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Third World Film Making and the West - Roy Armes - Google Books
<!DOCTYPE html><html><head><title>Third World Film Making and the West - Roy Armes - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_about_this_book_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/atb_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><link rel="canonical" href="https://books.google.com/books/about/Third_World_Film_Making_and_the_West.html?id=qFDnqIwdr8EC"/><meta property="og:url" content="https://books.google.com/books/about/Third_World_Film_Making_and_the_West.html?id=qFDnqIwdr8EC"/><meta name="title" content="Third World Film Making and the West"/><meta name="description" content="This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic.The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators.In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema.Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume."/><meta property="og:title" content="Third World Film Making and the West"/><meta property="og:type" content="book"/><meta property="og:site_name" content="Google Books"/><meta property="og:image" content="https://books.google.com.sg/books/content?id=qFDnqIwdr8EC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE73Xz_F_I0uObkZ_XAwiGfmcDmpjFv-_Ep2LkOuCy7TivfZstgPJj3C5DnE1nnwJRKsaOh1o0mxkTN2xN8FYwlpBFjNQsjXXO0sHeMNdAcAZrusJIY5LjDiAFcBBprMLCraFNsRR"/><link rel="image_src" href="https://books.google.com.sg/books/content?id=qFDnqIwdr8EC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE73Xz_F_I0uObkZ_XAwiGfmcDmpjFv-_Ep2LkOuCy7TivfZstgPJj3C5DnE1nnwJRKsaOh1o0mxkTN2xN8FYwlpBFjNQsjXXO0sHeMNdAcAZrusJIY5LjDiAFcBBprMLCraFNsRR"/><script></script><style>#gbar,#guser{font-size:13px;padding-top:1px !important;}#gbar{height:22px}#guser{padding-bottom:7px !important;text-align:right}.gbh,.gbd{border-top:1px solid #c9d7f1;font-size:1px}.gbh{height:0;position:absolute;top:24px;width:100%}@media all{.gb1{height:22px;margin-right:.5em;vertical-align:top}#gbar{float:left}}a.gb1,a.gb4{text-decoration:underline !important}a.gb1,a.gb4{color:#00c !important}.gbi .gb4{color:#dd8e27 !important}.gbf .gb4{color:#900 !important} #gbar { padding:.3em .6em !important;}</style></head><body class=""><div id=gbar><nobr><a target=_blank class=gb1 href="https://www.google.com.sg/search?tab=pw">Search</a> <a target=_blank class=gb1 href="https://www.google.com.sg/imghp?hl=en&tab=pi">Images</a> <a target=_blank class=gb1 href="https://maps.google.com.sg/maps?hl=en&tab=pl">Maps</a> <a target=_blank class=gb1 href="https://play.google.com/?hl=en&tab=p8">Play</a> <a target=_blank class=gb1 href="https://www.youtube.com/?tab=p1">YouTube</a> <a target=_blank class=gb1 href="https://news.google.com/?tab=pn">News</a> <a target=_blank class=gb1 href="https://mail.google.com/mail/?tab=pm">Gmail</a> <a target=_blank class=gb1 href="https://drive.google.com/?tab=po">Drive</a> <a target=_blank class=gb1 style="text-decoration:none" href="https://www.google.com.sg/intl/en/about/products?tab=ph"><u>More</u> »</a></nobr></div><div id=guser width=100%><nobr><span id=gbn class=gbi></span><span id=gbf class=gbf></span><span id=gbe></span><a target=_top id=gb_70 href="https://www.google.com/accounts/Login?service=print&continue=https://books.google.com.sg/books%3Fid%3DqFDnqIwdr8EC%26redir_esc%3Dy%26hl%3Den&hl=en&ec=GAZACg" class=gb4>Sign in</a></nobr></div><div class=gbh style=left:0></div><div class=gbh style=right:0></div><div role="alert" style="position: absolute; left: 0; right: 0;"><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&redir_esc=y&hl=en&output=html_text" title="Screen reader users: click this link for accessible mode. 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Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic.<br><br><br><br>The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators.<br><br><br><br>In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema.<br><br><br><br>Roy Armes, who lives in London, has written nine books on film, his most recent being <i>French Cinema<i>. He spent more than three years researching this volume.</div></div></div><div class="search_box_wrapper"><form action=/books id=search_form style="margin:0px;padding:0px;" method=get> <input type=hidden name="redir_esc" value="y"><input type=hidden name="id" value="qFDnqIwdr8EC"><table cellpadding=0 cellspacing=0 class="swv-table"><tr><td class="swv-td-search"><span><input id=search_form_input type=text maxlength=1024 class="text_flat swv-input-search" aria-label="Search in this book" name=q value="" title="Search inside" accesskey=i></span></td><td class="swv-td-space"><div> </div></td><td><input type=submit value="Search inside"></td></tr></table><script type="text/javascript">if (window['_OC_autoDir']) {_OC_autoDir('search_form_input');}</script></form><div id="preview-link"><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&printsec=frontcover" class="primary"><span dir=ltr>Preview this book</span> »</a></div></div></td> </tr></table><div id="summary-second-column"></div></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="selected_pages_anchor"></a>Selected pages</h3><div id=selected_pages class=about_content><div id=selected_pages_v><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PP7&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=qFDnqIwdr8EC&pg=PP7&img=1&zoom=1&sig=ACfU3U3YQErL5LZu72I8_WMg3UGJLuDmig" alt="Title Page" title="Title Page" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PP7&source=gbs_selected_pages&cad=1" >Title Page</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PP15&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=qFDnqIwdr8EC&pg=PP15&img=1&zoom=1&sig=ACfU3U2jfW2AthBrcTyjEt15_t0_tOuE2A" alt="Table of Contents" title="Table of Contents" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PP15&source=gbs_selected_pages&cad=1" >Table of Contents</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA365&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=qFDnqIwdr8EC&pg=PA365&img=1&zoom=1&sig=ACfU3U30A5yoZpvtC4lmG82vjOc88S4ISQ" alt="Index" title="Index" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA365&source=gbs_selected_pages&cad=1" >Index</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA331&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=qFDnqIwdr8EC&pg=PA331&img=1&zoom=1&sig=ACfU3U12q0C5xvyIWPJN1mPFtYm0KKyxrA" alt="References" title="References" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA331&source=gbs_selected_pages&cad=1" >References</a></div><div style="clear:both;"></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="toc_anchor"></a>Contents</h3><div id=toc class=about_content><div id=toc_v><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA3&source=gbs_toc_r&cad=2" ><span title="III" style="white-space:nowrap"><span dir=ltr>III</span></span></a></div></td><td class="toc_number" align=right>3</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA7&source=gbs_toc_r&cad=2" ><span