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Jackpot! movie review & film summary (2024) | Roger Ebert

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id="content" class="site-content"> <div class="row"> <!-- Advally Ad --> <div class="roger-top-leaderboard" id="roger-1943085052"><div class="AdvallyTag" id="AdvAd-TopLeaderboard"></div></div> <div id="primary" class="content-area col-8"> <main id="main" class="site-main"> <header class="page-header m-auto max-w-[1440px] px-6 sm:px-8 flex flex-col justify-center md:grid md:grid-cols-12"> <div class="pt-8 pb-6 xl:pt-12 sm:pt-12 sm:pb-9 xl:pb-14 col-start-1 col-end-13 lg:col-start-3 lg:col-end-11"> <nav aria-label="breadcrumbs" class="rank-math-breadcrumb"><p><a href="https://www.rogerebert.com/reviews">Reviews</a></p></nav><h1 class="page-title mt-2 text-4xl sm:text-5xl sm:mt-3">Jackpot!</h1> <div class="flex items-center justify-start mt-3 sm:mt-4 mb-2 flex-wrap"> <div class="flex justify-start items-center mr-3 sm:mr-4"> <div class="star-box"> <img src="https://www.rogerebert.com/wp-content/themes/roger-ebert/source/images/stars-fill.svg" alt="star rating" class="h-7 filled star15"> <img height="28" width="139" src="https://www.rogerebert.com/wp-content/themes/roger-ebert/source/images/stars.svg" alt="star rating" class="h-7"> </div> </div> <a href="https://www.rogerebert.com/genre/action" class="px-2 sm:px-3 text-xs montserrat-700 py-[4px] sm:py-2 border border-primary-gold rounded text-primary-gold sm:text-[13px] uppercase transition-colors hover:bg-primary-gold hover:text-white">Action</a><div class="ml-2 sm:ml-3 text-meta-grey text-xs sm:text-base sm:w-auto font-heading-sans"> 106 minutes <span class="mx-1 sm:x-2"> ‧ </span>R <span class="mx-1 sm:mx-2"> ‧ </span>2024 </div> </div> <div class="flex items-center mt-3 sm:mt-5 flex-wrap text-sm sm:text-base"> <div class="flex items-center mb-3 sm:mb-0 mr-4 w-full sm:w-auto text-black font-bold font-heading-sans"> <a href="https://www.rogerebert.com/contributors/matt-zoller-seitz">Matt Zoller Seitz</a> </div> <div class="font-heading-sans text-meta-grey"> August 15, 2024 </div> <div class="font-heading-sans text-meta-grey ml-4"> 6 min read </div> </div> </div> </header> <section class="m-auto max-w-[1440px] px-6 sm:px-8 flex flex-col justify-center md:grid md:grid-cols-12"> <div class="col-start-1 col-end-13 lg:col-start-3 lg:col-end-11"> <div class="mt-2 mb-6 md:mb-12 lg:mb-20"> <div class="mb-4"><img width="1200" height="500" src="https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-jpg.webp" class="attachment-large size-large not-transparent wp-post-image" alt="" decoding="async" fetchpriority="high" srcset="https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-jpg.webp 1200w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-768x320.webp 768w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-568x237.webp 568w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-320x133.webp 320w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-324x135.webp 324w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-3-256x107.webp 256w" sizes="(max-width: 1200px) 100vw, 1200px" data-has-transparency="false" data-dominant-color="28201a" style="--dominant-color: #28201a;" /></div> <article id="post-243608" class="post-243608 review type-review status-publish has-post-thumbnail hentry category-reviews category-mzs"> <div class="entry-content text-lg sm:text-xl leading-7 sm:leading-8 mb-7 sm:mb-9"> <p><em>"</em>Jackpot!<em>"&nbsp;</em>is a trashy and repetitive action comedy about greed and bloodlust set&nbsp;in a world full of people who are&nbsp;proud to be awful.