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href="https://de.wikipedia.org/wiki/Der_beste_Mann_beim_Milit%C3%A4r" title="Der beste Mann beim Militär – German" lang="de" hreflang="de" data-title="Der beste Mann beim Militär" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%BE%DB%8C%D8%B4%D8%B1%D9%88%DB%8C_%D8%B3%D8%B1%D8%A8%D8%A7%D8%B2" title="پیشروی سرباز – Persian" lang="fa" hreflang="fa" data-title="پیشروی سرباز" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Ce_sacr%C3%A9_z%27h%C3%A9ros" title="Ce sacré z'héros – French" lang="fr" hreflang="fr" data-title="Ce sacré z'héros" data-language-autonym="Français" data-language-local-name="French" 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data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Private's Progress</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Private%27s_Progress_-_1956_poster.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/6/64/Private%27s_Progress_-_1956_poster.jpg/220px-Private%27s_Progress_-_1956_poster.jpg" decoding="async" width="220" height="327" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/6/64/Private%27s_Progress_-_1956_poster.jpg 1.5x" data-file-width="259" data-file-height="385" /></a></span><div class="infobox-caption">Original UK cinema poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/John_and_Roy_Boulting" class="mw-redirect" title="John and Roy Boulting">John Boulting</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Screenplay by</th><td class="infobox-data">John Boulting<br /><a href="/wiki/Frank_Harvey_(English_screenwriter)" title="Frank Harvey (English screenwriter)">Frank Harvey</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Based on</th><td class="infobox-data"><i>Private's Progress</i><br />by <a href="/wiki/Alan_Hackney" title="Alan Hackney">Alan Hackney</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data"><a href="/wiki/John_and_Roy_Boulting" class="mw-redirect" title="John and Roy Boulting">Roy Boulting</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><a href="/wiki/Ian_Carmichael" title="Ian Carmichael">Ian Carmichael</a><br /><a href="/wiki/Richard_Attenborough" title="Richard Attenborough">Richard Attenborough</a><br /><a href="/wiki/Dennis_Price" title="Dennis Price">Dennis Price</a><br /><a href="/wiki/Terry-Thomas" title="Terry-Thomas">Terry-Thomas</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/Eric_Cross_(cinematographer)" title="Eric Cross (cinematographer)">Eric Cross</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data"><a href="/wiki/Anthony_Harvey" title="Anthony Harvey">Anthony Harvey</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><a href="/wiki/John_Addison" title="John Addison">John Addison</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production<br />company</div></th><td class="infobox-data"><div style="vertical-align: middle;">Charter Film Productions</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><a href="/wiki/British_Lion_Films" title="British Lion Films">British Lion Films</a> <span style="font-size:85%;">(UK)</span></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release date</div></th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist film-date"> <ul><li>17 February 1956<span style="display:none"> (<span class="bday dtstart published updated itvstart">1956-02-17</span>)</span> (UK)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">95 minutes</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Country</th><td class="infobox-data">United Kingdom</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">£161,069<sup id="cite_ref-money_1-0" class="reference"><a href="#cite_note-money-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">£310,870 (UK)<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></td></tr></tbody></table> <p><i><b>Private's Progress</b></i> is a 1956 British <a href="/wiki/Comedy_film" title="Comedy film">comedy film</a> directed by <a href="/wiki/John_and_Roy_Boulting" class="mw-redirect" title="John and Roy Boulting">John Boulting</a> and starring <a href="/wiki/Ian_Carmichael" title="Ian Carmichael">Ian Carmichael</a>, <a href="/wiki/Peter_Jones_(actor)" title="Peter Jones (actor)">Peter Jones</a>, <a href="/wiki/William_Hartnell" title="William Hartnell">William