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Auger</h3></div><div class="js-work-strip profile--work_container" data-work-id="70449129"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70449129/Tarot_and_Other_Meditation_Decks_Second_Edition_2023_"><img alt="Research paper thumbnail of Tarot and Other Meditation Decks, Second Edition (2023)" class="work-thumbnail" src="https://attachments.academia-assets.com/80197783/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70449129/Tarot_and_Other_Meditation_Decks_Second_Edition_2023_">Tarot and Other Meditation Decks, Second Edition (2023)</a></div><div class="wp-workCard_item"><span>Tarot and Other Meditation Decks, Second Edition</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Arthur E. Waite and artist Pamela Colman Smith’s Rider-Waite Tarot (1909) is the most popular Tar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Arthur E. Waite and artist Pamela Colman Smith’s Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith’s contributions. Waite and Smith’s deck has become the gold standard for identifying, categorizing, and analyzing <br />contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. Updated for an evolving cultural context, this analysis considers Tarot in relation to conventional art movements, including Symbolism, Surrealism, and the modernist “grid.” Tarot has a strong relationship with post-modern art con- cepts such as the dissolution of the modernist hierarchy, Pattern and Decoration art, and collage. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction and a new chapter on the growing interest in the archetypal “shadow” and “shadow work,” particularly in deck design and its applications in the new millennium. <br /> <br />The new edition is now available from the publisher and on amazon.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f688375b507e305df3c491d8f0e9fd8a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80197783,"asset_id":70449129,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80197783/download_file?st=MTczMzkyMTI3MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70449129"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70449129"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70449129; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70449129]").text(description); $(".js-view-count[data-work-id=70449129]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70449129; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70449129']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 70449129, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f688375b507e305df3c491d8f0e9fd8a" } } $('.js-work-strip[data-work-id=70449129]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70449129,"title":"Tarot and Other Meditation Decks, Second Edition (2023)","translated_title":"","metadata":{"abstract":"Arthur E. Waite and artist Pamela Colman Smith’s Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith’s contributions. Waite and Smith’s deck has become the gold standard for identifying, categorizing, and analyzing\r\ncontemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. Updated for an evolving cultural context, this analysis considers Tarot in relation to conventional art movements, including Symbolism, Surrealism, and the modernist “grid.” Tarot has a strong relationship with post-modern art con- cepts such as the dissolution of the modernist hierarchy, Pattern and Decoration art, and collage. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction and a new chapter on the growing interest in the archetypal “shadow” and “shadow work,” particularly in deck design and its applications in the new millennium.\r\n\r\nThe new edition is now available from the publisher and on amazon. ","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Tarot and Other Meditation Decks, Second Edition"},"translated_abstract":"Arthur E. Waite and artist Pamela Colman Smith’s Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith’s contributions. Waite and Smith’s deck has become the gold standard for identifying, categorizing, and analyzing\r\ncontemporary Tarot and other meditation decks based on archetypes. 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It is a companion volume to Cartomancy and Tarot in Film 1940-2010 (Intellect, 2016).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="797b47afa38492311dfa4f522ff78bc7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43661272,"asset_id":23175725,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43661272/download_file?st=MTczMzkyMTI3MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23175725"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23175725"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23175725; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23175725]").text(description); $(".js-view-count[data-work-id=23175725]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23175725; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23175725']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 23175725, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "797b47afa38492311dfa4f522ff78bc7" } } $('.js-work-strip[data-work-id=23175725]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23175725,"title":"A Filmography of Cartomancy and Tarot 1940–2010","translated_title":"","metadata":{"abstract":"This 410 page filmography includes entries for 199 films incorporating cartomancy and/or Tarot scenes, b/w illustrations from over 30 cartomancy decks, numerous charts showing the cartomancy spreads used in specific films, and an index of the cross-listings between films. 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Discussion chapters address the history of the cards, with special note taken of those that make film appearances, the role of cartomancy scenes in film, and also the attributes and qualities associated with filmic cartomancers. The longest chapter addresses the traditional and revised meanings assigned to the Tarot trumps and Fool in film contexts.<br /><br />Cartomancy and Tarot in Film 1940-2010 is now available for purchase from Intellect, UK, and various on-line distributors.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f54ffb833caef6dba2c6c060dd54447c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40926603,"asset_id":19943460,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40926603/download_file?st=MTczMzkyMTI3MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19943460"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19943460"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19943460; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19943460]").text(description); $(".js-view-count[data-work-id=19943460]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19943460; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19943460']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19943460, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f54ffb833caef6dba2c6c060dd54447c" } } $('.js-work-strip[data-work-id=19943460]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19943460,"title":"Cartomancy and Tarot in Film 1940-2010","translated_title":"","metadata":{"abstract":"I have cataloged almost 200 films incorporating cartomancy scenes, including 150 with Tarot trumps (and/or the Fool). 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The longest chapter addresses the traditional and revised meanings assigned to the Tarot trumps and Fool in film contexts.\n\nCartomancy and Tarot in Film 1940-2010 is now available for purchase from Intellect, UK, and various on-line distributors.","internal_url":"https://www.academia.edu/19943460/Cartomancy_and_Tarot_in_Film_1940_2010","translated_internal_url":"","created_at":"2016-01-01T08:09:34.821-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":376261,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":40926603,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/40926603/thumbnails/1.jpg","file_name":"cartomancy3half-reduced.jpg.pdf","download_url":"https://www.academia.edu/attachments/40926603/download_file?st=MTczMzkyMTI3MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Cartomancy_and_Tarot_in_Film_1940_2010.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/40926603/cartomancy3half-reduced.jpg-libre.pdf?1451664383=\u0026response-content-disposition=attachment%3B+filename%3DCartomancy_and_Tarot_in_Film_1940_2010.pdf\u0026Expires=1733871574\u0026Signature=d~jkpMAN1cMKWQEoALu67FqfDPxaEIVRMI8LjZGrqII8bOvzvwpJ-Vn6x2bpPlWc6fjwkgQHdkjV7iOxN7iXIYhrCBM3zyodcK2M5wuSri-98LzTjQ3jK6f4tU5A9CISkAE7BQ9tYXKdky5C3rlu4HLQBx0~GIaAu5qisqTFpFWHNO2O~bbcJoVfFLhezAnUij~OI-~csAd3C1qtJ4bOiMHetkPR60zzvPx1U3lCMPdfHFOeFhsdRwSBxZkw6vNKTTM13xJa276v69jPIMJZYyPG5yCk4c7XThcpXz7kIcnuzPgXFmUWfu-ARutaZFeHMxGZ8RsX5FCp9JySNsTE2Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Cartomancy_and_Tarot_in_Film_1940_2010","translated_slug":"","page_count":1,"language":"en","content_type":"Work","summary":"I have cataloged almost 200 films incorporating cartomancy scenes, including 150 with Tarot trumps (and/or the Fool). 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They often expose the temporal nature of concepts of identity and society: rather than being fixed aspects of a permanent and indestructible “nature,” these concepts, like nature itself, are shown as mere parts of a larger simulacrum that is subject to change, exploitation, and even annihilation. Yet, even as tech-noir films present the mirror that reveals us to be as expendable and replaceable as any consumer product, they simultaneously affirm conventional beliefs and values – as do all popular genres."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="07cf225efe5ac62cae58a796f4e7c215" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43662074,"asset_id":490556,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43662074/download_file?st=MTczMzkyMTI3MSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="490556"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="490556"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 490556; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=490556]").text(description); $(".js-view-count[data-work-id=490556]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 490556; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='490556']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 490556, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "07cf225efe5ac62cae58a796f4e7c215" } } $('.js-work-strip[data-work-id=490556]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":490556,"title":"Tech-Noir Film: A Theory of the Development of Popular Genres","translated_title":"","metadata":{"abstract":"\"Excerpt from the Introduction:\r\n\r\nTech-noir films are about technology perceived as a destructive and dystopian force that threatens every aspect of our reality. 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Yet, even as tech-noir films present the mirror that reveals us to be as expendable and replaceable as any consumer product, they simultaneously affirm conventional beliefs and values – as do all popular genres.\"","internal_url":"https://www.academia.edu/490556/Tech_Noir_Film_A_Theory_of_the_Development_of_Popular_Genres","translated_internal_url":"","created_at":"2011-03-25T03:55:31.052-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":376261,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":43662074,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43662074/thumbnails/1.jpg","file_name":"TechNoirFilm-Mar12-2016.pdf","download_url":"https://www.academia.edu/attachments/43662074/download_file?st=MTczMzkyMTI3MSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Tech_Noir_Film_A_Theory_of_the_Developme.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43662074/TechNoirFilm-Mar12-2016-libre.pdf?1457808947=\u0026response-content-disposition=attachment%3B+filename%3DTech_Noir_Film_A_Theory_of_the_Developme.pdf\u0026Expires=1733911439\u0026Signature=dlTM7N00ukcMUgbfzd2~Lw8BafPaAn~fl27LcYBYMn9w4x5jHGVJDK0lr~3dc75Wiib-w3hX5wpKwLa44EY83IasuXUFywL3LqLa2GSn2NY7sTb9wRnZea4ADlxoZhtBiSReM9Az6unJpvMfYtPAd7TDm2x8G8DAcyv-epKiyMlIESFQ1o5hoaMyeJG8PfpsG4Oaqj5VehBBttE9k9QLPDBmaLkVbGaK3vKE8FlLUpoa5BFneppOmhnp-DFy~Xe-0n3zkoWWKlJvC6kxo1viObHTTgMtOgaWI666w-LcQ1rnmoZP39OG0Z0zl7VJ0qp3FAFGA4lFm56ZUtOcxdvXaQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Tech_Noir_Film_A_Theory_of_the_Development_of_Popular_Genres","translated_slug":"","page_count":1,"language":"en","content_type":"Work","summary":"\"Excerpt from the Introduction:\r\n\r\nTech-noir films are about technology perceived as a destructive and dystopian force that threatens every aspect of our reality. 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Over the twenty-some years I have pondered this art I have had frequent occasion to wonder at the apparent disparity between the relative simplicity of its forms and the extraordinary depth of interest those forms generate in myself and others; thus, in this book I dwell at length on matters of context and interpretation, such as shamanism, modernism, postmodernism, primitivism, and so forth, as explanations for why these forms, so far removed from the generative expanse in which they came to be, hold the imagination.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cb109a09196250e20e23fecd76d36b0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43661995,"asset_id":490410,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43661995/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="490410"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="490410"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 490410; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=490410]").text(description); $(".js-view-count[data-work-id=490410]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 490410; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='490410']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 490410, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6cb109a09196250e20e23fecd76d36b0" } } $('.js-work-strip[data-work-id=490410]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":490410,"title":"The Way of Inuit Art: Aesthetics and History in and Beyond the Arctic","translated_title":"","metadata":{"abstract":"Excerpt from the Preface:\n\nAs a student of history in art, I initially became intrigued with prehistoric Inuit art as evidence of the diffusion of motifs and cultural practices, particularly those related to shamanism, in the circumpolar and circumpacific regions, and for its possible connection to the Paleolithic; later, I explored the ways in which contemporary Inuit art demonstrates cultural influences and has, in turn, influenced both non-Inuit artists and scholars. Over the twenty-some years I have pondered this art I have had frequent occasion to wonder at the apparent disparity between the relative simplicity of its forms and the extraordinary depth of interest those forms generate in myself and others; thus, in this book I dwell at length on matters of context and interpretation, such as shamanism, modernism, postmodernism, primitivism, and so forth, as explanations for why these forms, so far removed from the generative expanse in which they came to be, hold the imagination."},"translated_abstract":"Excerpt from the Preface:\n\nAs a student of history in art, I initially became intrigued with prehistoric Inuit art as evidence of the diffusion of motifs and cultural practices, particularly those related to shamanism, in the circumpolar and circumpacific regions, and for its possible connection to the Paleolithic; later, I explored the ways in which contemporary Inuit art demonstrates cultural influences and has, in turn, influenced both non-Inuit artists and scholars. Over the twenty-some years I have pondered this art I have had frequent occasion to wonder at the apparent disparity between the relative simplicity of its forms and the extraordinary depth of interest those forms generate in myself and others; thus, in this book I dwell at length on matters of context and interpretation, such as shamanism, modernism, postmodernism, primitivism, and so forth, as explanations for why these forms, so far removed from the generative expanse in which they came to be, hold the imagination.","internal_url":"https://www.academia.edu/490410/The_Way_of_Inuit_Art_Aesthetics_and_History_in_and_Beyond_the_Arctic","translated_internal_url":"","created_at":"2011-03-25T03:08:32.393-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":376261,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":43661995,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43661995/thumbnails/1.jpg","file_name":"WayofInuitArt-Mar12-2016.pdf","download_url":"https://www.academia.edu/attachments/43661995/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"The_Way_of_Inuit_Art_Aesthetics_and_Hist.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43661995/WayofInuitArt-Mar12-2016-libre.pdf?1457808956=\u0026response-content-disposition=attachment%3B+filename%3DThe_Way_of_Inuit_Art_Aesthetics_and_Hist.pdf\u0026Expires=1733911439\u0026Signature=WAgtrvNvc4Fm12RiTVTiu6Djh-Bjw71-k7frakEPHZ6NHPE5BebGDuMWfxHs1c0~1vIaIKUlRYEnzoXpF9BYsPPC7AfdGe7sVrRngfMwtdvwOW69OZ6c9Aezg7-l2~QrRW4Si2jyL~9ZvA-1v4uqcAqfHonaY-HAYKH2sW1TF3OkO6DwuKQXLt0ceSplaEA-dfbMh4F24Rghn5BXWrGtYZqmSU2Mci9yoVEGSQ6jnUVBNPclqOI2J5o5qhB2W3xtyzNYlOtJYE-~cScokGQnsfE6J6RxGOV1-ZMdkrPfOW0sZRrCgRr9fl~7d8gMszkkE2dqtiGkYRVr-jukqTmqEA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"The_Way_of_Inuit_Art_Aesthetics_and_History_in_and_Beyond_the_Arctic","translated_slug":"","page_count":1,"language":"en","content_type":"Work","summary":"Excerpt from the Preface:\n\nAs a student of history in art, I initially became intrigued with prehistoric Inuit art as evidence of the diffusion of motifs and cultural practices, particularly those related to shamanism, in the circumpolar and circumpacific regions, and for its possible connection to the Paleolithic; later, I explored the ways in which contemporary Inuit art demonstrates cultural influences and has, in turn, influenced both non-Inuit artists and scholars. 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I became intrigued by the idea that the recent revisions of Ta...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Excerpts from the Preface: <br /> <br />... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian "space" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity. <br /> <br />... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="15c2b83f6bf4d980851591b4f35635e0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43661989,"asset_id":490407,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43661989/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="490407"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="490407"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 490407; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=490407]").text(description); $(".js-view-count[data-work-id=490407]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 490407; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='490407']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 490407, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "15c2b83f6bf4d980851591b4f35635e0" } } $('.js-work-strip[data-work-id=490407]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":490407,"title":"Tarot and Other Meditation Decks: History, Theory, Aesthetics, Typology","translated_title":"","metadata":{"abstract":"\"Excerpts from the Preface:\r\n\r\n... 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Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity.\r\n\r\n... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world.\""},"translated_abstract":"\"Excerpts from the Preface:\r\n\r\n... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian \"space\" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity.