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La Dialectique de l'ironie et du lyrisme dans 'Alcools' et 'Calligrammes' de G. Apollinaire. Jacaret, Gilberte" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/127840716/Review_La_Dialectique_de_lironie_et_du_lyrisme_dans_Alcools_et_Calligrammes_de_G_Apollinaire_Jacaret_Gilberte">Review. La Dialectique de l'ironie et du lyrisme dans 'Alcools' et 'Calligrammes' de G. Apollinaire. Jacaret, Gilberte</a></div><div class="wp-workCard_item"><span>French Studies</span><span>, Jul 1, 1986</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127840716"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127840716"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127840716; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127840716]").text(description); $(".js-view-count[data-work-id=127840716]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127840716; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127840716']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=127840716]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127840716,"title":"Review. 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Followed by some notes on rese...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">An evocation of translation as process, and the voices discovered. 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Die Epochenschwelle von 1912 -- Guillaume Apollinaire: 'Zone' und 'Lundi Rue Christine'. Jauss, Hans Robert","internal_url":"https://www.academia.edu/125647901/Review_Die_Epochenschwelle_von_1912_Guillaume_Apollinaire_Zone_und_Lundi_Rue_Christine_Jauss_Hans_Robert","owner_id":247956356,"coauthors_can_edit":true,"owner":{"id":247956356,"first_name":"Timothy","middle_initials":null,"last_name":"Mathews","page_name":"TimothyMathews5","domain_name":"independent","created_at":"2022-11-30T09:06:30.361-08:00","display_name":"Timothy Mathews","url":"https://independent.academia.edu/TimothyMathews5"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125647900"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125647900/The_i_CounterText_i_Conversation_Notes_on_Agony_A_Dialogue"><img alt="Research paper thumbnail of The <i>CounterText</i> Conversation Notes on ‘Agony’: A Dialogue" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647900/The_i_CounterText_i_Conversation_Notes_on_Agony_A_Dialogue">The <i>CounterText</i> Conversation Notes on ‘Agony’: A Dialogue</a></div><div class="wp-workCard_item"><span>CounterText</span><span>, Apr 1, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Patrick ffrench and Timothy Mathews discuss the affective dimensions of the practice and art of t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Patrick ffrench and Timothy Mathews discuss the affective dimensions of the practice and art of translation, and of translating Barthes in particular, in the light of the latter’s translations from Fragments d’un discours amoureux, included in this issue. The problems posed by ‘Agony’, one of Barthes’ ‘fragments’ indebted to Donald Winnicott’s notion of the fear of a disaster that has already happened, is a salient preoccupation. This is the starting point for exchanges around the dynamics of translation, as a process in which love, loss, fascination, melancholy and rage flow in and out of the transitional space between the ‘original’ and its ‘version’.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647900"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647900"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647900; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125647900]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125647900,"title":"The \u003ci\u003eCounterText\u003c/i\u003e Conversation Notes on ‘Agony’: A Dialogue","internal_url":"https://www.academia.edu/125647900/The_i_CounterText_i_Conversation_Notes_on_Agony_A_Dialogue","owner_id":247956356,"coauthors_can_edit":true,"owner":{"id":247956356,"first_name":"Timothy","middle_initials":null,"last_name":"Mathews","page_name":"TimothyMathews5","domain_name":"independent","created_at":"2022-11-30T09:06:30.361-08:00","display_name":"Timothy Mathews","url":"https://independent.academia.edu/TimothyMathews5"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125647899"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125647899/A_Translators_Note_On_the_Voices_of_Love_or_Why_Translate_Roland_Barthes_Again"><img alt="Research paper thumbnail of A Translator's Note: On the Voices of Love or, Why Translate Roland Barthes Again?" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647899/A_Translators_Note_On_the_Voices_of_Love_or_Why_Translate_Roland_Barthes_Again">A Translator's Note: On the Voices of Love or, Why Translate Roland Barthes Again?</a></div><div class="wp-workCard_item"><span>CounterText</span><span>, Apr 1, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Timothy Mathews reflects upon the practice of translation and translating again, and on the speci...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Timothy Mathews reflects upon the practice of translation and translating again, and on the specific qualities of a consistent and renewed encounter with the text of Barthes Fragments of a Lover&#39;s Discourse. The affective dimensions and the critical implications of this encounter are foregrounded. Following the Note, he proposes new translations of a selection of ‘figures’ of the discourse of love as originally proposed by Roland Barthes in the work Fragments d’un discours amoureux (1977).