN Money</a></i>. Archived from <a rel="nofollow" class="external text" href="https://money.cnn.com/news/newsfeeds/articles/newstex/AFX-0013-21647779.htm">the original</a> on December 31, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=CNN+Money&rft.atitle=Discovery+to+combine+stakes+in+Discovery+Communications+with+Advance%2FNewhouse&rft_id=https%3A%2F%2Fmoney.cnn.com%2Fnews%2Fnewsfeeds%2Farticles%2Fnewstex%2FAFX-0013-21647779.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBurlingame2007" class="citation news cs1">Burlingame, Jon (August 22, 2007). <a rel="nofollow" class="external text" href="https://variety.com/2007/film/markets-festivals/todd-ao-s-fate-could-impact-scoring-1117970664/">"Todd-AO's fate could impact scoring"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Todd-AO%27s+fate+could+impact+scoring&rft.date=2007-08-22&rft.aulast=Burlingame&rft.aufirst=Jon&rft_id=https%3A%2F%2Fvariety.com%2F2007%2Ffilm%2Fmarkets-festivals%2Ftodd-ao-s-fate-could-impact-scoring-1117970664%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="http://ir.ascentcapitalgroupinc.com/news-releases/news-release-details/discovery-holding-company-enters-definitive-agreement">"Discovery Holding Company Enters Into Definitive Agreement with Advance/Newhouse to Combine Stakes in Discovery Communications"</a> (Press release). Ascent Capital Group. June 4, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">October 9,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Discovery+Holding+Company+Enters+Into+Definitive+Agreement+with+Advance%2FNewhouse+to+Combine+Stakes+in+Discovery+Communications&rft.pub=Ascent+Capital+Group&rft.date=2008-06-04&rft_id=http%3A%2F%2Fir.ascentcapitalgroupinc.com%2Fnews-releases%2Fnews-release-details%2Fdiscovery-holding-company-enters-definitive-agreement&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHunt" class="citation web cs1">Hunt, Bill. <a rel="nofollow" class="external text" href="https://thedigitalbits.com/columns/my-two-cents/030119-1400">"See Todd Douglas Miller's Remarkable Apollo 11 Documentary in IMAX While You Can"</a>. <i>The Digital Bits</i><span class="reference-accessdate">. Retrieved <span class="nowrap">26 April</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Digital+Bits&rft.atitle=See+Todd+Douglas+Miller%27s+Remarkable+Apollo+11+Documentary+in+IMAX+While+You+Can&rft.aulast=Hunt&rft.aufirst=Bill&rft_id=https%3A%2F%2Fthedigitalbits.com%2Fcolumns%2Fmy-two-cents%2F030119-1400&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATodd-AO" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Todd-AO&action=edit&section=13" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.todd-ao.com/">Todd-AO official site</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/SearchTechnical?PCS:Todd-AO">Internet Movie Database listing of films shot in Todd-AO</a></li> <li><a rel="nofollow" class="external text" href="http://www.in70mm.com/todd_ao/">Todd-AO information from in70 mm.com</a></li> <li><a rel="nofollow" class="external text" href="http://www.widescreenmuseum.com/widescreen/wingto1.htm">WideScreen Museum history of Todd-AO</a></li> <li><a rel="nofollow" class="external text" href="http://www.widescreenmuseum.com/widescreen/wingto2.htm">Todd: "Cinerama outa one hole"</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20051025085404/http://www.fiafnet.org/pdf/uk/fiaf56.pdf">Journal of Film Preservation N° 56</a> on page 19:</li> <li><a rel="nofollow" class="external text" href="http://www.in70mm.com/dp70">The history of the Todd-AO projector, known as the DP70</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist 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.navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Film_formats" title="Template:Film formats"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Film_formats" title="Template talk:Film formats"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Film_formats" title="Special:EditPage/Template:Film formats"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Motion_picture_film_formats" style="font-size:114%;margin:0 4em">Motion picture <a href="/wiki/Film_format" title="Film format">film formats</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Film_gauge" title="Film gauge">Film gauges</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/8_mm_film" title="8 