&nbsp;Directed by <a href="/cast-and-crew/paul-feig">Paul Feig</a> ("<a href="/reviews/spy-2015">Spy</a>"), it's set in near-future Los Angeles, which begins to seem like a statement in itself as the movie goes along. There's a statewide lottery. For some reason, the state government has decreed that citizens are permitted to hunt and kill winners to try and take their prize money. A handful of rules govern the hunt. One is, only those who've purchased a ticket and lost the draw&nbsp;can take part. Another rule is: no guns allowed. A third&nbsp;is: the hunt can only go on for 24 hours. If the original winner has survived at the end of that period, they get to keep their winnings.</p><div class="roger-review-inline-1" style="float: left; " id="roger-453961610"><div class="AdvallyTag" id="AdvAd-ReviewFloat-Left"></div></div> <p>Other than that, anything goes. Participants can use knives, clubs, broken bottles, bats, chains, rubber hoses, spears, curtain rods, mop handles, and presumably automobiles (though I don't recall anyone trying to run anyone down deliberately, which seems like a strange omission in retrospect). They can hunt alone or in groups, even very large groups.&nbsp;</p><div class="roger-review-inline-video" style="margin-left: auto; margin-right: auto; text-align: center; " id="roger-1881157223"><div id="ReviewInlineVideo" style="max-width: 600px; justify-content: center; display: flex; margin: 0px auto;"></div></div> <p>Awkwafina plays the target of the latest hunt, Katie Kim, a former actress who just returned home from many years spent visiting her&nbsp;dying mother in another state. Her dad died a while before. She didn't have a good relationship with either parent. We get a bit of detail about her personal life to explain why she doesn't know anything about the California state lottery turning into a murderous manhunt (she's been spending time with her mom; no, really, that's the reason) and also why she's worthy of our sympathy (beyond the fact that, like other past lottery winners, she doesn't deserve to be hunted like an animal; nobody does). Katie comes into her own winning ticket purely by accident and doesn't realize she has it until her number comes up during an audition (which she doesn't get) and everybody starts looking at her like a cartoon wolf staring at a lamb and imagining lamb chops.</p><div class="roger-review-inline-3" style="float: right; " id="roger-1175140433"><div class="AdvallyTag" id="AdvAd-ReviewFloat-Right"></div></div> <p>An entire economy seems to have grown up around the lottery hunt, though the movie only zeros in on one part: the security experts who locate winners and offer them protection from harm in exchange for a cut of their fortune. <a href="/cast-and-crew/john-cena">John Cena</a> plays one such security guard, a lovable bruiser named Noel. He used to work for a very successful lottery security company run by a snotty badass named Louie Lewis (<a href="/cast-and-crew/simu-liu">Simu Liu</a>). He saves Katie from death after the audition, when everyone in the building, including other actresses and a gymnasium full of karate students, have turned on her. She studied stage fighting but didn't learn a lot. Her instincts are good, but she lacks the moves to survive. Without Noel, she'd be dead meat. And without Katie, Noel would be just another square-jawed he-man. (He's got a backstory, of course, which Katie will gradually pry out of him.)</p><div class="roger-review-inline-2" id="roger-1487042474"><div class="AdvallyTag AdvAd-ReviewInline" data-nameprefix="AdvAd-ReviewInline"></div></div> <p>Written by <a href="/cast-and-crew/rob-yescombe">Rob Yescombe</a>, whose prior work was mainly on video games, "Jackpot!" doesn't make a lick of real-world sense, and it's not supposed to. It has a video game-like repetitiousness and gradual escalation, leading to a Big Boss showdown. There's a lot of obviously improvised comedy that sometimes lands but more often feels like somebody filmed the exercises in a comedy performance workshop.&nbsp;It's all in service of a movie that's&nbsp;more half-baked goof than full-blown satire.