Hartnell</a> and <a href="/wiki/Terry-Thomas" title="Terry-Thomas">Terry-Thomas</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The script was by John Boulting and <a href="/wiki/Frank_Harvey_(English_screenwriter)" title="Frank Harvey (English screenwriter)">Frank Harvey</a> based on the novel of the same name<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> by <a href="/wiki/Alan_Hackney" title="Alan Hackney">Alan Hackney</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=1" title="Edit section: Plot"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>During the <a href="/wiki/Second_World_War" class="mw-redirect" title="Second World War">Second World War</a>, young <a href="/wiki/Undergraduate" class="mw-redirect" title="Undergraduate">undergraduate</a> Stanley Windrush is conscripted into the <a href="/wiki/British_Army" title="British Army">British Army</a>. Unlike his friend, Egan, Windrush is a most reluctant soldier and struggles through basic training at Gravestone Barracks under Sgt. Sutton. Failing his officer selection board, he is posted to a holding unit, under the command of Major Hitchcock. Most of the soldiers there are malingerers and drop-outs, with one of them Private Cox becoming his mentor in escaping work details and riding on the railway without a ticket. </p><p>Windrush is finally posted to train as a Japanese interpreter, where he becomes the prize pupil. He is then contacted by his uncle, Brigadier Tracepurcel, who rapidly rose from the rank of Major for facilitating profitable business deals for his superior officers and is now a senior officer in the <a href="/wiki/War_Office" title="War Office">War Office</a>, to join a secret operation known only as Hatrack. He is quickly commissioned and the operation is launched, Windrush becoming an unwitting participant in a scheme ostensibly to recover looted artworks from the Germans but really to steal them and sell them to two crooked art dealers. All are astounded that Windrush was trained in Japanese, rather than German that initially made him desirable to the operation. </p><p>Windrush survives the operation where he is captured by British forces whilst in German uniform. No one believes he is British until he comes across Major Hitchcock who is commanding the prisoner of war camp Windrush is at. After being hospitalised for alleged mental illness, he is discharged from the army. Tracepurcel and his associate, Private Cox, fake their deaths. Windrush returns to university after the war and is surprised to receive a visit from Cox, who brings him an attaché case. Cox is arrested as he leaves by Sergeant Sutton, now a Royal Military Policeman; Windrush and Tracepurcel having been tracked as the source of a counterfeit copy of one of the artworks. Windrush innocently reveals to the military police the contents of the case – a large sum of money – and is also arrested, assumed to be complicit in the fraud. </p><p>The closing epilogue and dedication states: "To all those who got away with it, this film is most respectfully dedicated."<sup id="cite_ref-NYT1956_5-0" class="reference"><a href="#cite_note-NYT1956-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=2" title="Edit section: Cast"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 30em;"> <ul><li><a href="/wiki/Ian_Carmichael" title="Ian Carmichael">Ian Carmichael</a> as Stanley Windrush</li> <li><a href="/wiki/Richard_Attenborough" title="Richard Attenborough">Richard Attenborough</a> as Private Cox</li> <li><a href="/wiki/Dennis_Price" title="Dennis Price">Dennis Price</a> as Brigadier Bertram Tracepurcel</li> <li><a href="/wiki/Terry-Thomas" title="Terry-Thomas">Terry-Thomas</a> as Major Hitchcock</li> <li><a href="/wiki/Peter_Jones_(actor)" title="Peter Jones (actor)">Peter Jones</a> as Egan</li> <li><a href="/wiki/William_Hartnell" title="William Hartnell">William Hartnell</a> as Sergeant Sutton</li> <li><a href="/wiki/Thorley_Walters" title="Thorley Walters">Thorley Walters</a> as Captain Bootle</li> <li><a href="/wiki/Jill_Adams" title="Jill Adams">Jill Adams</a> as Prudence Greenslade</li> <li><a href="/wiki/Ian_Bannen" title="Ian Bannen">Ian Bannen</a> as Private Horrocks</li> <li><a href="/wiki/Victor_Maddern" title="Victor Maddern">Victor Maddern</a> as Private Blake</li> <li><a href="/wiki/Kenneth_Griffith" title="Kenneth Griffith">Kenneth Griffith</a> as Private Jones</li> <li><a href="/wiki/George_Coulouris" title="George Coulouris">George Coulouris</a> as padre</li> <li><a href="/wiki/Derrick_De_Marney" title="Derrick De Marney">Derrick De Marney</a> as Pat</li> <li><a href="/wiki/Ronald_Adam_(actor)" title="Ronald Adam (actor)">Ronald Adam</a> as doctor at medical hearing</li> <li><a href="/wiki/Miles_Malleson" title="Miles Malleson">Miles Malleson</a> as Windrush Sr.