\r\n\r\n... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world.\"","internal_url":"https://www.academia.edu/490407/Tarot_and_Other_Meditation_Decks_History_Theory_Aesthetics_Typology","translated_internal_url":"","created_at":"2011-03-25T03:07:16.533-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":376261,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":43661989,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43661989/thumbnails/1.jpg","file_name":"TarotMeditation-Mar12-2016.pdf","download_url":"https://www.academia.edu/attachments/43661989/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Tarot_and_Other_Meditation_Decks_History.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43661989/TarotMeditation-Mar12-2016-libre.pdf?1457808956=\u0026response-content-disposition=attachment%3B+filename%3DTarot_and_Other_Meditation_Decks_History.pdf\u0026Expires=1733911439\u0026Signature=AGpMsM2zjXA4ubJflGQPzyrf3a0QFscMAEQA0TXdeUo3kllPhknu5Qa~CXOcnHCRBO88tUROCoOPLErXNHunZE-sbAbr6AEQzgkTJvwR0M1FamRVajXYAOI9XQTZQv~KWV1FyGsDNscy4-Gy0m72Tl7DLbkdS2KIwQTxirzgT-s1Tg572z4eURMupgdKZN8frqiM5M9qntWM3RMPL2AE0SgVxUmCqY3MRUWDx9WXZwCIQl8PDJv1MdVuTLYbz7bib9i7DXyxWKnci7G1MvDo0zngSxIYfS-7H1SH4oQGvqaGHl1X~h9YgI5KXqWGRT2PnXiQIuO3HYC4FraiyzLmNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Tarot_and_Other_Meditation_Decks_History_Theory_Aesthetics_Typology","translated_slug":"","page_count":1,"language":"en","content_type":"Work","summary":"\"Excerpts from the Preface:\r\n\r\n... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian \"space\" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity.\r\n\r\n... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world.\"","owner":{"id":376261,"first_name":"Emily E.","middle_initials":null,"last_name":"Auger","page_name":"EmilyEAuger","domain_name":"independent","created_at":"2011-03-25T02:48:53.706-07:00","display_name":"Emily E. 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Auger</h3></div><div class="js-work-strip profile--work_container" data-work-id="102400123"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102400123/Alchemy_in_the_Tarot_Temperance_Card"><img alt="Research paper thumbnail of Alchemy in the Tarot Temperance Card" class="work-thumbnail" src="https://attachments.academia-assets.com/102681074/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102400123/Alchemy_in_the_Tarot_Temperance_Card">Alchemy in the Tarot Temperance Card</a></div><div class="wp-workCard_item"><span>Coreopsis</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance card. <br />Note: I've uploaded the table of contents to the special issue of Coreopsis 10.2 (Autumn 2022) titled Moon in a Sacred Tree: The Symbology of Tarot and Alchemy. Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ad42f9083696e87f5cea37c7e96a8457" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102681074,"asset_id":102400123,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102681074/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102400123"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102400123"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102400123; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102400123]").text(description); $(".js-view-count[data-work-id=102400123]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102400123; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102400123']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102400123, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ad42f9083696e87f5cea37c7e96a8457" } } $('.js-work-strip[data-work-id=102400123]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102400123,"title":"Alchemy in the Tarot Temperance Card","translated_title":"","metadata":{"abstract":"A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance card. \nNote: I've uploaded the table of contents to the special issue of Coreopsis 10.2 (Autumn 2022) titled Moon in a Sacred Tree: The Symbology of Tarot and Alchemy. Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue. ","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Coreopsis"},"translated_abstract":"A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance card. \nNote: I've uploaded the table of contents to the special issue of Coreopsis 10.2 (Autumn 2022) titled Moon in a Sacred Tree: The Symbology of Tarot and Alchemy. Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue. 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Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue. ","owner":{"id":376261,"first_name":"Emily E.","middle_initials":null,"last_name":"Auger","page_name":"EmilyEAuger","domain_name":"independent","created_at":"2011-03-25T02:48:53.706-07:00","display_name":"Emily E. 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Mythlore 38.2 (Spring/Summer 2020): 139-61." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/49463505/An_Annotated_List_of_Fantasy_Novels_Incorporating_Tarot_1990_2005_Mythlore_38_2_Spring_Summer_2020_139_61">An Annotated List of Fantasy Novels Incorporating Tarot (1990-2005). Mythlore 38.2 (Spring/Summer 2020): 139-61.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This annotated list of books from 1990 through 2005 continues the bibliography in Mythlore 36.2 (...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This annotated list of books from 1990 through 2005 continues the bibliography in Mythlore 36.2 (Spring-Summer 2018) and includes abstracts for each novel or series and some card layout diagrams. <br />Open-Access at the link <a href="https://dc.swosu.edu/mythlore/vol38/iss2/12/" rel="nofollow">https://dc.swosu.edu/mythlore/vol38/iss2/12/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49463505"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49463505"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49463505; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49463505]").text(description); $(".js-view-count[data-work-id=49463505]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49463505; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49463505']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49463505, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=49463505]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49463505,"title":"An Annotated List of Fantasy Novels Incorporating Tarot (1990-2005). 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Mythlore 36.2 (Spring/Summer 2018): 162-64" class="work-thumbnail" src="https://attachments.academia-assets.com/102691830/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49463384/Editorial_Divination_and_Prophecy_in_Mythopoeic_Fantasy_Mythlore_36_2_Spring_Summer_2018_162_64">Editorial: Divination and Prophecy in Mythopoeic Fantasy. Mythlore 36.2 (Spring/Summer 2018): 162-64</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">IVINATION, PROPHECY, AND OTHER KINDS OF PROGNOSTICATION have long played an important role in myt...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">IVINATION, PROPHECY, AND OTHER KINDS OF PROGNOSTICATION have long played an important role in mythopoeic literature, often in conjunction with characters seeking the truth behind some obscure situation, as well as information about the future. Galadriel and her mirror in J.R.R. Tolkien's The Fellowship of the Ring (1954), the Happy Medium and her crystal ball in Madeleine L'Engle's A Wrinkle in Time (1962), Igneous Cutwell and his Caroc cards in Terry Pratchett's Mort (1983), the Weirdin rediscovered by Sara Kendell in Charles de Lint's Moonheart (1984), and Lyra Silvertongue and her alethiometer in Phillip Pullman's The Golden Compass (1995), are just a few of many characters who future-or truth-tell with the aid of a tool. Prophets may sometimes be distinguished by their lack of reliance on such external devices. For example, in C.S. Lewis's The Horse and His Boy (1954), a centaur prophesies that Cor will one day save Archenland. However, prophecies are often disassociated from their source and dependent on folklore for transmission, as for instance, is that recounted by Mr. Beaver in The Lion, the Witch and the Wardrobe (1950) about the sons of Adam and daughters of Eve sitting on the thrones of Cair Paravel. Distinctions between types of prognosticators or the nature of their work may become unclear if the practitioner takes more than one approach. For example, in J.K. Rowling's Harry Potter and the Order of the Phoenix (2003), Sybill Trelawney goes into a trance and prophesies that a boy will defeat Voldemort, but she also uses crystal balls, tea leaves, and cards to inspire her second sight-she draws the Tower prior to Dumbledore's fall in Harry Potter and the Half-Blood Prince (2005). In addition, future-tellings of all kinds tend to be vague and fragmentary: as the succubus tells Roland in Stephen King's The Gunslinger (1982): "We see in part, and thus is the mirror of prophecy darkened" (182). Future-tellers and their pronouncements are often not well received or taken seriously. Even the predictions of no less a magician than Merlin were made the butt of one of Shakespeare's jokes in King Lear. Not only is this historical play set centuries before Merlin is said to have lived, but the Fool pretending to prophesy Merlin's prophecy recasts the content so that the lines make little sense, except as parody.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="81e163407825365e1455f7444eb6ddb1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691830,"asset_id":49463384,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691830/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49463384"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49463384"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49463384; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49463384]").text(description); $(".js-view-count[data-work-id=49463384]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49463384; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49463384']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49463384, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "81e163407825365e1455f7444eb6ddb1" } } $('.js-work-strip[data-work-id=49463384]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49463384,"title":"Editorial: Divination and Prophecy in Mythopoeic Fantasy. 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Lewis's The Horse and His Boy (1954), a centaur prophesies that Cor will one day save Archenland. However, prophecies are often disassociated from their source and dependent on folklore for transmission, as for instance, is that recounted by Mr. Beaver in The Lion, the Witch and the Wardrobe (1950) about the sons of Adam and daughters of Eve sitting on the thrones of Cair Paravel. Distinctions between types of prognosticators or the nature of their work may become unclear if the practitioner takes more than one approach. For example, in J.K. Rowling's Harry Potter and the Order of the Phoenix (2003), Sybill Trelawney goes into a trance and prophesies that a boy will defeat Voldemort, but she also uses crystal balls, tea leaves, and cards to inspire her second sight-she draws the Tower prior to Dumbledore's fall in Harry Potter and the Half-Blood Prince (2005). In addition, future-tellings of all kinds tend to be vague and fragmentary: as the succubus tells Roland in Stephen King's The Gunslinger (1982): \"We see in part, and thus is the mirror of prophecy darkened\" (182). Future-tellers and their pronouncements are often not well received or taken seriously. Even the predictions of no less a magician than Merlin were made the butt of one of Shakespeare's jokes in King Lear. 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Galadriel and her mirror in J.R.R. Tolkien's The Fellowship of the Ring (1954), the Happy Medium and her crystal ball in Madeleine L'Engle's A Wrinkle in Time (1962), Igneous Cutwell and his Caroc cards in Terry Pratchett's Mort (1983), the Weirdin rediscovered by Sara Kendell in Charles de Lint's Moonheart (1984), and Lyra Silvertongue and her alethiometer in Phillip Pullman's The Golden Compass (1995), are just a few of many characters who future-or truth-tell with the aid of a tool. Prophets may sometimes be distinguished by their lack of reliance on such external devices. For example, in C.S. Lewis's The Horse and His Boy (1954), a centaur prophesies that Cor will one day save Archenland. However, prophecies are often disassociated from their source and dependent on folklore for transmission, as for instance, is that recounted by Mr. Beaver in The Lion, the Witch and the Wardrobe (1950) about the sons of Adam and daughters of Eve sitting on the thrones of Cair Paravel. Distinctions between types of prognosticators or the nature of their work may become unclear if the practitioner takes more than one approach. For example, in J.K. Rowling's Harry Potter and the Order of the Phoenix (2003), Sybill Trelawney goes into a trance and prophesies that a boy will defeat Voldemort, but she also uses crystal balls, tea leaves, and cards to inspire her second sight-she draws the Tower prior to Dumbledore's fall in Harry Potter and the Half-Blood Prince (2005). In addition, future-tellings of all kinds tend to be vague and fragmentary: as the succubus tells Roland in Stephen King's The Gunslinger (1982): \"We see in part, and thus is the mirror of prophecy darkened\" (182). Future-tellers and their pronouncements are often not well received or taken seriously. Even the predictions of no less a magician than Merlin were made the butt of one of Shakespeare's jokes in King Lear. Not only is this historical play set centuries before Merlin is said to have lived, but the Fool pretending to prophesy Merlin's prophecy recasts the content so that the lines make little sense, except as parody.","owner":{"id":376261,"first_name":"Emily E.","middle_initials":null,"last_name":"Auger","page_name":"EmilyEAuger","domain_name":"independent","created_at":"2011-03-25T02:48:53.706-07:00","display_name":"Emily E. 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Mythlore 36.2 (Spring/Summer 2018): 185-213." class="work-thumbnail" src="https://attachments.academia-assets.com/67808608/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49463151/An_Annotated_List_of_Fantasy_Novels_Incorporating_Tarot_1968_1989_Mythlore_36_2_Spring_Summer_2018_185_213">An Annotated List of Fantasy Novels Incorporating Tarot (1968-1989). Mythlore 36.2 (Spring/Summer 2018): 185-213.</a></div><div class="wp-workCard_item"><span>Mythlore 36.2</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This selective list includes abstracts of each novel or series and how the author incorporates th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This selective list includes abstracts of each novel or series and how the author incorporates the Tarot or Tarot imagery. <br />Open access copy available at the link <a href="https://dc.swosu.edu/mythlore/vol36/iss2/24/" rel="nofollow">https://dc.swosu.edu/mythlore/vol36/iss2/24/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e49c886cec8f64e8f1afcc4b1d07ed1d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67808608,"asset_id":49463151,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67808608/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49463151"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49463151"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49463151; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49463151]").text(description); $(".js-view-count[data-work-id=49463151]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49463151; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49463151']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49463151, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e49c886cec8f64e8f1afcc4b1d07ed1d" } } $('.js-work-strip[data-work-id=49463151]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49463151,"title":"An Annotated List of Fantasy Novels Incorporating Tarot (1968-1989). 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Eliot in Stephen King's Dark Tower Novels." Mythlore 36.2 (Spring/Summer 2018): 185–213." class="work-thumbnail" src="https://attachments.academia-assets.com/102691772/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38444402/_Tarot_and_T_S_Eliot_in_Stephen_Kings_Dark_Tower_Novels_Mythlore_36_2_Spring_Summer_2018_185_213">"Tarot and T.S. Eliot in Stephen King's Dark Tower Novels." Mythlore 36.2 (Spring/Summer 2018): 185–213.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and other mythologies and legends, as well as the works of more contemporary authors who derived inspiration from similar sources. This paper explores King's use of Tarot motifs in the Dark Tower series with attention to similarities and parallels to the presentation of Tarot in T.S. Eliot's The Waste Land. King’s central character Roland, whose cards are read by his nemesis, has the satisfaction of knowing when the cartomancer is dead and of saving multiple universes, but then discovers that he is doomed to keep saving those universes over and over again. <br />Open Access at the link</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="93af510db19824cf61a57018981c410a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691772,"asset_id":38444402,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691772/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38444402"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38444402"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38444402; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38444402]").text(description); $(".js-view-count[data-work-id=38444402]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38444402; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38444402']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38444402, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "93af510db19824cf61a57018981c410a" } } $('.js-work-strip[data-work-id=38444402]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38444402,"title":"\"Tarot and T.S. 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King’s central character Roland, whose cards are read by his nemesis, has the satisfaction of knowing when the cartomancer is dead and of saving multiple universes, but then discovers that he is doomed to keep saving those universes over and over again.\r\nOpen Access at the link\r\n\r\n\r\n","page_numbers":"185-213","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Mythlore"},"translated_abstract":"Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and other mythologies and legends, as well as the works of more contemporary authors who derived inspiration from similar sources. This paper explores King's use of Tarot motifs in the Dark Tower series with attention to similarities and parallels to the presentation of Tarot in T.S. Eliot's The Waste Land. 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R. R. Tolkien expressed his opinion that “in human art fantasy is a thing best left to wo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When J. R. R. Tolkien expressed his opinion that “in human art fantasy is a thing best left to words, to true literature,” he had no idea what an inspiration The Lord of the Rings would be to artists ranging from book illustrator Alan Lee to film director Peter Jackson to Tarot artist Peter Pracownik. In this paper I consider the adaptation of Tolkien to Tarot in Pracownik and writer Terry Donaldson’s deck with special atten- tion to the features shared by The Lord of the Rings and Tarot, including the quest, alle- gorical or archetypal characters, and interlaced narrative structure.