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{color:#fc621f} h2.widgettitle {color:#fc621f;} .relatedcontent {color:#75838b;} #headerfirst{ position: absolute ; _top: -30px; _top:4px; width: 100%; } body{ background: white !important ; _font-family:Georgia,"Times New Roman",Times,serif; font-family:Lora,"Lora",Times,serif; font-size:14px; font-size:1.4rem; /*use dynamic sizing with a fixed width fallback for <ie9*/ color:black; background-color:white; padding:0; _margin:0; margin-left:auto; margin-right:auto; max-width:1700px; margin-right:auto; width:100%; } /*body img {height:initial; width:initial;} */ #header{ width: 100%; overflow: visible!important; position: relative; /* padding: 0px; */ height: 125px !important; /* background: url(/wp-content/themes/openculture_v3a/images/header_circles.png) scroll no-repeat; */ top: 0px !important; /*left: 2%;*/ } /*put this back in css */ .contentwrapper{ _width:94%; _margin:0px 5% 0 5% ; margin: 12px 7% 0 7%; padding:0px ; z-index:1; /*display:flex; justify-content:space-between; */ } #wrap{background:transparent; margin:0 auto; padding:0; width:100%; color:#414141; padding:0} .l_sidebar{width:15%} .r_sidebar{ width:22%; _min-width:150px; min-width:160px; max-width:345px; float:left; background-color: white; /*background-color:#bdbec2; */ /*:transparent; */ font-size:1.3rem; _margin-top:0px; margin: 0px 0px 0px 2px; padding:0 0 0 10px; overflow:visible ; } .da-third-column{overflow:visible !important ;} .middle_sidebar{font-size: 1.4rem; _width:14%; width:17%; min-width:90px; max-width:180px; float:left; background:transparent; margin:.5% .5%; padding:0px .5% 0 1%; _border-right:1px dotted #d1ccbc; min-width:128px; } div.middle_sidebar{ border-left-style: dotted; border-left-width: 1px; border-left-color: #d1ccbc ;} .contentmiddle{ width:54% ; min-width:185px; float:left; margin-top:.4rem; font-size:16px; font-size:1.6rem; /* line-height:15px; line-height:150%; */ _margin-right:5px; _padding-right: 20px; _max-width: 700px; padding-right: 3%; } .contentmiddle h1, .contentmiddle h1 a { text-decoration: none; font-size: 2.4rem; font-weight: normal; color: #373731; /* near black */ line-height: 140%; } #headerW {height:100%; width: 100% !important; margin-left: auto; margin-right: auto; display:block;} .l_sidebar a:link,.l_sidebar a:visited, .middle_sidebar a:link, .middle_sidebar a:visited, .r_sidebar a:visited, .r_sidebar a:link{ /*color:#0183B2; old blue*/ color: #394244; font-size: 1.4rem; border-top: 1px solid lightgrey; /*word-spacing: -.3rem; */ } .new_subscription_block { font-family:"Muli", sans-serif ; background: #daf4fc; border-radius: 0rem; margin:4% 5% 4% 5%; padding: 5% 7% 5% 7%; line-height:150%; } .new_subscription_block p{ Font-Family:Lora; font-style:italic;} .new_subscription_block h3, h4 {font-family:"Muli", sans-serif; } .r_sub_con a:visited, .r_sub_con a:link, .new_subscription_block a:visited, .new_subscription_block a:link{ border-top: 0px ;} /* turn off links */ #clearfixheader { clear: both; width: 100%; height: 100%; margin-top: 0px; padding-top:0px; } .social_li ul li a:link, .social_li ul li a, .social_li a:link, .social_li li a, .social_li a { padding: .2rem .8rem !important /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color:#1e3a4a } .social_li li{display:inline; margin-left:10px ;margin-left:1rem; margin-right:10px; margin-right:1rem;} .centerwrap ul {margin: 0px -1% 0px 0%} #navbar{ font-size: 1.6rem; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif !important; font-weight: 400; _text-transform: uppercase; font-weight:bold; z-index:99; /*margin-top, margin-bottom: 0px !important; */ text-alignment:center; height:auto !important; text-align:justify; -ms-text-justify:distribute-all-lines; text-justify:distribute-all-lines; _letter-spacing:-.5px; color:#39AACF; margin-top: 0px; margin-left:0%; _margin-right:7% ; border-radius:0px; _background-color:rgba(118,154,172,.9); background-color:rgba(57, 170, 207, .85); min-width:245px; _width: 86%; width: 100%; } #navbar a{ _font-weight:bold; text-decoration:none; font-weight:bold; padding:0 12px; padding:0 1rem; padding-top: 2px; text-decoration:none; letter-spacing: .1px; color: white; _font-family: Helvetica; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif font-weight: 600; font-size: 1.55rem; line-height: 2.2rem; padding-top: 3px; } .nav ul, .socmedia ul {text-align:center} /*#nav{list-style-type:none;} */ /* #nav li{display:inline;float:left;list-style-type:none} #nav .stretch { display: inline-block; width: 100%; *display: inline; zoom: 1 } */ /*icons by https://www.entypo.com/*/ .social_li ul li a:link, .social_li ul li a,.social a:link, .social_li li a, .social_li a { padding: 0 .8rem !important; /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color: white; /*#1e3a4a */ } /* might work to space out items more nav li:before { margin-left: 3px} */ #search-old2{ display: inline-block!important; margin-right: 0px; margin-bottom: 8px; float: none!important; width: 115px!important; font-family: font-family:Georgia,"Times New Roman",Times,serif !important; background-color: #1497c2; text-align: left !important; font-weight: normal!important; } #search-old2 form{background:none!important; width:110px; height:100%; margin-top:2px !important; padding:0px} /* this indents widget */ .contentwrapper ul li li{ text-indent: -1.1rem; } .contentwrapper a, a:visited, a:hover{font-size: inherit; } /* 1.6rem; shouldnt this just inherit */ .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul, .r_sidebar ul li { background:none; list-style-type:none; } /*shading boxes around ads + contact info*/ .r_sidebar .r_adbx_top, .r_sub_con,.r_about_ad{background: #f2f2f2; border-radius: 0rem; } /*#bdbec2 */ .r_adbx_top, .r_sub_con,.r_about_ad{text-align:left; padding: 10px 18px 10px 18px; margin:12px -4px 0px -4px;} .box { border: .2rem solid black; font-size: 4rem; border-radius:2px;} .lightbox {border: .1rem solid grey ;} _colorcontrast {background-color: rgb(224, 224, 224); margin: 0px; border-right: 9px solid rgb(224, 224, 224); border-left: 9px solid rgb(224, 224, 224); border-radius: 8px;} .tagline { text-align:left ; font-size:13px; font-size:1.3hw; line-height:100%; margin:0; margin-top: 6px; /* color:white !important; */ margin-left:6px; padding:2px; color:#4a7d96; font-family:Arial, Helvetica, sans-serif; } #tagline_container{ max-width:335px; width:100%; margin-top: 50px; margin-left: 21px; } _ad_logo_wrapper{margin-left:3.5%; margin-right:4.3%;} #ad_logo_wrapper{margin-left:7%; margin-right:4%; margin-top:3px;} #logocontainer{width:auto; float:left; margin-left:0px; margin-top: 0px; max-width:40%; } #big_logo { /* margin-left: 25%; max-width: 7%; transform: scale(8); float: left; width:100%; max-height: 10%; */ } #big_logo{ transform: scale(8); max-height:10%; max-width:325px; float: left !important; text-align: left; width: 100%; } #logo_container { width: 100%; float: left; z-index: -40; /* overflow: visible; */ max-width: 600px; max-height: 200px; min-width: 140px; margin-left: 20px; height: auto; min-height: 40px; margin-top: 0px; _background-image: url(/wp-content/themes/openculture_v3a/images/openculture_banner.png); background-size: contain; background-repeat: no-repeat; max-width:80vw;; /*css3 viewport setting */ } .left { /* border: 2px dashed #f0f; */ text-align:left; _min-height:40px; height:auto; _margin-top: 45px; margin-left: 0px; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo-with-stacked-tagline.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo-with-tagline.svg") no-repeat; background-size: contain; max-width:600px; min-width:90px; overflow:hidden; _background-position-y:0px; _background-position-x:0px; background-position-x: center !important; background-position-y: center !important; z-index:200; } .right { float: right; _width: 740px; /*min-height: 25px;*/ margin-left: 2.5%; padding-left: 0px; margin-right: 20px ; padding-right:0px; /* border: 2px dashed #00f; */ position:relative; z-index:200; } .top{} .bottom{ background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background-size: contain; background-size: revert-layer; min-height:80px; /* border: 2px dashed green; */ clear:both; padding-top:8px; _margin: 4px 10px 0 10px; _background-position-y: 0px; /* min-height: 65px; */ clear: both; background-position-x: center; background-position-y:center; padding-top: 0px; margin: 2px 1rem 0px 1rem; /* height: 90px; */ _min-height: 110px; } #footerW{ right: 0; left: 0; position: relative; padding: 0; overflow:hidden;} .clear {clear:both;} .logo_clickable { position:absolute; width:100%; height:100%; top:0; left: 0; z-index: 50; _position:absolute; /* fixes overlap error in IE7/8, make sure you have an empty gif */ _background-image: url('empty.gif'); } .socialblock li {top: 2px;} .social-mail a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail.svg) no-repeat;} .social-twitter a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter.svg) no-repeat;} .social-facebook a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook.svg) no-repeat;} .social-rss a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss.svg) no-repeat;} .social-search a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .sb-icon-search {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .social-mail-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-black.svg) no-repeat;} .social-twitter-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-black.svg) no-repeat} .social-facebook-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-black.svg) no-repeat} .social-rss-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-black.svg) no-repeat} .social-mail a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-hover.svg) no-repeat;} .social-twitter a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-hover.svg) no-repeat;} .social-facebook a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-hover.svg) no-repeat;} .social-rss a:hover { background: url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-hover.svg) no-repeat;} .social-search a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass-hover.svg) no-repeat;} .sb-icon-search :hover {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} /* override images that we dont want to go to margin */ .contentmiddle img.noexpand, .contentmiddle p img.noexpand, .contentmiddle img[src$="feed-icon16x16139.png"],img[title|="noexpand"], .contentmiddle div.noexpand img, .contentmiddle div.noexpand p img , .begbox img, .ct_comment_info img, ct_this_is_spam img, ct_comment_info div{ width:initial !important; display: block !important; line-height: 100%; } .noexpand img {width:initial !important;} /*this seems to work more reliably than above */ .contentmiddle img.oneXone {width: 1px !important; height: 1px !important;} .contentmiddle img.noexpand.center{display:block !important; } #footer { color: white; width: 100%; /*margin:0 auto; */ margin-bottom:100px; padding:28px 0 0 0px; font-family:"Muli", sans-serif; font-weight:400; clear:both; display:inline-block; } .framearound_ad_in_post{margin: .6rem 0px 2.4rem 0px; height:auto;max-height:120px; width:100%;padding:0px; border: 2px solid #D3D3D3; border-radius:8px;min-height:3rem; } .advertisement_notice{text-align:center; font-family:Arial, Helvetica, sans-serif; font-variant:small caps; color: #0183b2;} .begbox{color:white;width:100%;display:inline-block; background: #36b0d8; margin-left: -4px; padding: 0; font-family: Lora, "Lora", Times, serif;font-style:normal} .begbox img { width:250px ; margin: 8px auto} .begbox p, .begbox div {margin: 1em 0px 0 12px} .da_bottom {line-height:10%} .no-framearound_ad_in_post {padding-bottom: 25px; padding-top:15px; width: 100%} img.no-framearound_ad_in_post {width:100%} .responsive_belowheadline_ad{ height: 100%; display:inline-block; width:98%; min-height:70px; max-height:200px; margin-right:4px; padding-bottom: 10px; } /*comment box */ div.cbInner {background: #eaebe8; border-radius:8px ;} div.cbInner h5 {color: #000;} .comments {color:#000:;} /*bullets*/ /*set chevrons on all widgets don't turn it on for ul li in sidebars*/ /*.contentwrapper ul li li, */ .r_sidebar a:link,.r_sidebar a:visited,.r_sidebar a:hover,.middle_sidebar a:link,.middle_sidebar a:visited,.middle_sidebar a:hover{ font-size: 1.4rem; line-height: inherit; } .contentmiddle a:link, .contentwrapper a {text-decoration:none; } .l_sidebar ul li a:hover, .middle_sidebar ul li a:hover, .r_sidebar ul li a:hover, .contentmiddle a:hover { text-decoration:underline} #footer ul li {line-height:130%; list-style:none;} #footer ul li a:link {color:white; font-size:1.6rem; text-decoration:none;} #footer ul li a:hover {text-decoration:underline;} .l_sidebar li a, .r_sidebar li a, .middle_sidebar li a{ /*display:block; */ /*OC-typography.png */ text-decoration:none; padding-left: 1em; /*font-style:italic;*/ font-family:"Muli", sans-serif; _font-style:bold; font-weight:400; color:#394244; } .widgettitle{ _border-top-width: 1px; _border-top-style: dotted; _border-top-color: gray; font-family:"Lora", sans-serif !important; font-weight: 600; _font-size: 1.6rem; line-height: 19px; font-weight: bold; padding: 3px ; margin: 8px 2px 2px 1px !important; /*color: #898477; */ letter-spacing: -.5px; } .widgetbox ul,.widget_categories ul, .widget_archive ul { border-bottom: 1px dotted #d1ccbc ; padding-bottom: 30px !important; display:block;} .widgetbox li a, .widget_categories li a, .widget_archive li a {display:block;} .recent_post{ border-bottom: 1px dotted #d1ccbc; padding: 0 0 30px 0px; margin-bottom: 30px; line-height:150%; overflow:hidden; } .noborder, .middle_sidebar.noborder:link, div.noborder a {border-top: 0px white !important;} .contentmiddle ul li a{} /*set chevrons on all widgets don't turn it on for ul li in sidebars* .contentwrapper ul li li,*/ .contentmiddle li, .r_sidebar li, .l_sidebar li, .middle_sidebar li { /* background:url(data:image/gif;base64,R0lGODlhBQAFALMJANTPvq2ok8rGs8C8qMXBrrKtmLeynufj0+Pezvby4wAAAAAAAAAAAAAAAAAAAAAAACH5BAEAAAkALAAAAAAFAAUAQAQQcByCkqQpCQPCKYiBfCESAQA7) no-repeat 0 10px; */ list-style-type:none; zoom:1; margin-left: .8em; zoom: 1; padding-left: .2em; margin-bottom: .3em; line-height:1.9rem; } .contentmiddle ul li li :before , .r_sidebar ul li li :before, .middle_sidebar ul li li :before, .l_sidebar ul li li :before { /*content: "\25B8"; */ float:left; padding-right:1rem; font-style:normal;} .contentmiddle ul li li li :before {content:none;} .contentmiddle ul li {list-style-type: none; padding-right:.8rem; padding-bottom: .4rem; font-style:normal;} /*set general padding for Ul lists */ .contentwrapper ul { margin: 0; padding: 0 0 10px 0; background:none; } .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul { background:none; list-style-type:none; } /*titles in widgets*/ .widgettitle, ul.l_sidebar li h2, ul.r_sidebar li h2, ul.middle_sidebar li h2, .middle_sidebar li h2 { font-weight:normal; padding:3px; margin:2px 2px 2px 1px; _font-family:Arial,Helvetica,sans-serif; font-family:Lora; color:#fc621f letter-spacing:-.5px; list-style-type:none; background: none !important; font-size: 1.9rem; } .r_sidebar ul {margin-left:-.6rem;} .middle_sidebar ul{ margin-top:1.2rem; margin-left:-1.1rem;} .middle_sidebar ul li {background:none } .contentmiddle li {background: none no-repeat 0 10px; list-style-type:none; zoom:1; /*margin-left: .8rem; */ zoom: 1; padding-left: .2rem; margin-bottom: 0rem; } /* turn off bullets on headers */ .contentwrapper ul {background:none;} /*lists inside lists */ .contentmiddle ul li li {margin-bottom:0rem; margin-left:5rem; list-style-type: none; } .contentwrapper ul {content:"";} .contentmiddle ul li li:before, .contentmiddle ul li:before, .middle_sidebar ul li li :before, /*put right triangle before bullets */ .middle_sidebar ul li li, .r_sidebar ul li li, .l_sidebar ul li li {line-height:inherit;} // Variables @colorBase: #394244; .transition (@prop: all, @time: 1s, @ease: linear) { -webkit-transition: @prop @time @ease; -moz-transition: @prop @time @ease; -o-transition: @prop @time @ease; -ms-transition: @prop @time @ease; transition: @prop @time @ease; } .universal-inline-block { display: inline-block; zoom: 1; *display: inline; } /* horizontal buttons */ div .social-icons2 { text-align: center; font-family: "Open Sans"; font-weight: 300; font-size: 1.5em; color: @colorBase; _margin: -2% -8% -2% -14%; } .social-icons2 ul { margin: 0; _padding: 0; list-style-type: none; text-align: center; } .social-icons2 ul li { _padding: 0px 8px 0px 6px; display:inline-block; text-indent:0; margin: 0px -4px 0px -4px;} .social-icons2 ul li a { text-decoration: none; _padding: .1rem .8rem; color: #fff; } .social-icons2-altmargin ul li {padding: 0 20px;} .social-icons2 ul li a:hover{ color: #1497c2; } .margin_left_10 {margin-left:-10px;} .white_background {background-color:white;} .oc-center, .oc-center img { width:100% ; max-width:100% !important; margin:0 auto; display:block; text-align:center;} .oc-center-da, .oc-center-da img, .oc-center-da object, .oc-center-da img { max-width: 100% !important; width: 100% !important; margin:0 auto; display: block; text-align:center;} /*fix expanding captcha refresh */ #fscf_captcha_refresh1 {width: 24px;height: 24px;} .oc-video-container { position: relative; _padding-bottom: 63.25%; padding-bottom:54%; padding-top: 10px; height: 0; } a.mashicon-reddit{background-color: darkred;} /* allow for override of img resizer */ .contentmiddle div.oc-no-resize-center img{ width: inherit !important; margin 0 auto; float:left} /*#footer img{width:inherit!important ;} */ /*footer stuff */ #flexcanvas{ width: 100%; max-width:100%; _height: 600px !important; margin-left: 3px; } .rowParent, .columnParent{ display: -webkit-box; display: -ms-flexbox; display: -webkit-flex; display: flex; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-flex-direction: row; -ms-flex-direction: row; flex-direction: row; -webkit-flex-wrap: nowrap; -ms-flex-wrap: nowrap; flex-wrap: nowrap; -webkit-box-pack: start; -webkit-justify-content: flex-start; -ms-flex-pack: start; justify-content: flex-start; -webkit-align-content: stretch; -ms-flex-line-pack: stretch; align-content: stretch; -webkit-box-align: stretch; -webkit-align-items: stretch; -ms-flex-align: stretch; align-items: stretch; } .columnParent{ -webkit-box-orient: vertical; -webkit-flex-direction: column; -ms-flex-direction: column; flex-direction: column; } .flexChild{ -webkit-box-flex: 1; -webkit-flex: 1; -ms-flex: 1; flex: 1; -webkit-align-self: auto; -ms-flex-item-align: auto; align-self: auto; margin:1px; font-size:1.3rem; /*border: 1px dotted #d1ccbc */ } .flexChild ul, .flexChild ul li {margin-left:-1.2rem;} .rowChild85696 {padding:1.8rem; margin-bottom:1.4rem} .rowChild9255 {margin:0px;} .minustopbottommargin20{margin-top:-20px !important; margin-bottom:-20px !important;} .minustopbottommargin40{margin-top:-40px !important; margin-bottom:-40px !important;} .minustopmargin20{margin-top:-20px !important;} .minustopmargin40{margin-top:-40px !important;} .curatedcategory ul li { text-decoration: none; list-style-type: none; padding: 0px; margin-left:1.0rem; line-height: 140%;} .curatedcategory ul {margin-left: 1.2rem;} .curatedcategory h2 {margin-left:1.0rem;} .curatedcategory h2 a {font-variant:small-caps;} .contentmiddle ol {list-style-type:decimal; font-size:inherit;} .contentmiddle ol li {list-style-type:decimal; font-size:inherit;line-spacing:120%;margin-bottom:.8rem;} input[type=search] { -moz-appearance:none; -webkit-appearance:none; } .sb-search { position: relative; color:#fff; border:none; width: 20px; width: 0%; min-width: 24px; min-height: 2.4rem; float: right; height:100%; overflow: hidden; -webkit-transition: width 0.3s; -moz-transition: width 0.3s; transition: width 0.6s; -webkit-backface-visibility: hidden; } .sb-search-input, input[type="search"] { position: absolute; top: -6px; right: 0px; border: none; outline: none; margin-right:24px; width: 100%; height: 88%; min-height:2.5rem; _margin: 8px 2px 8px 2px; z-index: 25; _padding: 4px 65px 4px 20px; font-family: inherit; font-size: 1.8rem; color: white; background-color:#1497c2; } input[type="search"] {background-color:#1497c2;} .sb-icon-search, .sb-search-submit { display:block; position: absolute; border:none; right: 0; top: 0; float: right; padding: 0; _margin: 0; _line-height: 24px; text-align: center; cursor: pointer; background-color:#fff; _background-color:#1497c2; _height:1.9rem; color:white; width: 1.6rem; height: 2.3rem; _margin-top: 6px; } .sb-search-submit { background: #fff; /* IE needs this */ -ms-filter: "progid:DXImageTransform.Microsoft.Alpha(Opacity=0)"; /* IE 8 */ filter: alpha(opacity=0); /* IE 5-7 */ opacity: 0; color: transparent; border: none; outline: none; z-index: -1; width: 100%; } /*.sb-icon-search{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} */ .sb-icon-search{ color:white; background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat; background-position-y:center; background-margin-y:4px;} li.search-popout {_display:none; top:.8rem;} .sb-search form {min-height:20px;} input[type=text].sb-search-input,textarea.sb-search-input {background-color:#1497c2; color:#FFF;} #navbar :after {clear:both;} /* fix placeholder color */ ::-webkit-input-placeholder { /* WebKit, Blink, Edge */ color: #fff; } :-moz-placeholder { /* Mozilla Firefox 4 to 18 */ color: #fff; opacity: 1; } ::-moz-placeholder { /* Mozilla Firefox 19+ */ color: #fff; opacity: 1; } :-ms-input-placeholder { /* Internet Explorer 10-11 */ color: #fff; } .sb-search.sb-search-open, .no-js .sb-search { width: 100%; min-width:300px; min-width: 75vw; margin-left: -10vw; overflow:visible;; } .sb-search.sb-search-open .sb-icon-search, .no-js .sb-search .sb-icon-search { z-index: 11; } .sb-search.sb-search-open .sb-search-submit, .no-js .sb-search .sb-search-submit { z-index: 90; } .negativetopmargin50 {margin-top:-50px;} .negativetopmargin40 {margin-top:-40px;} .negativetopmargin20 {margin-top:-20px;} .bulleted, .bulleted ul {list-style-type: disc;} .bulleted ul li, .contentmiddle.p1 ul li, .p1 li, .contentmiddle li,.contentmiddle.p1 ul li,.entry ul li, .entry ul {list-style-type: disc;} #last, .last a, .li a last {color:black !important;} .cli-bar-message {font-family:Lora,"Lora",Times,serif;} .addtoany_shortcode div {margin-top: 14px;} /*Step 5 aesthetic tweaks, including column width changes*/ @media only screen and (min-width: 1200px) { body { margin-top:1rem !important;} } @media only screen and (max-width:1024px) and (min-width:930px){ body { _font-size:88%; margin-top: 15px;} ul li#K-12{display:inline} .contentmiddle{width:54%!important} #clearfixheader{ margin-top:30px !important;} #ad_logo_wrapper { margin-left:.2rem; margin-top: 4rem !important;} #navbar {margin-top: -2rem !important;width:100%;} #ad_logo_wrapper {margin: 0 3% 0 3% !important; width:93% !important;} .contentwrapper {width: 94% !important; margin: 6px 1rem 0 1rem !important; _margin: 12px 7% 0 