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647899"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647899"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647899; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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By Jean H. Duffy" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647889/Perceiving_Dubuffet_Art_Embodiment_and_the_Viewer_By_Jean_H_Duffy">Perceiving Dubuffet: Art, Embodiment, and the Viewer. By Jean H. Duffy</a></div><div class="wp-workCard_item"><span>French Studies</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647889"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647889"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647889; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125647889]").text(description); $(".js-view-count[data-work-id=125647889]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125647889; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125647889']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125647889]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125647889,"title":"Perceiving Dubuffet: Art, Embodiment, and the Viewer. By Jean H. Duffy","internal_url":"https://www.academia.edu/125647889/Perceiving_Dubuffet_Art_Embodiment_and_the_Viewer_By_Jean_H_Duffy","owner_id":247956356,"coauthors_can_edit":true,"owner":{"id":247956356,"first_name":"Timothy","middle_initials":null,"last_name":"Mathews","page_name":"TimothyMathews5","domain_name":"independent","created_at":"2022-11-30T09:06:30.361-08:00","display_name":"Timothy Mathews","url":"https://independent.academia.edu/TimothyMathews5"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125647888"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125647888/Poetic_Biopolitics_Practices_of_Relation_in_Architecture_and_the_Arts"><img alt="Research paper thumbnail of Poetic Biopolitics: Practices of Relation in Architecture and the Arts" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647888/Poetic_Biopolitics_Practices_of_Relation_in_Architecture_and_the_Arts">Poetic Biopolitics: Practices of Relation in Architecture and the Arts</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Th is book examines poetic practices in the arts, and their power w explore the political and eth...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Th is book examines poetic practices in the arts, and their power w explore the political and ethical expressions of subjectivity and the environment. Its aim is to show how spatial, material and textual poetics and practices form affirmative ethical relations between people and places. The book brings poetics into proximity with critical theory and feminist philosophy. This involves the poetry of the visual and the performative as well as verse, and also the use of the dramatic voice in critical writing. Its chapters examine how complex expressions of our physical and psychic lives arc manifested in bodies, artefacts, dialogue, image, installation, performance and word, highlighting the value and efficacy of the poetic in facing the increasingly politicised future of culture and society.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647888"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647888"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647888; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125647888]").text(description); $(".js-view-count[data-work-id=125647888]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125647888; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125647888']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125647888]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125647888,"title":"Poetic Biopolitics: Practices of Relation in Architecture and the Arts","internal_url":"https://www.academia.edu/125647888/Poetic_Biopolitics_Practices_of_Relation_in_Architecture_and_the_Arts","owner_id":247956356,"coauthors_can_edit":true,"owner":{"id":247956356,"first_name":"Timothy","middle_initials":null,"last_name":"Mathews","page_name":"TimothyMathews5","domain_name":"independent","created_at":"2022-11-30T09:06:30.361-08:00","display_name":"Timothy Mathews","url":"https://independent.academia.edu/TimothyMathews5"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="17253353" id="papers"><div class="js-work-strip profile--work_container" data-work-id="127840716"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/127840716/Review_La_Dialectique_de_lironie_et_du_lyrisme_dans_Alcools_et_Calligrammes_de_G_Apollinaire_Jacaret_Gilberte"><img alt="Research paper thumbnail of Review. La Dialectique de l'ironie et du lyrisme dans 'Alcools' et 'Calligrammes' de G. Apollinaire. Jacaret, Gilberte" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/127840716/Review_La_Dialectique_de_lironie_et_du_lyrisme_dans_Alcools_et_Calligrammes_de_G_Apollinaire_Jacaret_Gilberte">Review. La Dialectique de l'ironie et du lyrisme dans 'Alcools' et 'Calligrammes' de G. Apollinaire. 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Followed by some notes on rese...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">An evocation of translation as process, and the voices discovered. 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Edited by Charlie Louth and Patrick McGuinness","internal_url":"https://www.academia.edu/125647912/Gravity_and_Grace_Essays_for_Roger_Pearson_Edited_by_Charlie_Louth_and_Patrick_McGuinness","owner_id":247956356,"coauthors_can_edit":true,"owner":{"id":247956356,"first_name":"Timothy","middle_initials":null,"last_name":"Mathews","page_name":"TimothyMathews5","domain_name":"independent","created_at":"2022-11-30T09:06:30.361-08:00","display_name":"Timothy Mathews","url":"https://independent.academia.edu/TimothyMathews5"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125647909"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125647909/Tradition_Translation_Trauma"><img alt="Research paper thumbnail of Tradition, Translation, Trauma" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647909/Tradition_Translation_Trauma">Tradition, Translation, Trauma</a></div><div class="wp-workCard_item"><span>Oxford University Press eBooks</span><span>, Jun 30, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">I. HANDING ON, MAKING ANEW, REFUSING THE CLASSIC II. MODERNITY AND ITS PRICE: NOSTALGIA AND THE C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">I. HANDING ON, MAKING ANEW, REFUSING THE CLASSIC II. MODERNITY AND ITS PRICE: NOSTALGIA AND THE CLASSIC III. 