</li> <li><a href="/w/index.php?title=Sally_Miles_(actress)&action=edit&redlink=1" class="new" title="Sally Miles (actress) (page does not exist)">Sally Miles</a> as Catherine</li> <li><a href="/wiki/David_King-Wood" title="David King-Wood">David King-Wood</a> as Gerald</li> <li><a href="/wiki/Brian_Oulton" title="Brian Oulton">Brian Oulton</a> as M.O. at Gravestone Camp</li> <li><a href="/wiki/Michael_Trubshawe" title="Michael Trubshawe">Michael Trubshawe</a> as Col. Fanshawe</li> <li><a href="/wiki/John_Le_Mesurier" title="John Le Mesurier">John Le Mesurier</a> as psychiatrist</li> <li><a href="/wiki/Robert_Raglan" title="Robert Raglan">Robert Raglan</a> as Gen. Tomlinson</li> <li><a href="/wiki/Henry_Oscar" title="Henry Oscar">Henry Oscar</a> as art expert</li> <li><a href="/wiki/Christopher_Lee" title="Christopher Lee">Christopher Lee</a> as General von Linbeck's aide (uncredited)</li> <li><a href="/wiki/Basil_Dignam" title="Basil Dignam">Basil Dignam</a> as Col. Martin (president of Selection Board) (uncredited)</li> <li><a href="/wiki/John_Harvey_(actor)" title="John Harvey (actor)">John Harvey</a> as RAF officer at headquarters (uncredited)</li> <li><a href="/wiki/Glyn_Houston" title="Glyn Houston">Glyn Houston</a> as corporal on sick call (uncredited)</li> <li><a href="/wiki/Lloyd_Lamble" title="Lloyd Lamble">Lloyd Lamble</a> as officer at medical hearing (uncredited)</li> <li><a href="/wiki/David_Lodge_(actor)" title="David Lodge (actor)">David Lodge</a> as Lance Corporal on guard duty, Holding Unit (uncredited)</li> <li><a href="/wiki/Marianne_Stone" title="Marianne Stone">Marianne Stone</a> as expectant mother talking to Capt Bootle (uncredited)</li> <li><a href="/wiki/Michael_Ward_(actor)" title="Michael Ward (actor)">Michael Ward</a> as Sidney (guest at party) (uncredited)</li> <li><a href="/wiki/John_Warren_(actor)" title="John Warren (actor)">John Warren</a> as Sergeant Major Gradwick</li> <li><a href="/wiki/Trevor_Reid" title="Trevor Reid">Trevor Reid</a> as adjutant (uncredited)</li> <li><a href="/wiki/Theodore_Zichy" title="Theodore Zichy">Theodore Zichy</a> as German agent</li> <li><a href="/wiki/Peter_Williams_(American_actor)" class="mw-redirect" title="Peter Williams (American actor)">Peter Williams</a> as officer at Selection Board (uncredited)</li> <li><a href="/wiki/Henry_Longhurst_(actor)" title="Henry Longhurst (actor)">Henry Longhurst</a> as Mr. Spottiswood</li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=3" title="Edit section: Production"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The film was primarily filmed at <a href="/wiki/Shepperton_Studios" title="Shepperton Studios">Shepperton Studios</a> but some scenes were filmed at <a href="/wiki/Wantage_Hall" title="Wantage Hall">Wantage Hall</a>, a hall of residence for the <a href="/wiki/University_of_Reading" title="University of Reading">University of Reading</a>.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (December 2023)">citation needed</span></a></i>]</sup> </p><p>The <a href="/wiki/War_Office" title="War Office">War Office</a> refused all requests for cooperation, even after the ending of the film was changed to show the guilty being caught. The producers inserted a title card depicting three officers in the <a href="/wiki/See_no_evil,_hear_no_evil,_speak_no_evil" class="mw-redirect" title="See no evil, hear no evil, speak no evil">See no evil, hear no evil, speak no evil</a> stance with the words "the producers gratefully acknowledge the official cooperation of absolutely nobody".<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NYT1956_5-1" class="reference"><a href="#cite_note-NYT1956-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>It was the first in a series of successful satirical comedies made by the Boulting brothers.