7%;} } @media only screen and (max-width:929px) and (min-width:890px){ #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important;} #clearfixheader{ margin-top:65px !important;} .contentmiddle{width:64% !important;} .middle_sidebar{width:34% !important;} } @media only screen and (max-width:891px) and (min-width:821px){ /* less than 891 px, more than 821, run all three ads */ .contentmiddle{width:64% !important;} .middle_sidebar{width:34% !important;} html{margin-top:45px;;} #clearfixheader{ margin-top:60px !important;} /* #wrap{margin-top:100px !important;}*/ /* .left{background: url("/wp-content/themes/openculture_v3a/images/big_white_logo.png") no-repeat !important; min-width:60px !important;} */ #ad_logo_wrapper {margin-left:1% !important; margin-right:1% !important; width:98% !important;} /*.contentwrapper {width:94% !important; margin: 6px 2% 0 2%!important; _margin: 12px 7% 0 7%;} */ } @media only screen and (max-width:814px)and (min-width:740px){ /* less than 820, less than 740, push right sidebar down with wide middle sidebar */ /* this is ipad portrait mode */ /* .r_sidebar{display:none!important} */ html{margin-top:40px;;} .contentmiddle{width:66% !important} .middle_sidebar{width:34% !important} #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important;} /*.contentwrapper {width:94% !important; margin: 1.5rem 0rem 0 2rem !important; _margin: 12px 7% 0 7%;} */ #clearfixheader{ margin-top:30px !important;} } @media only screen and (max-width:739px)and (min-width:569px){ /*ipad portrait =768 */ html{font-size:70%; margin-top:30px !important;} .r_sidebar{display:none!important} .contentmiddle{width:62%!important} .middle_sidebar{width:30% !important} /* .contentwrapper {width:94% !important; margin: 0px 3% 0 3% !important;} */ #navbar {margin-top: 4rem !important;} #clearfixheader { margin-bottom: 2rem !important; margin-top:20px !important;} #ad_logo_wrapper {margin-left:4% !important; margin-right:4% !important; width:96% !important;} /* #wrap{margin-top:20px !important;}*/ .middle_sidebar{border-right:solid 0px #fff!important} .right{float:none !important; margin: 0 auto; text-align:center !important;} } @media only screen and (max-width:568px)and (min-width:536px){ /* iphone 6 landscape */ /*h1{font-size:1.3rem} */ html{font-size:72%; margin-top:40px !important;} .contentmiddle{width:100%!important;} .middle_sidebar{display:none!important;} .r_sidebar{display:none!important} /* #wrap{margin-top:30px !important}}*/ #navbar {margin-top: -1.2rem !important } #clearfixheader { margin-bottom: -1.4rem !important; margin-top:20px !important; } .right{width:100%;float:none !important; margin: 0 auto; text-align:center !important;} #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important; } /* .contentwrapper {width:96% !important; margin: 1rem 3% 0 3% !important; _margin: 12px 7% 0 7%;} */ } @media only screen and (max-width:535px){ /* */ /*h1{font-size:1.3rem} */ html{font-size:64%; margin-top:0px !important;} .contentmiddle{width:100%!important;} .middle_sidebar{display:none!important;} .r_sidebar{display:none!important} /* #wrap{margin-top:30px !important}}*/ #navbar {margin-top: 1.8rem !important;} #clearfixheader { margin-bottom: -1rem !important; display: inline-flex; height: 100%; margin-top: 35px !important;;} .bottom {min-height:40px !important;margin-top:14px;} .right{float:none 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class="adsbygoogle" style="display:block" data-ad-client="ca-pub-1184791463292965" data-ad-slot="1279265463" data-ad-format="auto"></ins><br> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script></div> </div> <div class="recent_post"> <h1 id="post-1095668" ><a href="https://www.openculture.com/2021/10/metallica-teaches-a-new-masterclass-on-how-to-build-sustain-a-band.html" rel="bookmark" title="Permanent Link to Metallica Teaches a New Masterclass on How to Build & Sustain a Band"> Metallica Teaches a New Masterclass on How to Build & Sustain a Band </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/music" rel="category tag">Music</a>, <a href="https://www.openculture.com/category/online_courses" rel="category tag">Online Courses</a> </em> | October 31st, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095668" class="post-1095668 post type-post status-publish format-standard hentry category-music category-online_courses"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/tpI4qnliNEU?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p>  </p></div> <p></p> <p>Since its launch in 2015, Masterclass has not only expanded the variety of its online course offerings but sought out ever-bigger names for its teachers. Names don’t come much bigger than Metallica in the world of heavy metal, and indeed in the world of rock music in general. Hence the broad title of the new Masterclass <a href="https://masterclass.pxf.io/3PvdoM" rel="nofollow">“Metallica Teaches Being a Band.”</a> Having been a band for 40 years now, they presumably know more than a little about everything involved in that enterprise: not just recording hit albums like <em>Master of Puppets</em> and songs like “Enter Sandman,” but also weathering dramatic changes in both the music business and popular culture while cooperating for the good of the group.</p> <p>Not that, to the men of Metallica, such cooperation has always come naturally. “There’ve been times when it’s been fractured and it looks like we were on the verge of breaking up,” says guitarist Kirk Hammett in <a href="https://masterclass.pxf.io/3PvdoM" rel="nofollow">the trailer for their Masterclass</a> above.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>He joined the band in 1983, which means he has very nearly as long a standing in the band as its founders, lead vocalist/rhythm guitarist James Hetfield and drummer Lars Ulrich. All of them, along with bassist Robert Trujillo, appear here as teachers to share their accumulated wisdom, have to do as it may with songwriting, performance, interpersonal communication, or the management of time and anger.</p> <p>Like all Masterclasses, <a href="https://masterclass.pxf.io/3PvdoM" rel="nofollow">Metallica’s course</a> is divided into many easily watchable video lessons, most with a practical slant. Musically inclined viewers, even those with no interest in becoming heavy-metal icons, will benefit from learning to work “From Riff to Song,” the principles of “Putting Together an Album,” and the art of “Navigating Egos.” But for Metallica fans in particular — whom, collectively, the band consider their fifth member — few lessons in any Masterclass could be as gripping as the deconstructions of “Enter Sandman,” “Master of Puppets,” and “One.” They do all this in a calmer, more reflective psychological place than the bitter, near-dysfunctional <span style="font-size: 13pt;">one in which the 2004 documentary </span><em style="font-size: 13pt;">Metallica: Some Kind of Monster</em><span style="font-size: 13pt;"> found them — </span><span style="font-size: 13pt;">but not so calm and reflective that they can’t finish <a href="https://masterclass.pxf.io/3PvdoM" rel="nofollow">the course</a> off with, as Hammett puts it, “a bad-ass performance.”</span></p> <p>When you sign up to become a Masterclass member ($180 per year), you will have access to <a href="https://masterclass.pxf.io/3PvdoM" rel="nofollow">Metallica’s course</a> plus 100 others.</p> <p><em>Note: If you sign up for a MasterClass course by clicking on the affiliate links in this post, Open Culture will receive a small fee that helps support our operation.</em></p> <p><strong>Related Content:</strong></p> <p><a href="https://www.openculture.com/2021/04/watch-metallica-play-enter-sandman-before-a-crowd-of-1-6-million-in-moscow.html">Watch Metallica Play “Enter Sandman” Before a Crowd of 1.6 Million in Moscow, During the Final Days of the Soviet Union (1991)</a></p> <p><a href="https://www.openculture.com/2021/03/metallica-plays-antarctica.html">Metallica Plays Antarctica, Setting a World Record as the First Band to Play All 7 Continents: Watch the Full Concert Online</a></p> <p><a href="https://www.openculture.com/2020/04/experience-the-power-of-live-metallica-in-your-living-room.html">Metallica Is Putting Free Concerts Online: 6 Now Streaming, with More to Come</a></p> <p><a href="https://www.openculture.com/2021/05/who-invented-heavy-metal-music-a-search-for-origins.html">Who Invented Heavy Metal Music?: A Search for Origins</a></p> <p><a href="https://www.openculture.com/2018/12/carlos-santana-tom-morello-launch-online-courses-play-guitar.html">Carlos Santana & Tom Morello Launch Online Courses on How to Play the Guitar</a></p> <p><a href="https://www.openculture.com/2017/06/herbie-hancock-to-teach-his-first-online-course-on-jazz.html">Herbie Hancock to Teach His First Online Course on Jazz</a></p> <p><em>Based in Seoul, <a href="http://blog.colinmarshall.org/">Colin Marshall</a> writes and broadcas</em><em>ts on cities, language, and culture. His projects include the Substack newsletter</em> <a href="https://colinmarshall.substack.com/">Books on Cities</a>,<em> the book </em>The Stateless City: a Walk through 21st-Century Los Angeles <em>and the video series </em><a href="https://vimeo.com/channels/thecityincinema" rel="nofollow">The City in Cinema</a><em>. Follow him on Twitter at <a href="https://twitter.com/#%21/colinmarshall">@colinmarshall</a> or on <a href="https://www.facebook.com/colinmarshallessayist">Facebook</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2021/10/metallica-teaches-a-new-masterclass-on-how-to-build-sustain-a-band.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/metallica-teaches-a-new-masterclass-on-how-to-build-sustain-a-band.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/metallica-teaches-a-new-masterclass-on-how-to-build-sustain-a-band.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095652" ><a href="https://www.openculture.com/2021/10/watch-the-new-trailer-for-a-kurt-vonnegut-documentary-40-years-in-the-making.html" rel="bookmark" title="Permanent Link to Watch the New Trailer for a Kurt Vonnegut Documentary 40 Years In the Making"> Watch the New Trailer for a Kurt Vonnegut Documentary 40 Years In the Making </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/film" rel="category tag">Film</a>, <a href="https://www.openculture.com/category/literature" rel="category tag">Literature</a> </em> | October 29th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095652" class="post-1095652 post type-post status-publish format-standard hentry category-film category-literature"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/PbunvLdbWxA?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p>  </p></div> <p></p> <p>When Kurt Vonnegut first arrived in Dresden, a city as yet untouched by war, crammed into a boxcar with dozens of other POWs, the city looked to him like “Oz,” he wrote in his semi-autobiographical sixth novel <a href="http://www.amazon.com/gp/product/0385333846?ie=UTF8&tag=openculture-20&linkCode=xm2&camp=1789&creativeASIN=0385333846"><em>Slaughterhouse-Five</em></a>. After all, he says, “The only other city I’d ever seen was Indianapolis, Indiana.” When Vonnegut and his fellow GIs emerged from the bowels of the pork plant in which they’d waited out the Allied bombing of the city, they witnessed the aftermath of Dresden’s destruction. The city formerly known as “the Florence of the Elbe” was “like the moon,” as Vonnegut’s “unstuck” protagonist Billy Pilgrim says in the novel: cratered, pitted, leveled…. But the smoking ruins were the least of it.