title="IV" style="white-space:nowrap"><span dir=ltr>IV</span></span></a></div></td><td class="toc_number" align=right>7</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA11&source=gbs_toc_r&cad=2" ><span title="V" style="white-space:nowrap"><span dir=ltr>V</span></span></a></div></td><td class="toc_number" align=right>11</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>VI</span></span></div></td><td class="toc_number" align=right>23</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>VII</span></span></div></td><td class="toc_number" align=right>37</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>VIII</span></span></div></td><td class="toc_number" align=right>53</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>IX</span></span></div></td><td class="toc_number" align=right>57</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>X</span></span></div></td><td class="toc_number" align=right>75</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XVII</span></span></div></td><td class="toc_number" align=right>229</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XVIII</span></span></div></td><td class="toc_number" align=right>233</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XIX</span></span></div></td><td class="toc_number" align=right>245</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XX</span></span></div></td><td class="toc_number" align=right>257</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XXI</span></span></div></td><td class="toc_number" align=right>271</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XXII</span></span></div></td><td class="toc_number" align=right>283</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XXIII</span></span></div></td><td class="toc_number" align=right>295</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XXIV</span></span></div></td><td class="toc_number" align=right>307</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/></div><span onclick="_OC_setListSectionVisible('toc_h', 1)" class=morelesslink id=toc_hc0 style="display:none"><br>More</span><div id=toc_hd1><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XI</span></span></div></td><td class="toc_number" align=right>89</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XII</span></span></div></td><td class="toc_number" align=right>103</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XIII</span></span></div></td><td class="toc_number" align=right>107</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XIV</span></span></div></td><td class="toc_number" align=right>137</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XV</span></span></div></td><td class="toc_number" align=right>165</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XVI</span></span></div></td><td class="toc_number" align=right>191</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XXV</span></span></div></td><td class="toc_number" align=right>315</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>XXVI</span></span></div></td><td class="toc_number" align=right>329</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA365&source=gbs_toc_r&cad=2" ><span title="XXVII" style="white-space:nowrap"><span dir=ltr>XXVII</span></span></a></div></td><td class="toc_number" align=right>365</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA367&source=gbs_toc_r&cad=2" ><span title="XXVIII" style="white-space:nowrap"><span dir=ltr>XXVIII</span></span></a></div></td><td class="toc_number" align=right>367</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&printsec=copyright" ><span title="Copyright" style="white-space:nowrap"><span dir=ltr>Copyright</span></span></a></div></td><td class="toc_number" align=right></td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/><span onclick="_OC_setListSectionVisible('toc_h', 0)" class=morelesslink id=toc_hc1 style="display:none"><br>Less</span></div><script type="text/javascript">if (window['_OC_setListSectionVisible']) {_OC_setListSectionVisible('toc_h', 0);}</script></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="book_other_versions_anchor"></a>Other editions - <a href='https://books.google.com.sg/books?q=editions:ISBN0520908015&id=qFDnqIwdr8EC'>View all</a></h3><div id=book_other_versions class=about_content><div id=book_other_versions_v><div class="one-third-column"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=j7YwDwAAQBAJ&source=gbs_book_other_versions_r&cad=3" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=j7YwDwAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=j7YwDwAAQBAJ&printsec=frontcover&source=gbs_book_other_versions_r&cad=3"><span dir=ltr>Third World Film Making and the West</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Roy+Armes%22" class="secondary"><span dir=ltr>Roy Armes</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 1987</span><br/></span></div></td><td align=right></td></tr></table></div></div><script>(function () {var fn = window['_OC_WSBookList'] || window['_OC_BookList'];fn && fn('book_other_versions', [{"title":"Third World Film Making and the West","authors":"Roy Armes","bib_key":"ISBN:9780520056909","pub_date":"29 Jul 1987","snippet":"This is the fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of \"world cinema.\" Third World ...","subject":"Business \u0026 Economics","info_url":"https://books.google.com.sg/books?id=j7YwDwAAQBAJ\u0026source=gbs_book_other_versions","preview_url":"https://books.google.com.sg/books?id=j7YwDwAAQBAJ\u0026printsec=frontcover\u0026source=gbs_book_other_versions","thumbnail_url":"https://books.google.com.sg/books/content?id=j7YwDwAAQBAJ\u0026printsec=frontcover\u0026img=1\u0026zoom=1\u0026edge=curl","num_pages":396,"viewability":2,"preview":"partial","embeddable":true,"my_ebooks_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fas_coll%3D7\u0026hl=en","has_scanned_text":true,"can_download_pdf":false,"can_download_epub":false,"is_pdf_drm_enabled":false,"is_epub_drm_enabled":false}]);})();</script></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="word_cloud_anchor"></a>Common terms and phrases</h3><div id=word_cloud class=about_content><div id=word_cloud_v><style type="text/css">.cloud9 {color: #7777cc;font-size: 10px;}.cloud8 {color: #6963CC;font-size: 10.5px;}.cloud7 {color: #6057CC;font-size: 11px;}.cloud6 {color: #574BCC;font-size: 11.5px;}.cloud5 {color: #4E3DCC;font-size: 12px;}.cloud4 {color: #4632CC;font-size: 14px;}.cloud3 {color: #3D26CC;font-size: 16px;}.cloud2 {color: #341ACC;font-size: 18px;}.cloud1 {color: #2B0DCC;font-size: 20px;}.cloud0 {color: #2200CC;font-size: 22px;}.cloud {margin-top: 4px;line-height: 24px;}.cloud a {margin-right: 6px;text-decoration: none;}.cloud a:hover {text-decoration: underline;}</style><div class=cloud><a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=achieved&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>achieved</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=African&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>African</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=American+film&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>American