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Their 1959 comedy <i><a href="/wiki/I%27m_All_Right_Jack" title="I'm All Right Jack">I'm All Right Jack</a></i> featured many of the same actors and characters. Many references are made to the events of <i>Private's Progress</i>.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=4" title="Edit section: Reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Box_office">Box office</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=5" title="Edit section: Box office"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The film was the second most popular at the British box office in 1956.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Critical_reception">Critical reception</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=6" title="Edit section: Critical reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i><a href="/wiki/The_Monthly_Film_Bulletin" title="The Monthly Film Bulletin">The Monthly Film Bulletin</a></i> wrote:</p><blockquote><p>The general irreverence of this film is in itself welcome; it is prepared to tilt at almost any target – the boredom and futility of army routine, the corruption of high-ups at the War Office, class-consciousness, all kinds of incompetence, intrigue and official absurdity. All that one wishes is for the humour to have more edge. There is material here for real satire, but writing and direction choose the less demanding level of affable farce. The experiences of Windrush are not related to anything outside himself; and since the reality of war is never shown at all, an important point of contrast is lost, and the force of the episode about the looting of German art treasures is dissipated. Everything in this world is absurd. Also, Ian Carmichael – though he has an enjoyably accomplished comedy technique – does not present Windrush as a true innocent; he is too sly, too knowing. When one thinks of <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Chaplin</a> in <i><a href="/wiki/Shoulder_Arms" title="Shoulder Arms">Shoulder Arms</a></i> [1918] one realises how much is lost by too obvious a dig in the ribs. For the rest, there are some clever character sketches by TerryThomas, Richard Attenborough and Kenneth Griffith, and a number of good jokes.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></p></blockquote><p><i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i> wrote: "As a lighthearted satire on British army life during the last war, <i>Private's Progress</i> has moments of sheer joy based on real authenticity. But it is not content to rest on satire alone and introduces an unreal melodramatic adventure which robs the story of much of its charm. ... Expert British players lake good care of the supporting parts."<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p><i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> wrote, "the Boultings have come up with an ingenious story and injected hilarious moments. But the whole thing sparkles and fizzles."<sup id="cite_ref-NYT1956_5-2" class="reference"><a href="#cite_note-NYT1956-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=7" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-money-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-money_1-0">^</a></b></span> <span class="reference-text">Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 359</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Vincent Porter, 'The Robert Clark Account', <i>Historical Journal of Film, Radio and Television</i>, Vol 20 No 4, 2000 p506</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120712032629/http://explore.bfi.org.uk/4ce2b6b38d979">"Private's Progress (1956) - BFI"</a>. <i>BFI</i>. Archived from <a rel="nofollow" class="external text" href="http://explore.bfi.org.uk/4ce2b6b38d979">the original</a> on 12 July 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=BFI&rft.atitle=Private%27s+Progress+%281956%29+-+BFI&rft_id=http%3A%2F%2Fexplore.bfi.org.uk%2F4ce2b6b38d979&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHackney1954" class="citation book cs1">Hackney, Alan (1954). <i>Private's Progress</i>. <a href="/wiki/Faber_and_Faber" class="mw-redirect" title="Faber and Faber">Faber and