</p> <p>Vonnegut and his fellow prisoners spent the next few days removing and incinerating thousands of bodies, an <a href="https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0049.111;g=mqrg;rgn=main;view=text;xc=1">experience that would forever shape the writer and his stories</a>. Whether mentioned explicitly or not, Dresden became a “death card,” writes Philip Beidler, that Vonnegut planted throughout his work. Death recurs with banal regularity, the phrase “So it goes,” peppered (106 times) throughout <a href="http://www.amazon.com/gp/product/0385333846?ie=UTF8&tag=openculture-20&linkCode=xm2&camp=1789&creativeASIN=0385333846"><em>Slaughterhouse-Five</em></a>, which Vonnegut credited to the French novelist Celine, whose cynicism tipped over into hatred. Vonnegut may have gone as far as generalized misanthropy, but his dry, wisecracking humor and his humanism stayed intact, even if it had picked up a passenger: the horror of mass death that haunted his imagination.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Vonnegut, like Billy Pilgrim, became “unstuck in time,” a condition we might see now as analogous to PTSD, <a href="https://www.nytimes.com/2019/03/21/books/kurt-vonnegut-dresden-anniversary.html">his daughter Nanette says</a>. “He was writing to save his own life,” as news from Vietnam came in and Vonnegut, a pacifist, found himself “losing his temper” at the television. “He saw the numbers, how many dead,” she adds, “that these kids were being conned, and sent to their deaths. And I think it probably set a fire under him to have his say.” A new documentary on the writer titled <em>Unstuck in Time</em> shows how much impact his “say” had on the country’s readers. Vonnegut wrote unbridled satire, science fiction, and social commentary, in thin books with irreverent doodles in the margins. As director Robert Weide says in the trailer above, holding a copy of <a href="https://www.openculture.com/2013/05/hear_kurt_vonneguts_very_first_public_reading_from_ibreakfast_of_championsi_1970.html"><em>Breakfast of Champions</em>,</a> “what high school kid isn’t gonna gobble this up?”</p> <p>Weide, like most lovers of Vonnegut, discovered him as a teenager. At 23, the budding filmmaker contacted his literary hero about making a documentary. Over the course of the next twenty-five years, Weide– best known for his work with Larry David on <em>Curb Your Enthusiasm</em> (and <a href="https://www.latimes.com/opinion/story/2020-04-05/meme-directed-by-robert-weide">as a meme</a>) — filmed and taped conversations with Vonnegut until the author’s death in 2007. The resulting documentary promises a comprehensive portrait of the writer’s life, <a href="https://lithub.com/watch-the-trailer-for-a-new-documentary-about-kurt-vonnegut-with-footage-spanning-decades/">LitHub writes</a>, from his “childhood in Indianapolis to his experience as a prisoner of war to his rise to literary stardom to the fans left in the wake of his death, all through the lens of Vonnegut and Weide’s close friendship.”</p> <p>As the relationship between filmmaker and subject became part of the film itself, co-director Don Argott joined the project “to document the meta element of this story,” <a href="https://www.rollingstone.com/movies/movie-news/kurt-vonnegut-documentary-teaser-1089021/">says Weide</a>, “as I continued to focus on Vonnegut’s biography.” Forty years in the making, <em>Unstuck in Time</em>, evolved from a “fairly conventional author documentary” to what may stand as the most intimate portrait of the author put on film.<em> </em>Perhaps someday we’ll also see the publication of an 84-page scrapbook recently sold at auction, a <a href="https://www.smithsonianmag.com/smart-news/kurt-vonneguts-unpublished-world-war-ii-scrapbook-reveals-origins-slaughterhouse-five-180971046/">collection of Vonnegut’s wartime letters, news clippings, and photographs of the ruined German city</a> that he never fully left behind.</p> <p><strong>Related Content: </strong></p> <p><a href="https://www.openculture.com/2018/07/kurt-vonnegut-offers-8-tips-write-good-short-stories-plus-graphs.html">Kurt Vonnegut Offers 8 Tips on How to Write Good Short Stories (and Amusingly Graphs the Shapes Those Stories Can Take)</a></p> <p><a href="https://www.openculture.com/2018/12/why-should-we-read-kurt-vonnegut.html">Why Should We Read Kurt Vonnegut? An Animated Video Makes the Case</a></p> <p><a href="https://www.openculture.com/2020/03/watch-a-sweet-film-adaptation-of-kurt-vonneguts-story-long-walk-to-forever.html">Watch a Sweet Film Adaptation of Kurt Vonnegut’s Story, “Long Walk to Forever”</a></p> <p><a href="http://about.me/jonesjoshua"><em>Josh Jones</em></a><em> is a writer and musician based in Durham, NC. Follow him at <a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2021/10/watch-the-new-trailer-for-a-kurt-vonnegut-documentary-40-years-in-the-making.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/watch-the-new-trailer-for-a-kurt-vonnegut-documentary-40-years-in-the-making.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/watch-the-new-trailer-for-a-kurt-vonnegut-documentary-40-years-in-the-making.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095650" ><a href="https://www.openculture.com/2021/10/when-the-who-saved-new-york-city-after-9-11-watch-their-cathartic-madison-square-garden-set-october-20-2001.html" rel="bookmark" title="Permanent Link to When The Who Saved New York City After 9/11: Watch Their Cathartic Madison Square Garden Set (October 20, 2001)"> When The Who Saved New York City After 9/11: Watch Their Cathartic Madison Square Garden Set (October 20, 2001) </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/music" rel="category tag">Music</a> </em> | October 29th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095650" class="post-1095650 post type-post status-publish format-standard hentry category-music"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/aruDK5EmAl8?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p>  </p></div> <p></p> <p>A little more than a month after the terrorist attacks on 9/11, with the nation and world still reeling from that day, Madison Square Garden hosted <a href="https://en.wikipedia.org/wiki/The_Concert_for_New_York_City">The Concert for New York City</a>. A benefit concert of the first order, it was also a thank you to the sacrifice of NYC’s fire and police departments, which had lost many members during that day. (The former had lost 343 firefighters.) But like a lot of things about that day twenty years later, it has sort of vanished down the cultural memory hole.</p> <p>However, if you need reminding, the Who came out of retirement and delivered what some considered the set of the night. Tom Watson, writing in <a href="https://www.forbes.com/sites/tomwatson/2012/12/07/the-night-the-who-saved-new-york/?sh=4319b0dd28c3"><em>Forbes</em> magazine</a>, called it “The Night The Who Saved New York.”</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>The concert was free to any firefighter or policeman who came in uniform. Watson describes the vibe thus:</p> <blockquote><p>“To say that occupancy laws were stretched that night is to undersell the size of the place. Picture a Knicks game, then double the crowd. From the start, the building ran on a river of emotion and beer, which, if you wore a uniform — or your late loved one’s cap — was free. The thousands of cops in attendance studiously ignored thousands of other cops and firefighters lighting up a little reefer. Large bottles of high proof spirits were produced. The Garden was the biggest Irish wake in history.”</p></blockquote> <p>In a moment like this, a lot of the artists headed towards jingoism. It was understandable. Songs about America (David Bowie), songs about New York City (Billy Joel), songs about freedom (Paul McCartney), songs about heroes (also Bowie). But, what the crowd wanted that night was catharsis, and that’s what the Who brought.</p> <p>The set is the Who at their most anthemic, but also the most representative of the classic rock radio these uniformed men and women and their families grew up with: “Who Are You,” “Baba O’Reilly,” “Behind Blue Eyes,” and ending with “Won’t Get Fooled Again.” However the line “meet the new boss, same as the old boss” is quietly deleted. Not this time, cynicism.</p> <p>The concert was exactly what was needed for the grief of the community. And death hangs over the whole event, as camera cut to family members holding up photos of lost loved ones, while the World Trade Center rubble still smoldered.</p> <p>And then there’s what nobody knew at the time: this would be bassist John Entwistle’s last gig before his fatal heart attack eight months later. So many of the remaining first responders would die from the toxic chemicals breathed in on 9/11, and still they fight for some recompense from the government that honored them at first. Mayor Giuliani…well, we know what happened to him. And that ass whoopin’ we promised the Middle East wound up kicking America’s economy in the butt instead.</p> <p>Twenty years later the performance still holds up, a moment in time just before we all got fooled again.</p> <p><strong>Related Content:</strong></p> <p><a href="https://www.openculture.com/2012/08/keith_moon_drummer_of_the_who_passes_out_at_1973_concert_19-year-old_fan_takes_over.html">Keith Moon, Drummer of The Who, Passes Out at 1973 Concert; 19-Year-Old Fan Takes Over</a></p> <p><a href="https://www.openculture.com/2013/01/keith_moons_final_performance_with_the_who_1978.html">Keith Moon’s Final Performance with The Who (1978)</a></p> <p><a href="https://www.openculture.com/2018/02/what-made-john-entwistle-one-of-the-great-rock-bassists.html">What Made John Entwistle One of the Great Rock Bassists? Hear Isolated Tracks from “Won’t Get Fooled Again,” “Baba O’Riley” & “Pinball Wizard”</a></p> <p>Ted Mills is a freelance writer on the arts who currently hosts the <a href="https://anchor.fm/ted-mills9/">Notes from the Shed podcast</a> and is the producer of KCRW’s <a href="http://curious.kcrw.com/category/curious-coast">Curious Coast</a>. You can also follow him on Twitter at <a href="http://www.twitter.com/tedmills">@tedmills</a>, and/or watch his films <a href="https://vimeo.com/user749601">here</a>.</p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ted-mills" title="Posts by Ted Mills" rel="author">Ted Mills</a> | <a href="https://www.openculture.com/2021/10/when-the-who-saved-new-york-city-after-9-11-watch-their-cathartic-madison-square-garden-set-october-20-2001.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/when-the-who-saved-new-york-city-after-9-11-watch-their-cathartic-madison-square-garden-set-october-20-2001.