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="df0c389dd4924ac2e8e2b9506e4ae386" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691630,"asset_id":712236,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691630/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="712236"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="712236"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 712236; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=712236]").text(description); $(".js-view-count[data-work-id=712236]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 712236; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='712236']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 712236, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "df0c389dd4924ac2e8e2b9506e4ae386" } } $('.js-work-strip[data-work-id=712236]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":712236,"title":"The Lord of the Rings Interlace: From Tolkien to Tarot","translated_title":"","metadata":{"issue":"3","volume":"19","abstract":"When J. 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Tolkien","url":"https://www.academia.edu/Documents/in/J._R._R._Tolkien"},{"id":22390,"name":"Tarots (Art)","url":"https://www.academia.edu/Documents/in/Tarots_Art_"},{"id":22394,"name":"Tarot","url":"https://www.academia.edu/Documents/in/Tarot"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="712235"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/712235/The_Lord_of_the_Rings_Interlace_Tolkiens_Narrative_and_Lees_Illustrations"><img alt="Research paper thumbnail of The Lord of the Rings Interlace: Tolkien's Narrative and Lee's Illustrations" class="work-thumbnail" src="https://attachments.academia-assets.com/102691539/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/712235/The_Lord_of_the_Rings_Interlace_Tolkiens_Narrative_and_Lees_Illustrations">The Lord of the Rings Interlace: Tolkien's Narrative and Lee's Illustrations</a></div><div class="wp-workCard_item"><span>Journal of the Fantastic in the Arts</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tolkien reinvented the medieval "romance," complete with archetypal characters, quest theme, and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tolkien reinvented the medieval "romance," complete with archetypal characters, quest theme, and interlaced narrative structure, when he wrote The Lord of the Rings and, in doing so, he became a principal founder of the modern literary genre of fantasy and inspiration to a wide range of fantasy art. Tolkien identified the romance with the fairy story, referring to such as the "true fairy story (or romance)" (Tolkien, "On Fairy-stories" 87). Furthermore, he understood Faërie to be a place or state containing, along with fairies, "dwarves, witches, trolls, giants, or dragons," and all the other elements, plants, and things that make up that place or state. Stories set in Faërie are typically "about the adventures of men in the Perilous Realm or upon its shadowy marches" (38). In spite of the widespread use of illustration in association with medieval narrative, 1 Tolkien was of the opinion that fantasy was a literary form, not a visual one, as he stated quite clearly in "On Fairy-stories": In human art Fantasy is a thing best left to words, to true literature. In painting, for instance, the visible presentation of the fantastic image is technically too easy; the hand tends to outrun the mind, even to overthrow it. Silliness or morbidity are frequent results. (70) Though not necessarily due to Tolkien's espousal of it, this opinion has become as familiar as Hobbits: artwork, once regarded as a guarantor of book sales, is now generally dispensed with in all but children's literature, comics, and graphic novels as a distraction from the written word. So it is that Alan Lee's fifty paintings make the 1991 HarperCollins edition of J. R. R. Tolkien's The Lord of the Rings one of the rare volumes of later twentieth-century illustrated adult fiction. Albeit of higher than usual quality, Lee's work for Tolkien's The Hobbit is typical of that provided for children's stories insofar as it is lim</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="00bb99b358cae23be0a5ad4785ff9844" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691539,"asset_id":712235,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691539/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="712235"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="712235"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 712235; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=712235]").text(description); $(".js-view-count[data-work-id=712235]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 712235; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='712235']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 712235, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "00bb99b358cae23be0a5ad4785ff9844" } } $('.js-work-strip[data-work-id=712235]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":712235,"title":"The Lord of the Rings Interlace: Tolkien's Narrative and Lee's Illustrations","translated_title":"","metadata":{"issue":"1","volume":"19","more_info":" Journal of the Fantastic in the Arts 19.1 (2008): 70–93.","ai_title_tag":"Tolkien's Narrative and Lee's Illustrations in The Lord of the Rings","page_numbers":"70-93","grobid_abstract":"Tolkien reinvented the medieval \"romance,\" complete with archetypal characters, quest theme, and interlaced narrative structure, when he wrote The Lord of the Rings and, in doing so, he became a principal founder of the modern literary genre of fantasy and inspiration to a wide range of fantasy art. Tolkien identified the romance with the fairy story, referring to such as the \"true fairy story (or romance)\" (Tolkien, \"On Fairy-stories\" 87). Furthermore, he understood Faërie to be a place or state containing, along with fairies, \"dwarves, witches, trolls, giants, or dragons,\" and all the other elements, plants, and things that make up that place or state. Stories set in Faërie are typically \"about the adventures of men in the Perilous Realm or upon its shadowy marches\" (38). In spite of the widespread use of illustration in association with medieval narrative, 1 Tolkien was of the opinion that fantasy was a literary form, not a visual one, as he stated quite clearly in \"On Fairy-stories\": In human art Fantasy is a thing best left to words, to true literature. In painting, for instance, the visible presentation of the fantastic image is technically too easy; the hand tends to outrun the mind, even to overthrow it. Silliness or morbidity are frequent results. 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Waite and artist Pamela Colman Smith’s Rider-Waite Tarot (1909) is the most popular Tar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Arthur E. Waite and artist Pamela Colman Smith’s Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith’s contributions. Waite and Smith’s deck has become the gold standard for identifying, categorizing, and analyzing <br />contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. Updated for an evolving cultural context, this analysis considers Tarot in relation to conventional art movements, including Symbolism, Surrealism, and the modernist “grid.” Tarot has a strong relationship with post-modern art con- cepts such as the dissolution of the modernist hierarchy, Pattern and Decoration art, and collage. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction and a new chapter on the growing interest in the archetypal “shadow” and “shadow work,” particularly in deck design and its applications in the new millennium. <br /> <br />The new edition is now available from the publisher and on amazon.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f688375b507e305df3c491d8f0e9fd8a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80197783,"asset_id":70449129,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80197783/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70449129"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70449129"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70449129; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70449129]").text(description); $(".js-view-count[data-work-id=70449129]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70449129; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70449129']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 70449129, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f688375b507e305df3c491d8f0e9fd8a" } } $('.js-work-strip[data-work-id=70449129]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70449129,"title":"Tarot and Other Meditation Decks, Second Edition (2023)","translated_title":"","metadata":{"abstract":"Arthur E. 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It is a companion volume to Cartomancy and Tarot in Film 1940-2010 (Intellect, 2016).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="797b47afa38492311dfa4f522ff78bc7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43661272,"asset_id":23175725,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43661272/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23175725"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23175725"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23175725; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23175725]").text(description); $(".js-view-count[data-work-id=23175725]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23175725; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23175725']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 23175725, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "797b47afa38492311dfa4f522ff78bc7" } } $('.js-work-strip[data-work-id=23175725]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23175725,"title":"A Filmography of Cartomancy and Tarot 1940–2010","translated_title":"","metadata":{"abstract":"This 410 page filmography includes entries for 199 films incorporating cartomancy and/or Tarot scenes, b/w illustrations from over 30 cartomancy decks, numerous charts showing the cartomancy spreads used in specific films, and an index of the cross-listings between films. 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Discussion chapters address the history of the cards, with special note taken of those that make film appearances, the role of cartomancy scenes in film, and also the attributes and qualities associated with filmic cartomancers. The longest chapter addresses the traditional and revised meanings assigned to the Tarot trumps and Fool in film contexts.<br /><br />Cartomancy and Tarot in Film 1940-2010 is now available for purchase from Intellect, UK, and various on-line distributors.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f54ffb833caef6dba2c6c060dd54447c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40926603,"asset_id":19943460,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40926603/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19943460"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19943460"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19943460; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19943460]").text(description); $(".js-view-count[data-work-id=19943460]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19943460; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19943460']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19943460, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f54ffb833caef6dba2c6c060dd54447c" } } $('.js-work-strip[data-work-id=19943460]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19943460,"title":"Cartomancy and Tarot in Film 1940-2010","translated_title":"","metadata":{"abstract":"I have cataloged almost 200 films incorporating cartomancy scenes, including 150 with Tarot trumps (and/or the Fool). Discussion chapters address the history of the cards, with special note taken of those that make film appearances, the role of cartomancy scenes in film, and also the attributes and qualities associated with filmic cartomancers. The longest chapter addresses the traditional and revised meanings assigned to the Tarot trumps and Fool in film contexts.\n\nCartomancy and Tarot in Film 1940-2010 is now available for purchase from Intellect, UK, and various on-line distributors."},"translated_abstract":"I have cataloged almost 200 films incorporating cartomancy scenes, including 150 with Tarot trumps (and/or the Fool). Discussion chapters address the history of the cards, with special note taken of those that make film appearances, the role of cartomancy scenes in film, and also the attributes and qualities associated with filmic cartomancers. 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They often expose the temporal nature of concepts of identity and society: rather than being fixed aspects of a permanent and indestructible “nature,” these concepts, like nature itself, are shown as mere parts of a larger simulacrum that is subject to change, exploitation, and even annihilation. Yet, even as tech-noir films present the mirror that reveals us to be as expendable and replaceable as any consumer product, they simultaneously affirm conventional beliefs and values – as do all popular genres."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="07cf225efe5ac62cae58a796f4e7c215" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43662074,"asset_id":490556,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43662074/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="490556"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="490556"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 490556; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=490556]").text(description); $(".js-view-count[data-work-id=490556]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 490556; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='490556']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 490556, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "07cf225efe5ac62cae58a796f4e7c215" } } $('.js-work-strip[data-work-id=490556]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":490556,"title":"Tech-Noir Film: A Theory of the Development of Popular Genres","translated_title":"","metadata":{"abstract":"\"Excerpt from the Introduction:\r\n\r\nTech-noir films are about technology perceived as a destructive and dystopian force that threatens every aspect of our reality. 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Over the twenty-some years I have pondered this art I have had frequent occasion to wonder at the apparent disparity between the relative simplicity of its forms and the extraordinary depth of interest those forms generate in myself and others; thus, in this book I dwell at length on matters of context and interpretation, such as shamanism, modernism, postmodernism, primitivism, and so forth, as explanations for why these forms, so far removed from the generative expanse in which they came to be, hold the imagination.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cb109a09196250e20e23fecd76d36b0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43661995,"asset_id":490410,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43661995/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="490410"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="490410"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 490410; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=490410]").text(description); $(".js-view-count[data-work-id=490410]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 490410; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='490410']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 490410, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6cb109a09196250e20e23fecd76d36b0" } } $('.js-work-strip[data-work-id=490410]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":490410,"title":"The Way of Inuit Art: Aesthetics and History in and Beyond the Arctic","translated_title":"","metadata":{"abstract":"Excerpt from the Preface:\n\nAs a student of history in art, I initially became intrigued with prehistoric Inuit art as evidence of the diffusion of motifs and cultural practices, particularly those related to shamanism, in the circumpolar and circumpacific regions, and for its possible connection to the Paleolithic; later, I explored the ways in which contemporary Inuit art demonstrates cultural influences and has, in turn, influenced both non-Inuit artists and scholars. 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I became intrigued by the idea that the recent revisions of Ta...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Excerpts from the Preface: <br /> <br />... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian "space" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity. <br /> <br />... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="15c2b83f6bf4d980851591b4f35635e0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43661989,"asset_id":490407,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43661989/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="490407"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="490407"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 490407; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=490407]").text(description); $(".js-view-count[data-work-id=490407]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 490407; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='490407']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 490407, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "15c2b83f6bf4d980851591b4f35635e0" } } $('.js-work-strip[data-work-id=490407]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":490407,"title":"Tarot and Other Meditation Decks: History, Theory, Aesthetics, Typology","translated_title":"","metadata":{"abstract":"\"Excerpts from the Preface:\r\n\r\n... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian \"space\" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity.\r\n\r\n... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world.\""},"translated_abstract":"\"Excerpts from the Preface:\r\n\r\n... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian \"space\" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity.\r\n\r\n... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world.\"","internal_url":"https://www.academia.edu/490407/Tarot_and_Other_Meditation_Decks_History_Theory_Aesthetics_Typology","translated_internal_url":"","created_at":"2011-03-25T03:07:16.533-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":376261,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":43661989,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43661989/thumbnails/1.jpg","file_name":"TarotMeditation-Mar12-2016.pdf","download_url":"https://www.academia.edu/attachments/43661989/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Tarot_and_Other_Meditation_Decks_History.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43661989/TarotMeditation-Mar12-2016-libre.pdf?1457808956=\u0026response-content-disposition=attachment%3B+filename%3DTarot_and_Other_Meditation_Decks_History.pdf\u0026Expires=1733911439\u0026Signature=AGpMsM2zjXA4ubJflGQPzyrf3a0QFscMAEQA0TXdeUo3kllPhknu5Qa~CXOcnHCRBO88tUROCoOPLErXNHunZE-sbAbr6AEQzgkTJvwR0M1FamRVajXYAOI9XQTZQv~KWV1FyGsDNscy4-Gy0m72Tl7DLbkdS2KIwQTxirzgT-s1Tg572z4eURMupgdKZN8frqiM5M9qntWM3RMPL2AE0SgVxUmCqY3MRUWDx9WXZwCIQl8PDJv1MdVuTLYbz7bib9i7DXyxWKnci7G1MvDo0zngSxIYfS-7H1SH4oQGvqaGHl1X~h9YgI5KXqWGRT2PnXiQIuO3HYC4FraiyzLmNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Tarot_and_Other_Meditation_Decks_History_Theory_Aesthetics_Typology","translated_slug":"","page_count":1,"language":"en","content_type":"Work","summary":"\"Excerpts from the Preface:\r\n\r\n... I became intrigued by the idea that the recent revisions of Tarot are not so much replacements for the older decks as they are the results of the feudal, modern, and post-modern concepts readily associated with changes in Tarot function from game to occult accessory to meditation aid, as well as broader historical developments in the western world; indeed, the effectiveness with which these concepts have accrued, rather than substituted for each other, in Tarot, supports the genre's unique contemporary function as a heterotopian \"space\" where the individual may seek transformative understanding of himself, society, and the universe. This Tarot is akin to the library or museum, both of which are also heterotopias based on the accumulation of history, and is supported by the invitation the deck format extends for play, even in its most esoteric revisions. Combined with the artist's and querent reader's particular sense of purpose, this functionality is the essence of all Tarot creativity.