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Die Epochenschwelle von 1912 -- Guillaume Apollinaire: 'Zone' und 'Lundi Rue Christine'. Jauss, Hans Robert" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647901/Review_Die_Epochenschwelle_von_1912_Guillaume_Apollinaire_Zone_und_Lundi_Rue_Christine_Jauss_Hans_Robert">Review. Die Epochenschwelle von 1912 -- Guillaume Apollinaire: 'Zone' und 'Lundi Rue Christine'. Jauss, Hans Robert</a></div><div class="wp-workCard_item"><span>French Studies</span><span>, Apr 1, 1988</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647901"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647901"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647901; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125647901]").text(description); $(".js-view-count[data-work-id=125647901]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125647901; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125647901']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125647901]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125647901,"title":"Review. Die Epochenschwelle von 1912 -- Guillaume Apollinaire: 'Zone' und 'Lundi Rue Christine'. Jauss, Hans Robert","internal_url":"https://www.academia.edu/125647901/Review_Die_Epochenschwelle_von_1912_Guillaume_Apollinaire_Zone_und_Lundi_Rue_Christine_Jauss_Hans_Robert","owner_id":247956356,"coauthors_can_edit":true,"owner":{"id":247956356,"first_name":"Timothy","middle_initials":null,"last_name":"Mathews","page_name":"TimothyMathews5","domain_name":"independent","created_at":"2022-11-30T09:06:30.361-08:00","display_name":"Timothy Mathews","url":"https://independent.academia.edu/TimothyMathews5"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125647900"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125647900/The_i_CounterText_i_Conversation_Notes_on_Agony_A_Dialogue"><img alt="Research paper thumbnail of The <i>CounterText</i> Conversation Notes on ‘Agony’: A Dialogue" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647900/The_i_CounterText_i_Conversation_Notes_on_Agony_A_Dialogue">The <i>CounterText</i> Conversation Notes on ‘Agony’: A Dialogue</a></div><div class="wp-workCard_item"><span>CounterText</span><span>, Apr 1, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Patrick ffrench and Timothy Mathews discuss the affective dimensions of the practice and art of t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Patrick ffrench and Timothy Mathews discuss the affective dimensions of the practice and art of translation, and of translating Barthes in particular, in the light of the latter’s translations from Fragments d’un discours amoureux, included in this issue. The problems posed by ‘Agony’, one of Barthes’ ‘fragments’ indebted to Donald Winnicott’s notion of the fear of a disaster that has already happened, is a salient preoccupation. This is the starting point for exchanges around the dynamics of translation, as a process in which love, loss, fascination, melancholy and rage flow in and out of the transitional space between the ‘original’ and its ‘version’.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647900"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647900"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647900; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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The affective dimensions and the critical implications of this encounter are foregrounded. Following the Note, he proposes new translations of a selection of ‘figures’ of the discourse of love as originally proposed by Roland Barthes in the work Fragments d’un discours amoureux (1977).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647899"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647899"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647899; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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By Jean H. Duffy" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125647889/Perceiving_Dubuffet_Art_Embodiment_and_the_Viewer_By_Jean_H_Duffy">Perceiving Dubuffet: Art, Embodiment, and the Viewer. By Jean H. Duffy</a></div><div class="wp-workCard_item"><span>French Studies</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125647889"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125647889"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125647889; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125647889]").text(description); $(".js-view-count[data-work-id=125647889]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125647889; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125647889']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125647889]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125647889,"title":"Perceiving Dubuffet: Art, Embodiment, and the Viewer. 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Its aim is to show how spatial, material and textual poetics and practices form affirmative ethical relations between people and places. The book brings poetics into proximity with critical theory and feminist philosophy. This involves the poetry of the visual and the performative as well as verse, and also the use of the dramatic voice in critical writing. 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