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/when-the-who-saved-new-york-city-after-9-11-watch-their-cathartic-madison-square-garden-set-october-20-2001.html#comments">2</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095669" ><a href="https://www.openculture.com/2021/10/the-human-brain-a-free-online-course-from-mit.html" rel="bookmark" title="Permanent Link to The Human Brain: A Free Online Course from MIT"> The Human Brain: A Free Online Course from MIT </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/biology-2" rel="category tag">Biology</a>, <a href="https://www.openculture.com/category/online_courses" rel="category tag">Online Courses</a> </em> | October 28th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095669" class="post-1095669 post type-post status-publish format-standard hentry category-biology-2 category-online_courses"> <div class="oc-video-container"><iframe loading="lazy" frameborder="0" height="315" src="https://www.youtube.com/embed/playlist?list=PLUl4u3cNGP60IKRN_pFptIBxeiMc0MCJP" width="560"></iframe></div> <p>From MIT comes <a href="https://ocw.mit.edu/courses/brain-and-cognitive-sciences/9-13-the-human-brain-spring-2019/"><em>The Human Brain</em></a>, a series of 18 lectures presented by <a href="https://mcgovern.mit.edu/profile/nancy-kanwisher/">Professor Nancy Kanwisher</a>. They’re from a course that “surveys the core perceptual and cognitive abilities of the human mind and asks how they are implemented in the brain. Key themes include the representations, development, and degree of functional specificity of these components of mind and brain. The course will take students straight to the cutting edge of the field, empowering them to understand and critically evaluate empirical articles in the current literature.”</p> <p>Watch all of the lectures above, and find them added to our list of <a href="https://www.openculture.com/biology_free_courses">Free Biology Courses</a>, a subset of our collection <a href="https://www.openculture.com/freeonlinecourses">1,700 Free Online Courses from Top Universities</a>.</p> <p>If you would like to sign up for Open Culture’s free email newsletter, <a href="https://www.openculture.com/newsletter-signup">please find it here</a>. Or follow our posts on <a href="https://www.threads.net/@openculture">Threads</a>, <a href="https://www.facebook.com/openculture">Facebook</a>, <a href="https://bsky.app/profile/openculture.bsky.social">BlueSky</a> or <a href="https://toot.community/@openculture">Mastodon</a>.</p> <p><i><span style="font-weight: 400;">If you would like to support the mission of Open Culture, consider <a href="https://bit.ly/3EBHjtX">making a donation to our site</a>. It’s hard to rely 100% on ads, and your <a href="https://bit.ly/3EBHjtX">contributions</a> will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through <a href="https://www.openculture.com/help-fund-open-culture">PayPal</a>, <a href="https://bit.ly/3eB2GRB">Patreon</a>, and Venmo (@openculture). Thanks!</span></i><i></i></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/dancolman" title="Posts by OC" rel="author">OC</a> | <a href="https://www.openculture.com/2021/10/the-human-brain-a-free-online-course-from-mit.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/the-human-brain-a-free-online-course-from-mit.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/the-human-brain-a-free-online-course-from-mit.html#comments">1</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095629" ><a href="https://www.openculture.com/2021/10/play-a-kandinsky.html" rel="bookmark" title="Permanent Link to Play a Kandinsky: A New Simulation Lets You Experience Kandinsky’s Synesthesia & the Sounds He May Have Heard When Painting “Yellow-Red-Blue”"> Play a Kandinsky: A New Simulation Lets You Experience Kandinsky’s Synesthesia & the Sounds He May Have Heard When Painting “Yellow-Red-Blue” </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/music" rel="category tag">Music</a> </em> | October 28th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095629" class="post-1095629 post type-post status-publish format-standard hentry category-art category-history category-music"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/L-h6wQ2rP4M?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p><a href="https://www.guggenheim.org/artwork/artist/vasily-kandinsky">Wassily Kandinsky</a> could hear colors. Maybe you can too, but since studies so far have suggested that the underlying condition exists in less than five percent of the population, the odds are against it. Known as <a href="https://www.scientificamerican.com/article/what-is-synesthesia/">synesthesia</a>, it involves one kind of sense perception being tied up with another: letters and numbers come with colors, sequences take on three-dimensional forms, sounds have tactile feelings. These unusual sensory connections can presumably encourage unusual kinds of thinking; perhaps unsurprisingly, synesthetic experiences have been reported by a variety of creators, from Billy Joel and David Hockney to Vladimir Nabokov and Nikola Tesla.</p> <p>Few, however, have described synesthesia as eloquently as Kandinsky did. “Color is the keyboard,” he once said. “The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposely sets the soul vibrating by means of this or that key.”</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>That quote must have shaped the mission of <a href="https://artsandculture.google.com/experiment/sgF5ivv105ukhA"><strong>Play a Kandinsky</strong></a>, a collaboration between Google Arts and Culture and the <a href="https://www.centrepompidou.fr/en/">Centre Pompidou</a>. Enlisting the compositional services of experimental musicians Antoine Bertin and NSDOS, <a href="https://artsandculture.google.com/experiment/sgF5ivv105ukhA">it gives</a> even us non-synesthetes a chance to experience the intersection of sound and not just color but shape as well, in something of the same manner as the <a href="https://www.openculture.com/2017/09/who-painted-the-first-abstract-painting-wassily-kandinsky-hilma-af-klint-or-another-contender.html">pioneering abstract painter</a> must have.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/2xDnxkzQtdI?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>As explained in <a href="https://www.youtube.com/watch?v=2xDnxkzQtdI">the Listening In video above</a>, Kandinsky heard yellow as a trumpet, red as a violin, and blue as an organ. An image of sufficient chromatic and formal variety must have set off a symphony in his head, much like the one <a href="https://artsandculture.google.com/experiment/sgF5ivv105ukhA"><strong>Play a Kandinsky</strong></a> gives us a chance to conduct. As an interface it uses his 1925 painting <a href="https://www.wassily-kandinsky.org/Yellow-Red-Blue.jsp"><em>Yellow-Red-Blue</em></a>, each element of which, when clicked, adds another synesthetic layer of sound to the mix. These visual-sonic correspondences are based on Kandinsky’s own color theories as well as the music he would have heard, all processed with the formidable machine-learning resources at Google’s command. “What was he trying to make us feel with this painting?” <strong><a href="https://artsandculture.google.com/experiment/sgF5ivv105ukhA">Play a Kandinsky</a></strong> asks. But of course he didn’t have just one set of emotions in mind for his viewers, and making that possible was perhaps the most enduring achievement of his journey into abstraction.</p> <p><strong>Related Content:</strong></p> <p><a href="https://www.openculture.com/2021/09/the-evolution-of-kandinskys-painting.html">The Evolution of Kandinsky’s Painting: A Journey from Realism to Vibrant Abstraction Over 46 Years</a></p> <p><a href="https://www.openculture.com/2017/09/wassily-kandinsky-syncs-his-abstract-art-to-mussorgskys-music-in-a-historic-bauhaus-theatre-production-1928.html">Wassily Kandinsky Syncs His Abstract Art to Mussorgsky’s Music in a Historic Bauhaus Theatre Production (1928)</a></p> <p><a href="https://www.openculture.com/2012/06/wassily_kandinsky_captured_in_the_act_of_creation_1926.html">Time Travel Back to 1926 and Watch Wassily Kandinsky Make Art in Some Rare Vintage Video</a></p> <p><a href="https://www.openculture.com/2017/11/an-artist-with-synesthesia-turns-jazz-rock-classics-into-colorful-abstract-paintings.html">An Artist with Synesthesia Turns Jazz & Rock Classics Into Colorful Abstract Paintings</a></p> <p><a href="https://www.openculture.com/2016/01/artist-turns-famous-paintings-from-raphael-to-monet-to-lichtenstein-into-innovative-soundscapes.html">Artist Turns Famous Paintings, from Raphael to Monet to Lichtenstein, Into Innovative Soundscapes</a></p> <p><em>Based in Seoul, <a href="http://blog.colinmarshall.org/">Colin Marshall</a> writes and broadcas</em><em>ts on cities, language, and culture. His projects include the Substack newsletter</em> <a href="https://colinmarshall.substack.com/">Books on Cities</a>,<em> the book </em>The Stateless City: a Walk through 21st-Century Los Angeles <em>and the video series </em><a href="https://vimeo.com/channels/thecityincinema" rel="nofollow">The City in Cinema</a><em>. Follow him on Twitter at <a href="https://twitter.com/#%21/colinmarshall">@colinmarshall</a> or on <a href="https://www.facebook.com/colinmarshallessayist">Facebook</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2021/10/play-a-kandinsky.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/play-a-kandinsky.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/play-a-kandinsky.html#comments">1</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095546" ><a href="https://www.openculture.com/2021/10/scenes-of-new-york-city-in-1945-restored-colorized-with-artificial-intelligence.html" rel="bookmark" title="Permanent Link to Scenes of New York City in 1945 Colorized & Revived with Artificial Intelligence"> Scenes of New York City in 1945 Colorized & Revived with Artificial Intelligence </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/film" rel="category tag">Film</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/travel-2" rel="category tag">Travel</a> </em> | October 28th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095546" class="post-1095546 post type-post status-publish format-standard hentry category-film category-history category-travel-2"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/Br8u7u35weA?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p><a href="https://www.youtube.com/watch?v=haPwrxj9c7E">Are you irked</a> when a movie or video you’re attempting to enjoy is constantly interrupted by the commentary of a chatty fellow audience member?</p> <p>If so, don’t watch archivist <a href="https://www.panix.com/~footage/">Rick Prelinger</a>’s 2017 assemblage, <a href="https://vimeo.com/240606823"><em>Lost Landscapes of New York</em></a>, in the company of a New Yorker.</p> <p>Unlike Open Culture favorite <a href="https://www.youtube.com/channel/UC1W8ShdwtfgjRHdbl1Lctcw">NASS’s</a> five minute sample of <em><a href="https://vimeo.com/240606823">Lost Landscapes of New York</a>,</em> above, which adds color and ambient audio to the unvarnished found footage,  Prelinger — described by <em>the New York Times’</em> <a href="http://www.nytimes.com/by/manohla-dargis">Manohla Dargis</a> as a “collector extraordinaire…one of the great, undersung historians of 20th century cinema” — relishes such mouthiness from the audience. His black and white compilations are mostly silent.</p> <p>If you are a New Yorker, view that as an invitation <a href="https://vimeo.com/240606823">here</a>.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>For everyone else, on behalf of New Yorkers everywhere, we concede that our confident utterances may indeed drive you out of your gourd…</p> <p>Tourists with just one visit to their name can be forgiven for flaunting their personal brushes with such hall of famers as the Brooklyn Bridge and the Washington Square Arch, but there’s no competing with long time residents’ intimate knowledge of the city’s geography.