\r\n\r\n... it is a commonplace among historians of all types, but particularly those engaged with popular culture, that the art of real value in any given time and place is that which helps people to find a sense of reality, to find themselves. I believe, therefore, that recognition of the purposes and content of this unique, affordable and aesthetically satisfying popular art form is as important to understanding our times as is the study of more extravagant and critically acclaimed works. This book is intended to bring recognition of the place of contemporary Tarot and other meditation decks in cultural history and the conventions by which they help people find their place in the world.\"","owner":{"id":376261,"first_name":"Emily E.","middle_initials":null,"last_name":"Auger","page_name":"EmilyEAuger","domain_name":"independent","created_at":"2011-03-25T02:48:53.706-07:00","display_name":"Emily E. 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Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ad42f9083696e87f5cea37c7e96a8457" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102681074,"asset_id":102400123,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102681074/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102400123"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102400123"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102400123; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102400123]").text(description); $(".js-view-count[data-work-id=102400123]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102400123; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102400123']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102400123, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ad42f9083696e87f5cea37c7e96a8457" } } $('.js-work-strip[data-work-id=102400123]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102400123,"title":"Alchemy in the Tarot Temperance Card","translated_title":"","metadata":{"abstract":"A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance card. \nNote: I've uploaded the table of contents to the special issue of Coreopsis 10.2 (Autumn 2022) titled Moon in a Sacred Tree: The Symbology of Tarot and Alchemy. Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue. ","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Coreopsis"},"translated_abstract":"A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance card. \nNote: I've uploaded the table of contents to the special issue of Coreopsis 10.2 (Autumn 2022) titled Moon in a Sacred Tree: The Symbology of Tarot and Alchemy. Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue. ","internal_url":"https://www.academia.edu/102400123/Alchemy_in_the_Tarot_Temperance_Card","translated_internal_url":"","created_at":"2023-05-26T07:41:19.520-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":376261,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":102681074,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102681074/thumbnails/1.jpg","file_name":"Coreopsis_Journal_Autumn_2022_Coreopsis_Journal_Autumn_2022.pdf","download_url":"https://www.academia.edu/attachments/102681074/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Alchemy_in_the_Tarot_Temperance_Card.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102681074/Coreopsis_Journal_Autumn_2022_Coreopsis_Journal_Autumn_2022-libre.pdf?1685113313=\u0026response-content-disposition=attachment%3B+filename%3DAlchemy_in_the_Tarot_Temperance_Card.pdf\u0026Expires=1733842695\u0026Signature=EhN6P2F6pqb9GwB7aRdS0q-TNNn2LsbKeU41HVHLtl3Z0tyfH9U5YDVSyAl3xHoy6WYjSS~ZNaZYmFe8ruKkN-ZI1IkgxISC-h2kMxJsXoTqEUGNNr9MmZI8KUxe6Z6iFK1MZHGAnoDe8NnKlFgin1AAYuG7zXp~EiLi3W8oDhM5CVIY~NKP4N-~mg-e3fDuITHhUI9GnpSEkiXdqBVSiVu8NzLCOvjSDoYTDW1P2wUyklN5TT1B~qTsb5bErHUgctdni~ZFYwxAmU0c2z64igk-0AV-U5RtHZCYF-QmhqhY8T1SK9o3zPZtSnyv2u5L-7HER~YdEeQO8~eYlq2SkA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Alchemy_in_the_Tarot_Temperance_Card","translated_slug":"","page_count":1,"language":"en","content_type":"Work","summary":"A brief illustrated history of the incorporation of alchemical imagery into the Tarot Temperance card. \nNote: I've uploaded the table of contents to the special issue of Coreopsis 10.2 (Autumn 2022) titled Moon in a Sacred Tree: The Symbology of Tarot and Alchemy. Click on my paper title for the full article with illustrations in place. I also have a review of Barbier's Tarot and Divination Cards (a book that is well worth a read) in this issue. ","owner":{"id":376261,"first_name":"Emily E.","middle_initials":null,"last_name":"Auger","page_name":"EmilyEAuger","domain_name":"independent","created_at":"2011-03-25T02:48:53.706-07:00","display_name":"Emily E. 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Mythlore 38.2 (Spring/Summer 2020): 139-61." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/49463505/An_Annotated_List_of_Fantasy_Novels_Incorporating_Tarot_1990_2005_Mythlore_38_2_Spring_Summer_2020_139_61">An Annotated List of Fantasy Novels Incorporating Tarot (1990-2005). Mythlore 38.2 (Spring/Summer 2020): 139-61.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This annotated list of books from 1990 through 2005 continues the bibliography in Mythlore 36.2 (...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This annotated list of books from 1990 through 2005 continues the bibliography in Mythlore 36.2 (Spring-Summer 2018) and includes abstracts for each novel or series and some card layout diagrams. <br />Open-Access at the link <a href="https://dc.swosu.edu/mythlore/vol38/iss2/12/" rel="nofollow">https://dc.swosu.edu/mythlore/vol38/iss2/12/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49463505"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49463505"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49463505; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49463505]").text(description); $(".js-view-count[data-work-id=49463505]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49463505; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49463505']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49463505, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=49463505]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49463505,"title":"An Annotated List of Fantasy Novels Incorporating Tarot (1990-2005). 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Mythlore 36.2 (Spring/Summer 2018): 162-64" class="work-thumbnail" src="https://attachments.academia-assets.com/102691830/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49463384/Editorial_Divination_and_Prophecy_in_Mythopoeic_Fantasy_Mythlore_36_2_Spring_Summer_2018_162_64">Editorial: Divination and Prophecy in Mythopoeic Fantasy. Mythlore 36.2 (Spring/Summer 2018): 162-64</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">IVINATION, PROPHECY, AND OTHER KINDS OF PROGNOSTICATION have long played an important role in myt...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">IVINATION, PROPHECY, AND OTHER KINDS OF PROGNOSTICATION have long played an important role in mythopoeic literature, often in conjunction with characters seeking the truth behind some obscure situation, as well as information about the future. Galadriel and her mirror in J.R.R. Tolkien's The Fellowship of the Ring (1954), the Happy Medium and her crystal ball in Madeleine L'Engle's A Wrinkle in Time (1962), Igneous Cutwell and his Caroc cards in Terry Pratchett's Mort (1983), the Weirdin rediscovered by Sara Kendell in Charles de Lint's Moonheart (1984), and Lyra Silvertongue and her alethiometer in Phillip Pullman's The Golden Compass (1995), are just a few of many characters who future-or truth-tell with the aid of a tool. Prophets may sometimes be distinguished by their lack of reliance on such external devices. For example, in C.S. Lewis's The Horse and His Boy (1954), a centaur prophesies that Cor will one day save Archenland. However, prophecies are often disassociated from their source and dependent on folklore for transmission, as for instance, is that recounted by Mr. Beaver in The Lion, the Witch and the Wardrobe (1950) about the sons of Adam and daughters of Eve sitting on the thrones of Cair Paravel. Distinctions between types of prognosticators or the nature of their work may become unclear if the practitioner takes more than one approach. For example, in J.K. Rowling's Harry Potter and the Order of the Phoenix (2003), Sybill Trelawney goes into a trance and prophesies that a boy will defeat Voldemort, but she also uses crystal balls, tea leaves, and cards to inspire her second sight-she draws the Tower prior to Dumbledore's fall in Harry Potter and the Half-Blood Prince (2005). In addition, future-tellings of all kinds tend to be vague and fragmentary: as the succubus tells Roland in Stephen King's The Gunslinger (1982): "We see in part, and thus is the mirror of prophecy darkened" (182). Future-tellers and their pronouncements are often not well received or taken seriously. Even the predictions of no less a magician than Merlin were made the butt of one of Shakespeare's jokes in King Lear. Not only is this historical play set centuries before Merlin is said to have lived, but the Fool pretending to prophesy Merlin's prophecy recasts the content so that the lines make little sense, except as parody.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="81e163407825365e1455f7444eb6ddb1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691830,"asset_id":49463384,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691830/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49463384"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49463384"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49463384; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49463384]").text(description); $(".js-view-count[data-work-id=49463384]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49463384; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49463384']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49463384, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "81e163407825365e1455f7444eb6ddb1" } } $('.js-work-strip[data-work-id=49463384]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49463384,"title":"Editorial: Divination and Prophecy in Mythopoeic Fantasy. 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Mythlore 36.2 (Spring/Summer 2018): 185-213." class="work-thumbnail" src="https://attachments.academia-assets.com/67808608/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49463151/An_Annotated_List_of_Fantasy_Novels_Incorporating_Tarot_1968_1989_Mythlore_36_2_Spring_Summer_2018_185_213">An Annotated List of Fantasy Novels Incorporating Tarot (1968-1989). Mythlore 36.2 (Spring/Summer 2018): 185-213.</a></div><div class="wp-workCard_item"><span>Mythlore 36.2</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This selective list includes abstracts of each novel or series and how the author incorporates th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This selective list includes abstracts of each novel or series and how the author incorporates the Tarot or Tarot imagery. <br />Open access copy available at the link <a href="https://dc.swosu.edu/mythlore/vol36/iss2/24/" rel="nofollow">https://dc.swosu.edu/mythlore/vol36/iss2/24/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e49c886cec8f64e8f1afcc4b1d07ed1d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67808608,"asset_id":49463151,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67808608/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49463151"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49463151"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49463151; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49463151]").text(description); $(".js-view-count[data-work-id=49463151]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49463151; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49463151']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49463151, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e49c886cec8f64e8f1afcc4b1d07ed1d" } } $('.js-work-strip[data-work-id=49463151]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49463151,"title":"An Annotated List of Fantasy Novels Incorporating Tarot (1968-1989). 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Eliot in Stephen King's Dark Tower Novels." Mythlore 36.2 (Spring/Summer 2018): 185–213." class="work-thumbnail" src="https://attachments.academia-assets.com/102691772/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38444402/_Tarot_and_T_S_Eliot_in_Stephen_Kings_Dark_Tower_Novels_Mythlore_36_2_Spring_Summer_2018_185_213">"Tarot and T.S. Eliot in Stephen King's Dark Tower Novels." Mythlore 36.2 (Spring/Summer 2018): 185–213.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and other mythologies and legends, as well as the works of more contemporary authors who derived inspiration from similar sources. This paper explores King's use of Tarot motifs in the Dark Tower series with attention to similarities and parallels to the presentation of Tarot in T.S. Eliot's The Waste Land. King’s central character Roland, whose cards are read by his nemesis, has the satisfaction of knowing when the cartomancer is dead and of saving multiple universes, but then discovers that he is doomed to keep saving those universes over and over again. <br />Open Access at the link</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="93af510db19824cf61a57018981c410a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691772,"asset_id":38444402,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691772/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38444402"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38444402"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38444402; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38444402]").text(description); $(".js-view-count[data-work-id=38444402]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38444402; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38444402']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38444402, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "93af510db19824cf61a57018981c410a" } } $('.js-work-strip[data-work-id=38444402]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38444402,"title":"\"Tarot and T.S. 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R. R. Tolkien expressed his opinion that “in human art fantasy is a thing best left to wo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When J. R. R. Tolkien expressed his opinion that “in human art fantasy is a thing best left to words, to true literature,” he had no idea what an inspiration The Lord of the Rings would be to artists ranging from book illustrator Alan Lee to film director Peter Jackson to Tarot artist Peter Pracownik. In this paper I consider the adaptation of Tolkien to Tarot in Pracownik and writer Terry Donaldson’s deck with special atten- tion to the features shared by The Lord of the Rings and Tarot, including the quest, alle- gorical or archetypal characters, and interlaced narrative structure.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="df0c389dd4924ac2e8e2b9506e4ae386" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691630,"asset_id":712236,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691630/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="712236"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="712236"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 712236; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=712236]").text(description); $(".js-view-count[data-work-id=712236]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 712236; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='712236']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 712236, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "df0c389dd4924ac2e8e2b9506e4ae386" } } $('.js-work-strip[data-work-id=712236]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":712236,"title":"The Lord of the Rings Interlace: From Tolkien to Tarot","translated_title":"","metadata":{"issue":"3","volume":"19","abstract":"When J. 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Tolkien","url":"https://www.academia.edu/Documents/in/J._R._R._Tolkien"},{"id":22390,"name":"Tarots (Art)","url":"https://www.academia.edu/Documents/in/Tarots_Art_"},{"id":22394,"name":"Tarot","url":"https://www.academia.edu/Documents/in/Tarot"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="712235"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/712235/The_Lord_of_the_Rings_Interlace_Tolkiens_Narrative_and_Lees_Illustrations"><img alt="Research paper thumbnail of The Lord of the Rings Interlace: Tolkien's Narrative and Lee's Illustrations" class="work-thumbnail" src="https://attachments.academia-assets.com/102691539/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/712235/The_Lord_of_the_Rings_Interlace_Tolkiens_Narrative_and_Lees_Illustrations">The Lord of the Rings Interlace: Tolkien's Narrative and Lee's Illustrations</a></div><div class="wp-workCard_item"><span>Journal of the Fantastic in the Arts</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tolkien reinvented the medieval "romance," complete with archetypal characters, quest theme, and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tolkien reinvented the medieval "romance," complete with archetypal characters, quest theme, and interlaced narrative structure, when he wrote The Lord of the Rings and, in doing so, he became a principal founder of the modern literary genre of fantasy and inspiration to a wide range of fantasy art. Tolkien identified the romance with the fairy story, referring to such as the "true fairy story (or romance)" (Tolkien, "On Fairy-stories" 87). Furthermore, he understood Faërie to be a place or state containing, along with fairies, "dwarves, witches, trolls, giants, or dragons," and all the other elements, plants, and things that make up that place or state. Stories set in Faërie are typically "about the adventures of men in the Perilous Realm or upon its shadowy marches" (38). In spite of the widespread use of illustration in association with medieval narrative, 1 Tolkien was of the opinion that fantasy was a literary form, not a visual one, as he stated quite clearly in "On Fairy-stories": In human art Fantasy is a thing best left to words, to true literature. In painting, for instance, the visible presentation of the fantastic image is technically too easy; the hand tends to outrun the mind, even to overthrow it. Silliness or morbidity are frequent results. (70) Though not necessarily due to Tolkien's espousal of it, this opinion has become as familiar as Hobbits: artwork, once regarded as a guarantor of book sales, is now generally dispensed with in all but children's literature, comics, and graphic novels as a distraction from the written word. So it is that Alan Lee's fifty paintings make the 1991 HarperCollins edition of J. R. R. Tolkien's The Lord of the Rings one of the rare volumes of later twentieth-century illustrated adult fiction. Albeit of higher than usual quality, Lee's work for Tolkien's The Hobbit is typical of that provided for children's stories insofar as it is lim</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="00bb99b358cae23be0a5ad4785ff9844" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102691539,"asset_id":712235,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102691539/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="712235"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="712235"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 712235; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=712235]").text(description); $(".js-view-count[data-work-id=712235]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 712235; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='712235']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 712235, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "00bb99b358cae23be0a5ad4785ff9844" } } $('.js-work-strip[data-work-id=712235]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":712235,"title":"The Lord of the Rings Interlace: Tolkien's Narrative and Lee's Illustrations","translated_title":"","metadata":{"issue":"1","volume":"19","more_info":" Journal of the Fantastic in the Arts 19.1 (2008): 70–93.","ai_title_tag":"Tolkien's Narrative and Lee's Illustrations in The Lord of the Rings","page_numbers":"70-93","grobid_abstract":"Tolkien reinvented the medieval \"romance,\" complete with archetypal characters, quest theme, and interlaced narrative structure, when he wrote The Lord of the Rings and, in doing so, he became a principal founder of the modern literary genre of fantasy and inspiration to a wide range of fantasy art. Tolkien identified the romance with the fairy story, referring to such as the \"true fairy story (or romance)\" (Tolkien, \"On Fairy-stories\" 87). Furthermore, he understood Faërie to be a place or state containing, along with fairies, \"dwarves, witches, trolls, giants, or dragons,\" and all the other elements, plants, and things that make up that place or state. Stories set in Faërie are typically \"about the adventures of men in the Perilous Realm or upon its shadowy marches\" (38). In spite of the widespread use of illustration in association with medieval narrative, 1 Tolkien was of the opinion that fantasy was a literary form, not a visual one, as he stated quite clearly in \"On Fairy-stories\": In human art Fantasy is a thing best left to words, to true literature. In painting, for instance, the visible presentation of the fantastic image is technically too easy; the hand tends to outrun the mind, even to overthrow it. Silliness or morbidity are frequent results. 