</p> <p>And it seems committed to not investigating the deeper implications of the scenario it's presenting, in which the lottery hunt is the logical outgrowth of a society that seems to have completely given up on modeling decent values and has decided instead to monetize the worst human behavior. When Katie rents a tiny room from a website and realizes when she gets there that it doesn't look anything like the pictures online, the young woman who rents it, appropriately named Shadi (<a href="/cast-and-crew/ayden-mayeri">Ayden Mayeri</a>), chirps "we used fake photos, because who's gonna stay here if we don't?" Early in the movie, Katie sees a hateful stage dad loudly and profanely griping about his young daughter, who just failed an audition. "Sorry for all the bad words," he tells the kid. "I only curse when your mom's being a f&mdash;--g b&mdash;h."&nbsp;</p> <p>Ace character actress <a href="/cast-and-crew/becky-ann-baker">Becky Ann Baker</a> gives us a glimpse of what the movie could've become in her brief performance as a lady who seems gentle and kind but is anything but. She captures the professional predator's self-satisfied inward smirk at fooling somebody who trusts them, a marrow-deep rottenness that is expressed through fleeting glimmers in the eyes, and that is visible only to people who know what to look for.&nbsp;</p> <p>But with a few exceptions, the movie's way shallower than its best character moments. We don't know what the state gets out of letting people hunt lottery winners–as in the "Purge" series, it seems on its face as if the cleanup required the next day would outweigh whatever value the exercise has in collectively permitting a society to let off some steam–but this is frankly not the kind of movie where you are supposed to think anything except, "that was a pretty funny line," or "that looks like that must've hurt" or "cool stunt."</p><div class="roger-review-inline-4" id="roger-1670578964"><div class="AdvallyTag AdvAd-ReviewInline" data-nameprefix="AdvAd-ReviewInline"></div></div> <p>There are seeds here that could've flowered into an audacious action comedy, perhaps in the vein of "Robocop" or "<a href="/reviews/the-running-man-1987">The Running Man</a>" or "Battle Royale." I kept thinking of that last one throughout "Jackpot!" because, unlike "Jackpot!," it's so cynical that it has moved beyond bitterness and into a kind of blase matter-of-factness, and also because it has an actual vision rather than a notion, and the action is imaginatively framed, lit, choreographed, and edited, an area of filmmaking that has never been Feig's strength or, honestly, one of his main areas of interest (though "Spy" had its kickass moments, <a href="https://www.youtube.com/watch?v=dF_psyfKhNA" target="_blank" rel="noopener">such as the kitchen fight</a>).&nbsp;</p> <p>The two stars have good chemistry – they seem to genuinely enjoy being around each other – but there's nothing in the script that challenges either of them in the way that <a href="/cast-and-crew/james-gunn">James Gunn</a> challenged Cena in two genuinely special superhero projects, "<a href="/reviews/the-suicide-squad-movie-review-2021">The Suicide Squad</a>" and "Peacemaker," or that <a href="/cast-and-crew/lulu-wang">Lulu Wang</a> challenged Awkwafina in "<a href="/reviews/the-farewell-2019">The Farewell</a>."&nbsp;For the most part, this is a lackadaisical project that is an example of the coarsened sensibilities it's making fun of.&nbsp;As&nbsp;is often the case with improv-driven movies, the outtakes that play during the end&nbsp;credits are more natural and&nbsp;pleasurable than the movie.