</p> <p>It’s snobbery of a type, but have pity on us long time residents, who know we will be viewed as subordinates by those who were born within the five Boroughs.</p> <p>(We submit that there are layers to this…a native of, say, the Hoosier State, who can remember <a href="https://viewing.nyc/vintage-photographs-of-the-original-penn-station-will-make-your-mourn-its-deconstruction/">the original Penn Station</a> should be considered to have at least as much street cred as a millennial whose  birth in Brooklyn, Harlem or the West Village confers native New Yorker status.)</p> <p>However you slice it, consider this fair warning that some of us, viewing <em><a href="https://vimeo.com/240606823">Lost Landscapes of New York</a></em> in your company, will not be able to stop ourselves from triumphantly crowing, “That’s 8th between 43rd and 44th!”</p> <p>Again, it’s something Prelinger courts in local live screenings of his <em>Lost Landscapes </em>series<em>. </em></p> <p>The phenomenon is not limited to New York.</p> <p><iframe loading="lazy" frameborder="0" height="480" src="https://archive.org/embed/LostLandscapesOfSanFrancisco7" width="640"></iframe></p> <p>Be<em> </em>the setting San Francisco, Los Angeles, or Detroit, he views audience outbursts as the soundtracks to his mostly silent, non-narrative pastiches drawn from <a href="http://Lost%20Landscapes">his vast archive</a> of vintage <a href="https://openspace.sfmoma.org/2012/07/home-movies-are-important/">home movies</a>, government-produced films, and <a href="https://www.slrlounge.com/glossary/plate-shot-definition/#:~:text=Description:%20Plate%20shots%20are%20images,or%20plate%20composite)%20in%20post.">background footage</a> shot with an eye toward <a href="https://www.slrlounge.com/glossary/plate-shot-definition/#:~:text=Description:%20Plate%20shots%20are%20images,or%20plate%20composite)%20in%20post.">compositing into a feature film</a>.</p> <p>In a <a href="http://theessayreview.org/essayistic-interventions-taking-the-city-into-the-theater/">conversation with <em>The Essay Review</em></a><em>’s</em> Lucy Schiller, he remarked:</p> <blockquote><p><em>I’ve discovered that home movies become something else when blown up to theater-screen size. The change of scale provokes a role change in the audience, who without necessarily expecting it become more than simple commentators. They turn into ethnographers, noticing and often remarking on every visible detail of kinship, word and gesture and every interpersonal exchange. They also respond as cultural geographers, calling out streets and neighborhoods and buildings, reading signs aloud, repeating tradenames and brands and marking extinct details in the cityscape. If I could capture them (and I generally cannot, because it is hard to intelligibly record the voices of hundreds of people in one room), it would play back like an urban research project distributed through a crowd of investigators. Each successful identification, each naming achieved, is an endorphin trigger.</em></p></blockquote> <p>Prelinger is happy to play fast and loose with chronological order, scrambling period fashions, and color and black-and-white stock. This crazy quilt approach is in step with his resistance to constructing narratives (“the curse of contemporary documentary”) and admiration for the way enthusiastic amateurs’ footage renders “caste distinctions between animals and humans, between places and their inhabitants” moot:</p> <blockquote><p><em>I am much less interested in the minutiae of local history than I am in the process of daylighting it, in the relationship of history and contemporary life.</em></p></blockquote> <p>His approach allows those of us who live or have lived here to revel in <a href="https://freakonomics.com/podcast/fbrc-tom-dyja/">New York City’s long standing capacity for reinvention</a>.</p> <p>Like the anonymous tide of humanity bustling along our sidewalks (and darting into traffic, mid-block), the marquees, restaurant names and words on the delivery trucks aren’t fixed. We claim to hate it, but philosophers might suggest it’s what keeps us engaged.</p> <p>You won’t find many street vendors hawking frumpy cotton undies these days, but there are plenty of corners where you can buy fruit and veg… and iPhone cases, earbuds, and COVID-19 era face masks.</p> <p>As exciting as it is to successfully peg the quintessentially New York things that remain, there’s an equal thrill to recognizing and shouting out the things that don’t, especially if there’s a <a href="https://www.youtube.com/watch?v=2damCwA7CP0">significant personal connection</a>.</p> <p>It makes us feel like we’re notable, contributing in some way.</p> <p>You contribute, too, by watching <em>Lost Landscapes of New York (2017)</em> <a href="https://vimeo.com/240606823">here</a>, while simultanously keeping your eyes peeled for gratifyingly well attended, highly participated live screenings.</p> <p>If vintage amateur footage you’re in possession of is gathering dust, consider <a href="https://film.ucsc.edu/faculty/rick_prelinger" rel="nofollow">donating it to expand Prelinger’s archive</a>, already some 60,000 films strong.</p> <p>Watch Prelinger’s <em>Lost Landscapes</em> compilations of other cities <a href="https://vimeo.com/user7601670">here</a> and <a href="https://archive.org/details/prelinger?query=lost+landscapes">here</a> (see episode 7 of his San Francisco series above).</p> <p>Explore his massive archive <a href="https://archive.org/details/prelinger">on the Internet Archive</a>.</p> <p>And if you want to practice sounding like a “real New Yorker,” head back up to the top of the page, skip to the end, and inform everyone within earshot that that building is the old <a href="https://untappedcities.com/2018/01/08/the-top-10-secrets-of-nycs-james-a-farley-post-office/">James A. Farley Post Office</a> at 32nd and 8th:</p> <p>“Now it’s <a href="https://nec.amtrak.com/project/moynihan-station/" rel="nofollow">Moynihan Train Hall</a>! It opened on January 1! It’s part of Penn Station! Don’t forget to look up inside the 33rd street entrance, or you’ll miss <a href="https://www.nytimes.com/2020/12/30/arts/design/penn-station-art-moynihan.html#:~:text=Wiley's%20stained-glass%20paintings%20of,futuristic%20skyscrapers,%20at%2031st%20Street.">Kehinde Wiley’s incredible stained-glass ceiling</a>! And if you want a snack for the ride, you should hit <a href="https://www.hmart.com/">H‑Mart</a> on 32nd just east of <a href="https://www.nycgovparks.org/parks/greeley-square-park" rel="nofollow">Greeley Square</a>!”</p> <p><strong>Related Content:</strong></p> <p><a href="https://www.openculture.com/2017/06/new-york-city-in-the-1930s-and-now.html">See New York City in the 1930s and Now: A Side-by-Side Comparison of the Same Streets & Landmarks</a></p> <p><a href="https://www.openculture.com/2018/04/immaculately-restored-film-lets-you-revisit-life-in-new-york-city-in-1911.html">Immaculately Restored Film Lets You Revisit Life in New York City in 1911</a></p> <p><a href="http://www.openculture.com/2015/03/an-online-gallery-of-over-900000-breathtaking-photos-of-historic-new-york-city.html">An Online Gallery of Over 900,000 Breathtaking Photos of Historic New York City</a></p> <p><a href="http://ayunhalliday.com/"><em>Ayun Halliday </em></a><em>is an author, illustrator, theater maker and Chief Primatologist of </em><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><em>the East Village Inky</em></a><em> zine.  Follow her </em><a href="https://www.instagram.com/ayun_halliday/"><em>@AyunHalliday</em></a><em>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2021/10/scenes-of-new-york-city-in-1945-restored-colorized-with-artificial-intelligence.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/scenes-of-new-york-city-in-1945-restored-colorized-with-artificial-intelligence.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/scenes-of-new-york-city-in-1945-restored-colorized-with-artificial-intelligence.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095579" ><a href="https://www.openculture.com/2021/10/the-story-of-the-edsel-fords-infamously-failed-car-brand-of-the-1950s.html" rel="bookmark" title="Permanent Link to The Story of the Edsel, Ford’s Infamously Failed Car Brand of the 1950s"> The Story of the Edsel, Ford’s Infamously Failed Car Brand of the 1950s </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | October 28th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095579" class="post-1095579 post type-post status-publish format-standard hentry category-history category-technology"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/Wgeux2LlKjs?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>For 60 years now, the name Edsel has been synonymous with failure. In a way, this vindicates the position of Henry Ford II, who opposed labeling a brand of cars with the name of his father Edsel Ford. The son of Ford Motor Company founder Henry Ford, <a href="https://en.wikipedia.org/wiki/Edsel_Ford">Edsel Ford</a> died young in 1943, and thus didn’t live to see “E Day,” the rollout of his namesake line of automobiles. It happened on September 4, 1957, the culmination of two years of research and development on what was for most of that time called the “E car,” the letter having been chosen to indicate the project’s experimental nature. Alas, all seven of Edsel’s first models struck the American public as too conventional to stand out — and at the same time, too odd to buy.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/7b6Wg9_AwwA?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>You can hear the story of Edsel in the two videos above, <a href="https://www.youtube.com/watch?v=Wgeux2LlKjs">one from transportation enthusiast Ruairidh MacVeigh</a> and <a href="https://www.youtube.com/watch?v=7b6Wg9_AwwA">another from Regular Car Reviews</a>. Both offer explanations of how the brand’s cars were conceived, and what went wrong enough in their execution to make them a laughing stock still today. No Edsel postmortem can fail to consider the name itself, a choice made in desperation after the rejection of more than 6,000 other possibilities presented by the advertising firm of Foote, Cone & Belding.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Its manager of marketing research also unofficially <a href="http://www.listsofnote.com/2012/02/utopian-turtletop.html" rel="nofollow">sought the counsel of </a><span style="font-size: 13pt;"><a href="https://www.poetryfoundation.org/harriet-books/2012/02/the-ford-faberge-by-marianne-moore">modernist poet Marianne Moore</a>, whose suggestions included “Utopian Turtletop,” “Resilient Bullet,” “Mongoose Civique,” and “The Impeccable.”</span></p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/hbJmjMl26iE?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Another factor cited as a cause of Edsel’s disappointing sales is its cars’ signature vertical grille, derided early on for its shape resembling a horse collar — among other, less mentionable things. Such aesthetic missteps may not have sunk the brand on their own, but they certainly didn’t counteract the effects of other, more mundane conditions. These included persistent assembly-line problems (without a dedicated factory, Edsels tended occasionally to come out with parts improperly installed or absent) and a 1957 economic recession that made upper-middle-tier automobiles of this kind unappealing to the American driver. Even the top-rated CBS television special <a href="https://www.youtube.com/watch?v=Ze0Az9tdkHg"><em>The Edsel Show</em></a> — despite its performances from the likes of Bing Crosby, Frank Sinatra, Rosemary Clooney, and Louis Armstrong — drummed up little public enthusiasm.