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Auger</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This series collects the works of prolific scholar Nancy-Lou Patterson (1929-2018), active primar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This series collects the works of prolific scholar Nancy-Lou Patterson (1929-2018), active primarily in the 1980s and 1990s. Most of the essays first appeared in the journal Mythlore but are supplemented by articles that were unpublished or published in other journals and newsletters that are now difficult to obtain. Patterson also continued to revise many of her essays after publication. Patterson taught at the University of Waterloo, Ontario, from 1962 until she retired in 1992. The University of Waterloo named her a Distinguished Professor Emerita and Wilfrid Laurier University awarded her an honorary doctor of letters. Patterson taught art history and was an active artist, poet, and fiction writer. She was also an enthusiastic conference participant and scholar who published numerous papers on her favourite subject: the Inklings. Her writing is clear, refreshing, wide-ranging, and as rich and stimulating as when these essays were first written.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="062d0605b2cb83b1f00ea50cc8dc5cb6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":75384684,"asset_id":62709301,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/75384684/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="62709301"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="62709301"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 62709301; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=62709301]").text(description); $(".js-view-count[data-work-id=62709301]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 62709301; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='62709301']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 62709301, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "062d0605b2cb83b1f00ea50cc8dc5cb6" } } $('.js-work-strip[data-work-id=62709301]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":62709301,"title":"The Nancy-Lou Patterson Papers (Series)","translated_title":"","metadata":{"abstract":"This series collects the works of prolific scholar Nancy-Lou Patterson (1929-2018), active primarily in the 1980s and 1990s. 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R. R. Tolkien","url":"https://www.academia.edu/Documents/in/J._R._R._Tolkien"},{"id":10885,"name":"Fantasy Literature","url":"https://www.academia.edu/Documents/in/Fantasy_Literature"},{"id":20131,"name":"Charles Williams","url":"https://www.academia.edu/Documents/in/Charles_Williams"},{"id":22394,"name":"Tarot","url":"https://www.academia.edu/Documents/in/Tarot"},{"id":29028,"name":"Dorothy L. Sayers","url":"https://www.academia.edu/Documents/in/Dorothy_L._Sayers"},{"id":61036,"name":"C.S. 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Tolkien, Charles Williams and Others, and Nancy-Lou Patterson's Mythopoeic Drawings (2020)" class="work-thumbnail" src="https://attachments.academia-assets.com/67808392/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49462978/ReEnvisioning_Mythopoeia_Papers_on_the_Works_of_Lloyd_Alexander_Pauline_Baynes_Madeleine_LEngle_C_S_Lewis_George_MacDonald_J_R_R_Tolkien_Charles_Williams_and_Others_and_Nancy_Lou_Pattersons_Mythopoeic_Drawings_2020_">ReEnvisioning Mythopoeia: Papers on the Works of Lloyd Alexander, Pauline Baynes, Madeleine L'Engle, C.S. Lewis, George MacDonald, J.R.R. Tolkien, Charles Williams and Others, and Nancy-Lou Patterson's Mythopoeic Drawings (2020)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Table of Contents Preface by Emily E. Auger In Memoriam: Nancy-Lou Patterson by Janet Brennan Cro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Table of Contents<br />Preface by Emily E. Auger<br />In Memoriam: Nancy-Lou Patterson by Janet Brennan Croft<br />Editorial Notes<br /><br />The Descent: Models, Motifs, and Milieus<br />1. The Chthonic in Women's Spirituality<br />2. Kore Motifs in The Princess and the Goblin<br />3. Archetypes of the Mother in the Fantasies of George MacDonald<br />4. Death by Landscape<br /><br />The Others: Celts, Dragons, Psychopomps, and a Whatsit<br />5. "Bright-Eyed Beauty": Celtic Elements in Charles Williams, J.R.R. Tolkien, and C.S. Lewis<br />6. The Dragons of J.R.R. Tolkien and C.S. Lewis by Nancy-Lou Patterson [with additions by Emily E. Auger]<br />7. "Homo Monstrosus": Lloyd Alexander's Gurgi and the Shadow Figures of Fantastic Literature<br />8. Angel and Psychopomp in Madeleine L'Engle's "Wind" Trilogy<br /><br />The Mythopoeic: Art, Classroom, and Exhibition<br />9. Emily Carr's Forest<br />10. J.R.R. Tolkien: Art and Literature from Middle-earth ["Lord of the Rings" by A.M. MacQuarrie and "J.R.R. Tolkien by Nancy-Lou Patterson]<br />11. Art in the English Classroom: An Interdisciplinary Approach<br />12. Tree and Leaf: J.R.R. Tolkien and the Visual Image<br />13. An Appreciation of Pauline Baynes<br />14. Magic Realism in Canada<br /><br />Nancy-Lou Patterson's Mythopoeic Drawings: A Compilation by Emily E. Auger and Janet Brennan Croft with commentary and annotations selected by Emily E. 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Auger</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Collects Nancy-Lou Patterson's essays on Charles Williams; the bulk of the book is her major, and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Collects Nancy-Lou Patterson's essays on Charles Williams; the bulk of the book is her major, and previously hard to obtain, essay on Tarot in The Greater Trumps, "The Triumph of Love." With extensive annotations and illustrations. Now available for order at the link below.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e01ab1ee2186ab1744c1e569ef88b295" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59291790,"asset_id":39166558,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59291790/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39166558"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39166558"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39166558; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39166558]").text(description); $(".js-view-count[data-work-id=39166558]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39166558; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39166558']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39166558, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e01ab1ee2186ab1744c1e569ef88b295" } } $('.js-work-strip[data-work-id=39166558]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39166558,"title":"The Patterson Papers: Divining Tarot: Papers on Charles Williams's The Greater Trumps and Other Works","translated_title":"","metadata":{"abstract":"Collects Nancy-Lou Patterson's essays on Charles Williams; the bulk of the book is her major, and previously hard to obtain, essay on Tarot in The Greater Trumps, \"The Triumph of Love.\" With extensive annotations and illustrations. 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This paper is one of the few scholarly studies of the subject from that decade and it remains very relevant as an analysis of the novel. This edition includes added charts, illustrations, notes, and an introduction by Emily E. Auger.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3c11e54638c6eb7976d7345b543e2b74" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67808300,"asset_id":49462630,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67808300/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49462630"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49462630"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49462630; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49462630]").text(description); $(".js-view-count[data-work-id=49462630]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49462630; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49462630']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49462630, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3c11e54638c6eb7976d7345b543e2b74" } } $('.js-work-strip[data-work-id=49462630]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49462630,"title":"Divining Tarot Papers on Charles Williams's The Greater Trumps and Other Works (2019)","translated_title":"","metadata":{"abstract":"This anthology of papers by Inklings scholar Nancy-Lou Patterson includes her study of Tarot in Charles Williams's novel The Greater Trumps (1932), first published in the 1972 proceedings of the 1972 Mythopoeic Society conference. 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Auger</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A collection of reviews is an odd and chimerical beast, with many heads and a variegated body. Wh...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A collection of reviews is an odd and chimerical beast, with many heads and a variegated body. What are we to make of it? What is its purpose?<br />Nancy-Lou Patterson was the Reviews Editor for Mythlore from issue #26 through #84, a stretch of seventeen years. She was also officially on the journal’s board for issues #58 through #84. A position like this allows one to shape the field in a small but potent way, by determining what should be reviewed and who is the best person to review it. I don’t doubt that she saved many of the plums for herself, making sure the most promising books got her personal attention.<br />Patterson probably didn’t think of the legacy she’d be leaving as she wrote these pieces, but taken as a whole, this body of reviews (all but a small handful from Mythlore) constitutes a chronologically-arranged annotated bibliography for each of these authors, and provides the reader with a concise outline of the main trends and major works of critical response during her active period, from about 1975 through 2001. This outline of critical history is a fine starting point for the student, the thesis writer, and even the established scholar making sure he or she has not neglected a relevant source. The extensive section on Lewis is, in my own draft copy, a rainbow of highlighted references that I plan to follow up.<br />Of course, with this collection we gain a better understanding of Patterson as a critic and scholar, and her influences, opinions, and interests. But it also constitutes an education in the fine art of reviewing itself. Patterson demonstrates how to engage with the actual book in front of you, not the book you want or think it should be, with fairness and charity, but without allowing any major flaws to pass unmentioned. Her reviews are witty, clear as a bell, and generous, yet constructively acerbic when necessary. They usually end with a hearty, resounding “Recommended!” And I will apply her words to this collection myself—most highly recommended indeed!</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8363cfd85332a8c38ab0518fbdcc40ee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57482306,"asset_id":37510189,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57482306/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37510189"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37510189"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37510189; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37510189]").text(description); $(".js-view-count[data-work-id=37510189]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37510189; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37510189']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37510189, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8363cfd85332a8c38ab0518fbdcc40ee" } } $('.js-work-strip[data-work-id=37510189]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37510189,"title":"Nancy-Lou Patterson Reviews","translated_title":"","metadata":{"abstract":"A collection of reviews is an odd and chimerical beast, with many heads and a variegated body. 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Auger</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://northerniowa.academia.edu/JanetCroft">Janet Croft</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">I was the guest editor for the Divination section appearing in this issue of Mythlore, edited by ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">I was the guest editor for the Divination section appearing in this issue of Mythlore, edited by Janet Brennan Croft. More information about the issue is available at <a href="http://www.mythsoc.org/mythlore/mythlore-132.htm" rel="nofollow">http://www.mythsoc.org/mythlore/mythlore-132.htm</a>.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d65d39ba84f4e85e2b76d937a058f3bb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56702408,"asset_id":36756320,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56702408/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36756320"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36756320"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36756320; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36756320]").text(description); $(".js-view-count[data-work-id=36756320]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36756320; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36756320']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36756320, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d65d39ba84f4e85e2b76d937a058f3bb" } } $('.js-work-strip[data-work-id=36756320]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36756320,"title":"Mythlore (132 V 36 Issue 2, Spring/Summer 2018) with Divination Section.pdf","translated_title":"","metadata":{"abstract":"I was the guest editor for the Divination section appearing in this issue of Mythlore, edited by Janet Brennan Croft. 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Sayers's Detective Fiction" class="work-thumbnail" src="https://attachments.academia-assets.com/52965656/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/32815429/Detecting_Wimsey_Papers_on_Dorothy_L_Sayerss_Detective_Fiction">Detecting Wimsey: Papers on Dorothy L. Sayers's Detective Fiction</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://northerniowa.academia.edu/JanetCroft">Janet Croft</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/EmilyEAuger">Emily E. Auger</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Patterson Papers: Inklings of Lewis, Williams, and Sayers collects the work of prolific scho...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Patterson Papers: Inklings of  Lewis, Williams, and Sayers collects the work of prolific scholar Nancy-Lou Patterson, active primarily in the 1980s and 1990s. Most of the essays first appeared in the journal Mythlore but are supplemented by articles that were unpublished or published in other journals and newsletters that are now difficult to obtain. Patterson also continued to revise many of her essays after publication. This volume includes her sequence on Dorothy L Sayers’s Wimsey novels and additional essays on Sayers in general, as well as her own illustrations. Patterson’s writing is clear, refreshing, wide-ranging, and as rich and stimulating as when her essays were first written.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f38433686c1c08b524bf9afa9653d397" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52965656,"asset_id":32815429,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52965656/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="32815429"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="32815429"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32815429; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32815429]").text(description); $(".js-view-count[data-work-id=32815429]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32815429; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='32815429']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 32815429, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f38433686c1c08b524bf9afa9653d397" } } $('.js-work-strip[data-work-id=32815429]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":32815429,"title":"Detecting Wimsey: Papers on Dorothy L. 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Contributions range from original, in-depth, thoroughly documented studies of Tarot history, art, and literature to artists' statements and other primary source documents. Tarot in Culture is both accessible to the Tarot student and of interest to scholars of other fields, including historians and theorists of art, esotericism, literature, the occult, and popular culture and genres. <br /> <br />Contributors include Ed Buryn, Julie Cuccia-Watts, Tabitha Dial, Michael Dummett, Helen S. Farley, Joyce Goggin, Mary K. Greer, Bruce Hersch,  Brian Johnson, Danny Jorgensen, Richard Kaczynski, Marcus Katz, June Leavitt,  Carol S. Matthews, Paul Mountfort, Christine Parkhurst, Robert Place, Casey J. Rudkin, Leslie Stratyner, Catherine Waitinas, and Batya Susan Weinbaum. For a complete table of contents, see my website. <br /> <br />The call for papers for the Tarot in Culture anthology went out in 2008 and the manuscript was essentially finished in 2010. Since then it has passed academic peer review several times with different publishers, only to remain unpublished. With the unanimous support of the authors, I am making it available as an ebook (Kobo) in March 2014, and in print (Lulu) in June 2014. <br /> <br />Ebook distributed by Kobo (now available) <br />Hardcopy distributed by Lulu (now available) <br /> <br />Individuals who purchased the ebook version of Tarot in Culture Volume One and/or Two in March or April 2014 may get updated files by emailing Kobo at <a href="mailto:help@kobobooks.com" rel="nofollow">help@kobobooks.com</a> and making a request. The updated files include a few minor corrections and alterations.