Faber</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780571282579" title="Special:BookSources/9780571282579"><bdi>9780571282579</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Private%27s+Progress&rft.pub=Faber+and+Faber&rft.date=1954&rft.isbn=9780571282579&rft.aulast=Hackney&rft.aufirst=Alan&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-NYT1956-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-NYT1956_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-NYT1956_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-NYT1956_5-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://timesmachine.nytimes.com/timesmachine/1956/07/24/86653074.html?pageNumber=19">"<i>Private's Progress</i> Opens at the Guild"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. 24 July 1956<span class="reference-accessdate">. Retrieved <span class="nowrap">4 July</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=Private%27s+Progress+Opens+at+the+Guild&rft.date=1956-07-24&rft_id=https%3A%2F%2Ftimesmachine.nytimes.com%2Ftimesmachine%2F1956%2F07%2F24%2F86653074.html%3FpageNumber%3D19&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Mackenzie, S.P. <i>British War Films</i> BLM Academic UK; 1st edition (1 June 2006) p. 133</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.screenonline.org.uk/film/id/446435/">"BFI Screenonline: Boulting Brothers"</a>. <i>screenonline.org.uk</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=screenonline.org.uk&rft.atitle=BFI+Screenonline%3A+Boulting+Brothers&rft_id=http%3A%2F%2Fwww.screenonline.org.uk%2Ffilm%2Fid%2F446435%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.screenonline.org.uk/film/id/441166/index.html">"BFI Screenonline: I'm All Right Jack (1959)"</a>. <i>screenonline.org.uk</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=screenonline.org.uk&rft.atitle=BFI+Screenonline%3A+I%27m+All+Right+Jack+%281959%29&rft_id=http%3A%2F%2Fwww.screenonline.org.uk%2Ffilm%2Fid%2F441166%2Findex.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">British Films Made Most Money: Box-Office Survey. <i>The Manchester Guardian</i> 28 December 1956: 3</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThumim" class="citation magazine cs1">Thumim, Janet. <a rel="nofollow" class="external text" href="https://archive.org/details/Screen_Volume_32_Issue_3/page/n17">"The popular cash and culture in the postwar British cinema industry"</a>. <i>Screen</i>. Vol. 32, no. 3. p. 259.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Screen&rft.atitle=The+popular+cash+and+culture+in+the+postwar+British+cinema+industry&rft.volume=32&rft.issue=3&rft.pages=259&rft.aulast=Thumim&rft.aufirst=Janet&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2FScreen_Volume_32_Issue_3%2Fpage%2Fn17&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1"><a rel="nofollow" class="external text" href="https://www.proquest.com/docview/1305818684/48025A55A04C4EE7PQ/1">"Private's Progress"</a>. <i><a href="/wiki/The_Monthly_Film_Bulletin" title="The Monthly Film Bulletin">The Monthly Film Bulletin</a></i>. <b>23</b> (264): 44. 1 January 1956 – via ProQuest.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Monthly+Film+Bulletin&rft.atitle=Private%27s+Progress&rft.volume=23&rft.issue=264&rft.pages=44&rft.date=1956-01-01&rft_id=https%3A%2F%2Fwww.proquest.com%2Fdocview%2F1305818684%2F48025A55A04C4EE7PQ%2F1&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1"><span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.proquest.com/docview/962917917/2EB903AA241F467EPQ/2">"Private's Progress"</a></span>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <b>202</b> (2): 22. 14 March 1956 – via ProQuest.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Private%27s+Progress&rft.volume=202&rft.issue=2&rft.pages=22&rft.date=1956-03-14&rft_id=https%3A%2F%2Fwww.proquest.com%2Fdocview%2F962917917%2F2EB903AA241F467EPQ%2F2&rfr_id=info%3Asid%2Fen.wikipedia.org%3APrivate%27s+Progress" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Private%27s_Progress&action=edit&section=8" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.comedy.co.uk/film/private_progress/"><i>Private's Progress</i></a> at <a href="/wiki/British_Comedy_Guide" title="British Comedy Guide">British Comedy Guide</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0049637/"><i>Private's Progress</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output 