film</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Arab&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Arab</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Argentina&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Argentina</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=artistic&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>artistic</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Asia&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Asia</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=audience&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>audience</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Bengali&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Bengali</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Bolivia&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Bolivia</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Bombay&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Bombay</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Brazil&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Brazil</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=British&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>British</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=capital&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>capital</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=capitalist&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>capitalist</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Chahine&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Chahine</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Chinese&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Chinese</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=cinema+novo&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>cinema novo</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=colonial&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>colonial</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=commercial&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>commercial</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=companies&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>companies</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=contemporary&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>contemporary</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=context&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>context</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=countries&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>countries</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=critics&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>critics</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Cuban&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Cuban</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=culture&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>culture</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=despite&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>despite</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=director&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>director</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=documentary&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>documentary</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=dominance&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>dominance</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=early&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>early</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=economic&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>economic</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Egypt&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Egypt</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Egyptian&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Egyptian</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=elite&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>elite</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=emergence&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>emergence</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=established&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>established</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=European&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>European</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=example&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>example</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=exile&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>exile</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=feature+film&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>feature film</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=feature-length&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>feature-length</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=film+industry&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>film industry</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Film+Institute&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Film Institute</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=film+production&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>film production</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=foreign&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>foreign</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=French&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>French</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Garc%C3%ADa&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>García</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Getino&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Getino</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Glauber+Rocha&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Glauber Rocha</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Gumucio-Dagron&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Gumucio-Dagron</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=G%C3%BCney%27s&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Güney's</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Hennebelle&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Hennebelle</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Hollywood&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Hollywood</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Hong+Kong&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Hong