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f41473c118b7bc927d53e04c1b920a92" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43662420,"asset_id":714967,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43662420/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="714967"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="714967"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 714967; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=714967]").text(description); $(".js-view-count[data-work-id=714967]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 714967; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='714967']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 714967, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f41473c118b7bc927d53e04c1b920a92" } } $('.js-work-strip[data-work-id=714967]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":714967,"title":"Tarot in Culture Volumes I \u0026 II","translated_title":"","metadata":{"abstract":"\"\"\"Tarot in Culture is a well-illustrated (260 illus.) two-volume multi-author anthology of papers on Tarot. 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Contributions range from original, in-depth, thoroughly documented studies of Tarot history, art, and literature to artists' statements and other primary source documents. Tarot in Culture is both accessible to the Tarot student and of interest to scholars of other fields, including historians and theorists of art, esotericism, literature, the occult, and popular culture and genres.\r\n\r\nContributors include Ed Buryn, Julie Cuccia-Watts, Tabitha Dial, Michael Dummett, Helen S. Farley, Joyce Goggin, Mary K. Greer, Bruce Hersch, Brian Johnson, Danny Jorgensen, Richard Kaczynski, Marcus Katz, June Leavitt, Carol S. Matthews, Paul Mountfort, Christine Parkhurst, Robert Place, Casey J. Rudkin, Leslie Stratyner, Catherine Waitinas, and Batya Susan Weinbaum. For a complete table of contents, see my website.\r\n\r\nThe call for papers for the Tarot in Culture anthology went out in 2008 and the manuscript was essentially finished in 2010. 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Lewis's Space Trilogy, Chronicles of Narnia, and Other Works Vol.1" class="work-thumbnail" src="https://attachments.academia-assets.com/40712470/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19586671/Ransoming_the_Waste_Land_Papers_on_C_S_Lewiss_Space_Trilogy_Chronicles_of_Narnia_and_Other_Works_Vol_1">Ransoming the Waste Land: Papers on C.S. Lewis's Space Trilogy, Chronicles of Narnia, and Other Works Vol.1</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://northerniowa.academia.edu/JanetCroft">Janet Croft</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/EmilyEAuger">Emily E. Auger</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Edited collection of papers by Nancy-Lou Patterson, active in the 1980s and 1990s, and a frequent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Edited collection of papers by Nancy-Lou Patterson, active in the 1980s and 1990s, and a frequent contributor to Mythlore. Volume 2 will also focus on Lewis; volume 3 on Dorothy L. 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Lewis's Space Trilogy, Chronicles of Narnia, and Other Works Volume II" class="work-thumbnail" src="https://attachments.academia-assets.com/42813091/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22150251/Ransoming_the_Waste_Land_Papers_on_C_S_Lewiss_Space_Trilogy_Chronicles_of_Narnia_and_Other_Works_Volume_II">Ransoming the Waste Land: Papers on C.S. Lewis's Space Trilogy, Chronicles of Narnia, and Other Works Volume II</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/EmilyEAuger">Emily E. Auger</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://northerniowa.academia.edu/JanetCroft">Janet Croft</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Papers by Nancy-Lou Patterson on C.S. Lewis's Fiction. Edited by Emily E. Auger and Janet Brennan...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Papers by Nancy-Lou Patterson on C.S. Lewis's Fiction. Edited by Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2016. <br /><br />Nancy-Lou Patterson taught at the University of Waterloo, Ontario, from 1962 until she retired in 1992. The University of Waterloo named her a Distinguished Professor Emerita and Wilfrid Laurier University awarded her an honorary doctor of letters. Patterson taught art history and was an active artist, poet, and fiction writer. She was also an enthusiastic conference participant and scholar, who published extensively on her favourite research subject, the Inklings. Many of her papers on C.S. Lewis are gathered in Ransoming the Waste Land Volumes I and II. <br />Hardcover and paperback now available on Lulu.<br /><br />Table of Contents<br />From Here to There: Time, Travel, and Transformation<br />1. Narnia and the North: The Symbolism of Northerness in the Fantasies of C.S. Lewis    <br />2. "Always Winter and Never Christmas": Symbols of Time in C.S. Lewis's Chronicles of Narnia      <br />3. "Halfe Like a Serpent": The Green Witch in The Silver Chair<br />4. The Holy House of Ungit  <br />Other Places, Other Beings, and Other Futures<br />5. The "Jasper-Lucent Landscapes" of C.S. Lewis      <br />6. The Green Lewis: Inklings of Environmentalism in the Writing of C.S. Lewis  <br />7. Lord of the Beasts: Animal Archetypes in C.S. Lewis    <br />8. The Bolt of Tash: The Figure of Satan in C.S. Lewis's The Horse and His Boy and The Last Battle    <br />9. Letters from Hell: The Symbolism of Evil in The Screwtape Letters</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6f472c1a88181f6221387de5fb1e30dc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":42813091,"asset_id":22150251,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/42813091/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22150251"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22150251"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22150251; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22150251]").text(description); $(".js-view-count[data-work-id=22150251]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22150251; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22150251']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 22150251, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6f472c1a88181f6221387de5fb1e30dc" } } $('.js-work-strip[data-work-id=22150251]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22150251,"title":"Ransoming the Waste Land: Papers on C.S. Lewis's Space Trilogy, Chronicles of Narnia, and Other Works Volume II","translated_title":"","metadata":{"abstract":"Papers by Nancy-Lou Patterson on C.S. Lewis's Fiction. Edited by Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2016. \n\nNancy-Lou Patterson taught at the University of Waterloo, Ontario, from 1962 until she retired in 1992. The University of Waterloo named her a Distinguished Professor Emerita and Wilfrid Laurier University awarded her an honorary doctor of letters. Patterson taught art history and was an active artist, poet, and fiction writer. She was also an enthusiastic conference participant and scholar, who published extensively on her favourite research subject, the Inklings. Many of her papers on C.S. Lewis are gathered in Ransoming the Waste Land Volumes I and II. \nHardcover and paperback now available on Lulu.\n\nTable of Contents\nFrom Here to There: Time, Travel, and Transformation\n1. Narnia and the North: The Symbolism of Northerness in the Fantasies of C.S. Lewis \n2. \"Always Winter and Never Christmas\": Symbols of Time in C.S. Lewis's Chronicles of Narnia \n3. \"Halfe Like a Serpent\": The Green Witch in The Silver Chair\n4. The Holy House of Ungit \nOther Places, Other Beings, and Other Futures\n5. The \"Jasper-Lucent Landscapes\" of C.S. Lewis \n6. The Green Lewis: Inklings of Environmentalism in the Writing of C.S. Lewis \n7. Lord of the Beasts: Animal Archetypes in C.S. Lewis \n8. The Bolt of Tash: The Figure of Satan in C.S. Lewis's The Horse and His Boy and The Last Battle \n9. Letters from Hell: The Symbolism of Evil in The Screwtape Letters"},"translated_abstract":"Papers by Nancy-Lou Patterson on C.S. Lewis's Fiction. Edited by Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2016. \n\nNancy-Lou Patterson taught at the University of Waterloo, Ontario, from 1962 until she retired in 1992. The University of Waterloo named her a Distinguished Professor Emerita and Wilfrid Laurier University awarded her an honorary doctor of letters. Patterson taught art history and was an active artist, poet, and fiction writer. She was also an enthusiastic conference participant and scholar, who published extensively on her favourite research subject, the Inklings. Many of her papers on C.S. Lewis are gathered in Ransoming the Waste Land Volumes I and II. \nHardcover and paperback now available on Lulu.\n\nTable of Contents\nFrom Here to There: Time, Travel, and Transformation\n1. Narnia and the North: The Symbolism of Northerness in the Fantasies of C.S. Lewis \n2. \"Always Winter and Never Christmas\": Symbols of Time in C.S. Lewis's Chronicles of Narnia \n3. \"Halfe Like a Serpent\": The Green Witch in The Silver Chair\n4. The Holy House of Ungit \nOther Places, Other Beings, and Other Futures\n5. The \"Jasper-Lucent Landscapes\" of C.S. Lewis \n6. 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Letters from Hell: The Symbolism of Evil in The Screwtape Letters","internal_url":"https://www.academia.edu/22150251/Ransoming_the_Waste_Land_Papers_on_C_S_Lewiss_Space_Trilogy_Chronicles_of_Narnia_and_Other_Works_Volume_II","translated_internal_url":"","created_at":"2016-02-18T12:26:37.483-08:00","section":"Edited Books","preview_url":null,"current_user_can_edit":{"authorship":{"id":24438224,"created_at":"2016-02-19T05:07:51.734-08:00","section_id":4262127,"updated_at":"2016-05-13T10:45:46.504-07:00","user_id":21023,"work_id":22150251,"display_order":-8372223,"is_owner":false}},"current_user_is_owner":false,"owner_id":376261,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[{"id":15659004,"work_id":22150251,"tagging_user_id":376261,"tagged_user_id":21023,"co_author_invite_id":null,"email":"j***t@uni.edu","affiliation":"University of Northern Iowa","display_order":0,"name":"Janet Croft","title":"Ransoming the Waste Land: Papers on C.S. 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Auger" class="work-thumbnail" src="https://attachments.academia-assets.com/114273043/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/118709811/Review_of_Tarot_and_Other_Meditation_Decks_Second_Ed_by_Emily_E_Auger">Review of Tarot and Other Meditation Decks Second Ed. by Emily E. Auger</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Book Review: In the second edition of Tarot and Other Meditation Decks: History, Theory, Aestheti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Book Review: In the second edition of Tarot and Other Meditation Decks: History, Theory, Aesthetics, Typology author Emily E. Auger examines Tarot's relationship to art movements, literature, and film. This expansion on the first edition adds a more in-depth appendix, additional research to enhance the existing sections, and a new section focusing on the influence of the shadow on both Tarot itself and the other mediums Tarot influences.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="13afebd258a23b05ce9693d89455f1af" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":114273043,"asset_id":118709811,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/114273043/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118709811"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118709811"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118709811; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118709811]").text(description); $(".js-view-count[data-work-id=118709811]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118709811; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118709811']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118709811, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "13afebd258a23b05ce9693d89455f1af" } } $('.js-work-strip[data-work-id=118709811]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118709811,"title":"Review of Tarot and Other Meditation Decks Second Ed. by Emily E. 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Rev. of "Re-Envisioning Mythopoeia ... and Nancy-Lou Patterson's Mythopoeic Drawings by Nancy-Lou Patterson. Eds. Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2020." Mythlore 38.2 (Spring/Summer 2020): 205-11." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102454873/Kris_Swank_Rev_of_Re_Envisioning_Mythopoeia_and_Nancy_Lou_Pattersons_Mythopoeic_Drawings_by_Nancy_Lou_Patterson_Eds_Emily_E_Auger_and_Janet_Brennan_Croft_Valleyhome_Books_2020_Mythlore_38_2_Spring_Summer_2020_205_11">Kris Swank. Rev. of "Re-Envisioning Mythopoeia ... and Nancy-Lou Patterson's Mythopoeic Drawings by Nancy-Lou Patterson. Eds. Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2020." Mythlore 38.2 (Spring/Summer 2020): 205-11.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Kris Swank. Review of "Re-Envisioning Mythopoeia: Papers on the Works of Lloyd Alexander, Pauline...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Kris Swank. Review of "Re-Envisioning Mythopoeia: Papers on the Works of Lloyd Alexander, Pauline Baynes, Madeleine L'Engle, C.S. Lewis, George MacDonald, J.R.R. Tolkien, Charles Williams, and Others, and Nancy-Lou Patterson's Mythopoeic Drawings by Nancy-Lou Patterson. Eds. Emily E. Auger and Janet Brennan Croft. Preface by Emily E. Auger and In Memoriam by Janet Brennan Croft. Valleyhome Books, 2020." 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Tolkien, Charles Williams, and Others by Nancy-Lou Patterson. Eds. Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2018." Mythlore 41.2 (Spring/Summer 2023): 266-71." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/102454730/David_Bratmore_Review_of_Nancy_Lou_Patterson_Reviews_Books_by_Dorothy_L_Sayers_C_S_Lewis_J_R_R_Tolkien_Charles_Williams_and_Others_by_Nancy_Lou_Patterson_Eds_Emily_E_Auger_and_Janet_Brennan_Croft_Valleyhome_Books_2018_Mythlore_41_2_Spring_Summer_2023_266_71">David Bratmore. Review of " Nancy-Lou Patterson Reviews Books by Dorothy L. Sayers, C.S. Lewis, J.R.R. Tolkien, Charles Williams, and Others by Nancy-Lou Patterson. Eds. Emily E. Auger and Janet Brennan Croft. Valleyhome Books, 2018." Mythlore 41.2 (Spring/Summer 2023): 266-71.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102454730"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102454730"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102454730; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102454730]").text(description); $(".js-view-count[data-work-id=102454730]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102454730; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102454730']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102454730, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102454730]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102454730,"title":"David Bratmore. 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The Lamp-Post of the Southern California C.S. Lewis Society 36.1 (Fall 2017): 28-35" class="work-thumbnail" src="https://attachments.academia-assets.com/56701484/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36755440/Joe_Christopher_Review_of_Ransoming_the_Waste_Land_Papers_on_C_S_Lewiss_Space_Trilogy_and_Other_Fiction_by_Nancy_Lou_Patterson_Volumes_I_and_II_The_Lamp_Post_of_the_Southern_California_C_S_Lewis_Society_36_1_Fall_2017_28_35">Joe Christopher. Review of "Ransoming the Waste Land: Papers on C.S. Lewis's Space Trilogy and Other Fiction by Nancy-Lou Patterson. Volumes I and II." The Lamp-Post of the Southern California C.S. Lewis Society 36.1 (Fall 2017): 28-35</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/EmilyEAuger">Emily E. Auger</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://northerniowa.academia.edu/JanetCroft">Janet Croft</a></span></div><div class="wp-workCard_item"><span>The Lamp-Post</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20af303aec22abd64da16d1d811cb137" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56701484,"asset_id":36755440,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56701484/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36755440"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36755440"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36755440; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36755440]").text(description); $(".js-view-count[data-work-id=36755440]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36755440; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36755440']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36755440, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20af303aec22abd64da16d1d811cb137" } } $('.js-work-strip[data-work-id=36755440]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36755440,"title":"Joe Christopher. 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Mythlore 35.1 (Fall/Winter 2016): 176-82." class="work-thumbnail" src="https://attachments.academia-assets.com/49700717/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29251828/Kris_Swank_Review_of_Ransoming_the_Waste_Land_Papers_on_C_S_Lewiss_Space_Trilogy_and_Other_Fiction_by_Nancy_Lou_Patterson_Volumes_I_and_II_Mythlore_35_1_Fall_Winter_2016_176_82">Kris Swank. Review of "Ransoming the Waste Land: Papers on C.S. Lewis's Space Trilogy and Other Fiction by Nancy-Lou Patterson. Volumes I and II." 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New York: Clarkson Potter / Pub...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of "The Phantomwise Tarot and Guidebook by Erin Morgenstern. New York: Clarkson Potter / Publishers. An Imprint of Penguin Random House LLC. © 2022. ISBN 978-0-593-57911-4." 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Insight Editions, 2022." Mythlore 41.2 (Spring/Summer 2023): 245-47." class="work-thumbnail" src="https://attachments.academia-assets.com/102685088/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102402008/Rev_of_The_Lord_of_the_Rings_Tarot_Deck_and_Guide_by_Casey_Gilly_author_and_Tomas_Hijo_Insight_Editions_2022_Mythlore_41_2_Spring_Summer_2023_245_47">Rev. of "The Lord of the Rings Tarot Deck and Guide by Casey Gilly (author) and Tomas Hijo. Insight Editions, 2022." Mythlore 41.2 (Spring/Summer 2023): 245-47.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Review of The Lord of the Rings Tarot Deck and Guide. Casey Gilly (author) and Tomás Hijo (artist...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Review of The Lord of the Rings Tarot Deck and Guide. Casey Gilly (author) and Tomás Hijo (artist). San Rafael, CA: Insight Editions, 2022. 78-card deck and folded guide sheet. $27.99. ISBN 978-1- 64722-809-5. 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Tate, 2022." Facing North (February 2023)." class="work-thumbnail" src="https://attachments.academia-assets.com/102689092/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102402129/Rev_of_Visions_of_the_Occult_An_Untold_Story_of_Art_and_Magic_by_Victoria_Jenkins_Tate_2022_Facing_North_February_2023_">Rev. of "Visions of the Occult: An Untold Story of Art and Magic by Victoria Jenkins. Tate, 2022." Facing North (February 2023).