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/T6OkZBoKTHE?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Edsel lasted only from 1958 to 1960, in which time Ford manufactured 118,287 of its cars in total. Six decades after the mark’s retirement, fewer than 10,000 Edsel cars survive — most of them as sought-after collector’s items. For Edsels now have their appreciators, as evidenced by <a href="https://www.youtube.com/watch?v=T6OkZBoKTHE">the video above</a> from professional mid-century Americana enthusiast Charles Phoenix, who marvels over every feature of a 1958 Citation, Edsel’s top-of-the-line model, from its Teletouch push-button gear selector to its customizable speed-warning indicator. (Seatbelts came standard, despite being optional extras on other cars of the day.) Current Edsel owners also include lifestyle guru Martha Stewart, who showed off her mint 1958 Roundup in <a href="https://www.youtube.com/watch?v=KHD23J0GcCc">a recent video with Jay Leno</a> — though she seems rather prouder of also owning Edsel Ford’s house.</p> <p><strong>Related Content:</strong></p> <p><a href="https://www.openculture.com/2018/03/the-museum-of-failure-a-living-shrine-to-new-coke-the-ford-edsel-google-glass-other-epic-corporate-fails.html">The Museum of Failure: A Living Shrine to New Coke, the Ford Edsel, Google Glass & Other Epic Corporate Fails</a></p> <p><a href="https://www.openculture.com/2020/11/a-flying-car-took-to-the-skies-in-back-1949.html">A Flying Car Took to the Skies Back in 1949: See the Taylor Aerocar in Action</a></p> <p><a href="https://www.openculture.com/2016/03/a-hulking-1959-chevy-bel-air-crashes-into-a-small-2009-chevy-malibu.html">A Hulking 1959 Chevy Bel Air Gets Obliterated by a Mid-Size 2009 Chevy Malibu in a Crash Test</a></p> <p><a href="https://www.openculture.com/2020/12/the-hertella-coffee-machine-mounted-on-a-volkswagen-dashboard-1959-the-most-european-car-accessory-ever-made.html">The Hertella Coffee Machine Mounted on a Volkswagen Dashboard (1959): The Most European Car Accessory Ever Made</a></p> <p><a href="https://www.openculture.com/2014/09/stanford-archive-on-the-history-of-the-automobile.html">178,000 Images Documenting the History of the Car Now Available on a New Stanford Web Site</a></p> <p><em>Based in Seoul, <a href="http://blog.colinmarshall.org/">Colin Marshall</a> writes and broadcas</em><em>ts on cities, language, and culture. His projects include the Substack newsletter</em> <a href="https://colinmarshall.substack.com/">Books on Cities</a>,<em> the book </em>The Stateless City: a Walk through 21st-Century Los Angeles <em>and the video series </em><a href="https://vimeo.com/channels/thecityincinema" rel="nofollow">The City in Cinema</a><em>. Follow him on Twitter at <a href="https://twitter.com/#%21/colinmarshall">@colinmarshall</a> or on <a href="https://www.facebook.com/colinmarshallessayist">Facebook</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2021/10/the-story-of-the-edsel-fords-infamously-failed-car-brand-of-the-1950s.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/the-story-of-the-edsel-fords-infamously-failed-car-brand-of-the-1950s.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/the-story-of-the-edsel-fords-infamously-failed-car-brand-of-the-1950s.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1095615" ><a href="https://www.openculture.com/2021/10/watch-django-reinhardt-stephane-grappelli-play-masterfully-together-in-vivid-color-1938.html" rel="bookmark" title="Permanent Link to Watch Django Reinhardt & Stéphane Grappelli Play Masterfully Together in Vivid Color (1938)"> Watch Django Reinhardt & Stéphane Grappelli Play Masterfully Together in Vivid Color (1938) </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/film" rel="category tag">Film</a>, <a href="https://www.openculture.com/category/music" rel="category tag">Music</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | October 27th, 2021 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1095615" class="post-1095615 post type-post status-publish format-standard hentry category-film category-music category-technology"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/Qj8lhweSIM8?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Few jazz guitarists today could claim to be entirely free of the influence of <a href="https://en.wikipedia.org/wiki/Django_Reinhardt">Django Reinhardt</a>. This despite the fact that he lost the use of two fingers — which ultimately encouraged him to <a href="https://www.openculture.com/2015/07/how-django-reinhardt-after-losing-two-fingers-developed-an-innovative-style.html">develop a distinctive playing style</a> — and that he died 68 years ago. The unfortunate abbreviation of Reinhardt’s life means that he never built a substantial body of solo work, though he did play on many recorded dates that include performances alongside Coleman Hawkins and Benny Carter. It also means that he left even less in the way of footage, though we do get a crisp and illuminating view of him and his guitar in the 1938 documentary short “Jazz ‘Hot,’ ” <a href="https://www.openculture.com/2016/01/jazz-hot-with-django-reinhardt-1938.html">previously featured here on Open Culture</a>.</p> <p>“Jazz ‘Hot’ ” also features violin-playing from <a href="https://www.npr.org/2012/09/07/91706269/violinist-stephane-grappelli-on-piano-jazz">Stéphane Grappelli</a>, who founded the group <a href="https://en.wikipedia.org/wiki/Quintette_du_Hot_Club_de_France">Quintette du Hot Club de France</a> with Reinhardt in 1934. As they deepened their knowledge of jazz, the two influenced each other so thoroughly as to develop their own style of music.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Grappelli lived long enough to play with the likes of Jean-Luc Ponty, Paul Simon, Yo Yo Ma, and even <a href="https://www.openculture.com/2014/04/pink-floyds-wish-you-were-here-with-stephane-grappelli.html">Pink Floyd</a>. Still, more than a few jazz fans would surely claim that none of his professional collaborators was more important to his musical formation than Reinhardt. Now you can see them playing together in color, and fairly realistic color at that, in <a href="https://www.youtube.com/watch?v=Qj8lhweSIM8">the clip at the top of the post</a>.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/ANArGmr74u4?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>The original black-and-white footage (which appears <a href="https://www.youtube.com/watch?v=ANArGmr74u4">just above</a>) was colorized with <a href="https://github.com/jantic/DeOldify">DeOldify</a>, a deep learning-based application developed to restore photographs and motion pictures from bygone times. Perhaps you’ve seen the previous DeOldify colorization projects we’ve featured here, which run the gamut from musical numbers in <a href="https://www.openculture.com/2020/12/one-of-the-greatest-dances-sequences-ever-captured-on-film-gets-restored-in-color-by-ai-watch-the-classic-scene-from-stormy-weather.html"><em>Stormy Weather</em></a> and <a href="https://www.openculture.com/2021/03/the-iconic-dance-scene-from-hellzapoppin-presented-in-living-color-with-artificial-intelligence-1941.html"><em>Hellzapoppin’</em></a> to <a href="https://www.openculture.com/2021/04/experience-footage-of-roaring-1920s-berlin-restored-colorized-with-artificial-intelligence.html">scenes of 1920s Berlin</a> and even <a href="https://www.openculture.com/2020/10/snowball-fight-the-1896-film-by-lumiere-brothers-gets-restored-in-captivating-color.html">an 1896 snowball fight in Lyon</a>. Granted access to a time machine, more than a few jazz-lovers would no doubt choose to go back to the Paris of the 1930s to see the Quintette du Hot Club de France in action. Technology has yet to make that a viable proposition, but it’s given us a next-best-thing that no appreciator of jazz guitar — or jazz violin — could fail to enjoy.</p> <p><strong>Related Content:</strong></p> <p><a href="https://www.openculture.com/2016/01/jazz-hot-with-django-reinhardt-1938.html"><em>Jazz ‘Hot’</em>: The Rare 1938 Short Film With Jazz Legend Django Reinhardt</a></p> <p><a href="https://www.openculture.com/2015/07/how-django-reinhardt-after-losing-two-fingers-developed-an-innovative-style.html">How Django Reinhardt, After Losing Two Fingers, Developed An Innovative Style & Inspired Black Sabbath Guitarist Toni Iommi to Do the Same</a></p> <p><a href="https://www.openculture.com/2014/10/django-reinhardt-demonstrates-his-guitar-genius.html">Django Reinhardt Demonstrates His Guitar Genius in Rare Footage From the 1930s, 40s & 50s</a></p> <p><a href="https://www.openculture.com/2014/04/pink-floyds-wish-you-were-here-with-stephane-grappelli.html">Hear Lost Recording of Pink Floyd Playing with Jazz Violinist Stéphane Grappelli on “Wish You Were Here”</a></p> <p><a href="https://www.openculture.com/2020/12/one-of-the-greatest-dances-sequences-ever-captured-on-film-gets-restored-in-color-by-ai-watch-the-classic-scene-from-stormy-weather.html">One of the Greatest Dances Sequences Ever Captured on Film Gets Restored in Color by AI: Watch the Classic Scene from <em>Stormy Weather</em></a></p> <p><em>Based in Seoul, <a href="http://blog.colinmarshall.org/">Colin Marshall</a> writes and broadcas</em><em>ts on cities, language, and culture. His projects include the Substack newsletter</em> <a href="https://colinmarshall.substack.com/">Books on Cities</a>,<em> the book </em>The Stateless City: a Walk through 21st-Century Los Angeles <em>and the video series </em><a href="https://vimeo.com/channels/thecityincinema" rel="nofollow">The City in Cinema</a><em>. Follow him on Twitter at <a href="https://twitter.com/#%21/colinmarshall">@colinmarshall</a> or on <a href="https://www.facebook.com/colinmarshallessayist">Facebook</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2021/10/watch-django-reinhardt-stephane-grappelli-play-masterfully-together-in-vivid-color-1938.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2021/10/watch-django-reinhardt-stephane-grappelli-play-masterfully-together-in-vivid-color-1938.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2021/10/watch-django-reinhardt-stephane-grappelli-play-masterfully-together-in-vivid-color-1938.html#comments">1</a> ) | </p>   </div> </div> </div> </div> <div class="cleared"></div> <a href="https://www.openculture.com/2021/10/page/2" >More in this category... »</a> </div>  <div class="middle_sidebar"> <ul id="middle_sidebarwidgeted"> <li id="execphp-431254483" class="widget widget_execphp"><h2 class="widgettitle">Essentials</h2> <div class="execphpwidget"><div class="widgetbox"> <ul> <li><a href="https://www.openculture.com/freeonlinecourses">1,700 Free Online Courses</a></li> <li><a href="https://www.openculture.com/online-certificate-programs">200 Online Certificate Programs</a></li> <li><a href="https://www.openculture.com/online-degrees">100+ Online Degree & Mini-Degree Programs</a></li> <li><a href="https://www.openculture.com/freemoviesonline">1,150 Free Movies</a></li> <li><a href="https://www.openculture.com/freeaudiobooks">1,000 Free Audio Books</a></li> <li><a href="https://www.openculture.com/great-podcasts">150+ Best Podcasts</a></li> <li><a href="https://www.openculture.com/free_ebooks">800 Free eBooks</a></li> <li><a href="https://www.openculture.com/free_textbooks">200 Free Textbooks</a></li> <li><a href="https://www.openculture.com/freelanguagelessons">300 Free Language Lessons</a></li> <li><a href="https://www.openculture.com/business_free_courses">150 Free Business Courses</a></li> <li><a href="https://www.openculture.com/free_k-12_educational_resources">Free K-12 Education</a></li> <li><a href="https://www.openculture.com/dailyemail">Get Our Daily Email</a></li> </ul> </div></div> </li><li id="execphp-431254506" class="widget widget_execphp"><h2 class="widgettitle">Support Us</h2> <div class="execphpwidget"><div class="widgetbox noborder"> <br> We're hoping to rely on loyal readers, rather than erratic ads. 