Kong</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Ibid&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Ibid</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=impact&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>impact</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=important&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>important</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=independence&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>independence</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Indian+cinema&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Indian cinema</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Indian+film&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Indian film</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=interview&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>interview</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Jorge+Sanjin%C3%A9s&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Jorge Sanjinés</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=language&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>language</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Latin+America&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Latin America</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=London&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>London</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=major&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>major</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=mass&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>mass</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=ment&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>ment</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=movie&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>movie</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=national+cinema&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>national cinema</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=National+Film&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>National Film</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=neorealism&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>neorealism</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=non-Western&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>non-Western</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Octavio+Getino&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Octavio Getino</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Ousmane+Sembene&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Ousmane Sembene</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=output&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>output</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Pakistan&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Pakistan</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Paris&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Paris</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=percent&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>percent</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=period&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>period</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Phalke&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Phalke</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=political&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>political</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=popular&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>popular</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Ray%27s&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Ray's</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=revolution&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>revolution</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=revolutionary&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>revolutionary</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Ritwik+Ghatak&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Ritwik Ghatak</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=role&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>role</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Ruy+Guerra&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Ruy Guerra</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Satyajit+Ray&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Satyajit Ray</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Sembene%27s&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Sembene's</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Shanghai&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Shanghai</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=shot&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>shot</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=shows&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>shows</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=social&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>social</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=society&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>society</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=sound+film&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>sound film</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=struggle&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>struggle</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=television&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>television</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=theaters&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>theaters</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Third+Cinema&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Third Cinema</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Third+World&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Third World</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Third+World+film&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>Third World film</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=tion&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>tion</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=tradition&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>tradition</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=underdevelopment&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>underdevelopment</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=West&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>West</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Western&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Western</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Xala&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Xala</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Y%C4%B1lmaz+G%C3%BCney&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>Yılmaz Güney</span></a> <a href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&q=Youssef+Chahine&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Youssef Chahine</span></a></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="quotes_anchor"></a>Popular passages</h3><div id=quotes class=about_content><div id=quotes_v><div class="quot"><span class="nobr"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA3&vq=%22be+true+that+for+a+European+or+American+studying+the+Orient+there+can+be+no+disclaiming+the+main+circumstances+of%22&source=gbs_quotes_r&cad=5" >Page 3</a></span> - <span dir=ltr>be true that for a European or American studying the Orient there can be no disclaiming the main circumstances of his actuality: that he comes up against the Orient as a European or American first, as an individual second.