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mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini 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brothers"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Films_directed_by_the_Boulting_brothers" style="font-size:114%;margin:0 4em">Films directed by the <a href="/wiki/Boulting_brothers" title="Boulting brothers">Boulting brothers</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Together</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Seven_Days_to_Noon" title="Seven Days to Noon">Seven Days to Noon</a></i> (1950)</li> <li><i><a href="/wiki/Seagulls_Over_Sorrento" title="Seagulls Over Sorrento">Seagulls Over Sorrento</a></i> (1954)</li> <li><i><a href="/wiki/Suspect_(1960_film)" title="Suspect (1960 film)">Suspect</a></i> (1960)</li> <li><i><a href="/wiki/Heavens_Above!" title="Heavens Above!">Heavens Above!</a></i> (1963)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">John only</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Journey_Together" title="Journey Together">Journey Together</a></i> (1945)</li> <li><i><a href="/wiki/Brighton_Rock_(1948_film)" title="Brighton Rock (1948 film)">Brighton Rock</a></i> (1948)</li> <li><i><a href="/wiki/The_Magic_Box" title="The Magic Box">The Magic Box</a></i> (1951)</li> <li><i><a class="mw-selflink selflink">Private's Progress</a></i> (1956)</li> <li><i><a href="/wiki/Lucky_Jim_(1957_film)" title="Lucky Jim (1957 film)">Lucky Jim</a></i> (1957)</li> <li><i><a href="/wiki/I%27m_All_Right_Jack" title="I'm All Right Jack">I'm All Right Jack</a></i> (1959)</li> <li><i><a href="/wiki/Rotten_to_the_Core_(film)" title="Rotten to the Core (film)">Rotten to the Core</a></i> (1965)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Roy only</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Trunk_Crime" title="Trunk Crime">Trunk Crime</a></i> (1939)</li> <li><i><a href="/wiki/Inquest_(1939_film)" title="Inquest (1939 film)">Inquest</a></i> (1939)</li> <li><i><a href="/wiki/Pastor_Hall" title="Pastor Hall">Pastor Hall</a></i> (1940)</li> <li><i><a href="/wiki/Thunder_Rock_(film)" title="Thunder Rock (film)">Thunder Rock</a></i> (1942)</li> <li><i><a href="/wiki/Burma_Victory" title="Burma Victory">Burma Victory</a></i> (1945)</li> <li><i><a href="/wiki/Fame_Is_the_Spur_(film)" title="Fame Is the Spur (film)">Fame Is the Spur</a></i> (1947)</li> <li><i><a href="/wiki/The_Guinea_Pig_(film)" title="The Guinea Pig (film)">The Guinea Pig</a></i> (1948)</li> <li><i><a href="/wiki/High_Treason_(1951_film)" title="High Treason (1951 film)">High Treason</a></i> (1951)</li> <li><i><a href="/wiki/Sailor_of_the_King" title="Sailor of the King">Sailor of the King</a></i> (1953)</li> <li><i><a href="/wiki/Josephine_and_Men" title="Josephine and Men">Josephine and Men</a></i> (1955)</li> <li><i><a href="/wiki/Run_for_the_Sun" title="Run for the Sun">Run for the Sun</a></i> (1956)</li> <li><i><a href="/wiki/Brothers_in_Law_(film)" title="Brothers in Law (film)">Brothers in Law</a></i> (1957)</li> <li><i><a href="/wiki/Happy_Is_the_Bride" title="Happy Is the Bride">Happy Is the Bride</a></i> (1958)</li> <li><i><a href="/wiki/Carlton-Browne_of_the_F.O." title="Carlton-Browne of the F.O.">Carlton-Browne of the F.O.</a></i> (1959)</li> <li><i><a href="/wiki/A_French_Mistress" title="A French Mistress">A French Mistress</a></i> (1960)</li> <li><i><a href="/wiki/The_Family_Way" title="The Family Way">The Family Way</a></i> (1966)</li> <li><i><a href="/wiki/Twisted_Nerve" title="Twisted Nerve">Twisted Nerve</a></i> (1968)</li> <li><i><a href="/wiki/There%27s_a_Girl_in_My_Soup" title="There's a Girl in My Soup">There's a Girl in My Soup</a></i> (1970)</li> <li><i><a href="/wiki/Soft_Beds,_Hard_Battles" title="Soft Beds, Hard Battles">Soft Beds, Hard Battles</a></i> (1974)</li> <li><i><a href="/wiki/The_Last_Word_(1979_film)" title="The Last Word (1979 film)">The Last Word</a></i> (1979)</li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Private%27s_Progress&oldid=1249218302">https://en.wikipedia.org/w/index.php?title=Private%27s_Progress&oldid=1249218302</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1956_films" title="Category:1956 films">1956 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