mm film">8 mm</a></span></li> <li><span class="nowrap"><a href="/wiki/9.5_mm_film" title="9.5 mm film">9.5 mm</a></span></li> <li><span class="nowrap"><a href="/wiki/16_mm_film" title="16 mm film">16 mm</a></span></li> <li><span class="nowrap"><a href="/wiki/17.5mm_film" class="mw-redirect" title="17.5mm film">17.5 mm</a></span></li> <li><span class="nowrap"><a href="/wiki/28_mm_film" title="28 mm film">28 mm</a></span></li> <li><span class="nowrap"><a href="/wiki/35_mm_movie_film" title="35 mm movie film">35 mm</a></span></li> <li><span class="nowrap"><a href="/wiki/70_mm_film" title="70 mm film">70 mm</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/List_of_film_formats" class="mw-redirect" title="List of film formats">Film formats</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">35 mm</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/CinemaScope" title="CinemaScope">CinemaScope</a> (1953)</span></li> <li><span class="nowrap"><a href="/wiki/VistaVision" title="VistaVision">VistaVision</a> (1954)</span></li> <li><span class="nowrap"><a href="/wiki/Technirama" title="Technirama">Technirama</a> (1956)</span></li> <li><span class="nowrap"><a href="/wiki/Anamorphic_format" title="Anamorphic format">Modern anamorphic</a> (1957)</span></li> <li><span class="nowrap"><a href="/wiki/Techniscope" title="Techniscope">Techniscope</a> (1960)</span></li> <li><span class="nowrap"><a href="/wiki/Super_35" title="Super 35">Super 35</a> (1982)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">70 mm</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a class="mw-selflink selflink">Todd-AO</a> (1955)</span></li> <li><span class="nowrap"><a href="/wiki/Ultra_Panavision_70" title="Ultra Panavision 70">Ultra Panavision 70</a> (1957)</span></li> <li><span class="nowrap"><a href="/wiki/Super_Panavision_70" title="Super Panavision 70">Super Panavision 70</a> (1959)</span></li> <li><span class="nowrap"><a href="/wiki/IMAX" title="IMAX">IMAX</a> (1970)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">35 mm × 3</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Cinerama" title="Cinerama">Cinerama</a> (1952)</span></li> <li><span class="nowrap"><a href="/wiki/Kinopanorama" title="Kinopanorama">Kinopanorama</a> (1958)</span></li> <li><span class="nowrap"><a href="/wiki/Cinemiracle" title="Cinemiracle">Cinemiracle</a> (1958)</span></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Aspect_ratio_(image)" title="Aspect ratio (image)">Aspect ratio</a> standards</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Academy_ratio" title="Academy ratio">Academy ratio</a></span></li> <li><span class="nowrap"><a href="/wiki/14:9" class="mw-redirect" title="14:9">14:9</a></span></li> <li><span class="nowrap"><a href="/wiki/Anamorphic_format" title="Anamorphic format">Anamorphic format</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Video framing</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Widescreen" title="Widescreen">Widescreen</a></span></li> <li><span class="nowrap"><a href="/wiki/Anamorphic_widescreen" title="Anamorphic widescreen">Anamorphic widescreen</a></span></li> <li><span class="nowrap"><a href="/wiki/Letterboxing_(filming)" title="Letterboxing (filming)">Letterbox</a></span></li> <li><span class="nowrap"><a href="/wiki/Pillarbox" title="Pillarbox">Pillarbox</a></span></li> <li><span class="nowrap"><a href="/wiki/Windowbox_(filmmaking)" title="Windowbox (filmmaking)">Windowbox</a></span></li> <li><span class="nowrap"><a href="/wiki/Pan_and_scan" title="Pan and scan">Pan and scan</a></span> <ul><li><span class="nowrap"><a href="/wiki/Fullscreen_(aspect_ratio)" title="Fullscreen (aspect ratio)">Fullscreen</a></span></li></ul></li> <li><span class="nowrap"><a href="/wiki/Open_matte" title="Open matte">Open matte</a></span></li> <li><span class="nowrap"><a href="/wiki/Shoot_and_protect" title="Shoot and protect">Shoot and protect</a></span></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Todd-AO&oldid=1256838842">https://en.wikipedia.org/w/index.php?title=Todd-AO&oldid=1256838842</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Mass_media_companies_established_in_1953" title="Category:Mass media companies established in 1953">Mass media companies established in 1953</a></li><li><a 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