&nbsp;</p><div class="roger-review-inline-5" id="roger-1592926268"><div class="AdvallyTag AdvAd-ReviewInline" data-nameprefix="AdvAd-ReviewInline"></div></div> <div class="swp-content-locator"></div> </div> </article> <div class="swp_social_panel swp_horizontal_panel swp_flat_fresh swp_default_full_color swp_individual_full_color swp_other_full_color scale-100 scale-" data-min-width="1100" data-float-color="#ffffff" data-float="none" data-float-mobile="none" data-transition="slide" data-post-id="243608" ><div class="nc_tweetContainer swp_share_button swp_twitter" 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height="85" src="https://www.rogerebert.com/wp-content/uploads/2024/06/Matt-Zoller-Seitz.jpg" class="h-full w-full object-cover" alt="" loading="lazy" fetchpriority="low" decoding="async" srcset="https://www.rogerebert.com/wp-content/uploads/2024/06/Matt-Zoller-Seitz.jpg 1200w, https://www.rogerebert.com/wp-content/uploads/2024/06/Matt-Zoller-Seitz-768x512.jpg 768w" sizes="auto, (max-width: 128px) 100vw, 128px" /> </div> <div class="text-lg flex-1"> <h5 class="font-heading-serif text-2xl mb-1"><a href="https://www.rogerebert.com/contributors/matt-zoller-seitz">Matt Zoller Seitz</a></h5> <p>Matt Zoller Seitz is the Editor-at-Large of RogerEbert.com, TV critic for <em>New York</em> Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.</p> </div> </div> </div> </div> </section> <div class="m-auto max-w-[1440px] px-2 pb-8 sm:pb-16 sm:px-2 flex flex-col justify-center md:grid md:grid-cols-12" id="content-lower"> <div class="col-start-1 col-end-13"> <div class="flex justify-center flex-wrap items-center"> <div class="flex flex-col items-start credit-col"> <h4 class="page-title mb-3 text-3xl sm:text-4xl font-heading-serif mt-0">Jackpot!</h4> <a href="https://www.rogerebert.com/genre/action" class="px-2 sm:px-3 mb-4 text-xs montserrat-700 py-[4px] sm:py-2 border border-primary-gold rounded text-primary-gold sm:text-[13px] uppercase transition-colors hover:bg-primary-gold hover:text-white">Action</a><div class="flex justify-start items-center mr-3 sm:mr-4"> <div class="star-box"> <img src="https://www.rogerebert.com/wp-content/themes/roger-ebert/source/images/stars-fill.svg" alt="star rating" class="h-7 filled star15"> <img height="28" width="139" src="https://www.rogerebert.com/wp-content/themes/roger-ebert/source/images/stars.svg" alt="star rating" class="h-7"> </div> </div> <div class="mt-4 text-label-grey font-heading-sans text-sm"> 106 minutes <span class="mx-2"> ‧ </span>R <span class="mx-2"> ‧ </span>2024 </div> </div> <div class="credit-col"> <div class="mt-2 sm:mt-0 mb-2 shadow-black shadow-sm sm:mb-3"><img width="1000" height="1485" src="https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-jpg.webp" class="attachment-medium size-medium not-transparent wp-post-image" alt="" loading="lazy" decoding="async" srcset="https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-jpg.webp 1000w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-768x1140.webp 768w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-215x320.webp 215w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-121x180.webp 121w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-319x474.webp 319w, https://www.rogerebert.com/wp-content/uploads/2024/08/Jackpot-2-256x380.webp 256w" sizes="auto, (max-width: 1000px) 100vw, 1000px" data-has-transparency="false" data-dominant-color="85705c" style="--dominant-color: #85705c;" /></div> </div> <div class="credit-col"> <h4 class="text-2xl mb-1 font-heading-serif">Cast</h4> <ul> <li class="font-heading-sans mb-2 sm:my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/awkwafina" class="underline">Awkwafina</a> <span>as Katie Kim</span> </li> <li class="font-heading-sans mb-2 sm:my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/john-cena" class="underline">John Cena</a> <span>as Noel Cassidy</span> </li> <li class="font-heading-sans mb-2 sm:my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/simu-liu" class="underline">Simu Liu</a> <span>as Louis Lewis</span> </li> <li class="font-heading-sans mb-2 sm:my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/ayden-mayeri" class="underline">Ayden Mayeri</a> <span>as </span> </li> <li class="font-heading-sans mb-2 sm:my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/seann-william-scott" class="underline">Seann William Scott</a> <span>as </span> </li> </ul> </div> <div class="credit-col"> <ul> <li