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href="https://www.openculture.com/2012/05/jorge_luis_borges_1967-8_norton_lectures_on_poetry_and_everything_else_literary.html">Jorge Luis Borges</a></li> <li><a href="https://www.openculture.com/2012/03/leonard_bernsteins_masterful_lectures_on_music.html">Leonard Bernstein</a></li> <li><a href="https://www.openculture.com/2012/04/igrowing_up_in_the_universei_richard_dawkins_presents_captivating_science_lectures_for_kids_1991.html">Richard Dawkins</a></li> <li><a href="https://www.openculture.com/2012/08/ieverything_i_knowi_42_hours_of_visionary_buckminster_fuller_lectures_1975.html">Buckminster Fuller</a></li> <li><a href="https://www.openculture.com/2011/04/walter_kaufmanns_lectures.html">Walter Kaufmann on Existentialism</a></li> <li><a href="https://www.openculture.com/2011/03/jacques_lacan_speaks_zizek_provides_free_cliffs_notes.html">Jacques Lacan</a></li> <li><a href="https://www.openculture.com/2014/07/listen-to-roland-barthes-deliver-his-40-hour-lecture-course-la-preparation-du-roman-in-french-1978-80.html">Roland Barthes</a></li> <li><a href="https://www.openculture.com/2013/05/7_nobel_speeches_by_7_great_writers.html">Nobel Lectures by Writers</a></li> <li><a href="http://www.nobelprize.org/mediaplayer/index.php?id=1502">Toni Morrison</a></li> <li><a href="https://www.openculture.com/2011/07/bertrand_russell_bbc_lecture_series_.html">Bertrand Russell</a></li> <li><a href="https://www.openculture.com/2012/11/take_first-class_philosophy_lectures_anywhere_with_free_oxford_podcasts.html">Oxford Philosophy Lectures</a></li> </ul> </div></div> </li><li id="custom_html-2" class="widget_text widget widget_custom_html"><h2 class="widgettitle">Sign up for Newsletter</h2><div class="textwidget custom-html-widget"><style id='mailster-form-default' type='text/css'>.mailster-embeded-form body{background:0;padding:0;margin:0}.mailster-embeded-form 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We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between.</p> <br> <a href="/advertise" style="color: white; font-size:1.2rem;" class="button"">Advertise With Us</a> <br> </br> </div></div> </li><li id="execphp-431254485" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Great Recordings</h2> <ul> <li><a href="https://www.openculture.com/2012/07/ts_eliot_reads_his_modernist_masterpieces.html">T.S. Eliot Reads Waste Land</a></li> <li><a href="https://www.openculture.com/2013/05/hear_sylvia_plath_read_fifteen_poems_from_her_final_collection_ariel_in_1962_recording.html">Sylvia Plath - Ariel</a></li> <li><a href="https://www.openculture.com/2013/06/on_bloomsday_hear_james_joyce_read_from_his_epic_iulyssesi_1924.html">Joyce Reads Ulysses</a></li> <li><a href="https://www.openculture.com/2012/02/james_joyce_reads_anna_livia_plurabelle_from_ifinnegans_wakei.html">Joyce - Finnegans Wake</a></li> <li><a href="https://www.openculture.com/2013/01/watch_patti_smith_read_from_virginia_woolf_and_hear_the_only_surviving_recording_of_woolfs_voice.html">Patti Smith Reads Virginia Woolf</a></li> <li><a href="https://www.openculture.com/2013/03/listen_as_albert_einstein_reads_the_common_language_of_science_1941.html">Albert Einstein</a></li> <li><a href="https://www.openculture.com/2013/08/charles-bukowski-poem-read-by-bukowski-tom-waits-and-bono.html">Charles Bukowski</a></li> <li><a href="https://www.openculture.com/2013/07/bill-murray-reads-poetry-by-billy-collins-cole-porter-and-sarah-manguso.html">Bill Murray</a></li> <li><a href="https://www.openculture.com/2010/04/ernest_hemingway_reads_in_harrys_bar_in_venice.html">Hemingway</a></li> <li><a href="https://www.openculture.com/2012/09/f_scott_fitzgerald_reads_from_shakespeares_iothelloi_and_john_masefields_on_growing_old_c1940.html">Fitzgerald Reads Shakespeare</a></li> <li><a href="https://www.openculture.com/2010/04/william_faulkner_reads_from_as_i_lay_dying.html">William Faulkner</a></li> <li><a href="https://www.openculture.com/2012/05/rare_1959_audio_flannery_oconnor_reads_a_good_man_is_hard_to_find.html">Flannery O'Connor</a></li> <li><a href="https://www.openculture.com/2013/07/j-r-r-tolkien-reads-from-the-two-towers-the-second-book-of-the-lord-of-the-rings-trilogy.html">Tolkien - The Hobbit</a></li> <li><a href="https://www.openculture.com/2012/06/allen_ginsberg_reads_his_beat_classic_poem_howl.html">Allen Ginsberg - Howl</a></li> <li><a href="https://www.openculture.com/2012/06/rare_1930s_audio_wb_yeats_reads_four_of_his_poems.html">W.B Yeats</a></li> <li><a href="https://www.openculture.com/2012/10/ezra_pounds_fiery_1939_reading_of_his_early_poem_isestina_altafortei.html">Ezra Pound</a></li> <li><a href="https://www.openculture.com/2012/08/dylan_thomas_recites_do_not_go_gentle_into_that_good_night_and_other_poems.html">Dylan Thomas</a></li> <li><a href="https://www.openculture.com/2013/02/anne_sexton_confessional_poet_reads_wanting_to_die_in_ominous_1966_video.html">Anne Sexton</a></li> <li><a href="https://www.openculture.com/2014/06/john-cheever-reads-the-swimmer.html">John Cheever</a></li> <li><a href="https://www.openculture.com/2014/09/hear-david-foster-wallace-read-his-own-essays-and-short-fiction.html">David Foster Wallace</a></li> </ul> </div></div> </li><li id="execphp-431254484" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Book Lists By</h2> <ul> <li><a href="https://www.openculture.com/2011/12/neil_degrasse_tyson_8_books_every_intelligent_person_should_read.html">Neil deGrasse Tyson</a></li> <li><a href="https://www.openculture.com/2013/05/ernest_hemingways_reading_list_for_a_young_writer_1934.html">Ernest Hemingway</a></li> <li><a href="https://www.openculture.com/2013/08/f-scott-fitzgerald-creates-a-list-of-22-essential-books-1936.html">F. Scott Fitzgerald</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2015/04/patti-smiths-list-of-favorite-books.html">Patti Smith</a></li> <li><a href="https://www.openculture.com/2015/08/brian-eno-book-lists.html">Brian Eno</a></li> <li><a href="https://www.openculture.com/2015/04/henry-miller-makes-a-list-of-the-100-books-that-influenced-me-most.html">Henry Miller</a></li> <li><a href="https://www.openculture.com/2012/09/christopher_hitchens_creates_a_reading_list_for_eight-year-old_girl.html">Christopher Hitchens</a></li> <li><a href="https://www.openculture.com/2013/11/joseph-brodskys-reading-list-for-having-an-intelligent-conversation.html">Joseph Brodsky</a></li> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">W.H. Auden</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2012/07/carl_sagans_undergrad_reading_list_from_plato_and_shakespeare_to_huxley_and_gide.html">Carl Sagan</a></li> <li><a href="https://www.openculture.com/2013/10/david-bowies-list-of-top-100-books.html">David Bowie</a></li> <li><a href="https://www.openculture.com/2015/03/the-books-samuel-beckett-really-liked.html">Samuel Beckett</a></li> <li><a href="https://www.openculture.com/2014/09/art-garfunkel-lists-1195-books.html">Art Garfunkel</a></li> <li><a href="https://www.openculture.com/2014/10/the-430-books-in-marilyn-monroes-library.html">Marilyn Monroe</a></li> <li><a href="https://www.openculture.com/2015/03/jorge-luis-borges-personal-library.html">Jorge Luis Borges</a></li> <li><a href="https://www.openculture.com/2015/03/74-books-curated-by-female-creatives.html">Picks by Female Creatives</a></li> </ul> </div> </div> </li><li id="execphp-431254513" class="widget widget_execphp"> <div class="execphpwidget"></div> </li><li id="execphp-431254490" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Syllabi</h2> <ul> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">WH Auden</a></li> <li><a href="https://www.openculture.com/2013/02/david_foster_wallaces_1994_syllabus.html">David Foster Wallace</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2013/08/zadie-smith-and-gary-shteyngarts-syllabi-from-columbia-university.html">Zadie Smith & Gary Shteyngart</a></li> <li><a href="https://www.openculture.com/2013/07/spike-lee-shares-his-nyu-teaching-list-of-87-essential-films-every-aspiring-director-should-see.html">Spike Lee</a></li> <li><a href="https://www.openculture.com/2014/11/lynda-barrys-wonderfully-illustrated-syllabus-homework-assignments-from-her-uw-madison-class-the-unthinkable-mind.html">Lynda Barry</a></li> <li><a href="https://www.openculture.com/2015/02/junot-diazs-syllabi-for-his-mit-writing-classes.html">Junot Diaz</a></li> </ul> </div></div> </li><li id="execphp-431254491" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Favorite Movies</h2> <ul> <li><a href="https://www.openculture.com/2013/07/stanley-kubricks-list-of-top-ten-films.html">Kubrick</a></li> <li><a href="https://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html">Kurosawa's 100</a></li> <li><a href="https://www.openculture.com/2013/08/quentin-tarantino-lists-the-12-greatest-films-of-all-time.html">Tarantino</a></li> <li><a href="https://www.openculture.com/2013/07/martin-scorsese-reveals-his-10-favorite-movies.html">Scorsese</a></li> <li><a href="https://www.openculture.com/2014/08/andrei-tarkovsky-creates-a-list-of-his-10-favorite-films-1972.html">Tarkovsky</a></li> <li><a href="https://www.openculture.com/2013/09/david-lynch-on-his-favorite-directors-including-fellini-wilder-tati-and-hitchcock.html">David Lynch</a></li> <li><a href="https://www.openculture.com/2014/05/werner-herzog-picks-his-5-favorite-films.html">Werner Herzog</a></li> <li><a href="https://www.openculture.com/2013/08/woody-allen-lists-the-greatest-films-of-all-time.html">Woody Allen</a></li> <li><a href="https://www.openculture.com/2014/03/wes-andersons-favorite-films.html">Wes Anderson</a></li> <li><a href="https://www.openculture.com/2015/05/the-10-favorite-films-of-avant-garde-surrealist-filmmaker-luis-bunuel-including-his-own-collaboration-with-salvador-dali.html">Luis Buñuel</a></li> <li><a href="https://www.openculture.com/2014/07/roger-eberts-final-list-of-his-top-10-favorite-films-2012.html">Roger Ebert</a></li> <li><a href="https://www.openculture.com/2013/12/susan-sontags-50-favorite-films.html">Susan Sontag</a></li> <li><a href="https://www.openculture.com/2014/10/scorseses-list-of-39-essential-foreign-films.html">Scorsese Foreign Films</a></li> <li><a href="https://www.openculture.com/2014/10/44-essential-movies-for-the-student-of-philosophy.html">Philosophy Films</a></li> </ul> </div></div> </li><li id="archives-3" class="widget widget_archive"><h2 class="widgettitle">Archives</h2> <ul> <li><a href='https://www.openculture.com/2024/12'>December 2024</a></li> <li><a href='https://www.openculture.com/2024/11'>November 2024</a></li> <li><a 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