</span><div class="qt_aprs"><a class="secondary" href=https://books.google.com.sg/books?id=qFDnqIwdr8EC&qtid=597e78c0&source=gbs_quotes_r&cad=5>Appears in 36 books from 1972-2006</a></div></div><div class="quot"><span class="nobr"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA13&vq=%22saved+nationally+:+The+memory+which+is+assigned+him+is+certainly+not+that+of+his+people.+The+history+which+is%22&source=gbs_quotes_r&cad=5" >Page 13</a></span> - <span dir=ltr>saved nationally”: The memory which is assigned him is certainly not that of his people. The history which is taught him is not his own. He knows who Colbert or Cromwell was, but he learns nothing about Khaznadar; he knows about Joan of Arc, but not about El Kahena.</span><div class="qt_aprs"><a class="secondary" href=https://books.google.com.sg/books?id=qFDnqIwdr8EC&qtid=127e78cb&source=gbs_quotes_r&cad=5>Appears in 11 books from 1972-2005</a></div></div></div><span onclick="_OC_setListSectionVisible('quotes_h', 1)" class=morelesslink id=quotes_hc0 style="display:none">More</span><div id=quotes_hd1><div class="quot"><span class="nobr"><a class="primary" href="https://books.google.com.sg/books?id=qFDnqIwdr8EC&pg=PA14&vq=%22The+books+talk+to+him+of+a+world+which+in+no+way+reminds+him+of+his+own%3B+the+little+boy%22&source=gbs_quotes_r&cad=5" >Page 14</a></span> - <span dir=ltr>The books talk to him of a world which in no way reminds him of his own; the little boy is called Toto and the little girl Marie; and on winter evenings Marie and Toto walk home along snow-covered paths, stopping in front of</span><div class="qt_aprs"><a class="secondary" href=https://books.google.com.sg/books?id=qFDnqIwdr8EC&qtid=cd7e78cb&source=gbs_quotes_r&cad=5>Appears in 8 books from 1972-2003</a></div></div><span onclick="_OC_setListSectionVisible('quotes_h', 0)" class=morelesslink id=quotes_hc1 style="display:none">Less</span></div><script type="text/javascript">if (window['_OC_setListSectionVisible']) {_OC_setListSectionVisible('quotes_h', 0);}</script></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="citations_module_anchor"></a>References to this book</h3><div id=citations_module class=about_content><div id=citations_module_v><div class="left-column-outer"><div class="left-column-inner"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=oqMOAAAAQAAJ&source=gbs_citations_module_r&cad=6" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=oqMOAAAAQAAJ&printsec=frontcover&img=1&zoom=5" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=oqMOAAAAQAAJ&printsec=references&vq=%22Third+World+Film+Making+and+the+West%22&source=gbs_citations_module_r&cad=6"><span dir=ltr>Australian National Cinema</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Tom+O%27Regan%22" class="secondary"><span dir=ltr>Tom O&#39;Regan</span></a></span><br/><span><span style="color:#999">No preview available</span> - 1996</span><br/></span></div></td><td align=right></td></tr></table></div><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=yPZgAAAAMAAJ&source=gbs_citations_module_r&cad=6" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=yPZgAAAAMAAJ&printsec=frontcover&img=1&zoom=5" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=yPZgAAAAMAAJ&vq=%22Third+World+Film+Making+and+the+West%22&source=gbs_citations_module_r&cad=6"><span dir=ltr>Questions of Third Cinema</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Jim+Pines%22" class="secondary"><span dir=ltr>Jim Pines</span></a></span><br/><span><span style="color:#999">Snippet view</span> - 1989</span><br/></span></div></td><td align=right></td></tr></table></div><a class="secondary" href="https://books.google.com.sg/books?q=cites:ISBN0520908015&id=qFDnqIwdr8EC&source=gbs_citations_module_r&cad=6"><span dir=ltr>All Book Search results &raquo;</span></a></div></div><div style="clear:both"></div> </div></div></div><div class=vertical_module_list_row><h3 class="about_title">Bibliographic information</h3><div class="about_content" id="metadata_content" style="padding-bottom:.3em"><div class="metadata_sectionwrap"><table id="metadata_content_table"><tr class="metadata_row"><td class="metadata_label">Title</td><td class="metadata_value"><span dir=ltr>Third World Film Making and the West</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Author</span></td><td class="metadata_value"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Roy+Armes%22&source=gbs_metadata_r&cad=7"><span dir=ltr>Roy Armes</span></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Publisher</span></td><td class="metadata_value"><span dir=ltr>University of California Press, 1987</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>ISBN</span></td><td class="metadata_value"><span dir=ltr>0520908015, 9780520908017</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Length</span></td><td class="metadata_value"><span dir=ltr>381 pages</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Subjects</span></td><td class="metadata_value"><div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts%22" itemprop="url" dir=ltr><span itemprop="title">Performing Arts</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+Film%22" itemprop="url" dir=ltr><span itemprop="title">Film</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+Film+General%22" itemprop="url" dir=ltr><span itemprop="title">General</span></a></div><br><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Performing+Arts+/+Film+/+General%22&source=gbs_metadata_r&cad=7"><span dir=ltr>Performing Arts / Film / General</span></a></td></tr><tr class="metadata_row"><td> </td><td> </td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Export Citation</span></td><td class="metadata_value"><a class="gb-button " href="https://books.google.com.sg/books/download/Third_World_Film_Making_and_the_West.bibtex?id=qFDnqIwdr8EC&output=bibtex"><span dir=ltr>BiBTeX</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/Third_World_Film_Making_and_the_West.enw?id=qFDnqIwdr8EC&output=enw"><span dir=ltr>EndNote</span></a> <a class="gb-button " 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