class="mb-2 sm:mb-4"> <h4 class="text-2xl mb-1 font-heading-serif">Director</h4> <ul> <li class="font-heading-sans my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/paul-feig" class="underline">Paul Feig</a> </li> </ul> </li> <li class="mb-2 sm:mb-4"> <h4 class="text-2xl mb-1 font-heading-serif">Writer</h4> <ul> <li class="font-heading-sans my-2 text-sm"> <a href="https://www.rogerebert.com/cast-and-crew/rob-yescombe" class="underline">Rob Yescombe</a> </li> </ul> </li> </ul> </div> </div> </div> </div> <div class="border-t border-[#cccccc] border-solid pt-8 sm:pt-14 pb-0"> <div class="m-auto max-w-[1440px] px-6 sm:px-8 flex flex-col justify-center md:grid md:grid-cols-12"> <div class="col-start-1 col-end-13 lg:col-start-3 lg:col-end-11""> <h4 class="text-2xl mb-8 md:text-3xl w-full text-center font-heading-serif" id="comments-header">Leave a comment</h4> <div id="disqus_thread" class="mb-8"></div> <script> var DISQUS_TITLE = "Jackpot!"; var DISQUS_URL = "https://www.rogerebert.com/reviews/jackpot-amazon-film-review-2024"; var DISQUS_IDENTIFIER = "/reviews/jackpot-amazon-film-review-2024"; var DISQUS_DISABLE_ADS = false; </script> <noscript> Please enable JavaScript to view the <a href="https://disqus.com/?ref_noscript" rel="nofollow"> comments powered by Disqus. </a> </noscript> </div> </div> <div class="max-w-[1440px] ml-auto mr-auto relative flex flex-col px-6 xs:px-4"> <hr class="wp-block-separator single-template has-alpha-channel-opacity is-style-default"> <h4 class="text-2xl md:text-3xl w-full text-center font-heading-serif">Now playing</h4> <div class="w-auto pt-4 pb-2 sm:py-6 flex-1 grid-cols-1 grid xs:grid-cols-2 sm:grid-cols-3 lg:grid-cols-4"> <article class="review-small-card now-playing-random px-0 py-4 xs:px-2 sm:p-4 hidden"> <a href="https://www.rogerebert.com/reviews/sweethearts-max-keirnan-shipka-film-review" class="image-hover cursor-pointer relative rounded flex flex-col justify-end"> <div class="w-full aspect-9/14 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srcset="https://www.rogerebert.com/wp-content/uploads/2024/11/MV5BMmYxMTlmODQtZTUyOS00YWE3LWFjYTktOWU4ZjU3ZGYwZDk2XkEyXkFqcGc@._V1_-256x390.jpg 256w, https://www.rogerebert.com/wp-content/uploads/2024/11/MV5BMmYxMTlmODQtZTUyOS00YWE3LWFjYTktOWU4ZjU3ZGYwZDk2XkEyXkFqcGc@._V1_-768x1171-jpg.webp 768w, https://www.rogerebert.com/wp-content/uploads/2024/11/MV5BMmYxMTlmODQtZTUyOS00YWE3LWFjYTktOWU4ZjU3ZGYwZDk2XkEyXkFqcGc@._V1_-1007x1536.jpg 1007w, https://www.rogerebert.com/wp-content/uploads/2024/11/MV5BMmYxMTlmODQtZTUyOS00YWE3LWFjYTktOWU4ZjU3ZGYwZDk2XkEyXkFqcGc@._V1_-1343x2048.jpg 1343w, https://www.rogerebert.com/wp-content/uploads/2024/11/MV5BMmYxMTlmODQtZTUyOS00YWE3LWFjYTktOWU4ZjU3ZGYwZDk2XkEyXkFqcGc@._V1_-184x281.jpg 184w, https://www.rogerebert.com/wp-content/uploads/2024/11/MV5BMmYxMTlmODQtZTUyOS00YWE3LWFjYTktOWU4ZjU3ZGYwZDk2XkEyXkFqcGc@._V1_-118x180.jpg 118w, 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256px" data-has-transparency="false" data-dominant-color="b26846" style="--dominant-color: #b26846;" /> </div> <h3 class="text-2xl z-10 mt-4 inline"> <span>Heavier Trip</span> </h3> <div class="montserrat-500 mt-2 text-meta-grey text-sm"> Simon Abrams </div> <div class="w-full flex justify-start items-center mt-3"> <div class="star-box"> <img src="https://www.rogerebert.com/wp-content/themes/roger-ebert/source/images/stars-fill.svg" alt="star rating" class="h-5 filled star25"> <img width="99" height="20" src="https://www.rogerebert.com/wp-content/themes/roger-ebert/source/images/stars.svg" alt="star rating" class="h-5"> </div> </div> </a> </article> <article class="review-small-card now-playing-random px-0 py-4 xs:px-2 sm:p-4 hidden"> <a href="https://www.rogerebert.com/reviews/nutcrackers-movie-review" class="image-hover cursor-pointer relative rounded flex flex-col justify-end"> <div class="w-full aspect-9/14 overflow-hidden"> <img width="256" height="384" 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