</a></div><div class="wp-workCard_item"><span>Facing North</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rev. of "Visions of the Occult: An Untold Story of Art and Magic by Victoria Jenkins. Tate, 2022....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of "Visions of the Occult: An Untold Story of Art and Magic by Victoria Jenkins. Tate, 2022." Facing North (February 2023). <br /><a href="https://www.facingnorth.net/books/art/visions-jenkins" rel="nofollow">https://www.facingnorth.net/books/art/visions-jenkins</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d86d351007b464dcf02e83ebf1f6dbef" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102689092,"asset_id":102402129,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102689092/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102402129"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102402129"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102402129; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102402129]").text(description); $(".js-view-count[data-work-id=102402129]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102402129; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102402129']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102402129, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d86d351007b464dcf02e83ebf1f6dbef" } } $('.js-work-strip[data-work-id=102402129]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102402129,"title":"Rev. of \"Visions of the Occult: An Untold Story of Art and Magic by Victoria Jenkins. 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Facing North (February 2023).</a></div><div class="wp-workCard_item"><span>Facing North</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rev. of Susan Aberth and Tere Arcq's The Tarot of Leonora Carrington (Book) (Editorial RM 2023). ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of Susan Aberth and Tere Arcq's The Tarot of Leonora Carrington (Book) (Editorial RM 2023). 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Susan Chang's 36 Secrets: A Decanic Journey ... (Anima Mundi Press, 2021); T. Susan Chang and M. M. Meleen's Tarot Deciphered ... (Llewellyn, 2021); and T. Susan Chang's Tarot Correspondences ... (Llewellyn, 2018, 2021)." Correspondences 10.2 (2022): 415-19." class="work-thumbnail" src="https://attachments.academia-assets.com/102688574/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102402208/Combined_Rev_of_T_Susan_Changs_36_Secrets_A_Decanic_Journey_Anima_Mundi_Press_2021_T_Susan_Chang_and_M_M_Meleens_Tarot_Deciphered_Llewellyn_2021_and_T_Susan_Changs_Tarot_Correspondences_Llewellyn_2018_2021_Correspondences_10_2_2022_415_19">Combined Rev. of "T. Susan Chang's 36 Secrets: A Decanic Journey ... (Anima Mundi Press, 2021); T. Susan Chang and M. M. Meleen's Tarot Deciphered ... (Llewellyn, 2021); and T. Susan Chang's Tarot Correspondences ... (Llewellyn, 2018, 2021)." Correspondences 10.2 (2022): 415-19.</a></div><div class="wp-workCard_item"><span>Correspondences</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Combined Rev. of "T. Susan Chang's 36 Secrets: A Decanic Journey through the Minor Arcana of the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Combined Rev. of "T. Susan Chang's 36 Secrets: A Decanic Journey through the Minor Arcana of the Tarot (Anima Mundi Press, 2021); T. Susan Chang and M. M. Meleen's Tarot Deciphered: Decoding Esoteric Symbolism in Modern Tarot (Llewellyn, 2021) with foreword by Lon Milo DuQuette; and T. Susan Chang's Tarot Correspondences: Ancient Secrets for Everyday Readers (Llewellyn, 2018, fifth printing 2021)." 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Francis Lincoln, an Imprint of The Quarto Group, 2021." Coreopsis 10.1 (Spring 2022)." class="work-thumbnail" src="https://attachments.academia-assets.com/102684972/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102402282/Rev_of_Iconic_Tarot_Decks_The_History_Symbolism_and_Design_of_over_50_Decks_by_Sarah_Bartlett_Francis_Lincoln_an_Imprint_of_The_Quarto_Group_2021_Coreopsis_10_1_Spring_2022_">Rev. of "Iconic Tarot Decks: The History, Symbolism, and Design of over 50 Decks by Sarah Bartlett. Francis Lincoln, an Imprint of The Quarto Group, 2021." Coreopsis 10.1 (Spring 2022).</a></div><div class="wp-workCard_item"><span>Coreopsis</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">and, most recently, Iconic Tarot Decks. The earlier Tarot titles are how-to books with short sect...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">and, most recently, Iconic Tarot Decks. The earlier Tarot titles are how-to books with short sections on Tarot history. Iconic Tarot Decks has short how-to and history sections as preamble to chapters titled "Influential Decks," "Beginner's Divination Decks," "Esoteric and Occult Decks," and "Contemporary Decks." Each deck within each of these chapters is allocated two-to-six pages and illustrated with at least one full-page colour card reproduction, and most have between one and six additional smaller images.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e801bacba84791ce585ab0d586f5232d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102684972,"asset_id":102402282,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102684972/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102402282"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102402282"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102402282; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102402282]").text(description); $(".js-view-count[data-work-id=102402282]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102402282; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102402282']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102402282, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e801bacba84791ce585ab0d586f5232d" } } $('.js-work-strip[data-work-id=102402282]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102402282,"title":"Rev. of \"Iconic Tarot Decks: The History, Symbolism, and Design of over 50 Decks by Sarah Bartlett. 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The earlier Tarot titles are how-to books with short sections on Tarot history. Iconic Tarot Decks has short how-to and history sections as preamble to chapters titled \"Influential Decks,\" \"Beginner's Divination Decks,\" \"Esoteric and Occult Decks,\" and \"Contemporary Decks.\" Each deck within each of these chapters is allocated two-to-six pages and illustrated with at least one full-page colour card reproduction, and most have between one and six additional smaller images.","owner":{"id":376261,"first_name":"Emily E.","middle_initials":null,"last_name":"Auger","page_name":"EmilyEAuger","domain_name":"independent","created_at":"2011-03-25T02:48:53.706-07:00","display_name":"Emily E. 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Strange Attractor Press, 2020." Facing North (June 2022)." class="work-thumbnail" src="https://attachments.academia-assets.com/102684943/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102402437/Rev_of_Ithell_Colquhoun_Genius_of_the_Fern_Loved_Gully_The_Supersensual_Life_of_Ithell_Colquhoun_Artist_and_Occultist_by_Amy_Hale_Strange_Attractor_Press_2020_Facing_North_June_2022_">Rev. of "Ithell Colquhoun: Genius of the Fern Loved Gully: The Supersensual Life of Ithell Colquhoun Artist and Occultist by Amy Hale. Strange Attractor Press, 2020." Facing North (June 2022).</a></div><div class="wp-workCard_item"><span>Facing North</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Folklore and Mythology, UCLA) is a wellestablished scholar, researcher, and teacher. In addition ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Folklore and Mythology, UCLA) is a wellestablished scholar, researcher, and teacher. In addition to being the author of Genius of the Fern Loved Gully, she edited Essays on Women in Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2021), and wrote introductions for the extraordinary Decad of Intelligence (Fulgur 2017) and Ithell Colquhoun: Taro as Colour (Fulgur 2018) (reviewed in Mythlore 40.1 Fall/Winter 2021). The Taro as Colour introduction focuses on what many regard as Ithell Colquhoun's (1906-1988) greatest accomplishment: her Tarot deck and the various influences, particularly that of the Hermetic Order of the Golden Dawn, that inform it. Genius of the Fern Loved Gully is a biography of the artist including in-depth examinations of the wide range of artistic, metaphysical, and other subjects that Colquhoun explored; the esoteric and occult groups that she joined and participated in; and a number of color illustrations of her art and visual images articulating some of her metaphysical ideas. It also includes notes, an index, biography, photographs, and color illustrations, and provides valuable information about the influence of the Golden Dawn during the midtwentieth century. 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Fonthill Media, 2...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of "Pamela Colman Smith Tarot Artist: The Pious Pixie by Dawn G. Robinson. Fonthill Media, 2020." 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Clemson University Press, 2021." Mythlore 40.2 (Spring/Summer 2022): 251-54." class="work-thumbnail" src="https://attachments.academia-assets.com/102684670/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102405043/Rev_of_Pamela_Colman_Smith_Artist_Feminist_and_Mystic_by_Elizabeth_Foley_OConnor_Clemson_University_Press_2021_Mythlore_40_2_Spring_Summer_2022_251_54">Rev. of "Pamela Colman Smith: Artist, Feminist, and Mystic by Elizabeth Foley O'Connor. Clemson University Press, 2021." Mythlore 40.2 (Spring/Summer 2022): 251-54.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8a5953bf0832a6260d690375ae09df7d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102684670,"asset_id":102405043,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102684670/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102405043"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102405043"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102405043; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102405043]").text(description); $(".js-view-count[data-work-id=102405043]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102405043; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102405043']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102405043, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8a5953bf0832a6260d690375ae09df7d" } } $('.js-work-strip[data-work-id=102405043]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102405043,"title":"Rev. of \"Pamela Colman Smith: Artist, Feminist, and Mystic by Elizabeth Foley O'Connor. 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Essay: Women Tarot Artists Inspired by the Golden Dawn: Recent Women Tarot Artists Inspired by the Golden Dawn: Recent Publications" class="work-thumbnail" src="https://attachments.academia-assets.com/102685170/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102405723/Rev_Essay_Women_Tarot_Artists_Inspired_by_the_Golden_Dawn_Recent_Women_Tarot_Artists_Inspired_by_the_Golden_Dawn_Recent_Publications">Rev. Essay: Women Tarot Artists Inspired by the Golden Dawn: Recent Women Tarot Artists Inspired by the Golden Dawn: Recent Publications</a></div><div class="wp-workCard_item"><span>Mythlore </span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Tarot art of Leonora Carrington and Ithell Colquhoun is discussed in the context of other wom...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Tarot art of Leonora Carrington and Ithell Colquhoun is discussed in the context of other women artists influenced by the Golden Dawn and who created historical Tarot decks. The emphasis is on the recent publications about Carrington and Colquhoun from Fulgur Press, with references to recent books about the Tarot art of Moina Mathers, Pamela Colman Smith, Jessie Burns Park, and Frieda Harris. Mythlore 40.1 (Autumn/Winter 2021): 242-48.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ca81411dc61ccb69888ca0c1dcb8c2ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102685170,"asset_id":102405723,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102685170/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102405723"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102405723"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102405723; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102405723]").text(description); $(".js-view-count[data-work-id=102405723]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102405723; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102405723']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102405723, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ca81411dc61ccb69888ca0c1dcb8c2ea" } } $('.js-work-strip[data-work-id=102405723]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102405723,"title":"Rev. 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University Press of Mississippi, 2021." Mythlore 40.1 (Fall/Winter 2021): 274-80."" class="work-thumbnail" src="https://attachments.academia-assets.com/102713069/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102443833/Rev_of_The_Cards_The_Evolution_and_Power_of_Tarot_by_Patrick_Maille_University_Press_of_Mississippi_2021_Mythlore_40_1_Fall_Winter_2021_274_80_">Rev. of "The Cards: The Evolution and Power of Tarot by Patrick Maille. University Press of Mississippi, 2021." 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Llewellyn, 2020." Facing North. November 2021. http://facingnorth.net/tarot-reviews/essential-tarot" class="work-thumbnail" src="https://attachments.academia-assets.com/102689161/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/102410892/Rev_of_Essential_Tarot_Writings_A_Collection_of_Source_Texts_in_Western_Occultism_by_Donald_Tyson_Llewellyn_2020_Facing_North_November_2021_http_facingnorth_net_tarot_reviews_essential_tarot">Rev. of "Essential Tarot Writings: A Collection of Source Texts in Western Occultism by Donald Tyson. Llewellyn, 2020." Facing North. November 2021. http://facingnorth.net/tarot-reviews/essential-tarot</a></div><div class="wp-workCard_item"><span>Facing North</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dd8a0403da206377acfcd0ab1bad2342" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102689161,"asset_id":102410892,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102689161/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102410892"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102410892"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102410892; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102410892]").text(description); $(".js-view-count[data-work-id=102410892]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102410892; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102410892']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102410892, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dd8a0403da206377acfcd0ab1bad2342" } } $('.js-work-strip[data-work-id=102410892]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102410892,"title":"Rev. of \"Essential Tarot Writings: A Collection of Source Texts in Western Occultism by Donald Tyson. 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(2019) and Robert Place's recreation of The Marziano Tarot (2015)"" class="work-thumbnail" src="https://attachments.academia-assets.com/102688239/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102409677/Combined_Rev_of_Caldwell_and_Ponzis_A_Treatise_on_the_Deification_of_Sixteen_Heroes_2019_and_Robert_Places_recreation_of_The_Marziano_Tarot_2015_">Combined Rev. of "Caldwell and Ponzi's A Treatise on the Deification of Sixteen Heroes ... (2019) and Robert Place's recreation of The Marziano Tarot (2015)"</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Combined Rev. of "A Treatise on the Deification of Sixteen Heroes by Marziano Da Sant' Alosio, wi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Combined Rev. of "A Treatise on the Deification of Sixteen Heroes by Marziano Da Sant' Alosio, with text, translation, introduction and notes by Ross G.R. Caldwell and Marco Ponzi. Scholion Press, 2019; The Marziano Tarot The Oldest Known Tarot Deck Conceived by Marziano da Tortona, First Created by Michelino da Besozzo in Milan between 1412 and 1425 recreated in 2015 by Robert Place. Hermes Publications, 2016; and Explaining the Tarot in Sixteenth Century Italy, with translation and commentary by Ross Sinclair Caldwell, Thierry Depaulis, and Marco Ponzi. Second edition. 2018." Mythlore 38.2 (Spring/Summer 2020): 221-25. <a href="https://dc.swosu.edu/mythlore/vol38/iss2/23/" rel="nofollow">https://dc.swosu.edu/mythlore/vol38/iss2/23/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="72ca6d9c2fadfb77b563a63790e524f6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102688239,"asset_id":102409677,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102688239/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102409677"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102409677"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102409677; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102409677]").text(description); $(".js-view-count[data-work-id=102409677]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102409677; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102409677']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102409677, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "72ca6d9c2fadfb77b563a63790e524f6" } } $('.js-work-strip[data-work-id=102409677]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102409677,"title":"Combined Rev. of \"Caldwell and Ponzi's A Treatise on the Deification of Sixteen Heroes ... 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Exhibition and Catalog by Grazina Subelyte and Daniel Zamini. Peggy Guggenheim Collection and the Museum Barbarini in Assoc. with Prestel, 2022. Facing North (July 2023)." class="work-thumbnail" src="https://attachments.academia-assets.com/105089080/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/105694087/Rev_of_Surrealism_and_Magic_Enchanted_Modernity_Exhibition_and_Catalog_by_Grazina_Subelyte_and_Daniel_Zamini_Peggy_Guggenheim_Collection_and_the_Museum_Barbarini_in_Assoc_with_Prestel_2022_Facing_North_July_2023_">Rev. of Surrealism and Magic: Enchanted Modernity. Exhibition and Catalog by Grazina Subelyte and Daniel Zamini. Peggy Guggenheim Collection and the Museum Barbarini in Assoc. with Prestel, 2022. 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Exhibition curator and book editor Robert Cozzolino. Minneapolis Institute of Art in assoc. with the University of Chicago Press, 2021. Facing North (June 2023)." class="work-thumbnail" src="https://attachments.academia-assets.com/105089000/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/105693984/Rev_of_Supernatural_America_The_Paranormal_in_American_Art_Exhibition_curator_and_book_editor_Robert_Cozzolino_Minneapolis_Institute_of_Art_in_assoc_with_the_University_of_Chicago_Press_2021_Facing_North_June_2023_">Rev. of Supernatural America: The Paranormal in American Art. Exhibition curator and book editor Robert Cozzolino. Minneapolis Institute of Art in assoc. with the University of Chicago Press, 2021. Facing North (June 2023).</a></div><div class="wp-workCard_item"><span>Facing North</span><span>, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27048c065d2f81b20535edb6fd5a6d5a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105089000,"asset_id":105693984,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105089000/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="105693984"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="105693984"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 105693984; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=105693984]").text(description); $(".js-view-count[data-work-id=105693984]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 105693984; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='105693984']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 105693984, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27048c065d2f81b20535edb6fd5a6d5a" } } $('.js-work-strip[data-work-id=105693984]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":105693984,"title":"Rev. of Supernatural America: The Paranormal in American Art. 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Mythprint: A Monthly Bulletin of the Mythopoeic Society 48.11 #352 (November 2011): 10.</a></div><div class="wp-workCard_item"><span>Mythprint</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rev. of "Deadly Powers: Animal Predators and the Mythic Imagination by Paul A. Trout. Prometheus ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of "Deadly Powers: Animal Predators and the Mythic Imagination by Paul A. Trout. Prometheus Books, 2011." Mythprint: A Monthly Bulletin of the Mythopoeic Society 48.11 #352 (November 2011): 10.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102448811"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102448811"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102448811; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102448811]").text(description); $(".js-view-count[data-work-id=102448811]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102448811; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102448811']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102448811, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102448811]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102448811,"title":"Rev. of \"Deadly Powers: Animal Predators and the Mythic Imagination by Paul A. 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Journal of Religion and Popular Culture 25.3 (2013): 436-38.</a></div><div class="wp-workCard_item"><span>Journal of Religion and Popular Culture</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Combined rev. of "Authors of the Impossible: The Paranormal and the Sacred; and Mutants & Mystics...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Combined rev. of "Authors of the Impossible: The Paranormal and the Sacred; and Mutants & Mystics: Science Fiction, Superhero Comics, and the Paranormal by Jeffrey J. Kripal. University of Chicago Press, 2010." 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Journal of Religion and Popular Culture 26.2 (Summer 2014): 263-64.</a></div><div class="wp-workCard_item"><span>Journal of Religion and Popular Culture</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rev. of "The Postmodern Sacred: Popular Culture Spirituality in the Science Fiction, Fantasy and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of "The Postmodern Sacred: Popular Culture Spirituality in the Science Fiction, Fantasy and Urban Fantasy Genres, by Emily McAvan. McFarland, 2012. Journal of Religion and Popular Culture 26.2 (Summer 2014): 263-64.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102448559"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102448559"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102448559; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102448559]").text(description); $(".js-view-count[data-work-id=102448559]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102448559; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102448559']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102448559, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102448559]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102448559,"title":"Rev. of \"The Postmodern Sacred: Popular Culture Spirituality in the Science Fiction, Fantasy and Urban Fantasy Genres, by Emily McAvan. 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Journal of American Culture 40.3 (Sept. 2017) 283-84.</a></div><div class="wp-workCard_item"><span>Journal of American Culture </span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rev. of Industrial Society and the Science Fiction Blockbuster: Social Critique in Films of Lucas...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of Industrial Society and the Science Fiction Blockbuster: Social Critique in Films of Lucas, Scott and Cameron by Mark T. Decker. McFarland, 2016. 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P...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rev. of "Gods and Robots: Myths, Machines, and Ancient Dreams of Technology, by Adrienne Mayor. Princeton UP, 2018." Mythlore 38.1 (Fall/Winter 2019): 67-69.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102448370"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102448370"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102448370; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102448370]").text(description); $(".js-view-count[data-work-id=102448370]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102448370; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102448370']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102448370, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102448370]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102448370,"title":"Rev. of \"Gods and Robots: Myths, Machines, and Ancient Dreams of Technology, by Adrienne Mayor. 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Oxford University Press, 2015 by Grevel Lindop." Mythprint 53.3 (Fall 2016): 7-8." class="work-thumbnail" src="https://attachments.academia-assets.com/102712875/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29696208/Rev_of_Charles_Williams_The_Third_Inkling_Oxford_University_Press_2015_by_Grevel_Lindop_Mythprint_53_3_Fall_2016_7_8">Rev. of "Charles Williams: The Third Inkling. Oxford University Press, 2015 by Grevel Lindop." 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The Canadian Journal of Native Studies (2019) 233-36.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Canadian Journal for Native Studies</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102450527"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102450527"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102450527; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102450527]").text(description); $(".js-view-count[data-work-id=102450527]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102450527; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102450527']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102450527, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102450527]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102450527,"title":"Rev. of \"Mapping Modernisms: Art, Indigeneity, Colonialism edited by Elizabeth Harney and Ruth B. 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Smith. McFarland, 2018." Mythlore 38.1 (Fall/Winter 2019): 62-64." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/102450844/Rev_of_The_Echo_of_Odin_Norse_Mythology_and_Human_Consciousness_by_Edward_W_L_Smith_McFarland_2018_Mythlore_38_1_Fall_Winter_2019_62_64">Rev. of "The Echo of Odin: Norse Mythology and Human Consciousness, by Edward W.L. Smith. McFarland, 2018." Mythlore 38.1 (Fall/Winter 2019): 62-64.</a></div><div class="wp-workCard_item"><span>Mythlore</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102450844"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102450844"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102450844; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102450844]").text(description); $(".js-view-count[data-work-id=102450844]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102450844; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102450844']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102450844, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102450844]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102450844,"title":"Rev. of \"The Echo of Odin: Norse Mythology and Human Consciousness, by Edward W.L. 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Imperato." Exhibition catalogue for the QCC [Queensborough Community College] Art Gallery. New York: Kilima House Publishers, 2017." Alaska Journal of Anthropology. 17.1-2 (2019): 173-74." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/102451051/Rev_of_Carving_Life_Walrus_Ivory_Carvings_from_the_Bering_Sea_by_Eleanor_M_Imperato_Exhibition_catalogue_for_the_QCC_Queensborough_Community_College_Art_Gallery_New_York_Kilima_House_Publishers_2017_Alaska_Journal_of_Anthropology_17_1_2_2019_173_74">Rev. of "Carving Life Walrus Ivory Carvings from the Bering Sea by Eleanor M. Imperato." Exhibition catalogue for the QCC [Queensborough Community College] Art Gallery. New York: Kilima House Publishers, 2017." Alaska Journal of Anthropology. 17.1-2 (2019): 173-74.</a></div><div class="wp-workCard_item"><span>Alaska Journal of Anthropology</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102451051"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102451051"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102451051; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102451051]").text(description); $(".js-view-count[data-work-id=102451051]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102451051; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102451051']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102451051, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102451051]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102451051,"title":"Rev. of \"Carving Life Walrus Ivory Carvings from the Bering Sea by Eleanor M. 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Horton. Art for an Undivided Earth: The American Indian Movement Generation. Duke University Press, 2017." Canadian Journal of Native Studies xxxvii.2 (2017): 204-206." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38444325/Rev_of_Jessica_L_Horton_Art_for_an_Undivided_Earth_The_American_Indian_Movement_Generation_Duke_University_Press_2017_Canadian_Journal_of_Native_Studies_xxxvii_2_2017_204_206">Rev. of "Jessica L. Horton. Art for an Undivided Earth: The American Indian Movement Generation. Duke University Press, 2017." Canadian Journal of Native Studies xxxvii.2 (2017): 204-206.</a></div><div class="wp-workCard_item"><span>Canadian Journal of Native Studies</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Jessica L. Horton. Art for an Undivided Earth: The American Indian Movement Generation. Duke Univ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Jessica L. Horton. Art for an Undivided Earth: The American Indian Movement Generation. Duke University Press, 2017. 311 pp. with notes, bibliography, index, and b/w and colour illus. ISBN 9780822369547 (hardcover); 9780822369813 (paperback); 9780822372790 (e-book).<br /><br />Jessica L. Horton introduces the thesis of Art for an Undivided Earth, which is evidently based on her PhD dissertation, with a quote from Jimmy Durham. "I feel fairly sure that I could address the entire world if only I had a place to stand. But you (white Americans) have made everything your turf. In every field, on every issue, the ground has already been covered." (1) She believes that much of the work produced by artists associated with the American Indian Movement (AIM) during the 1980s has been too readily interpreted in terms of identity politics when these artists deliberately "set out to transform struggles over the definition and ownership of space through artistic practice" (12).<br /><br />The full review is available in the Canadian Journal of Native Studies xxxvii.2 (2017): 204-206.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38444325"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38444325"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38444325; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38444325]").text(description); $(".js-view-count[data-work-id=38444325]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38444325; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38444325']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38444325, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=38444325]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38444325,"title":"Rev. of \"Jessica L. 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Durham & London: Duke University Press, 2015." Canadian Journal of Native Studies 36.1 (2016): 233- 34." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/102450554/Rev_of_Edgar_Heap_of_Birds_by_Bill_Anthes_Durham_and_London_Duke_University_Press_2015_Canadian_Journal_of_Native_Studies_36_1_2016_233_34">Rev. of "Edgar Heap of Birds by Bill Anthes. Durham & London: Duke University Press, 2015." Canadian Journal of Native Studies 36.1 (2016): 233- 34.</a></div><div class="wp-workCard_item"><span>Canadian Journal for Native Studies</span><span>, 2016</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102450554"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102450554"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102450554; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102450554]").text(description); $(".js-view-count[data-work-id=102450554]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102450554; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102450554']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102450554, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=102450554]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102450554,"title":"Rev. of \"Edgar Heap of Birds by Bill Anthes. 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Inuit Studies 36.1 (Summer 2012): 213-14.</a></div><div class="wp-workCard_item"><span>Études/Inuit/Studies</span><span>, 2000</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des ser...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. 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CJNS 30.1 (2010): 191-94." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/20437079/Combined_Rev_of_Fritz_Scholder_Indian_Not_Indian_ed_Lowery_Stokes_Sims_Re_inventing_the_Wheel_ed_Nancy_J_Interventions_by_Judith_Ostrowitz_CJNS_30_1_2010_191_94">Combined Rev. of "Fritz Scholder: Indian/Not Indian, ed. Lowery Stokes Sims. [Re]inventing the Wheel, ed. Nancy J. Interventions, by Judith Ostrowitz." CJNS 30.1 (2010): 191-94.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Combined Rev. of "Fritz Scholder: Indian/Not Indian, edited by Lowery Stokes Sims. National Museu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Combined Rev. of "Fritz Scholder: Indian/Not Indian, edited by Lowery Stokes Sims. National Museum of the American Indian. 2008. [Re]inventing the Wheel: Advancing the Dialogue on Contemporary Indian Art [with DVD], edited by Nancy J. Blomberg. Denver Art Museum. 2008.  Interventions: Native American Art for Far-Flung Territories, by Judith Ostrowitz. University of Washington Press, 2009." Canadian Journal of Native Studies 30.1 (2010): 191-94.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="20437079"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="20437079"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20437079; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20437079]").text(description); $(".js-view-count[data-work-id=20437079]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20437079; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='20437079']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 20437079, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=20437079]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":20437079,"title":"Combined Rev. of \"Fritz Scholder: Indian/Not Indian, ed. 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Szabo. Norman: University of Oklahoma Press, 2008." Southwest Journal of Cultures Post 1 (Fall 2008)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/20437105/Rev_of_Art_from_Fort_Marion_The_Silberman_Collection_by_Joyce_M_Szabo_Norman_University_of_Oklahoma_Press_2008_Southwest_Journal_of_Cultures_Post_1_Fall_2008_">Rev. of "Art from Fort Marion: The Silberman Collection, by Joyce M. Szabo. Norman: University of Oklahoma Press, 2008." Southwest Journal of Cultures Post 1 (Fall 2008).</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="20437105"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="20437105"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20437105; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20437105]").text(description); $(".js-view-count[data-work-id=20437105]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20437105; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='20437105']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 20437105, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=20437105]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":20437105,"title":"Rev. of \"Art from Fort Marion: The Silberman Collection, by Joyce M. 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Auger","url":"https://independent.academia.edu/EmilyEAuger"},"attachments":[],"research_interests":[{"id":299,"name":"Native American Studies","url":"https://www.academia.edu/Documents/in/Native_American_Studies"},{"id":25370,"name":"Contemporary Indigenous Arts","url":"https://www.academia.edu/Documents/in/Contemporary_Indigenous_Arts"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="5472951" id="callforconferencepapers"><div class="js-work-strip profile--work_container" data-work-id="36755307"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36755307/CFP_Tarot_and_Other_Methods_of_Divination_at_2019_PCA_ACA_conference"><img alt="Research paper thumbnail of CFP: Tarot and Other Methods of Divination at 2019 PCA/ACA conference" class="work-thumbnail" src="https://attachments.academia-assets.com/56701333/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36755307/CFP_Tarot_and_Other_Methods_of_Divination_at_2019_PCA_ACA_conference">CFP: Tarot and Other Methods of Divination at 2019 PCA/ACA conference</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The "Tarot and Other Methods of Divination" area of the 2019 Popular Culture Association/American...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The "Tarot and Other Methods of Divination" area of the 2019 Popular Culture Association/American Culture Association conference in Washington DC is open to proposals on all relevant approaches and topics. In addition, we are also looking for papers on "Prophecy and Future-Telling in Tolkien and Related Authors" for a session co-sponsored by Tolkien Studies. See attachment for more information. Proposals due no later than 1 Oct. 2018. <br />Update Oct 3: Conference submission deadline extended to Nov. 1 2018.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3568edf1eea32fcf485985812415fea4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56701333,"asset_id":36755307,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56701333/download_file?st=MTczMzkyMTI3Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36755307"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36755307"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36755307; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36755307]").text(description); $(".js-view-count[data-work-id=36755307]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36755307; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36755307']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36755307, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3568edf1eea32fcf485985812415fea4" } } $('.js-work-strip[data-work-id=36755307]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36755307,"title":"CFP: Tarot and Other Methods of Divination at 2019 PCA/ACA conference","translated_title":"","metadata":{"abstract":"The \"Tarot and Other Methods of Divination\" area of the 2019 Popular Culture Association/American Culture Association conference in Washington DC is open to proposals on all relevant approaches and topics. 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